Podcasts about best choreography

In this episode of Half Hour with Jeff & Richie, we break down our predictions for the 2025 Tony Awards, focusing only on the musical categories. We cover everything from Best Orchestrations to Best Choreography and the Best Performances, sharing our thoughts on the nominees, the standout shows on Broadway, and what makes this season unique. We discuss the impact of original scores, direction, and design, and our favorites and hopes for the awards. Join us as we debate who could take home a Tony this year and why this year is so competitive.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts and predictions with us ⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the 300th episode and Tony winner Jerry Mitchell is back In The Frame!Jerry has worked extensively as a director and choreographer in both the West End and on Broadway.He is currently nominated for Best Choreography at this year's Tony Awards for his production of BOOP! The Betty Boop Musical - with music by David Foster - which is running to acclaim on Broadway. Meanwhile in London Jerry's production of The Devil Wears Prada - with music by Elton John - is playing the Dominion Theatre and last year his production of Becoming Nancy had a regional run at the Birmingham Rep.Jerry is one of the producers for the upcoming off-West End run of the brand-new musical King of Pangea which opens at the King's Head Theatre in June. Written by Martin Storrow and directed by Richard Israel, King of Pangea follows Sam Crow following the loss of his relentlessly hopeful mother as he escapes to the imaginary island of his childhood. As a director and choreographer, some more of Jerry's shows have included Legally Blonde, Kinky Boots, Dirty Rotten Scoundrels and Pretty Woman. He directed On Your Feet and choreographed Hairspray.Jerry has won the Tony Award for Best Choreography twice for his work on La Cage aux Folles and Kinky Boots. Additionally he received the Isabelle Stevenson Tony Award in 2023 in recognition of his support of Broadway Cares/Equity Fights AIDS (largely through creating Broadway Bares).Jerry was last In The Frame five years ago and is back for our special 300th episode!Jerry kicks off the episode with a discussion about why he's producing King Of Pangea and the challenges of bringing new musicals to the stage in 2025.Jerry also talks all-things BOOP!, including the development of the show and casting Jasmine Amy Rogers. He reflects on how he approached The Devil Wears Prada, after he took the helm following the show's original staging in the US. Jerry also chats about Becoming Nancy's journey and whether we can expect future life for the show. Plus lots more pops up along the way!King Of Pangea runs at the King's Head Theatre 7th June - 6th July. BOOP! The Betty Boop Musical runs on Broadway at the Broadhurst Theatre whilst The Devil Wears Prada runs in the West End at the Dominion Theatre. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening to 300 episodes of In The Frame!Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Today Kikau talks to Kelly Todd from Pepperdine University in Malibu, CA. We have a fantastic conversation about her program, how her and her students survived two fires in the past few months, and hard work! Her recommendation is Brené Brown's podcast Dare to Lead. Kelly Todd received her MEd in mathematics education from UCLA in 1999 and her BA in theater arts also from UCLA in 1997. She has taught as a professor in the theater department at Pepperdine University for four years and has choreographed their recent musicals Big Fish, Crazy for You, and South Pacific. She is the 2014 Ovation Award Winner for Best Choreography for her work on Lysistrata Jones at the Chance Theater, where she is a resident artist. Some of her favorite credits there have been West Side Story, for which she received the LA Drama Critics Circle 2012 Special Award for Fight Choreography, and Triassic Parq, in 2013 and Jerry Springer: The Opera, in 2011 which both won the Ovation Award for Best Musical in an Intimate Theater and garnered her Ovation Award Nominations for Best Choreography. She was named Southern California's Choreographer of the Year in 2011 and 2012 by Stage Scene LA. Other credits include Once (Regional Premiere after Broadway), Light in the Piazza, Ivy and Bean, The Musical, Peter Pan and Seussical at South Coast Repertory, and The Who's Tommy at Segerstrom Center for the Arts.

Iconic triple-threat, choreographer, and film star, Ann Reinking, speaks with Michael Riedel about choreographing and starring in the 1996 smash hit Chicago revival. That year, Ann Reinking won the Tony Award for Best Choreography, and the show has since gone on to become the longest running revival on Broadway. Ann shares her stories about her relationship with Bob Fosse during the original 1975 production and how she eventually replaced Gwen Verdon in the show. Years later, Ann was approached to choreograph Chicago for Encores and ended up starring as Roxie herself!  This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWelcome back Jam Fam!  You are in for a treat today!  In this episode, we speak to Doriana Sanchez, a legend in the dance world.  So many of you have seen her but didn't know her name.  A creative with an incredible back story, a survivor and warrior, a mentor with a heart of gold, we know you will love todays chat with Doriana!DORIANA SANCHEZ is an Emmy Award and two-time American Choreography Award nominated choreographer and director, and a World Choreography Award recipient. Her love of Dance and Movement has allowed her to create in all areas of stage and media.Ryan Seacrest on E News! Has called her “The Dancing Queen”, and Tu Ciudad Magazine named her one of the 25 “Hip Hot Now” Hispanics in arts and entertainment.As a long time collaborator with Pop Icon Cher, Doriana has Created, Directed and Choreographed the superstars extravaganza performances including; Dancing with The Stars, The Voice, Good Morning America, The Late Show with David Letterman and the associated “Dressed To Kill” Tour” which, met with rave reviews. Doriana has also Conceived, Directed and Choreographed Cher at the Colosseum during its three year, 200-plus sold out performances at Caesars Palace in Las Vegas.Her work can also be seen in the Love Hurts, Believe and Living Proof tour, which was honored with four Emmy Awards including Outstanding Musical Variety Special. Over three million people saw the show during its 325 performances. It ranks as one of the most successful tours for a female artist, grossing over 200 million dollars. Doriana was also nominated for an Emmy for Best Choreography for the show's HBO special.Doriana's Stage, Circus and Touring credits include, choreographing the world premiere of Frank Loesser's musical Senor Discretion Himself, at Arena Stage in Washington, D.C. for which she received a Helen Hayes Award nomination for Best Choreography, Barry Manilow's Copcabana, at the Prince of Wales Theatre in London, which was nominated for an Olivier Award for Best new Musical, The Night is a Child, at Pasadena Playhouse and Blade To The Heat at the Mark Taper Forum.Her great love of circus arts led Doriana to China where she created The Galaxy Stars Circus featuring over 150 international performers. Other circus credits include Circo Fantastico, the all-Latin circus that Doriana wrote, directed and choreographed, as well as Odyssey, the first circus ever presented on a cruise ship, for Princess Cruises.Additional Directing and choreography credits include, Video Games Live, Jane's Addiction's Jubilee Tour, Perry Farrell's Porno for Pyros Tour, Peter Gabriel's Secret World Tour, Dirty Dancing Concert Tour (2 weeks Sold out shows at Radio City Music Hall. Her productions have been seen in nearly every large scale arena in the US and abroad.She has worked with musical legends such as Latin superstar Shakira, Gladys Knight, Natalie Cole, Frankie Valli, and David Foster musical prodigies, Jackie Evancho and Charice, as well as comedy superstar Ellen DeGeneres.She received a TEA award for outstanding achievement, for Resorts World's Crane Dance, in Singapore Harbor, the largest animatronic water and video spectacular in the world and was director and choreographer for Festive Walk's Lake of Dreams also at Resorts World.Corporate clients include, Redken, Target, Toyota, Mattel and CanonDoriana's television credits include the Grammy Awards, American Music Awards, The Voice, Dancing with the Stars,Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

To all who come to this happy podcast, welcome! In this Season 4 Trailer, The Mouse and Me creator and host, Scott Jacobs, recaps the incredible Guests he's interviewed including Jonathan Freeman (the voice of Jafar from the Aladdin movies and from Aladdin on Broadway), Chris Gattelli who won the Tony award for Best Choreography for Newsies, Jen Cody (the voice of Charlotte Le Bouff from The Princess and the Frog), Don Darryl Rivera who was the original and is still Iago in Aladdin on Broadway, Sam Strasfeld and Nic Dromard from Broadway's Mary Poppins, Nick LaMedica who played Zazu on Broadway in The Lion King and is currently playing Zazu on the US national tour. Scott also spoke with Thomas Schultheis, Rory Donovan, Andy Grobengieser, Michael “Koz” Kosarin, Linda Griffin, Angie Schworer, Dennis Stowe, Jared Bradshaw, Meredith Patterson, Robert Creighton, Victor Amerling, Jess LeProtto, Patrick Wetzel, Aaron Kaburick, Roz Ryan who was the voice of Thalia from Hercules, and more if you can believe it! subscribe to The Mouse and Me, rate the show, and leave a review. Doing those three quick things really helps with the discoverability and credibility of The Mouse and Me and Scott would really appreciate it! Also, you can support the show by visiting patreon.com/themouseandme. All donations will be put towards advertising so Scott can continue to produce exciting content for you. And finally, follow the show on Facebook and Instagram by searching The Mouse and Me. There, you'll see questions, pictures, information about past, current, and upcoming Guests, fun facts, and other neat things. We hope you have the best day ever and we'll see ya real soon…for Season 4 of The Mouse and Me!  Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io

Send your questions or provocations to Adam or Budi here!Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky's transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton's I Am Delivered't (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford's Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company's production of Vivian Barnes, Jonathan Norton and Gab Reisman's Are You There? Robert's original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin's Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH). Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle's Sovereignty, John Strand's The Originalist, Katori Hall's Blood Quilt, Karen Zacarías' Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.  Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Check out this podcast replay of the SDCF Panel: Art of Collaboration with Shana Carroll, Jesse Robb, and Jessica Stone that we hosted at the Museum of Broadway. They discuss the ins and outs of their creative processes as they collaborated on Water for Elephants, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. This was a moderated panel with dedicated time for a Q & A. We hosted this panel in August 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Shana Carroll is Co-Founding Artistic Director of the Montreal based circus company The 7 Fingers. Since its founding in 2002, Carroll has written, directed and choreographed 12 of their touring and/or resident shows, 3 of which (Passengers, Duel Reality, Dear San Francisco) are currently running, and which also includes Sequence 8 at NY City Center and Traces off- Broadway run at Union Square Theatre. Carroll received a Drama Desk Nomination for Choreography and Best Theatrical Experience for their show Traces. Outside The 7 Fingers, Carroll directed Cirque du Soleil's first- ever ice show Crystal, in addition to their performance at the Academy Awards in 2012. Also, for Cirque du Soleil, Carroll was circus choreographer and designer for their shows Iris (Los Angeles) and Paramour (Broadway). Other credits include: Queen of the Night (Drama Desk Recipient); Soul of the Ocean (Moment Factory); Cité Mémoire (Lemieux-Pilon); and the Sochi Winter Olympics Opening Ceremonies (medieval segment). Prior to directing and choreography, Carroll was herself a trapeze artist, performing for over 20 years in the air with circuses and dance companies around the world, most notably as the original solo trapeze artist for Cirque du Soleil's Saltimbanco. She also appeared in Cirque du Soleil produced television and film. Now based in Montreal, where she relocated in 1991 to attend l'École Nationale de Cirque, Carroll is originally from Berkeley, California. In 2023, Carroll was inducted into the Ordre of Arts and Letters of Quebec, a distinction honoring those who have contributed to artistic and cultural development in the province of Quebec. Most recently, Carroll was Circus Designer and Co-choreographer of the musical Water For Elephants, first at the Alliance Theatre in Atlanta and now in its Broadway run at the Imperial Theatre, for which she received a Suzi Bass Award and the Chita Rivera Award for Best Choreography, as well as Tony, Drama Desk and Outer Critics' Circle nominations in the same category. Jesse Robb's work spans Broadway, Cirque Du Soleil, Momix, Les Ballet Jazz de Montréal, Mirvish Productions, Disney, Cameron Mackintosh, Prime Video, Opera Philadelphia, and more. He is the co-choreographer (alongside Shana Carroll) for the Broadway production of Water For Elephants, which was nominated for seven Tony Awards including Best Musical. Jesse and Shana were nominated for Tony, Drama Desk, and OCC Awards and received the 2024 Chita Rivera award for Outstanding Choreography. Jesse is the Movement Director for the North American Touring, South Korean, and Japanese productions of the international hit Les Misérables. He was also the Associate Choreographer for the Broadway, North American Touring, and Austrian companies of the 2017 Revival of Miss Saigon. Regionally, Jesse has choreographed at The MUNY, The Alliance Theater (Suzi Bass Award for Outstanding Choreography), The Stratford Festival of Canada, Theatre Calgary, and Ogunquit Playhouse among others. Jessica Stone: Most recently, Stone was nominated for a Tony Award for directing the original Broadway musical Kimberly Akimbo, which won 5 Tony Awards including Best Musical. Stone worked as an actress on and off-Broadway, in television and in film for decades before transitioning to directing. Broadway credits included Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying and Grease. Her directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for the Williamstown Theatre Festival. She has since been directing all over the country at such theaters as The Old Globe, A.C.T, Shakespeare Theatre Company, Huntington Theatre Company,  Two River Theatre Company, and the Williamstown Theatre Festival among others. Productions include As You Like It, Kate Hamill's Vanity Fair, Barefoot in the Park, Dancing at Lughnasa, Bad Dates, Ken Ludwig's Robin Hood! (World premiere), Ripcord, Bad Jews, Arms and the Man, Vanya and Sonia and Masha and Spike, Charlotte's Web, June Moon, Last of the Red Hot Lovers, The 25th Annual Putnam County Spelling Bee, Absurd Person Singular, and Kimberly Akimbo (off-Broadway premiere at the Atlantic). She currently lives in Brooklyn with her husband and two sons.

Shana is Co-Founding Artistic Director of the Montreal based circus company The 7 Fingers. Since its founding in 2002, Carroll has written, directed and choreographed 12 of their touring and/or resident shows, 3 of which (Passengers, Duel Reality, Dear San Francisco) are currently running, and which also includes Sequence 8 at NY City Center and Traces off- Broadway run at Union Square Theatre. Carroll received a Drama Desk Nomination for Choreography and Best Theatrical Experience for their show Traces. Outside The 7 Fingers, Carroll directed Cirque du Soleil's first- ever ice show Crystal, in addition to their performance at the Academy Awards in 2012. Also, for Cirque du Soleil, Carroll was circus choreographer and designer for their shows Iris (Los Angeles) and Paramour (Broadway). Other credits include: Queen of the Night (Drama Desk Recipient); Soul of the Ocean (Moment Factory); Cité Mémoire (Lemieux-Pilon); and the Sochi Winter Olympics Opening Ceremonies (medieval segment). Prior to directing and choreography, Carroll was herself a trapeze artist, performing for over 20 years in the air with circuses and dance companies around the world, most notably as the original solo trapeze artist for Cirque du Soleil's Saltimbanco. She also appeared in Cirque du Soleil produced television and film. Now based in Montreal, where she relocated in 1991 to attend l'École Nationale de Cirque, Carroll is originally from Berkeley, California. In 2023, Carroll was inducted into the Ordre of Arts and Letters of Quebec, a distinction honoring those who have contributed to artistic and cultural development in the province of Quebec. Most recently, Carroll was Circus Designer and Co-choreographer of the musical Water For Elephants, first at the Alliance Theatre in Atlanta and now in its Broadway run at the Imperial Theatre, for which she received a Suzi Bass Award and the Chita Rivera Award for Best Choreography, as well as Tony, Drama Desk and Outer Critics' Circle nominations in the same category.   “ATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version: https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396” @stagelync Thank you to our sponsor @clear-com The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com

Shana is Co-Founding Artistic Director of the Montreal based circus company The 7 Fingers. Since its founding in 2002, Carroll has written, directed and choreographed 12 of their touring and/or resident shows, 3 of which (Passengers, Duel Reality, Dear San Francisco) are currently running, and which also includes Sequence 8 at NY City Center and Traces off- Broadway run at Union Square Theatre. Carroll received a Drama Desk Nomination for Choreography and Best Theatrical Experience for their show Traces. Outside The 7 Fingers, Carroll directed Cirque du Soleil's first- ever ice show Crystal, in addition to their performance at the Academy Awards in 2012. Also, for Cirque du Soleil, Carroll was circus choreographer and designer for their shows Iris (Los Angeles) and Paramour (Broadway). Other credits include: Queen of the Night (Drama Desk Recipient); Soul of the Ocean (Moment Factory); Cité Mémoire (Lemieux-Pilon); and the Sochi Winter Olympics Opening Ceremonies (medieval segment). Prior to directing and choreography, Carroll was herself a trapeze artist, performing for over 20 years in the air with circuses and dance companies around the world, most notably as the original solo trapeze artist for Cirque du Soleil's Saltimbanco. She also appeared in Cirque du Soleil produced television and film. Now based in Montreal, where she relocated in 1991 to attend l'École Nationale de Cirque, Carroll is originally from Berkeley, California. In 2023, Carroll was inducted into the Ordre of Arts and Letters of Quebec, a distinction honoring those who have contributed to artistic and cultural development in the province of Quebec. Most recently, Carroll was Circus Designer and Co-choreographer of the musical Water For Elephants, first at the Alliance Theatre in Atlanta and now in its Broadway run at the Imperial Theatre, for which she received a Suzi Bass Award and the Chita Rivera Award for Best Choreography, as well as Tony, Drama Desk and Outer Critics' Circle nominations in the same category.   @stagelync Thank you to our sponsor @clear-com The StageLync Podcast is a branch of our larger StageLync Community. Come visit us at www.stagelync.com

Episode 10 This very special episode we are joined by the very talented Darrin Henson. Darrin is a choreographer for various artists but obviously famous for working with our boys! With thanks to the Deadpool and Wolverine movie Bye Bye Bye has re entered the charts in the UK and the US. The song is reaching new fans globally thanks to Ryan Reynolds, Blake Lively and Marvel. Darrin received the 2000 MTV Video Music Award for Best Choreography for "Bye Bye Bye" by NSYNC. Listen to see what it was like working with the members of *NSYNC and what he has been working on since. Follow *NSYNC UK Space Cowboys:Instagram: ⁠https://www.instagram/nsync_ukspacecowboys/⁠ TikTok: ⁠https://www.tiktok.com/@nsync_ukspacecowboys/⁠ X: @ukspacecowboys Thank you for listening, we really hope that you enjoyed it. If you did, please leave us a review x

Join Spencer, Kate, and Ashley as they break down the nominees for the Tony Awards!Categories Discussed:Lifetime Achievement AwardsBest ChoreographyBest OrchestrationsBest Book of a MusicalBest Original Score

We talk about movies & music all the time on Baconsale, so why not combine the two? Joel and Kent struggled while trying to decide which of their favorite music videos they should pick for categories such as Best Choreography, Favorite One-Hit Wonder Video, Most Inventive, and Made You Like the Song Less, whereas Zack is just trying to make the few music videos he's seen in his life fit into each category. Nevertheless, we all decided that this episode is brought to you by Michael Jackson's “Thriller,” and we've also limited how many OK Go videos we can pick.   Whether you're a fan of MTV, Fuse, VH1, The Box, YouTube, or Vevo, press play! Also, be sure to check out our YouTube playlist of the songs we try to describe on this episode.

A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille's Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

MICHAEL BENNETT conceived, directed, and choreographed A CHORUS LINE which received 9 Tony Awards and ran for 6,137 performances. He followed with productions of BALLROOM and DREAMGIRLS also receiving Tony Awards for Best Choreography. JEFF HAMLIN Production  Manager for Lincoln Center Theater oversaw more than 150 productions from 1985-2014. For Michael Bennett he served as production stage manager on A CHORUS LINE, BALLROOM, and DREAMGIRLS. Today Jeff joins us to discuss the life and career of Michael Bennett. Please welcome my good friend Mr. Jeff Hamlin to I AM THE SPACE WHERE I  AM.        

Episode Summary: On "Business of Dance," Amy Allen details her journey from Britney Spears's audition hopeful to celebrated choreographer for A-listers like Usher. Starting as a Laker girl at 17, she swiftly broke into the LA dance scene. Her fusion of ballet with commercial dance catapulted her to tour with Beyoncé and later to choreograph for major acts. Allen opens up about the hurdles of injury and the importance of self-care and creative vitality. She champions continuous learning and reflects on how further business education could have enhanced her career. Teaching herself to perfect ballet while teaching others, she advises using freestyle and life experiences to fuel choreographic work and stresses the significance of mentorship in seizing industry opportunities. This episode offers a wealth of knowledge for aspiring dancers and creatives, with Allen and host Menina Fortunato exploring the intricacies of the dance world and the entrepreneurial acumen needed to thrive. Show notes: 0:03 Dance industry insights and experiences with Amy Allen. 3:34 Early life, career path, and industry experiences. 10:47 Dance career highlights and experiences. 15:49 Dance career, competitiveness, and choreography. 20:37 Music, dance, and work with various artists. 25:55 Dance career, injuries, and choreography. 31:24 Dance choreography and overcoming creative blocks. 36:07 Dance styles, choreography, and creativity. 39:46 Dance career, college degree, and personal growth. 45:44 Dance careers, education, and dream jobs. 50:28 Dance passion, choreography, and teaching. 56:27 Dance technique and creativity. 1:01:38 Dance career paths with industry professionals. Biography: Amy Allen is a remarkable figure in the world of dance and entertainment, known for her incredible versatility, creative choreography, and unwavering dedication to her craft. With a career spanning television, film, commercials, and live performances, she has made a significant impact on the entertainment industry and the artists she has worked with. Amy possesses the remarkable talent to transition effortlessly between hip hop and classical ballet, captivating audiences with her grace and poise. This exceptional skill set earned her two nominations for "Best Choreography" at the MTV Video Music Awards, for her work on Usher's "OMG" and Jason Derulo's "Talk Dirty" music videos. On the small screen, Amy's choreography and infectious smile have graced some of the most popular and sought-after television shows, including "So You Think You Can Dance," "Dancing with the Stars," "Ellen," "American Idol," "X Factor," "Good Morning America," "Jimmy Kimmel," "The Today Show," "GMA," "David Letterman," "Ellen," and "The Voice." Her talent has left an indelible mark on the industry, contributing to unforgettable moments at prestigious events such as the Nobel Peace Prize, European Music Awards, MTV Video Music Awards, Soul Train Awards, American Music Awards, MTV Movie Awards, Kids Choice Awards, iHeartRadio Music Awards, Grammy Awards, and BET Awards. Amy's expertise in artist development sets her apart as a mentor and coach. Her ability to fuse classic dance styles with a distinct hip-hop flavor has led to collaborations with a plethora of renowned artists, including Usher, Britney Spears, Ne-Yo, Ciara, Jennifer Hudson, Hilary Duff, Justin Bieber, Will Smith, Faith Hill, Kelly Clarkson, Alicia Keys, Florence and the Machine, Pitbull, Hailee Steinfeld, and many more. She ventured into the production industry, serving as a set designer for Jason Derulo's World Tour and TV performances.  Website  https://www.choreographeramyallendance.com/ Connect on Social Media: https://www.instagram.com/gotamydance/https://www.facebook.com/amylilfire

Harvey Brownstone conducts an in-depth Interview with Jeff Calhoun, Acclaimed Broadway Director, Choreographer & Producer About Harvey's guests: Today's guest, Jeff Calhoun, is a highly acclaimed director, choreographer and producer who's brought us some of the most beloved and iconic Broadway shows.   As a dancer he appeared in the first national tour of “The Best Little Whorehouse in Texas”, and he made his Broadway debut in “Seven Brides for Seven Brothers”, and then replaced Tommy Tune for a limited engagement, co-starring with Twiggy in “My One and Only”.    He's directed and/or choreographed many Broadway shows including “The Will Rogers Follies”, for which his collaboration with Tommy Tune won the Tony Award for Best Choreography.  He also brought us the first Broadway revival of “Grease”, for which he earned a Drama Desk Award nomination AND a Tony Award nomination for Best Choreography, “Annie Get Your Gun”, “Big River”, for which he received the Tony Award for Excellence in Theatre, and TWO Los Angeles Drama Critics Circle Awards for Best Director and Best Choreography, “Grey Gardens”, “Bonnie and Clyde”, for which he won TWO San Diego Theatre Critics Circle Awards for Best Director of a Musical AND Outstanding New Musical, “Jekyll and Hyde”, and “Newsies”, for which he earned a Tony Award nomination for Best Direction of a Musical.    Our guest has brought groundbreaking productions to the world famous Deaf West Theatre in Los Angeles, including “Oliver”, “Big River” and “Pippin”.  And he also directed the world premiere of the first original American Sign Language musical, “Sleeping Beauty Wakes”, for which he won the 2007 Ovation Award for Best World Premiere Musical.   He also directed both the world premiere and international stage productions of “Disney's High School Musical” and “Disney's High School Musical 2”.  And he directed the national tours of 2 immensely popular shows: “Irving Berlin's White Christmas”, and “Dolly Parton's 9 to 5: The Musical”. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jeff Calhoun, go to:https://www.instagram.com/thejeffcalhoun/https://www.playbill.com/person/jeff-calhoun-vault-0000004580 #JeffCalhoun   #harveybrownstoneinterviews

Episode Summary: In this captivating episode, we delve into the vibrant career of Jamal Sims, a celebrated choreographer whose beginnings were sparked by "The Wiz," leading to a breakthrough gig with Michael Jackson. Jamal emphasizes that a dancer's distinct spark—the "It Factor"—is crucial in auditions, a trait that transcends technical prowess. He offers a behind-the-scenes look at choreography, highlighting the extensive research involved and the dynamic energy and charisma he seeks in dancers. On the business front, Jamal advises on pitching creative visions passionately and stresses the importance of constructive criticism and adaptability for sustaining a career in the competitive dance industry. Jamal encourages dancers to broaden their horizons, suggesting they pursue opportunities in directing or producing, and underscores the importance of adaptability and enjoying the journey in achieving long-term industry success. Concluding the episode, Jamal imparts a key piece of wisdom for aspiring dancers: remain kind and genuine, as these attributes are essential in a cutthroat business. This episode offers a trove of insights for anyone interested in the art and industry of dance. Show Notes: ● 00:01:37 Introduction to Paul Becker ● 00:02:26 Early Years and Self-Taught Dancing ● 00:03:36 Transition to Choreography ● 00:09:07 Financial Crisis and Personal Challenges ● 00:15:51 Working with Non-Dancers and Tapping into Smaller Roles ● 00:28:00 Philosophy on Education and Career Evolution ● 00:33:38 Reading the Room and Professional Etiquette ● 00:35:29 Building Connections and Relationships in Dance ● 00:49:03 Advice and Encouragement to Dancers ● 00:50:23 Impact of Social Media and Art ● 00:50:56 Thanking Paul Becker ● 00:51:27 Conclusion of the Podcast Biography: Jamal Sims is a name that resonates in the entertainment industry as a choreographer, director, and executive producer. He made his first significant appearance in Michael Jackson's "Remember the Time" video at the age of 17. Gaining prominence for his work on Miley Cyrus' 2009 promotional single "Hoedown Throwdown" for Hannah Montana: The Movie. His most recent credits include directing an episode of Grease: Rise of the Pink Ladies as well as choreographing the entire season for Paramount Plus, Disney's blockbuster hit Encanto, Netflix's musical 13: the Musical, and Disney's Aladdin directed by Guy Ritchie. Other film credits include Girls Trip, Hairspray, Vanilla Sky, Beauty Shop, 17 Again, and the feature films Step Up 1, 2, and 3 as well as the Step Up TV series. Among his other TV credits are the 82nd Academy Awards, Dancing With the Stars, and So You Think You Can Dance. He is currently the resident choreographer on the multiple Emmy-Awarded RuPaul's Drag Race and Celebrity Drag Race. Jamal has brought his creativity to numerous music videos and stage shows for Jennifer Lopez, Madonna, Miley Cyrus, Usher, P.Diddy, Outkast, Gloria Estefan, and The Spice Girls. He was nominated for 3 Emmy nominations for “Best Choreography”. Connect on Social Media: https://www.instagram.com/jamizzi/ Website https://msaagency.com/jamal-sims-2/

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins Tom Hall each week with her reviews of the Maryland-DC-Virginia regional stage. Today, Judy tells us about the current revival of the Tony Award-winning 1966 Broadway musical, Sweet Charity, brought to The Motor House stage by the new Bmore Broadway Live drama troupe. With book by Neil Simon, music by Cy Coleman and lyrics by Dorothy Fields, Sweet Charity  follows the romantic misadventures of Charity Hope Valentine, a “taxi dancer” — or dance partner for hire — at the Fandango ballroom. The musical earned nine Tony nominations in its 1966 Broadway season, and won for Best Choreography. It's filled with humor, romance and pathos, and driven by energetic dance numbers. The revival of Sweet Charity by Bmore Broadway Live — the new theatrical offshoot of the local arts group, Dance & Bmore — is directed and choreographed by the new troupe's founder, C. Jay Philip. It continues at The Motor House at 120 W. North Avenue in Baltimore through Sunday, November 19. For ticket info, click here.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

Joe Barros is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate. Héctor Flores Jr. is a multi-hyphenate Latino theatre professional whose work meets at the intersection of art and advocacy. Héctor was born in New Jersey and raised by his Puerto Rican grandmother and his single mom. Luckily his mother believes in cultural enrichment & education which instilled a hunger for knowledge, art and change within him. The artform that chose him, however, wasn't made in his image. After being a first-generation college graduate Flores embarked on a career in musical theatre that continues to inspire him to find new ways to break barriers for Latinx people.  Hector is the president of Theatre Barn Records. Theatre Barn Records is a new imprint of Broadway Records and is dedicated to original musicals in development. New York Theatre Barn, which has served as a home for new culture shifting musicals during incubation since 2007, has been evolving its unique development-based programming since the beginning of the COVID-19 pandemic. As a new program of New York Theatre Barn, Theatre Barn Records will support writers in recording and releasing concept recordings of new musicals in development on global streaming platforms. Theatre Barn Records offers a worldwide marketing platform for musical theatre writers and has the potential to create revenue for writers while their show is still in development. The focus of Theatre Barn Records is to continue to incubate and elevate projects that we are already developing while evolving our storytelling systems. In this critical digital age that we now live in, EP's and concept albums of original musicals in development are potentially the fastest and most lucrative ways that musical theatre writers can now be noticed, supported, and advanced while their shows are in development.

Guest: Kristen Brooks SandlerDirector, Choreographer, CreatrixFounder & Artistic Director of Thistle DanceToday marks our first interview episode with an incredible guest who challenges what sustainable, collaborative, inclusive, consent-based work can look like. Not only does she share how she holds space for both the person and the artist but the collaborative framework she believes (and we do too) has the power to make a bigger impact on our industry at large if we all chose to meet each other with more transparent authenticity.Kristen (she / her) is an award winning director and choreographer whose work can be seen on screen and stage. Purple haired & proudly queer, she is committed to physical storytelling, believing in movement as the language that bridges the gap between audience and artistry. On stage, she has directed & choreographed musicals, immersive work and original dance creations at regional & international theaters. Her screen credits include work on set with Nickelodeon and Hallmark, & her films have been featured in festivals in over 30 countries. Her first original creation, won Best Dance and Physical Theater at the Capital Fringe Festival, and she has since been nominated for many awards, including a New York Innovative Theater Award for Best Choreography.Her company, Thistle Dance, uses movement as the primary language to conjure wonderfully strange creations challenging our codified perception of history and lore. The company is currently in their second year of creating the immersive experience “UNBOUND” in partnership with the New York Public Library, opening in October.Before leading her own rehearsal rooms, Kristen worked as a performer alongside such creators as Andy Blankenbuehler, Savion Glover, Karma Camp & Connor Gallagher. Follow & Learn More:IG: @kristenbrooks19 & @thistle_danceWebsite: https://www.kristenbrookssandler.com/ & https://www.thistledanceinc.com/RSVP for your FREE tickets to "The Art of Sin" at the Jefferson Market Library running 3 shows per night Friday October 13th / 20th / 27th: https://www.thistledanceinc.com/tickets Support the Show.M.O.V.E. with Eileen + Amy is a Kaia Evolutions Podcast.New episodes air on Wednesdays when in season.To learn more about Eileen + Amy, be sure to follow them on instagram at @ekielty + @amyreah and keep up to date on the podcast at @movewitheileenandamy. For more information about Kaia Evolutions, a culmination of Eileen's life's work and a love letter to her sister, Katie, who died by suicide in 2019 - visit https://www.kaiaevolutions.com/ or follow on instagram at @kaia.evolutions If you want to share part of your dancer / movement artist journey with us, email us at movepod@kaiaevolutions.comThank you for moving with us.-Eileen + Amy*If you or anyone you know is in need of support, please call the National Suicide Prevention Lifeline at 800.273.8255 OR text 988. You are not alone.

Christopher Gattelli, the Tony Award-winning choreographer for Disney's Newsies, stops by The Mouse and Me for an enlightening chat about his long and amazing Broadway, film, and television career as a performer, director, and choreographer. For Newsies, Christopher was also awarded the 2012 Drama Desk and Outer Critics Circle Awards for Best Choreography. SOME of his other Broadway choreography and directing credits include The King & I, South Pacific, My Fair Lady, SpongeBob SquarePants: The Broadway Musical, The Cher Show, War Paint, Women on the Verge of a Nervous Breakdown, Sunday in the Park With George, Godspell, Martin Short: Fame Becomes Me, 13, and High Fidelity. As a Broadway performer, he danced in Fosse, How to Succeed in Business Without Really Trying, and played the role of Pouncival in Cats and was in the touring productions of Guys and Dolls and Cats, where he played Mr. Mistoffelees. His Off-Broadway credits include Dogfight, Altar Boyz, Bat Boy: The Musical, and Tick, Tick...BOOM! and on the West End in London, he choreographed South Pacific, Sunday in the Park with George, and Tick, Tick...BOOM! Christopher choreographed the movie, Hail, Caesar!, starring George Clooney and Scarlett Johansson and both seasons of Schmigadoon, which is currently streaming on Apple TV.  Now's the time to seize the day! Enjoy Scott's chat with his pal, Christopher Gattelli! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

Which Tony Awards contenders will snag the coveted trophies this year? We've got the inside scoop, having seen every single play and musical of the season! Join us as we share our predictions and thoughts on who deserves the win in each category, from Sean Hayes' performance in "Good Night, Oscar" to Miriam Silverman in "The Sign in Sydney Brustein's Window". Plus, we'll discuss some snubs that left us scratching our heads.Join us as we dive into the 76th Annual Tony Awards nominations, exploring categories like Best Choreography, Best Orchestrations, Best Play, Best Musical, Best Revival of a Play, and Best Revival of a Musical. Will "Leopoldstadt" emerge victorious for Best Play? Can "Kimberly Akimbo" take home Best Musical? Tune in to hear our predictions and join our lively conversation about the Tony Awards this year!Support the showIf you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com

Luke Sheppard and Jenn Weber are two creative geniuses currently teaming up for the smash hit, "& Juliet", as the show's director and choreographer, respectively. The two discuss the instant connection they had and where the concept for the show originated. While making "& Juliet" was originally a stretch for him, Luke recalls how it was also the most satisfying and fun he's ever had directing a show. The two recall how their journeys with "& Juliet" began, and how the workshops helped in getting the story and tone right. For Jenn the most exciting part is collaborating with the director and writer. The two take pride in the show's culture where there's room for support and honesty for each other. While Jenn and Luke's stories on how they got into theatre differ, the two share a common approach when it comes to pursuing their dreams: not taking no for an answer—a true testament that rejection doesn't mean failure and that you don't have to follow the traditional path that most people take to get to where you want to be. Luke Sheppard is a British theatre director known for his work in the West End and on Broadway. He studied at the University of Warwick before going on to train at the Royal Academy of Dramatic Art (RADA). Sheppard's directing credits include the West End productions of "In the Heights," "The Secret Diary of Adrian Mole Aged 13¾," and "The Comedy About a Bank Robbery." He also directed the Broadway production of "& Juliet," which opened in 2019. Sheppard has won several awards for his work, including the Olivier Award for Best Musical Revival for "In the Heights" in 2016.  Jenn Weber is a choreographer and director who's also a double Tony Award nominee for the 2022-2023 Broadway season with nominations for Best Choreography for her Broadway debuts of “& Juliet” and “KPOP”. She made her West End debut as the choreographer of “& Juliet” and collaborated with Disney+ as an Executive Producer and Choreographer for a new film version of “The Hip Hop Nutcracker”. Her Off-Broadway choreography credits include “KPOP”, “Teenage Dick”, “Cruel Intentions”, and “Stockholm”. Connect with Luke and Jenn: Instagram: @jenniferwebernyc Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harvey Brownstone conducts an in-depth interview with Jerry Mitchell, Multi-Award Winning Director and Choreographer, Author, “Backstage Pass” About Harvey's guest: Today's guest, Jerry Mitchell, is a multi-award winning director and choreographer who's brought us some of the most beloved and iconic musicals in the past 40 years.   After dancing in Broadway shows including “Will Rogers Follies”, “Brigadoon” and “On Your Toes”, he's gone on to choreograph dozens of shows on Broadway, in London's West End, and for touring productions.  He choreographed the world premiere of the musical “Jeckyll & Hyde”.  He was the choreographer for many Broadway shows including “The Full Monty”, “Hairspray”, “Dirty Rotten Scoundrels”, “Legally Blonde”, “Pretty Woman: The Musical”, and “Kinky Boots” and “On Your Feet”, which he also directed.   He choreographed the Broadway revivals of “Grease”, “You're a Good Man, Charlie Brown”, “The Rocky Horror Show”, “Gypsy”, and “La Cage Aux Folles”.  He's been nominated for 8 Tony Awards and won 2 for Best Choreography, for “Kinky Boots”, and “La Cage Aux Folles”, for which he also won a Drama Desk Award and an Outer Critics Circle Award.    He's also received 4 Laurence Olivier Award nominations, 6 more Drama Desk Award nominations, and 3 more Outer Circle Award nominations.  In addition to his work in the theatre, our guest directed the movie versions of “Kinky Boots:  The Musical” and “Legally Blonde: The Musical”.   He was also the choreographer for a number of movies including “Scent of a Woman”, “In & Out”, “The Object of My Affection”, “One True Thing”, and “Hedwig and the Angry Inch”.  On TV, he's choreographed numerous shows including the 2004 Tony Awards, the 2016 live performance of “Hairspray”, and he got an Emmy Award nomination and WON an American Choreography Award for his work on “The Drew Carey Show”.    In Las Vegas, he created, directed and choreographed “Peep Show”, the longest-running live show at Planet Hollywood.    And on top of ALL THAT, this incredibly generous man created, and for many years directed, the hugely popular annual “Broadway Bares” burlesque and comedy extravaganza, for Broadway Cares/Equity Fights AIDS, a vitally important fundraising organization within the theatre community, that has raised over 25 million dollars for AIDS related causes across America.   If you're not familiar with “Broadway Bares”, you MUST GET our guest's wonderful book about this annual show, entitled “Backstage Pass”.    AND, in recognition of his dedication and contributions to Broadway Cares/Equity Fights AIDS, as well as his 3 decades of volunteer service through the arts, our guest will be receiving the prestigious Isabelle Stevenson Award at the upcoming Tony Awards on June 11.    For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jerry Mitchell, go to:https://www.facebook.com/jammyprod/https://www.instagram.com/jammyprod/https://www.tiktok.com/@jammyprod #JerryMitchell   #harveybrownstoneinterviews

Jerry Mitchell received the Tony Award for Best Choreography twice -for the Tony Award-winning Best Musical, “Kinky Boots,” for which he was also nominated as Director and previously for the 1st Tony Award winning revival of “La Cage aux Folles.”  Jerry was most recently represented on Broadway as Director/Choreographer of “Pretty Woman,” now touring the U.S. and playing on the West End. He directed the Gloria Estefan Broadway musical, “On Your Feet!” and its international tour, recently presented in London's Coliseum Theatre and was nominated for an Olivier Award for his choreography in “Dirty Rotten Scoundrels,” which he also directed and co-produced in London.  In the 35 preceding years, Jerry has been involved with more than 50 Broadway, West End and touring productions, starting as a dancer for Agnes de Mille in “Brigadoon” and thereafter assisting Michael Bennett and Jerome Robbins. His Broadway debut as Choreographer, “You're a Good Man, Charlie Brown,” was followed by “The Full Monty” (Tony nomination); “The Rocky Horror Show,” “Hairspray” (Tony nomination and the NBC live television broadcast as well), “Gypsy,” “Never Gonna Dance” (Tony nomination), “Dirty Rotten Scoundrels” (Tony nomination), “La Cage aux Folles,” (Tony Award), “Imaginary Friends,” “Legally Blonde” (Tony nomination), which he also directed on Broadway and in London, “Catch Me If You Can,” and “Kinky Boots.”  He is currently developing new musicals with entitled “Becoming Nancy,” “Betty Boop,” “My Very Own British Invasion” and “Burlesque.”   He also choreographed both the Off-Broadway productions and films of “Hedwig & The Angry Inch” and “Jeffrey.” Thirty or so years ago, Jerry conceived and created “Broadway Bares,” a comedy burlesque show performed annually for the charity Broadway Cares/Equity Fights AIDS, for which he continues to serve as Executive Producer as well as inspiring WEST END BARES and ITALY BARES. JONES.SHOW is a weekly podcast featuring host Randall Kenneth Jones (author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). JONES.SHOW is produced and edited by Kevin Randall Jones. JERRY MITCHELL Online:  Facebook: https://www.facebook.com/jammyprod/  Instagram: https://www.instagram.com/jammyprod/ JONES.SHOW Online:    Join us in the Jones.Show Lounge on Facebook. Twitter (Randy): https://twitter.com/randallkjones  Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web:  RandallKennethJones.com Follow Randy on Clubhouse Twitter (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com Follow Susan on Clubhouse LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/  Web: KevinRandallJones.com  www.Jones.Show

On this episode Brandon is able to interview Choreographer, Director and Producer Travis Payne. Travis is the youngest inductee into the Gallery of Greats and the recipient of numerous nominations and awards. He has received the MTV Video Music Award for Best Choreography four times for his work with En Vogue, Salt-N-Pepa as well as Michael Jackson and Janet Jackson on the music video/short-film "Scream" which was listed in the Guinness Book of World Records as the most expensive music video ever made. He also received three American Choreography Awards, including honors for his work on "Scream" and Michael Jackson's Ghosts. Payne was nominated for an Emmy Award for his choreography work with Michael Jackson on the "Dangerous" performance for the 1995 MTV Video Music Awards opening segment. He was again nominated for an Emmy Award in 2006 for his work on Disney's The Suite Life of Zack & Cody. He is also a two-time recipient of the Music Video Producers Association Award for Outstanding Achievement in Choreography for his work with the Brian Setzer Orchestra and Ally McBeal. In December 2009, Payne was featured with a write-up in the Michael Jackson Opus and recognized for his choreography and contribution for his work with the King of Pop. He also appeared in a 1993 episode of the TV series.   For more info follow Travis Payne on Instagram @travispayne1

Welcome to Hallyu Can Eat's annual awards show. We take a look at all the groups, soloists, and releases of 2022 and pick our favorites. Categories include "Best Debut", "Best Choreography", "Best Girl Group", and "Best Song of the Year". Who will go home with the coveted "Golden Tongs" award? Find out in this blockbuster of a special! Let's Connect: Twitter: @HallyuCanEat Instagram: @HallyuCanEat Email: HallyuCanEat@gmail.com

This week the Queens reveal the winners of the 3rd annual NKQ Awards! Listen as Emily and Charity share their picks for the best in K-pop of 2022. Will Stray Kids repeat as Artist of the Year? Who did the fans pick for Best Choreography? Listen to this special episode to find out the winners in 24 categories.Plus, K-pop news, Queendom shoutouts, a fun quiz, and more! Quiz - https://www.soompi.com/article/1380452wpp/quiz-give-these-random-awards-to-k-pop-stars-and-well-tell-you-which-award-you-should-winPlaylist - https://open.spotify.com/playlist/19VAN3gl1PQVjkj11B4kTw?si=5e0498ede64b44cbSupport the show

Terry D. Loftis is the Donna Wilhelm Family President and Executive Director of TACA (The Arts Community Alliance). TACA's mission is to support excellence and impact the arts in North Texas through grant making, capacity building and thought leadership. Under his leadership, TACA launched the TACA Resiliency Initiative (TRI) to reframe vital support for Dallas cultural arts organizations during the COVID-19 pandemic. TACA has distributed $2.1M since March 2020 to nearly 100 cultural arts organizations in Dallas County. He is a Tony nominated Broadway producer of Bandstand on Broadway in 2017 which received the Tony for Best Choreography and Orchestration. He received his first Tony nomination in 2015 for The Visit starring the legendary Chita Rivera. Prior to TACA, Loftis was Vice President of the Broadway Strategic Return Fund (BSRF) in New York. He was responsible for investor development for BSRF throughout the United States. BSRF was a co-producer of the hit Broadway Musical Hadestown, which received the Best Musical Tony in 2019.Loftis spent the bulk of his career in marketing/advertising beginning with a subsidiary of Leo Burnett in Chicago – TFA Communications and later operated his own agency for 14-years Verve Communications Group. He served as President of Dallas based, Eisenberg And Associates until his departure from advertising in 2018.Loftis is a Dallas native and a graduate of the Booker T. Washington High School for the Visual and Performing Arts. He has been actively engaged in the Dallas arts and non-profit community for many years and serves on the board of directors of the Dallas Symphony Orchestra, Black Tie Dinner (Co-Chair), Dallas Arts District and Texans for the Arts. Additionally, Loftis serves on the President's Council of the Advisory Board of Booker T. Washington High School for the Visual & Performing Arts and is a member of the Dallas Assembly. His former board service includes Resource Center, Resource Center Foundation, The Dallas Way, the Friends of the Katy Trail, USA Film Festival and TITAS. Loftis grew up in Oak Cliff near the Dallas Zoo and currently resides in the Winnetka Heights neighborhood of Oak Cliff. When time permits, Loftis returns to his passion as a jazz singer for private events and occasionally the Balcony Club in Lakewood and Alexandre's.https://taca-arts.org/https://blacktie.org/https://www.dallasisd.org/bookertfallingoutlgbtq.cominstagram: @fallingoutlgbtqpdtwitter: @fallinglgbtq 

Joe Barros (joebarros.com)(IG:@bisforbarros)(TW:@joebarros)(LI:@joe-barros) is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate.

Joe Barros (joebarros.com)(IG:@bisforbarros)(TW:@joebarros)(LI:@joe-barros) is a New York-based stage director and award-winning choreographer working on Broadway, Off-Broadway, regionally, and internationally. Joe recently directed and choreographed two national tours of A Charlie Brown Christmas (Gershwin Entertainment), the new musical Love and Yogurt in New York, the musical Aida in Singapore, and A New Brain at Five Towns College on Long Island. New York credits include the Broadway revival of Gigi (associate director, directed by Eric Schaeffer) starring Vanessa Hudgens and Victoria Clark, Cagney (associate director, directed by Bill Castellino), the New York premiere of Dan Elish and Douglas Cohen's The Evolution of Mann Off-Broadway (starring Max Crumm and Allie Trimm, cast recording on iTunes and Spotify), the world premiere of Marc Acito and Amy Engelhardt's critically acclaimed rock musical Bastard Jones Off-Broadway, Nine at CAP21/Molloy College, Out of the Box Theatrics' Alice in Alice's (Alice in Wonderland at Alice's Tea Cup with a company of actors with disabilities, co-writer, world premiere at Weathervane Theatre), I Married Wyatt Earp at 59E59 Theatres (Prospect Theater Co./NY Theatre Barn), Hard Times (NY Innovative Theatre Award Nominee for Best Choreography, NY Times Critics' Pick), Debra Barsha and Hollye Levin's A Taste of Things to Come (associate director, directed by Lorin Latarro, York Theatre Company, Bucks County Playhouse, Broadway in Chicago), and the world premiere of Cheryl Stern's Shoes & Baggage (The Cell). With New York Theatre Barn, Joe produced the new musical Sam's Room, inspired by real stories of nonverbal teens who find a way to communicate.

Nikki Sao Pedro-Welch earned an M.F.A in Interdisciplinary Art (with emphasis on Choreography and Pedagogy) from Goddard College, an M.Ed. in Arts in Learning from Endicott College, and a B.A. in Dance from Point Park University. She has been the Coordinator of Dance, an Assistant Professor, and head coach of the Endicott College dance team for the past 13 years. Pedro-Welch has coached the dance team to win three UDA National Championships (College Open Pom 2020, 2021, and Open Game Day 2021) along with three top-5 national placements, four top-10 national placements, 10 consecutive UDA regional titles, and four Best Choreography awards. Pedro Welch's professional dance credits include: Quicksilver Dance, The Boston Celtics Dance Team, Danny Swain Dance Company, Peter DiMuro/Public Display of Motion, and Monkeyhouse. Her professional choreography has been shown in Styria, Austria, New York City, and throughout New England. She also has been adjudicating for MSSAA Dance Team New England, Regional and State competitions, Universal Dance Association's Regional and National competitions for the past eight years.   Lastly, Pedro-Welch is a college representative for the National Dance Coaches Association. Follow Endicott College Dance Team:   Instagram: @endicottdanceteam Facebook: Endicott College Dance Team Twitter: @DanceEC Connect with Larkspur: Website: https://www.larkspurdance.com Instagram: https://www.instagram.com/larkspurdance/ Facebook: https://www.facebook.com/LarkspurDance/ Twitter: https://twitter.com/LarkspurMelanie

It's time again for another visit with Midday theater critic J. Wynn Rousuck, who joins Tom each week with her reviews of Maryland's regional stage. Today, she spotlights the new production of the hit 1966 Broadway hit musical, Sweet Charity, on stage now at the Cockpit -in-Court Theater, on the Essex campus of Community College of Baltimore County. Directed at CCBC by Eric Potter, using the original choreography of the show's legendary creator, Bob Fosse, Sweet Charity is a romantic comedy centered on a hapless but determined young woman named Charity Hope Valentine, who is seeking love — and her identity — in 1960s New York City. The Tony Award-winning musical (Best Choreography) has a powerful pedigree, with book by Neil Simon, music by Cy Coleman, and lyrics by Dorothy Fields. It's based on an original screenplay by visionary Italian filmmaker Federico Fellini, with Tullio Pinelle and Ennio Flaiano. Cockpit in Court Summer Theatre presents Sweet Charity now through August 7. For more information and ticketing, follow the theater link.See omnystudio.com/listener for privacy information.

Keilani Rose is a scene-stealer in Shoresy, a spin-off of Jared Keeso and Jacob Tierney's beloved comedy series, Letterkenny. Shoresy follows the foul-mouthed, chirp-serving, mother-loving, fan favourite character from Letterkenny named Shoresy as he joins the Sudbury Bulldogs in a quest to never lose again. Shoresy is audacious, surreal, daring, and hilarious. It's also intersectional in a way that feels authentic and unifying and exciting. Vancouver-based actress Keilani Rose shines as Miigwan, protégée to the GM of the Sudbury Bulldogs Hockey team. Keilani is an actor, filmmaker, DJ, and classically and culturally trained dancer. She made her film debut starring in and choreographing Within the Silence, which was written and directed by Jade Tailor and won Festival de Cannes awards for Best Fantasy and Best Choreography in 2021. We'll soon see her on the highly anticipated series SkyMed as well as in Breathe, a film from friend of the podcast Cody Kearsley. In this riveting episode, Keilani Rose talks Shoresy, authentic intersectionality, and where she plans to take us next. Episode sponsor: UBCP/ACTRA

We are excited to bring you this podcast series, Choreographers in Conversation. This series will allow choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode, Maria Torres, Director/Choreographer/SDCF Trustee interviews Director/Choreographer, Jerry Mitchell to learn more about his career, what brought him to the theatre, the work that he is passionate about, the current state of our industry, and what he hopes for the future.  Jerry Mitchell: Jerry Mitchell (Director/Choreographer, Kinky Boots) made his Broadway and West End debuts as Director/Choreographer of Legally Blonde, which won the Olivier Award for Best Musical. He was also nominated for both the Tony® and Drama Desk Awards for his choreography for Legally Blonde, as well as the Drama Desk Award for his direction. A Tony® winner for his dazzling choreography created for the first revival of La Cage Aux Folles, Jerry was also nominated for that Award for choreographing Dirty Rotten Scoundrels, Hairspray, Never Gonna Dance, and The Full Monty. For Broadway, Jerry also choreographed Catch Me If You Can, and revivals of Charlie Brown, Rocky Horror Show, and Gypsy (starring Bernadette Peters), and for Off-Broadway and film, Hedwig and the Angry Inch and Jeffrey. Other film work includes In & Out, Camp, Drop Dead Gorgeous, and Scent of a Woman. Twenty years ago, Jerry conceived and created Broadway Bares, a comedy burlesque show performed annually for the charity Broadway Cares/Equity Fights AIDS. Jerry proudly serves as a Board member of BC/EFA and annually as the Executive Producer of Broadway Bares, with a book, website and satellite productions in Las Vegas and London. Cumulative fundraising efforts have resulted in more than $10 million raised for the charity. Next up: directing and choreographing The Honeymooners on Broadway.   Maria Torres: Maria Torres' extensive career as director, choreographer, instructor, and Producer began as a critically acclaimed performer, contributing choreography while performing in the film Dance, with the six-time Tony-nominated Broadway musical Swing and Me!. Torres was nominated for a 2018 Ovation Award for Best Choreography for Luis Valdes' Zoot Suit, is a Lucille Lortel & Carbonell nominee of Four Guys named Jose', The Donkey Show and Celia, the musical based on the life of the late Cuban singer Celia Cruz. Torres received accolades as Associate Choreographer for the Broadway & Touring productions of On Your Feet, the Oscar-nominated film Enchanted, the musical film Idlewild, the showcase for the Tony Award-winning In The Heights, and as a resident choreographer for So You Think You Can Dance. Torres also co-conceived, choreographed, and directed the Magic Of Salsa Kingdom and Off-Broadway hit Latin Heat. Recently, she directed and choreographed the new musical Havana Music Hall, Sol of El Barrio, and served as dance consultant for Summer: The Donna Summer Musical on Broadway. Torres is an Artist in Residence at The Rosetta LeNoire Amas Musical Theater, Trustee of Stage Directors and Choreographers Foundation (SDCF), a proud executive board member of the Stage Directors, and Choreographers Society, and the League of Professional Theatre Women. Her life is documented in the Dance Oral History Project at the New York Public Library for the Performing Arts.

[REBROADCAST FROM OCTOBER 21, 2021] The British musical “Six” was set to open in March 2020… and then Broadway was shut down. Now the pop musical, which tells the story of the six wives of King Henry VIII, has finally opened. Stars Brittney Mack, Samantha Pauly, and Anna Uzele join us to discuss the show, on now at the Brooks Atkinson Theater. "Six" is nominated at the Tony Awards this Sunday for Best Musical, Best Original Score, Best Costume Design of a Musical, Best Lighting Design of a Musical, Best Sound Design of a Musical, Best Direction of a Musical, Best Choreography, and Best Orchestrations. 

Keilani Rose recently joined host Elias in the cave! You can catch Keilani as MIigwan on Hulu's 'Shoresy'. Miig is one of Nat's proteges. Like her sister Ziig, she thinks hockey players are losers but she has a soft spot for Sanguinet. Shoresy - Created by and starring Jared Keeso, the six-episode, half-hour hockey comedy sees the foul-mouthed, chirp-serving, mother-loving, fan favourite character, Shoresy (Keeso), join the Sudbury Bulldogs of the Northern Ontario Senior Hockey Organization (The NOSHO) on a quest to never lose again. Keilani Rose is an award-winning filmmaker, rising DJ, and classically/culturally trained dancer. She is Lheidli T'enneh (The People Where the Two Rivers Flow Together), and Kānaka Mamao (Native Hawai'ian diaspora), with Chinese immigrant and Irish settler ancestry. She is her Grandmother's Granddaughter, a descendent of Great Grandmother Seymour, The Matriarch of the North, and finds her way through story-telling and the sacred arts as personal and inter-generational healing. Rose made her film debut starring in and choreographing Within the Silence, (written & directed by Jade Tailor) which garnered Festival de Cannes (2021) awards for Best Fantasy and Best Choreography. Along with features on SKYMED, and SHORESY, she also leads in Cody Kearsley's Breathe. Keilani is the founder and executive director of Two Rivers & a Rose Filmworks, her production company dedicated to amplifying messages of equity, diversity, and reconciliation. You can watch this interview on YouTube  https://youtu.be/aJcexhC0p2s Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates  www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  https://www.youtube.com/c/TheManCaveChroniclesPodcast    

With credits in singing, dancing, acting and choreographing, and now a 2022 Tony Nominee for his role in Broadway's first-ever revival of Funny Girl, Jared Grimes deserves the title “quadruple threat”. The Broadway Star recalls his early days when he would tap dance and perform in the New York City subway and other spots in the city. Jared shares the story of how he landed a gig as Mariah Carey's backup dancer, and how he pulled off filming Manifest and rehearsing for Funny Girl at the same time. He talks about his inspiring outlook regarding rejection and why he considers it as "just a different path to another opportunity", resilience as one of his superpowers, and the importance of finding your purpose. Jared is a dancer, singer, actor, and choreographer whose long list of credits includes touring with iconic singer, Mariah Carey, and dancing for popular artists like Salt-n-Pepa and Busta Rhymes. His theatre performance credits include "A Soldiers Play on Broadway", "The Radio City Spring Spectacular", "After Midnight on Broadway", "Twist", "Babes in Arms", and "Gentlemen Prefer Blondes". His TV credits include NBC's Manifest, Fox's "Fringe" and HBO's "Boardwalk Empire". His choreography credits include “Banana Shpeel” off-broadway, “After Midnight” on Broadway, and “Holler If You Hear Me”, “Jelly's Last Jam”, “The Scottsboro Boys”, "Ain't Misbehaving", “42nd Street” where he won a Jeff Award for Best Choreography and “Lights Out: Nat King Cole” where he won a Barrymore Award for Best Choreography. Jared has also choreographed his first film, "Breaking Brooklyn". His film credits include "The Marc Pease Experience", "Little Manhattan" and "First Born. In this episode, we talk about: The history of tap dancing Dancing for Mariah Carey, Busta Rhymes, Salt-n-Pepa, and more Bailing school to audition as one of Mariah Carey's backup dancers Trying out for his middle school basketball team and getting cut twice Getting the role of Eddie Ryan in Funny Girl Connect with Jared: Twitter: @JaredMGrimes Instagram: @grimeystepz Website: jaredmgrimes.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sammy (IG:@shlopez21)(LI:@shlopez21)(sammy-lopez.com) is a co-founder and producer with P3 Productions, an artist-driven production company that's built on three pillars: thought-provoking stories, strong values, and opening doors. They are currently developing: GUN & POWDER (World Premiere: Signature Theatre 2020), HOW TO DANCE IN OHIO (Upcoming World Premiere: Syracuse Stage, Fall 2022), MIDSUMMER (In Development), BRADICAL (In Development), and two additional projects in development with award-winning artists John Leguizamo and Shakina Nayfack. He launched the company with his partners, Ben Holtzman and Fiona Howe Rudin. He is a co-founding member of The Industry Standard Group (TISG) and Second Act Theatrical Capital (2ATC), a decentralized leadership cohort of BIPOC producers who came together through a shared affinity and commonality of often being the only collaborator of color in many rooms on Broadway. We seek to create change by re-imagining the pathways to participation within the decision-making levels of theater-making. Brought up by parents who are educators, Sammy is very passionate about sharing access and transparency within the commercial theatre industry. He is the 2022 program mentor for Theatre Producers Of Color (TPOC) and teaches with The Business of Broadway. He has made presentations and been a part of many theatre panels with Syracuse University, New York University, Center Theatre Group's College and Career Fair for the Arts, SolTalk Podcast, and The Fabulous Invalid Podcast. Most recently, he is a recipient of The Shubert Organization's Artistic Circle, receiving bespoke support from The Shubert Organization to help further his career as a commercial producer. In addition, he is on the producing and social media team for The Old Vic's A CHRISTMAS CAROL. In 2018, he made his co-producing Off-Broadway debut with BE MORE CHILL—which transferred to Broadway in 2019. In 2017, he began his production company, Holtzman-Lopez Productions LLC, with his producing partner, longtime collaborator, and best friend Ben Holtzman. In addition to P3 Productions, they produce the Syracuse University Lewis Hecker Drama Showcase and manage the volunteer alumni group, Orange In The Apple. After graduating from Syracuse University—Sammy got his start on Broadway with the NYC team at Your Theatrics International, a full-service entertainment production company specializing in the production and management of theatrical events, where he worked with Tom Smedes Productions on the Broadway production of THE VISIT starring Chita Rivera. During this time, he also worked on MOTHERS & SONS on Broadway, The New York Musical Festival (NYMF), the International Cabaret Contest in Australia and New Zealand, and the pre-Broadway development of BANDSTAND. In 2017 he was a recipient of the Rising Star Fellowship with The Broadway League as well as the Associate Producer for the musical BANDSTAND, winner of the 2017 Tony Award® for Best Choreography.

Sammy (IG:@shlopez21)(LI:@shlopez21)(sammy-lopez.com) is a co-founder and producer with P3 Productions, an artist-driven production company that's built on three pillars: thought-provoking stories, strong values, and opening doors. They are currently developing: GUN & POWDER (World Premiere: Signature Theatre 2020), HOW TO DANCE IN OHIO (Upcoming World Premiere: Syracuse Stage, Fall 2022), MIDSUMMER (In Development), BRADICAL (In Development), and two additional projects in development with award-winning artists John Leguizamo and Shakina Nayfack. He launched the company with his partners, Ben Holtzman and Fiona Howe Rudin. He is a co-founding member of The Industry Standard Group (TISG) and Second Act Theatrical Capital (2ATC), a decentralized leadership cohort of BIPOC producers who came together through a shared affinity and commonality of often being the only collaborator of color in many rooms on Broadway. We seek to create change by re-imagining the pathways to participation within the decision-making levels of theater-making. Brought up by parents who are educators, Sammy is very passionate about sharing access and transparency within the commercial theatre industry. He is the 2022 program mentor for Theatre Producers Of Color (TPOC) and teaches with The Business of Broadway. He has made presentations and been a part of many theatre panels with Syracuse University, New York University, Center Theatre Group's College and Career Fair for the Arts, SolTalk Podcast, and The Fabulous Invalid Podcast. Most recently, he is a recipient of The Shubert Organization's Artistic Circle, receiving bespoke support from The Shubert Organization to help further his career as a commercial producer. In addition, he is on the producing and social media team for The Old Vic's A CHRISTMAS CAROL. In 2018, he made his co-producing Off-Broadway debut with BE MORE CHILL—which transferred to Broadway in 2019. In 2017, he began his production company, Holtzman-Lopez Productions LLC, with his producing partner, longtime collaborator, and best friend Ben Holtzman. In addition to P3 Productions, they produce the Syracuse University Lewis Hecker Drama Showcase and manage the volunteer alumni group, Orange In The Apple. After graduating from Syracuse University—Sammy got his start on Broadway with the NYC team at Your Theatrics International, a full-service entertainment production company specializing in the production and management of theatrical events, where he worked with Tom Smedes Productions on the Broadway production of THE VISIT starring Chita Rivera. During this time, he also worked on MOTHERS & SONS on Broadway, The New York Musical Festival (NYMF), the International Cabaret Contest in Australia and New Zealand, and the pre-Broadway development of BANDSTAND. In 2017 he was a recipient of the Rising Star Fellowship with The Broadway League as well as the Associate Producer for the musical BANDSTAND, winner of the 2017 Tony Award® for Best Choreography.

Ohh man I loved this conversation with Monika Felice Smith. She is such a positive light and we talk a lot about who we want to work with in the industry and gravitating towards the right people. Once you find your people, it just clicks. MNTR MGMTWebsite@mntr.mgmt@justinementerMonika Felice SmithWebsite@monikafelicesmithMONIKA FELICE SMITH is a professional choreographer, director, movement coach, & dancer from NY, currently based in Los Angeles, CA. Having transitioned to the contemporary & commercial hip hop world from classical ballet & pointe, her choreography blends a fusion of both technical contemporary & hiphop vibes. Today, Monika's credits include choreography & movement direction for artists such as Olivia Rodrigo, FINNEAS, Bebe Rexha, Bella Poarch, Alessia Cara, One Republic, Twenty One Pilots, Ashe, Young Thug, Gunna, Sam Fischer, Woosung, Audrey Mika, Lennon Stella, Wengie (Wraya), Ingrid Andress, Jessie Murph, Sky Katz (Disney), Jvke, Citizen Queen, Brynn Elliott, Waze & Odyssey, Samm Henshaw, Karina Sofia, Cloe Wilder, Stalking Gia, and Adam Melchor. Monika has been shouted out by Justin Timberlake as 'One to watch'. Her work can be seen in the feature films The Relationtrip, Pivot, and Lunch Ladies. As a movement director & choreographer, her work includes ads/commercials such as Lululemon, Spyder Athletics for Milan Virtual Fashion Week, Nike/Jordan Brand for Teyana Taylor, JustFab & Fabletics for Kelly Rowland & Liza Koshy, Flaunt Magazine Cover Shoot for Joey King & Maude Apatow, Oculus VR, Sift Science Technology, ADAY & Sans Gene.Monika's work has been awarded the World Choreography Award for “Best Choreography in a Commercial” for Spyder Korea; nominated for an MTV Video Music Award for FINNEAS' Let's Fall In Love For The Night for “Best Alternative Music Video”, as well as UKMVA nomination for “Best Choreography in a Video” & “Best Dance/Electronic” for Waze & Odyssey, Tommy Theo, George Michael & Mary J. Blige's Always. Monika and the production team were winners of the “How The Hell Did They Do That?” for Always MV at SXSW 2021. Monika's dance credits include Paramount Network's Michael Jackson's Lip Sync Battle Live Tribute, Spyder Athletics for Milan & NYC Fashion Week 2020 & NY Virtual Fashion Week 2021, music videos with artists such as Meghan Trainor, Jeremih, Jay Rock, Elle King & Sam Fischer, also dancing in commercials such as PRISM for SnapChat and performing at the Staples Center as a member of the WNBA Sparks Crew.Monika is the founder & director of LUME Dance, alongside choreographer & business partner MaryAnn Chavez.Monika works regularly developing musical artists, choreographing their stage sets, music videos and social content. She enjoys educating and training dancers in her Masterclasses and private training sessions. Monika's strength lies in storytelling; fusing movement with intention & raw emotion. She enjoys playing with shape, texture and musicality, while grounding her choreography with technical elements. Monika is excited to share and instill her love of movement with all audiences in all forms.

Now it's time for a visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the Maryland stage. Today, she spotlights the new touring company production of Ain't Too Proud – The Life and Times of The Temptations, lighting up the stage this week only, at Baltimore's historic Hippodrome Theatre. The smash-hit 2019 Broadway musical — nominated for 12 Tony® Awards and the winner of the 2019 Tony Award for Best Choreography — follows The Temptations' extraordinary musical careers from their Detroit roots to the Rock & Roll Hall of Fame. During a decade of civil unrest and political turmoil, their smart-stepping, smoothly harmonized performances won the group 42 Top Ten Hits — with 14 reaching number one. Ain't Too Proud was written by three-time Obie Award winner Dominique Morisseau, is directed by two-time Tony Award winner Des McAnuff (Jersey Boys), and features the Tony-winning choreography of Sergio Trujillo (Jersey Boys, On Your Feet!). The musical also features many of the group's greatest hits, including Ain't Too Proud to Beg, My Girl, Just My Imagination, Get Ready, Papa Was a Rolling Stone, and others. Ain't Too Proud - The Life and Times of the Temptations continues at the Hippodrome Theatre through Sunday, May 8. For showtimes and ticket info, click here. See omnystudio.com/listener for privacy information.

Washington, DC area native, creative director and choreographer to the stars Jemel McWilliams joins us on THE GOOD WORD podcast!  A quintessential renaissance man with more than fifteen years of professional experience, Jemel McWilliams is an Emmy nominated choreographer and a highly regarded and sought-after creative artistic director and movement coach. Jemel's creativity and skilled techniques have been displayed around the world in performances for artists including Janelle Monae, Jon Batiste, John Legend, Lizzo, Mickey Guyton, Alicia Keys, Robin Thicke and Tracee Ellis Ross. Jemel was nominated for an Emmy Award for Best Choreography and won a World Choreography Award for the 2020 Oscar's opening number featuring Janelle Monae.  In addition to working with artists on tour and on stage, Jemel's expressive aesthetic has been showcased in numerous awards shows and television shows as well including The Oscar's opening number in 2020, Lizzo's 2020 Grammy opening performance, Janelle Monae's “You Make Me Feel” at the 2019 Grammy's, John Legend's “Preach” at the iHeart Music Awards, Lizzo's 2019 MTV VMA Awards performance, as well as multiple performances for the BET Awards, Brit Awards, Black Girls Rock!  He shares why he's unafraid to share his faith on sets and with stars! SUBSCRIBE NOW! 

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Based in NYC since 2011, Adam came to New York by way of Houston, TX where he completed his Master's Degree at Rice University's Shepherd School of Music (2008). Adam grew up in Northeast Ohio where he attended Cleveland State University (2006). Formally studying classical percussion throughout his education, Adam also actively performed as a freelancer on drum set. His classical background combined with his drum set skills gave him a unique set of skills that turned out to be very well-suited for working in musical theater. After playing its out-of-town tryout at Houston's Alley Theatre, Adam was offered the drum set chair on Frank Wildhorn's WONDERLAND when it transferred to Broadway (Spring 2011). With his foot in the door from his first Broadway show, Adam set about the work of subbing and building a reputation in and around the city. Subbing on shows as diverse as RENT, EVITA, MATILDA the Musical, AVE Q, CATS, HELLO DOLLY, ANASTASIA, THE PROM, and many more, Adam routinely demonstrates a wide-ranging versatility. A unique hybrid player, Adam is equally at home playing drum set and percussion and excels in situations that demand both contemporary drum set styles and legit classical/orchestral sensibilities. Adam's most recent NYC chairs include 2017's BANDSTAND on Broadway (TONY Nomination for Best Orchestrations and TONY WINNER for Best Choreography), Jerry Springer the Opera, and CLUELESS the Musical.When not in the theater, Adam is often found in NYC recording studios playing for singer/songwriters and composers like Desi Oakley, The Jack Mosbacher Band, Michael Mott, and David Mallamud, playing at cabaret spots like Feinstein's 54 Below, and downtown concert venues such as Rockwood Music Hall, Piano's, or The Bitter End. Adam also maintains an active teaching practice at his studio in Midtown Manhattan and produces music and drum tracks from his at-home project studio. Connect with Adam on Facebook, Twitter & Instagram or use the contact form for bookings and any other inquiries. Thank you for reading Broadway Drumming 101. This post is public so feel free to share it.Broadway Drumming 101 is your one-stop shop for everything you'll need to know about playing drums for broadway musicals. When you subscribe to The Broadway 101 Newsletter, you'll learn about what it takes to be a successful pit musician with content delivered directly to your email inbox two to three times a week.For $5 a month, or $50 a year, you'll have a backstage pass to the world of a broadway drummer playing on a hit show. As a paying subscriber, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway. You'll also be able to read every post (not just the occasional free ones), you'll get access to all newsletter issues in the archives, and have the ability to participate in subscriber-only comments and events.The Broadway Drumming 101 Podcast is on Apple Podcasts, Spotify, or wherever you get your podcasts.The podcast features conversations with my colleagues who currently hold drums chairs showcases talks with broadway drumming legends, and highlights up-and-coming drummers breaking into the scene.There is a lot to learn. Subscribe now, so you don't miss out on the latest posts and podcasts!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

MONIKA FELICE SMITH is a professional choreographer, director, movement coach, & dancer from NY, currently based in Los Angeles, CA. Having transitioned to the contemporary & commercial hip hop world from classical ballet & pointe, her choreography blends a fusion of both technical contemporary & hiphop vibes. Today, Monika's credits include choreographing for music videos & live sets for artists such as Olivia Rodrigo (SOUR PROM Concert Film & MTV VMA's), FINNEAS, Bebe Rexha, Bella Poarch, Alessia Cara, Twenty One Pilots, Ashe, Young Thug, Gunna, Sam Fischer, Woosung, Audrey Mika, Lennon Stella, Wengie (Wraya), Ingrid Andress, Jessie Murph, Sky Katz (Disney), Jvke, Citizen Queen, Brynn Elliott, Waze & Odyssey, Samm Henshaw, Karina Sofia, Cloe Wilder, Stalking Gia, and Adam Melchor. Her work has been nominated for an MTV Video Music Award for FINNEAS' Let's Fall In Love For The Night for “Best Alternative Music Video”, two World Choreography Awards for best choreo in a music video and commercial, as well as UKMVA nomination for “Best Choreography in a Video” & “Best Dance/Electronic” for Waze & Odyssey, Tommy Theo, George Michael & Mary J. Blige's Always. Monika and the production team were winners of the “How The Hell Did They Do That?” for Always MV at SXSW 2021. Monika has been shouted out by Justin Timberlake as 'One to watch'. Her work can be seen in the feature films The Relationtrip, Pivot, and Lunch Ladies. As a Movement Coach, her work includes ads/commercials such as Lululemon, Spyder Athletics for Milan Virtual Fashion Week, Nike/Jordan Brand for Teyana Taylor, JustFab & Fabletics for Kelly Rowland & Liza Koshy, Flaunt Magazine Cover Shoot for Joey King, Oculus VR, Sift Science Technology, ADAY & MeYou London Sustainable Clothing. Monika's dance credits include Paramount Network's Michael Jackson's Lip Sync Battle Live Tribute, Spyder Athletics for Milan & NYC Fashion Week 2020 & NY Virtual Fashion Week 2021, music videos with artists such as Meghan Trainor, Jeremih, Jay Rock, Elle King & Sam Fischer, also dancing in commercials such as PRISM for SnapChat and performing at the Staples Center as a member of the WNBA Sparks Crew. Monika is the founder & director of LUME Dance, alongside choreographer & business partner MaryAnn Chavez. Monika works regularly developing musical artists, choreographing their stage sets, music videos and social content. She enjoys educating and training dancers in her Masterclasses and private training sessions. Monika's strength lies in storytelling; fusing movement with intention & raw emotion. She enjoys playing with shape, texture and musicality, while grounding her choreography with technical elements. Monika is excited to share and instill her love of movement with all audiences in all forms. IG: @monikafelicesmith Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

Today's guest is Pacific Northwest Ballet Soloist, Jonathan Batista! Jonathan started his training at a social project in Rio de Janeiro's City of God slums. His talent was then spotted by his teacher which took him to a pre-professional dance division at Alice Arja Ballet School where he started his journey in Classical Ballet. I won't spoil the story about how Batista went from this humble beginning to performing all over the world – he shares this wonderful story in our conversation – but I will tell you that during 2017-2021 he has performed with Oklahoma City Ballet as a Principal Dancer. Whilst with the company, Jonathan created two world premieres, winning ‘Best Choreography of the Year' by the National Destined 2 Dancer Award and in 2021 he won the ‘Art Culture & Music Award' by the TAF AWARD FOUNDATION for his contributions in representation, activism, work and contributions to the dance community in Oklahoma. ​In this conversation we cover growing up in Brasil, the importance of having an entrepreneurial spirit if you're going to have a successful career as a dancer and most notable his mission to create more diversity, equity and inclusion in the dance world. ​Batista is a man with a mission and like all humans who want to make a difference in this world, he is incredibly focussed, driven and organised. We cover his insane morning routine and disciplined practices – but of course there's some balance in there too… I really loved chatting to Jonathan, in fact when recording was done we spent another few minutes sharing diary recommendations and organisation tips! I have a feeling we're cut from the same cloth… I wish Jonathan all the success in the world and would like to thank him for carving out some precious time to share his story with the Balanced Ballerinas community. As always you can find me on Instagram @thebalancedballerina and you can find Jonathan @jonathanbatistaofficial – I love when people actually comment on the latest podcast tile on the official @balancedballerinas account, so come say hello and let us know what you enjoyed in this episode. Enjoy my conversation with my new friend Jonathan! _______________________ Get your FREE Balanced Ballerinas 'Intention Setting' worksheet HERE and start kicking GOALS: https://www.balancedballerinas.com/product/balanced-ballerinas-intention-setting-worksheet/ You can find more resources at www.balancedballerinas.com Instagram @thebalancedballerina Podcast @balancedballerinas Facebook - Balanced Ballerinas (ensure you join the *SECRET* Facebook group too!)

On today's episode of The Salisha Show, host Salisha Thomas sits down with two of the producers of the new off-Broadway show Trevor the Musical: Josie Bray and John Ambrosino. John and Josie recall transitioning from artists to producers and how they became a business partnership in addition to lifelong friends. They discuss what goes into producing a show with New York dreams, how long it can take, how to cultivate a safe environment for the actors, and how doing work that is meaningful to them makes the whole process worth it.  Josie Bray is a choregrapher, director, producer, and teacher with a heart of gold. Josie is a two-time winner of the IRNE award for Best Choreography of a Musical. She was the Co-Artistic Director of the Animus Ensemble, a Boston-based theatre company, for five years and also served as the Executive Director of Green Street Studios, Center for Movement and Dance. In New York City, Josie choreographed several off-Broadway plays. Josie has worked on several national tours and on the 2009 Broadway Revival of Ragtime. Josie has also directed at the Lyric Stage Company of Boston and teaches Movement for Actors at Emerson College. She is currently a senior Partner at U Rock Theatricals in New York City, where she most recently produced the new musical off-Broadway: Trevor the Musical.  John Ambrosino is both an actor and a producer. He has toured nationally with Les Miserables as well as performed regionally in Company (IRNE Award Nomination for the role of Robert), Into the Woods, On the Town, Avenue Q (Elliot Norton Award Nominee for his role as Princton/Rod), and Rent. He is a Senior Partner at U Rock Theatricals in New York City and most recently produced the new musical off-Broadway: Trevor the Musical. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode in our SIX the Musical series, we are chatting with the choreographer of SIX, Carrie-Anne Ingrouille! We chat all about her process working on multiple productions of SIX around the globe, how changes are implemented, and we even hear her break down the choreography from a song in the show! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT CARRIE-ANNE INGROUILLE Carrie-Anne Ingrouille is a go-to U.K. choreographer for multi-disciplined work. She is currently represented in the West End and on Broadway with her critically acclaimed choreography on SIX playing at the Lyric Theatre, London and the Brooks Atkinson Theatre, New York.   For her work on the show, Carrie has received an Olivier Award Nomination for Best Theatre Choreographer and WhatsOnStage, OFFIE, and The Elizabeth Sterling Haynes Award nominations for Best Choreography.  Notable Choreography and Movement Direction credits include: This is My Family (Chichester Festival Theatre), The Catherine Tate Show Live (UK Tour), Jeeves & Wooster in Perfect Nonsense (Duke of York's Theatre), The Suicide (National Theatre), The Mad Hatter's Tea Party (Royal Opera House, The Roundhouse). Carrie is also currently the Resident Choreographer for Hamilton, West End.  Forthcoming projects include choreography on Bernstein's Wonderful Town at Holland Park Opera and the U.K. premiere of the Broadway hit musical Something Rotten for Birmingham Rep.: MENTIONED IN THIS EPISODE: SIX on Instagram: www.instagram.com/sixonbroadway SIX on Facebook: www.facebook.com/sixbroadway Get Your Tickets: www.sixonbroadway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

What's the connection between leadership, trust, and magic? What happens when we, as leaders, create more space for magic? Who better to discuss these questions with than the Architect of Magic himself, Mark Stuart? So that's just what we did! Mark is the Founder and Executive Artistic Director of Mark Stuart Dance Theatre. Mark's award-winning choreography and performances have been featured on Broadway, in films, commercials, and in print. He served as the Associate Choreographer of BANDSTAND on Broadway (recognized with the TONY Award for Best Choreography) and he created, directed, and choreographed the award nominated Off-Broadway dance-musical STANDARD TIME: When Change Comes. Mark is a coach for Seth Godin's altMBA and is a four-time Director of the World Musical Concert series at Tokyo's world famous Theatre Orb. We enjoyed a magical conversation with Mark where we talked about how trust is like the game of Jenga, how hard discussions are vulnerable discussions and how these build a resilient community, the one question that has helped Mark trust in himself and that gave him the freedom to think differently, and much more. If you're interested in leading in a way that creates opportunities where what previously was thought impossible becomes possible, then you'll want to listen to this interview with Mark Stuart! ----------- Show Notes: Mark Stuart on Instagram Mark's email Frankie Manning Hinton Battle Teaser video of STANDARD TIME: When Change Comes Sponsored by: Spotlight Trust From the co-founders of Spotlight Trust comes the new book The Future Is Trust: Embracing the Era of Trust-Centered Leadership. The book will be released in Spring 2021. For more info, sneak peeks, pre-order specials, and more, visit: thefutureistrust.com --- Send in a voice message: https://anchor.fm/in-trust/message