Podcasts about Red Rocket

Bible Reading: Luke 12:6-7In the attic's dim light, Andrew could see many interesting things--boxes of Christmas ornaments, piles of photo albums, and trunks filled with camping equipment. He and Dad were hunting for Dad's old train set from when he was Andrew's age. "What's this?" asked Andrew, stumbling across a large wooden crate with dozens of items wrapped in newspaper. Wondering what was inside, he began to unravel one. He was disappointed to discover an old-fashioned teacup painted with rambling roses."Be careful with that!" said Dad. "That looks like Grandma Joan's teacup collection. It's very precious to your mom."Andrew was puzzled. "What's so precious about a box full of teacups?" he asked. "Didn't Mom tell you the story? Grandma Joan collected teacups from every place she ever visited. She had teacups from all over the world!"Andrew's eyes grew wide. Perhaps the teacups weren't so boring after all."They're not everybody's 'cup of tea,'" continued Dad, obviously pleased with his awful joke, "but this collection was Grandma Joan's treasured possession!" "What do you mean?" asked Andrew. "Like, her very favorite thing?" "Exactly!" said Dad. "Over the years, those teacups became very valuable. She could have sold them at a high price, but she wouldn't think of it. They held a lot of memories."Andrew smiled--now he understood. The teacups reminded her of all the places she'd visited. "Do you know there's a verse in the Bible about God's treasured possession?" asked Dad.Andrew was intrigued. "God has a treasured possession? What is it?""Well," said Dad, "it's you and me, and all of God's people all over the earth. We're so valuable to Him that He was willing to pay a high price so we could be His. He sent His Son, Jesus, to die for our sins so that we could have a relationship with Him." Dad blew away years of dust from a large rectangular box. "And speaking of favorite things--this was definitely mine when I was your age!" He opened the box. "Here she is! The Red Rocket!"Andrew hurried over to have a look at the red locomotive. "Wow, it's so awesome! Can we set it up today, Dad? Please?""Okay," said Dad. "Let's go!"–Angela JelfHow About You?Do you have a treasured possession? Is it valuable? You can tell how valuable something is by the price someone is willing to pay for it. God's people are His treasured possession. He paid the highest price--the life of His Son, Jesus--to make you one of His children. That's how much He loves you. You are very valuable to Him!Today's Key Verse:The LORD your God has chosen you out of all the peoples on the face of the earth to be his people, his treasured possession. (NIV) (Deuteronomy 7:6)Today's Key Thought:You are valuable to God

This week's theme is Fame. Bob & Robb choose six movies that seek the spotlight. Bob:  Babylon (14:48), The Neon Demon (34:06), Red Rocket (53:41) Robb:  Windy City Heat (4:21), Fame (1980) (26:23), Weird: The Al Yankovic Story (43:38) Follow —> Rewind Video: https://rewindvideopod.substack.com/p/follow-rewind-video Bob: https://bsky.app/profile/rgdjr.bsky.social  Robb: http://robbwitmer.info  

The guys explore an irredeemable protagonist's journey in Sean Baker's Red Rocket.Email: fourguysonefilm@gmail.comLetterboxd & TikTok: fourguysonefilm

Anora fue la gran ganadora de los Premios Óscar de este año, triunfando en cinco de las categorías más importantes. Sin embargo, las mejores películas de ese director se estrenaron hace ya varios años y en su momento fueron completamente ignoradas por esos corruptos premios.    En este episodio conversamos sobre las dos obras maestras de Sean Baker (infinitamente mejores que Anora), The Florida Project y Red Rocket. Antes de eso exploramos los acontecimientos más importantes de la vida de Juanki.       Timecodes: Intro 0:00 15:03 Juanki comienza a dar clases de inglés 33:20 Juanki rompe y desrompe con su novia 01:18:27 The Florida Project 02:12:29 Red Rocket

Market Proof Marketing · Ep 379 - RocketFin or RedRocket?Kevin Oakley is back this week, and is joined by Julie Jarnagin and Beth Russell. This week's episode kicks off with a funny story from Kevin about being everyone's best friend, and shifts into story time, covering insightful calls with builders the team has had recently. News stories discussed include Google lifting its 2019 ban on fingerprinting for advertisers, a deep dive into the effectiveness of builder incentives, AI readiness in homebuilding, and a new task manager blog written by DYC's very own, Samantha Kellenberger!Story Time (02:31): Mike Lyon reflects on early OSC days, when managing leads felt like a side hustle.Kevin Oakley's family listens to old podcast episodes, roasting his past takes and how you can get more sales with fewer leads.Jackie shares a content strategy for competing with national builders.SPECIAL ANNOUNCEMENTUnlock Your Digital Marketing Potential: Master Proven Strategies With The Upgraded Market Proof Marketing Academy!Tickets are now available! Class begins May 6th.In The News (24:15): Why "Just" is the Most Dangerous Word in Marketing and DesignRedfin Acquired By Rocket CompaniesAI Search Has Some Big ProblemsGoogle Announces "AI Mode" For Search Results That Only Shows You AI SlopForget Dream Homes - Here's What First Time Buyers Really Want in 2025Things We Love - Things We Hate (53:30):Jackie: Her son's birthday & the infamous "Bluey" cake fail.Mike: His love-hate relationship with AI for schoolwork.Kevin: Discovering that both he & his wife are obsessed with analogies.Like and subscribe on your favorite platform! The post Ep 379 - RocketFin or Red Rocket? appeared first on Online Sales and Marketing for Home Builders - DYC.

Wann hilft Paul McCartney Hazel beim Kofferpacken? Was ist Sous-Vide-Garen? Wie hat Hazel ihren Grillkurs erlebt? Ist „Anora“ sehenswerter als die Doku über „Engelbert Strauss“? Und was war das Besondere an Conan O'Briens Eröffnungsmonolog bei den Oscars? Hazel kocht, Thomas schaut weg. Inhalt: 00:00 Küchen-Content 12:37 Meta-Laune 18:32 Grillkurs 32:43 Bücher im Regal 40:54 Die Oscars & Sean Baker 51:48 Launen in einer Gruppe 58:50 ESC-Song & KI im Film 1:07:47 Doku Engelbert Strauss 1:10:47 Special Andrew Schulz & Podcast Was jetzt Zeitstempel können variieren. Zahnarztpraxis Spitzer + Spitzer https://www.spitzer-zahnaerzte.de Meatheaven https://www.meatheaven.de Wagyū - deutsch „Japan-Rind“ BBQ heißt „barbe à queue“ BBQ Tradition US-amerikanische Südstaaten https://www.theguardian.com/commentisfree/2015/jul/04/barbecue-american-tradition-enslaved-africans-native-americans WHO zu Wurst und „verarbeitetem“ Fleisch https://www.verbraucherzentrale.de/wissen/lebensmittel/lebensmittelproduktion/who-verarbeitetes-fleisch-krebserregend-12300#:~:text=Verarbeitetes%20Fleisch%20wird%20von%20der,Fleisch%20und%20Wurst%20pro%20Woche. Sean Baker Rekord https://deadline.com/2025/03/anora-sean-baker-walt-disney-oscar-record-1236308465/ Oscar-Wikipedia-Artikel siehe Punkt 7 „Das Verfahren“ https://de.wikipedia.org/wiki/Oscar Conan O'Briens Oscar-Monolog https://youtu.be/_mtJGwoYfGU?si=lbuujNZ5GtHSpiTt Red Rocket https://en.wikipedia.org/wiki/Red_Rocket_(film) Süßigkeitenhändler von „Anora“ https://youtu.be/BNCWZ_oYH1M?si=yyJdvlbIKZAr52CT Making Of „Florida Projekt“ (ab Min 20 ca. kommt der Regenbogen) https://youtu.be/ktOFVqAjDwk?si=vXGNh4wF8aTQbukf Mikey Madison Declined an Intimacy Coordinator on ‚Anora' https://variety.com/2024/film/news/anora-intimacy-coordinator-respond-mikey-madison-sean-baker-1236254012/ Adrien Brody Kaugummi-Aufreger bei den Oscars https://youtu.be/KkrlYe6KgcI?si=Eh0aVwvb2z8_yCRw Baller von Attila und Tünde Bornemisza https://de.wikipedia.org/wiki/Baller_(Lied) Hanz Zimmers Dune 2 Soundtrack Disqualifikation https://www.bonedo.de/artikel/hans-zimmers-soundtrack-zu-dune-2-fuer-oscars-disqualifiziert/ „No CGI“ zB in Oppenheimer nicht wahr https://www.nme.com/news/film/no-special-effects-in-oppenheimer-is-clearly-not-true-says-vfx-supervisor-3488035 Engelbert Strauss Doku https://www.ardmediathek.de/film/billion-dollar-workwear-die-engelbert-strauss-story/MWRlZGEyNmUtYjE4Yi00MTFkLWExOTQtYjM4ODgxN2FjMTBk Andrew Schulz Trailer https://youtu.be/03LyjOA3ztM?si=bVDT7XZZo3_nl-T1 Was jetzt Sonderfolge https://open.spotify.com/episode/6k87dBEu1oD6MkgR03Kdet?si=l31ORwyWQWqYSa8rJcA2jw Zeit-Podcast über Friedrich Merz https://www.zeit.de/serie/merz Gläsernes Gehirn beim Vesuv https://www.swr.de/wissen/verglastes-gehirn-bei-vulkan-opfer-in-herculaneum-raetsel-geloest-100.html Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Stephonik's Production Design work includes: Prince of Broadway, Snowbird, The Florida Project, Red Rocket, Bleeding Love, and Gonzo Girl. Stephonik has made musical contributions for the films: Prince of Broadway, Tangerine, Snowbird, and Bleeding Love.

一期关于电影《阿诺拉》的相关讨论，包括第77届戛纳电影节、第97届奥斯卡金像奖的相关片单讨论，以及Sean Baker 这个导演的既往作品。本期节目与隔壁友台「放大 blow-up」联合呈现。提及电影：Sean Baker 导演作品： 阿诺拉 Anora (2024) 红色火箭 Red Rocket (2021) 佛罗里达乐园 The Florida Project (2017) 橘色 Tangerine (2015) 待绽蔷薇 Starlet (2012) 百老汇王子 Prince of Broadway (2008) 外卖 Take Out (2004)其他电影： 金发梦露 Blonde (2022) 粗野派 The Brutalist (2024) 无名小辈 A Complete Unknown (2024) 悲情三角 Triangle of Sadness (2022) 某种物质 The Substance (2024) 复仇战姬 Revenge (2017) 艾米莉亚·佩雷斯 Emilia Pérez (2024)BGM： OP: Take That,Robin Schulz,Calum Scott - Greatest Day (Robin Schulz Rework) ED: Take That - Greatest Day

On this episode of Remainders we watch the new horror classic The Substance. Fresh off Oscar attention and walking away with the award for Best Makeup of 2024, we celebrate this gonzo body horror movie that broke into the mainstream. Elizabeth Sparkle is an aging star played by the legendary Demi Moore. When she is fired from her fitness show for her age, she turns to the green stuff in an attempt to generate a younger version of herself. Results may vary, but Cronenberg would be proud.Other topics include a breakdown and vibe of the Oscars, Conan O'Brien being the best host possible, in memoriam of Gene Hackman and David Lynch, other body horror classics, and Sean Baker's career and his 2021 movie Red Rocket as a hidden gem.Songs of the WeekLooking For a Kiss by New York DollsI'm Waiting Here by David Lynch feat. Lykke LiRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Our second Oscar movie of the season, we review Sean Baker's Anora starring Mikey Madison and Yuriy Borisov. Opinions are mixed, as with our previous review of Sean Baker's Red Rocket. Lots of accent talk and some amazement from the nominations this movie got.This movie was directed by Sean Baker.GD4AM: 76/100IMDb: 7.7/10Metacritic: 91/100Letterboxd: 4.0/5RT: 94%A young escort from Brooklyn meets and impulsively marries the son of a Russian oligarch. Once the news reaches Russia, her fairy tale is threatened as his parents set out for New York to get the marriage annulled.This movie is currently available for rent on most VOD platforms.NEXT MOVIE REVIEW: The Substance (2024), which is currently available for rent on most VOD platforms or available to stream on Mubi. Compete in our Oscar Contest!Watch our Oscar Prediction show live on our YouTube Channel on February 25th at 7 pm Mountain Time!

Could you give us some change, please? Draft Class said we have asthma and we have to eat ice-cream right away.One of the more unique directors working today, with a very distinct grounded style focusing on people and places that are usually not shown on the big screen. His most recent film, "Anora," was Oscar nominated for Best Picture, Best Director, Best Actress, Best Supporting Actor, and Best Original Screenplay. Welcome to Hollywood, SEAN BAKER!Joining Jon Saks for the SEAN BAKER Draft - SPECIAL GUESTS!Ben AllenJake Estes"Let us know what Draft you would like to listen to by sending us a message!"Support the show

To continue the trend of covering this year's Oscar-nominated directors' previous features, Mateo, Chris, and Seb take a trip with Mikey Saber down to Galveston, TX to watch Sean Baker's (surprisngly underseen) Red Rocket. How does this one compare to Anora, which has now emerged as the clear frontrunner in the race? Why did people latch onto Anora but not Red Rocket? Was Simon Rex snubbed? Join us!

Our guest today is a Palme d'Or-winning writer-director whose films centre characters “chasing the American dream but who don't have easy access to that dream.” You might know Sean Baker from exhilaratingly raw dramas like Tangerine, Red Rocket and The Florida Project – each a compassionate and captivating dispatch from life on society's margins, and each lavished with critical acclaim. His latest movie, Anora, has seen new levels of recognition for the 53-year-old, though. Next month, the film – about this tale of a sex worker named Ani, played by Mikey Madison, who falls for the son of a Russian oligarch – will compete for four awards including Best Picture and Best Original Screenplay at the 97th Academy Awards, with internet discussion about the movie, its characters and their motives refusing to dissipate.In the spoiler conversation you're about to hear, Sean tells Al about how his own experience of heroin addiction in his twenties has influenced his storytelling. We talk about why this film is not a Cinderella story but a tale about shattered dreams, discuss a hopeful epilogue to the movie that Sean wrote but has so far refused to share with the world about what happens to Ani next, and break down the film's devastating ending. A huge thanks to Sean for being a fantastic guest.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

It's not everyday you get to sit down with a producer who found out only hours earlier that he is Oscar-nominated and could very well win best picture. That's exactly how my January 23rd began chatting with Alex Coco, producer of ANORA. I saw the film IN THEATERS with my husband and as a Sean Baker fan, I naturally had to get his producer on the show. Lucky for us, he said yes!

Today on Art of the Cut we speak with director, writer, editor Sean Baker who was nominated for Oscars for Best Picture, Best Director, Best Screenplay, and Best Editing for his film, Anora. He was nominated for BAFTAs for Best Film, Best Editing, Best Casting, Best Screenplay and Best Director. He won AFI's Movie of the Year, and was nominated for an ACE Eddie. Sean's other feature films include Red Rocket, Tangerine, and The Florida Project. This discussion includes - among other things - why he chose to edit for himself, the importance of sound effects in a movie with no score, and Sean's aversion to editing shot/reverse shot. You can read along with this podcast and see trailers, clips and photos on the BorisFX blog site. borisfx.com/blog/aotc

The man whose latest film, Anora, is an awards-season favorite and an Oscar candidate, first joined us in 2017 to discuss his unpredictable career, which began on public-access television in Manhattan. He caused a stir when he shot his feature, Tangerine, on iPhones, and he won new fans with The Florida Project, which featured Willem Dafoe. He has a big heart, which is evident in every one of his films (including Red Rocket and Anora, which were still in the future when this interview took place).  

Anora es de esos filmes que tras un primer visionado pueden generar cierta confusión: - Lleva el nombre de su protagonista, pero a mitad de camino otros personajes pasan al centro y se "roban la película" - Es un filme que, en apariencia, abraza el desenfreno y sin embargo es increíblemente severo. Con sus personajes y sus supuestos, e incluso con su propia audiencia. Situada a mitad de camino entre las sofisticadas y brillantes producciones que Baker dirigió en la década pasada (Tangerine, The Florida Project, Red Rocket) y el cine urbano y neoyorkino que practicó en sus inicios (Take Out), Anora hace real sentido en la medida que se la aparta del circuito de premios y galardones que terminó atrapándola, para devolverla a la deriva de esos náufragos que la pueblan de principio a fin, embriagados (y hastiados) por la calle, la noche, el trabajo y el delirio. De eso y más se habla en este podcast.

C'est une règle bien connue : le remake ne vaut jamais l'originale. Cette adage correspond totalement à ce podcast car suite fausse manip' nous avons du refaire cette épisode, on y perd un peu en spontanéité du coup. On se touchera donc une seconde fois sur Red Rocket ou comment une ex star du porno fais un restart dans son village natal du Texas. On en profitera pour passer en revue flash éclair la filmographie de Sean Baker. Côté zik, on parlera de Catch 22 et on vous invite à écouter l'émission 31 pour les connexions avec Streetlight Manifesto. Bonne année, des bizouxxxx Le Film : Red Rocket de Sean Baker (2022) La zik : Bloomsfield Avenue de Catch 22 (2000) issu de l'album Alone in a Crowd

It’s 2016 and the U.S. is one big washed-up porn star. Happy new year. Also, we have a Patreon! It’s fun over there. Check out patreon.com/twoforspacejamplease to see how to access bonus content and get ahold of a thing we made that’s real and physical and can be held in your actual hands. Thanks to slfhlp for … Continue reading "Episode 121 – Red Rocket (2021)"

In this episode, we welcome Drew Daniels. Drew is the cinematographer of the award-winning film Anora, directed by Sean Baker. He has also shot projects including Krisha, It Comes At Night, Waves, The Boy from Medellín, Red Rocket, “Euphoria,” “Outer Range,” “Swarm” and “The Idol”. In our chat, he shares about his early days, path into filmmaking, and experiences making Anora. He also talks about the cameras, lights and lenses used on the project — and shooting on 35mm film. In addition, Drew offers thoughts on how to elevate your craft as a cinematographer or filmmaker. “The Making Of” is presented by AJA:IP, HDR, and cloud advancements have unlocked new workflow possibilities. Stay ahead of the curve with AJA solutions like the KONA IP25, a SMPTE ST 2110 I/O card for Mac, Windows, and Linux, and OG-ColorBox for color management and conversion, and more. Get the full rundown on AJA's latest gear here.To all our friends in Los Angeles, we are thinking of you during this time. We encourage our readers to help support in any way they can.American Red CrossLos Angeles Fire Department FoundationPasadena HumaneLos Angeles Regional Food Bank Featured Resource:Film ParliamentGot a script you want to produce?Film Parliament offers a self-paced, step-by-step online course that guides you through the process of scheduling and budgeting your feature film.Level up your 2025 filmmaking skills with 25% off when you use code “NewYear25”.Learn more hereIntroducing Eddie AI:Craft rough cuts in seconds with text prompts. Eddie is the AI video editing assistant for video professionals. Iterate with Eddie: reverse the topic order, ask for a stronger hook, make this punchier. With Eddie, you can easily export to MP4 or polish in Adobe Premiere Pro, Blackmagic DaVinci Resolve, Final Cut Pro, and Avid Media Composer. Explore hereFrom our Friends at Anton/Bauer:Today's episode is also powered by Anton/Bauer — batteries built with no compromise for filmmakers and creators. From blockbuster sets to solo projects, Anton/Bauer batteries deliver high-performance power with unmatched reliability so your story never misses a beat. Trusted by industry pros worldwide, Anton/Bauer keeps your gear ready when it matters most. Visit hereNetflix Hit Series “The Helicopter Heist” Employs Igelkott StudiosOne of Netflix's standout series in 2024 is undoubtedly "The Helicopter Heist," which centers on a daring bank robbery in Stockholm. In episode six, titled "Showtime," the filmmakers made a strategic choice to partner with Igelkott Studios, leveraging their advanced technology and top-tier craftsmanship for the helicopter sequences. Founded and led by Eric Hasso, Igelkott Studios is the definitive leader in In-Camera Visual FX. To explore this cutting-edge studio and its capabilities, visit here.OWC Atlas Cards:Kick off your creative 2025 with OWC Atlas Cards — from stunning 8K video to fast transfers, these memory cards and readers deliver unmatched performance. Perfect for photographers, filmmakers, and tech enthusiasts. Explore hereNew Solutions from Videoguys: The EOS C80 camera is designed for limitless creative vision. The compact, full-featured camera body includes Canon's 6K full frame Back-Illuminated Stacked CMOS sensor, Cinema RAW Light and 4K/120p internal recording, Canon's next-generation Dual Pixel CMOS AF II and a 12G-SDI interface. The EOS C80 seamlessly integrates into almost any production providing the ultimate flexibility and outstanding image quality. Explore hereZEISS Introduces Supreme Zoom Radiance:The new ZEISS Supreme Zoom Radiance set includes three purpose-built T2.9 high-end cine zooms: 15-30mm, 28-80mm and 70-200mm. Featuring the same T* blue lens coating as the popular Supreme Prime Radiances, they offer a similar look with consistent flares and warmer color rendition. Learn more herePodcast Rewind:Jan 2025 - Ep. 62…“The Making Of” is published by Michael Valinsky.Advertise your products or services to 108,000 filmmakers, TV, documentary, broadcast & live event production pros reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Brock White returns to join Magee for this episode of Bet Your Ash.  This go around they put a bow on the NFC South experience for the year and look at the situation all 4 teams are in at the end of the regular season.  Are you surprised? Tell us on IG, FB, and X.  Also, please check out all of the fine offerings available right now in the BYAPN SHOP. Also, say hi to Brock White on X!

This week, we review Cannes and awards season darling Anora. Another exploration of director Sean Baker's working class milieus, this story of a fiery stripper who falls in with an immature son of Russian oligarch is a barnburner showcase for Mikey Madison, Mark Eydelshteyn, and Yura Borisov. Does it live up to its festival hype?

Episode #655: The 12 Days of TCB continues with some Christmas movies of yore and one of our all time favorite pieces of content…Mountain Monsters! Donate to St. Jude & The National Breast Cancer Coalition Fund 12 Days of TCB (#2) Top 20 Christmas movies of all time (according to Town & Country???) Tim Allen's cocaine prison trip A Christmas Story Christina's concerning childhood songs Mountain Monsters Holiday monsters Nothing good happens in Ashe County The Cherokee Devil It's Huckleberry! That is FRESH DONT STARE AT THE RED ROCKET Buck & the Cherokee girl

Anora is the story of Brooklyn, New York exotic dancer, Anora, who meets Ivan, the son of a Russian oligarch at the strip club. They impulsively marry, and once the news reaches Ivan's parents, their henchmen kidnap Ani in order to force her and Ivan to get the marriage annulled. Anora won the 2024 Palme d'Or at Cannes, and is a potential 2025 Oscar nominee. Cinematographer Drew Daniels first started working with director Sean Baker on the film Red Rocket. Drew was a fan of Baker's for years- he liked his sensibility and humanity, and his unconventional ethos behind his filmmaking approach. Drew attended the University of Texas film school, where filmmakers Robert Rodriguez and Richard Linklater are alums. He appreciated the UT film program's independent, DIY approach. When Drew had the opportunity to work with Baker on Red Rocket, he said yes before he even read the script. “What's so refreshing about working with Sean is, you're flying by the seat of your pants, but you're also the leader of this passionate little rag tag army,” says Drew. Drew and Baker began talking about Anora during the editing of Red Rocket. Baker had a very specific idea of what he wanted, so they began testing and research scouts very early, driving to locations and discussing the movie before the script was fully written. Rather than an extensive shotlist, Drew and Baker scouted and blocked out scenes on the shoot locations. The film's striking imagery, from gritty urban landscapes to opulent mansions, was shot on Kodak 35mm film with Lomo anamorphic lenses. “Anora is different than a lot of Sean's films, because Sean's films often deal with people who are on the fringes, or people who are in a lower socioeconomic standing,” says Drew. “It takes on oligarch wealth and opulence, so it needed to be a bigger, more magical format- something that will fully embrace the scope of that mansion.” Choosing to film on 35 elevated the story of an exotic dancer like Ani into something beautiful and elegant, but Drew also wanted to reflect her attitude and scrappiness. He and Baker were influenced by 1970's New York films such as The Taking of Pelham 1 2 3, to find the right amount of gritty imperfection. “Sean is a social realist filmmaker, but he wants his films to have a look and style,” says Drew. “He's very visual, and we constantly talk about the edit, the pacing, the energy, how it's going to cut.” Find Drew Daniels: Instagram @drewalandaniels Anora is currently in theaters, on VOD, and will be available to stream on Hulu. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

In this episode of Editors on Editing, Glenn Garland interviews Sean Baker. Over the course of his career, Sean has directed, written, produced and edited almost all of his films, including Tangerine, for which he was nominated for best director for both the Independent Spirit Award and the Sundance Audience Award. The Florida Project, which was nominated for the Independent Spirit Award and which won the New York Critics Award for best directing. And, Red Rocket, which was nominated for the Palme d'or at Cannes. Now he has brought his genius to the phenomenal film, Anora, winner of this year's Palme d'or.    Thanks again to ACE for partnering with us on this podcast, check out their website for more. And thank you to Sohonet for their support! Check out their site here: ⁠⁠https://www2.sohonet.com/editorial Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

On Today's Show Vince will be Rating and Reviewing the Five Feature Films from Director Sean Baker! Starlet (2012),  Tangerine (2015),  The Florida Project (2017),  Red Rocket (2021),  Anora (2024)   If you'd like to donate and become a Producer, or see more movie reviews, check out thedailyratings.com   TimeCodes: Starlet:  8:44 Tangerine:  15:41 The Florida Project:  28:21 Red Rocket:  45:13 Anora:  59:49

This week DT, S1ap, Cody, Caleb, and Ben talk the 2024 Drippies, security cameras, the Mandela effect, and lost media.

Ep. 278: Sean Baker on Anora and its influences, and his recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. We're back with an extra-special episode that's chock full of pure movie love! Written and directed by Sean Baker, Anora starring Mikey Madison keeps winning over audiences as it's expanded to theaters across the country, with its New York story of a stripper (Madison) and her star-crossed relationship with a billionaire's son (Mark Eydelshteyn). Baker is a voracious cinephile, so I jumped at the chance to sit down with him on The Last Thing I Saw and talk about the movie influences on Anora – plus some choice making-of details – and also what he's been watching. His movie-watching range was an absolute delight to hear about, and I won't spoil it here – so have a listen and enjoy! Anora won the Palme d'Or at the 2024 Cannes film festival, where it premiered. Baker's other films include The Florida Project, Tangerine, Starlet, Prince of Broadway, Red Rocket, and another New York-set movie, Take Out. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Sean Baker (Tangerine, The Florida Project, Red Rocket) is an award-winning filmmaker whose work often explores the lives of people living on the fringes. His latest film, “Anora,” follows a sex worker who quits her job after a whirlwind romance with a Russian billionaire, but soon realizes her fairytale ending isn't all she'd hoped. Sean joins Tom Power to tell us why this story spoke to him, how a Canadian sex worker's memoir helped shape the film, and what it felt like to win the prestigious Palme d'Or at this year's Cannes Film Festival — a dream he's had forever.

Take Out, Prince of Broadway, Starlet, Tangerine, The Florida Project, Red Rocket... Sean Baker se ha convertido en una pieza clave para el cine indie americano. El director nacido en Nueva Jersey aterriza este 2024 con su último trabajo: Anora. La última ganadora de la respetadísima Palma de Oro aterrizó el pasado fin de semana en las salas de prácticamente todo el mundo y no hemos querido dejar pasar la oportunidad de hablaros del director y de su filmografía al mas puro estilo de Puro Vicio. ¡No olvidéis vuestros me gusta y comentarios! Video Análisis de The Florida Project al que hace mención María Novo: https://www.youtube.com/watch?v=6S2mj6YIYC4&t=507s

I denne podkastepisoden byr vi på et intervju med regissør Sean Baker (The Florida Project, Red Rocket), som tidligere i år vant Gullpalmen for sin kinoaktuelle nye film Anora. Sean Baker var gjest hos oss på Filmfrelst også i episode #496, da hans forrige film Red Rocket gikk på norske kinoer. Nå er han tilbake for å snakke om Anora, som altså vant Gullpalmen i Cannes i mai, og regnes som en front runner i årets Oscar-kappløp. Vi tok et gjensyn med Anora da den ble vist som avslutningsfilm ved BIFF i oktober, og deler noen tanker om gjensynet i starten av episoden – før vi presenterer intervjuet med Sean Baker. Ved mikrofonene sitter redaktørene Karsten Meinich og Lars Ole Kristiansen, før førstnevnte leder samtalen med Baker (som foregikk over Zoom). Episoden inneholder ingen spoilere. God lytting!

Pour ce focus du mois, on revient sur la Palme d'Or de cette année, Anora, le 8e film du réalisateur américain Sean Baker, qui raconte l'histoire d'amour contrariée entre une strip-teaseuse de Brooklyn et le fils d'un oligarque russe.Animation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Victoria FabyRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this exciting episode, we're bringing you three reviews. First up is Pedro Almodóvar's THE ROOM NEXT DOOR, Armando Iannucci's new series THE FRANCHISE, and Sean Baker's ANORA. But that's not all! We have an exclusive interview with Sean Baker, the visionary director behind The Florida Project and Red Rocket, plus we have the star of Anora, Mikey Madison. 00:00:00 - Intro 00:06:43 - The Room Next Door 00:16:25 - The Franchise 00:21:20 - Sean Baker & Mikey Maddison Interview 00:38:09 - Anora Review 00:51:08 - Emails 01:18:10 - Game https://www.eventbrite.co.uk/e/pulp-kitchens-big-film-quiz-tickets-1046309880017 Support us on Patreon: www.patreon.com/PulpKitchenPodcast  Send us your questions to hello@pulpkitchenpodcast.com! Enjoy new episodes of Pulp Kitchen every Wednesday YouTube/Spotify: Pulp Kitchen Podcast Instagram: @pulpkitchenpodcast / @jamesbriefel /@georgepundek TikTok: @pulpkitchenpodcast Letterboxd: @GeorgePulp

This week on The Bears Talk Underground!!!Carolina and the benched Bryce Young came to Soldier Field to see more fruits of the infamous trade in action up close on Sunday!!Did the Bears handle their business against the Panthers? Or did the Red Rocket exact revenge on his old team? All of this plus Knee Jerk Reactions on the Week Five Review episode of The Bears Talk Underground!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we talk about sink flooding, breaking TVs, last name origins, RCS messaging, water flossers, and baby hippos. Support us on Patreon to keep the podcast going, view more detailed show notes, and to gain access to exclusive content at: http://www.patreon.com/theshowsamandjoe Favorite things: Taskmaster Series 18 iOS 18 RCS Messaging

With Polaris releasing its three 70th Anniversary Limited Edition 9R RMK, Switchback and XCR models at Hay Days, we invited Chris Burandt and Levi LaVallee to come on and talk about '90s-era sleds and riding.

He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the "Scary Movie" franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker's *Red Rocket,” which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains what he had to do to feel confident playing a chef in Zoë Kravitz's directorial debut “Blink Twice,” learning that “to simply par the course” is enough, and sometimes “you don't have to slap the fish.” Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

And we're back! Joe brings us up to speed on his dad's car accident and then shares the passing of Chow Mein/John Wayne. To lighten up the mood after some teary eyes, the guys talk about a new Christian trend called "Purpling". We hope you hate it. Patreon: www.patreon.com/pickleandbootshop Merch: www.bonfire.com/store/the-pickle-and-boot-shop--shop/ Email: thepickleandbootshop@gmail.com Instagram: joeandreesepabs Diabolical Discussion by Daniel Rock: facebook.com/groups/diabolicaldiscussion Good Eats: beefaro

With Anora anointed with the Palme d'Or this year, one of the narratives ahead in the coming season will be whether Sean Baker's microbudgeted cinema will be embraced by the Academy in a big way. After lots of buzz for Tangerine and an acting nom for Willem Dafoe in The Florida Project, Baker was buzzed again for Red Rocket and its showcase … Continue reading "303 – Red Rocket"

Degenerates Andy S and Brandon Bombay hop on their bikes to talk about a film that is emblematic of the podcast's ethos: 'Red Rocket.' Andy opens up with a story about a few friends who threw on military fatigues as a gag, and wound up being given free drinks by patriotic bar patrons. Then the guys discuss a film close to their hearts, which is centered around the ultimate portrayal of recidivism. A compelling starring role from Simon Rex is nearly overshadowed by the bevy of supporting role non-actors who helped bring grit and realism to the film. Anchored by veritas, but elevated by gorgeous shots accomplished on a minimal budget, it is one of Sean Baker's defining movies. We deliver a great episode about a wonderful movie and that ain't no lie, baby, bye bye bye. 

Chris Black shares his journey of starting Red Rocket Pizza Company during COVID-19. He transitioned from being a nightclub DJ to a pizza maker and began by making pizzas in his garage. He eventually upgraded to a larger brick oven and started inviting friends and acquaintances to try his pizzas.  Chapters 00:00 Starting a Pizza Business During COVID-19 02:13 Pop-Up Events and Donations 08:22 Focus on Brewery Partnerships 10:43 The Challenges of Being a One-Man Operation 13:12 Navigating the Complexities of Licensing 20:43 Sustainability and Scaling Back 23:00 Finding Investors and Determining Business Value 28:11 Creating a Unique Customer Experience with a Custom-Built Pizza Trailer MY OTHER SOCIALS:

It's hard to be a sex addict in the throes of a raging election.

LISTEN TO PART 2 HERE (Mutual Aberration Society)On this legendary crossover episode, I go through EVERY feature film directed by Sean Baker with screenwriter/filmmaker Ryan Jackson. This first half, featuring Four Letter Words (2000), Take Out (2004), Prince of Broadway (2008), and Starlet (2012), was posted on the 8pl8s feed. The second half, featuring Tangerine (2015), The Florida Project (2017), Red Rocket (2021) & even an Anora (2024) SNEAK PREVIEW (not exactly a TRAILER). I love his films, but Ryan has a love/hate w/ Sean Baker .SHARE THE SHOW WITH ALL YOUR HOLLYWOOD FRIENDS & RATE 5 STARS ~8pl8s IG: https://www.instagram.com/8pl8s/Aberrationcelletuals: https://www.instagram.com/aberrationcellectuals2/ Join the Euphoric 8pl8s Early Access League at https://plus.acast.com/s/8pl8s. Hosted on Acast. See acast.com/privacy for more information.

El camino del estadounidense Sean Baker, desde sus días como realizador televisivo y cineasta ultra independiente hasta su gloria como ganadorde la edición 2024 del Festival de Cannes, comienza en la Nueva York de los 2000. Sin embargo, es sólo cuando marcha a la costa oeste que su visión cuaja, se transforma y lo proyecta como uno de los talentos estadounidenses más originales del siglo. Un claro testimonio de esa evolución es su trilogía sobre trabajadoras sexuales en Los Angeles, Florida y Texas, que se inicia con fascinante y descarnada Tangerine (2015) —notable fusión de comedia de enredos con un pasional retrato de la vida queer— y que finaliza con Red Rocket (2021), negrísima comedia acerca de un actor pornográfico cuyos delirios guardan más de un paralelo guarda con el recorrido de Donald Trump a la presidencia. Al centro del trío, la obra maestra: The Florida Project (2017), fábula madre-hija, ambientada en el precario mundo de los moteles que rondan en Reino Mágico de Disney y que hoy se erige como vivo testimonio de cine neorrealista inserto en una atmósfera que cuya belleza, fragilidad y desenfado no tienen parangón con el cine de su época. De eso y más se habla en este podcast.

### Episode 335: Exclusive Interviews and Industry News   In this episode of **A Cigar Hustlers Podcast**, we bring you an exclusive phone interview with **Joshua Habursky**, the interim boss at the PCA, discussing the organization's upcoming events during the DNC and RNC. We'll also chat with **Matt Booth** about the exciting collaboration between **Room101** and **Sir Louis Cigars** for the new **Red Rocket** cigar. Plus, get the latest scoop on **Luciano's** new **Fiat Lux Tenebrus Limited Edition** shipping next week.   Tune in for these insights and more in the Cigar Hustlers Podcast 

Today's episode involves scientific descriptions of dogs and lessons in aging. This is Today's Prey

Petros Patsilivas and Darryl Edge (Getting Dafoe You - A Willem Dafoe Podcast) join Flixwatcher to review Red Rocket. Red Rocket (2021) is a comedy drama from writer and director Sean (Florida Project) Baker. It stars Simon Rex as Mikey "Saber" Davies, an adult film actor, who returns to his hometown in Texas after a 17 year absence. The exact reasons for his sudden return are unknown but it is clear from the outset that trouble is always close by to Mikey. He manages to convince his estranged wife and porn film co-star Lexi (Bree Elrod) to let him back into her house and life. While visiting the local doughnut place he sets his sights on 17-year-old Raylee (Suzanna Son), who also goes by Strawberry. With whom he enters into a sexual relationship with and grooms her to move with him back to LA so he can get back into the porn industry. Despite its dark themes, Red Rocket is pretty funny and at no point glamourises the life that Mikey is leading. As with Baker's other films, his characters exist on the edges of society and from marginalised subcultures. We might laugh at Mikey but it is because of his behaviour not because of who he is. Recommendability scores for Red Rocket reflected the dark comedy and themes but strong scores for small screen and engagement give an overall rating of 3.80. [supsystic-tables id=350]     Episode #336 Crew Links Thanks to the Episode #336 Crew of with Petros and Darryl from (@dafoeyoupod)   You can find their website here https://linktr.ee/dafoeyoupod     Please make sure you give them some love   More about Red Rocket For more info on Red Rocket can visit Red Rocket IMDB page here or Red Rocket Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, this is what's important: The TII tour, Texas, school dances, deodorant, Austin & Portland, reality tv, RiffRaff, Newark, Florida, childhood homes, meeting the fans, beards, and more.See omnystudio.com/listener for privacy information.