Podcast appearances and mentions of Anne Hathaway

The Democrats have never been less popular than they are right now. They are suffering from many of the same problems that are causing Hollywood to collapse. They are dominated by white women and the LGBTQIA movement that looks more and more like a cult every day. Only a white woman and a gay man could have come up with the Vanity Fair photo shoot that made Susie Wiles look surprised and confused, as if to say, “What am I doing here?” JD Vance as the villain in a superhero movie, obliterating his glittering aqua eyes because those make him look too good. And depicting Marco Rubio tipping over as though all it would take is a gentle push, and down he goes.But they saved up their best for the woman the Left calls KKKaroline. Shown in extreme closeup in high resolution with every pore and every wrinkle visible, not to mention injection marks on her upper lip, they turned the beautiful and young Leavitt into the cartoon version they see in their mind's eye. They made something beautiful into something ugly. And on TikTok, they all had a big party. These are the same women who spent many months mocking Karoline Leavitt's smallish upper lip. On and on it went, the bullying videos on TikTok. When that failed to destroy the Press Secretary, they harassed and destroyed a running influencer named Kate Mac just for talking to Leavitt.These women and probably lots of gay men are the monsters. They're the wicked stepsisters in Cinderella who seethe with jealousy at the pretty blonde girl who is so confident and articulate at the podium. They're the evil queen in Snow White who can't stand that someone out there is prettier than she. So Vanity Fair became the Magic Mirror and the Huntsman. They lie to their readers that they are the fairest of them all while they try to extinguish or destroy the object of their unending obsession. Oh, how they must have laughed and laughed as they chose these photos, knowing their readers would eat it up and lick the plate clean. The women who stab lawn signs into the ground, pretend to stand for something, and portray themselves as the “better side” were celebrating to see Leavitt humiliated in a photo. It was, for them, like winning the lottery. It scratched an itch so deep they couldn't even tell you where it was. It felt good, that was all.The editor is this guy, seen here as the date for Princess Bea in high heels:Guiducci was present during the photo shoot, which should have been a good indication that this would not go well for them, though I would imagine he was dripping with fake niceness to make them trust him. If you know, you know. Here is Megyn Kelly:The other editor was Jen Pastore, seen here bragging about the photoshoot and now treated like a hero by the Good People of the Left.Back in 2014, the New York Times covered her wedding to Mark Hannah:Pastore was lovingly captured this way: “The bride burst into laughter at least once during the vows, showing off an impossibly wide smile that was half Anne Hathaway, half 1990s Julia Roberts.” You see, even in 2014, they had to stipulate, yeah, you know, back when Julia Roberts had not aged even a day? They couldn't get away with that now, or maybe they could. They make the rules, after all. It is nice to be among the privileged ruling class in America, among the Good People of the Left who see their mission to spread that goodness. And if you don't along with it, they will destroy you. Well, at least that was the plan. Trump upended it, and they've never figured out exactly why. Even now, they think all of us should want to live inside their puritanical, suffocating bubble of goodness. Newsflash: we don't. The truth is that they are not a party defined by goodness so much as all-consuming hatred for the “lesser” half of the country. It buzzes behind their fake Anne Hathaway/Julia Roberts' smile like flies buzzing around rotting meat. Their hatred is everywhere. Usually pooling and coagulating on Blue Sky, but every so often it seeps back to X, where they marshal their forces as a hate army to attack those they deem “toxic,” “dangerous,” or “disgusting.”Why did they lose to Trump a second time is a question they would never ask. Is it them? No, it couldn't be. Everyone wants to be them. They're the special people, the good people, the chosen people, the Woketopians that will take America into the future. I know what it feels like to see myself through their eyes, even though I was once one of them. They sent a photographer to take my picture for a New York Times profile of me at a time when they were trying to make it seem like they kind of, sort of cared about the half of the country that voted for Trump.Don't do it, my friend warned. Send them a selfie. I should have listened to him, but, like the Trump administration, I was far too trusting. How bad could it be?Well, it was nothing less than the worst photos of me ever taken, appearing in the world's most widely read outlet. So there I was, looking fat, ugly, and old, which is the message they wanted to send: don't be like her, or this is what you will look like. They say it openly and freely now, this is what “hate” does to you, and they define “hate” as disagreeing with their politics. The photographer was nice. She took many photos of me. And maybe it's true they were all just as bad as the one the editor chose, but I think, as with the Vanity Fair photos, they picked the worst ones because that is who they are, and if they didn't, they'd have been accused of elevating the wrong people, the bad people, the racists, and the fascists.This way, they signal to their readers - women and gay men - that they're still on their side, they're still on board with the real hate campaign, one they've waged for ten years now and counting. They have no plan for the other half of the country. All they want to do is take back power again and raise the drawbridge to their Queendom. While it's true that the Right will mock how women look, especially the Wicked Witch of the Left, Jennifer Welch, you'd never see that at Vanity Fair, or the New York Times, where women on the Left, especially minorities, are depicted as saintly. In refusing to “normalize” the wife of a “fascist,” all magazines boycotted the beautiful Melania Trump. Nothing she could do would ever change their conviction of who they believed she was. They use every magazine, every late-night comedy show, every Hollywood movie, every article in every magazine to push that lie. When they mocked Kellyanne Conway's age, she did something about it. She took that one thing off the table. They found something else. When they mocked Sarah Huckabee Sanders for her makeup and her weight, she did something about it, but they found something else. And now, when they mocked Karoline Leavitt for her thin upper lip, she didn't say anything about it, and they punished her for it. The truth doesn't matter to them. It never has. They can't even face the truth about themselves, let alone the other half of the country. Ivanka was always to be portrayed as the daughter of a Nazi, as are all the Trump children. There has never been one moment when they were given the credit they deserve, not because they're American royalty, but because we, the people, voted for them to fight for us. That used to matter in a country not under the control of an elite ruling class that sees itself as better than everyone else. Trump, his administration, and his voters have to be whatever they say they are. If they need them to be kings, so be it. Hitler, sure thing. Let us know what you want, women and gay men who live in a fantasy world, and we'll give it to you because you have been elevated inside the Woketopia. The funny thing is, all they do is expose what liars they are. We all know what Karoline Leavitt, JD Vance, Marco Rubio, and Susie Wiles really look like. This wasn't about telling the truth. It was about giving their readers the comfortable lie. See, it's okay to dehumanize them and treat them like toxic waste because they deserve it. Oh, Vanity Fair, did you have to make it that obvious? They must wonder why so many Americans don't see them the way they see themselves. Or maybe they don't wonder at all. Maybe they never ask. Maybe they've been united in hate and dehumanization for so long that they don't know the difference anymore between what is real and what is a manufactured delusion.It isn't that the Right didn't mock the Democrats' press secretaries, Jen Psaki and Karine Jean-Pierre. They did. It's that the Left is the side that has always pretended to be our moral betters because they aren't like that, they don't criticize women, they don't tear down other women, except that they do. That was Lesson Number One for me almost ten years ago. They are exactly like that, and I remember thinking, we aren't the good guys anymore.The women on TikTok, those who have helped make our culture intolerable by always portraying women as victims in fiction, in Lifetime movies, in Hollywood, become the very monsters they once pretended to oppose. So all Vanity Fair did was prove not who the Trump administration is, but what the Left has become. They are nothing but a grease stain where a once mighty movement used to be.Karoline Leavitt is not only beautiful, young, smart, and successful, but she's also confident, and that's what they really hate about her. If they can't destroy her, they will try to humiliate her. It has become a ritual in the media by now, but never quite as blatantly as with this Vanity Fair piece. Maybe their readership is declining. Maybe they're bored. Maybe they don't know any other way to be anymore. Whatever it is, the stench of failure follows them around every time they signal to the rest of us that they are still this helpless and this desperate to lie to the American public with nothing less than lowly propaganda disguised as journalism. Vanity Fair, Hollywood, the New York Times - they don't exist for all of us anymore. They don't view the other half of the country as worthy of their attention or their coverage, even though Trump won the popular vote. They still haven't figured it out. They haven't solved the problem. We picked Trump because we can't stand living in their America anymore. We can't stand them. They're the side that demands conformity, one that has cultivated a climate of fear and a culture of silence. Who wants to live like that? It's boring. It's predictable. It's mean. And it's over. //Tip jar This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

For our final episode of 2025, we venture to 2016, to a time where a movie is made not just about a monster, but what it is to be a monster, with COLOSSAL. Parker and Dan dive into the Anne Hathaway led metaphorical monster movie that begs the question, how do we stop ourselves from becoming monsters? Let that sink in this week on THE MONSTER ZONE. Like, comment, and subscribe to the channel Mikey's socials: https://x.com/specterm91 https://instagram.com/specterm91 https://threads.net/@specterm91 Dissect That Film socials: Go to our Linktree for links to everything (Socials, merch, podcast app links, YouTube channel) https://linktr.ee/dissectthatfilm Rate and review the show wherever you listen to the show.

Send us a textShakespeare  Hello Mr. Smith. This is William Shakespeare the action figure, and I would be most remiss if I did not continue my narrative regarding my education in Stratford. You see, like many boys of my station, I probably attended the King's New School in Stratford. It has been so long that I must admit I am a bit foggy. The curriculum would have been heavy on Latin, rhetoric, and the classics. Day after day, I was been drilled in the works of Ovid, Seneca, and Plautus. Later, echoes of those schoolroom authors would resurface in my plays — such as Pyramus and Thisbe in A Midsummer Night's Dream, as well as the Roman senators in Julius Caesar. Night watchmenSo when did you start using the alphabet and language so masterfully?ShakespeareI certainly intend to address that, but for now be patient, my fellow toys, be patient. You see, by 1582, when I was only eighteen, I married a lady by the name of Anne Hathaway,  Some scholars Believe that my wive's name was actually Agnes. In any case, our first daughter, Susanna, was born the following year. Twins, Hamnet and Judith, followed in 1585.  Unfortunately my dear son Hamnet later died as a result of the plague. And then comes the mystery: the so-called “lost years.” Between 1585 and 1592, I completely disappear from the historical record. No plays, no mentions, no documents, but what we do know is that by 1592, I was in the city of London and making a name for myself. A rival playwright, Robert Greene, derided me in print as an “upstart crow.” For all its venom, the insult is proof that I had arrived — I was already challenging the university-trained writers and beginning my rise to the very top of the Elizabethan stage.Support the showThank you for experiencing Celebrate Creativity.

Based on a 2020 novel, the film is a fictionalized account of the death of William Shakespeare and Anne Hathaway's only son.

Welcome back to oddities the podcast where no topic is too *~*StRaNgE*~*! This week we have some strange history heading over to the sauerkraut caves in Kentucky. It's not at all what you think it is...or maybe it is. Up next we are hitting the weird conspiracies again, this one centered around Anne Hathaway...truly what is going on here?? Tune in and stay strange!Support the showFollow along on social media:FacebookInstagramWebsiteEmail: Oddities.talk@gmail.comHuge shout out to Kyle Head for our awesome new intro! Check out his amazing Music! Thank you Mana Peach for our adorable prattling cows! Check out her designs!Check out Lindsey Bidwell's designs (merch and new logo!)Check out the Moose Cottage! Check out our merch!

Com a chegada da IA, um novo ativo ganha mais valor nas empresas: a experiência das equipes que vão lidar com ela. Se você já conhece ROI, EBITDA e NPS, chegou a hora de conhecer o ROEx - Retorno sobre Repertório Acumulado - uma métrica inovadora que permite calcular o valor do conhecimento e da experiência das equipes e indivíduos. CONVIDADOS: Fran Winandy, CEO da Acalântis Services, e Martin Henkel, fundador e diretor da SeniorLab.Links do episódioA página do LinkedIn de Martin HenkelA página do LinkedIn de Fran WinandyO artigo "ROEx: O retorno sobre repertório como capital estratégico", publicado na HSM ManagementO filme “Um Senhor Estagiário”, com Robert De Niro, Anne Hathaway e Rene Russo, direção de Nancy MeyersO livro “A revolução da longevidade”, de Alexandre KalacheO blog “etarismo.com.br”O site do IBGE com dados demográficos e populacionaisO livro “Longevidade - Uma breve história de como e por que vivemos mais”, de Steven JohnsonO livro “A Trilha Da Longevidade Brasileira: Os segredos de quem alcançou a vida longa, plena, saudável e feliz”, de Martin Henkel e João SengerO livro “Sempre Repórter”, de Lilian Ross, traduzido por Jayme da Costa Pinto  A The Shift é uma plataforma de conteúdo que descomplica os contextos da inovação disruptiva e da economia digital.Visite o site www.theshift.info e assine a newsletter

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Chroma111. She does backflips Purple cosmos Whole turnover— We set the whole world on its stomach; A Whole corpse So so wrong Oh oh oh, You made me fall in love Oh, You made me fall in love “Jimmy Gets Belligerent” Hey. Yeah. Remember when Anne Hathaway went into God Mode? FLASHBACK: ANNE HATHAWAY goes into GOD MODE. CUT IMMIDIATELY BACK TO: Yeah. Well this is that, but Jimmy Kimmel. oh boy. Yeah, that. {enter the multiverse} lol. Please writing gods tell me how and why this dude is running around the multidimentions carrying briefcases of sedatives and other recreational enhancements— JIMMY KIMMEL enters EXTREMELY CONFUSIEDLY. And also, why, Apparently he remembers nothing at all, While everyone else in this entire arc seems to have some sort of familiarity within these paradoxes?? I don't know. But I love Jimmy Kimmel. Duh, who doesn't? Yeah alright— but you know why? DAVID LETTERMAN MOO-HA-HA! Yo what the fuck. That dude is kind of evil. TINY KIMMEL (staring into the old ass television SET in a hypnotic state, mimicking with his own version of this evil, diabolical laugh.) Ehheehee!!! DAVID LETTERMAN discovers TELESYNTHESIS via his late night ENDEAVORS, all the while unmasking the true secret to TIME TRAVEL and THE MULTIDIMENSION, unlocked. YOUNG(ER) LETTERMAN Yessss, come to me dear child! Yeeeesssssssss. Damn. Yeah. That right there. That's how it works, apparently. L E G E N D S MOOHAHA! wtf. CC Sometimes we see the things in the TV which are plainly meant to see, but so often overlooked… {Enter The Multiverse} Stephen Colbert Lost Light I was thinking fondly about that scene at the end of the first season of The Studio— That nearly final shot from the finale where the light hits Seth Rogen's smiling eyes, and made them seem ten times bigger than they ever thought they could be— or how maybe possibly, How you never quite noticed how beautiful they are, because you're always remarkably distracted by his charm, and his trademark laugher, or his other well known markers. But I was thinking about it for a second time today, because I was also still somewhere somehow working on the other part of my projects that were although, still falling apart, however important— this ramshackle chaos between all of these media monarchies, the hosts of late night television —though some departed— and an arc that was coming together from scenes i'd already written in hiatus but still probably couldn't find, even if I tried… and the basis of it was really so dark and so off from what the regular gesture or any of those personalities was as established, I sometimes stayed off it, even if though the vision in my mind that made the anchor of something that was supposed to come from that side of the project, was so vivid in the moment, as if I was watching the actual finished product played back or played out in my mind. The reality of my actual life had become such a cruel joke that I no longer really even wanted to cave in and just write it, because I was so particularly embarrassed of how i'd even thought of [any of] that. But here was this, Mr. Stephen Colbert, whom I adored severely, who also had eyes that were quite shiny and large and round that made him, with his boyish face and little dimples, quite cute to look at— but more like a teddy bear, than any vicious or decrepit sexual monster, like some of the other [aforementioned], or so, not mentioned for other reasons. To be clear, this is what, from what I would gather, could come with the job, but the job was also another job, and had its own sort of chronicled problems and equations to solve that I could gawk at, if I watched enough of them. So far, however, there was only really only never more than one I would ever flock to for my gawking, and because I was so enamored by it, I mostly never bothered the others, until it came up in my project as something so artful that it would cause such a gentle heart murmur as one did— This sudden image of Mister Colbert standing in a stream of light in however an outward darkness, with the expression one might call a ‘longingness' as if in all the light had been forgotten—and now was shining on him with such a glow that it took the warmth inside my glow from it, as I saw this, a man of shadows seeming to have come to a final moment of some hope left. But was it lost? Was it false hope? And what had happened? Last I left dear Colbert and our other dearly beloved in a twist of fate— a paradox at the proportion of Titans, in that this, a pocket watch, and a very daunting silver pistol, seeming to be stuck inside a hall of some sort where the linoleum floors and barren abandonment amongst the tattered and ripped unkempt nature of either of them— —Or at least I believed in my head— it were Mr. Kimmel and Colbert, but the scene had been somewhere so long gone and forgotten that I could not remark on which other host it was, that had the memories of all the paradoxes still sharp and hard on his mind, while poor Kimmel somehow seemed, even after a thousand rounds of groundhogged circumstances— (that is to say ‘over and over')— to not remember anything that had happened? But what did happen? And still this was far off from that same shadowed dark place where now in this vivid moment Mister Colbert stood looking up into the light with such grace as if to say, maybe he was thankful for what was approaching— but what? In this pale and yellow warm light streaking across his already very shiny eyes and pleasant face he seemed to be seeking some relief and may have even found it, but was now alone in this place, silver pistol still clutched in his hand, and standing even in the dark set, some percentium arch, rather, as the floor beneath his feet seemed even that rubber type you'd find upon a stage somewhere… But where had I drifted off? I'd come to New York all those years ago mindlessly writing about what appeared to be that same watch, or a watch—a pocket watch, that was somehow rather important to the plot, also. It had to have been important because, at least I thought, it was Morgan Freeman that brought it up [in the first place]. And of course I couldn't overlook at all how anyone I'd written about or thought of fondly just rather seemed to show up in these shows where the hosts were so good at their job they sometimes almost entirely disappeared in plain sight — and for a moment the spectacle was that they even seemed to have removed themselves as a whole from the eyes of the camera, and the audience at the job. A well-done late night host is often a man inside a hole— a suit in the dark where there's not light, because in essence, in the man, he must remain as trapped and as silenced as I have been, or I am, as I write this. And perhaps that's why I found them here, in a foreign land, in my prison trap where I keep my eyes from the rest of the world that cannot have them, under my public sunglasses and ‘why-try' when I am forced to go out into the world and have at it, but always quite missing my mark and stumbling back into the box with much damage and the excitement of a child on Christmas to see my cat, and a warm box, and an hour of something to laugh at. But this project was no laughing matter— mostly because it was sadness; sadness which I kept composed— [the neighbor exits quietly] Oh she IS capable of shutting the door normally. Look at that. —Sadness which I kept composed as darkness, woven into songs as verses or poems as proses without ever giving it a single thought of what was reflected or why it was I was decided to watch that. {Enter The Multiverse} After all, we began chasing Skrillex into forests with monsters, and now balance the delicate calorie deficits of all of what they have— the actors and actresses, media titans, and even politicians, as I burn through my own light like the Palisades fires, where ironically my legend was born before I'd even think to write it; L E G E N D S Somewhere in a place inside my mind where my diaries and lost unrequited love would become sometimes my light and sometimes my darkness and the forced focus of becoming nothing without actually being done— this sort of infinite place that has to exist somewhere in my mind, because it does— and also out in the world — [the door slams violently] Nevermind, she sucks. They all suck. —because thst's where it comes from. So what of Colbert, and the Gun, and the watch, and the Owl, and all of our friends on the trains, in the mazes and libraries? I hadn't not the slightest cause to reckon where the rest of it was because the tragedy of the story was still being just as lived as it was written. The variable pertaining to how many times I had seemingly fallen in love with nothing more than just a shadow or simple reflection of my own thoughts— Glimpses into mirrors and corridors of infinite in all the effective possibilities of the things I'd ever wanted. Perhaps the darkness was that without searching, I wanted to be loved— And it was here, the whole time, quantified and personified in the people that had so much of it, that I could take the idea of such and skate on it, like a complex sort of obstacle, that it wasn't directed at me— but then it was— because I was looking to deeply into something I loved, That it would come back in the form of something, no matter what it was. Long after the perfume was gone, the diamond eyes would still remind me of an Owl that I had once seen and even become, but since arriving in New York and staying too long, had not come back. There certainly was a piece or part of me that had lived and died here, but I was unsure what it was yet. But what of Colbert? Even this was an incomplete and intercepted thought, or concept. All I looked at was him in this light, clutching this little gun that I loved because it was so silver and so polished and so small, And the words “Lost Light”. So perhaps I'd write that song next. [The Festival Project ™] —Death of a Superstar DJ Chroma111. INT. CRYPT. ROCKEFELLER PLAZA. I told you he was a genius! [a mechanical sound erupts from the cooridor above.] Hey! What happened?! BILL MURRAY Well, that's easy! You're trapped. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

In this episode, we recap this week in pop culture news. Join us as unpack Quentin Tarantino's podcast appearance and the fallout from his extra-spicy commentary and dig into Netflix's bold attempt to buy Warner Bros. Plus, we weigh in on the new Mother Mary trailer and ask the only question that really matters: is dark-and-twisty Anne Hathaway actually peak Anne Hathaway?Relevant links: Our full show notes are at knoxandjamie.com/637Do you need a last-minute gift? Give the gift that keeps on giving with a subscription to the Popcast Patreon at knoxandjamie.com/giveagift Quentin Tarantino Keeps it (too) Real? // Controversies & Bret Easton Ellis Podcast | There Will Be Blood | Paul DanoNetflix Buys WB // Paramount's Hostile Offer | WGA's Statement | Anonymous A-Listers' Email to Congress | WB IP listMother Mary Trailer (see also: Rachel Gets Married) | Michaela Coel IMDb | FKA twigs Asides: Kristen Stewart NYT interview | David Ellison (see also: Larry Ellison) | Abigail Disney's private plane problem | The Diplomat | The Young PopeFact check: Larry Ellison owns Lanai?! | Deutsche Bank promoting Oracle stock?!)Red Lights Mentions: Page Six breaking old news | Mckenna Grace (see also: “Freddy Fridays”, Troop Zero, Sunrise on the Reaping) | Cynthia Erivo's memoir controversy | The Book | Boomer Entitlement | The Dog Museum NYC | College Football Playoffs Green Lights:Jamie: movie - Sentimental Value | documentary - Marlee Matlin: Not Alone AnymoreKnox: play - Stranger Things: The First Shadow | book - The Hounding by Xenobe PurvisBonus segment: Join us on Patreon to listen ad-free and get exclusive weekly and monthly content including TMYKs, Pilot Programs and Cinema Sidepieces.Episode sponsors: Quince | Chewy | Aura Frames (code: POPCAST) | Olive & June | Merit Beauty Hosted on Acast. See acast.com/privacy for more information.

The GBGBs are back with another installment of "Litterboxd", their purr-rific cat-movie marathon! This time they review their first Studio Ghibli movie seen on the show, The Cat Returns (2003). This movie stars GBGB alum Anne Hathaway as Haru, a high school student who is brought to the Cat Kingdom after saving the life of a cat prince. Haru then enlists the help of the dashing debonair cat, The Baron, to help her escape the Cat Kingdom and reverse her transformation into a cat. Me-wow!   Thanks for stopping by!

HOLIDAY SHOW TICKETS > https://bit.ly/CITOPHILLYSHOW. Justin Sylvester talks working with Scarlett Johansson (00:00-10:14). The ‘RHOSLC' plane incident (11:01-16:08). Anne Hathaway has mastered being a celebrity + ‘Euphoria' season 3 news (16:09-24:37). Fake Birkin bags (24:38-36:02). Spotify Wrapped (37:05-44:10). Variety's Actor on Actors lineup revealed (44:11-50:54). Quentin Tarantino calls Paul Dano “The weakest actor in SAG" (50:55-55:50). Interview with ‘Owning Manhattan's' Chloe Tucker Caine - talking all the drama on season 2, working with Ryan Serhant, renting in NYC + more! (56:53-1:28:13). Beat Ria & Fran game 199 with Hunter & Hollyn (1:28:58-1:54:21). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Evan is back! We're happy to have him. First up is Megan's solo turn on HAMNET (2:19), director Chloé Zhao's adaptation of Maggie O'Farrell's novel (with a screenplay by Zhao and O'Farrell), a historical drama about Anne Hathaway and William Shakespeare's marriage following the tragic death of their 11-year-old son. Then Evan, Megan, and Dave talk about Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER (15:16), but Dave is called away mid-conversation by a child in need (one of his, not some rando who wandered in from the hinterlands). Evan and Megan pick up the conversation and then discuss writer-director Jafar Panahi's latest, the nakedly anti-authoritarian thriller IT WAS JUST AN ACCIDENT (42:09), which won the Palme d'Or at Cannes and is France's submission for Best International Feature Film at the 2026 Academy Awards. Over on Patreon, we talk about our poll winner, the 2013 summer movie THE WAY WAY BACK.

Pol, Bud, and post-shot Kirsten talk AI (ew), Letterman (aw), F––kboats (um), and real live puppets (yay)! Bud’s Weekly Geek-out 06:45 – datacentre home heating Coming Soon 08:35 – The First Snow of Fraggle Rock (Apple TV special, December 5) 11:49 – Mother Mary (A24 film, Anne Hathaway, Michaela Coel, Hunter Schafer, fka twigs, in theatres April 2026) 15:12 – Run Away (Netflix film, January 1) 16:46 – My Next Guest Needs No Introduction With David Letterman (Netflix series, S6, December 16) 24:06 – Taylor Swift | The Eras Tour | The Final Show (6-episode documentary, Vancouver concerts, with songs from The Tortured Poets Department, Disney+, two-episode premiere December 12) 26:09 – Glen Powell is chartering a Fuckboat NOT Coming Soon 29:39 – Netflix is killing casting from your phone Geek News Proper 33:38 – A Critter Carol (shot on iPhone 17 Pro, BTS, LNY’s, LNY’s BTS) 50:20 – Kpop Demon Hunters is now officially eligible in the Animated Feature category for the 2026 Oscars 54:49 – Stranger Things 5 criticised for Nintendo ”cardinal sin”: showing a TV w/ NES running the arcade version of Ghosts ’n Goblins, NOT the NES port related: Dick Extro! 57:40 – Festive Face-Off (Christmas movie bracket) Late-breaking listener mailbag (geekout@TheZone.fm) 1:10:44 – Zoner Spenny: Westhills’ heat transfer Join The Geek-out Podcast’s Facebook page (where we’ll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone’s Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast

Sometimes the secondbest bed is the better bed.Topics in this episode include Griselsa, Antisthenes and Helen, art of surfeit, the Dark Lady of the sonnets, the erotic adventures of Shakespeare and Richard Burbage, how the Dark Lady connects the works of Shakespeare to the world of Ulysses, misogyny in the interpretation of Shakespeare, the binary of Stratford and London, William Davenant, Fetter Lane of Gerard, giglot wantons, Anne Hathaway's supposed infidelity, Anne's debt to a shepherd, Shakespeare's will and the secondbest bed, and why it isn't as damning as one might assume.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

This week on Forgotten Cinema, the Mikes clock in with "The Intern" (2015), Nancy Meyers' feel-good comedy starring Robert De Niro and Anne Hathaway.Both Mike Butler and Mike Field really enjoy this one. Yes, it's sweet, uplifting, and maybe a little too saccharin at times, but it delivers exactly the warm, comforting tone it's aiming for. De Niro and Hathaway have fantastic chemistry, and the film's steady, upbeat vibe makes it one of the more genuinely pleasant modern studio comedies.The Mikes do take issue with a stretch of drama that arrives about halfway through the movie. It feels forced, a little too Hollywood, and somewhat undercuts the strength of Hathaway's character by the time the film wraps up. But, "The Intern" is an uplifting film about mentorship, connection, and finding purpose at any age, so it's easy to forgive the missteps.Overall, it's an easy watch, a charming film, and a reminder that sometimes “feel-good” doesn't have to be a bad thing.

Ever lied to get a job? Apparently a lot of people have! Lisa also gives us details on a creepy new Anne Hathaway movie, Miley Cyrus getting engaged and Dave Coulier's latest update on his cancer diagnosis. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

¡Llegó tu resumen de noticias para despertar! Dale play a Cafeína x Sopitas.com Hosted on Acast. See acast.com/privacy for more information.

Friend of the pod Katherine Scheil is the author of Imagining Shakespeare's Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O'Farrell's 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21) The post Hamnet, The Movie appeared first on Reduced Shakespeare Company.

After four years of dating, Miley Cyrus might officially be off the market! Plus, the OG Bridgerton hottie Regé Jean Page ☕ Is Miley Cyrus engaged? ☕ The Anne Hathaway x Charli XCX film that has us all gagging ☕ Rene Page Jean + erotic thriller = take my money ☕ Calls for Jack Charles to be deported ☕ Sabrina Carpenter takes aim at the White House Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Our podcast Watch Party is out now, listen on Apple or Spotify. THE END BITS Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. CREDITS Host & Producer: Ash London Executive Producer: Monisha IswaranBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

FINALLY WATCHING THIS CLASSIC!! The Devil Wears Prada Reaction, Recap, Commentary, Analysis & Spoiler Review! The Devil Wears Prada Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Grab Our NEW Stranger Things 5 Inspired Tees ⁠https://www.rejectnationshop.com/⁠ Greg Alba & Andrew Gordon dive deep into the iconic fashion-world classic as we revisit Miranda Priestly (Meryl Streep — Sophie's Choice, Mamma Mia, Don't Look Up), Andy Sachs (Anne Hathaway — Les Misérables, The Dark Knight Rises), Emily Charlton (Emily Blunt — Oppenheimer, A Quiet Place), Nigel Kipling (Stanley Tucci — The Hunger Games, Spotlight), Nate (Adrian Grenier — Entourage), and the entire Runway Magazine chaos ahead of the newly announced The Devil Wears Prada 2! We break down every legendary moment — from “That's all,” the Cerulean monologue, the Paris Fashion Week betrayal, Miranda's divorce revelation, Andy's makeover montage, the Runway editorial politics, to Andy finally tossing her phone in the fountain. We also talk fashion symbolism, character arcs, toxic workplace themes, and why this film remains one of the most fiercely quoted movies ever made. Whether you're searching for Devil Wears Prada reaction, Miranda Priestly breakdown, Andy Sachs analysis, or Devil Wears Prada 2 updates, this commentary has you covered with humor, insight, and full fan-favorite appreciation. Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz dives deep into the long-awaited teaser trailer for The Devil Wears Prada 2 in this new segment of Notorious Mass Effect. Breaking down every frame, Analytic Dreamz analyzes Anne Hathaway's return as Andy Sachs, Meryl Streep's anticipated comeback as Miranda Priestly, and the fresh cast additions shaking up Runway Magazine. From fashion evolution to plot hints and nostalgic callbacks, Analytic Dreamz explores what the sequel means for fans nearly 20 years later. Expect sharp commentary on cinematography, dialogue, and the cultural impact of bringing this iconic story back to the big screen. Whether you're a die-hard Devil Wears Prada fan or just here for the drama, this segment delivers detailed reactions and honest takes. Stream now on Notorious Mass Effect with Analytic Dreamz.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

If there is a role in politics at which Anne Hathaway hasn't excelled, I don't know what it could possibly be. On this week's “Leaders and Legends” podcast, Hall of Famer Jim Shella and I talk with Anne about paying her dues in the political world, the amazing list of people with whom she's worked, running national conventions,and what happened when she accidentally changed something written by Mitch Daniels.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesSinners mastermind Ryan Coogler confirmed that Black Panther 3 is the next film he's working on during Contenders Film: Los Angeles last week, an event put on by Deadline. This is exciting news for us MCU fans, as work on the third Black Panther film has been mostly quiet other than Denzel Washington's confirmed slip up that he is in the movie.A new Star Trek movie is being created under the writing and direction of John Francis Daley and Jonathan Goldstein, the duo behind Dungeons & Dragons: Honor Among Thieves and Game Night as well as the recently wrapped Apple film Mayday, starring Ryan Reynolds and Kenneth Branagh. With the last feature film being Star Trek Beyond in 2016, there's been little movement on both the Chris Pine-led series and new takes on the universe, but this new film will move forward unconnected to anything done previously.Glen Powell in The Running Man was a favored first place winner at the box office this weekend, but was ousted by the sleight of hand of Now You See Me: Now You Don't, the third movie in that franchise. Now You See Me racked up a global $75 million opening, while The Running Man limped across the finish line at $28 million. This marks Powell's first big box office miss, when compared to openings for Twisters, Top Gun: Maverick, and Anybody But You, but the action film did have to compete against Predator: Badlands, which is holding strong at the box office still.Nintendo and Illumination have released the first trailer for Super Mario Galaxy, the follow up to 2023's hit The Super Mario Brothers Movie. The film will hit theaters on April 3rd, 2026. The trailer reveals some new characters and cast members including Bowser Jr. who will be voiced by Benny Safdie and Rosalina who will be voiced by Brie Larson.Amazon Prime has released a new, extended trailer for “Fallout” Season 2. The season begins streaming on December 17.20th Century Studios has released a very short teaser trailer for The Devil Wears Prada 2, the follow up to the 2006 fashion comedy that starred Meryl Streep and Anne Hathaway, who are reprising their roles for the sequel. The film opens on May 1, 2026.Apple TV has set Friday, February 27 for the Season 2 premiere of Monarch: Legacy of Monsters and has dropped a first trailer. The 10-episode second season will premiere globally on Feb. 27 with the first episode, followed by one episode every Friday until May 1.Disney has released the first trailer for the live action adaptation of Moana which hits theaters on July 10, 2026.According to Deadline, Sadie Sink will appear in Avengers: Secret Wars following her appearance in Spider-Man Brand New Day.Hideo Kojima‘s groundbreaking video game franchise Death Stranding is set to expand with an all-new animated series that's heading to Disney+. The show, which is titled Death Stranding Isolations is expected to debut sometime in 2027.Peacock has decided not to renew Poker Face for a third season. Natasha Lyonne exits as star, but series creator Rian Johnson has begun an effort to shop the show to other broadcasters for a two-season commitment and has cast Peter Dinklage to take over the role of Charlie Cale from Natasha Lyonne.Sony Pictures has picked up the rights to the Chinese doll brand Labubu with the intent to launch a franchise based on the dolls in the near future.Nintendo's live action Legend of Zelda movie has begun production and Nintendo social media accounts posted first look images earlier this week of Link and Zelda, the film's main characters. The film is currently set for release in May of 2027.Peacock has renewed Twisted Metal for a third season, with David Reed taking over as showrunner and executive producer following Michael Jonathan Smith's exit. Reed has previously been a producer on series like Supernatural and The Boys.

What if your brand looked like the real you—not the polished, people-pleasing version you think you “should” be? In this episode of Communication Queen, host Kimberly Spencer sits down with branding badass Rachel Lee, the designer who “speaks fluently in pixels, fonts, and colors,” to unpack what it actually takes to create a visual brand that feels like your soul in 4K. Together, they dive into why so many entrepreneurs feel a 25–50% disconnect between who they are on Zoom and who they appear to be online, and how that gap quietly erodes trust, magnetism, and money. Rachel breaks down her process for translating a client's quirks, stories, and “weird friend-only facts” into bold, intentional visuals that build instant connection—especially in an era where AI-generated everything is flooding the feed. You'll hear Rachel share vulnerably about navigating business with debt, declaring bankruptcy, and realizing that the very things she was most insecure about—her baby face, her big joy, her “too much” energy—were actually her most powerful brand assets. If you've ever looked at your website or socials and thought, “This is… fine, but it's not really me,” this episode will give you the permission and strategy to change that. Tune in to learn how to humanize your brand, build real relationships through your content, and show up online like the queen you actually are.

Chaque samedi dans CLAP !, Laurie Cholewa revient sur l'actualité du Septième art, en compagnie d'invités.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textDr. Johnny Wolfenstein, a brilliant but egotistical producer, brings a podcast back to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. On Episode 694 of Trick or Treat Radio we have a Patreon Takeover featuring our good buddy Evil Corny! Corny selected the films Frankenstein (2025) and Opus for us to discuss! We also figure out what a good retelling of a classic tale needs to have, react to trailers for the films Good Luck Have Fun Don't Die, Dracula (2026), and we talk about our favorite Guillermo del Toro films! So grab a cup of communal Kool-Aid, stitch up a collection of body parts, and strap on for the world's most dangerous podcast!Stuff we talk about: Eli Roth, Ice Cream Man, Clint Howard, Inglorious Basterds, broflake, Evil Corny, From the Canopy Podcast, The Mad Ghoul, Alice Sweet Alice, Play Misty For Me, Assault on Precinct 13, Slumber Party Massacre, Creepshow, Alone in the Dark, The Faculty, Shadow of the Vampire, Seed of Chucky, Blood Paradise, Ronny Yu, Jennifer Tilly, John Ritter, Anne Hathaway, Ryan Gosling, The Crazies, Silent Hill, Pitch Black, Rhonda Shear, Wallace Shawn, Dial M for Murder, Damien: The Omen 2, Kim Hunter, The Kindred, Bad Ronald did a Basement Jack, Billy Jacoby, Frosted Flakes, Just One of the Guys, I Walked With A Zombie, Sam Rockwell, Gore Verbinski, Jojo Rabbit, Gentleman Broncos, The Bride, Maggie Gyllenhaal, Jessie Buckley, Shape of Water, Francis Ford Coppola, Leonardo DiCaprio, Blacula, Idris Elba, William Marshall, Good Luck Have Fun Don't Die, Dracula, Luc Besson, Leon the Professional, Guillermo del Toro, Blade II, Hellboy II: The Golden Army, Pan's Labyrinth, The Devil's Backbone, Frankenstein, Hulk, Robert Eggers, Macho Man Randy Savage, Jeff Fahey, Body Parts, Mary Shelley, Willy Wonka and the Chocolate Factory, Opus, Juliette Lewis, John Malkovich, Amber Midthunder, Mark Anthony Green, Rosario Dawson, Billie Holliday, Too Much Swash Not Enough Buckle, The Modern Brometheus, and Alabaster Peak.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Today we are bringing you stories from a slightly different side of true crime: stories about people who live by deception. Individuals who don't just tell lies but become someone else entirely. From Audiochuck and Campside Media, this is Chameleon. Each week, host and journalist Josh Dean unravels a new case that pushes the limits of human deception. Stories of imposters, shapeshifters, and master con artists who have turned illusion into a way of life.The first episode dives into the unbelievable story of Rafaello Follieri, the charming con artist who fooled everyone from Hollywood to high society. He swept a famous actress off her feet, claimed ties to powerful politicians, and convinced investors he was on a mission to save the Catholic Church's finances.Chameleon is a psychological deep dive into the human capacity for deceit, and it will make you question how well we really know the people around us. Find episode two, "The Kid Who Couldn't Stop Playing Cop," wherever you listen to podcasts. https://chameleon.simplecast.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today we are bringing you stories from a slightly different side of true crime: stories about people who live by deception. Individuals who don't just tell lies but become someone else entirely. From Audiochuck and Campside Media, this is Chameleon. Each week, host and journalist Josh Dean unravels a new case that pushes the limits of human deception. Stories of imposters, shapeshifters, and master con artists who have turned illusion into a way of life.The first episode dives into the unbelievable story of Rafaello Follieri, the charming con artist who fooled everyone from Hollywood to high society. He swept a famous actress off her feet, claimed ties to powerful politicians, and convinced investors he was on a mission to save the Catholic Church's finances.Chameleon is a psychological deep dive into the human capacity for deceit, and it will make you question how well we really know the people around us. Find episode two, "The Kid Who Couldn't Stop Playing Cop," wherever you listen to podcasts. https://chameleon.simplecast.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

He dated a Hollywood princess and claimed to be the Vatican's man in America. But Raffaello Follieri wasn't all he appeared to be. He convinced some of the world's richest people to hand over millions — before it all came crashing down. How did a charming Italian from a small town in Puglia rise to the top? Now, following deportation, is he rising again?Chameleon is a production of Campside Media and Audiochuck.Follow Chameleon on Instagram @chameleonpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A new The Devil Wears Prada 2 trailer? Count us in! The teaser has dropped, and we’re breaking down every delicious glimpse at a movie we’ve been counting the days to see. Plus, Miles Teller appeared on Travis Kelce’s podcast, and things got very “bros bro-ing.” He’s also been coy about whether he and his wife will attend Travis’ wedding to Taylor Swift — and we’re unpacking the drama between Keleigh and Taylor, which might explain the messy invite situation. And Dakota Fanning went on Andy Cohen’s show to spill on modern dating, proving it’s no easier for gorgeous celeb women than it is for the rest of us.OTHER EPISODES YOU MIGHT LIKE: The Devil Wears Prada 2 Set Drama & Why A Celeb Baby Is Causing ControversyEvery Celebrity Involved In The Fallout Surrounding Taylor Swift’s New AlbumHow Two Famous Sisters Escaped The Child-Star Curse & The Rom-Coms Coming Your WayTHE END BITS Our podcast Watch Party is out now, listen on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our brand new Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Em Vernem Executive Producer: Monisha Iswaran Audio Producer: Scott StronachBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Meryl Streep & Anne Hathaway are back in the office elevator and back together after we got a sneaky little teaser of what we can expect in the sequel of the movie. Plus, what’s the latest from Big Brother?See omnystudio.com/listener for privacy information.

This episode of The Sandy Show bursts with energy, humor, and curiosity as Sandy and Tricia celebrate iconic birthdays, share hilarious personal stories, and dive deep into pop culture. Sandy kicks things off with a tribute to Al Michaels and Anne Hathaway, sparking playful banter about celebrity crushes and the infamous “laminated list.” Tricia brings the laughs with tales of Easy-Bake Oven mishaps and the “Science Oven” from American Hustle, blending nostalgia with sharp wit. Listeners are treated to a spirited debate on the greatest female rock singers of all time, with surprising picks and passionate opinions. Sandy's admiration for Anne Wilson and Tricia's defense of Miley Cyrus add personal flair, while stories of Billy Idol's wild casino antics and the top MTV music videos keep the conversation unpredictable and fun. The episode explores pop culture phenomena like Stranger Things, with Tricia sharing behind-the-scenes secrets and family traditions around the show's release. Quirky segments like “Care, Don't Care” reveal hilarious facts about garlic, bar arguments, and a police officer's unforgettable encounter with a cowboy riding a bull in Ohio.Notable Quotes & Memorable Moments:“If I came home and said, Tricia, I just had relations with Anne Hathaway, I can't be in trouble.” – Sandy“You do bring her up often, though, whenever we have conversations like this. She's awesome.” – Tricia“Men who eat a ton of garlic smell sexier to women. They put off some sort of pheromone.” – Tricia“Are you telling me there's an actual bull?” – Ohio police officerThemes & Highlights:The magic of sports and pop culture nostalgiaFamily traditions and generational connectionsThe unpredictability of celebrity encountersHumor in everyday life and relationshipsMusic legends and personal favorites

WE HAVE A TRAILER FOR THE DEVIL WEARS PRADA 2, PEOPLE! WE HAVE A TRAILER! Watch it here. Plus, Prince William has some words of encouragement for Robert Irwin and Harry Potter fans get a huge treat on Broadway! ☕ A fresh peek at The Devil Wears Prada 2 ☕ Prince William reaches out to Robert Irwin ☕Tom Felton makes his broadway debut ☕ A huge new gig for Adele ☕ We chat to the man behind the latest true crime thriller LISTEN: Check out Mamamia's interview with Patrick Mcmanus about Devil in Disguise: John Wayne Gacy on True Crime Conversations here. Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Our podcast Watch Party is out now, listen on Apple or Spotify. THE END BITS Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Beauty standards never really left, did they? Also, important book updates, unlikeable female characters and my continued disapproval for our current administration. And also, Strange Familiar Audio Book will be available on Youtube MIDNIGHT TONIGHT!  Tune in!Never the Roses ~ Exclusive Owl Crate signed editionVery Beautiful HardcoverBless Your Ears AudiobookAnd Kindle Unlimited has Never the Roses digital version! Your friendly neighborhood author is doing author-ly things this upcoming month! Hummingbird House is officially OPEN FOR BOOKING

National happy hour day. Entertainment from 1974. Leotard invented, Ellis Island closed, 1st selfie in space. Todays birthdays - Grace Kelly, Brian Hyland, Neil Young, Buck Dharma, Les McKeown, Mega Mullaly, Ryan Gosling, Anne Hathaway. Wilma Rudolph died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Happy hour - WeezerAint seen nothin yet - Bachman Turner OverdriveCountry is - Tom T. HallBirthdays - In da club - 50 Cent     http://50cent.com/Itsy bitsy teeny tiny yellow polkadot bikini - Brian HylandHeart of gold - Neil YoungBurnin' for you - Blue Oyster CultSaturday night - Bay City RollersExit - This town aint big enough for the both of us - Chris Guenther https://www.chrisguenthermusic.com/countryundergroundradio.comHistory & Factoids about today webpage

This week on Big Trouble in Little Podcast, Andy, Joe Dubs, Zac, and Chaz return to Gotham one last time to discuss Christopher Nolan's epic conclusion to the Dark Knight Trilogy — The Dark Knight Rises (2012). The crew dives into Bruce Wayne's journey from broken recluse to symbol of hope, Bane's reign of terror, and the film's ambitious themes of pain, legacy, and redemption. From Tom Hardy's masked menace to Anne Hathaway's cunning Catwoman, the guys break down what worked, what didn't, and how Nolan stuck the landing on one of cinema's boldest trilogies. Expect passionate analysis, heated debates, and the usual blend of humor and insight as the hosts explore how The Dark Knight Rises brought the legend of Batman full circle.

Drew and Travis trawl for Justice aboard Serenity, the forgotten flop starring Matthew McConaughey, Anne Hathaway, and Jason Clarke! Written and directed by Steven Knight, this 2019 fishing expedition is the second film in a theme month called "What Were They Thinking?!" TIMESTAMPS 00:00:00 - Serenity 01:06:41 - The Shelf 01:14:58 - Calls to Action 01:16:03 - Currently Consuming 01:31:44 - End SHOW LINKS The Empty Man Frailty Predator: Badlands Nightmare Alley on Criterion Collection 4K UHD GenreVision on Letterboxd Drew Dietsch on Letterboxd Travis Newton on Letterboxd GenreVision on Bluesky Drew Dietsch on Bluesky

Lauren Flans returns to us and we drop her into the middle of the black. She's seen Serenity though (and not the Anne Hathaway one!), so she's not quite as blind as usual.

Topics: Tay's lock-OCD, adult Halloween costumes, Ash Hess's wedding in LA, horror movies during turbulence, Tay got scared by a wig, the movie Barbarian, Andrew thinks breastfeeding is hot, drinking at grocery stores, Sabrina Carpenter "arrested" Anne Hathaway, Mandy Moore isn't Mandy Moore, girl dated men to rob themSponsorsBoll and Branch: Visit BollAndBranch.com/TAYLOR for 20% off BundlesHERS: Go to ForHers.com/TAYLOR to get a personalized, affordable plan that fits youBellesa: EVERYONE who signs up wins a FREE WhisperVibe™ OR a FREE Rose toy with any Whisper™ order! https://www.bboutique.co/vibe/tasteoftaylor-podcastVital Vitamins: Listeners get 20% of all orders with code TAYLOR at myvitalvitamins.comRevolve: Shop REVOLVE.com/TAYLOR and use code TAYLOR for 15% off your first orderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Part 2 of our The Dark Knight Rises analysis dives into the details that make (or break) Nolan's finale: body language, costuming, set design, and character arcs. Anne Hathaway slinks her way through as Catwoman, Joseph Gordon-Levitt maybe-becomes Batman, and Batman trades his cape for a cappuccino in Florence. We'll pull apart the visual storytelling, the prison pit metaphors, and the way Gotham itself becomes a character. Finally, we'll ask: does Nolan's trilogy conclusion rise above the rubble—or just collapse under its own weight? ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review!    Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7   Connect with us:  Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels   You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels   Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more!   If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR   The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license

Season 2 of Nobody Wants This has finally dropped — but one of our hosts is far too distracted by Kristen Bell’s latest Instagram post to care. Holly, Amelia and Jessie ask: does an actress have to be likeable for her show to work? Meanwhile, “Nonmonogamummy” and “Pussy Palace” weren’t exactly on our cultural bingo cards for 2025… yet here we are. Lily Allen’s new album is a gloriously messy post-divorce confessional — a world away from the Gwyneth Paltrow school of conscious uncoupling. Plus, freebirthing — what it is, why it’s trending, and how it’s dividing the internet. If you or somebody you know has experienced sexual assault and are in need of support, please call 1800 RESPECT on 1800 737 732. Help is available 24 hours a day, seven days a week. And, always consult your healthcare provider for advice specific to your situation. Support independent women's media What To Listen To Next: Listen to our latest episode: Other People’s Marriages & Your New 'Shobby' Listen: The Precise Etiquette Of A 'Grudget' Listen: Kim K's Bush & An Office Politics Dilemma Listen: A 'Furious' King & The Rise Of The Barbie Waist Listen: The Friends Vs Family Trap & We're All Rapunzel Now Listen: What Did You Do Yesterday? Listen: "A Comedian Hurt My Feelings" Listen: Every Thought We Had About The Victoria Beckham Documentary Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: 'This Nobody Wants This season 2 storyline is painfully accurate. It made me feel seen.' 6 behind-the-scenes facts that will change the way you watch Nobody Wants This season two. Why everyone is talking about Lily Allen's new album. 'David Harbour and Lily Allen just shared their home with us. And I really wish they hadn't.' THE BLOCK 2025 FINALE: A record-breaking win and two surprise disappointments. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

THE GREATEST SEQUELS NEVER MADE! Dive into the ultimate "what if" rabbit hole with Reel Rejects' Greg Alba & Coy Jandreau as they unpack cancelled sequels and unmade movies that could've rewritten Hollywood history! From Kylo Ren's scrapped Star Wars solo film and David Fincher's dark Star Wars vision to epic follow-ups like Alita: Battle Angel 2, The Amazing Spider-Man 3 with Andrew Garfield's Sinister Six showdown, and Sam Raimi's Spider-Man 4 featuring Vulture and Anne Hathaway's Black Cat— these abandoned movie sequels had killer plots, A-list talent, and game-changing concepts that got shelved for good (or bad) reasons.In this unmade movies deep dive, we break down Darren Aronofsky's gritty Batman: Year One, Neill Blomkamp's District 10, Dredd 2 with Judge Death, Edge of Tomorrow 2: Live Die Repeat and Repeat, the terrifying E.T. 2: Nocturnal Fears, Freddy vs. Jason vs. Ash, The Godfather Part IV with Leo DiCaprio as young Sonny, Gremlins 3 in Vegas, Joel Schumacher's Batman Unchained, the wild Jurassic Park 4 dino-human hybrids, Quentin Tarantino's Kill Bill Vol. 3, Man of Steel 2 with Brainiac and Supergirl, the original Matrix 4 pitch, The Nice Guys 2, Roger Rabbit 2: Who Discovered Roger Rabbit, Tim Burton's Batman 3, Tim Miller's Deadpool 2, David Fincher's World War Z 2, and Zack Snyder's Justice League sequels complete with Darkseid, Knightmare timelines, and a Bruce Kent epilogue! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Holly Wainwright is deep into The Golden Bachelor, and she has one piping-hot take—but it may not be the one you're expecting. Claire Murphy and Amelia Lester are here to figure out if Hol is just secretly projecting on to a man called Bear or whether she has a point. And friends, you're not stressed, you're in the 'October Slump'. If time is swirling into a pre-Christmas nightmare and you can practically taste the exhaustion, the good news is that it's not just you. We've got some very necessary feedback (always a gift) for this time of year and a few survival tips. Plus, the latest celebrity daughter has officially stepped into the spotlight. Apple Martin, daughter of Hol's 'close, personal friend' Gwyneth Paltrow and Coldplay's Chris Martin, is all of a sudden everywhere. What does her arrival mean for the nepo-baby discourse, and is she selling a vagina-scented candle yet? We discuss. Support independent women's media What To Listen To Next: Listen to our latest episode: Kim K's Bush & An Office Politics Dilemma Listen: A 'Furious' King & The Rise Of The Barbie Waist Listen: The Friends Vs Family Trap & We're All Rapunzel Now Listen: What Did You Do Yesterday? Listen: "A Comedian Hurt My Feelings" Listen: Every Thought We Had About The Victoria Beckham Documentary Listen: The Victoria Beckham Documentary Is Hard To Watch Listen: The New High Status Boyfriend Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Mamamia recaps The Golden Bachelor: Nobody puts Cathy in the corner. The Golden Bachelor highlights a new class divide. Inside the extremely elite Le Bal des Débutantes, a Bridgerton ball for nepo babies. There's a reason why October is categorically the worst month of the year. The 'October Theory' is the reason everything just feels different right now. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Prince Andrew - the royal problem that just won't go away - has done just that, by giving up his royal titles. So, Amelia Lester and Claire Murphy join our royal correspondent Holly Wainwright to try understand - why now? Plus, does high fashion actually hate women? From a dress that looks more like a cocoon, to an ensemble that includes a mask covering Kim Kardashian's entire face and a corset so tight your body actually spills out of it, it begs the question, who exactly is buying it? And, in Gwyneth-adjacent news, a new Netflix series is letting famous people have the last word from beyond the grave. So if you could have the last word, what would you say? Support independent women's media What To Listen To Next: Listen to our latest episode: The Friends Vs Family Trap & We're All Rapunzel Now Listen: What Did You Do Yesterday? Listen: "A Comedian Hurt My Feelings" Listen: Every Thought We Had About The Victoria Beckham Documentary Listen: The Victoria Beckham Documentary Is Hard To Watch Listen: The New High Status Boyfriend Listen: The Problem With Compliments Listen: The Couple Who Need To Stay Away From Each Other Listen: What Does King Charles Do With A Problem Like Prince Andrew? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Genuine question... does fashion hate women? The one question everyone is asking after Prince Andrew and King Charles' 'discussion.' What does Virginia Giuffre's death mean for Prince Andrew? A heist at the Louvre. Missing jewels. And a getaway straight out of a film. Alex Cooper asked Kim Kardashian everything we've quietly wondered. We pulled the answers. It’s official. These are the 10 iconic moments that completely changed the way we dressed. THE END BITS: Check out our merch at MamamiaOutLoud.com Mamamia studios are styled with furniture from Fenton and Fenton GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

In honor of Jane Austen's 250th birthday, we teamed up with Hot and Bothered and blended our formats for a special crossover episode covering the 2007 fanfic Becoming Jane! Topics discussed include why it's so hard to write dialogue for writers, the 2007 of it all, Anne Hathaway's terrible British accent, what this movie believes about love, the movie's lack of Austen's genius, digging your own potatoes, and Austen in popular culture. Glossary of People, Places, and Things: Penelope, Atonement, The Last King of Scotland, Joe Wright, Shakespeare in Love, Les MisIf you loved hearing us chat with Vanessa, check out Hot and Bothered at hotandbotheredrompod.com and follow them on Instagram at @therompod.Next Episode: Mansfield Park Chapters 1 - 2Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

What if the stories you're most afraid to share are the exact ones that magnetize your next level of abundance? In this raw and power-packed episode of the Communication Queen Podcast, host Kimberly Spencer sits down with Lorraine Davies, a Self-Leadership & Energetics Mentor for Heart-Driven Entrepreneurs, to unpack how courage becomes currency — and how congruence (not perfection) is the ultimate magnet for aligned success. Lorraine gets real about her journey from £80,000 in debt and a marriage breakdown to building a soul-led business rooted in integrity, authenticity, and fun. Together, Kimberly and Lorraine dive deep into what it means to live and lead with full transparency — even when it's uncomfortable AF — and how emotional mastery and self-inquiry can turn shame into sovereignty. If you've ever felt like you have to “look successful” before you are, or that you can't share the messy middle while you're still in it, this episode will shift your perspective forever. You'll walk away with tools for: Spotting when your ego's running the show (and how to return to alignment) Using courage as your daily business strategy Creating real-time authenticity that builds trust and influence Get ready to rewrite your story — one courageous move at a time.

Pair the rising star director Dee Rees with a Joan Didion adaptation and the Oscar-winning Anne Hathaway and you have the kind of on-paper buzz we love talking about here on THOB. But The Last Thing He Wanted, following Hathaway as a journalist whose wayward father mires her in South American arms conflict, ended up being … Continue reading "359 – The Last Thing He Wanted"

Timecodes: 00:00 Start 00:30 Sentimental about Beach House 03:02 Tommy & Ella 08:11 Dante's dating life 10:18 Will Dante be back? 13:10 Annika & Nicky 19:04 Who was the biggest surprise? 22:54 What's next for Oona? 26:49 Beach House vs. Blackout Tour 31:04 Biggest surprises (cont.) 36:49 Post Beach House cleanse 42:12 Dante is a character 46:24 Reflections 51:48 Main episode starts 52:03 Beach House Finale wrap up 01:22:05 Tommy & Ella 01:26:03 Janny update 01:30:25 Beach House was a wild experience 01:32:33 Unc vs. Gen Z 01:41:27 Beach House recap (cont.) 01:45:03 Dante gets filled in on Love Island 01:48:00 Beach House changed the game 01:50:36 Dante show coming? 01:53:49 Would they do it again? 01:55:42 Props to Oona 02:00:05 Dating in 2025 02:06:44 Reception from locals 02:11:25 Unknown number 02:26:09 Venice Film Festival standing ovations LINK https://x.com/DiscussingFilm/status/1962605676452049166 02:28:54 U.S. Open stolen hat & Nico Harrison LINKS https://x.com/CollinRugg/status/1961476692511498279 https://x.com/TheDunkCentral/status/1962204609532899537 02:35:50 Trump rumors 02:39:32 Bruce Willis' family backlash 02:50:04 Anne Hathaway theory 02:59:41 Brianna Special Forces 03:00:50 Midnight Bean rules +++++++++++++++++++++++++++++++ DraftKings: Gambling Problem? Call 1-800-GAMBLER. Help is available for problem gambling. Call (888) 789-7777 or visit ccpg.org (CT). 18+ (19+ AL/NE, 21+ AZ/MA/VA). Valid only where Pick6 operates, see dkng.co/pick6states. Void in NY, ONT, and where prohibited. Eligibility restrictions apply. Must click link to claim Bag Builder Token. Token must be selected BEFORE placing free entry in Bag Builder contest. Entry must have 6/6 correct Picks to earn equal share of cash prize pool. Tokens are single use and expire 9/8 @ 8:15 PM ET. Max. 6 Tokens per customer. Earn addt'l Tokens via linkshare w/ new Bag Builder entrants and linking Discord account w/ DraftKings. Ends 9/8/25 at 8:15 PM ET. Terms: pick6.draftkings.com/promos. Sponsored by DK. PHX: Get PHX and fuel your hustle the complete way. Shop on https://drinkphx.com. Shop on drinkphx.com and follow Phoenix on Instagram @Drink_PHX. JackPocket: GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is a lottery courier and not affiliated with any State Lottery. Eligibility restrictions apply. Void where prohibited. 1 per new customer. Opt-in for $5 in non-withdrawable Lottery Credits that expire in 7 days (168 hours). Ends 9/30/25 at 11:59PM ET. Terms: jkpt.co/draw5. Based on the total dollar amount of lottery prizes won by Jackpocket customers. Based on 2025 iOS download data collected by Sensor Tower. Sponsored by Jackpocket.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kfcr