Podcasts about balder

Every good man has been there.

While reflecting on relationships come and gone, a man praises the one girl who has always been there for him..... on the shelf...in Hip Hop form... Little Debbie.

I hope it's ok that this month's FuMP submission is actually two songs stuck together as one, and that only half of it is funny. In 2002 I became an uncle for the second time, to a nephew named Sachio. He was the happiest, most calm and even-tempered child I've ever encountered. Just all smiles, all the time. I didn't see him or his sister that much, as they lived far away, but with each visit he became more and more interesting and fun and inspiring. For his third birthday I parodied a Van Morrison song for Sachio, and that's the first half of today's offering. In 2005 I made a CD of that song, and that CD still has a proud place in the upstairs bathroom of their home in Georgia. As I write this, Sachio is 24 and in hospice care, at home with his parents. His sister has come for the summer to be with them, along with her wife. I'm visiting every few weeks. In September 2025 Sachio was diagnosed with a Malignant Peripheral Nerve Sheath Tumor. It's a terribly aggressive cancer, which becomes so entangled in so many healthy organs that it becomes very hard to treat. Six months of chemo barely slowed its growth, and in April 2026 Sachio decided that quality of life was more important than quantity. I've written quite a bit about Sachio over the past year, but it was personal and not for public eyes or ears. Now it's fathers day weekend. I'm visiting with them in Georgia, and alternately feeling like it's good that I'm here, and then that I'm an additional burden being here, and then that it doesn't matter one way or the other. We keep breathing and watching tennis and watching world cup soccer and eating and sleeping... trying to keep this brave and doomed young man comfortable and comforted as the clock ticks. *** Sachio died at 4 am on Friday June 26, 2026. The hole he left is immeasurable. The second half of today's offering probably isn't comforting. I can do music pretty well, and I can do comedy pretty well... but neither seems to be of any value for my family (or for anyone else) in the face of incurable cancer. I've found that making things helps me process and deal with the pain and the isolation and the helplessness, so I've kept at it. It was helpful to me to make something "pretty" or "melodic" out of all this monumental unfairness. It was helpful to beat the hell out of the drums, and to turn this up really loud. And, having played it for a few close friends, I think it might actually have some merit. And maybe even some value for those who are grieving. Who knows? The main thing I've noticed is that pretty much anything is okay to say or do when the outcome is certain and awful. Very little judgement has been shown lately. So here goes. Sachio was violinist and a guitarist and a saxophonist and a singer. I wish I could say that we played music together, but for some reason that only happened a few times, very casually. We never composed anything together, and we never recorded anything. He played music with his sister, and with his father, and with his school orchestra, and later with his band "The Drapes." A few years ago I invited him and his band to come up to Nashville and do some recording, but that never happened. And that makes me profoundly sad. For this song, I composed the finger-picked instrumental bit upstairs in Sachio's room, while Sachio and his parents were sleeping in the basement room that had become Sachio's hospice ward. Sachio's room was (and will remain) full of his awards and sports posters and lots of things he'd collected in 24 years. As I worked on the song, I thought, "I'm in his bedroom, and he'll never see this room again." And I tried to put that big sadness into the music. In the original "Sachio" song from 2005, I enlisted the saxophone talents of Michael Duncan in Los Angeles. For the second, newer part, I wanted to have a violin, so I asked Tim Lorsch to provide that in Nashville, and he kindly agreed. Everything else you hear is me. Two individual songs compose this whole. My hope is that together they kind of bookend a life lived well, even if it was much too short. I hope people can relate to the pain and overwhelmingness of life and death, and that they think of the awesome gift that we all get for a short while. I hope the "god works in mysterious ways" people will see another perspective, as this song does not let any god off the hook. I hope this does something for someone. I'm just putting it all out there. Doing my best, whether it's sufficient or not. Many thanks to my brother Adam Goodie, his wife Chinami Goodie, their daughter Sara Goodie, and of course Sachio himself. You have each shown inspiring strength and love through all the good times and bad. You can see Sachio's obituary here. And you can see a video of this song, a slideshow, here. "Sachio" Music: Van Morrison Words, guitars, drums, bass, keyboards, vocals, arrangement, production: SG Saxophones: Michael Duncan "My Brother's Son" Music, words, guitars, pedal steel guitar, piano, bass, drums, vocals, arrangement, production: SG Violin: Tim Lorsch Helpful help: Stephen DeBonrepos and Niamh Bagnell

Spaff recently attended a reunion dinner with some old friends. Kurt asked if anyone had dietary restrictions. Dave said cilantro. Then he added, "Not allergic. Just can't stand it." And a song parody was born! What we learned about cilantro: o Americans call coriander leaves cilantro. Other English speakers call all of it coriander. o An olfactory receptor gene, OR6A2, determines your response to the aldehydes in cilantro. Which is to say, it's not just your preference. It's genetic. o A bunch of coriander was found in King Tut's tomb. You can decide if that's what killed him. What we learned about "Fernando": o Before ABBA's English remake, the song was released in Swedish by Frida (Anni-Frid Lyngstad) and is about a brokenhearted bartender, not a Latin American freedom fighter. o In 1976 (Happy Bicentennial!) "Fernando" hit #1 in 15 countries. In Australia it was the longest-running #1 ever (until it was beaten by Ed Sheeran's "Shape of You"). In the US it only reached #13. o Musicologist Philip Tagg wrote a 500-page book about "Fernando" and even he wasn't sure exactly which instruments were used. Bob had to make an educated guess. Swedish Chefs: Ashby, Lucas: Audio engineering Bad Beth and Beyond: Lead and backing vocals Bob Emmet: Instruments, arranging, and production Apprentice Chef Spaff: Lyrics

A classic tale of bathroom terrorism and adhesive assault.

You know how when someone says you look good for your age, you think, hmm, is that really a compliment? Because if they thought you looked good, they'd say you look good, and not qualify it with "for your age." Anyway, happy 250th birthday, America! You look good for your age! Here's our birthday tribute. It's a parody of Robert Palmer's "Simply Irresistible." Of course. Boston Tea Partiers: M. Spaff Sumsion: Lyrics Robert Lund: All vocals, all instruments, all everything else P.S. Check out the video! P.P.S. No AI was used in the writing of the lyrics or performance of the music. For the video, AI generated the images Spaff requested, but Spaff did everything else. Hooray for (not-yet-fully obsolete) humans.

Alla har hört talas om Oden, Tor, Loke, Freja, Balder, Njord och de andra gamla asagudarna. De flesta tror sig också känna till de lika ryktbara som beryktade offerhandlingarna – bloten – med vilka vikingarna firade dem och offrade till dem. Men vad vet vi egentligen om den fornnordiska religionen? Vilka gudar vördade man på riktigt, och hur gick offren till?Sanningen är att vikingatidens förkristna religion var mångfacetterad, med flera olika typer av kulter. Här fanns det småskaliga alvablotet, privata högtider på gårdarna, som främlingar inte fick ta del av, men också de stora riksbloten på platser som Lade, Lejre och Uppsala, där representanter från flera bygder förväntades delta. Här fanns också det kvinnliga sejdandet, då völvor försatte sig i trans och skådade in i framtiden. I de tidigmedeltida kristna redogörelserna för bloten dominerar kusliga exposéer av blodiga människooffer i heliga lundar och tempel, medan de norska kungasagorna snarare låter oss se festliga sammankomster med rituellt drickande och inmundigande av helgade köttgrytor. Vilken bild är mest korrekt? I takt med att arkeologerna hittar de gamla templen – ”kulthusen” – kan vi lägga ihop allt fler pusselbitar till bilden av de religioner som gick i graven när kristendomen segrade på 1000- och 1100-talen.I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och fackboksförfattaren Katarina Harrison Lindbergh om vikingatidens asagudar och de kulter som tillägnades dem.Bild: 1800-talsskildring av ett forntida Disablot. Illustration av August Malmström från sent 1800-tal. Wikipedia, Public Domain.Klippare: Aron SchuurmanProducent: Urban Lindstedt Hosted on Acast. See acast.com/privacy for more information.

A song for fun, childfree uncles and lady uncles alike. More Goodbye Charlemagne available here: linktree.com/goodbyecharlemagne

Are you tired of those bloody beachy bastard birds binging on all of your belongings? Then this song is for you! It's a parody of the Tears for Fears song: "Everybody Wants To Rule The World" and it's all about everybody's least favorite sea-going citizen: The seagull. Sit back and let the sounds of the sea and the seagulls carry you away (Just like how these gulls carried away your last bologna sandwhich!) Lyrics by Matthias

In this week's Autopsy, we react to NATO Secretary General Mark Rutte's visit to Donald Trump at the White House. Dario calls him the Trump brown nose. Balder, as a Dutch person, feels a particular kind of shame.The visit features Rutte presenting Trump with a poster, in Trump gold and red, showing European defence spending going up. The numbers are accurate. The framing is not. European rearmament is happening because the transatlantic alliance has fractured and Europeans no longer trust the United States as a security guarantor, not because Trump successfully pressured them. Rutte knows this. He presents it differently anyway. He also describes the US war against Iran, in which at least 150 schoolgirls died in a single strike, as something to be celebrated and admired. He calls Trump the leader of the free world without apparent discomfort.We discuss what this kind of politics actually costs in the long run. Rutte's defenders argue he is sacrificing his ego for the greater good, managing a difficult relationship to keep NATO functional. We argue the opposite: by cheerleading this war, by refusing to signal even basic moral disapproval, he tells the world that this behaviour is acceptable. Europe and NATO lose the moral standing they would need to argue against future aggression, by anyone. The managerial mindset that defines this kind of politics only sees tomorrow. It does not see what it is giving away.This podcast is an individual project between us, Dario Hasenstab and Balder Hageraats. We are supported by our producer Stefani Obradovic from Western Bubble Insights & Strategy. If you would like to get in touch with us, write us an email at thewesternbubble@gmail.com.

Stinging and Deranged represents the angry existence of a lonely Bee in a futuristic chaotic world. Inspired by the Iconic Musical "Singing in the Rain." (Sung and danced by Gene Kelley) Recorded at Moonlight Studios, Los Angeles New lyrics and vocals: Sulu Dubow as "The Bee " Original music: Herb Nacio Brown, Original lyrics: Arthur Freed Musical Production and special effects: Jeff Lewis of Moonlight Studios Miserable Stung Male: Jeff Lewis Asst production: Sulu Dubow Trumpet: Jeff Lewis Technical support: Jordan Kesselhaut, Michael Lestatkatt Selcovitz Special thanks to Steve Goodie and Brad Tassell (VCS) (First performance on guitar.) Many thanks to "The Improvisational Buzz Bee FUMP Dancers " Performed by "The FUMPS " and myself on guitar in front of a live audience at The Pre Dr. Demento Retirement Party House Concert on April 18, 2026. The Improvisational Buzz Bee FUMP Dancers are: Insane Ian Bonds, Luke Sienkoski aka The Great Lukeski, Tony Goldmark, Tim Crist aka Shoebox, Chris Mezzolesta (seen on a separate video) In Memory of David Vasquez, May 2026 Moonlight Studios

This week Balder defends his own people. A YouTube video titled "Economists are full of shit" and the hundred-plus likes underneath it sparked this episode, and the underlying complaint is understandable: a generation that was promised growth has watched that growth show up everywhere except their own bank accounts. But the target of that anger is wrong. Economists study economic behaviour. Politicians decide what to do with that knowledge. The neoliberal consensus that dominated policy from the 1980s onwards was a political choice, not an inevitable conclusion handed down by the discipline of economics itself.The data makes the disconnect impossible to miss. GDP and median household income moved together until the 1990s, then diverged sharply. Productivity and hourly compensation tell the same story from 1970 onwards. Nearly 40 percent of Americans could not cover an unexpected expense without significant strain on their savings, despite a quarter century of consistent GDP growth. None of that is a failure of economics as a science. It is a failure of politics to ask economists the right questions, namely how do we improve human wellbeing, rather than how do we maximise growth and assume the rest follows.We also dig into Gary Stevenson's viral critique of how economics is taught, which gets the methodology problem mostly right while building an oversimplified enemy out of an entire profession, and a Novara Media clip on China that shows exactly the same instinct from the opposite political direction: reaching for a tribe instead of an analysis. Economics is a soft science. It will sometimes get things wrong. That does not make it worthless, and confusing the discipline with the politicians who misused it is its own kind of Western Bubble thinking.This podcast is an individual project between us, Dario Hasenstab and Balder Hageraats. We are supported by our producer Stefani Obradovic from Western Bubble Insights & Strategy. If you would like to get in touch with us, write us an email at thewesternbubble@gmail.com.

It feels like most Life Coaches needs a Life Coach!

Baby Yoda is a comedy rock anthem that turns Star Wars lore into an over-the-top love song. A hardened Mandalorian bounty hunter melts for a tiny green chaos goblin, mixing crunchy guitars, big hooks, and hyper-specific humor.

It's almost time to head back to Edinburgh for the Fringe Festival! And naturally that makes me think of the 24/7 racket made by the resident seagulls. And naturally that makes me think of Tom Lehrer. And it's featured on my 40th album, "Emotional Support Hamster" which you should totally buy at www.stevegoodie.com ! Music: Tom Lehrer Lyrics: SG and Niamh Bagnell Piano, vocal, arrangement, production: SG

In which we discover we have way too much in common with...a dinosaur. What we learned about Stegosaurus: o The distance between Stegosaurus and T. Rex is much greater than the distance between T. Rex and us. (80+ million years vs. 66 million years.) o We're not sure what the back plates were for. Possibly to be cool; possibly just to look cool. o Stegosaurus ate rocks to help digest those prehistoric fern salads. o It's Colorado's official state fossil. You can even get Stegosaurus vanity plates, but you have to register a vehicle there. So...goals. o In The Far Side, Gary Larson named the spiked tail the thagomizer ("after the late Thag Simmons"). It is now the standard anatomical term. What we learned about "Desperado": o It's not The Eagles. It's just Eagles. o While considered one of their greatest hits (it's even on Their Greatest Hits), it was never a single and therefore not a hit. o Don Henley didn't like his vocals but wasn't given a chance to redo them. o The song plays a central role on Seinfeld (Season 8, Episode 7). Cold-blooded reptilians: o M. Spaff Sumsion: Lyrics o Robert Lund: All vocals, all instruments, all production, all everything else Oh and hey: Check out the music video (YouTube link below). It's our first one in years and represents Spaff's first attempt to harness AI. (To be clear: The lyrics are 100% human. The music and vocals are 100% human. But the images in the video are 100% AI (albeit with five tons of coaching from Spaff).)

Tofu comes in tofu cubes. Soy milk comes from tofu boobs....This song is my bean curd deathtrip.

TERROR! HYSTERIA! INCONVENIENCE! No one is safe from the WMV... and your town could be next!

Tobias og Balder fra Metropolen besøker podkasten denne uka! Tobias forteller åpent om rus, sorgen etter å ha mistet faren sin som 18-åring, og hvordan vennene i Metropolen ble avgjørende for at livet tok en annen retning. Hosted on Acast. See acast.com/privacy for more information.

You never know who you'll meet, when you're out and about. Features a special guest vocalist, who needs no introduction (yet gets one, anyway!). (C)2026 Box Office Poison Records Written, performed, produced, mixed by TRRJTH Donkey Hotay Music (BMI) Mastered by Michael Fossenkemper - TurtleTone Studio NYC Art by Rochelle Carr Studios

The Kennedy Curse set to music.

Fluent Fiction - Swedish: Elin's Thrilling Adventure at Liseberg: A Day of Courage Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2026-05-23-22-34-02-sv Story Transcript:Sv: Det var en av de där klara vårdagarna när solskenet fick hela världen att kännas ljusare och större.En: It was one of those clear spring days when the sunshine made the whole world feel brighter and bigger.Sv: Liseberg Amusement Park i Göteborg sprudlade av liv.En: Liseberg Amusement Park in Göteborg was bustling with life.Sv: Den varma vinden bar med sig lukten av popcorn och sockervadd, medan skrik av glädje från karusellerna ekade genom luften.En: The warm wind carried the scent of popcorn and cotton candy, while screams of joy from the rides echoed through the air.Sv: Mitt i allt detta stod Elin, fylld av en längtan efter äventyr.En: In the midst of all this stood Elin, filled with a longing for adventure.Sv: Elin var en elev med stort sinne för upptäcktsfärder.En: Elin was a student with a great sense of exploration.Sv: Trött på vardagens tråkiga upprepning, ville hon ha något speciellt att minnas från utflykten med klassen.En: Tired of the daily mundane routine, she wanted something special to remember from the field trip with the class.Sv: Nils, hennes vän, var mer noggrann.En: Nils, her friend, was more meticulous.Sv: Han tyckte om att följa reglerna och kände sig trygg med att hålla sig till lärarnas noggrant planerade schema.En: He liked to follow the rules and felt safe sticking to the teachers' carefully planned schedule.Sv: Johan däremot, älskade att ha kul och tänkte ofta mer på nöjen än på regler.En: Johan, on the other hand, loved to have fun and often thought more about enjoyment than rules.Sv: De tre vännerna gick längs de slingrande gångarna i Liseberg, omgivna av blommande tulpaner och grönskande träd.En: The three friends walked along the winding paths of Liseberg, surrounded by blooming tulips and lush trees.Sv: Elin kunde inte hjälpa att känna sig lockad av friheten som nästan kunde höras i gnisslet från attraktionernas kedjor och ropen från besökarna.En: Elin couldn't help but feel drawn to the freedom that seemed to echo in the creaking of the rides' chains and the shouts from the visitors.Sv: En idé växte i hennes tankar.En: An idea was growing in her thoughts.Sv: "Vi borde åka Balder," föreslog hon plötsligt och pekade på parkens största berg- och dalbana.En: "We should ride Balder," she suddenly suggested, pointing to the park's largest roller coaster.Sv: Nils rynkade pannan bekymrat.En: Nils frowned worriedly.Sv: "Men det står inte på vårt schema," påpekade han.En: "But it's not on our schedule," he pointed out.Sv: Johan log bredvid honom.En: Johan smiled beside him.Sv: "Precis därför borde vi göra det," sa han med en glimt i ögat.En: "That's exactly why we should do it," he said with a glint in his eye.Sv: Elins hjärta bultade av nervositet och upprymdhet.En: Elin's heart pounded with nervousness and excitement.Sv: Hon visste att det fanns en chans att lärarna skulle bli besvikna om de struntade i schemat.En: She knew there was a chance the teachers would be disappointed if they ignored the schedule.Sv: Men tanken på att missa denna chans till äventyr, lockade för mycket.En: But the thought of missing this opportunity for adventure was too tempting.Sv: Med ett djupt andetag bestämde Elin sig.En: With a deep breath, Elin made up her mind.Sv: Hon nickade och sa till sina vänner, "Jag tror vi kan ha ett litet eget äventyr."En: She nodded and said to her friends, "I think we can have our own little adventure."Sv: Nils drog på munnen medan Johan klappade henne på axeln.En: Nils grinned while Johan patted her on the shoulder.Sv: "Det är så man gör!"En: "That's the spirit!"Sv: Tillsammans smög de sig iväg från klassen och mot Balder.En: Together, they snuck away from the class and headed towards Balder.Sv: När de kom fram, svindlade synen av den mäktiga konstruktionen nästan Elins alla tvivel.En: When they arrived, the sight of the mighty construction nearly swept away all of Elin's doubts.Sv: De ställde sig i kön, medan adrenalinet pumpade i deras ådror.En: They stood in line, while adrenaline pumped through their veins.Sv: När vagnen började rulla uppåt, undrade Elin kort om hon gjort rätt val.En: As the cart began to climb upward, Elin briefly wondered if she'd made the right choice.Sv: Men i nästa sekund, när de for nerför det första stupet, försvann alla hennes tvivel i ett paralyserande men befriande skrik.En: But in the next second, as they plunged down the first drop, all her doubts vanished in a paralyzing yet liberating scream.Sv: Det var skrämmande men samtidigt underbart.En: It was terrifying but at the same time wonderful.Sv: Elin kände sig mer levande än någonsin.En: Elin felt more alive than ever.Sv: Efter åkturen, med rufsigt hår och rosiga kinder, återvände de tre vännerna till gruppen.En: After the ride, with tousled hair and rosy cheeks, the three friends returned to the group.Sv: Elin kände sig annorlunda.En: Elin felt different.Sv: Hon hade vågat något hon tidigare bara hade drömt om.En: She had dared something she had previously only dreamed of.Sv: Hennes äventyr kändes som ett modigt steg mot något större.En: Her adventure felt like a brave step towards something bigger.Sv: När hon berättade om sitt äventyr, spreds inspirationen bland klasskamraterna.En: When she shared her adventure, inspiration spread among her classmates.Sv: Hon insåg att hon hade hittat en balans – insikten att äventyr kan vävas in i vardagen utan att förlora ansvarskänslan.En: She realized she had found a balance—the insight that adventures can be woven into everyday life without losing a sense of responsibility.Sv: När eftermiddagen övergick i kväll, och lamporna på Liseberg tändes, log Elin.En: As afternoon turned into evening, and the lights at Liseberg lit up, Elin smiled.Sv: Vårens ljus hade inte bara fyllt parken med liv utan också hennes hjärta med en bestående känsla av frihet och mod.En: Spring's light had filled not only the park with life but also her heart with a lasting sense of freedom and courage. Vocabulary Words:clear: klarabustling: sprudladescent: luktenmidst: mittlonging: längtanmundane: tråkigameticulous: noggrannwinding: slingrandelush: grönskandecreaking: gnissletmighty: mäktigaadrenaline: adrenalinetplunged: forparalyzing: paralyserandeliberating: befriandetousled: rufsigtrosy: rosigabrave: modigtinsight: insiktwoven: vävaslight: ljusfreedom: frihetcourage: modechoed: ekaderoutine: upprepningschedule: schematempting: lockadeadventure: äventyrexploration: upptäcktsfärderconstruct: konstruktion

If you ever had a bad roommate situation...

A song that describes the feeling of waking up and realising there are left overs in the fridge.

We finally got around to recording our song about how much Erin hates online opinion pieces structured as if there is objective data to consult when creating listicles. You know, "Every Episode of Lower Decks, Definitively Ranked!" Via Bella is: Erin Bellavia: vocals Rand Bellavia: guitar, vocals MIke Brunacini: piano Mike Mallory: bass

The way Whatsisname incessantly "floods the zone" with all-new outrages, you can be forgiven for thinking all the ICE drama is in the distant past. Spoiler: It's not. Just days ago at the Border Security Expo (fun crowd, right?), border czar Tom Homan said, quote, "You ain't seen shit yet." And: "You will see more ICE agents than you've ever seen before." So that's nice. Meanwhile, "Die with a Smile" by Lady Gaga and Bruno Mars was Spotify's most-streamed song of 2025 and continues to do juuust fine. (Latest count: 3.7 billion plays.) So here ya go! Our parody of the song about the topic. M. Spaff Sumsion: Lyrics Mr. E. and Anna Nimmiti: Vocals Bob Emmet: Keyboards, bass, guitar, drum programming, production, and everything else.

This is a dumb song based on a dumb idea that's been rattling around in my head for many decades, probably since I first saw "Young Frankenstein. " And it's the closing track on my 40th album, "Emotional Support Hamster" which you should totally buy it at www.stevegoodie.com ! Words, guitar, bass, drums, vibes, piano, vocal: SG Music: Irving Berlin

I wanted to write a song that sounded like synth-heavy comedy band OCT. So I did. This is about my cat(s).

Dr. Pinkerton and I are now united by a common threat. We've been increasing the security around our respective fortresses. We've added extra alligators to our moats. Our radio receivers are tuned to warehouses and farms. But these prowlers keep finding us, offering us lollies, and we can't pretend stranger-danger is a long awaited sale. So Dr. Pinkerton and I co-wrote this warning. We will resume our attempts to destroy each other (or the world) after we get these obsessive lurkers off of our vaporous trails! Red alert, red alert! This is an exercise in self indulgence. Never turn your back on a salesman! Bad Beth and Beyond: vocals, electric bouzouki, bass guitar, keyboard Dr. Milo T. Pinkerton III: vocals Drumbot: drums Fresh Rah D.: additional cymbals Marshall Trucker: telemarketer

It's a pretty old academic tradition for songs about pure scientific topics to lack any kind of taste or relatable humor, and we hope this song is no exception. PRODUCTION CREDITS: lead vocals - Dr. Milo T. Pinkerton III backing vocals - Bad Beth lead guitar - Prof. Glitch rhythm guitar - Filbert Snodgrass, (Jr. Scientist in Training) keyboards - Dr. Dylan W. Winchester harmonica - Benny Grunch bass - Dr. Z drums and percussion - Drumbot music and lyrics by the Consortium of Genius recorded, mixed and mastered by Lewis D'Aubin at C.O.G. Secret Lab, Harahan, LA

Welcome to the finale of our special four-part Deep Dive series into the international system! Over the past three weeks, we explored the philosophical origins of the "Western Bubble" and how post-WWII powers built a global infrastructure in their own image. This week, we examine how and why that exact same system is breaking down.Are we meticulously transitioning to a new world order, or simply sliding into global anarchy?The episode begins with an audio essay read by our producer, Stefani, detailing the West's 21st-century loss of internal purpose. Following the 1990s, ideological vision was replaced by a "neoliberal slumber." Politicians transformed into mid-level managers obsessed with financial markets, ultimately abandoning the complex transnational institutions they had painstakingly built.Following the essay, Dario and Balder unpack the consequences of this geopolitical decay. We discuss:The Managerial Slumber: How extreme deregulation and the 2008 financial crisis proved that Western leadership had sacrificed long-term geopolitical strategy for short-term corporate bailouts.The G20 vs. The UN: Why the West bypassed the United Nations to create the G20—a mechanism designed not for global unity, but to save a failing Western financial system.The Nail in the Coffin: How the 2003 invasion of Iraq proved to the rest of the world that the UN is geopolitically irrelevant when Western powers decide to break their own rules.China's Quiet Takeover: Why Beijing is happily picking up the diplomatic tools the West abandoned to build its own economic hegemony.Thank you for joining us on this massive historical and political journey. Next week, we will return to our standard weekly format to analyse the ongoing madness of the world.This podcast is an individual project between Dario Hasenstab and Balder Hageraats. We are supported by our producer Stefani Obradovic from Western Bubble Insights & Strategy. If you would like to get in touch with us, write us an email at thewesternbubble@gmail.com.

This is a song written from the perspective of a minor heel, getting away with a large number of small-but-decidedly-still-evil injustices. I went with the classic boots 'n cats beatboxing for some silliness. I think this song slaps, and I hope you enjoy it.

Hey, we're Toby Danger, and we wrote No Such Thing As Cool after realizing we spent most of my live trying to impress people who don't like the same snacks we do. This song is for the kids in the wrong jeans, the wrong scenes, and the wrong decade, or, you know, pretty much everyone. It's pop-rock with a shout-along chorus and a gentle reminder that nobody actually knows what they're doing, especially the people who look like they do. If "cool" exists, it's probably very tired of being chased.

Welcome to Part 3 of our special four-part Deep Dive series into the international system! This week, we move from the historical and philosophical origins of the "Western Bubble" directly into the 20th century to examine the creation of the modern global order.Following the devastation of the Second World War, Western powers embarked on an unprecedented era of institution building. But were organizations like the UN and the Bretton Woods institutions created to save the world from hell, or to ensure Western dominance? The episode begins with an audio essay read by our producer, Stefani, exploring how the West attempted to project its own domestic success onto the rest of the globe.Following the essay, Dario and Balder unpack the immense arrogance of the 1940s geopolitical landscape. We discuss: The Illusion of Universality: How the Universal Declaration of Human Rights was drafted by a small, Western-dominated vanguard that assumed its own history was the inevitable endpoint for all of humanity. The Danger of Vague Language: Why international law is intentionally written at a "middle school level," and how this ambiguity allows powerful nations to weaponise morality for their own strategic agendas. The "Sword of Damocles": How the West uses the guise of democracy and human rights to justify hypocritical military interventions—supporting dictators when convenient, and overthrowing them when they are not.Note to our listeners: This is Part 3 of a 4-part series on the international system. Next week, we will conclude the Deep Dive by exploring the spectacular collapse of this system in the 21st century and the ultimate decline of Western geopolitical legitimacy.This podcast is an individual project between Dario Hasenstab and Balder Hageraats. We are supported by our producer Stefani Obradovic from Western Bubble Insights & Strategy. If you would like to get in touch with us, write us an email at thewesternbubble@gmail.com.

I started working on this song last November. I was really hoping to get it done at some point before March, but given the subject matter it's somewhat appropriate that I just finished it. The title is something my wife occasionally says...I don't know how she managed to succintly summarize depression in four words with such catchy lyrical cadence when I'm the freakin' songwriter in the house, but she never thought to put it over organ-driven ska-punk, so as a great man once said: "Yoink!" I do in fact have a light therapy lamp. Its brand name is "Suxio," a fact that tends to cheer me up far more than its actual functionality because it sounds like the name of the least useful robot ever (*CRASH* "Dammit Suxio! That was the mayor's Victorian snail platter!") Music and Lyrics by Timothy F. Crist Vocals / Programming / Arrangement / Production / Keytar by Tim "Shoebox" Crist Mastered by Aaron Smith (who also suggested some EQ and leveling tweaks!)

Yes! It's the title track from my 40th album, "Emotional Support Hamster!" You should totally buy it at www.stevegoodie.com when it is officially released on Wednesday 4/15/26! Words: SG and Niamh Bagnell Music, guitar, bass, drums, percussion, mandolin, arrangement, production: SG Tuba: Timothy J Weber

Welcome to Part 2 of our special, pre-recorded Deep Dive series! This week, we continue our exploration of the international system by uncovering the philosophical and intellectual foundations of the "Western Bubble."Why does the West believe it has the right to dictate global morality? The episode begins with an audio essay read by our producer, Stefani, exploring the concept of Western political determinism. We break down the delusion of the "Magic Formula"—the belief that liberal democracy and capitalism are the only legitimate paths to human wellbeing. We trace this superiority complex back to its ironic origins in medieval Christian theology, revealing how modern Western interventionism is eerily similar to historical, Abrahamic proselytising.Following the essay, Dario and Balder unpack the dark side of this messianic approach to foreign policy. We discuss: The Illusion of Universal Values: Why concepts like "oppression" and "basic needs" are highly subjective, and how the West fails to understand societies that prioritise collective wellbeing over hyper-individualism.The Alternative Models: A look at how modern hegemons like China expand their influence without demanding moral conversion, contrasting sharply with the Western approach. The Death of "Agree to Disagree": How the West uses its self-appointed moral authority to override the Westphalian system, effectively using secular human rights as a justification for military conquest and regime change in places like Iraq, Libya, and Iran.Note to our listeners: This is Part 2 of a 4-part series on the international system. Next week, we will move from historical philosophy into the real world to examine the rise and fall of the United Nations. We will resume our regular weekly news programming on the 4th of May.This podcast is an individual project between Dario Hasenstab and Balder Hageraats. We are supported by our producer Stefani Obradovic from Western Bubble Insights & Strategy. If you would like to get in touch with us, write us an email at thewesternbubble@gmail.com.

Is anyone else tired of getting a full-on inquisition as a punishment for attempting to order pizza? We prove over and over that we're not robots, but our Captcha victories are quickly forgotten and the tests just keep getting harder. Which made us wonder, what's so bad about being a robot anyway? Well, other than the fact that they're taking our jobs and slowly learning our human skills so they can take over the world and enslave us, so there's that. Rest assured, here at Sisyphus Labs, we make music the old-fashioned way: with drum machines, sequencing and sampled phrases stolen from other artists' recordings. But we agree that the difference between AI and humanity is becoming frightfully small. In fact, we concluded, at this point it basically comes down to bodily functions. Therefore, I can take comfort in the fact that as a human musician, while an artificial being might outplay me, there's no way it can consume two bean burritos during sound check and blow an entire horn section off the stage. All music composition, playing and mixing : Bob Emmet Vocals: some robots Special Guest: Devo Spice, as frustrated human rapper

So the Suffolk and Goode Players recently did a Simon and Garfunkel parody, and then Steve Goodie did a Simon and Garfunkel parody, and we thought, hey! We wanna play! So here's our repurposing of "El Condor Pasa (If I Could)," Paul and Artie's repurposing of a piece by Daniel Alomia Robles. Yes, we're parodying a 56-year-old version of a 113-year-old song. We like to keep things fresh. Like our meat. Robert Lund: Vocals, guitar, bass, mandolin, ocarina sampling, panpipe sampling, Roland S-50, sfx, production, what have you. Macy Lund: More vocals M. Spaff Sumsion: Lyrics

This Year is a song about finally making some changes.

Hey, a couple years ago we wrote a song about how awful things are in the world and, because we're lazy, we didn't record it until now. We worried that the song would no longer be relevant a couple years later, but... lucky us... things are even WORSE now! We really dodged a bullet there! Anyway, light yourself a dumpster fire and enjoy this tune.

Robots, Robots Everywhere! And for everything! Well, almost everything.............. All vocals and Tuba: Drew Jacobs

Honestly, James K. Polk hasn't had this much attention in decades.

This is another entry in the "I can't believe no one has done this already" category. Also in the "I can't believe I haven't thought of this before" category. And of course, the standard "wow this is stupid" category. Music: Max C. Freedman and James E. Myers Words, guitars, bass, drums, vocals, arrangement, production: SG Helpful help: Niamh Bagnell From my upcoming FORTIETH album, "Emotional Support Hamster." Have a look at www.stevegoodie.com why dontcha?

Send us Fan MailWelcome to you heard it hear last, where we talk about news, you've already heard.Well, I guess it was only a matter of time.Deadline announced that Balder's Gate 3 is coming to TV.https://www.enworld.org/threads/there%E2%80%99s-a-baldur%E2%80%99s-gate-tv-show-coming.717787/Deadline Hollywood, the entertainment news site has reported that Balder's Gate 3 is coming to HBO and it is being run by the co-creator of the Last of Us, another TV show adapted from a game.Craig Mazin will “create, write, executive produce and showrun” the TV adaptation. Other executive producers include Hasbro's Gabriel Marano, plus Jacqueline Lesko and Cecil O'Connor.Chris Perkins—who used to work at WotC but now works at Darrington Press—will be acting as a consultant for the show.Larian Studios, which made the bestselling video game, is not involved with the TV show.Ok, So the company that made the game has nothing to do with it. The co-creator of the Last of Us that had an incredible first season and an abysmal second season is putting it together, and Chirs Perkins is climbing back into bed with Hasbro as a consultant.To quote another favorite movie of mine, “It's a trap, get an axe.”Christina what do make of this announcement.[Kick to Christina]Mike, What about you.[Kick to Mike.]Next up we have some news that's a little closer to home, and unlike most of our news, this will be the first time you've heard of it.Leviathan Rising will debut at GenCon 2026. Leviathan Rising is a brand-new tabletop roleplaying game designed to simulate disaster films and specifically those creature features like Godzilla. It's got an inventive new mechanic that incorporates the chaos that happens when everything around you is coming apart. And to make it all sweeter, the game is written by our very own Dr. Christina.The game won't be available for sale yet, but you will be able to sign up for games being run and demo'd by Christina herself.Christina, give us some details about the demo's you will be running at GenCon this year.[Kick to Christina]Mike, you've seen the game, what are your thoughts?[Kick to Mike]So, if you are going to GenCon this year look for Leviathan Rising and sign up for a demo from Christina.And that's all the news you've already heard.

Just another song about a guy named Bob who inadvertantly sets off alarms in local businesses. No one knows why.

Sometimes it's nice when a famous person wishes you a very personal Happy Birthday! (from Christopher Walken) Music by Jonny May (PianoWithJonny.com) Vocals and concept by Joe J Thomas of Joe's Dump (.com) Copyright 2026, Joe J Thomas and Joe's Dump (.com) All Rights Reserved. Not A Quinn-Martin Production.

This is a long-lost Power Salad recording, Craig's vocal demo discovered in 2025 and augmented by Chris resulting in a typically Salady dystopian mess. Sort of a cousin to "In My Driverless Car" thematically, it further delves into what might be happening 11 years on from that recording, with Tesla and Waymo troubles happening around us in real time. Lyrics and vocal (!) by Craig, "I'm Not In Love" choir vocal sample, editing and production by Chris.

This is about as political as I get, musically. (Also, I realize the irony in that pointing out someone else's biases inherantly states my own.)

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