Podcast appearances and mentions of Henry Fielding

"....The Stage which was not for low Farce design'd,But to divert, instruct, and mend Mankind."This week, I'm reading from the play The Modern Husband by Henry Fielding, published in 1732.Reflection Question:There are times when stress is only relieved with a bit of dark humor.  How will you gather with your community of friends and colleagues to laugh in the face of the absurdities we face in our fund development work?Reflection on the Recorded Quote:There are days that if we are not laughing, we are crying. Those are the times for a bit of dark humor.When our work feels like a dark comedy or a nightmare, we can remind ourselves that past generations faced similar challenges.  They too saw folly perceived as brilliance.  This is why in 1732 Fielding wrote, “a rich man without charity is a rogue, and perhaps it would be no difficult matter to prove that he is also a fool.” This work has entered the public domain.What do you think?To explore fundraising coaching deeper and to schedule an exploratory session, visit ServingNonprofits.com.Music credit: Woeisuhmebop

Neil Berg's latest musical The Sabbath Girl: The Musical, written with book writer/co-lyricist Cary Gitter, just finished an incredible, sold-out run at The Penguin Repertory Theatre (directed by Joe Brancato), before transferring to NYC for a six-week summer run Off-Broadway at 59 East 59th Theaters to rave reviews. The Original Off-Broadway Cast Recording of The Sabbath Girl: The Musical is available on Centerstage Records. Producers are now in the process of moving the show for an open-ended commercial run. Neil is the composer/co-lyricist, along with Pulitzer Prize/TONY-winning playwright Robert Schenkkan, of the award-winning new musical The 12, which just finished a very successful pre-Broadway tryout to critical and audience acclaim at the Goodspeed Opera House, directed by TONY award-winning director John Doyle, produced for Broadway by Cody Lassen & Joe Grano. The 12 previously ran at The Denver Center to unanimous rave reviews and won the 2015 HENRY Award for best new play or musical. Original Cast recording will be available in the winter of '24. Broadway opening anticipated in 2025/2026 season. Neil is currently in development as the composer of the new Broadway-bound musical version of My Cousin Vinny, based on the iconic movie, with book/lyrics by original screenwriter, Dale Launer. Neil has a new commissioned musical, How My Grandparents Fell in Love, opening in July of '25 at The NJ Rep Theater, collaborating again with book writer/co-lyricist Cary Gitter, directed by Artistic Director SuzAnne Baribas. Neil's other new musical, Charlie Hustle, with book/lyrics by Ryan Noggle, is about controversial baseball icon Pete Rose and the story of his gambling addiction that led to his downfall. Charlie Hustle will have its first developmental production in Detroit, Michigan in the fall of '24. Neil is the composer for the popular musical version of Grumpy Old Men: The Musical, based on the Warner Brothers movie classic starring Jack Lemmon and Walter Matthau, which had its official U.S. Premiere at The Ogunquit Playhouse in Maine to rave reviews, and La Mirada Theater in LA, starring Cathy Rigby. Other actors include F. Murray Abraham, TONY Award winner George Hearn, Marilu Henner, and Carole Kane. It is currently produced/licensed at many regional & community theaters across the United States. Licensing rights are with TRW (Theatrical Rights Worldwide). The Original Cast Recording of Grumpy Old Men: The Musical is available on Centerstage Records. Neil Berg is also the composer/lyricist of the hit Off-Broadway musical The Prince and the Pauper, which ran for two years at the Lambs Theater in New York City. The New York Times raved that The Prince and the Pauper "[soars] on wings of theatrical fun." The original cast CD is released internationally on Jay Records, sheet music published by Hal Leonard, and licensing by Samuel French Inc. Songs from this show are also featured with many other classic songs in the official Off-Broadway Songbook, published by Hal Leonard. CARY GITTER is the playwright-in-residence at Penguin Rep Theatre in Stony Point, New York. His plays include THE STEEL MAN (Penguin Rep); GENE & GILDA (George Street Playhouse, Penguin Rep); THE VIRTUOUS LIFE OF JOSEPH ANDREWS (Penguin Rep), adapted from the Henry Fielding novel; and THE SABBATH GIRL (off-Broadway, 59E59 Theaters; Penguin Rep; Invisible Theatre; Theatre Ariel; published by Stage Rights). His musicals include THE SABBATH GIRL (59E59, Penguin Rep) and HOW MY GRANDPARENTS FELL IN LOVE (New Jersey Repertory Company), both written with composer/co-lyricist Neil Berg. His play HOW MY GRANDPARENTS FELL IN LOVE was a New York Times Critic's Pick as part of the Ensemble Studio Theatre's (EST's) 36th Marathon of One-Act Plays. It was later recorded for the acclaimed podcast Playing on Air, as was his one-act THE ARMY DANCE. He has received commissions from the EST/Alfred P. Sloan Foundation Science & Technology Project, Penguin Rep, and West of 10th. He is an alumnus of EST's Obie Award-winning Youngblood playwrights' group. His full-length plays have been developed by the Berkshire Playwrights Lab, the Chameleon Theatre Circle, the Cincinnati Playhouse in the Park, EST, the Jewish Ensemble Theatre, the Jewish Plays Project, the Levine Jewish Community Center, NJ Rep, NYU, Seven Angels Theatre, West of 10th, and Wordsmyth Theater Company. He is a three-time O'Neill semifinalist and a two-time Jewish Playwriting Contest finalist, and he has received NYU's John Golden Playwriting Prize and honorable mentions for the New England Theatre Conference's Aurand Harris Memorial Playwriting Award and the Kennedy Center's Rosa Parks Playwriting Award.

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tom Jones is considered one of the first prose works describable as a novel. The novel is divided into 18 smaller books. Tom Jones is a foundling discovered on the property of a very kind, wealthy landowner, Squire Allworthy. Tom grows into a vigorous and lusty, yet honest and kind-hearted, youth. He develops affection for his neighbor's daughter, Sophia Western. On one hand, their love reflects the romantic comedy genre popular in 18th-century Britain. However, Tom's status as a bastard causes Sophia's father and Allworthy to oppose their love; this criticism of class friction in society acted as a biting social commentary. The inclusion of prostitution and sexual promiscuity in the plot was also original for its time, and also acted as the foundation for criticism of the book's "lowness." (From Wikipedia.)This is a collaborative reading.The rest of this novel (Episode IX-XVI) will be published on Monday, October 14th.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is the Tranquillusionist, in which I, Helen Zaltzman, give your brain a break by temporarily supplanting your interior monologue with words that don't make you feel feelings. Note: this is NOT a normal episode of the Allusionist, where you might learn something about language and your brain might be stimulated. The Tranquillusionist's purpose is to soothe your brain and for you to learn very little, except for something about Zeus's attitude to bad drivers. There's a collection of other Tranquillusionists at theallusionist.org/tranquillusionist, on themes including champion dogs, Australia's big things, gay animals and more. Today: constellations that got demoted into ex-constellations, featuring airborne pregnancy, cats of the skies, and one of the 18th century's most unpopular multi-hyphenates. Find the episode's transcript, plus more information about the topics therein, at theallusionist.org/ex-constellations. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, watchalong parties eg the new season of Great British Bake Off, and Taskmaster featuring my brother Andy. And best of all, you get to bask in the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music composed by Martin Austwick of palebirdmusic.com. Find @allusionistshow on Instagram, Facebook, Threads, Bluesky, TikTok, YouTube etc. • Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Squarespace, your one-stop shop for building and running your online home. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Bombas, whose mission is to make the comfiest clothing essentials, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  • LinkedIn Ads convert your B2B audience into high quality leads. Get $100 credit on your next campaign at linkedin.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Amelia (Vol 3) by Henry Fielding audiobook. Volume three in the trilogy entitled Amelia. A continuation of the love story of Amelia and her husband Willam Booth and the trials and tribulations they go through. --- Recommended Products --- Wake up to a sunrise and birds chirping with this alarm clock: PHILIPS SmartSleep Great dog treat that cleans teeth: Greenies Dog treat Best spray for cleaning up after pet: Nature's Miracle Dog stain and Odor Remover Favorite spiritual guidance book: The Power of Now by Eckhart Tolle Prime shipping is awesome: Amazon Prime Fantastic aviator sunglasses: Serengeti Carrara Our favorite bluetooth speaker: Harman Kardon Studio 8 Our favorite streaming device for tv: NVIDIA Shield Pro For the hammock fans, the skyloft is worth it: ENO Skyloft Hammock - - - - - - - - - - - - - - - - - - - - Learn more about your ad choices. Visit megaphone.fm/adchoices

Amelia (Vol 2) by Henry Fielding audiobook. Volume two in the trilogy entitled Amelia. A continuation of the love story of Amelia and her husband Willam Booth and the trials and tribulations they go through. --- Recommended Affiliate Products --- Wake up to a sunrise and birds chirping with this alarm clock: PHILIPS SmartSleep Great dog treat that cleans teeth: Greenies Dog treat Best spray for cleaning up after pet: Nature's Miracle Dog stain and Odor Remover Favorite spiritual guidance book: The Power of Now by Eckhart Tolle Prime shipping is awesome: Amazon Prime Fantastic aviator sunglasses: Serengeti Carrara Our favorite bluetooth speaker: Harman Kardon Studio 8 Our favorite streaming device for tv: NVIDIA Shield Pro For the hammock fans, the skyloft is worth it: ENO Skyloft Hammock - - - - - - - - - - - - - - - - - - - - Learn more about your ad choices. Visit megaphone.fm/adchoices

Amelia (Vol 1) by Henry Fielding audiobook. This is the first volume of a three volume novel. In this novel, Amelia marries William Booth against her mother's desires, and the two must move to London. Fielding explores the issues of married life such as infidelity and whether women's intelligence is equal to men's. --- Recommended Affiliate Products --- Wake up to a sunrise and birds chirping with this alarm clock: PHILIPS SmartSleep Great dog treat that cleans teeth: Greenies Dog treat Best spray for cleaning up after pet: Nature's Miracle Dog stain and Odor Remover Favorite spiritual guidance book: The Power of Now by Eckhart Tolle Prime shipping is awesome: Amazon Prime Fantastic aviator sunglasses: Serengeti Carrara Our favorite bluetooth speaker: Harman Kardon Studio 8 Our favorite streaming device for tv: NVIDIA Shield Pro For the hammock fans, the skyloft is worth it: ENO Skyloft Hammock - - - - - - - - - - - - - - - - - - - - Learn more about your ad choices. Visit megaphone.fm/adchoices

Melvyn Bragg and guests discuss "The History of Tom Jones, A Foundling" (1749) by Henry Fielding (1707-1754), one of the most influential of the early English novels and a favourite of Dickens. Coleridge wrote that it had one of the 'three most perfect plots ever planned'. Fielding had made his name in the theatre with satirical plays that were so painful for their targets in government that, from then until the 1960s, plays required approval before being staged; seeking other ways to make a living, Fielding turned to law and to fiction. 'Tom Jones' is one of the great comic novels, with the tightness of a farce and the ambition of a Greek epic as told by the finest raconteur. While other authors might present Tom as a rake and a libertine, Fielding makes him the hero for his fundamental good nature, so offering a caution not to judge anyone too soon, if ever.With Judith Hawley Professor of 18th Century Literature at Royal Holloway, University of LondonHenry Power Professor of English Literature at the University of ExeterAndCharlotte Roberts Associate Professor of English Literature at University College LondonProducer: Simon TillotsonIn Our Time is a BBC Studios Audio ProductionReading list:Martin C. Battestin with Ruthe R. Battestin, Henry Fielding: A Life (Routledge, 1989)J. M. Beattie, The First English Detectives: The Bow Street Runners and the Policing of London, 1750–1840 (Oxford University Press, 2012) S. Dickie, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (University of Chicago Press, 2011)J.A. Downie (ed.), The Oxford Handbook of the Eighteenth-Century Novel (Oxford University Press, 2020)Henry Fielding (ed. John Bender and Simon Stern), The History of Tom Jones (Oxford University Press, 2008)Henry Fielding (ed. Tom Keymer), The Journal of a Voyage to Lisbon (Penguin Classics, 1996)Ronald Paulson, The Life of Henry Fielding: A Critical Biography (Wiley Blackwell, 2000)Henry Power, Epic into Novel: Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Oxford University Press, 2015)Claude Rawson, Henry Fielding and the Augustan Ideal under Stress (first published 1972; Routledge, 2021)Claude Rawson (ed.), The Cambridge Companion to Henry Fielding (Cambridge University Press, 2007)

Melvyn Bragg and guests discuss "The History of Tom Jones, A Foundling" (1749) by Henry Fielding (1707-1754), one of the most influential of the early English novels and a favourite of Dickens. Coleridge wrote that it had one of the 'three most perfect plots ever planned'. Fielding had made his name in the theatre with satirical plays that were so painful for their targets in government that, from then until the 1960s, plays required approval before being staged; seeking other ways to make a living, Fielding turned to law and to fiction. 'Tom Jones' is one of the great comic novels, with the tightness of a farce and the ambition of a Greek epic as told by the finest raconteur. While other authors might present Tom as a rake and a libertine, Fielding makes him the hero for his fundamental good nature, so offering a caution not to judge anyone too soon, if ever.With Judith Hawley Professor of 18th Century Literature at Royal Holloway, University of LondonHenry Power Professor of English Literature at the University of ExeterAndCharlotte Roberts Associate Professor of English Literature at University College LondonProducer: Simon TillotsonIn Our Time is a BBC Studios Audio ProductionReading list:Martin C. Battestin with Ruthe R. Battestin, Henry Fielding: A Life (Routledge, 1989)J. M. Beattie, The First English Detectives: The Bow Street Runners and the Policing of London, 1750–1840 (Oxford University Press, 2012) S. Dickie, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (University of Chicago Press, 2011)J.A. Downie (ed.), The Oxford Handbook of the Eighteenth-Century Novel (Oxford University Press, 2020)Henry Fielding (ed. John Bender and Simon Stern), The History of Tom Jones (Oxford University Press, 2008)Henry Fielding (ed. Tom Keymer), The Journal of a Voyage to Lisbon (Penguin Classics, 1996)Ronald Paulson, The Life of Henry Fielding: A Critical Biography (Wiley Blackwell, 2000)Henry Power, Epic into Novel: Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Oxford University Press, 2015)Claude Rawson, Henry Fielding and the Augustan Ideal under Stress (first published 1972; Routledge, 2021)Claude Rawson (ed.), The Cambridge Companion to Henry Fielding (Cambridge University Press, 2007)

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the second volume of The Weight of Words Series, In Fielding's Wake (St. Augustine's Press, 2022), Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Welcome to the Instant Trivia podcast episode 1150, where we ask the best trivia on the Internet. Round 1. Category: The Liberty Bell Rang... 1: On Feb. 3, 1757, when the Assembly directed this man to go to England to address colonial grievances. Benjamin Franklin. 2: on July 8, 1776 to announce the first public reading of this. the Declaration of Independance. 3: on February 4, 1771 to summon the Pennsylvania assembly into session to repeal the duty on this commodity. tea. 4: on July 8, 1763 to give notice of the end of this war. the French and Indian War. 5: on Feb. 11, 1915; a recording was transmitted to the opening of the Pan Pacific Exposition in this West Coast city. San Francisco. Round 2. Category: States And Territories Of Australia 1: The one state named for a man. Tasmania. 2: An Australian territorial claim covers 42% of this continent. Antarctica. 3: 95% of the population of the small enclave known as the Australian Capital Territory resides in this city. Canberra. 4: Australia's most populous city, Sydney, is in this state with a 3-word name. New South Wales. 5: One of the 2 states named in honor of a woman. Victoria (or Queensland). Round 3. Category: Silent Consonant Words 1: A prominent rounded hill, or a rounded control switch or dial. knob. 2: Her unrequited love for Narcissus reverberates through mythology. Echo. 3: Jesus had 12 of these special disciples, from the Greek for "messenger". apostles. 4: To bite or chew persistently, like an animal with a bone. gnaw. 5: This 6-letter synonym for self-assurance comes from the French; we hope you respond to the clue "with" it. aplomb. Round 4. Category: Brando 1: Rebellious naval Lt. Fletcher Christian. Mutiny on the Bounty. 2: "Family" man Don Vito Corleone. The Godfather. 3: Terry Malloy, who could've been a contender. On the Waterfront. 4: Johnny, leader of the Black Rebels. The Wild One. 5: Blanche's brother-in-law Stanley. A Streetcar Named Desire. Round 5. Category: Yestercareer 1: A vintager was a harvester of these. grapes. 2: Essential before an extended journey, a caulker made sure this, the frame of a ship, was watertight. the hull. 3: A spinner made this. thread. 4: The knocker-upper, with a long pole or a peashooter to aim at windows, has been replaced by this bedside device. an alarm clock. 5: Author/magistrate Henry Fielding professionalized this job when he started the Bow Street runners. a policeman. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Don Quixote in England by Henry Fielding audiobook. 'The Audience, I believe, are all acquainted with the Character of Don Quixote and Sancho. I have brought them over into England, and introduced them at an Inn in the Country, where, I believe, no one will be surpris'd that the Knight finds several People as mad as himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

"the melancholy procession to the gallows"

“If you could travel back in time, where would you go and why?”  This is our 2nd TIME TRAVEL Bonus episode. We picked 5 guest responses to our time travel question from the 2nd season of the podcast. Go back in time with:  NAHIR OTAÑO GRACIA, Medievalist and scholar who joined us for a conversation about the Netflix series VIKINGS VALHALLA; PEARL MACKIE who appears in the PBS MASTERPIECE series's reimagining of British author Henry Fielding's 18th century comic novel, TOM JONES; JULIAN LEDFORD, a french literature and language professor who shared his thoughts on the film CHEVALIER and the real-life composer Joseph Bologne the Chevalier de Saint George; GAYLE WALD, English professor and biographer of Sister Rosetta Tharpe, one of the rock and roll trailblazers of the 20th century depicted in the biopic ELVIS; and JOHN VALADEZ, a Peabody Award-winning filmmaker whose 2007 documentary THE  HEAD OF JOAQUIN MURIETA just happens to be the same title and topic of the 2023 western drama series on Amazon Prime about the legendary Mexican outlaw Joaquin Murieta. Time Stamps 0:08 Intro 0:49 Time Travel Lightning Round 2:34 Nahir Ortaño Gracia/Middle Ages, A Time of Possibility 6:50 Pearl Mackie/Civil Rights Movement, A Time of Power 9:20 Julien Ledford/18th Century Musicologist 11:24 Gayle Wald/To See the Blues Queens On Stage For Real 13:57 John Valadez/Going Into the Great Unknown 19:03 Audience/Tell Us Where You Would Time Travel 19:38 How to Contact 20:46 Disclaimer TRANSCRIPT AVAILABLE AT THIS LINK - PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS LISTEN to past past podcasts starting with the guests featured in this bonus episode SIGN UP for our mailing list SUBSCRIBE to the podcast on your favorite podcast platform You can SUPPORT this podcast with a monthly donation on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

Mark Brown Hi, I'm Mark Brown and I'm a playwright. For more than 20 years I was an actor but I made a mid-career switch to writing. My mom always said I should have something to fall back on. For the longest time I thought she meant a mattress. The acting worked out okay. I did a lot of theatre, TV and film. I was blessed to work with some really great actors, from George Clooney to Philip Nolen. From Tom Hanks to the Rally Monkey. But I grew weary of the acting business as it became more and more last minute. I would get a lot of calls from my agent saying things like, “You need to be in Santa Monica in 45 minutes.” It wasn't my agent's fault. It was just the business. So I heeded my mom's advice and I fell back on the much more stable career of playwriting. What was I possibly thinking? But so far things have worked out. Excuse me while I go knock on the largest piece of wood I can find. I've been fortunate to have my plays produced all over the world: Off-Broadway, across the U.S. (including the 50th state, Hawaii), Canada, England, India, Turkey, South Africa, Bangladesh and China. I consider myself very lucky. http://markbrownwriter.com/ This Is Tom Jones! Henry Fielding's heart-throbbing masterpiece meets the frenzied, mop-top sounds of the 1960s known as the British Invasion. Aristocrats, wenches and scalawags abound in this bawdy and rollicking romp through the back roads and bedchambers of England. If you liked Austin Powers, The Full Monty, or Avenue Q, you'll like THIS IS TOM JONES!

The Iliad and Beowulf provide rich sources of historical information. The novels of Henry Fielding and Henry James may be instructive in the art of moral living. Some go further and argue that Emile Zola and Harriet Beecher Stowe played a part in ameliorating the lives of those existing in harsh circumstances. However, as Derek Attridge argues in this outstanding and acclaimed book, none of these capacities is distinctive of literature. What is the singularity of literature? Do the terms "literature" and "the literary" refer to actual entities found in cultures at certain times, or are they merely expressions characteristic of such cultures? Attridge argues that this resistance to definition and reduction is not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art. Derek Attridge provides a rich new vocabulary for literature, rethinking such terms as "invention," "singularity," "otherness," "alterity," "performance" and "form." He returns literature to the realm of ethics, and argues for the ethical importance of literature, demonstrating how a new understanding of the literary might be put to work in a "responsible," creative mode of reading. The Singularity of Literature (Routledge, 2017) is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic. Derek Attridge is Emeritus Professor of English at the University of York, UK. He is the author or editor of twenty-five books, including Peculiar Language: Literature as Difference from the Renaissance to James Joyce (Routledge, 2004), The Work of Literature (2015) and, with Henry Staten, The Craft of Poetry (Routledge, 2015). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Iliad and Beowulf provide rich sources of historical information. The novels of Henry Fielding and Henry James may be instructive in the art of moral living. Some go further and argue that Emile Zola and Harriet Beecher Stowe played a part in ameliorating the lives of those existing in harsh circumstances. However, as Derek Attridge argues in this outstanding and acclaimed book, none of these capacities is distinctive of literature. What is the singularity of literature? Do the terms "literature" and "the literary" refer to actual entities found in cultures at certain times, or are they merely expressions characteristic of such cultures? Attridge argues that this resistance to definition and reduction is not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art. Derek Attridge provides a rich new vocabulary for literature, rethinking such terms as "invention," "singularity," "otherness," "alterity," "performance" and "form." He returns literature to the realm of ethics, and argues for the ethical importance of literature, demonstrating how a new understanding of the literary might be put to work in a "responsible," creative mode of reading. The Singularity of Literature (Routledge, 2017) is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic. Derek Attridge is Emeritus Professor of English at the University of York, UK. He is the author or editor of twenty-five books, including Peculiar Language: Literature as Difference from the Renaissance to James Joyce (Routledge, 2004), The Work of Literature (2015) and, with Henry Staten, The Craft of Poetry (Routledge, 2015). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Iliad and Beowulf provide rich sources of historical information. The novels of Henry Fielding and Henry James may be instructive in the art of moral living. Some go further and argue that Emile Zola and Harriet Beecher Stowe played a part in ameliorating the lives of those existing in harsh circumstances. However, as Derek Attridge argues in this outstanding and acclaimed book, none of these capacities is distinctive of literature. What is the singularity of literature? Do the terms "literature" and "the literary" refer to actual entities found in cultures at certain times, or are they merely expressions characteristic of such cultures? Attridge argues that this resistance to definition and reduction is not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art. Derek Attridge provides a rich new vocabulary for literature, rethinking such terms as "invention," "singularity," "otherness," "alterity," "performance" and "form." He returns literature to the realm of ethics, and argues for the ethical importance of literature, demonstrating how a new understanding of the literary might be put to work in a "responsible," creative mode of reading. The Singularity of Literature (Routledge, 2017) is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic. Derek Attridge is Emeritus Professor of English at the University of York, UK. He is the author or editor of twenty-five books, including Peculiar Language: Literature as Difference from the Renaissance to James Joyce (Routledge, 2004), The Work of Literature (2015) and, with Henry Staten, The Craft of Poetry (Routledge, 2015). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Recapper Janet Mullany joins the ladies to discuss the lavish Masterpiece adaptation of Henry Fielding's Tom Jones. See omnystudio.com/listener for privacy information.

In episode 35 we're talking with actor PEARL MACKIE (THE DIPLOMAT, DOCTOR WHO) about the PBS MASTERPIECE mini series TOM JONES. Pearl Mackie plays Honour Newton, the worldly-wise trusted lady's maid of Sophia Western (Sophie Wilde) in a 4-part reimagining of Henry Fielding's comic novel, "The History of Tom Jones, A Foundling," published in 1749. We discuss the dynamics of Honour and Sophia's relationship, the challenge of riding a horse while wearing a corset, and living as two Black women from different social standings in mid-18th century England. TRANSCRIPT TIMESTAMPS: 0:08 Historical Drama with The Boston Sisters generic intro; 1:14 Episode Synopsis; 1:41 TOM JONES Synopsis; 2:15 PEARL MACKIE bio/credits; 3:38 Playing Honour Newton, Lady's Maid; 8:42 Corsets and Horses; 12:40 Honour and Sophia in TOM JONES; 13:52 Black Women in Historical Drama; 20:41 Honour Assesses Tom Jones's Character; 24:47 Podcast Break; 25:18 Listening to Actors; 30:47 Black Women Actors and Maid Roles; 41:28 Inclusive Casting in Historical Drama; 45:10 Lighting Round Questions; 45:31 Time Travel (1960S Civil Rights and Medieval Shield Maidens); 45:49 Pearl Mackie's Time Capsule (Spice Girls, Tamagotchi, and Blow-Up Chairs) ; 48:00 Where to Watch TOM JONES; 49:17 Podcast Closing Credits; 50:18 Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS LISTEN to past past podcasts starting with the guests featured in this bonus episode SIGN UP for our mailing list SUBSCRIBE to the podcast on your favorite podcast platform You can SUPPORT this podcast on Anchor or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

Gwyneth Hughes is no stranger to serious period dramas, but wanted to try something more lighthearted and romantic. Hughes discusses the decisions and joys of adapting Henry Fielding's 1,000-page, deeply human, mother of all rom coms into four episodes of pure sunshine.

Amelia — Volume 3

Amelia — Volume 1

The Works of Henry Fielding Edited by George Saintsbury in 12 Volumes $p Volume 12

JOHN SAYLES chats to Paul Burke about his historical novel JAMIE MacGILLIVRAY, the dialogue of Peter Cooke & Dudley Moore, British grub, perspectives of history and historical fiction. JAMIE MacGILLIVRAY: It begins in the highlands of Scotland in 1746, at the Battle of Culloden, the last desperate stand of the Stuart 'pretender' to the throne of the Three Kingdoms, Bonnie Prince Charlie, and his rabidly loyal supporters. Vanquished with his comrades by the forces of the Hanoverian (and Protestant) British crown, the novel's eponymous hero, Jamie MacGillivray, narrowly escapes a roadside execution only to be recaptured by the victors and shipped to Marshalsea Prison (central to Charles Dickens's Hard Times) where he cheats the hangman a second time before being sentenced to transportation and indentured servitude in colonial America 'for the term of his natural life.' His travels are paralleled by those of Jenny Ferguson, a poor, village girl swept up on false charges by the English and also sent in chains to the New World. The novel follows Jamie and Jenny through servitude, revolt, escape, and romantic entanglements pawns in a deadly game. The two continue to cross paths with each other and with some of the leading figures of the era - the devious Lord Lovat, future novelist Henry Fielding, the artist William Hogarth, a young and ambitious George Washington, the doomed General James Wolfe, and the Lenape chief feared throughout the Ohio Valley as Shingas the Terrible.John Sayles is an American independent film director, screenwriter, actor, and novelist. He has twice been nominated for the Academy Award for Best Original Screenplay, for Passion Fish (1992) and Lone Star (1996). He has written seven novels, the most recent being Yellow Earth (2020) and A Moment in the Sun (2011).RecommendationsJosé LatourMartin LimónJohn le Carré The Pigeon TunnelWalter MosleyFilm: Emily The CriminalDiana GabaldonMentions:Bury My Heart at Wounded Knee Dee BrownHoward ZinnThe Lady Vanishes Zadie SmithA Moment in the Sun - John SaylesJames DickieBruce SpringsteenBill ForsythProduced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2022 . Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023&CWA Daggers 2023

Saul Bellow's 1953 breakthrough novel The Adventures of Augie March is perhaps, of all the great American novels we've discussed, the one whose cultural imprint has faded the most. Even among Bellow fans this freewheeling exploration of American identity tends to take a backseat to subsequent classics such as Herzog (1964) and Humboldt's Gift (1975).  Yet for readers who recognize the Whitmanesque strain within Bellow's insistently intellectual worldview, Augie March offers a garrulous, propulsive portrait of the representative American as a picaro, the rogue hero who lives by his wits. In this epic novel in which the journey itself is the destination, Bellow synthesizes a host of influences (Cervantes, Henry Fielding, Twain, Dickens) to celebrate the sheer gusto of American exuberance and the foundational belief that the self is one's clay to mold without rules to follow.  If as one original reviewer declared, Augie March is a rolling stone (a decade before that term became synonymous with rock 'n' roll), this rambling, swaggering embodiment of restless American energy is more Muddy Waters than Bob Dylan: perfectly happy to keep on keepin' on, Augie March doesn't need "no direction home."  

The Worthy squire boys pull up their tights to join a hunt in the English countryside as we're discussing Tony Richardson's Tom Jones. The film is based on the adaptation of Henry Fielding's classic 1749 novel The History of Tom Jones, a Foundling, and stars Albert Finney as the titular hero. Tom Jones is one of the few comedies to win Best Picture at the Academy Awards so Ben and Jon try to dissect why this film was adored at the time and how it's become forgotten over time.    We discuss the unique look and style of the film and how Richardson used some of the technical elements of the British New Wave in this wacky British comedy. Tom Jones is one of only nine films in all of cinema history that have been nominated for five Oscars for their performances and we ask the question of whether this is a sign as to why the film is not often spoken of. Come join us with beers a plenty, roast chicken dinners, and numerous lovers to discuss Tom Jones!    Is Tom Jones worthy of the Best Picture award of 1963? Tell us how we're wrong at worthysubmissions@gmail.com

Nacido en Tarragona, en 1976, la palabra del escritor y periodista Jorge Carrión está siempre presente desde hace años en el debate público sobre los consumos culturales en medios centrales como The New York Times, o La Vanguardia, así como en sus posteos en las redes sociales. Carrión vivió en Buenos Aires, en Rosario, en Boston y viaja mucho, de manera que el viaje es también uno de los tópicos de sus reflexiones. Gran crítico de series, de libros y de productos culturales de todo formato, Carrión es también la voz del podcast Solaris, uno de los más celebrados en nuestra lengua. Director del Master en Creación Literaria de la UPF-BSM de Barcelona y autor de la trilogía de ficción Los muertos, Los huérfanos y Los Turistas y de los ensayos Teleshakespeare, Librerías y Contra Amazon -una encendida defensa de las librerías y un alerta acerca del poder que los algoritmos están adquiriendo en nuestras vidas-, en plena pandemia publicó Lo viral, un diario fake en el cual analiza los nuevos modos de mirar, de mirarnos y de hacer arte. Ahora es el turno de Membrana (Galaxia Gutemberg), su nueva novela, una historia que transcurre en el año 2100 y que se cuenta a través de una suerte de catálogo de una exhibición sobre el siglo XXI. Narrada en una lengua muy original, Carrión entreteje historias reales con ficciones para narrar el vínculo de la humanidad con la tecnología, imaginando un futuro en el que las inteligencias artificiales buscan desprenderse del imperio de lo humano. Una novela inquietante. En la sección Bienvenidos, Hinde hablé de “El grupo de Bloomsbury”, de Quentin Bell (Taurus) y de “Darwin o el origen de la vejez”, de Federico Jeanmaire (Alianza) y en Libros que sí recomendó “La vida después”, de Donald Antrim (Chai) y “¿Por qué la música?”, de Francis Wolff (Serie Gong). En Voz alta, la escritora María Sonia Cristoff, que acaba de publicar “Derroche” leyó un fragmento de "El derecho a la pereza" de Paul Lafargue y en Te regalo un libro, Héctor Jacinto Gómez, productor de TV - guionista - escritor y que acaba de publicar la novela "Risas de mujeres desnudas" publicada por Obloshka, nos habló de "Vida y Opiniones del Caballero Tristram Shandy" de Laurence Sterne, "Tom Jones. Historia de un expósito" de Henry Fielding y "Los viajes de Gulliver" de Jonathan Swift.

Have you ever heard the saying by Henry Fielding, “Success is the fruit of slow growth”??   Don't get me wrong, slow growth is definitely a great tactic for your biz, but not every business owner has the opportunity to grow at their own pace.    Circumstances and unique opportunities can catapult some entrepreneurs forward faster than their biz neighbors, BUT if they can keep up, take measured risks, and effectively lead a growing team, they can build an Empire.    And guess what? My incredible guest today has done just that. And I can't wait for you to hear her story!   In today's episode, Katelyn, aesthetician turned founder and CEO of Salon Ish, is talking all about how she went from a one-woman show to running a large team – and all the trials and tribulations that came along with growing a business and growing a team.   If you need a motivational boost on what your business can become and how to know if you're ready to grow into the next phase of your biz, this episode is for you! Oh, and by the way, if you like what you hear? Could you do me a huge favor and leave us a review on iTunes @ When I Grow Up Pod? It would mean the world! Thank you!   Leave a 5 star review on iTunes!    Times to Check Out: [3:35] How she learned to lead [6:14] When to know it's time to grow your team [13:37] When the shift from small business to empire happened [14:31] Advice for small biz owners ready for the next step [16:27] Acknowledging the growth and stepping away  [19:44] What Phosphate Market is [23:12] A day in the life of a CEO who does it all   Connect With Katelyn: Instagram: https://www.instagram.com/thesalonish/ —--------------------------------------- Grab my pivot guide https://www.kelseymarieknutson.com/pivot   Send us podcast ideas at info@kelseymarieknutson.com    Links: Show notes: https://www.kelseymarieknutson.com/podcast   Follow us on Instagram: https://www.instagram.com/kelseymarieknutson/  Hangout on Facebook: https://www.facebook.com/kelseymarieknutson  Join the online community: https://www.facebook.com/groups/kelseymarieknutson    FREEBIE: 6 steps to take the guess work out of “what's next?” https://www.kelseymarieknutson.com/pivot     Work with Kelsey: Ready for your next big pivot? Maybe it's launching that new side hustle or growing your existing business, whatever the chapter Kelsey's here to help you bridge the gap between new idea and achieving your goals!   VIP Coaching: https://www.kelseymarieknutson.com/vip-coaching Grow Academy: https://www.kelseymarieknutson.com/grow-academy  Start Smart: https://kelseymarieknutson.mykajabi.com/offers/aoAuAe7M/checkout

This episode features discussions about Amy Engelhardt and Marc Acito's Bastard Jones and Sara Cooper and Lynne Shankel's Perpetual Sunshine & The Ghost Girls.  BASTARD JONES (by Amy Engelhardt and Marc Acito) - Bastard Jones is a sexy, smart, rollicking new musical comedy that combines a bouncy pop score with period farce. When charming, low-born Tom makes the mistake of wooing Sophia Shepherd, daughter of the pompous Reverend Shepherd, a chain of secrets, schemings and multiple bed-hoppings are set in motion. Based on Henry Fielding's 1749 Brit lit satire Tom Jones, ths musical reimagines the young, irrepressible foundling Tom Jones as an electric guitar in a harpsichord world.  PERPETUAL SUNSHINE & THE GHOST GIRLS (by Sara Cooper and Lynne Shankel) - Perpetual Sunshine & the Ghost Girls is an all-woman+ through composed musical theatre piece about the capitalist exploitation of workers' bodies and rights in the face of a national public health crisis. Featuring an original 1920s-2020s mashup score, the show is based on the true story of the women who worked in the factories and were knowingly poisoned by the United States Radium Corporation, and who fought back, changing United States labor laws forever. Perpetual Sunshine & the Ghost Girls is a 2022 Richard Rodgers Award winner. Featuring performances from Katelyn Baughman, Piper Bruce, Colette Caspari, Brian Davis, Amy Engelhardt, Audrey Hare, Don Howes, Autumn Key, Jessi Kirtley, Eden Mau, Claire Marie Miller, Alexa Lopez, Andie Peterson, Josh Raff, Evan Ruggiero, Lauren Senden, Bella Serano, Leila Shaye and Elena Wang Connect with Amy Engelhardt: Instagram: @amyengelhardt Connect with Sara Cooper: Instagram: @_saradioactive Twitter: @sarachnoid Connect with Lynne Shankel: Instagram: @shanktunes Twitter: @LynneShankel Connect with New York Theatre Barn: Support us: nytheatrebarn.org/give Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org Joe's personal Instagram: @bisforbarros Jen's personal Instagram: @jensandler Learn more about your ad choices. Visit megaphone.fm/adchoices