Podcast appearances and mentions of amy engelhardt

You really don't! New from the creator of FUMP faves FLUFFY'S MASTER PLAN FOR WORLD DOMINATION, DONEKIRK and HOW DID THIS THING GET IN ME?! An inspirational anthem based on a true sports story from the 1970s. (O M G) #genx #tv From the album FINISH WHAT, available at https://amyengelhardt.bandcamp.com/album/finish-what (c) 2024 I ARE Music (ASCAP) Produced by Asmundur Johannsson and Amy Engelhardt Mixed by Vinny Wood at Studio Silo, Sto?varfjor?ur ICELAND Recorded at Studio Paradis, Gar?abaerand ICELAND and Studio Silo Asmundur Johannsson (drums/percussion), Johann Asmundsson (bass), Brynhildur Oddsdottir (guitars), Amy Engelhardt (keys/vox)

“The roles I've played on soap operas are infinitely superior to any roles I've played anywhere else. They are about women and women's stories. The men are just there to screw you -- or screw you over.” -- Dorothy LymanJust three chicks sitting around talking...Susan and Sharon clean house -- and air some dirty laundry -- with The Nanny director and Emmy-award winning actress Dorothy Lyman. You may know her as Opal Gardner from the long-running soap opera All My Children or as Naomi Oates Harper from Mama's Family. But did you know she also directed an astonishing 74-episodes of the classic Fran Drescher comedy, The Nanny?THE CONVERSATIONOne-day of work a month on Search For Tomorrow was enough to keep Dorothy from “serving cheeseburgers.” The pay was $400 -- and rent in NY was only $65!COMING CLEAN ABOUT SOAPS: Soap operas addressed abuse and abortion and mental illness and many other issues long before prime time TV. “I think it helped a lot of women stuck at home feeling the same things.”ON SOAP OPERA FANS: “I couldn't buy myself a beer anywhere in America the whole time I was on the soaps. The fans are different. They feel like they know you.”WHEN CAROL BURNETT CALLS: “Carol Burnett and Vicki Lawrence would watch me as Opal on ‘All My Children' during their lunch hour on ‘The Carol Burnett Show' -- that was their ritual. And that's how I got the job on ‘Mama's Family'.”A COUPLA WHITE CHICKS SITTING AROUND TALKING: on directing the long-running, Off-Broadway hit starring Susan Sarandon and Eileen Brennan.TRY AGAIN: Mama's Family was completely reconceived after the first pilot. “We shot one that was really awful. I think the problem was, it was too mean. And it wasn't funny at all.” THERE'S THE DOOR: After directing three seasons of The Nanny, Dorothy says, “I never got another job directing a single moment of television. I spent many years thinking I'd done something terribly wrong. But it was because I was over 50 -- and I was a woman.”What do you do when Hollywood directing gigs go away? You buy a chicken farm in upstate New York and start writing plays, of course!ON CHANGE: “Change is where it's at. Nothing stays the same. And I've always been one of those people -- if I wanted to do something, I did it.”ON DIRECTING: “It fits my personality. I'm bossy.”So join Susana and Sharon -- and Dorothy -- as they talk Milton Berle, Edge of Night, Celine Dion, visiting Egypt, Another World, Bette Midler, The Women's Room, Fran Drescher, baked croutons -- and “Where do you keep your Emmys?”AUDIO-OGRAPHYWatch Mama's Family for free on Pluto TV.Follow Dorothy Lyman at Instagram.com/dorothy_lymanNative American Heritage Month Find out more at NativeAmericanHeritageMonth.govFor more information about the land you live on go to Native-land.caBLACK FRIDAY DEAL!It's an “80's TV LADIES” HOLIDAY SALE! - Get 20% off on all merch at tinyurl.com/8TLshopMake sure to use promo code “Festive80s”!  CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. SUPPORT OTHERSSupport those seeking abortion in states where it is outlawed or restricted. Go to ARC Southeast.This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing. Credits: 80s TV Ladies™ Episode 308. Produced by 134 West and Susan Lambert Hatem. Hosted by Susan Lambert Hatem and Sharon Johnson. Guest: Dorothy Lyman. Sound Engineer and Editor: Kevin Ducey. Producers: Melissa Roth. Sharon Johnson. Richard Hatem. Associate Producers: Sergio Perez. Sailor Franklin. Music by Amy Engelhardt. Copyright 2024 134 West, LLC and Susan Lambert. All Rights Reserved.

In this episode, we continue our conversation with Amy Engelhardt and Molly Horan about their new musical: The Completely True Story of West High's 66th Annual Charity Lockdown. West High overachiever and valedictorian Becky Petterson has her life all mapped out. Until she overhears a city council meeting and discovers a secret that will threaten the very existence of everyone living in West Falls. This episode features the songs “Dream of Fuzzy Demons” and "When the World Stops", both performed by Amy Engelhardt. Connect with Amy Engelhardt: Instagram: @amyengelhardt Website: https://www.amyengelhardt.com Connect with Molly Horan: Instagram: @mollyhoranbooks X (formerly Twitter): https://x.com/molly_horan:  Connect with New York Theatre Barn: Support us: newyorktheatrebarn.givingfuel.com/nytb-yea2024 Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features a conversation with Amy Engelhardt and Molly Horan about their new musical: The Completely True Story of West High's 66th Annual Charity Lockdown. West High overachiever and valedictorian Becky Petterson has her life all mapped out. Until she overhears a city council meeting and discovers a secret that will threaten the very existence of everyone living in West Falls. This episode features the songs "Ready to Play" performed by Amy Engelhardt and “The Devil Said ‘Sure'” performed by Todd Honeycutt and Whit Spurgeon. Connect with Amy Engelhardt: Instagram: @amyengelhardt Website: https://www.amyengelhardt.com Connect with Molly Horan: Instagram: @mollyhoranbooks X (formerly Twitter): https://x.com/molly_horan:  Connect with New York Theatre Barn: Support us: newyorktheatrebarn.givingfuel.com/nytb-yea2024 Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

SHORTS (BUT SWEET) presents five ridiculous slice-of-life comedy sketches…if your life involves a hotline for writer's block, childish boyfriends, movie weddings that go haywire, and randy old ladies.Rock and Roll Radio Theater presents  SHORTS (BUT SWEET) Starring:Richard Malmos directs Paul  Preston, Susan Huckle, Mischelle Massie, Amy Engelhardt, and Ramone Hamilton.The SAG-AFTRA /WGA strikes have hurt thousands of actors, writers, composers, recording engineers, editors, and crew. Creatives in our entertainment community cannot pay rent, buy food, or keep health insurance.Rock and Roll Radio Theatre, has partnered with Nonprofit Open-Door Playhouse to produce a radio play series, sanctioned by SAG-AFTRA, that does not cross the picket line. We have hired those actors, writers, composers, recording engineers, editors, and crew-- all of whom have spent years perfecting their craft, and who want to be able to do it again for a fair wage. As of November, the strike is nearing 200 days. Even when the strike is over, the recovery process will continue. Our SAG-AFTRA Micropodcast Contract can put some money in pockets of creatives while they do what they were trained to do.SHURE INCORPORATED -- the gold standard for audio equipment for artists and venues worldwide, contributed $10,000 worth of microphones, and Fred's 62 of Los Feliz and Sharky's of Studio City donated meals. Still, the majority of the funding came from private donors -- like you!Thank you - and enjoy the shows! If you like what you hear, please give a little more by pressing the "SUPPORT PODCAST" button! Your donations are tax-deductible! Support the show

Joe Barros is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate. Héctor Flores Jr. is a multi-hyphenate Latino theatre professional whose work meets at the intersection of art and advocacy. Héctor was born in New Jersey and raised by his Puerto Rican grandmother and his single mom. Luckily his mother believes in cultural enrichment & education which instilled a hunger for knowledge, art and change within him. The artform that chose him, however, wasn't made in his image. After being a first-generation college graduate Flores embarked on a career in musical theatre that continues to inspire him to find new ways to break barriers for Latinx people.  Hector is the president of Theatre Barn Records. Theatre Barn Records is a new imprint of Broadway Records and is dedicated to original musicals in development. New York Theatre Barn, which has served as a home for new culture shifting musicals during incubation since 2007, has been evolving its unique development-based programming since the beginning of the COVID-19 pandemic. As a new program of New York Theatre Barn, Theatre Barn Records will support writers in recording and releasing concept recordings of new musicals in development on global streaming platforms. Theatre Barn Records offers a worldwide marketing platform for musical theatre writers and has the potential to create revenue for writers while their show is still in development. The focus of Theatre Barn Records is to continue to incubate and elevate projects that we are already developing while evolving our storytelling systems. In this critical digital age that we now live in, EP's and concept albums of original musicals in development are potentially the fastest and most lucrative ways that musical theatre writers can now be noticed, supported, and advanced while their shows are in development.

Arianna Rose is a professional Playwright, Musical Theatre Writer, Dramaturg, Visual Artist and Educator. She is the recipient of the MAC Song of the Year Award, the York Theatre NEO Award, and various best play/playwright awards from Theatre Odyssey, Tree City Playhouse, Mixing It Up Productions, the Know Theatre, Studio 1 Theatre, South Baldwin Theatre, Veterans Repertory Theatre and Clocktower Theatre Company. Her plays and musicals have been presented to date in twenty-seven states and seven countries. She was selected 4 years in a row for Theatre Lab at FAU's New Works Festival readings, 3 years in a row for Theatre Three's One-Act Play Festival, and selected twice for Theatre Odyssey's Ten-Minute Play Festival, winning best play there for FAMILY BY NUMBERS. Arianna was a 2020 finalist for the Edward Kleban Lyric Writing Award. She was one of the three finalists for the 2020 Kenneth Branagh Award for New Drama Writing in the UK, which included a production of her one-act version of Touch The Moon at The Windsor Fringe Festival. Arianna was one of four playwrights selected for the 2019-2021 Miami-Dade County Council of Cultural Affairs Playwright Development Program, moderated by Kia Corthron. Two of her full-length plays developed in the program have gone on to have readings and workshops across the country and awarded finalist status in many playwriting competitions. She was a 2022 participant in the Kennedy Center Playwrights Intensive and the William Inge Theatre Festival Playlab. Edge Media Network lauded Ms. Rose's play FAMILY BY NUMBERS, calling it “One of the best plays” with a “powerfully haunting conclusion”. The world premiere was at Theatre Three in Port Jefferson, NY in April 2019 with more than 20 productions across the country. It's been selected twice for Columbia University's Narrative Medicine Program. It is published in the 2021 Smith & Kraus Anthology of Best 10-Minute Plays and Theatre Odyssey Best Plays Anthology, joining her other winning play SEX, LIES & STYROFOAM. Arianna also has monologues published in Applause Books “Best New Monologue Anthologies “ 2019 and 2020. Full-length plays: TOUCH THE MOON. Selected by HRC Showcase Theater New Works Festival and Fantasy Theatre Factory's New Year, New Works Series for staged readings in 2021-2022. Semi-finalist, Garry Marshall Theatre New Works Festival 2020; Honorable Mention, Panndora's Box 2020 New Play Festival. A one-act version was produced at the 2020 Windsor Fringe Festival UK, The Know Theatre 2019, and selected for the William Inge Theatre Festival New Play Lab 2020. THE EQUIVALENT OF SENSATION has been developed at the Miami-Dade Cultural Affairs Council PLAYWRIGHT DEVELOPMENT PROGRAM. It was one of five plays selected nationwide for the 2021 Finstrom Festival of New Plays at Zoetic Stage in Miami Florida. Readings followed at the Sandrell Rivers Theatre in Miami. The Playwrights Center in Minneapolis held a workshop and reading of the piece in June 2022, followed by a zoom reading by VS Theatre Company in Los Angeles. Full-length musicals: THE LOST GIRL musical, written with Jonathan Larson and Fred Ebb award winner Ben Bonnema, was selected for the Buck Hill Skytop Music Festival, Viterbo New Works Festival, NYU Steinhardt's School of Music, the year-long CDP workshop, the 2021 Florida Festival of New Musicals, and JetFest 2022 in Michigan . It is regularly featured on Musical Theatre Radio. A musical version of her play THE EQUIVALENT OF SENSATION entitled A COLLECTIBLE SENSATION is in development with director Clayton Phillips and composer Amy Engelhardt. A CHANGE OF HEART is currently in development with composer Tom...

Joe Barros (joebarros.com)(IG:@bisforbarros)(TW:@joebarros)(LI:@joe-barros) is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate.

Joe Barros (joebarros.com)(IG:@bisforbarros)(TW:@joebarros)(LI:@joe-barros) is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate.

This episode features discussions about Amy Engelhardt and Marc Acito's Bastard Jones and Sara Cooper and Lynne Shankel's Perpetual Sunshine & The Ghost Girls.  BASTARD JONES (by Amy Engelhardt and Marc Acito) - Bastard Jones is a sexy, smart, rollicking new musical comedy that combines a bouncy pop score with period farce. When charming, low-born Tom makes the mistake of wooing Sophia Shepherd, daughter of the pompous Reverend Shepherd, a chain of secrets, schemings and multiple bed-hoppings are set in motion. Based on Henry Fielding's 1749 Brit lit satire Tom Jones, ths musical reimagines the young, irrepressible foundling Tom Jones as an electric guitar in a harpsichord world.  PERPETUAL SUNSHINE & THE GHOST GIRLS (by Sara Cooper and Lynne Shankel) - Perpetual Sunshine & the Ghost Girls is an all-woman+ through composed musical theatre piece about the capitalist exploitation of workers' bodies and rights in the face of a national public health crisis. Featuring an original 1920s-2020s mashup score, the show is based on the true story of the women who worked in the factories and were knowingly poisoned by the United States Radium Corporation, and who fought back, changing United States labor laws forever. Perpetual Sunshine & the Ghost Girls is a 2022 Richard Rodgers Award winner. Featuring performances from Katelyn Baughman, Piper Bruce, Colette Caspari, Brian Davis, Amy Engelhardt, Audrey Hare, Don Howes, Autumn Key, Jessi Kirtley, Eden Mau, Claire Marie Miller, Alexa Lopez, Andie Peterson, Josh Raff, Evan Ruggiero, Lauren Senden, Bella Serano, Leila Shaye and Elena Wang Connect with Amy Engelhardt: Instagram: @amyengelhardt Connect with Sara Cooper: Instagram: @_saradioactive Twitter: @sarachnoid Connect with Lynne Shankel: Instagram: @shanktunes Twitter: @LynneShankel Connect with New York Theatre Barn: Support us: nytheatrebarn.org/give Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org Joe's personal Instagram: @bisforbarros Jen's personal Instagram: @jensandler Learn more about your ad choices. Visit megaphone.fm/adchoices

The wonderfully talented Amy Engelhardt!

Amy Engelhardt spent 13 years as the sole female member of Grammy-nominated vocal "band without instruments," The Bobs, winning numerous ASCAP songwriting and ACA vocal performance awards for her writing, arrangements and vocals with the band. Learn more about Amy on her website: http://amy-engelhardt.blogspot.com.

Amy Engelhardt spent 13 years as the sole female member of Grammy-nominated vocal "band without instruments," The Bobs, winning numerous ASCAP songwriting and ACA vocal performance awards for her writing, arrangements and vocals with the band. Learn more about Amy on her website: http://amy-engelhardt.blogspot.com.

Amy Engelhardt is an award-winning musical mastermind. Amy, a multi award-winning composer, vocalist, lyricist, master class educator and all-round creative consultant, has appeared in many theatrical productions ranging from a European tour of “Jesus Christ Superstar,” “Little Shop Of Horrors,” to “Shakespeare and Simon.” Amy was the sole female voice/writer/arranger for eclectic, Grammy®-nominated vocal band without instruments,”The Bobs” and she is an honorary member of the Vienna Boys Choir. Her award-winning vocals can be heard in her solo album, “Not Gonna Be Pretty” and block buster movies like “Jurassic World,” “Real Steel,” “Planet of the Apes,” Jim Henson's “Animal Jam,” and Barbra Streisand's "Timeless.” Amy’s list of credits doesn’t stop there, Amy was also nominated for Best New Musical for her Off-Broadway debut with "Bastard Jones.” And she is funny.

Alex M. Stein is a writer, producer, director, an award-winning documentary filmmaker, and storyteller. Alex has been called a “masterful storyteller who peppers his tales with humor, soul, and top-notch wit.” Alex also works and consults with production companies and movie studios as a story consultant and script doctor. His latest book, “No, Mr. Bond, I Expect Your Dreams to Die” is his first collection of essays, stories and tone poems. A must read! In this podcast, Alex and his sidekick, Amy Engelhardt, talk about how thinking outside of the box, being ridiculous goofballs, and trusting that everything will be okay, are some of the attributes they share in the success of their relationship. They also discuss how they budget their finances, negotiate major purchases, regardless of who is the bread-winner at any given time. @alexmstein

Actress, writer, comedian, producer, and personal essayist Alex Alexander talks ego, comedy, heartbreak, friendship, and what it meant to grow up "second-tier popular."   This week's Pairings: This episode pairs well with Drunken Goat cheese, Old Tom Chocolate Ale, and the song "If You Believe in Cleveland" by Young Fresh Fellows.   Theme song and incidental music written and performed by Amy Engelhardt. Please subscribe to the podcast!

Meet yet another very talented, funny, creative woman. Amy Engelhardt is a composer, lyricist, singer and teacher. Quite frankly, it would take several paragraphs to list all her credits. And clearly, there will be many more to come. So why not just sit back and enjoy a conversation with this dynamo. You'll be glad you did.

After a few weeks of absence, Kelly is back! She spends the show with her new BFF Kathleen Madigan where they reminisce about their crazy, fun trip in November on Lewis Black's Comedy (Booze) Cruise in the Caribbean. Kelly also spins some holiday tunes from her Polymind Community of artists, the fab Gary Stockdale, and the groovy, funny ways of Amy Engelhardt and The Bobs.

Guests - Erik Ransom / David Avallone / Alex Stein / Amy Engelhardt