Podcasts about Alethea Jones

关注公众号【Albert英语研习社】，0元报名《周一到周六 英语思维风暴营》直播大课，Albert带你巧用英语思维，轻松突破听说读写译。 Before Margot Robbie was behind the wheel of Barbie's bright pink convertible, it was actually Anne Hathaway who was going to be in the driver's seat. Way back in 2017, Hathaway was considering playing Barbie for Sony Pictures, with Alethea Jones circling to direct. The Oscar-winner says now, in hindsight, it's a “lucky thing” her Barbie movie never saw the light of day. Why? The actress says the team behind this year's Barbie, “hit a bullseye.”She was equally effusive in her praise for the woman who is the producer and eventual actual onscreen Barbie, Margot Robbie.主播：周邦琴Albert●没有名牌大学背景，没有英语专业背景●没有国外留学经历，没有英语生活环境●22岁成为500强公司全球员工英文讲师●24岁自学成为同声传译●25岁为瑞士联邦总统翻译

As I stepped into the light of And Just Like That Episode 106, I couldn't help but wonder: Will Jonathan Groff give me a facelift? Got a burning question about a relationship or friendship problem (or really anything Sex and the City adjacent)? Just record a voice memo on your phone and email it to AndJustLikeMatt@gmail.com and Matt will answer your question on the show with his very fancy guests. 

This week, the podcasters speak with director Alethea Jones.

This week, the podcasters speak with director Alethea Jones.

This week, the podcasters speak with director Alethea Jones.

This week, the podcasters speak with director Alethea Jones. The post Mrs. Davis Director Alethea Jones Breaks Down Season 1 appeared first on PostShowRecaps.com.

The chicks talk State Fair munchies, sharing weed in relationships, and animals who get high. This week's Stoner Movie Book Club movie is the 2017 Netflix original, Fun Mom Dinner, written by Julie Rudd and directed by Alethea Jones! NOV 7, 2021 - Stoner Chicks Live Twitch.tv/StonerChicksPodcast --- Our Slashtag.orgsies: www.stonerchickspodcast.com Become a Patron! patreon.com/stonerchicks Grace Penzell (@savinggrapes), Phoebe Richards (@27phoebe27), Kayla Teel (@keteel), and Stephani Thompson (@fannytragic). Instagram: @stonerchickspodcast Twitter: @stonerchickspod Facebook: Stoner Chicks Podcast TikTok: @broccolibroads Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by Shary Junco; Theme Song by Jessica DiMari; Cover Art by Ben Redder & AJ Dent

We Talk About: Alex's career path Starting your own production company Working in a male-dominated industry How to work through hard times Alex's daily workflow Having appropriate expectations of your employees Rolling with the punches Resources: pagefiftyfour.com Follow Alex: @alexsaks Follow Alli: @alliwebb Follow Lori: @loriharder Follow Brittany: @britdrisc Show Notes: Alex Saks makes movies happen. She's the principal of Page Fifty-Four Pictures, a filmmaker-driven, independent production company. Despite grabbing drinks with the likes of Diane Keaton, she's one of the most down-to-earth and hard working girls out there. She's been honored by Variety and the Hollywood Reporter as a person to watch. She talks about what it's like to build a career in a male-dominated industry, learn the imperativeness of hustle, and be your own boss.   Question Highlights:   What led you to where you are today?   What have been some of the challenges as a woman in this industry? What are some of the tools you use to get through hard times? How has the pandemic impacted you? Do you do anything consistently that sets you up for success?   Guest Bio: Alex Saks is the principal of Page Fifty-Four Pictures, a filmmaker-driven, independent production company created in 2017 which produces and finances feature films. Ms. Saks has produced fifteen films in the past five years. Her most recent films include: Red Rocket, directed by Sean Baker (and to be released by A24), Charlie Day's directorial debut El Tonto (starring Kate Beckinsale, Jason Sudeikis, Ken Jeong, Edie Falco, Common, and John Malkovich), and Shoot the Rooster (starring Margo Martindale, Ann Dowd, Judy Greer, and Henry Winkler), directed by Stephanie Laing.   In 2020, Ms. Saks' film, The Glorias, (directed by Julie Taymor, based on Gloria Steinem's best-selling autobiography, My Life on the Road, and starring Julianne Moore, Alicia Vikander, Timothy Hutton, Janelle Monáe, Bette Midler, and Lorraine Toussaint), premiered at The Sundance Film Festival and, later that year, on Amazon Prime. Saks' film, Chemical Hearts, (starring Lili Reinhart and Austin Abrams, directed by Rich Tanne) also premiered on Amazon Prime in 2020.   In 2018, Ms. Saks produced Paul Dano's directorial debut, Wildlife (starring Jake Gyllenhaal and Carey Mulligan), which made its world premiere at Sundance followed by screenings at Cannes, Toronto, and The New York Film Festival. Wildlife was acquired and released by IFC Films to immense critical praise. That same year, Paramount Pictures released Saks' summer blockbuster hit, Book Club, starring Diane Keaton, Jane Fonda, Candace Bergen and Mary Steenburgen. The film grossed more than 100 million worldwide.   In 2017, Ms. Saks' film, The Florida Project, made its world premiere at Cannes to unanimous critical acclaim and was acquired by A24. Written and directed by Sean Baker and starring Willem Dafoe, the film earned honors and wins from The AFI, The National Board of Review, The Critics' Choice Awards, and over 40 critics groups nationwide. The Florida Project also garnered nominations for the Golden Globes, BAFTAs, Spirit Awards, Gotham Awards, the SAG-AFTRA Awards, and the Oscars.   Her other credits include: Thoroughbreds (the psychological thriller written and directed by Cory Finley, starring Olivia Cooke, Anya Taylor-Joy, and Anton Yelchin, and released by Focus Features), POMS (directed by Zara Hayes, starring Diane Keaton, Jacki Weaver, Pam Grier, Celia Weston, and Rhea Perlman, and wide-released theatrically by STX), Dude (the dramatic comedy written and directed by Olivia Milch, starring Lucy Hale, Kathryn Prescott, Alexandra Shipp, and Awkwafina, and released by Netflix), Fun Mom Dinner (the comedy directed by Alethea Jones, starring Toni Collette, Molly Shannon, Bridget Everett, and Kate Aselton, and which sold to Netflix and eOne's Momentum Pictures), Joshua: Teenager vs. Superpower (the documentary which won the 2017 Sundance Film Festival Audience Award in the World Cinema Documentary category before selling to Netflix), and What They Had (the drama written and directed by Elizabeth Chomko, starring Hilary Swank, Michael Shannon, and Blythe Danner, and released by Bleecker Street).   In 2017, Saks was honored by both Variety in its annual “10 Producers to Watch” and The Hollywood Reporter on its “Next Gen: Hollywood's Up-and-Coming Execs 35 and Under” lists. She then went on to be recognized by Town & Country magazine as one of its 2018 “50 Modern Swans.” She is an annual guest at Marie Claire's Power Trip for women at the top of their given fields. Prior to her producing career, she served as an agent at ICM, where her work in the independent and international group revolved around the packaging, financing, and selling of independent films including: Tallulah, Results, The Intervention, Time Out of Mind, Sandcastle, The Overnight, Skeleton Twins, The One I Love, Infinitely Polar Bear, Stockholm, Pennsylvania, and People, Places, Things. She began her career at The Mark Gordon Company, before working at Automatik and IM Global under Brian Kavanaugh-Jones as a creative and production executive. Ms. Saks is a graduate of Wake Forest University where she received her degree in History

Here is part 2 of the live podcast we recorded at our Celebrate Lodge 49 panel during the Long Beach Comic Expo. The panelist include Alethea Jones, Andrew Carroll, Eric Allan Kramer and Sam Puefua. One more episode to go in our Long Beach Comic Expo Trilogy. we will wrap things up and talk about the experience, the weekend and what comes next for Pod 49!Show NotesPart 1Eric Allan Kramer on TwitterAndrew Carroll on TwitterAlethea Jones on TwitterSam Puefua on TwitterOur Tweet Thread Thank You notes!YouTube of Panel 1YouTube of Panel 2You can now listen and subscribe to Pod 49 on:Apple/iTunesSpotifyGoogle Play MusicStitcherTuneInI Heart RadioOvercastPlease rate and review us on your favorite listening platform!Follow us on Twitter: Pod49Follow Chris Larry on Twitter: chrislarry33Follow Bart on Twitter: @bartdecoursyFollow Jim on Instagram: @jwfloodEmail us at: chrislarry33@gmail.com See acast.com/privacy for privacy and opt-out information.

Alex and Nick invite Gretchen Enders, writer on TV series (Queen America, Grace and Frankie, Take My Wife, Gortimer Gibbon's Life on Normal Street) and audio originals (Bedtime Stories for Cynics, This Sounds Serious), to discuss working and pitching shows across formats. How do you blend your voice within an established show? How do you find stability as a TV writer between seasons? What is good advice when taking a general meeting? How were the rooms of Queen America, Grace and Frankie, Take My Wife, and Gortimer Gibbons? How does writing radio plays compare with writing for television? What should you keep in mind when pitching and selling shows? What was it like winning a WGA award? The Paper Team intently listens... SHOWNOTES Content Writing and Pitching Across Formats with Gretchen Enders (00:34) Final Advice, Resources, and Next Week On (44:12) Links Gretchen Enders on Instagram Queen America on Facebook Grace and Frankie on Netflix Gortimer Gibbon's Life on Normal Street on Amazon Take My Wife "Directing TV Comedy ft. Alethea Jones" (PT118) "Room to Dream" - David Lynch & Kristine McKenna Northern Exposure Level Up "Gortimer, Ranger and Mel vs. The Endless Night" (2x13 - Gortimer Gibbon's Life on Normal Street) Aminta Goyel Shauna McGarry Nick Offerman's Bedtime Stories for Cynics This Sounds Serious Patriot Resource "The Hollywood Standard" - Christopher Riley Special thanks to Alex Switzky for helping us edit this episode. If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :) You can find Paper Team on Twitter: Alex - @TVCalling Nick - @_njwatson If you have any questions, comments or feedback, you can e-mail us: ask@paperteam.co

Alex and Nick invite Alethea Jones, director on Queen America, Wrecked and Gortimer Gibbon's Life on Normal Street, to discuss what goes behind directing TV comedies and half-hour shows. What is the role of a director in television? How can writers better convey action for directors? How does a director work with a TV writer on set? What are differences between directing children's television and comedies? How do directors handle crossboarding? What are the responsibilities of being a producing director? The Paper Team takes the shot... SHOWNOTES Content Directing for TV comedies and dramas with Alethea Jones (00:43) Final Advice, Resources and Next Week On (44:27) Links Alethea Jones on Twitter Queen America on Facebook Wrecked Gortimer Gibbon's Life on Normal Street Strictly Ballroom Gretchen Enders Charles Randolph Babylon Berlin Succession Resources DaFont Shot Designer Scriptation This episode brought to you by Script PipelineSubmit by March 1st to the 2019 Script Pipeline contest for a reduced entry fee Special thanks to Alex Switzky for helping us edit this episode. If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :) You can find Paper Team on Twitter: Alex - @TVCalling Nick - @_njwatson If you have any questions, comments or feedback, you can e-mail us: ask@paperteam.co

Director Suzi Yoonessi discusses her film, Unlovable, with fellow director Alethea Jones. The film tells the story of Joy, a woman who joins a 12-step program to take control of her sex and love addiction after losing her boyfriend and her job and surviving a suicide attempt. After seeking help, she finds a sponsor and discovers the beauty of platonic friendship when she begins making music with a socially inept musician named Jim. See photos and a summary of this event below: https://www.dga.org/Events/2019/Jan2019/Unlovable_QnA_1118.aspx

Alethea Jones (director behind Sony’s upcoming live-action feature BARBIE with Oscar-winner Anne Hathaway, and Sundance feature ‘Fun Mom Dinner’ with Toni Collette) discusses the nitty-gritty process behind her directing career - from acting school, up to winning the Screen Australia Breakthrough Award from AiF in October. Hear about what themes from her life and society she attributes her success to, as well as a rather surprising story for what helped pay the bills while she was an up-and-coming short-film director. Alethea also gives generous tips for those aspiring filmmakers out there, so take a listen and take notes. See acast.com/privacy for privacy and opt-out information.

Steve chats with director Alethea Jones (Fun Mom Dinner, American Woman) about losing her sister in her early 20s, briefly becoming born again, and how it all lead to a career behind the camera.

Episode 74 of One Week Only! This week's key film is "Columbus," a beautifully shot, meditative drama set in the architecture-mecca of Columbus, Indiana. With terrific performances from John Cho and Haley Lu Richardson, the film paints a quiet, thoughtful portrait of two people stuck at a crossroads and unsure of where they want to go in life. Directed by Kogonada, this is a simple but elegant film, and one of the best debuts of the year. Now Playing in New York and Los Angeles.(54:50) We also review the animated adventure "Mune: Guardian of the Moon" (coming to theaters nationwide as a Fathom Event on August 12th) directed by Alexandre Heboyan & Benoît Philippon (8:05); the inspiring documentary "It's Not Yet Dark" directed by Frankie Fenton (19:10); the wild comedy "Fun Mom Dinner" directed by Alethea Jones (26:40); the gritty documentary "Check It" directed by Toby Oppenheimer & Dana Flor (36:20); and the French road trip romantic drama "4 Days in France" directed by Jérôme Reybaud (45:45). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

Steve chats with Australian director Alethea Jones about her career & new movie, "Fun Mom Dinner."

Fun Mom Dinner is the debut feature from this Tropfest winning actor-turned-filmmaker. She’s made short films with an amazing irreverence, won Tropfest with her film Lemonade Stand, directed commercials, a series for Amazon TV which she’s just been nominate for a Director’s Guild award for, and right now, her film, Fun Mom Dinner, is playing at the holy grail of independent cinema, the Sundance Film Festival, the ramble room welcomes to the chat cave, Alethea Jones!

Fun Mom Dinner is the debut feature from this Tropfest winning actor-turned-filmmaker. She’s made short films with an amazing irreverence, won Tropfest with her film Lemonade Stand, directed commercials, a series for Amazon TV which she’s just been nominate for a Director’s Guild award for, and right now, her film, Fun Mom Dinner, is playing at the holy grail of independent cinema, the Sundance Film Festival, the ramble room welcomes to the chat cave, Alethea Jones!

Director, writer and choreographer Alethea Jones (2012 Tropfest winning LEMONADE STAND, THE GENTLEMEN’S GUIDE TO KNIFE FIGHTING) had a two year campaign of to-ing and fro-ing between Oz and LA before moving here. But, boy, did it pay off! In the last year she has directed a couple of episodes of GORTIMER GIBBON’S LIFE ON NORMAL STREET and the pilot episode of A HISTORY OF RADNESS - both for Amazon Studios. We discuss the power of saying ‘I don’t know’, the difference between pitch meetings and general meetings, the necessity of making messy short films and the importance of making your boss look good to their boss.