Podcasts about Lost Girl

Author Mallory O'Meara (Reading Smut) joins Chelsea to break down silent film legend Louise Brooks' scorched-earth essay collection “Lulu in Hollywood.” Louise floods the book with tea from the Golden Age of Hollywood, dragging Humphrey Bogart and torching the studio system that abandoned her. Chelsea and Mallory also spill bonus tea, calling out Charlie Chaplin. Plus, they explore why Louise's era wasn't so golden, and why her rage still hits hard in 2025. Trigger warning: This episode discusses sensitive topics, including suicide. Take care while listening, and find helpful resources here. Join the cookie community: Become a member of the Patreon Follow Chelsea: Instagram @chelseadevantez Show Notes: Chelsea's episode of Reading Smut (about the door knob) Lauren Bacall Memoir episode (with West Perry) Louise Brooks Interview Films mentioned: Pandora's Box (1929) Diary of a Lost Girl (1929) Desert Hearts (1985) Where to find our guest Mallory O'Meara: Reading Smut Podcast Reading Glasses Podcast Order “Daughter of Daring” today Mallory's Instagram Website *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Thrive Causemetics - Get 20% off your first order at thrivecausemetics.com/glamorous Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

5x03 [SERIES] — Pulse, Dying for sex, The Stolen Girl, Black Mirror Muy buenas mi nombre es Ivo Delgado y soy un critico en serio. Hoy es 22 de Abril de 2025 y este es nuestro programa número 3 de la quinta temporada de series. Así que recibe un abrazo desde lejos y arrancamos ¡Qué pasa Pili cómo llevamos la semana! Esta semana venimos al borde del colapso Empezaremos buscando el pulso, en la nueva serie de Netflix “Pulse” donde unos médicos tienen que afrontar las mayores crisis de sus carreras y siempre luciendo bellos. De ahí nos vamos a mantener el pulso antes de morir junto a Michelle Williams, que con un cáncer terminal diagnosticado decide que es momento de darse una alegría mal cuerpo en “Dying for Sex” Si hablamos de morir nos lo llevamos a la ciencia ficción con el primer episodio de la nueva temporada de Black Mirror: Common People. Con el pulso a punto de desvanecer está la familia de la niña Robada en “The Stolen girl” que nos trae un drama con aires de telefilm a Disney+ Además muchas noticias, reflexiones y los regresos de The Last of Us, Hacks Minutado 00:00 — Intro y Tertulia con los oyentes 16:00 — The White Lotus T3 26:40 — La página de televisión “¿El principio del fin de las miniseries británicas?” 34:34 — Noticias, cancelaciones y dónde poner el ojo 38:15 — Dying for Sex en Disney+ 47:15 — Pulse en Netflix 59:30 — Black Mirror T6 1:02:45 — The Lost Girl en Disney+ Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Morgan Harris! We recorded this last week at my home in Portland, OR. Tunes in this episode: * Little Rose (0:40) * Waverly (15:44) * Done Gone (25:11) * Puncheon Camps (34:14) * Clyde Davenport's Lost Girl (41:45) * Bonus Track: Hell and Scissors Buy tickets for my April duo bill tour with Morgan Harris (morganharrisguitar.com/live) Buy her album (https://www.morganharrisguitar.com/music) and take a lesson with her (https://www.morganharrisguitar.com/teaching) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

The new red bicycle had fast become her pride and joy, all of her friends had seen it, and one sunny afternoon in August 1981, nine year old Jennifer Cardy set off from her home in Ballinderry to cycle the short distance to show the first friend she had it again, so excited was she.As a small Datsun van passed her as she did, Jennifer had no idea that a predator, a monster, was waiting for her. It would take thirty years, but the wheels of justice did eventually turn for Jennifer, and the individual who made her the Lost Girl we haven't yet mentioned through the arc finally stood in the dock. He needs no introduction, or is deserving of her name being spoken.This is Jennifer's story.The episode contains details and descriptions of crimes and events, including disturbing descriptions of a sexual nature and involving children, that some listeners may find extremely disturbing or distressing, so discretion is advised whilst listening in. Music used in this episode: "The Descent" by Kevin Macleod. All music used is sourced from https://filmmusic.io/ and used under an Attribution Licence (https://creativecommons.org/licenses/by/4.0/) The Duke Spirit - Cuts Across The LandTrembling Blue Stars - Before We Know ItThe True Crime Enthusiast's Fundraiser For Macmillan Cancer SupportReferences - produced upon request and in full upon arc's end.Follow/Contact/Support The True Crime Enthusiast PodcastFacebookFacebook Discussion GroupTwitterInstagramYoutubeWebsiteTTCE MerchandisePatreon Page Remembering Jennifer. This episode is dedicated to her. Hosted on Acast. See acast.com/privacy for more information.

THIS VOYAGE, the Treksperts, MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) return to STLV 2024 to talk about Gene Roddenberry's Other Galactic Funk. After Star Trek there was Gene Roddenberry's Earth :Final Conflict and Gene Roddenberry's Andromeda. Take a look back at these classic Roddenberry series with JAY FIRESTONE (Executive Producer, Andromeda, Dark Matter, Lost Girl), ROBERT HEWITT WOLFE (Showrunner, Andromeda; Elementary, Deep Space Nine), GABRIELLE STANTON (writer, Earth: Final Conflict; The Vampire Diaries, The Flash, Farscape), LISA KLINK (writer, Earth: Final Conflict; Voyager, Pandora) and DERIC HUGHES (writer, Andromeda; The Flash, Warehouse 13).**TREKSPERTS+ SUBSCRIBERS NOW GET COMMERCIAL FREE EPISODES ONE WEEK EARLY! SUBSCRIBE TODAY AT TREKSPERTSPLUS.COM****Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate and follow us on social media at:BluSky: @inglorioustrekspertsTwitter: @inglorioustrekFacebook: facebook.com/inglorioustrekspertsInstagram: @inglorioustrekspertsLearn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram and BluSky. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed."Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

LOVE babble by The Lost Girl

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friends are the members of Natterjack, Ezra Jane Landsman, Hayden Stern, and Alex Sturbaum! We recorded this earlier in the month in Seattle. Tunes in this episode: * Hollow Poplar (0:40) * Emancipation (10:05) * Björntösen (26:51) * Flying Home (41:19) * Lost Girl (52:30) * Bonus Track: Cumberland Gap Buy Natterjack's album on Bandcamp (https://natterjacked.bandcamp.com/album/flying-home) Visit Transtrad's website (https://www.transtradfest.org/) Get a Tattoo from Ezra Jane Landsman (http://www.ejlandsman.com/) Visit Hayden's Stern website (https://www.haydenstern.com/) and follow him on Instagram (https://www.instagram.com/haydensternmusic) Buy Countercurrent's new record (https://countercurrentmusic.bandcamp.com/album/flow) Visit Alex Sturbaum's website (https://www.alexsturbaum.com/) Come see Tradwife Stringband open for Rachel Sumner on February 26th at McMenamins White Eagle Saloon (https://www.etix.com/ticket/p/35725471/rachel-sumner-traveling-light21-portland-mcmenamins-white-eagle-saloon) Follow Tradwife Stringband on Instagram (https://www.instagram.com/tradwifestringband/) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas (https://fundraising.fracturedatlas.org/get-up-in-the-cool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Visit Tall Poppy String Band's website (https://www.tallpoppystringband.com/) and follow us on Instagram (https://www.instagram.com/tallpoppystringband/)

Welcome back to a new Geektown Behind The Scenes podcast. This week I'm chatting with two people - Shauna Llewellyn, the makeup department head, and Ryan Reed, the hair department head, behind Paramount+'s film ‘Star Trek: Section 31' film, starring Michelle Yeoh, which is out not on Paramount+, and 'Star Trek: Discovery'.In 'Star Trek: Section 31', Emperor Philippa Georgiou (Yeoh) joins a secret division of Starfleet tasked with protecting the United Federation of Planets and must face the sins of her past. Shauna and Ryan previously worked together on ‘Star Trek: Discovery', which earned Shauna an Emmy nomination, so while familiar with the universe in ‘Star Trek: Section 31', they got to explore a section in space that we haven't seen in any Star Trek universe. As the film is set outside of Starfleet space, there were no pre-existing looks, and the team could really explore and push the envelope, which was perfectly showcased in the club scenes featuring party hair and makeup looks from across space.They also created multiple captivating looks for the main cast, including the two club looks for Rachel (Kacey Rohl), which are so different from her more natural look featured in the rest of the film that the audience can barely recognise her. For Michelle Yeoh's character, they also worked closely with her and the costume designer to create an edgy and glamorous look for a former ruthless empress unlike her clean star fleet member look from ‘Star Trek: Discovery'.Shauna's other previous work includes shows such as ‘Lost Girl', ‘Killjoys', ‘Private Eyes' and ‘Frankie Drake Mysteries', whilst Ryan has worked on ‘Pachinko', ‘The Umbrella Academy', ‘The Strain', and ‘Defiance'. Their current project is the upcoming series, ‘Star Trek: Starfleet Academy'.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. Rebecca Deng’s journey from the war-torn villages of South Sudan to becoming a U.S. citizen and international advocate is nothing short of inspiring. As one of the 89 Lost Girls of Sudan, her story represents the resilience of those who have faced unimaginable horrors and still found a way to thrive. While much attention has been given to the Lost Boys of Sudan, Rebecca’s experience sheds light on the often-overlooked stories of the girls who survived similar atrocities. Follow the Law Enforcement Talk Radio Show and Podcast on Facebook, Instagram, LinkedIn, Newsbreak, Medium and most all social media platforms. The interview with Rebecca Deng is available as a free podcast on the Law Enforcement Talk Radio Show and Podcast website and platforms like Apple Podcasts, Spotify and most major podcast platforms. The Outbreak of War and the "Lost Kids of Sudan" The Second Sudanese Civil War, one of the longest civil conflicts in history, began in 1983 when the Sudanese government imposed Sharia law and revoked the autonomy of the southern region. This decision reignited tensions that had been simmering since the First Sudanese Civil War (1955–1972). The effects were catastrophic: mass displacement, famine, atrocities committed by all sides, and an estimated two million deaths. The war ultimately led to the creation of the Republic of South Sudan in 2011. Children bore the brunt of this brutal conflict. Many were victims of violence, flogging, and even placed in leg-irons. Schools were destroyed, and thousands of young boys and girls were forced to flee their homes. While the "Lost Boys of Sudan" became widely known for their perilous journey to Ethiopia and later to Kenya, the "Lost Girls of Sudan," like Rebecca Deng, faced equally harrowing experiences, compounded by gender-based violence and exploitation. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. Read the supporting stories about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium, Newsbreak and Blogspot. Rebecca’s Early Life and Escape Rebecca Deng, a member of South Sudan’s Dinka tribe, was just four years old when her village was attacked. Forced to flee from gunfire, she embarked on a terrifying journey that would span years and continents. Alongside other children, she faced hunger, illness, and life-threatening predators, both human and animal. Their path to safety was fraught with dangers, from militia attacks to natural threats and disease. By the early 1990s, Rebecca and other survivors reached the Kakuma Refugee Camp in northern Kenya. Life in Kakuma was harsh; the camp was overcrowded, resources were scarce, and the trauma of war lingered. For the girls, the challenges were even greater. Many were fostered into families for protection, a practice rooted in South Sudanese culture. However, this often led to further exploitation, with some girls being sold into marriage at a young age to secure resources for their foster families. The interview is available as a free podcast on the Law Enforcement Talk Radio Show and podcast website, also available on platforms like Apple Podcasts, Spotify, and most major podcast outlets. Life in the Kakuma Refugee Camp Rebecca spent eight years in Kakuma, where she began to rebuild her life despite the overwhelming odds. Education became a beacon of hope. Though resources were limited, she seized every opportunity to learn, determined to rise above her circumstances. Her resilience and dedication eventually led to her being among the 89 Lost Girls who were resettled in the United States in 2000. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. The resettlement process was not easy. Unlike the Lost Boys, who were recognized as unaccompanied minors and prioritized for resettlement, many Lost Girls were overlooked. Their integration into foster families made their journey to the U.S. even more remarkable. Follow the Law Enforcement Talk Radio Show and podcast on Facebook, Instagram, LinkedIn, Newsbreak, Medium and most all social media platforms. A New Beginning in the United States At the age of 15, Rebecca arrived in the United States, a land vastly different from the refugee camp she had known for most of her life. The transition was challenging, she had to learn English, adapt to a new culture, and navigate the complexities of American society. But Rebecca’s determination never wavered. She embraced every educational opportunity and worked tirelessly to build a new life. Rebecca became a U.S. citizen, marking a significant milestone in her journey. Her experiences fueled a passion for advocacy, particularly for women and children affected by war. She pursued higher education and eventually authored her memoir, "What They Meant for Evil: How a Lost Girl of Sudan Found Healing, Peace, and Purpose in the Midst of Suffering." Check out the show on Facebook, Instagram, LinkedIn, Newsbreak, Medium and most all social media platforms. Advocacy and Impact Today, Rebecca Deng is an international speaker and advocate, sharing her story to inspire and empower others. She has spoken at the United Nations and served as a Refugee Congress delegate at the United Nations High Commissioner for Refugees (UNHCR) in Washington, D.C. Her work with the American Bible Society’s Mission Trauma Healing program, formerly known as "She’s My Sister," has helped countless individuals find solace and strength amidst their struggles. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. It is available as a free podcast on the Law Enforcement Talk Radio Show and Podcast website, on Apple Podcasts, Spotify and most major podcast platforms. Balancing Personal Life and Advocacy Despite her busy schedule, Rebecca has built a fulfilling personal life. She is married and has three children, residing in Maryland. Balancing family life with her advocacy work is no small feat, but Rebecca approaches both with the same resilience and dedication that have defined her journey. Her story is a testament to the human spirit’s capacity to overcome even the most harrowing circumstances. The trauma of her early years remains a part of her, but it does not define her. Instead, it fuels her mission to support others who have faced similar adversities. The Ongoing Crisis in Sudan Rebecca’s story is not just a reflection of the past but a mirror to the present. The ongoing conflict in Sudan continues to displace millions and claim lives. According to the United Nations, over 6.6 million Sudanese have been internally displaced, with more than 2 million fleeing to neighboring countries like South Sudan, Chad, Kenya, Uganda, Egypt, and Ethiopia. The U.S. Senate Committee on Foreign Relations estimates that casualties could be as high as 150,000. Rebecca’s advocacy highlights these ongoing issues, reminding the world that the plight of refugees is far from over. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. Social Media and Spreading the Message Rebecca’s story has reached a global audience through various platforms, including Facebook, Instagram, LinkedIn, and the interview with her on The Law Enforcement Talk Radio Show and podcast which is available for free on their website in addition to Apple Podcasts, Spotify and most major podcast platforms. Her interview and public speaking engagements have been featured on Newsbreak and other major news outlets, amplifying her message of hope and resilience. One of the most compelling aspects of Rebecca’s narrative is her candid discussion of how trauma continues to impact her life. Yet, she emphasizes the importance of finding healing, peace, and purpose despite past suffering. Her journey is a powerful reminder that even in the face of unimaginable adversity, it is possible to build a successful and fulfilling life. Rebecca Deng’s story is more than a tale of survival; it is a testament to the strength of the human spirit. From the war-torn villages of South Sudan to the refugee camps of Kenya and a new life in the United States, her journey embodies resilience, hope, and the power of education and advocacy. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. As one of the 89 Lost Girls of Sudan, Rebecca’s experience sheds light on the often-overlooked stories of young girls who endured the horrors of war and displacement. Her work as an advocate and international speaker continues to inspire and motivate others, proving that even the darkest experiences can lead to a brighter future. Her journey is a powerful call to action, urging us all to support refugees and work towards a world where no child has to endure the trauma of war. Rebecca Deng’s life is a beacon of hope, a motivating story of escaping trauma and war, and a testament to the enduring power of the human spirit. You can help contribute money to make the Gunrunner Movie. The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary "gift" to help ensure the making of his film at agunrunnerfilm.com. Learn useful tips and strategies to increase your Facebook Success with John Jay Wiley. Both free and paid content are available on this Patreon page. You can contact John Jay Wiley by email at Jay@letradio.com. Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on the Newsbreak app, which is free. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page, look for the one with the bright green logo. Background song Hurricane is used with permission from the band Dark Horse Flyer. Be sure to check out our website. Be sure to follow us on MeWe, X, Instagram, Facebook,Pinterest, Linkedin and other social media platforms for the latest episodes and news. Lost Kids of the Sudan: The War and Her Motivating Story of Escaping Trauma. Attributions What They Meant for Evil: How a Lost Girl of Sudan Found Healing, Peace, and Purpose in the Midst of Suffering Refuge Point New Lines Magazine Black PastSee omnystudio.com/listener for privacy information.

2.3.25 Just Getting Started by The Lost Girl

March 19th, 1994   This week Ken welcomes TV producer, writer, and author of the new novel "The End of All Things", Sandra Chwialkowska to the show. Ken and Sandra discuss moving from Canada to the US to work in television, growing up in Toronto, the US Canadian co-productions of the 90s, the beauty of telling stories on television vs in films, the complexity of character, the move to serialized storytelling in North America, how 1994 changed the way we see television and film, fan petitions, the monumental cultural shifts of 1994, the weird wild west of 90s TV, body positivity, My So-Called Life, toxic advertising, smoking to lose weight, Home Improvement, watching television with your parents, The Oscars, The Barbara Walters specials, the golden age of the high stakes action comedy, tentpole pressure, Jurassic Park, The Fugitive, Spielberg, how difficult it is to adapt a serialized television show into a three act film, The War Room, Philadelphia, The Remains of the Day, John Hughes, the sad death of John Candy, when your child brain evolves to liking complex narratives, The Bride in Black made for-TV movie, Susan Lucci, the strange job of trying to buy life writes of people to make television movies, LifeTime Movies, The USA Network's original comedy line up on Saturdays, Rain Man, Weird Science The Series, Duckman, The Jon Stewart Show, George Carlin's sitcom, ridiculous character names, Snake Pliskin, writing for Hilary Swank, Alaska Daily, The Lost Girl, Letterman's Top 10 Lists, Robin Williams, tonal bizarreness, In the Line of Fire, never seeing cultural touchstone shows, having never seen Mork & Mindy, missing Norman Lear's body of work, The Adventures of Pete and Pete, the ratings game, My So-Called Life Goes On, realizing somebody wrote what you love, blank slate idiots, Stepenwolf, Laury Metcalf, suburbia, visiting filming locations, South Pasadena, re-editing movies in your head while you watch them, re-booting Magnum, Hart to Hart, The Hardy Boys, NOVA, loving procedurals, Bono and Martin Lawrence's live tv potty mouths, and how innocent people are never in the wrong place at the wrong time. 

What did you think of this episode?What does a street team do for writers, and where do you find them? Kara Swanson provides tips to attract and grow a robust street team. Welcome to Your Best Writing Life, an extension of the Blue Ridge Mountains Christian Writers Conference held in the beautiful Blue Ridge Mountains of NC. I'm your host, Linda Goldfarb. Each week, I bring tips and strategies from writing and publishing industry experts to help you excel in your craft. I'm so glad you're listening in. You'll learn about … Building a Robust Street Team during this episode.Linda's industry expert is…Kara Swanson. Kara writes stories about fairytales and fiery souls. She spent her childhood a little like a Lost Girl, running barefoot through lush green jungles, which inspired her award-winning Peter Pan retellings, DUST and SHADOW. Her latest fantasy series is set in an icy world filled with phoenixes called IGNITE, released in August 2024.  She is also the co-founder of the Author Conservatory where she has the honor of teaching young writers to craft sustainable author careers.You'll find Kara with her toes in California sand as a SoCal resident, belting Broadway show tunes on weekend drives to Disneyland with her delightfully nerdy husband, or chatting about magic and mayhem on InstagramBuilding a Robust Street TeamKara, you recently built a street team of 700+ members, 70% of whom open your emails. How did you attract so many people to your street team? What kind of results have they brought you so far?What are your tips for managing a street team this large?Listener giveaway - A training we put together called “The Smart Writer's Guide to Publication and Beyond”  The Author Conservatory You can find out more about Kara herehttps://www.KaraSwanson.com  https://www.AuthorConservatory.comhttps://www.enclavepublishing.com/series/heirs-of-neverland/  Kara Swanson on Instagram   Visit Your Best Writing Life website.Join our Facebook group, Your Best Writing LifeYour host - Linda Goldfarb#1 Podcast in the "Top 50+ Must-Have Tools and Resources for Christian Writers in 2024". Awarded the Spark Media 2022 Most Binge-Worthy PodcastAwarded the Spark Media 2023 Fan Favorites Best Solo Podcast

Brittany Haas is widely regarded as one of the most influential fiddlers of her generation. In this wide-ranging conversation you'll be hearing about her early career, touring with Darol Anger at age 14, the bands Croooked Still, Hawktail and Punch Brothers with Chris Thile. She reflected on the challenges and thrill of a touring life, the Nashville scene, her teaching through Artistworks, and dynamics of being a woman in Bluegrass. We talked about mentors Bruce Molsky and Tony Trishka, her time at Princeton studying Evolutionary Biology, and the need for self-care and boundaries.  We are featuring music from several of her albums, including her recent projects with sister Natalie and the Swedish musician Lena Jonsson.  Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/brittany-haas See below for other suggested episodes, linked for your convenience, along with links for newsletter and support pages!   Brittany Haas website Hawktail The Snake with Lena Jonsson Haas with sister Natalie Impromptu Sessions (banjo album) Brittany Haas debut album the Punch Brothers website (Energy Curfew Music hour podcast)  I'm sure that you'll enjoy my conversations  with Adam Hurt Janie Rothfield  Joe K. Walsh  Martin Hayes   Tracy Silverman  Alexis Chartrand   Gina Burgess    Guy Donis  and  Kirsty Money It's a joy to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store or buy me a coffee on my Ko-fi page For the merch, it features a unique design by artist Steffi Kelly and you can browse clothes, stickers, notebooks, water bottles and more, everything printed on demand https://www.leahroseman.com/beautiful-shirts-and-more Why not sign up for my newsletter where you'll get access to exclusive information about upcoming guests?  Please check out my back catalogue, with episodes going back to 2021. Timestamps: (00:00) Intro (02:31) Valley of the Moon Scottish Fiddling School, childhood mentors Bruce Molsky Darol Anger, Alasdair Fraser, family support (05:43) sister cellist Natalie, new album Haas (08:26) The Rose Gardener from the album Haas (link in description) (11:23) gardening, creativity, debut album at 17, touring with Darol Anger at 14 (15:16) Ora Lee from album Brittany Haas (link in description) (19:48) Darol Anger  (24:53) early career, Crooked Still, challenges of touring life (27:46) Princeton, decision not to go to music school, Tony Trishka (29:11) band Hawktail, album Place of Growth (30:31) Antilopen from Hawktail's ablum Place of Growth (link in description) (34:46) new album with Väsen and Hawktail (36:21)Punch Brothers, Energy Curfew Music Hour (37:49) other episodes you'll love, different ways to support this series (38:37) Punch Brothers, balancing creative time, Nashville scene (43:29) Lena Jonsson, new album The Snake (45:49) Låt efter Bach: Vals, from The Snake with Lena Jonssen (link in description) (48:15) jazz, teaching Artistworks, self-awareness and injury prevention (53:27) self-care, boundaries, touring life (56:45) women in Bluegrass (01:01:07) Steve Martin, love of banjo, Impromptu Sessions album, Adam Hurt, composing versus interpreting (01:04:30) Lost Girl from album Impromptu Sessions (link in description) (01:07:23) learning music, Bruce Molsky (01:09:26) finding balance in life (01:10:32) upcoming projects

On April 11, 1981, 15-year-old Barbara Cotton vanished without a trace from Williston, North Dakota. Her mother, Louise, immediately began contacting Barbara's friends, hoping to learn to find her. When no one had seen her, Louise reported her daughter missing to the Williston Police Department and passed along any tips she received. However, as the weeks and months passed, there was no sign of Barbara, and the case went cold. To those closest to her, it seemed as though little was being done to locate her, fueling their suspicions that the investigation was stagnant. The prevailing assumption at the time was that Barbara may have run away, a common conclusion for missing teens in that era.However, decades later, the case remains unsolved, and there is now a renewed push to uncover the truth behind Barbara Cotton's disappearance. Many questions remain unanswered, and the search for answers continues.If you have any information about Barbara Cotton's disappearance, please contact the Williston Police Department at 701-577-1212.You can follow Barb's story on social media at Find Barb Cotton. You can find more information at FindBarbCotton.com, and check out Dakota Spotlight wherever you get your podcasts.Support us by supporting our sponsors!If you have a missing loved one that you would like to have featured on the show, please fill out our case submission form.Follow The Vanished on social media at:FacebookInstagramTwitterPatreonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Allison Spooner is the author of the Amazon Bestseller and #1 New Release, The Lost Girl: A Neverland Story. She's also published two collections of genre-crossing flash fiction, Flash in the Dark: A Collection of Flash Fiction and The Problem with Humans: And Other Stories, and has contributed to several horror and science fiction anthologies. Her newest novel is the fictionalized true story, "The Things We Cannot Change: A Story about the Ghosts Created by Addiction." Her stories have been called, "unique works of art," and "brilliant, disturbing, and thought-provoking," and The Lost Girl was the winner of the 2024 PenCraft Seasonal Book Award Winter Competition.   Listen to win a signed copy.   Sponsored by Moravian Sons Distillery and Doc Chavent. Copyright (c) 2024. Emma Blogs, LLC.

Being Subversive Isn't As Much Fun As It LooksIn 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             “Friends stand by you through the struggles your enemies create” "You are depraved and despicable," Mhain seethed."I get that a lot; now get out," I growled back, "because I have a thousand other bitches who are, scratch that, 999 other bitches, Doctor Kennedy is growing on me; the rest I'm not so sure about, who are making my life miserable.""Don't get your hopes up, Mr. Braxton," Doctor Kennedy warned me. "I'm happily married.""Cool," I responded. "I hope to be like that one day.""Happily married?" Virginia inquired."No; a female law professor at an all-girls school," I grinned. "It sounds like a real cool job.""Feel free to hit him," Dana interrupted. "I swear that is the only way to get him to learn anything; or the only way we will discuss at this moment." Ah, sex. I thought my life had gone on a bit too long without the mention of sex. "It is also a fun form of stress relief."A painful blow rocked my shoulder and nearly sent me sprawling."You are right," Gabrielle noted clinically. "I feel better." Fuck, she hits hard. I look at her and try not to get pissed off and say something stupid. She makes my life difficult but my existence at FFU makes her life far too interesting as well. Whack! Someone hit me with a briefcase."I have to agree," Doctor Kennedy confirmed. "It has a therapeutic quality to it.""Bloody hell," I blurt out."Everyone, please stop physically abusing Zane," Ms. Goodswell snapped. "He's a student, for Pete's sake. He's not subject to corporal punishment.""Virginia, have you ever punched or slapped Zane?" Dana teased. "Give it a try before dismissing it out of hand.""He likes spanking," Barbie Lynn beamed happiness as she skipped by on her way to my/our bedroom. Technically, it is mine, Vivian's, Barbie Lynn's, Rio's, and Mercy's, plus whoever is feeling lonely on a given night. As for the spanking, I'm more of a giver than a receiver, but I doubt explaining that right now would be appropriate."Uhmm, okay, I think that is my cue to leave," Virginia piped up."I have rounds to make," Gabrielle added."I'm going home to my family," Doctor Kennedy headed out."I'm going to stay here, kick back, and watch some Pay-per-view," Dana grinned."What are you going to watch?" Hudson inquired."BBC America has this show called Copper that I've been meaning to catch," Dana informed her."Mind if I watch an episode with you?" Hudson asked."Sure, knock yourself out. You can pick the second show," Dana yawned. "It's only Zane's money after all." The rest of my guests filed out and I retired to the showers and then to my room. The day's stress revealed itself as the women curled into bed calmly and soon were cuddled together, including the odd ones out.On the far side we had the rather unusual appearance of Valarie. Next to her was Rio, who had her arms wrapped around Mercy. Mercy was snuggled against Barbie Lynn who held the middle spot. I was on my side, face-to-face with Barbie Lynn. After a few minutes, Vivian came to bed, wedged up against my back, and put an arm over me. I was in close proximity to several beautiful women but as long as no one doused the room with an aphrodisiac, we'd do just fine."Zane," Barbie Lynn whispered, "my vibrator burned out this morning, and I'm terribly horny."Oh, fuck! Barbie Lynn gazing down at me, I'm not sure another guy should ever see this because it could break one's heart to see it once and never again. She's built a faint sheen of sweat on her body already and she's looking at me with a definite Zen to fuck. My cock is cocooned deep inside her rectum, rubbing inside as she rotates forward on her hips.The distant, dreamy look in her eyes flashes to alertness as she catches me looking at her; 'hi' she whispers. I nod and smile so she inclines into me so that we can start kissing. She leads in with her tongue along my lips. I touch the tip of her tongue with my own, snaking inside her mouth before we are done. She starts murmuring, deepens our kiss, and begins rubbing my nipples."Vivian?" Valarie says softly. She snuck around the bed to settle behind my guardian."Yes?" Vivian replies. She is on her side watching Barbie Lynn and I."I, umm,” Valarie moans.Out of the corner of my eye I catch it as Val's hand brushes Vivian's hair off her neck and her lips start suckling on the exposed flesh. Vivian closes her eyes briefly but doesn't move Valarie away."Oh, Baby," Barbie pants with barely an inch separating our lips, "I know I say this often but I so love this. You tear me up inside and I want it so bad all the time, it scares me.""Vaginal sex with you scares me," I tease back."Will it be even better?" she draws in an even deeper, breast flaunting breath."You never know, but you are so damn good at everything else, I can't imagine you doing anything but haunting my dreams forever," I say, as I coax her movements with my hands on her hips, flanks, and thighs. Barbie shows her appreciation by running her hand through my bangs and pushing my hair back so that she can cover my forehead, eyes and nose with kisses."You like that romantic shit, don't you, Mercy-slut?" Rio grumbles playfully from the other side."Yes," Mercy whispers. I know Rio well enough to know that when a spiteful reply isn't immediately forthcoming, she's dusting off (and unchaining) her Better Angel. Mercy is looking at Barbie Lynn and me, her head facing sideways as she lies on her back. Rio crawls on top of Mercy, prompting Mercy to open her legs, and locks her hands over her head to gaze down on her."Your skin is so pure, your hair so black, and your eyes so full of passion, it breaks my heart to look at you, My Little Whore," Rio begins. She leans in and bites Mercy's earlobe, causing her victim to moan and buck up slightly. "Mercy, you give and give, making me so hot inside that I want to grab you and never let go.""Really?" Mercy gasps. "I, ""Don't get used to this," Rio growls with famished sexual enticement. "But, well, I want you to know that I hope all our children look just like you." Poor Rio was running out of material. It was terribly uncomfortable for me to show her where to go. I ran my hands over Barbie's body, which is an absolute torture I am forced to struggle through repeatedly.I start by massaging Barbie Lynn's tits, rotating three fingers over the nipples before rolling up the whole meaty breast in my palms. Barbie Lynn starts pushing back on my cock harder and grunting to the rhythm."Damn, Mercy," Rio teases, "I love these titties." She accentuates by sucking the top third of one breast into her mouth and twirling her tongue around it.Vivian gives a visible shiver from her side of the bed; Valarie has done something to her beneath the sheets to turn her on. In the interim while I have been watching Rio and Mercy, Valarie has been working over Vivian, temple to shoulder, with her lips. Now I see Vivian pulling up her left (upper) leg until it is resting snugly against my upper ribs, giving someone easier access to her snatch.She's also put her left arm behind her back between herself and Valarie. I'm starting to wonder if there is something in the air filters of my place, some undiscovered aphrodisiac mold, fungi, or spores that turns nice, virtuous girls into promiscuous bi-sexual vixens. To the best of my knowledge and belief, neither Valarie nor Vivian had the slightest lesbian tendencies before they started coming to my room.I give Barbie Lynn's luscious orbs one final squeeze before migrating my hold down to her ass, giving each cheek a double-slap. Barbie Lynn exhales a huff of ecstatic relief as the impact travels through her. Rio smirks and follows suit, her hand reaching between their thighs, prying Mercy's leg up, up and up until Mercy's knee is nearly at her breast."Your body is the first female form that I've ever lusted after," Rio murmurs as she rubs and pats Mercy's buttocks. "I think I've always wanted you, to taste you on my tongue, your scent strong in my mind and your sweet, sweet ass under my hand." Mercy brings one hand up to stroke Rio's cheek as she gives a strangled sob. No matter how much Mercy fears loving a woman, Rio can chisel that away and get her to love openly and freely.Barbie Lynn bounces up and slams down on me repeatedly as she is coming to the end of her fuse."Zane, Zane, oh yeah," she pants. Vivian chooses this moment to sneak her climax in on the rest of us. I am vaguely aware of her biting her lip, rocking her hips under the sheets, and perspiration beginning to bead on her lower lip."Holy God, Christ, and, my, hot damn, Val, ugh, Oh, God!" Vivian squeals as Valarie vigorously whips her hand in a tight pattern, cloaked from sight but obvious to the knowledgeable. Vivian's clit, lips, and the gateway to her cunt are all supers-stimulated. Valarie cools her down and holds her with enough strength to stop Vivian from rolling face-first into the sheets."Jesus Loves Me!" Barbie Lynn screams one last time. Her body bows, her breasts thrust forward and up, bouncing so deliciously while her thighs tremble in climax. Her anal muscles rippling from sphincter toward my cockhead are grinding me toward orgasm. Finally, she collapses against me, still twitching and fighting for breath.With my arms wrapped around her, I roll us over toward Mercy and Rio, placing Barbie Lynn on her back. Barbie Lynn has her legs pulling back before I can even move to push them back. While I had never fully pulled out, I was nearly there. I shove my hips forward, forcing my cock back in hard, causing Barbie Lynn to grunt, her mouth to gape open, nostril flaring, as her eyes squeeze shut."Oh, hell, yeah," Barbie Lynn gasps, "hammer me!""Oh, fuck," Valarie moans, "I am so lonely." Vivian is still roaming her hands over Valarie's special place, picking up the pace as she's inspired by Barbie Lynn's passion. Rio expresses her perverse nature by going at Mercy slow while the rest of us are going gangbusters."Here is my baby-smooth, tasty friend," Rio says as she kisses Mercy's bald twat. Rio pushes her thighs apart, her leg muscles taught while laying on the bed. Rio's restraint could only last so long. Every lick became more insistent, every nibble elicited a greater yelp, and every hip-thrust by Mercy into Rio's hungry mouth was more desperate.Valarie gives off one long, cavernous growl, then screams in between Vivian's shoulder blades."Damn," Vivian whispers, as a sympathetic orgasmic shiver coasts through her body. I'm pushing up on my knuckles, Barbie Lynn's legs between them as I rise up until my bulbous head is fixed in her sphincter; then I slam down once more. She's rocking her hips up to maximize the depths I reach as she cries out, again and again and again.When I finally let go, I feel a volcano of lust, frustration, and fulfillment exploding out all at once. Barbie Lynn's head sways rapidly side to side as she comes unglued."Zane, Jesus loves me, Jesus Loves Me!" she howls loud enough to shake the glass panels overhead. Those words ringing in my ears are going to haunt me in whatever church I go to."Ugh, ugh, ugh, Love, right there, feels so good," Mercy drags out with shallow breathes."Umm,” Rio gurgles. Mercy has gotten quite wet and visibly aroused. I'm sure Rio has worked a finger or two into the action and in Mercy's ass. Mercy starts bouncing off the sheets as she hisses out the last of her restraint."Mother-fucker-god-damn!" Mercy cries out. Rio growls, slurps, and sucks up Mercy's cunt juice while lapping up and down her slit."That's my baby," Rio's fluid-marked face looks up from between Mercy's legs and smiles. "Was that good for you?" Rio asks? Mercy nods dreamily. "Are you a happy little whore?" Rio teases. Again, Mercy nods with pleasure. "Did you use the 'L' word, Ass-fuck slut?" Rio hardens.This time Mercy realizes her mistake and shudders. She raises her head and looks into Rio's eyes."Yes. I'm sorry, Rio," Mercy mumbles."Sorry isn't going to cut it this time, Bitch," Rio sneers. "Tomorrow morning you are going to get it coming and going, all day long." I am actually aware of what that threat means."Okay," Vivian sighed, with more contentment than annoyance, "we've all cum so let's try and get some sleep.""I haven't gotten off yet," Rio chuckled. I knew what I had to do before someone else volunteered my services."Come here, Rio." I smile to her and extend a hand. "Let me get another taste of my best bro.""I'll clean you up," Barbie Lynn grins up at me, as she wiggles her body around my own so she's on top again. She slithers down my torso, waggles my still mostly hard cock against her lips, then begins to take it into her mouth. Barbie Lynn's tongue licks along my shaft as she gobbles up more of my rod.I expect Rio to come over but Mercy, following along and lying on her belly, her head propped up on her hands and elbows as she watches my blonde angel's skilled fellatio, is a bonus. Rio ends up near my pillow, one hand on my chest and the other resting between Mercy's ass cheeks. Her fingers are definitely sliding in and out of Mercy's cunt. If Mercy is a bit sore, she's smart enough not to complain to her Mistress about it."What do you have in mind, Zane?" Rio catches my gaze."I want your teeth tearing up the mattress with your ass up in the air as I plow you through the headboard," I inform her. I make a focus group assessment of the situation by slipping a finger into her cunt, she's creaming already.For Rio, the greater physicality of the sex, the better it is for her. She'll let me have my foreplay and some good loving, but she goes wild over the raw, brutal act of sex itself."I think you are ready to put that smile on her face," Barbie Lynn taunts Rio as she informs me she's finished. "Come with me," Barbie Lynn turns to Mercy. "My nipples need some attention. Can you do that for me?"After checking with Rio, Mercy gives a hungry look and lick of the lips at Barbie Lynn. Barbie crawls over Mercy to land on her back on the far side. Mercy twirls around and latches on to Barbie Lynn's left breast with such rapidity, it momentarily causes my visage to blur."I want some of that," Valarie suddenly blurts out.She makes her own quick trek around Rio and me as we are still positioning ourselves to come swooping down on Barbie Lynn's right side. The right nipple disappears into our school biker girl's mouth with a decidedly audible smacking of the lips. Val's hand starts to stroke the inside of Barbie Lynn's thigh but Mercy's free hand reaches over and starts tweaking Valarie's closest nipple. Yes, I definitely must check the air filters.Rio resumes her sensually crawl my way and I give her a beguiling look to lure her in. I'm on her in a flash once she's close enough for me to make my move. She screeches like an alley cat but I've got a hand on the back of her head and the other on her hip as I slam her face first into the pillow."Bastard," she screams through the fabric, but she's not following through with the anger."Give it up, Bitch," I snarl back. My cock slides full-throttle all the way into her cunt on the first pass. Her cunt feels like slick, melted butter as I bottom out in her hole. At the same time, I let up on her head a bit."Oh, fucking-A," Rio gasps. "Did someone sneak a gerbil up behind me or is it Needle-cock pretending he's a man?" I give her another powerful slam. "Oh, fuck, stop that.""What? Too much for the bitch whose had it all?" I tease Rio.

Paranormal Witness 2011 s1 e1 Emily The Imaginary Friend - The Lost Girl

In this gripping episode of "Ireland Crimes and Mysteries," host Nuless explores the tragic disappearance of Fiona Sinnott, a 19-year-old who vanished from the village of Broadway in County Wexford, Ireland, in 1998. The episode paints a vivid picture of Fiona's life, highlighting her bubbly personality and the close-knit bond she shared with her family. It also delves into the darker aspects of her life, including her tumultuous relationship with an older boyfriend, marked by domestic abuse.Listeners are taken through the events leading up to Fiona's disappearance, including her last known sighting and the subsequent investigation. The podcast details the extensive search efforts, the various leads followed by the Gardaí, and the heartbreaking toll the case has taken on Fiona's family. Despite numerous theories and suspects, Fiona's fate remains a mystery, with no concrete evidence to bring those responsible to justice.The episode also touches on the broader implications of Fiona's case, linking it to the infamous "Vanishing Triangle" of missing women in Ireland during the 1990s. Nules calls for anyone with information to come forward, emphasising the importance of community support in solving such cases. The podcast serves as both a tribute to Fiona's memory and a plea for justice, hoping to finally bring closure to her grieving family.If you do have any information that can help get answers for Fionas family please contact:** Wexford Garda Station on 0539165200**The Garda confidential line on 1800666111**Or alternatively contact the national missing persons helpline on 1890 442 552** Email info@missingpersons.ie ** If you wish to remain anonymous please contact Help bring them home confidential line on 1800 911 999*Join me over on Patreon for extra perks like early access to episodes, monthly livestreams where we will be discussing the cases i've covered and much more as we build our own community.www.patreon.com/IrelandCrimesandMysteries*Visit my shop for exclusive Ireland Crimes and Mysteries merchandise. https://tinyurl.com/IrelandCrimesandMysteries*Sell your own Merch with TeePublic. Follow the link below:http://tee.pub/lic/ckHmUfmILSk*Fellow Podcasters, customise your own amazing webpage by following the link below. If you are a podcaster i highly recommended this site for developing your own webpage dedicated to your podcast.https://www.podpage.com/?via=nulesBecome a supporter of this podcast: https://www.spreaker.com/podcast/ireland-crimes-and-mysteries--5973961/support.

Tune of the Week explores Lost Girl. I've focussed on the Kentucky fiddler John Salyer version, but didn't include the Walter McNew version in the thread yet. In this mp3 you first hear McNew's version, then Salyer's as learned from Adam Hurt's piano playing.

Tune of the Week explores Lost Girl. I've focussed on the Kentucky fiddler John Salyer version, but didn't include the Walter McNew version in the thread yet. In this mp3 you first hear McNew's version, then Salyer's as learned from Adam Hurt's piano playing.

Navigating the Lost Girl Era: Rejection, Resilience, and RediscoveryI'm back! Hi, did you miss me? Don't worry, I'm diving into everything that's been going on in my world and catching you up about my recent bout with depression (which I'm redefining as my 'Lost Girl Era'). Here's a look at this week's episode:Depression? Nah, we're calling it our Lost Girl EraI share the emotional journey of job searching, overcoming multiple rejections, and what happens when it doesn't work out. Better yet, how I'm not giving up and how I inadvertently found small wins when I felt numb. Sometimes sitting with the uncomfortable feelings leads to new perspectives and observations. LOVE ISLAND USA SEASON 6 - CAN I GET A HELL YES? I go into my binge-watching experience, offering a humorous and heartfelt take on reality TV. My house-hunting adventure and how you can't bamboozle me.EMF Waves - wtf - my peculiar revelation about the impact of wearing an Apple Watch and my chronic pain. New York City pitch emails - holy level of imposter syndrome!No matter what, embrace your resilience, don't forget your self-belief, and remember the power of redirection. If you're enjoying the podcast, don't forget to leave a rating or review and hit the subscribe and follow buttons! Connect with me:https://in-between.co@in.betweenpod on Instagram@elizabethcheney_ on Instagram@theinbetweenpodcast on TikTokThe In-Between Podcast on YouTube

In the US, over 600,000 people are considered missing every year, though the vast majority of those return home quickly. But what happens when someone disappears in a National Park? Are these cases of abduction, runaways, tragic accidents, or murder? This episode covers several women who seem to have vanished into thin air.Tea of the Day: Kiki's Bakery Lemon Cake Theme Music by Brad Frank Resources:If you have any information regarding the disappearance of Alissa McCrann, contact the Missing Persons Unit by email: missing@portlandoregon.gov.Recommended Listens:Bryan's Mysteries & Adventures on Trail, “Vanished on a Run in Columbia Gorge, OR. Disappearance of Alissa McCrann.” https://www.youtube.com/watch?v=Xgdt1OuRfygThe People That Disappeared Under IMPOSSIBLE Circumstances, (Keith Parkins Segment) Missing Void, https://www.youtube.com/watch?v=G_YLn42U3pISources (for all of our sources, please go to teatimecrimes.show or Tea Time Crimes on Spotify):“Search suspended for Portland woman missing near Multnomah Falls.” Author: KGW Staff, Published:December 24, 2015, https://www.kgw.com/article/news/local/search-suspended-for-portland-woman-missing-near-multnomah-falls/283-7342607“Hiker's Disappearance From Smokies Remains Mystery.” By Liz Keller, (Knoxville News Sentinel - USA Today Network Tennessee) The Daily News-Journal, Mon, Mar 28, 2022 ·Page A3, https://www.newspapers.com/image/828398069/The Disappearance of Glen and Bessie Hyde. By Sandra Wagner-Wright, Posted on NOVEMBER 15, 2021, at www.SandraWright.com : https://www.sandrawagnerwright.com/the-disappearance-of-glen-bessie-hyde/“Air Land and Water Search Is Made for Thrill Seekers.” The Peninsula Times Tribune (by Associated Press), Tue, Dec 18, 1928, Page 1, https://www.newspapers.com/image/838076166/“Army Planes Unable To Locate Trace of Missing Man, Woman.” The Daily Herald, Wed, Dec 19, 1928 ·Page 2, https://www.newspapers.com/image/1026079371/“Father Keeps Up Search Of Chasm.” The Times-News, Sat, Jan 12, 1929, Page 1, https://www.newspapers.com/image/566086973/“Strange Clue To Hydes.” The Roanoke Times, Sat, Dec 29, 1928, Page 5, https://www.newspapers.com/image/912055831/“Pioneer rafter leaves mystery her wake.” By Christopher Smith (The Salt Lake Tribune) The Idaho Statesman, Mon, Dec 03, 2001, Page 16, https://www.newspapers.com/image/917970031/“An Unsolved Mystery: Kimberly couple's 1928 case aired.” South Idaho Press, Sun, Nov 22, 1987, Page 21, https://www.newspapers.com/image/567421368/Unsolved Mysteries: Season 1, Episode 1, “Honeymoon Bones.” Directed by John Cosgrove, Starring Robert Stack“‘Here I am!' Girl Rescued After Week of Wandering in Woods.” Springfield Leader and Press, Mon, Jun 24, 1946, Page 1, https://www.newspapers.com/image/670950200/“Six Day Search for Girl Lost in Ozarks Still Recalled.” by Donald Bradley, The Kansas City Star, Thu, Oct 16, 1997, Page 204 (13), https://www.newspapers.com/image/820348461/“Kept Hopes in Prayer.” The Kansas City Times, Thu, Jun 27, 1946, Page 7, https://www.newspapers.com/image/655632511/“Father Reads in Newspaper of Lost Girl, 8, Being Found.” St. Louis Globe-Democrat, Mon, Jun 24, 1946, Page 1, https://www.newspapers.com/image/573473761/Leslie Ackerson, 10 News, Appalachian Unsolved, “Appalachian Unsolved:Polly Melton Missing in the Smokies.” Published: 8:01 PM EST December 8, 2017, Updated: 7:48 PM EDT May 21, 2018, https://www.wbir.com/article/news/local/appalachian-unsolved-polly-melton-missing-in-the-smokies/51-498115020Unsolved Disappearance in the Great Smoky Mountains by Juanitta Baldwin and Ester Grubb, Suntop Press 1998.“Authorities Seen Hiker.” By Sondra J. Harris, Asheville Citizen-Times, Sun, Sep 27, 1981, Page 54, https://www.newspapers.com/image/201099967/“Mystery of Missing Hiker Deepens.” By Carson Brewer, The Knoxville News-Sentinel, Fri, Oct 02, 1981, Page 2, https://www.newspapers.com/image/774298236/

Katherine Bucknell discusses with Ivan six things which should be better known. Katherine Bucknell edited all four volumes of Christopher Isherwood's Diaries , a volume of letters between Christopher Isherwood and his partner Don Bachardy (The Animals), and W.H. Auden's Juvenilia: Poems 1922-1928. Co-editor of Auden Studies, a founder of The W. H. Auden Society, and director of the Christopher Isherwood Foundation, she is widely recognised as a leading authority on Isherwood, and her new biography Christopher Isherwood Inside Out is now available. She is also the author of five novels. She was born in Vietnam, raised in America, and lives in London. Christopher Isherwood's novel Prater Violet https://lonesomereader.com/blog/2024/1/30/prater-violet-by-christopher-isherwood DH Lawrence's novel The Lost Girl https://journals.openedition.org/lawrence/2328 The Nucleo Project https://www.thenucleoproject.org/ Marfa Stance https://www.marfastance.com/ How scallops move https://www.youtube.com/watch?v=PGdXxoHJaBA The value of memorising poetry https://theconversation.com/ode-to-the-poem-why-memorising-poetry-still-matters-for-human-connection-121622 This podcast is powered by ZenCast.fm

Rebecca Contreras is the founder and CEO of AvantGarde, an Austin-based consulting firm federal agencies depend upon to help them transform their leadership and grow their organization through holistic and sustainable approaches. Born into poverty, Rebecca transformed herself through grit, resolve, and steadfast commitment from a high school dropout and welfare-dependent teenage mother to a successful business leader. Author of the bestselling Lost Girl, Rebecca has received a number of accolades for her exceptional leadership such as being named the 2023 Austin Businesswoman of the Year and having received a golden Stevie Award for Best Female Entrepreneur in 2022. Rebecca also founded Girls of Legacy, a groundbreaking effort to impact the next generation of inner-city girls in Austin by providing them with mentorship and scholarships.

The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. An behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Anne Dixon and Catherine Baumgardner. Please Welcome Anne - Anne's design career includes designing for theatre, ballet, ice skating, opera, film, and television. A few of her film and series credits include: The Shrouds, The Marsh King's Daughter, Falling, Lost Girl, Anne with an E, and The Dead Don't Hurt (written and directed by Viggo Mortenson) Topics Include: Childhood with a father news producer Making clothes for dolls and sister First job at regional theatre Traveling costuming theatre Enjoying the adventure Schooling in London The apprenticeship that launched her Following the inspiration  Only live once perspective DEAD DONT HURT (min 15) Getting the job There's no one path Viggo - writer/director/composer Creating from the music Collaborating with Viggo Research and Look Books Clothes from the ‘First Nations' Importance of ‘strong truth' in the design Lead Character Design Arc Shades of Red for her arc Challenges to overcome Working in Durango, Mexico DEEP DIVE: Proud aspects of oneself Commitment choices now Favorite movie Favorite place to visit An inspirational creative book

How do you approach forgiveness and self-forgiveness in your journey? What role does it play in shaping your personal growth and resilience? Rebecca Contreras is currently the President & CEO of AvantGarde LLC (AG), a consulting firm she cofounded in 2011 as the majority owner. AvantGarde has grown to over 120 employees across nine states including a team in the great State of Texas where Rebecca resides. AG's Offices are in the Austin and Washington DC area with clients in 26 different government agencies. AG offers a one-stop-shop approach to addressing complex organizational issues, AGs capabilities center around four key areas: Human Capital (HR), Organizational Development, Business Operations, and Technology. Rebecca commutes back and forth between her TX and DC offices. In this episode of the Crown Yourself podcast, host Kimberly Spencer interviews Rebecca Contreras, who shares her inspiring journey from a challenging upbringing to becoming a successful entrepreneur and leader. Rebecca discusses the importance of forgiveness, faith, and mentorship in overcoming adversity, including abuse and addiction. She emphasizes the value of seeking psychiatric care and building a supportive community. The conversation also covers Rebecca's transition from working in the White House to founding her own multi-million dollar company, her nonprofit initiative, and her approach to creating a healthy home life. Rebecca's resilience and commitment to personal growth and positive influence shine throughout the episode. What you will learn from this episode… Rebecca's journey from a challenging upbringing to becoming a successful entrepreneur and leader Importance of forgiveness, faith, and mentorship Creating a healthy home life while balancing a successful career Overcoming challenges such as addiction, toxic relationships, and self-blame Transition from working in government to building a multi-million dollar company Entrepreneurial skills and insights into negotiation and influence Using influence for the greater good and serving humankind Initiatives to empower and enable inner-city girls for development and scholarship Bridging divides and having constructive conversations with differing opinions Insights into self-care and personal growth Enjoy, sovereigns! Listen to the episode on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, or your favorite podcast listening platform. You can also watch the episode on YouTube. Moments of Note: The timestamp's title (time it starts) short description, with max 20 words, of what is covered in this topic. Forgiveness and Unconditional Love (00:00:00) The importance of forgiveness and unconditional love in human relationships and faith. Introduction to the Podcast (00:00:27) The host introduces the Crown Yourself podcast and its purpose. Rebecca's Multiple Lifetimes (00:01:09) Rebecca shares her experiences and insights, indicating that she feels like she has lived multiple lifetimes. Rebecca's Journey with Faith (00:02:21) Rebecca discusses her challenging experiences with faith and her journey to finding a positive relationship with God. Mentorship and Support (00:07:28) Rebecca emphasizes the importance of seeking mentorship and support, particularly through pastoral care and spiritual mentorship. Finding the Right Mentors (00:09:28) Rebecca discusses the value of finding mentors who bring value to life and the importance of not putting people on pedestals. Seeking Mental Health Care (00:11:00) Rebecca emphasizes the importance of seeking mental health care and resources for personal growth and healing. Taking Ownership and Responsibility (00:12:40) The discussion focuses on taking ownership, responsibility, and cultivating a healthy home life. Balancing Work and Family (00:15:47) Rebecca shares insights on balancing work and family life, emphasizing the importance of being present and having a supportive partner. Cultivating a Healthy Home Life (00:18:55) Rebecca discusses the intentional efforts and boundaries put in place to cultivate a healthy home life despite past trauma and dysfunction. The environment's impact (00:21:10) Rebecca discusses how changing her environment and eliminating toxic relationships shaped her life and success. Differentiating toxic relationships (00:24:56) Rebecca and Kimberly discuss the distinction between toxic relationships and those that challenge personal growth. Forgiveness and self-blame (00:31:36) Rebecca shares her experiences with self-blame, forgiveness of self, and the impact of self-blame on her life. The power of forgiveness (00:34:33) Rebecca explains how forgiveness, especially forgiving her mother, was a catalyst for her transformation and healing. Lessons from past experiences (00:41:04) Rebecca reflects on how her experiences, including working in government and being around business-minded individuals, shaped her entrepreneurial skills. Negotiating skills and starting a business (00:42:16) Rebecca discusses her negotiation skills and the transition from government to the private sector. Believing in oneself and the power of influence (00:43:12) Rebecca shares her journey of self-belief and the influence of people in her success. Influence and impact on society (00:48:36) Rebecca discusses the importance of using influence for good and its impact on society. Future plans and growth (00:50:04) Rebecca talks about the growth of her company and her future plans. Political and social issues (00:51:51) Rebecca expresses her concerns about the Texas border issue and the divisiveness in politics. Empathy and leadership (00:57:57) Rebecca discusses leading with empathy and emotional growth. Rapid fire: Favorite female character, trading places, morning and evening routines, queendom, self-care (01:00:45) Rebecca answers rapid-fire questions about her favorite female character, morning and evening routines, queendom, and self-care. Connecting with Rebecca (01:03:44) Rebecca shares how to connect with her and where to find her book. Rebecca's Challenging Upbringing (01:04:49) Rebecca shares her experiences and insights on overcoming a difficult childhood. Becoming a Successful Entrepreneur (01:04:49) Rebecca discusses her journey to becoming a successful entrepreneur and leader. Mentions + Additional Resources: "RebeccaContreras.com": "01:03:44" "Lost Girl" by Rebecca Contreras: "01:03:44" Instagram: "01:03:44" Meditation, Prayer, and Devotional: "01:01:45" Cooking and TV Time: "01:02:08" Girls A Legacy: "01:02:33" Orange Theory: "Not specified" Connect with Rebecca Contreras: WEBSITE: https://www.rebeccacontreras.com/ SOCIAL MEDIA LINKS FACEBOOK: https://www.facebook.com/RebeccaAnnContreras/ INSTAGRAM: https://www.instagram.com/rebeccaanncontreras/ LINKED IN: https://www.linkedin.com/in/rebecca-contreras-98059013/ YOUTUBE: http://www.youtube.com/@rebeccacontreras4364 Transcript: For a full episode transcript, it can be found here. Sharables: For sharable images, quotes, and other social media posts to add some royal sparkle to your socials (with proper tagging and credit, of course), they can be found here. ____________

I love today's inspiring episode with Rebecca Contreras, author of “Lost Girl.” Rebecca's life story is a testament to the power of resilience, faith, and determination. From growing up in challenging circumstances to becoming an advisor to President George W. Bush, and then a successful entrepreneur, Rebecca's journey is both compelling and motivational. Tune in to hear how she overcame addiction, trauma, and poverty to achieve remarkable success and give back to her community. Bio: Rebecca is a successful entrepreneur and business leader whose company AvantGarde LLC—now over 120 strong—is built upon Godly principles that help both her clients and employees thrive. Born into poverty to a drug-addicted mother and raised in a religious but totalitarian household, Rebecca's first experiences with religion often left her with feelings of doubt and disdain. At age 19, Rebecca dropped out of high school and succumbed to substance-abuse and a generational cycle of destruction. A fresh experience at a local church led her to surrender completely to God, adopting a position of humility, and entering into an active and intentional relationship with Him. With God as her light, and surrounded by spiritual mentors, Rebecca dealt with the issues and mistakes of her past and embraced transformation in all areas of her life. God filled the trenches dug by rejection and she accepted God's grace, forgiveness, and the promise of Jeremiah 29:11 “For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future.” Rebecca's remarkable transformation disproves the lie that anything other than God can be our source of hope and provision. God's promises came to pass in both her personal and professional life. God rescued her from being a lost girl, brought her to advise a sitting U.S. president, and helped her found and lead a thriving company. God also gave her a loving family with whom she can grow in her faith. Anchor Verses: Psalm 139 2 Timothy 1:7 Jeremiah 29:11 Connect with Rebecca: Website: https://www.rebeccacontreras.com IG: https://www.instagram.com/rebeccaanncontreras/  Linktree:https://linktr.ee/rebeccacontreras  ***We love hearing from our listeners! Sharing your thoughts through reviews is a fantastic way to be a part of our podcast family and contribute to the conversation. If you've enjoyed our podcast, leaving a review is quick and easy! Just head to Apple podcasts or wherever you are tuning in and share your thoughts. Your feedback makes a big difference!***

Joel and David are back with a new girl band episode and in a rare move for this 2000s pop podcast, we've opened the time portal and crossed into the future... the 2010s! Get ready, 'cause here comes a hurricane! Today we're celebrating Neon Jungle, Parade and SoundGirl - three amazing UK girl groups backed by major labels that blasted on the scene between 2011 and 2013, but were sadly gone too soon.  The vibes are confident! The fusion of electrifying girl band energy with loud fashion and even louder tunes means we are in for a seriously fun 2010s throwback episode. Ichi, ni, san... kaisu! Neon Jungle - made up of Jess Plummer, Shireen Cutkelvin, Asami Zdrenka and Amira McCarthy - scored four UK Top 20 hits including the No.4 smash 'Braveheart'. Their incredible album "Welcome To The Jungle" is packed with bangers, written by More Mega, CockNBullKid, MNEK, A*M*E and Charli XCX!  Grab a pair of fake glasses, a stylish hat (or silk turban!), and give yourself a spritz of perfume, 'cause Parade is here. Bianca Claxton, Jess Agombar, Emily Biggs, Sian Charlesworth and Lauren Deegan definitely made a splash on arrival with their vibrant pop bops 'Louder' and 'Perfume'. The self-titled album is the real treasure trove here! Izzy Bizu, Olivia "Liv Lovelle" Redmond, and Nicole "Little Nikki" Shortland were SoundGirl, a pop R&B trio who worked with Miranda Cooper (Xenomania) and opened for Justin Bieber, Pixie Lott and The Wanted. It seemed criminal that they never got to release an album but we still can't get enough of the singles 'Don't Know Why' and 'I'm The Fool'! Who would you like to see us cover for Lost Girl Bands Vol. 3? Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

Warehouse 13 Fancast Lead Agent Shannon gets her Civil War Reenactment cosplay ready, Agent Carolyn goes in search of castle moats while Janitor SP is stuck returning broken rental furniture. The Agents review and rewatch the Warehouse 13 season 3 fourth episode S3E4 "Queen For A Day." The Agents discuss Jeri Ryan's career roles, reminence about older science fiction shows, more about Jinx' past, Artie's Law Of Artifacts, Top Gun Maverick, the artifacts in the episode, the fun episode dialogue, a listener's artifact prop, and look forward to the next epic episode of Warehouse 13. Thank you so much for listening to our coverage of Warehouse 13. Artie's Attic: A Warehouse 13 Fancast will release Thursday nights most weeks. Email: warehouse13fancast@gmail.com X: https://www.x.com/syfygurl X: https://www.x.com/ocean363 Best place to find SP: http://www.GonnaGeek.com/discord All music and sound effect used on this episode were purchased on http://www.pond5.com Find more Artie's Attic content and other shows on the Lone Wolf Podcasts network at: http://www.lonewolfpodcasts.com LINKS DISCUSSED IN THE PODCAST EPISODE: Time Trax: https://www.youtube.com/watch?v=3HrZRXX9fdI Time Trax Theme: https://www.youtube.com/watch?v=Kj0CJ9m1ZHk Arrow S4E2 The Candidate: https://www.imdb.com/title/tt4765782/ Lost Girl: https://en.wikipedia.org/wiki/Lost_Girl Almost Human: https://en.wikipedia.org/wiki/Almost_Human_(TV_series) Humans: https://iview.abc.net.au/show/humans Dark Matter: https://www.cwtv.com/shows/dark-matter/episode-one/?play=ad657bfa-04f7-4a05-85f5-176f22440155 Support Artie's Attic: A Warehouse 13 Fancast by contributing to their tip jar: https://tips.pinecast.com/jar/arties-attic-warehouse-13-fanc

I had the joy to engage in a heartfelt conversation with my dear friend Kara Swanson, discussing the importance of grace, self-awareness, and the transformative power of storytelling. Through her personal journey and the characters she breathes life into in her fiction books, Kara intricately weaves together themes of resilience, healing, and the significance of self-awareness in shaping our personal narrative towards deeper faith. Her commitment to guiding and empowering young writers also reflects her own journey of finding purpose and connection. Kara beautifully articulates the power of storytelling as a means of finding identity, especially when navigating cultural differences and personal experiences. Growing up as a missionary kid, Kara felt isolated and found solace in the world of fiction. Through her writing, she sought to process her own experiences and bridge cultural divides through the lens of the gospel. Her focus on young adult fiction takes readers on a journey of self-discovery and personal empowerment, inviting both young and seasoned readers to reflect on their own journeys. Kara emphasizes the importance of extending grace to ourselves and others, understanding the impact of cultural influences on one's sense of self-worth and identity. Through her characters in her upcoming book "Ignite," Kara captures the transformative power of self-awareness and the impact of external influences on personal growth. She underlines the significance of surrounding ourselves with healthy relationships and support systems as we navigate our journey for deeper self-awareness, to lead us deeper into God in Christ Jesus through the Holy Spirit. Kara's advocacy through her storytelling encourages readers to embrace their emotions without letting them define their worth. Her commitment to creating characters that embody selflessness and resilience resonates deeply, offering an invitation for healing, growth, and self-acceptance. A few take-aways I will treasure from our conversation: 1.     Self-awareness leads to God-awareness. It takes a lot of accumulated wisdom to know yourself well, which is necessary to enter into deeper intimacy with God in Christ through the Holy Spirit. 2.     Give yourself grace and move forward with care and intention. 3.     Let your journey of God-ward healing reflect in your work and personal growth. 4.     Don't be afraid to address themes of identity and personal responsibility, especially when ministering to young people. 5.     Question the narratives fed to you by the surrounding culture, and discover your true purpose in Christ. 6.     Strive for self-awareness, introspection, and the journey towards an other-centered mindset, in the footsteps of Jesus Christ. 7.     Channel your experiences into creative outlets to process pain and empower others. 8.     Understand that feelings are real but not always true; they don't define your value or worth. 9.     Seek self-awareness and surround yourself with healthy, godly Christ-centered believers for support and growth. 10.  Support and encourage others, despite differences in experiences and self-awareness. CONNECT WITH KARA SWANSON Kara Swanson writes stories about fairy tales and fiery souls. She spent her childhood a little like a Lost Girl, running barefoot through lush green jungles which inspired her award-winning Peter Pan retellings, Dust and Shadow. She is also the cofounder of the Author Conservatory where she has the honor of teaching young writers to craft sustainable author careers. You'll find Kara with her toes in California sand as a SoCal resident, belting Broadway show tunes on weekend drives to Disneyland with her delightfully nerdy husband, or chatting about magic and mayhem on Instagram (@karaswansonauthor). Author Conservatory: https://authorconservatory.com Website: https://www.karaswanson.com/ Social Media: https://www.instagram.com/karaswansonauthor/  https://www.facebook.com/karaswansonauthor  Books: Dust -  http://tinyurl.com/DustbyKaraSwanson https://www.barnesandnoble.com/w/dust-kara-swanson/1136014686?ean=9781621841265  Shadow -  http://tinyurl.com/ShadowbyKaraSwanson https://www.barnesandnoble.com/w/shadow-kara-swanson/1136014685?ean=9781621841753  Ignite - http://tinyurl.com/IgnitebyKaraSwanson https://www.barnesandnoble.com/w/ignite-kara-swanson/1144909279?ean=9798886051346  DISCOVER “IGNITE”  Can Mara survive in a world where the fire in her veins is worth killing for? In a frozen wasteland suffocating beneath a dying sun, Mara is a young phoenix raised by her father to explode at his command. He's the only one who can help her control her fire, and Mara desperately follows his orders to protect their phoenix family from relentless human hunters. Her sheltered existence is shattered when her family mysteriously vanishes, thrusting Mara into a perilous quest to find them. Along the way, she unravels a devastating truth: her people may not be the innocent victims she's been taught to believe. When she comes face-to-face with the kindhearted Eli, she begins to wonder if the humans aren't the monsters she's always feared. What if the greatest danger doesn't lie in the icy world outside—but in the truth of who Mara really is? We invite you to check out the first episode of each of our series, and decide which one you will want to start with. Go to gospelspice.com for more, and go especially to gospelspice.com/podcast to enjoy our guests! Interested in our blog? Click here: gospelspice.com/blog Identity in the battle | Ephesians https://www.podcastics.com/episode/74762/link/ Centering on Christ | The Tabernacle experience https://www.podcastics.com/episode/94182/link/ Shades of Red | Against human oppression https://www.podcastics.com/episode/115017/link/ God's glory, our delight  https://www.podcastics.com/episode/126051/link/   The Ascension is one of Stephanie's all time favorite events, and one that draws her deep into worship. She invites you to the same through her 2024 Ascension episode coming out on May 7, 2024, and more: make sure to be signed up for our newsletter by that date, so that you will receive a gorgeous gift to deepen your experience of the Ascension this year. All you need to do is make sure you are signed up at gospelspice.com/signup today! Support us on Gospel Spice, PayPal and Venmo!

In this podcast, Adam Nevill talks about Lost Girl, pandemic life, Samuel Araya Art and Book Covers, and much more.  About Adam Nevill Adam Nevill  was born in Birmingham, England, in 1969 and grew up in England and New Zealand. He is an author of horror fiction. Of his novels, The Ritual, Last Days, No … Continue reading

On this week's episode of TheFallenState TV, host Jesse Lee Peterson is joined by Rebecca Contreras—A trailblazing entrepreneur, CEO, and the author of 'Lost Girl: From the Hood to the White House, to Millionaire Entrepreneur,' Rebecca unfolds her remarkable life story in this compelling episode. Join Jesse and Rebecca as they delve into the intricate chapters of Rebecca's life, from humble beginnings to her triumphant ascent as a millionaire entrepreneur. The discussion unfolds organically, offering viewers a window into the resilience, determination, and sheer grit that defined Rebecca's path to success. The conversation takes a fascinating turn as Rebecca shares insights from her experiences, including working under President George W. Bush. They touch on politics, marriage, mess, anger, motherhood, forgiveness, and much more!

On this week's episode of TheFallenState TV, host Jesse Lee Peterson is joined by Rebecca Contreras—A trailblazing entrepreneur, CEO, and the author of 'Lost Girl: From the Hood to the White House, to Millionaire Entrepreneur,' Rebecca unfolds her remarkable life story in this compelling episode. Join Jesse and Rebecca as they delve into the intricate chapters of Rebecca's life, from humble beginnings to her triumphant ascent as a millionaire entrepreneur. The discussion unfolds organically, offering viewers a window into the resilience, determination, and sheer grit that defined Rebecca's path to success. The conversation takes a fascinating turn as Rebecca shares insights from her experiences, including working under President George W. Bush. They touch on politics, marriage, mess, anger, motherhood, forgiveness, and much more!

**About The Guest(s):**Rebecca is a successful entrepreneur, author, and speaker. She has overcome a challenging upbringing and has gone on to achieve great success in her career and personal life. Rebecca emphasizes the importance of the family unit and the role of fathers in society. **Summary:**Rebecca and Trevor discuss the significance of the family unit and the role of fathers in society. They highlight the power of having both parents present in a child's life and the importance of structure and strictness in raising children. Rebecca shares her personal journey of overcoming a difficult upbringing and becoming a successful entrepreneur. **Key Takeaways:** The family unit is central to the success of America, and it is essential to value fathers and their role. Boys, in particular, need a male figure in their lives to provide guidance and set boundaries. Structure and strictness are crucial for children's development and should not be undermined. Taking responsibility for your child's upbringing is essential, as a neighborhood or community cannot replace parental involvement. **Quotes:** "The family unit is central to the success of America." "A boy definitely needs a man to say, okay, we're not dealing with that. We're not going to do that today." "Kids need to have structure. They weren't meant to raise themselves." "A neighborhood cannot raise your child. You are responsible for your child." **Chapters:** (0:00:00) Rebecca's Challenging Upbringing and Custody Loss(0:03:47) A Life-Changing Decision and Quest for Purpose(0:09:37) Entering State Government via a Welfare Program(0:10:49) The Influence of Your Surroundings on Success(0:13:44) Seek New Rooms If You're the Smartest(0:14:16) Hiring for Skill and Drive(0:16:35) From Coffee Runner to Running Things in Six Years(0:19:24) Positive Obsession and Laser Focus(0:20:37) Transforming from a Labeled "Loser" to Success(0:21:06) Embracing Failures and Using Them for Success(0:22:04) Taking Control of Your Narrative and Battling Shame(0:22:59) Empowering Inner-City Girls Through Mentorship(0:25:23) Overcoming Tragedy and Trauma to Progress(0:26:31) Society's Cycle: Great Times to Weak People(0:26:58) Personal Transformation from Weakness to Strength(0:29:04) Navigating Bureaucracy and Corporate Politics(0:30:44) Adapting to Different Environments for Success(0:31:37) Making Small Changes within Your Sphere(0:31:59) Transitioning from Government to New Opportunities(0:32:25) Battling Impostor Syndrome in the White House(0:34:27) Clay's Empowering Support for Rebecca(0:38:33) Speaking Life into Others(0:43:51) Working with Resolved Leaders in the White House(0:44:38) Becoming the Corporate Head of HR at Treasury(0:45:34) Transitioning to Nonprofit Work and Consulting(0:47:03) Entrepreneurship Journey in Federal Practice(0:48:34) Breaking the Cycle of Dysfunction(0:50:08) The Significance of the Family Unit **Additional Resources**

This podcast truly loves a pop girl group - and it shows! For years we have talked about doing a special episode celebrating the 'lost' girl bands of the 2000s and now here we are. It felt absolutely right to kick things off with the three distinct British girl groups that were launched in 2009: Mini Viva, Dolly Rockers and Girls Can't Catch. While these groups sadly disbanded not long after their launch, they will always live on in our hearts.  Together, Joel and David present you the girlies, getting into their singles and album sampler highlights, and more! Bring on the nostalgia!  Mini Viva, the Xenomania pop duo of Britt and Frankee, released three singles 'Left My Heart in Tokyo', 'I Wish' and 'One Touch'. Dolly Rockers, who started their fledgling journey on The X Factor but returned stronger in a few years with the buzz-worthy track 'Je Suis Une Dolly' which led to a deal with Parlophone, culminating in their official debut single 'Gold Digger'. Fascination Records' Girls Can't Catch was positioned as the 'little sister' of label mate girl groups Girls Aloud and The Saturdays, but they ultimately left us wanting more after the release of their singles 'Keep Your Head Up' and 'Echo'.  If you are loving what we're doing, let us know in the comments. Who would you like to see in a 'Lost Girl Bands Vol.2'? Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This is a special call-in episode. Thanks for submitting your questions and requests, folks! I'd love to do this again, so send submissions to getupinthecool@gmail (thanks)! Tune in this episode: * Icicle Creek (Josie Toney) (7:14) * Bonaparte Crossing the Alps (29:36) * Romani Dance (58:49) * Broom People (The Mountain Goats) (1:06:55) * The Lost Girl (1:16:51) * Bonus Track: Charleston Gals Tall Poppy String Band is touring the PNW in November! (https://www.tallpoppystringband.com/shows) Sign up for Cameron's upcoming Learning Tunes on the Fly Workshop Series (https://www.camerondewhitt.com/store) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons)

Misty Tasker took a drive with her mother one evening and it would be a night she would never forget. They came across a sobbing young girl on the side of the road in the dark. This girl though, was not what she seemed. When they stopped to see if she was alright, they were in for a terrifying experience.Our other podcast: "FEARFUL" - https://open.spotify.com/show/56ajNkLiPoIat1V2KI9n5c?si=OyM38rdsSSyyzKAFUJpSywMERCH:https://www.redbubble.com/people/wickedandgrim/shop?asc=uPatreon: https://www.patreon.com/wickedandgrim?fan_landing=trueYoutube: https://www.youtube.com/@wickedlifeFacebook: https://www.facebook.com/wickedandgrim/ Instagram:Instagram: https://www.instagram.com/wickedandgrim/?hl=enTwitter: https://twitter.com/wickedandgrimWebsite: https://www.wickedandgrim.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friend is Rachel Baiman. We recorded this at Valley of the Moon. Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Tune in this episode: * Fisher's Hornpipe (2:08) * Over the Road to Maysville (14:11) * Self Made Man (24:44) * Lovers and Leavers (35:43) * Lost Girl (40:43) * Bonus Track: Old Songs Never Die Rachel Baiman's website (https://www.rachelbaiman.com/) Follow Rachel Baiman on Instagram (https://www.instagram.com/rachelbaiman/) Subscribe to The Weekly Croissant (https://rachelbaiman.substack.com/) Sign up for Cameron's Fall Old Time Songs Banjo Workshop Series (https://www.camerondewhitt.com/store) Find out more about Old Growth Old Time, Seattle's new old time festival! (https://oldgrowtholdtime.org/) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Check out Cameron's old time trio Tall Poppy String Band (https://www.tallpoppystringband.com/)

Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon! Today's episode is with Lost Girls founders, Sarah and Kyla, who started their vintage business in 2013 out of a vintage 1976 RV that they named Winnie. 10 years and hundreds of pop ups later they now have two shops in Chicago, one in the West Town neighborhood and one in Logan Square, and have partnered with Luvsick plus to offer extended sizing at both of their locations.  On today's episode, we'll hear the story of how they got started slingin' vintage, the secret to successful pop-ups, and how they've made strategic decisions and grown and evolved thier business over the years. Plus, of course, stories about the vintage pieces they love and adore! All this and more in today's episode,  so let's just dive right in! DISCUSSED IN THE EPISODE: [7:24] How two vintage-lovers met and decided to start a business together! [11:29] How they got started with a mobile vintage shop. [22:29] The transition into having a brick-and-mortar shop. [27:00] Lost Girl's  approach around what they carry in the store.  [34:03] How they keep the two brick-and-mortar stores unique to one another. [36:45] The pivot to online to keep their business alive during the pandemic. [43:26] The vintage pieces they love the most! EPISODE MENTIONS:  Lost Girls Vintage @lostgirlsvintage @luvsickplus @shoprelove Pre-Loved Podcast with Randolph Street Market @randolphmarket @richardsfabulousfinds @findfreestyle @laretrogirl @noordinarynoire LET'S CONNECT: 

This week on the Erotic Awakening Podcast, @dananddawn are joined by T-rex and Tracy to chat about sexy TV shows and movies. PLUS they answer a question from an Erotic Awakening listener....Are your Kinks and Fetishes tied to sex and sexual stimulation, or can/do they exist and can be satisfied *without* sex/coitus/stimulation?   Links mentioned on the show: Dangerous Touch - https://www.imdb.com/title/tt0109534/ Killing Eve - https://www.imdb.com/title/tt7016936/ They Them Us - https://www.imdb.com/title/tt11115706/ Bonding - https://www.imdb.com/title/tt7718088/ Penny Dreadful - https://www.imdb.com/title/tt2628232/ Lost Girl - https://www.imdb.com/title/tt1429449/ Bones - https://www.imdb.com/title/tt0460627/ Brand New Cherry Flavor - https://www.imdb.com/title/tt11343600/     Discounts on our books, free eBooks, weekly exclusive content, and support Dan & dawn https://www.patreon.com/eroticawakening   Find us on YouTube, Discord, Facebook, for our Podcast and our books and events! https://linktr.ee/eroticawakening    

Award-winning actor Emmanuelle Vaugier stars in Hallmark Channel's movie sequel Big Sky River: The Bridal Path which premieres on Hallmark Movies & Mysteries in the US and W Network in Canada on Friday, August 11, 2023, at 9:00 pm. The movie is particularly special for Emmanuelle as she gets to combine her love of acting with her love for horses. Emmanuelle may be best known for her popular role as Charlie Sheen's ex-fiancée Mia in the award-winning CBS comedy Two and a Half Men. For three seasons she also played Detective Jessica Angell on CSI: NY, leaving fans devastated when her role came to an end.  For five seasons Emmanuelle was the vain and dangerously sociopathic character of the Morrigan on the innovative series Lost Girl. Emmanuelle was cast alongside Piper Perabo in the USA Network crime series Covert Affairs, where she played Liza Hearn, a journalist and blogger not afraid to push boundaries. She was also on the AT&T original series Rogue as Assistant District Attorney Regan Faulker alongside Cole Hauser (Yellowstone). Other television appearances include her portrayal of Jane in the two-hour pilot of the adaptation of the comic Painkiller Jane, and a starring role in The CW comedy My Guide to Becoming a Rockstar. She has also heavily recurred on TV shows such as The CW's dramas Smallville and One Tree Hill, as well as Mistresses on ABC and the FOX series Human Target.  Recently, Emmanuelle played Sarah, a smart and accomplished professional in the television series The Potwins starring opposite Kevin Sorbo, and appeared in the comedic television series Millennial Mafia as Francesca, a female mob boss who must manage a group of young adults who are thrust into adulthood when their mob-boss parents are sent to jail.   Emmanuelle's feature film endeavors are impressive with a number of credits to her name, including Saw ll, Saw IV, Secondhand Lions, with Michael Caine and Robert Duvall, 40 Days and 40 Nights, with Josh Hartnett, Susie's Hope (a role for which she won best actress at the Greensville International Film Festival), It's Christmas Carol! (which earned her a Leo Award) opposite Carrie Fisher, and Absolute Deception alongside Cuba Gooding Jr., to name a few. Emmanuelle is adding voice-over actor to her list of projects as well, with many fans remembering her portrayal of the character Nikki in Need for Speed Carbon EA's #1-grossing video game worldwide.   Emmanuelle's inner and outer beauty shines through as she is among the select group of women to be featured on ‘Maxim‘s Top 100' list twice. She was also named fifth on Femme Fatal magazine's 50 Sexiest Women on the Planet', and was named ‘Sexiest Woman Alive' for the sixth time by Smartasses Magazine. Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)

Please join Anna Silk and special guest host, Zoie Palmer, as they discuss Lost Girl episode 13, “Blood Lines” written by Michelle Lovretta and directed by Robert Lieberman. Anna is also joined by Michelle Lovretta for a very special Season 1 finale spotlight!Host: Anna Silk (IG: @anna.silk)Guest: Zoie Palmer (IG: @zoiepalmerzeeeps)Spotlight: Michelle Lovretta (imdb.com/name/nm0522757)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Please join Anna Silk and special guest host, Ksenia Solo, as they discuss Lost Girl episode 12, “(Dis)Members Only” written by Jeremy Boxen and directed by Steve DiMarco.Host: Anna Silk (IG: @anna.silk)Guest Host: Ksenia Solo (IG: @therealksolo)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Please join Anna Silk and special guest host, Emmanuelle Vaugier, as they discuss Lost Girl episode 11, “The Mourning After” written by Peter Mohan and directed by Robert Lieberman.Host: Anna Silk (IG: @anna.silk)Guest Host: Emmanuel Vaugier (IG: @emmanuellevaugier)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

The cast of Lost Girl share their feelings about the show and the fans!Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Please join Anna Silk and special guest host, Rick Howland, as they discuss Lost Girl episode 10, “The Mourning After” written by Michelle Lovretta and directed by Paul Fox.Host: Anna Silk (IG: @anna.silk)Guest Host: Inga Cadranel (IG: @inga_cadranel)Spotlight: Jennifer Vey (imdb.com/name/nm0895508)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Please join Anna Silk and special guest host, Rick Howland, as they discuss Lost Girl episode 9, “Fae Day” written by Jeremy Boxen and directed by Steve DiMarco.Host: Anna Silk (IG: @anna.silk)Guest Host: Rick Howland (IG: @rick_howland)Spotlight: Lisa Amaral-Wright (imdb.com/name/nm0024023)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

In which Princess dives deep into her bisexual awakening - from badly censored anime to Emma Watson's eyebrows! Check out our Patreon - there are cool perks and you help support the podcast! https://www.patreon.com/thequeermoviepodcast We're a serious podcast and have a sponsor, SquareSpace support us! Help make the podcast profitable by going to squarespace.com/queermovie, and by using the code 'queermovie' at checkout. Find Us Online - Twitter: https://twitter.com/QueerMoviePod  - Website: http://www.queermoviepodcast.co.uk/  - Multitude: @MultitudeShows   Production - Hosts: Rowan Ellis and Jazza John - Editor: Julia Schifini - Executive Producer: Multitude - Artwork: Jessica E. Boyd   About The Show Queer Movie Podcast is a queer movie watch party hosted by Rowan Ellis and Jazza John. Join us as we research and rate our way through the queer film canon, one genre at a time. From rom-coms to slashers, contemporary arthouse cinema to black & white classics, Queer Movie Podcast is a celebration of all things gaaaaay on the silver screen. New episodes every other Thursday.   Transcript ROWAN:  Just quick mention at the top of this episode to thank two of our patrons over on Patreon, Jennifer and Toby who are supporting at the highest tier over there. We are so, so grateful. Thank you so much to our wonderful rainbow parents, Jennifer and Toby. If you want to support our Patreon then the link will be in the description. It's patreon.com/thequeermoviepodcast. [theme] ROWAN:  Welcome to the Queer Movie Podcast celebrating the best and worst and LGBTQ plus cinema one glorious genre at a time. I'm Rowan Ellis and I would like to welcome you to one of our guest specials. Oooh, very exciting. And today we are joined by, as usual, a very special guest who will be answering the question, what movies made you queer? I am very excited to welcome Princess, wooo! Popopow. Yay! PRINCESS:  Thank you so much for having me. I'm so excited to finally be here with you. I wanted to be talking to you and doing stuff with you forever. But we always are just so busy. And everything's so chaotic. So it's an honor to be queer here with you. ROWAN:  Oh my gosh, like ships in the night. I mean, I feel like in these podcasts with these guests, I always forget to actually introduce people because it's mainly like this is a cool person that I know about. And then I—I never actually do the proper podcasting of introducing them. So if you don't already know who Princess is, for shame, writer, YouTuber, pop culture thinker was the direct quote I believe. And I actually pulled up the quote from your YouTube channel, which I think is like chef's kiss, which is talking about pop culture, race, feminism, and other social issues with a lot of nuance and profanity.  Incredible. PRINCESS:  Yes. I— I do— ROWAN:  Love that. PRINCESS:  —I do love that. Sometimes I write something I'm like, that was good. I think that this is solid description. ROWAN:  So essentially, honestly, if you like this podcast, if you like anything that Me or Jazza do on the internet, you will love everything that our guest does. Across the entirety of the internet, so many projects. We'll leave in the show notes various links for you to look up what she's doing. First question for you, the first question we always do on this particular type of guest episode. I use queer in that intro as kind of like an umbrella catch-all term, you know, the movies that made me queer. But do you use other words to describe your identities? Does that make sense as a question for you? Or would there be some other kind of words going on there? PRINCESS:  No, absolutely. I use queer and Bi all the time. I am a very loud, proud stereotype bisexual person. And I love it. It's the term that I came into my queerness with. So even as I've evolved in people of like, well, what about pan or this, and it's like, I accept all those terms. But I call myself Bi and queer. And yeah, just very happy with. Happy being Bi. ROWAN:  Amazing, love that. And as such, you have bought along, I don't know what these are. I love when like all the guests keep up secret from me beforehand. And so it's always really fun to see what stuff people overlap on, because I feel like there's a lot of quite classic, especially the bisexuals. You do—there's a few that you all seem to have zoned in like some kind of homing beacon onto certain characters and certain movies. And then sometimes there are really left-to-field ones. So would you like to lay before me on the platter of sexuality, your first entry into this particular podcast vault? PRINCESS:  Well, I have to say, it's a precursor to this. I think like every—every queer kid can go back and find like, a billion moments where they're like, oh, yeah, like this because I was clear. Oh, yeah, I've totally quit that's why I like this. And for me, the thing I picked is the moment where I was just like, all of the denial just kind of like flushed down the toilet. And I was just like, well, it's no—I can no longer pretend that this is just - ROWAN:  The floodgates have opened. PRINCESS:  Just truly, fully opened. And it is— not even the movie itself, but the trailer for A24's, The Bling Ring. ROWAN:  Wow! What a deep call. What a throwback. Incredible Okay, so for those who don't know, what—what is The Bling Ring, if no one—somehow, someone has passed them by? PRINCESS:  Oh man, a true moment. Alright, so in 2013, Sofia Coppola, the soft girl boss directed at she is did an adaptation of the Vanity Fair article. The suspects were Louis Vittons about this—this gang quote-unquote, like “this gang of like rich kids” who were going into the homes of celebrities and stealing stuff from the celebrities. Purses, shoes, like it was chaotic. And it was a huge story. And in 2013 Sofia Coppola produced the film, and in the film playing one of the token members of The Bling Ring is Emma Watson. There's a scene in the trailer where Emma Watson is like, dancing and she does this thing where she like licks her upper lip and she's got like bangs, like she's like in the dance floor, she's having a good time. It's just kind of like licks her upper lip And I just remember thinking to myself like, oh, no, it's—oh no, it's finally—it's like the egg cracked, there was no—there was no more denial. There was no more like, oh, maybe I'm just—no, I was a homosexual. And I think it's because I always had a crush on Emma Watson. ROWAN:  Very valid of you. PRINCESS:  Thank you, um, in that front, but like, in a way where it's like I was always a girl's, girl. I always had female friends. I always wanted to be in the company ship of other women. So it was very easy for me to just be like, I just want to like be her best friend. And we could read books together, and we could like hang out like she likes to read, I like to read. You know, that kind of thing. And then first—the first thing that she did, was she got that haircut. When she like—after she was done filming that franchise. She cut her hair into this very cute like Audrey Hepburn, Anne Hathaway bob. And her face just like 10 times, just was like in my—in my mind, It's like, wow, she's so pretty. Wow! And I was like, no, it's fine. It's just—I'm just admiring her. ROWAN:  I just really love to admire people who can pull off pixie cuts. Like uh—it's just an intellectual admiration of that face type. PRINCESS:  Exactly.  ROWAN:  Yeah, of course. PRINCESS:  And so—and so—but then when The Bling Ring trailer came out, and I saw that lip lick, I thought I really realized oh, no, I'm getting, and I have a crush on Emma Watson for real, for real. ROWAN:  I love that.  PRINCESS:  And even though I don't particularly like The Bling Ring as a movie, that moment is imprinted on my soul forever. That—when I was sitting in bed thinking about like, we're gonna be talking about Xena again, or Sailor Moon, and I just like, I started reading some fanfiction, and then I was like, man, I really do still have a thing for Emma Watson. ROWAN:  Alright. Okay, here's what's so funny. I've never actually seen The Bling Ring. I think I would love it because it gives me the sense of like a movie that would really tickle the ADHD, like good bit of my brain in terms of it being just fairytale taken fast, basically. Like, that seems like there's probably been a lot of that happening in that movie. So I haven't actually seen the film. But I know the exact moment in that trailer that you are talking. I'm like, yep, I can see it clear as day. And I think it was that like, at least from my recollection. She did the like pixie cut and stuff, which was sort of like her version of I'm grown up now. Like I'm separating myself from this franchise, it is a child. But I feel like Bling Ring was the first like role that she took that was like overtly sexy. I'm here. I'm like an adult. PRINCESS:  Yes.  ROWAN:  And so it was obviously like, we're going hard on the idea of like, this is me stepping into my own. And she seems to have really put herself into that role. So— PRINCESS:  Yeah. ROWAN:  —it was just inevitable. PRINCESS:  It was inevitable. It was like—it was the definitely hollow movies came out. Then she was in Perks of Being a Wallflower. Then this and her cameo. And this is the end came in like the same year. And then you know, she's on and off for a while. I don't think she's done anything since Little Women. But she's just like, I think also, even though I don't like to her, how her Belle came together in the movie. I think like as a kid, like, I'd always love Belle from Beauty and the Beast. And in my mind, she and Belle, and like Audrey Hepburn and kind of like all of the like warm, soft white girl femme things that I'm really am attracted to, were like all combined in my mind with her because she was smart and a feminist and someone who just seemed very aware and even when she wasn't trying to get aware. And then what is even more peak bisexuals, that I always had a crush on her and Tom Felton. And then they had that—they had that whole back and forth thing where like she wrote the intro to his memoir. And I just remember like, just like giggling when I found that out. And then I was like, what's wrong with you? Like you don't understand! Everything Bi in me is so pleased right now, that they're like, friends. ROWAN:  A piece of context that I collect, everyone needs if you aren't familiar with the fact that Tom like the—I feel like the way that Princess has just told this story as if it's like some kind of historical event.  PRINCESS:  I know. ROWAN:  Like his book came out this year. Like that—that reaction is still within you—within your like very being, it feels like. PRINCESS:  It's—it's because, you know, for all of the things that I—that I—there are some fandoms that I really became queer in, or that I recognize my queerness in. And the things that I would ship and the—in the content I would consume. And so like the Draco, Hermione stuff, which is you know, very problematic hashtag I know. But because I had a crush on Emma Watson and Tom Felton as like people. It was like this perfect like blanket for me. And then there was although—there are always those rumors that like she had a crush on him in real life, which was confirmed. And so that brought me into a whole fit of giggles. And then I remember a couple years ago there was this image that one of them put on Instagram of like him teaching her the guitar, and like my entire like heart went into outer space. And then when the memoir came out, and I just—and I'm just like, wow! Emma Watson it—like their friendship just makes my heart very happy. But I just love the things that she's doing outside of acting. And I think The Bling Ring was the moment that I allowed myself to be like, no, I really have a crush on this girl. And it's weird because it's the first time I've ever had a crush on someone who was like my age, a real person and not a cartoon character. And someone who for my entire life had been like, both my age and a celebrity. Because I remember just the process happening and figuring out who this person wasn't it, which just very like. It was overwhelming. I think it's— I feel like that's probably how fed, the Jonas Brothers must feel. Who were like around the age when those, that's how I felt? Like Emma was all the Jonas's in one. ROWAN:  Roll into one girl. The thing that was like so interesting, as well as that they were, like worldwide known celebrities, but felt very accessible in a strange way. Like felt like, just like, oh, I just got picked as a child to be in this, this movie series. And I'm— I don't know it's all just a little bit crazy, isn't it? And now I'm like going on these fun little shows. And so I really— it was—I definitely think that, that, that she has been a —as well as just being a very, very lovely looking gal. PRINCESS:  So lovely looking gal. ROWAN:  That you know for a long time we've really overlooked the fact that she entirely acts with her eyebrows. PRINCESS:  Her and my girl Emilia Clarke those M's. They just love— but you know what the brows are free. It's fine. ROWAN:  It's— it's very—there are like—there is this one, she was in this. I think it was a BBC adaptation of Ballet Shoes.  PRINCESS:  Yes. Mmm. ROWAN:  Yes. Oh my god. That is peak Emma Watson eyebrow acting, and you could almost if you—like it would be dangerous playing a drinking game with it because you would— like it would—you would be absolutely wrecked by like the third scene. And then within it she plays a girl who loves—who wants to be an actor. And then she like doubles down on the eyebrows cheering, she does like a monologue from Puck PRINCESS:  Oh my goodness. ROWAN:  And it's incredible. And me and my brother like ca— it's really hard for us to watch an Emma Watson film. We have to like deliberately try to ignore her eyebrows like just cover the top half of the screen. I love that girl. And I think I agree with you in terms of like everything that she is seeming to let use her platform for and like trying to do with the fame that she got from a young age. But also I think there are just some elements of her. I'm like you, or do you just seem like a normal person?  PRINCESS:  Yeah. ROWAN:  And that it almost makes it more alluring. PRINCESS:  Yes. I think that's really true. And I think it's, I think when you compare like the Potter kid actors to like any other fandom, while there's definitely was gross. It was like the older men who were like trying to like sleep with her as soon as she turned 18. They just seem very level-headed, like it was before Instagram, before Tiktok, before we had that much accessibility. And also, I think to a degree them being British, and being around so many actors who could curate them and guide them who are these, like, you know, you've got like the best lessons ever. You have all these actors with like, decades and decades of experience under their belt, being around you to help you get through that. I think that's why most of them have turned out so well, is because they really had a lot of pragmatic, thoughtful people around them.  ROWAN:  Yeah. PRINCESS:  And I just find that so refreshing. And I think that even when I you know, I feel like if her and Emilia Clarke were in a movie that would just be like—it— that should be the trailer. It's just their eyebrows and their eyes. ROWAN:  That's all you see. PRINCESS:  Because all anyone— because that's what everyone would think about. ROWAN:  If the if— if movie poster designers had any balls like they used to, it would just be eyebrows. That's the poster.  PRINCESS:  Yeah. ROWAN:  If they— if they committed to the bid. PRINCESS:  We would love it.  ROWAN:  It wouldn't be one of these like posters with every single person's face that's on there, like, you know, the classic MCU posters now. I think specifically just when—they need to be cast together just so that we can go away. And then also, you know, it'd be great if Matt Smith was also in it. . That was just a blank space on the poster where Matt Smith belongs. PRINCESS:  Absolutely. Like you have the  the biggest like you have Amelia and Emma right here. Matt Smith on the side like a little ghost. And then you have Lily Collin just over there. no. People need to learn the art of making a great delicious poster again. Yeah. I just— you know, I think crushers are such a fun thing to look back on. Even if they are like celebrity crushes because the ability to like you get over a person was so normalized to Tumblr? That you could just be really out quietly to yourself, while still getting to appreciate these figures, and get to work out those fields. I think that's the thing that I kind of like about, the before I was a queer time in figuring out, was I got to do it by myself, you know? There wasn't a pressure that come out, cause I wasn't like anything big, the way I am now. But I really get to just enjoy, just having a crush and liking a person. But also not having to be a stan either, like I love her. I would do anything for her. but I'll still make fun of her eyebrow acting like I'm not ridiculous. ROWAN:  I kind of want to ask about the Tumblr, were you like a Tumblr teen? Is that where you were?   PRINCESS:  Oh, yeah. ROWAN:  Of course. Um, because I think that Tumblr weirdly is this kind of anonymized space, in a way in terms of fans. Like, you don't know how many followers people have. You can't tell who's like a big name in the fandom really. And then you also—there's no chance that your—people that you're a fan of will run into this content unless someone literally like showed them or they had some kind of secret Tumblr account. Whereas with the rise of Twitter, it feels like people are much more likely to be able to, like, directly try and contact people they're a fan of and like, have that kind of feel, like they might be able to have a reciprocal relationship. Do you see like a big difference between that energy that maybe I think when we were teenagers, it was more of a private thing, as it were like there was a community with the other fans and your friends as opposed to like having access to people? PRINCESS:  Well, you know, it was interesting, because I was a smaller public figure at the time, like, because I'd been doing YouTube for so long, people knew who I was. But it was a lot more people who were engaging with me in good faith. You know, like, it wasn't like, peop— there would be pushback or asking questions with the anons, but you could also turn that off. And that would immediately stop people from wanting to ask you questions because they didn't want to put their name to it. So I think even just having that option was a really good way of filtering out people who were there to troll you, or to antagonize you. And people who just really had questions to ask you. But I ended up making a lot of really good friends through Tumblr, and I think the tagging system on it was just so much better. Because if you were looking for a meta-commentary about something, you could just click on it and find that. And if you're looking for, like you know, for me, I think like something like Teen Wolf, and I was specifically looking for people who are anti-racist in that fandom. And I could just go to the tags and find who I needed and who I wanted, and soft block anyone that I didn't. And I didn't have to soft block everybody, I could just block those tags. And that would just keep me from go—like even now, like when I left— when I soft left Twitter because I still have to go on it for work. I'll go on Tumblr, and it's actually great because it's already been filtered for me. So when I go on it unless it's like a sponsor thing, I usually only see things I like, and I think that's really the ideal experience, is to just like, see the things you like when you're going online. ROWAN:  That's so true. Okay, now that you've named dropped Teen Wolf, I need to know if Teen Wolf has any part of your queer journey? The—that. PRINCESS:  No.  ROWAN:  Oooh. You know what, I love that for you. Truly. PRINCESS:  You know— you know it is is that like I, so—so I love like Teen Wolf, Merlin, a bunch of those shows. And um, but the problem was that there was just so much misogyny, and anti-blackness in those communities, that any enjoyment that I would have gotten out of some of the queer experiences were like, very thoroughly like, because—and I'm writing about this for—for my book. But like, it was just weird to see, like, like, I appreciate stearic as like a concept and a thing that people like, you know? like I get it. Like I get it. ROWAN:  That is the most diplomatic answer to like any fandom question is like, I appreciate this in theory, like I—I you know, the concept of the theory behind, but yes, entirely. I mean, Teen Wolf is pretty notorious for being this fandom, where they were like, do you know what we're gonna do? We're gonna find just two white boys who have never interacted on screen, and they be our ship. PRINCESS:  It was just like, again, I do get it because I do that with women all the time. You know, I peep— I understand the appeal of like super court for that very same reason. Y'all like two pretty white people together, that's fine. But then there'll be actual queer characters and quicker there's no color in it, and there'll be nothing. Or just a lot of harassment, because for me with it was just like, I get it. You want Arthur and Merlin to be a thing. That is not Gwen's fault, honey. Like, if Arthur was not dating Gwen, he would not be dating Merlin, because the writers of this series are cowards and will not let them be gay. Even though there are literal rules. I know there are literal books where like Arthur's is in a throttle with Lancelot and Guinevere. So it's just like, they're not doing that. But it becomes this situation where it's somehow treated like— the fight for representation can include attacking and harassing and demonizing black and brown people who are not standing in the way of your queerness. They are not doing that. They are just trying to enjoy that there's a black queen in the show. And it's like it always upsets me how the iron will go to the wrong people. And it stops you from being able to enjoy it. Because I used to like really like Stiles, on Teen Wolf. But then I began to see all these people who like, felt like liking Stiles, meant you had to like hate, Scott. And I just got slowly uncomfortable, like, we don't have that many Latino characters that get to be like really sweet himbo protagonists. Why are we acting this way? You can just like a secondary character like we all do it, we all do it. So it wasn't part of my queer experience, but it was part of like my intrasexual experience of kind of understanding what it meant to be like queer and brown in a fandom space. ROWAN:  I mean, I specifically at this point, really removed myself from any fandom spaces of something if I want to like it. I'm like, if this is the thing, I think I'm going to be a fan of, I'm outside of it. I consume it. I have my thoughts about it.  I talk to people I know about it. And then maybe I start dipping a toe into spaces when I know that like people I already follow who already talk about stuff that I like, or who have write good fanfiction, or do good fan art. If they've gotten into it, I might dip in. But like, even from the point of view of someone who's queer, and why you—like, it just completely destroys your interest in the shows to have misogyny racism. Like, homophobia, biphobia, somehow also enter these spaces that are meant to be so kind of inclusive with this idea of like fandom, being a space in which the mainstream, like lack of intersectionality, can be corrected, which I think is fandom is strongest, that when people use found it as an excuse to like double down on the kind of critiques that rightly or put against shows, it kind of just feels just the worst to me.  PRINCESS:  Yeah. ROWAN:  To be honest. PRINCESS:  Yeah. It's—it's a really interesting experience because I think that there are so many people who really come to fandom looking for a community and cannot accept that parts of their community might still have internalized issues, and , which is like every community has that. And we all in our time online, get pushback from that. And we don't always react really well, the first time it happens. We're human. But the point is that like after you sit with that for a while, are you going to like, actually address it or no? You know, how many times do you have to have fans telling you like, stop calling Gwen a gorilla before you'd realize that like, that's maybe not okay, and not helping your ship because it's not her fault that the writers don't want your characters to be gay. And I think also because queerbaiting was such a big like, this is when like Tumblr really started the queerbaiting conversation, and it got transferred onto Twitter. But I think that, because on Tumblr, you could have these long-form posts, and really get into the nitty-gritty. When we were talking about queerbaiting, we could really sit and discuss, like the specific moments and have like the gifts and everything to be like, this is what we're talking about. And because Twitter is such a shorthand thing, that term just got kind of like copy-pasted onto so many other things. And we—and you've talked about this a lot in your content, because I follow it because everyone should. Queerbaiting kind of lost its meaning as it got transferred and diluted from one space to another because you couldn't actually discuss it. You either accepted it with like a few bits of evidence, or you'd have a long thread that people would you— lose attraction for halfway through because a 10-piece thread is going to have so many different parts than one contained meta post. ROWAN:  Yeah, exactly. I mean, do you feel like there are any of these shows or movies or books, or any piece of media where you've entered into the fandom and felt like, oh, this, this is working? Like this—this makes me feel seen and appreciated as someone with these kinds of like intersecting identities. Or do you feel like it's not not really built that way, right now? PRINCESS:  I think that even with the best of intentions, a lot of places are not always ready to unpack their anti-blackness, like, that's been the biggest hurdle that I've seen, like, in almost every single queer community I've been in. Unless it was like a black show or something like your black lightning or whatever. There was always a difference between how people would treat the characters of color, versus the white characters. And there was always like, a reason why and it was always like about the writing. But I think the reason why it doesn't work well, is because the communities will just push out the people who are pushing back on them. And there's a—there's a desire to disengage because that's not what you're actually coming to it for. Which is kind of the tricky part is that a lot of people are going to Tumblr to just kind of enjoy and be in community with each other. And a lot of people just treat community as in like, we're just all gonna be the same and it's easy. And when you get that kind of pushback, and you have to ask, get asked these difficult questions that you are not ready to deal with. It's very easy to just label someone like an anti or pro this and then just dismiss them. And that kind of repeats the cycle. Because I do think that there are valid reasons to be frustrated, especially with that particular queerbaiting of the late 2000s and early 2010s. Because they definitely knew what they were doing. But there comes a certain point of which, why are you as a consumer, still supporting and dealing with things that are clearly not meeting you where you feel like you need to be met as a queer person. And something that we're still dealing with about as consumers deciding and really being picky about who we are choosing to put our energy behind. Because queer marketing can do a lot if it's done well. ROWAN:  a lack of queer marketing— PRINCESS:  Yeah. ROWAN:  —can—can be like really pass people by. I mean, the example I always think of is, in books, actually. There's a wild book called Wranglestone, and it had a—I don't think they thought it was gonna be as popular as it was. And I think it gained word of mouth because people were like, it's the gays on the book. It's the gays on BYA book. And so suddenly, they had to do a reprint, and I went into a bookstore when the reprint came out, and they still had copies of the old cover. And it was exactly the same except for this one quote on the back, that was added for the second print, which made it obvious it was gay. Because prior to that, there had not been any obvious gay stuff within the blurb, within the quotations, there was nothing. And suddenly they'd made it obvious because they suddenly clock like, oh, wait, the gay teens, aka the readers. Although, maybe they want to read this book.  PRINCESS:  Exactly.  ROWAN:  And I think that, that that's always like, they've been this weird balance of like, some places trying to conceal queerness because they— I guess they can think they can sneak it in front of straight people and they won't notice. But along the way, you're gonna miss a lot of queer people who are like actively searching for this representation, and kind of actively excited about it. I am curious as to whether any of the stuff that you were kind of like had on your list is overtly queer. Like whether that you've kind of felt representation from media that was trying to represent you? Or whether it's kind of been stuff that you've interpreted through a queer lens or connected through in a queer way that wasn't necessarily in the source material? PRINCESS:  Well, I think one of the things about having been into anime as a kid is like, the dress is a lot more of it, even when they couldn't necessarily kiss on screen, you kind of knew what was going on. Then the biggest thing for me is like, obviously, like Sailor Moon, where it was like, you know, Uranus, Neptune they're— they're are a couple and they— ROWAN:  Those cousins,  PRINCESS:  Those beautiful cousins. Yes. And I—I don't think— I can't— I don't know anyone who watched the dub and really thought that that was really what was going on. Like, it was just like, it was like, Oh, they're not, they're actually cousins. ROWAN:  Yeah, for those—for those who don't know, essentially, yeah, there was basically what it sounds like, there were two characters who were made in the I think it was like, specifically America when it was over in America that they did the English dub for Americans, and they claimed that these two women were cousins. While they were very much doing things that cousins like would not, should not be doing.  PRINCESS:  Holding hands very closely. Yeah. ROWAN:  Very closely, really giving that cousin energy. And so it's kind of now I think it does seem ridiculous, but it was essentially like censorship that was deliberately trying to make sure that there wasn't even like, an ambiguous relationship people could interpret as being queer. It was like, nope. Cousins, absolutely not. Let's not go there. PRINCESS:  Right. And even something like Cardcaptor Sakura, which we got became Card captor, and the dub, you know, the leading boy character, Syaoran, he's bi-canonically, and that was like, written around. And so it was—it was interesting for me of like, watching these shows that were either—that were subtly queer. And I say that in like, subtle only in the sense that they couldn't say it explicitly because of censorship. But everybody knew it was going on, like Xena. You know, I always tell my mom, like, you're the one who got me to watch Xena, so you can't blame me for being bisexual. It is like bisexuality, the show. ROWAN:  Truly.  PRINCESS:  And so those were the things that really at that age, really allowed me to feel comfortable. And then the works of Tamara Pierce. Because in her—especially in her Circle of Magic series, there is a lesbian couple in it, and like a normalization of the idea that you know, LGBT peoples do exist in these worlds. And I think as I got older and expand to like fantasy and things like that, it became very easy to read between the lines and be like, oh okay, that's a little gay. You know, the first time I read like, vampire, and I was like, so they have a kid huh? Alright, that makes sense. I'm picking that up. I love that we're both wearing striped sweaters, by the way, I just wasn't thinking about that. ROWAN:  Yeah. We matched deliberately.  PRINCESS:  We did it.  ROWAN:  That was very on purpose. I mean, like, Tamara Pierce, what a fool— I feel like, there is just this kind of experience. A certain experience of being into Tamara Pierce, as a teenage—as a teenager and most likely as a teenage girl into queerness pipeline is absolutely chef's kiss. I truly don't know why there hasn't been adaptations of those books. PRINCESS:  I  that all the time. It's so frustrating.  ROWAN:  It's very—listen, if you— if anyone who's is listening to this and you don't know the book series that we're talking about, essentially, it was like my absolute bread and butter. One world called and various books, standalone geologies, quartet, series that kind of spanned like hundreds of years that still, I think being written today. And they all were very, like the quintessential one I'd say, is probably the Lioness Quartet, which was the classic tale of like a girl who disguises herself as a boy to become a knight in it. Followed her from when she was like a kid to when she was in her early 20s. And it was that kind of energy of like, the 90s feminist vibes in a fantasy setting. And yeah, they—they—but they these books that did have these appearances that I hadn't come across before of like queer characters, or have kind of tomboy characters who were treated with respect and it was a really—do you—It's—you would be listening to this and be like, wow, primed for an adaptation. And yeah, so that's the next one. That's—that's my big pitch to if anyone—hi, Netflix, if you're listening PRINCESS: You can't trust them anymore. Maybe Amazon. ROWAN:  You know what actually, you're right. You're right. That's very true. BBC, if you want to do I guess, the entirety of the series and nine episodes, that is kind of your bag, then it's sort— it's available I say, as someone who has no affiliation with Tamara Pierce or her legal— legal team.  PRINCESS:  Give them show money. ROWAN:  Get—please, please give them something. [theme] ROWAN:  Hello, dear listener, this is Rowan from a slightly different time of recording. Sorry to interrupt myself here. But I just wanted to just quickly say if you're enjoying this episode of the podcast or any of the other episodes that we put out, then why not consider being a Patreon supporter? We have a Patreon where essentially, you can give a small amount per month and you get access to a bunch of really fun perks. We have perks of different levels, but essentially, you get access to things like our Discord where we talk about queer movies. We do a queer movie watch-along every month. You can also tell us what you want us to cover on the podcast. We also have perks including things like top 10 lists, where we give you recommendations of queer movies and queer TV shows that we've been enjoying and you should watch. We have a queer newsletter with the very gay stuff that we're finding all over the internet that month. So a bunch of very fun, cute perks that you get, as well as just the warm and fuzzy feeling of supporting this podcast and the work that we do so that we can, you know, pay the wonderful Julia who edits for us. So I will include the link in the show notes. It's patreon.com/thequeermoviepodcast. patreon.com/thequeermoviepodcast. We would love to see you over in the Discord sometime soon. And also, if you have indeed been enjoying this episode, then we think that you will enjoy some of the other podcasts from Multitude the podcast collective that we are a part of over here at the Queer Movie Podcast. So I thought I would just tell you about one of them. It's actually a brand-spanking new one, hot off the press. Spicy. It is Tell Me About It, a madcap game show about proving that the things that you like, are actually interesting. Hosted by Adal Rifai who you might know from Hello From The Magic Tavern, and Hey Riddle, Riddle, as well as our very own Erik Silver. In every episode, a guest comes on to share and defend their favorite thing, which honestly very up my alley, because I feel like you know, online where they say, what could you talk about for like 10 minutes straight? Anything. Truly, if I have a favorite thing, if I have something that I've enjoyed, I could rant about it forever. I want to tell everyone about it. So this is right up my alley, and I'm sure a lot of yours. But the way that they do it is through a series of absurd games and challenges. Of course, the trailer is actually out now, you can listen to it. And the first two episodes are going to be dropping on February the 23rd. So very, very, very soon, with new episodes after that every other Thursday. And theyou might have noticed the fact that I said yet. It comes out every other Thursday, which means that if you are used to listening to the Queer Movie Podcast on Thursdays, this could be your ultimate Thursday fave. You could—you could have a podcast from Multitude in your little—in your little podcast app every Thursday by double tagging us and this brand new spanking new podcast. So give the trailer a listen, and subscribe so that you are primed to get those first episodes coming next Thursday. Just before I get back to my chat with Princess, I wanted to say a massive thank you to Squarespace for sponsoring this episode. And you may have noticed a lot of our episodes because very exciting, they're returning sponsor to the podcast. And if you're looking to build a website for yourself or your business, or ever have looked at building a website, I'm sure you have come across Squarespace. They are all in one place to do just that. You can build a site, set up an online shop, connect with your audience. I say a website for yourself or your business. But here's the thing, you could you—you could use it to make a website for anyone. A website for a friend, a website for your wedding, that's a thing people do, which I found out when I got invited to a wedding recently, that our website. The possibilities are truly endless. So we actually have used Squarespace to make the Queer Movie Podcast website. I also use it to make my own personal website, because I've never been relaxed a day in my life. So I constantly have a million projects going. I have a bunch of social media platforms, things like that. And Squarespace essentially is like, hey, you want to put all of those in one place? You just give people one link. You can link out to them, you can link your social media directly to your page so that it automatically pops up and displays posts from like your Instagram, from your Twitter. You have analytics as well, which, again, if you've never been relaxed a day in your life, you might look out for your website that you've made for your wedding to check. You know, how many people have been looking at that gift registry? Or if you have a business that you know, genuinely useful to figure out how people are finding your, your brand. What brand have you got? Your wedding photography brand? This sounds like I'm soft launching me and Jazza's wedding, I'm not. Um, but yeah, so that you want to find out where people—what are people searching for? What do people want? What are you providing to people, and how can you link those things up? And it is super easy with the insights that Squarespace has. Also, very exciting features that you might not have thought of including on your website, like a donation function. So you can encourage donations on your site for a cause that you care about. Like some kind of wedding-related cause, the theming really breaks down here, a worthwhile charity. I'm not a tech person, I'm not a coder. So very, very useful that they have a design function, which gives you templates and things that you can use and customize way easier. So if that sounds like something that is up your alley, if you're looking to start a website, for whatever reason, check out squarespace.com/queermovie for a free trial. And when you're ready to launch, use offer code QUEER MOVIE to save 10% off your first purchase of a website or domain. Okay, back to the show. [theme] ROWAN:  So anime in terms of the possibilities that it opens up, it sounds like there was that element of like not necessarily having concrete, oh, I see these two characters kissing on screen and saying that their girlfriends and stuff, but that possibility opening up, is that kind of where it was landing for you? PRINCESS:  The—that's where it landed. And also, when I would read the Sailor Moon manga, it was also like the girls would kiss in that one. Like it was explicit that like there's even a whole thing where like, you know, Uranus is flirting with you, Usagi, and the girlfriend and her girlfriend. And then Pluto comes in It's like, oh, you all live together. And I go and raise this child. I see what's going on. So I think as I got out of just traditional Western media, which my parents were very encouraging of, and being able to read like other comics and seeing those experiences, it just became more and more normalized to me. And then just sort of like, I think Buffy at a certain level of like, even before I watched it, I knew the big thing about was that you know? Willow is a lesbian, which made it very shocking when I watched it from the beginning. And I'm like, what do you mean she likes Xander? I already stan. I thought she was gay. I thought she was a le—I felt betrayed in advance. I was like, what, what, what? Like, oh, it's just like, this is not what I signed up for. But then so it was very conflicting. But I was like, well, I can just be Bi, I guess in my headcanon because, you know, we—discourse for another day. ROWAN:  Listen, we truly peace has peaceful come to our lands when the bisexual Willow and the lesbian Willow headcanon has lived together in harmony. I'm part of that collective. I feel like you know, it's a fictional character, who has had relationships with both men and women. And therefore, you can—you can argue both sides and you can see yourself on both sides. Both the, I have had relationships with multiple genders, I find attraction to multiple genders. I am Bi-Pan and Willow is too. All the sometimes lesbians have relationships with men before they figure themselves out. Lesbian experience, and I believe they can all exist in harmony together. PRINCESS:  Absolutely. I mean, I'm just thinking that also just, you know, they'll—they'll like we'll— we'll become trans. I think have been a great trans woman character. So I'm just like  ROWAN:  You know what, that's—I take it back. That's the Galaxy burning take that we needed.  PRINCESS:  So I'm like that just as soon as it's like Oz comes out, realizes that they are trans woman, everything comes up, right as rain. It's like you were always in all the same.  ROWAN:  All coming together. The red string is connecting. PRINCESS:  Exactly. We just go right past standards, like that was just a mistake. We're just gonna— ROWAN:  Don't think about that—that's fine. Don't worry about it. So was it— it sounds like you sort of already knew there was like an element of queerness. Was this when you were already out or at least had figured out your own sexuality, or is this one of those things where you're like, oh, curious, a lesbian character? For no reason at all. I'll check that out. PRINCESS:  I think because I think I watched Buffy between my junior and the summer between my sophomore and Junior year of college. And junior year was kind of the year where I was sort of realizing things like yeah, I made it with my female friend but we're just like, fig— we're just hanging out, you know. ROWAN:  We're just friends of Katy Perry, just having a little bit of fun. PRINCESS:  Literally was obsessed with Katy Perry. Had I kissed a girl, I played it out all the time. I made like two Disney AMVs to I kissed a girl when that came out. ROWAN:  Of course she did. PRINCESS:  My friends printed out for my birthday like Katy Perry thing, say happy birthday to me. Again, it's one of those things where like, you look back, and it's like really. The call was coming from inside the brain. But the first show that I watched while I was queer, and that it really connected with me in that way particular, was Lost Girl. Particularly because the character was bisexual, was a succubus, had like relations between different kinds of genders. And while I still have like, my own critiques of that series on the whole, is it—it remains super important to me, and I'm actually watching it with my girlfriend right now. Because it was the first time that I was queer, and watching a queer show at the same time, and actively seeing things that made me feel seen. And also like she was the main character. She wasn't the side character, she wasn't she was the leading character, was a bisexual Succubus and like her being sexual, was not treated as a good or bad thing, it's just part of her nature. And I just really remember feeling just so held by that. And I think even when I critique it in terms of how it handled race, I'll always have like this bit of me that wants to share it with other people because it just meant so much for me at that time. ROWAN: I think that that is like a—feels like an almost universal experience of being I guess anyone who's—of an identity that has not had representation, necessarily, like held out to them and given to them, that you will have these things that you are like, I want to recommend this to you. I really liked this, it meant a lot to m., I might have to rewatch it to see how rose-tinted my glasses were when I was gro—when I was like completely like looking at it through the glasses of like, oh my god, the first time I've ever seen this. And then you go back and you're like, okay, so we have to acknowledge this, this, and this about it. But it is like when you don't necessarily have this wealth of representation, where you can be like, oh, there was enough of it that it feels comfortable to represent there, to talk about this particular representation because there's others that can fill in those gaps. Or this actually did it really well. That feels like a very— an experience I'm sure a lot of listeners will relate to in some way. Honestly. PRINCESS:  And because I was like older than—like not older, but I was in college then and I was like already know I was going to be like a lit nerd. I was unpacking a lot of it while I was watching it, which is why it's one of those things where like because I was already a nitpicky nerd, it's like, I've already— I can tell you the problematic before—about it before we even start watching. It's like so when I was I'm like, okay, so this episode has this, has this. Overall is very good, but we're just gonna prepare you. And I think that's kind of the good thing.this pushback about the idea of like, oh, you're gonna be like a buzzkill, if you like tell people it's like, I think most people with any real media analysis, understand that not everything is going to be perfect. Things are going to—can age weirdly, people can not necessarily know what they're doing. The important thing is like, acknowledging it and not trying to like pretend it doesn't exist. You know, I would much rather deal with acknowledging that there is transphobia in something, then be like, I mean, you could read it this way. It's like no, we'll read it the way that it is very clearly done in the story, which is transphobia. PRINCESS:  I mean, like I'm notoriously my entire personality is the show Black Sails. So yes,  PRINCESS:  Yes. I love Black Sails. ROWAN:  —because oh boy, season one.  PRINCESS:  Oh, yeah.  ROWAN:  And so I recommend it to people on like, but listen, season one is also a thing. So I gotta warn you. I gotta warn you for a whole season. I mean, it's still good, but like, oh, boy. PRINCESS:  Yeah.  ROWAN:  So I'm very used to the whole, I can love a piece of media that I'm also critiquing kind of energy to him. PRINCESS:  Yeah. Black Sails was a hard one because I remember that first season two, I watched it live and I'm just like, it's gonna be gay pirate soon everyone said, that's When Our Flag Means Death came out, it's like gay pirates. I've been here before. ROWAN:  I was like, oh, yes. My two shows, my two gay pirate shows. I really love the fact that they only were— having said that, you know, need lots of representation to get it right. Really the honest he said, Okay, we're gonna have exactly two gay pirate shows. And they're both going to be bangers and I respect that. It's like a concept. I think it's right, considering the Pirates of Caribbean was a bisexual awakening for so many people, and just felt like the proper legacy of piracy. PRINCESS:  And it was really interesting. I got to interview the writers of Black Sails. And I talked about that it was really important for them to like, acknowledge that like, part of the reason why people think of pirates as like, funny, you know, characters is because of propaganda used to sort of marginalize them, because they were on the outskirts of society a lot. Like kind of like how cowboys lot of, and there were people of color, freaks, formerly enslaved people. You know, women wearing, you know, male clothing, and it's like, wow, showrunners who actually do their research and appreciate their subject matter, I think also as it—as I get older, I think, no, actually, this is so funny. I, so I like a turn-based RPGs. And I love the game Fire Emblem. And one of the things that you could do in the Fire Emblem games is like put people in relationships. And so I would always just wanting to be putting all the girls together. And all the guys might be like, it's just normal, I just want everyone to be happy. And their best friends, they want to be best friends forever. So now they can get married. And so—and so it's very funny to like, go back and think about like, yeah, I really wanted all of these queer couples, and like, I'm playing the newest Fire Emblem now. And they have like a lot of callbacks to like, the older games. And I'm just like, oh, man, these are my babies. These are all my cute babies. And it's just been really fun seeing aspects of other characters that I really love come alive again. And finding all these little ways in which I was always kind of asserting my queerness in different ways. And coming to terms with sort of like what that meant for me. Because I don't think always meant one thing, or just one experience, which I think is fine. I don't think it ever should be just one thing to encompass so many people. But finding it in even places where I didn't expect it, I think was always a thrill of it, you know, of like, oh, my God, like I have this possibility. And that one, that possibility came up, I took it. That I really wanted to make it happen for me. And I think that's something that I really enjoy. You know that I'm older, I just really enjoy getting to be queer and enjoying stuff, and finding things where I don't have to make it up anymore. Or even if I go back to something that's older, to be able to see like—to see what they said I missed, because I think a lot of times authors are trying to do that. But they— they had so much pushback, especially when we were growing up about how queer you could make something without it being, you know, a whole issue. So it's actually fun for me to go and revisit things and figure out oh, like, this is the actual text, the actual text is gay. It was everyone else who was lying to me. ROWAN:  Hmm, yeah, definitely. And I think that that, like, I feel like I've talked to so many people who have found that like, the Fire Emblem experience that you've had in various places, whether it was like how they played with their dolls when they were younger, and like how they paired them up, or like playing their Sims and deciding like, who was living in the house with The Sims getting together. Or like fan fiction and fan art, and like finding those pairings that you wanted to put together to be like, ah, yes. And then as you're getting older, having more and more of awareness of like that being a deliberate act, rather than something that you are just doing to be part of the figuring out process, or because you're not even aware that that shouldn't be how the world works. And so it's really interesting seeing these ways in which exactly as you said like people are creating the queerness and like actualizing it in a way in front of them. You know, whether they're kind of cognizant of doing that deliberately and putting that out into the world to share it. Or just privately as part of like that growing up process. PRINCESS:  And also that like game, like even The Sims, like The Sims gave you like— you could have—in The Sims two, you could have gay couples, and they were just adopt a kid, like you just like ready to have a baby, instead of like, you know, having sex, you would just all of a sudden a woman would arrive with a baby and be like, here you are. And I'm just like, that's so convenient. Thank you. Didn't have to do any paperwork or anything. And so I really appreciate even those kinds of things, I look back of like, the possibility of being able to just enjoy things for myself. That is something that I just find so important. I really think that games specifically have become a really great way for people to play with their gender and sexuality and really, you know, get to experience it on their terms, and in spaces where they would not be able to do so. Like I liked Boyfriend Dungeon because I liked the idea that like you could have as many partners as you want of every flip, or you just be friends with them. And that was just—and either way, it was fine. And I think the more that we allow that to happen to like be able to be with any gender you want, pronouns you want in the game, and normalize it the better. We are going to be with giving younger queer kids, and queer adults who still enjoy this shit. The best experiences, while other people can just get normalized to it, you know. Like, it's not that big of a deal that to have pronouns in anything. It's just pronouns, guys. And also don't stream Harry Potter. ROWAN:  Yeah, that's a— that's a official order from the podcast, endorsed by Jazza, who isn't here. And as Jazza is the gamer amongst the podcast, co-hosts of me and Jazza. Jazza specifically used to work at Google supporting creators and was put on to gamers. And then me, it was like all these gamers, Jazza the gamer and then Rowan is this little extra person that was like, hi, I've never played a game in my entire life. I've—Does Dungeons & Dragons count? And Jazza's like, I love the game, but no, Rowan, that's a different kind of game. But again, like one of those games where people use it to explore their kind of gender and sexuality in a really interesting way. I guess it is that kind of participating in something and having a hand in creating it as you're interacting with a piece of media that someone else has created, means that it's like a safe place to explore, but also gives you enough, like creative control and autonomy to make those choices and, and feel like you've got like a part in it. PRINCESS:  Absolutely. And I love that part of it. Like I like— if I could design games or like do things like that, I would definitely want to do more of that. Because there's just so— the options are endless, especially because it's like, I want gays in space, you know, like I like—I like just game to play a game like even um, crusade kings where like, you can form alliances with other care—with other like nations, and they can be gay too. Like, you can just have those options of having queer alliances and doing those kinds of things or like, even in Civ VI now, they have King Christina, and like, all these other female and male models have played with gender in them, just already there. So if you don't know who they are, and you look up this kind of stuff, you can just figure out oh, there is this like gay ruler that was around during this time or this, you know, ruler who played with pronouns. I mean, playing with pronouns, especially in games, when you—like history games is such a common experience, you know, like female pharaohs, or like, women who call themselves kings and things like that, like there's so much there. And I think a well-made game is a great entry point to that kind of work. ROWAN:  Amazing. We're almost at the end of time. Oh, my goodness, time has absolutely flown. So I wanted to just ask if there's anything else that we haven't talked about that you wanted to mention, or that you wanted to bring up before we end? PRINCESS:  Um, no. Other than just kind of being surprised that A24 had a— had a grip on me at so young of an age. ROWAN:  I fully forgot The Bling Ring was an A24 film. Like it wasn't until you said, I was like A24, and I'm like, oh, a recent one. And then fully forgot that A24 has been around for more than like five years. PRINCESS:  Yeah, it's like them and Spring Breakers, which is like the—the tether of The Bling Ring. Oh, just like, oh, right, you know. And I think Spring Breakers is the energy I wished The Bling Ring had. But they're both in that same venue of like girls behaving badly, which I do appreciate. ROWAN:  Just being chaotic. I was thinking about it took me a second, when you. And I was like, oh, it's— it's not Spring Breakers. But I had that moment of being like, wait, which film is which? Okay, yeah, that'll— that'll make sense now. But I do—I mean, like, I think that it's, again, haven't seen Spring Breakers. And yeah, I feel like you could tell me like a particular scene from the trailer, and I'd be like, oh, yeah, not that exact one, because I think that something's just the internet immediately knows that this is—this is the thing people are going to want to get off. And they're gonna make it for you. PRINCESS:  No, absolutely. And I think that it's just you know, it's— it's so great to look back like when I was prepping for this episode, and like figuring out where I was going to start off with, with Emma Watson. It was just fun going back and looking at the trailer now. Every trailer, no matter what, may to include that theme. And then like every—because now you can see what the most replayed moment is out of thing. Every single one that most replays is the topic. And I'm like the people understand that this is what we want. ROWAN:  And whoever cut those trailers, understood what the people wanted as well. PRINCESS:  A good—a good trailer. Doesn't tell you the entire plot, but just gives you enough to be like titillated forever. It's so good. I really— ROWAN:  Every trailer should just have like a millisecond of that gift in it. Like any—any genre any trailer, give the people what they want, it's Emma Watson, licking upper lip with a fringe. PRINCESS:  That'll— that'll do it. Ah. ROWAN:  That fringe. PRINCESS:  A goo—a solid wig. I was very proud of her. But yeah, I just—I'm just really happy that I get to talk to you about gay shit. And that I can talk about my embarrassing crush because I'm not embarrassed by it. I love Emma Watson. I think that she does good things with her politics. And I just love— I don't think— I think honestly, if you were a queer kid and you had a crush on any of the Golden Trio, you turned out— everything turned out really good for you. Like, that's such a rare thing to say. But like, all of them have been pro-trans rights very much in the main. They all do normal kid things, Rupert Grint still looks hot as hell. He's a dad. He's a whole father now. ROWAN:  He has an ice cream truck that was like a whole thing for a while. He just like went around and gave out free ice cream, because it was like I got money and I guess what I'm gonna do with it is give ice creams. And I'm like, adorable. PRINCESS:  Yeah. And like Daniel—Daniel Radcliffe was a short Jewish king. He just like literally does whatever he wants with his money. Like him and Elijah Wood are just killing it in terms of like, short King got money on, hanging out. ROWAN:  Chaotic like indie film energy. I honestly love that. I feel like—never hasn't been a star that's— that big, but that I feel like any random person could write a weird short film and just get him to agree to be in it. Like any— I feel like any of you people listening right now if you wrote a short film, and made it weird enough, Daniel Radcliffe is going to be in it.  PRINCESS:  Absolutely. ROWAN:  He's gonna be like, sure, I'll pay you to be in it. PRINCESS:  Right. ROWAN:  I believe that with my whole chest.  PRINCESS:  Yeah.  Their— they are just good kids, lads, people who like I think they are the template of light. This is how you guide a child through the process of becoming immensely famous. And also giving them the space to just like, do whatever you want. Whether it be prestige, or you do like, you're gonna be like a sexy tavern boy, Dan Rad, like, do whatever you want. God bless. ROWAN:  Stunning. I have a final question for you.  PRINCESS:  Yeah? ROWAN:  Which is, do you feel like there's any— like as you've been going through the journey of like, your queerness, whether that is still ongoing, whether you feel like you're like settled, I've settled on my throne. Do you feel like there's been any of your experiences missing from representation, like you've—you've had a particular experience or a particular intersection of your identity, or a particular like life event that you've had that you're like, I don't know, if I've really seen something that's made me feel like, yes, this has been represented, this feels like it's something I've seen reflected back to me. PRINCESS:  You know, I think because I have enough privileges in my life. I think I'm pretty good. I think—I think I'm still trying to find just the baseline sometimes. Like I think First Kill and the character of Calliope was sadly like one of those characters that was like, oh, my God, this is so exactly, exactly what I would have wanted, and then it was gone. But I think in general, the thing that I that I really would love to see more of is just more, you know body diversity, more darker skin people, more discussion of STI and a non-stigmatic way. Because I think what I liked about feminism college girls, was that they had like the character who is a lesbian, she had chlamydia. And she's like, I didn't know. And they're all like, I didn't know that you could get chlamydia for sleeping with women. It's like, yes, you can girl, yes you can. So I just would like to just see more, you know, people who aren't able-bodied, people who, you know, who don't just have one partner throughout the entire thing. Normalizing STIs. Those kinds of little things that you may think, don't matter. But when we talk about sort of, like intimacy, and romance and sex, I think it's important to let people know that like, even if you're someone like for example, with herpes, or something like that, that you still are a little person because that happens all the time. And I think that just those small things make a big difference to people. So I'm lucky that I have had enough experiences and enough stuff with my own intersection. So even though it's not full, I mostly am looking for it to expand beyond someone like me into the more margins, you know/ ROWAN:  Yeah. Amazing. Sweet. Before I do my little ending, there was there anything else you wanted to add? Or that you forgot to say or anything like that?  PRINCESS:  Just that you're awesome, and I love the work that you do. And I'm really glad that we finally got to like, chat about something. And also like, we definitely need to do something about Black Sails eventually, because that would be so fun. ROWAN:  It's like truly. I'm like so excited for the fact that they are doing Percy Jackson. I'm, like, truly have never felt more safe in an adaptation in my life. PRINCESS:  I like as someone who was a—who was a fan of Artemis Fowl, I really am rooting for you, Percy Jackson kids.  ROWAN:  I'm not even a Percy Jackson kid. So the reason why I'm like have skin in the game for the Percy Jackson thing is because I used to work at Penguin who published them in the UK. And so I like weirdly had a relationship with it as lik

Please join Anna Silk and special guest host, Paul Amos, as they discuss Lost Girl episode 8, “Vexed” written by Michelle Lovretta and directed by John Fawcett.Host: Anna Silk (IG: @anna.silk)Guest Host: Paul Amos (IG: @theonlypaulamos)Spotlight: Lisa Parasyn (lisaparasyncasting.com)Produced by: Anna Silk, Rachel Skarsten, and Seth CoopermanTheme music by our very own Blood King, Rick Howland. https://rickhowland.ca/musicSupport our show:Site & Merch: https://lostgirlrewatch.comPatreon Subscribe: https://patreon.com/lostgirlrewatchYouTube: https://youtube.com/@lostgirlrewatchInstagram: https://instagram.com/lostgirlrewatch Get bonus content and early release episodes on Patreon! Hosted on Acast. See acast.com/privacy for more information.

On April 11, 1981, a 15-year-old girl named Barbara Cotton disappeared from Williston, North Dakota. Barbara's mother, Louise, called around to her friends to see if they had seen her, but no one said they had. Louise reported her daughter missing to the Williston Police Department and sent any tips she heard their way. The weeks and months passed with no sign of Barbara, and her case went ice cold. It didn't seem like much was being done to find Barb, at least to her loved ones; that is how it appeared. Perhaps she had run away? As with many missing teens in that era, that was often the assumption. Decades later, there is now a renewed effort to find Barbara Cotton and answer the many questions that linger today.If you have any information regarding the disappearance of Barbara Cotton, please contact the Williston Police Department at 701-577-1212.You can follow Barb's story on social media at Find Barb Cotton. You can find more information at FindBarbCotton.com, and check out Dakota Spotlight wherever you get your podcasts.This episode was sponsored by:Nutrafol- Go to Nutrafol.com and use promo code VANISHED to get $15 off your first order and free shipping.Doordash- Get 25% off your first order of $15 or more, up to a $10 value. Use promo code VANISHED at checkout.If you have a missing loved one that you would like to have featured on the show, please fill out our case submission form.Follow The Vanished on social media at:FacebookInstagramTwitterPatreonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.