Podcasts about The Carol Burnett Show

Have you ever found yourself laughing so hard it felt like spiritual medicine? That's exactly what we explore today through the remarkable life of comedy legend Tim Conway.I recently finished reading Conway's biography, "What's So Funny," and discovered something fascinating – this comedy icon who delighted millions on The Carol Burnett Show was a committed Christian. His approach to humor reflected his faith: clean, joyful, and uplifting without ever resorting to vulgarity. Conway's comedy sketches with Harvey Korman created some of television's most unforgettable moments, particularly when Conway was given creative freedom to improvise beyond the script.Ready for some spiritual laughter therapy? Check out the  link below to Conway's legendary "Dentist" sketch  – guaranteed to make you smile. Here is the link to one of Tim's funniest sketches.The Dentist   https://youtu.be/9IUSM4EKcRI                    We would love to hear your comments. Send us a Text MessageSupport the show

Jon and Jay talk about having writer dads, the pressure of trying to succeed as a second gen show biz kid, how to direct movies with being a jerk, being right, the value of being lucky, and the why Captain Crunch is better than Peanut Butter Crunch.Bio: Jon Turteltaub has been an elite producer and director of hit movies for the past 30 years.  He is known for directing a series of hit films including 3 Ninjas, Cool Runnings, While You Were Sleeping, Phenomenon, National Treasure, National Treasure: Book of Secrets, Last Vegas, The Meg and others that clearly weren't such big hits but did okay. His last film was the worldwide blockbuster The Meg, grossing over $500 million worldwide.  Jon has also produced and directed several television projects, including the smash hit "Jericho" on CBS and “From the Earth to the Moon” for HBO.  Jon was born in New York and raised in Beverly Hills before attending Wesleyan University and USC film school.  His father, Saul Turteltaub, is a legendary television writer and producer known for "The Carol Burnett Show", "That Girl", "Sanford and Son" “Love American Style” and "What's Happening!".  Jon has been married to Amy Eldon since 2006 and together they work extensively with The Creative Visions Foundation, supporting artists and activists.  Jon has also served on the DGA Western Directors Council, as advisor to Represent.Us, and on the board of the Inner-City Filmmakers program.  Jon and Amy have spent considerable time in Africa where they fund an orphanage in Kenya and work to protect and rehabilitate child soldiers in Uganda.  Jon and Amy have three young children and, therefore, no time for anything fun.

Inquiring minds want to know: where is Napolean's penis these days? We will give you a hint: it's not with the rest of his body, but it's a cautionary tale for today's despots that we think should be more widely known. To be clear, the whereabouts of Napolean's penis is not discussed in Anne Macdonald's No Idle Hands: The Social History of American Knitting, but many other fascinating historical tidbits are. We are now up to the Civil War, and guess what both sides, Union and Confederate, need the most? Yup, you guessed it: SOCKS. "'Send socks!' pleaded Civil War soldiers, and when their heartrending stories of bleeding, frostbitten and blistered feet reached 'the womenfolk,' there followed an unprecedented fever of sock-knitting 'for the boys'" (p. 97). The dearth of socks even inspired Albert M. Hubbard to compose "The Knitting Song: Dedicated to the Patriotic Ladies of the North," "a zesty tribute that quickly became a great favorite with choral groups at fairs and parlor sing-alongs and accounted for even further acceleration of knitting" (p. 102). While the North had more resources and infrastructure thanks to the unfortunately named "United States Sanitary Commission," the women of South showed their devotion and ingenuity in other ways. Scarlet O'Hara's famous upcycling of the drawing room curtains into a dress had its roots in real events, and later made for great comedy on the Carol Burnett Show. And how can we not admire Lucy Nickolson Lindsay of Missouri for delivering vials of quinine and morphine hidden in the coiled locks of her hair and 22 pairs of socks tucked in the hems of her skirts to the frontline? Women on both sides sent notes to the troops in the socks and garments they made to inspire hope for better days:Brave Sentry, on your lonely beatMay these blue stockings warm your feetAnd when from wars and camps you partMay some fair knitter warm your heart."Quoted in Anne L. Macdonald, No Idle Hands: The Social History of American Knitting, p. 105.These are the tales from American history that warm our hearts! And if you want something tasty to warm your palate, may we suggest our recipe for roasted balsamic onions? A treat in salads or sandwiches--tune in and try it!

Send us a text and chime in!The Jim & Linda Lee Performing Arts Center in Prescott proudly presents the funniest ‘Take your mother to work day' you'll ever see when Emmy-winning actress/comedienne Vicki Lawrence brings Vicki Lawrence & Mama: A Two-Woman Show to Yavapai College, Friday night April 25, at 7 p.m. Comedienne Vicki Lawrence is one of the most beloved personalities of television's Golden Age. Plucked from total obscurity as a high school senior, Vicki went on to become a featured ensemble member of the now-legendary “Carol Burnett Show.” “I went to the Harvard School of Comedy – in front of America,” Vicki says of... For the written story, read here >> https://www.signalsaz.com/articles/prescott-welcomes-vicki-lawrence-on-apr-25/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Join us as we recap the pilot episode of this 1970's sitcom! Among other things, we mention: The Carol Burnett Show, Grease, The In-Laws, Chris Rock and...Betty White. (Seinfeld has escaped completely!)

This week, Wes, Matt, Jeff and Becca talk Gene Hackman, prostitutes, the Oscars, Dolly Parton's husband, and debate the best actor on The Carol Burnett Show. 

They're BAAAACK!It's 2025 and the world-renowned 90s TV Babies have reconvened around the TV screen to gaze upon 80s classic sitcom, Mama's Family, starring Vicki Lawrence, Dorothy Lyman, Betty White, Rue Mclanahan and Carol Burnett. Do they see what Mama's fuss is all about!?Serita Fontanesi, Megan Ruble -- and A BRAND NEW 90s TV Baby, Sailor Franklin -- drop in on “Mama” Harper, take a seat on the floral print couch, and weigh in with their thoughts. What did they watch?  What did they think?THE HOMEWORK:S1: EP1 -- “Vint and the Kids Move In”S1: EP4 -- “The Wedding, Part 2”S1: EP6 -- “Cellmates”S2: EP3 -- “The Country Club”S2: EP21 --“Ask Aunt Fran” EXTRA CREDIT: S1: EP2 -- “Rashomama”S3: EP1 -- “Farewell, Frannie”S3: EP11 -- “Where There's Smoke” And… the very first “Family” sketch from The Carol Burnett Show! THE CONVERSATIONROOKIE MOVE: Sailor did ALL the homework -- AND the Extra Credit!EVERYBODY'S AWFUL:  How Mama's Family is just like… It's Always Sunny in Philadelphia???Serita likes how the cast is filled with a variety of female characters who aren't perfect people: “Women deserve to be bad, too!”BIG HIGH SCHOOL WIG: Vicki Lawrence's “Mama” looks vastly younger than her own children!Serita likes that the MEN were most often the butt of the joke.SAME AS IT EVER WAS: Megan says: “We really don't have classic sitcoms anymore where people DON'T grow and change. Mama's Family is comforting!”Serita says “these people act a fool” -- and she's here for it!ON CELLMATES - Sailor: “If I had a nickel for every time sitcom characters get locked up together in a jail cell, along with a sex worker, and then get mistaken for being a sex worker… I would have... several nickels.”Did Mama's Family portray sex workers with more equity than most?The shockingly honest way Mama's Family addresses marriage -- and how it's not always a romantic dream come true.Sailor was blown away by “Rashomama”: “'Mama's Family' is doing a riff on an Akira Kurosawa movie?? Yes!!” IS IT FEMINIST? PROGRESSIVE?Megan: “‘Mama's Family' is feminist -- but not progressive.”Serita: “'Mama's Family is feminist -- AND progressive.”Sailor: “'Mama's Family is semi-progressive -- and semi-feminist.”AND… The Babies challenge Susan and Sharon to watch It's Always Sunny In Philadelphia! So, join Susan and Sharon -- and Serita and Megan and Sailor -- as they talk Abbott Elementary, Alan Alda, August babies!, Golden Girls, Coors Light, Die Hard, test boobs, Whoopi Goldberg -- and the “Sailor Franklin SitCom Spectrum”! AUDIO-OGRAPHYUPDATE: Find all SIX seasons of Mama's Family free -- on Pluto TV.Buy the streaming series at Amazon.Buy the DVD set at Amazon.Check DontGetPurged.org to make sure your name has not been purged from voter rolls!Find out more about CREW at CitizensForEthics.orgVITAL READINGGet Handbook for A Post-Roe America by Robin Marty at Bookshop.org.Check out Men In Dark Times by Hannah Ahrendt at Bookshop.org.Read Democracy Awakening by Heather Cox Richardson at Bookshop.org.You can also follow Richardson's substack.SUPPORT FOR THE LA FIRESOnline at DisasterAssistance.gov On the FEMA App for mobile devices.More resources at Eaton Canyon Community Relief.Google List of LA County Resources. PLACES TO VOLUNTEERGoogle Doc for Wednesday and ongoing.Volunteer with the Red Cross.TALK TO SOMEONEReach out to friends and family. Take care of yourself:Pro Bono Therapy for LA Wildfires - Google Doc. More mental health resources at LARevive.DONATINGMaster GoFundMe List for LA Fire Victims Google Doc.Displaced Black families in Altadena Google Doc. Gofundme pages for EATON CANYON COMMUNITY RELIEFCONNECTVisit 80sTVLadies.com for transcripts.Join the conversation at Facebook.com/80sTVLadies.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. In Honor of President Carter and to learn more about his presidency: Get Susan's new play about him and his Crisis of Confidence speech: Confidence (and the Speech) at Broadway Licensing. PLUS -- “80's TV LADIES” MERCH is available at Fourthwall.  

Boortz joins The Morning Xtra to discuss Trump's tariffs, David Hogg, The Carol Burnett Show, Eggs, Illegal Aliens, and much more! Listen to Boortz live every Tuesday with TMX at 7:25 am on Xtra 106.3 or the Xtra App!Atlanta's ONLY All Conservative News & Talk Station.: https://www.xtra1063.com/See omnystudio.com/listener for privacy information.

On March 16, 1974, a sketch appeared on The Carol Burnett Show featuring Carol Burnett, Vicki Lawrence and Harvey Korman portraying a “normal” American family -- warts and all. This sketch, known as “The Family”, led by a then 25 year-old Vicki Lawrence playing a gray-haired 63 year-old ‘Mama', spawned 30 more sketches, a TV Movie (Eunice) and finally a spin-off series of its own (Mama's Family) which ran for 130 episodes over six seasons both on CBS and in syndication (1983-1990).In “The Family”, Carol Burnett played the melodramatic, ambitious, brow-beaten daughter of ‘Mama'. Mama, played by Vicki Lawrence, is an exaggeratedly mean-spirited and insult-spitting widow and mother of five children: three sons played by guest stars Roddy McDowell, Alan Alda and Tom Smothers -- and two daughters: Eunice & Ellen (played by Betty White). Eunice's husband Ed Higgins was played by Harvey Korman.How did one simple sketch take on such a huge life of its own, creating a sprawling TV empire that some are calling “The Mama-Verse”? Susan and Sharon put on their housecoats and curly gray wigs to find out!THE CONVERSATIONCarol Burnett's career started with a Broadway role starring as the lead in Once Upon a Mattress and then as a rising star on The Garry Moore Show.The Carol Burnett Show was hugely successful, running eleven seasons, garnering 70 Emmy nominations and winning 25.Carol Burnett was encouraged to “speak up for herself” by another TV comedy legend -- Lucille Ball.A fan letter from then 18 year-old Vicki Lawrence to Carol Burnett led to her actually being cast as a regular on the show!“HARVARD SCHOOL OF COMEDY”: Lawrence cites Harvey Korman and Carol Burnett as her show business mentors during the 11 years she spent on the show.ONE-HIT WONDER: Five years into her run on The Carol Burnett Show, Lawrence had a hit song, recording “The Night the Lights Went Out in Georgia”!In the TV movie Eunice, Mama suddenly only has three children instead of five -- what happened to the others? And why is one of them suddenly Ken Berry?Vicki Lawrence was nominated for an Emmy for her portrayal of ‘Mama' in Eunice.The TV series Mama's Family was aired first as a prime-time network comedy and later as a nationally syndicated series. It originally ran for two years on CBS, was cancelled in 1984 -- and then revived TWO YEARS LATER in 1986 by Lorimar Syndication to run for additional 100 episodes!NAME SWITCH: The character Ken Berry played started out as “Phillip” in the TV-movie but then became “Vinton” in the TV series.The TV show introduced “Fran” played by future Golden Girl, Rue McClanahan -- playing Betty White's aunt!The TV show also introduced Vinton's children Buzz and Sonya played by “80's TV Ladies” alum, Eric Brown and actress Karin Argoud.Mama's neighbor, Naomi Oates, was played by “Another World” “The Nanny” and now “80s TV Ladies” alum, Dorothy Lyman!So join Susan and Sharon as they talk Lou Grant, social justice, Julie Andrews and the first Live Televised Cinderella musical, “Raytown, Missouri”, Kamala Harris, Matlock, driving your own story -- and “Miss Fireball of Inglewood”!AUDIO-OGRAPHYWatch The Carol Burnett Show and Mama's Family across many platforms. Not all of them feature all seasons. The Carol Burnett Show can be seen for free on Pluto TV. Mama's Family can be seen for free on Pluto TV.The Carol Burnett Show “The Family” select episodes:S7, EP23 - Aired 3/16/1974 - Jackson Five and Roddy McDowall.The first of “The Family” sketches. “The Reunion  - Eunice's brother Phil (Roddy McDowall), a Nobel and Pulitzer prize winning author, returns home for a visit. On YouTube.S8, EP13 - Aired 12/21/1974 - Alan Alda“Home for the Holidays”Christmas sketch with Alan Alda on YouTube. VITAL READINGGet Handbook for A Post-Roe America by Robin Marty at Bookshop.org.Check out Men In Dark Times by Hannah Ahrendt at Bookshop.org.Read Democracy Awakening by Heather Cox Richardson at Bookshop.org.You can also follow Heather's substack.SHOPLAST WEEK FOR THE “80's TV LADIES” HOLIDAY SALE!15% off on all merch at the 8TL Shop. Make sure to use promo code “Festive80s”!CONNECTVisit 80sTVLadies.com for transcripts and more.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. In Honor of President Carter and to learn more about his presidency: Get Susan's new play about him and his Crisis of Confidence speech: Confidence (and the Speech) at Broadway Licensing.

What's the best Christmas episode of The Facts of Life? The Nanny vs Mama's Family? Let's find out!If you grew up in the 80s, tuning in to the special “Holiday” episodes of our favorite shows was a winter ritual. Susan and Sharon bring that tradition home as they dive into the “Best Holiday Episodes” of three favorite 80's and 90s TV shows -- The Facts of Life, Mama's Family and The Nanny. Musical numbers, mixed-up gifts, screwed-up travel plans -- and lots of hot cocoa!80's TV “Holiday” episodes had them all -- and we loved them for it! So grab some eggnog and fruitcake, and listen as Susan and Sharon choose their personal favorite holiday episodes of the some of our favorite 80s TV Ladies shows!THE EPISODESThe Facts of Life:S5, EP12 - “The Christmas Show”S6, EP13 - “Christmas in the Big House”S7, EP13 - “Christmas Baby”S9, EP12 - “It's A Wonderful Christmas”  Mama's Family:S3, EP13 - “Santa Mama”S6, EP14 - “Mama Gets Goosed”The Nanny:S1, EP8 - “The Christmas Episode”S3, EP14 - “Oy To The World”S6, EP10 - “The Hannukah Story”  BONUS! The Carol Burnett Show:S2, EP12 - Eileen Farrell, Bob Hope, and Marilyn HorneS8, EP13 - Alan AldaTHE CONVERSATION GO FIGURE -- Not a lot of Hanukkah or Kwanza episodes back in the 80s.Why did it take FIVE SEASONS before Facts of Life finally did a Christmas episode?S5, EP12 “The Christmas Show” - directed by Asaad Kelada.In S6, EP13 “Christmas in the Big House” -- Blair organizes a charity Christmas show for what she thinks is an orphanage -- but it turns out to be a men's prison!Mickey Mouse Club veteran former Mousketeer Lisa Whelchel shows off her singing skills! Heck, all the ladies get to sing! NO ROOM AT THE INN? In the third Facts of Life Christmas episode, Blair's mom gives birth -- It's a Christmas baby episode!IS IT A WONDERFUL SHOW? Cloris Leachman gets center stage in the fourth -- and final -- Facts of Life Christmas episode, S9, EP10 “It's A Wonderful Christmas”.Mama's Family S6, EP14 “Mama Gets Goosed” -- The family is horrified when they meet their dinner -- a live goose that Mama plans to kill and cook for Christmas!The Nanny got a jump on Christmas episodes in S1, EP8 -- where complications from a gift Mr. Sheffield gives to Fran ends up fulfilling Gracie's only Christmas wish!S3, EP14 “Oy To The World” -- The Nanny's one and only ANIMATED EPISODE!S6, EP 10 “The Hanukkah Story” -- Susan and Sharon BOTH loved this Nanny episode where cultures clash when Fran tries to teach the Sheffields the importance of Hanukkah.PLUS -- BONUS HOLIDAY EPISODES from The Carol Burnett Show! - Alan Alda, star of the M*A*S*H TV show hit, sings with Carol! And plays one of Mama's sons and Eunice's brother in “The Family” in a hilarious, homecoming Christmas sketch.But is that a better episode than the Christmas special with incredibly famous opera stars, Eileen Farrell, Marily Horne and a surprise guest star Bob Hope?AND -- A BIG THANK YOU to our PATREON MEMBERS! We'll tell you about NEW PERKS coming your way in 2025!So, join Susan and Sharon as they talk Ray Charles, Community, dreidels, Alan Alda, vegetarian Christmas dinners, talking dogs, opera, “Big Spender”, Bob Hope -- and confessional confessions!  AUDIO-OGRAPHYWatch three of The Facts of Life Christmas Episodes on YouTube. Watch “Mama Gets Goosed” on PlutoTV.And “Santa Mama” on PlutoTV.Watch The Nanny streaming on Peacock.The Carol Burnett ShowS2, EP12 - Aired 12/16/1968 - Eileen Farrell, Bob Home and Marilyn Horne on YouTube.S8, EP13 - Aired 12/21/1974 - Alan Alda Christmas episode clips:- Nobody Does it Like Me with Carol Burnett on YouTube.- “The Family” Christmas sketch with Alan Alda on YouTube. LIGHT READING Read On Tyranny by Timothy Snyder Read the Guardian article “How To Survive The Broligarchy” by Carol Cadwalladr.The Fire Next Time by James Baldwin at Baldwin and Co Books. Orwell's Roses by Rebecca Solnit at Bookshop.orgSHOPGET IN ON THE “80's TV LADIES” HOLIDAY SALE!15% off on all merch at the 8TL Shop. Make sure to use promo code “Festive80s”!CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. Get your Carter on: This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing. 

Front Row Classics is happy to welcome back ,TCM host, Dave Karger. Dave will be sitting down with the legendary Carol Burnett every Sunday in December for "Sundays with Carol Burnett". Dave and Carol will present a series of classic films immediately followed by the hilarious spoof from "The Carol Burnett Show". Brandon and Dave preview the films being shown as well as some of Carol's insights into the legendary movie take-offs. You'll also hear Dave discuss the recent TCM Classic Cruise and some of his favorite holiday movie picks. "Sundays with Carol Burnett" premieres tonight with Gone with the Wind at 8pm est/ 7pm central. It will be immediately followed by Carol's iconic "Went with the Wind" sketch.

“The roles I've played on soap operas are infinitely superior to any roles I've played anywhere else. They are about women and women's stories. The men are just there to screw you -- or screw you over.” -- Dorothy LymanJust three chicks sitting around talking...Susan and Sharon clean house -- and air some dirty laundry -- with The Nanny director and Emmy-award winning actress Dorothy Lyman. You may know her as Opal Gardner from the long-running soap opera All My Children or as Naomi Oates Harper from Mama's Family. But did you know she also directed an astonishing 74-episodes of the classic Fran Drescher comedy, The Nanny?THE CONVERSATIONOne-day of work a month on Search For Tomorrow was enough to keep Dorothy from “serving cheeseburgers.” The pay was $400 -- and rent in NY was only $65!COMING CLEAN ABOUT SOAPS: Soap operas addressed abuse and abortion and mental illness and many other issues long before prime time TV. “I think it helped a lot of women stuck at home feeling the same things.”ON SOAP OPERA FANS: “I couldn't buy myself a beer anywhere in America the whole time I was on the soaps. The fans are different. They feel like they know you.”WHEN CAROL BURNETT CALLS: “Carol Burnett and Vicki Lawrence would watch me as Opal on ‘All My Children' during their lunch hour on ‘The Carol Burnett Show' -- that was their ritual. And that's how I got the job on ‘Mama's Family'.”A COUPLA WHITE CHICKS SITTING AROUND TALKING: on directing the long-running, Off-Broadway hit starring Susan Sarandon and Eileen Brennan.TRY AGAIN: Mama's Family was completely reconceived after the first pilot. “We shot one that was really awful. I think the problem was, it was too mean. And it wasn't funny at all.” THERE'S THE DOOR: After directing three seasons of The Nanny, Dorothy says, “I never got another job directing a single moment of television. I spent many years thinking I'd done something terribly wrong. But it was because I was over 50 -- and I was a woman.”What do you do when Hollywood directing gigs go away? You buy a chicken farm in upstate New York and start writing plays, of course!ON CHANGE: “Change is where it's at. Nothing stays the same. And I've always been one of those people -- if I wanted to do something, I did it.”ON DIRECTING: “It fits my personality. I'm bossy.”So join Susana and Sharon -- and Dorothy -- as they talk Milton Berle, Edge of Night, Celine Dion, visiting Egypt, Another World, Bette Midler, The Women's Room, Fran Drescher, baked croutons -- and “Where do you keep your Emmys?”AUDIO-OGRAPHYWatch Mama's Family for free on Pluto TV.Follow Dorothy Lyman at Instagram.com/dorothy_lymanNative American Heritage Month Find out more at NativeAmericanHeritageMonth.govFor more information about the land you live on go to Native-land.caBLACK FRIDAY DEAL!It's an “80's TV LADIES” HOLIDAY SALE! - Get 20% off on all merch at tinyurl.com/8TLshopMake sure to use promo code “Festive80s”!  CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. SUPPORT OTHERSSupport those seeking abortion in states where it is outlawed or restricted. Go to ARC Southeast.This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing. Credits: 80s TV Ladies™ Episode 308. Produced by 134 West and Susan Lambert Hatem. Hosted by Susan Lambert Hatem and Sharon Johnson. Guest: Dorothy Lyman. Sound Engineer and Editor: Kevin Ducey. Producers: Melissa Roth. Sharon Johnson. Richard Hatem. Associate Producers: Sergio Perez. Sailor Franklin. Music by Amy Engelhardt. Copyright 2024 134 West, LLC and Susan Lambert. All Rights Reserved.

In this episode of Broadway Drumming 101, I enjoyed interviewing the legendary Cubby O'Brien. You may know him from his days as a Mouseketeer on The Mickey Mouse Club, but his drumming career goes way beyond that. We talk about his early start in music, following in the footsteps of his drummer father, and his work with some of the biggest names in the industry—Lawrence Welk, Bernadette Peters, the Carpenters, and more.Cubby shares stories from his incredible journey through different eras of music, from the early influence of The Beatles and playing alongside icons like Steve Gadd. We dive into his Broadway experiences, where he brings his unique energy to every performance, and his thoughts on teaching and adapting to the ever-changing world of music. Whether you're a fan of musical history, a drummer, or just curious about what it takes to build a long-lasting career, this episode is packed with insights and memories you won't want to miss.Tune in to hear about his collaborations with legends like Shirley MacLaine and Nathan Lane and his work on Tony Award-winning shows—it's a deep dive into a life well lived!00:00 Introduction and Guest Introduction00:16 Chance Encounter on Broadway Cruise00:57 Sports Talk: Cowboys and Dodgers02:49 Cubby's Early Drumming Influences04:48 The Mickey Mouse Club and Early Career10:10 Transition to Studio Work and Variety Shows15:18 Working with the Carpenters18:43 Electronic Drums and Siegfried & Roy21:08 Collaborations with Bernadette Peters26:32 Learning the Drums: Insights from Jack Sperling27:13 Meeting Susan Stroman and the Producers Journey28:52 The Creative Process with Mel Brooks29:47 Challenges of Repetition in Broadway Shows31:30 Selecting Dependable Substitutes34:44 Transitioning to Gypsy and Working with Marvin Laird36:23 The Joy of Live Performances39:00 Maintaining Longevity and Avoiding Injuries42:41 Choosing Eugene, Oregon44:03 Advice for Aspiring Musicians44:38 Memories with Shirley MacLaine47:01 Appreciation from Fellow Musicians48:04 Preferences in Drum Kits53:05 Top Five Favorite Drummers54:27 Concluding Remarks and Future PlansCarl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby resides with his wife, a University of Oregon graduate who recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of the Broadway Drumming 101 podcast, we're thrilled to have the legendary Cubby O'Brien, one of the original Mouseketeers from The Mickey Mouse Club! Cubby takes us back to his early years, sharing how his musical journey began with his father teaching at a Sun Valley, California music school. He describes being part of a Dixieland band made up of young musicians who performed at various venues around Hollywood, from Rotary Club events to charity shows for the Screen Actors Guild. During one of these performances, his drumming skills caught the attention of Disney producers, leading to his audition for The Mickey Mouse Club—a gig that launched his storied career.Cubby also shares insights from his remarkable journey as a drummer, having played with legends like Ann-Margret, Lawrence Welk, and Bernadette Peters. His extensive Broadway career includes shows like The Producers, Hair, Oh! Calcutta!, and touring as the drummer for The Carpenters. Throughout the episode, Cubby offers anecdotes and lessons from decades of experience in the entertainment world.Subscribe to hear Cubby's stories, tips, and reflections from a lifetime in music and show business!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby currently resides with his wife, a University of Oregon graduate, having recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of the Broadway Drumming 101 podcast, legendary drummer Cubby O'Brien shares a memorable story about subbing out of his first Broadway show and an unexpected encounter with Nathan Lane. When a stage manager informed Cubby that Nathan Lane wanted to see him in his dressing room, Cubby was slightly surprised. After finding his way upstairs, Nathan greeted him with a joking, "You can never leave again," followed by laughter and reassurance that everything was fine after a few nights of adjustment.Cubby explores the real challenge of subbing as a drummer on Broadway. He explains how Nathan Lane got used to his playing style and how every drummer strikes the drum differently; even the slightest variation can be noticeable. Cubby calls it a “thankless job,” where subs must maintain the established feel of the show while replicating the chairholder's unique sound as closely as possible.Throughout the episode, Cubby offers insights from his extensive experience with shows like Hair, The Producers, and The Carpenters' Tour. He underscores the importance of adaptability, consistency, and precision for subs trying to blend seamlessly. This episode is packed with wisdom!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with various stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby resides with his wife, a University of Oregon graduate who recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this podcast episode, I sit down with the legendary Cubby O'Brien, whom I had the pleasure of meeting earlier this year on a Broadway cruise where I was performing with several acts, and he was with the iconic Bernadette Peters. Cubby, best known for his time on The Mickey Mouse Club and touring with The Carpenters, has had a remarkable career on Broadway, drumming for shows like Annie Get Your Gun, The Producers, and Beauty and the Beast. In this chat, we dive into his incredible experiences, including a memorable moment when Buddy Rich told Karen Carpenter she was his favorite drummer! Please tune in to hear it all, and remember to subscribe and share!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby currently resides with his wife, a University of Oregon graduate, having recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Broadway Drumming 101, I had the chance to talk with one of the most respected drummers in the business, Cubby O'Brien. We chatted about the process of picking subs for Broadway gigs—a topic that's critical for anyone looking to make it in the scene. Cubby breaks down what he looks for in a sub: dependability, solid playing, and being an established player in New York. He shouts out legends like Ray Marchica and Larry Lelli, both of whom he trusted to step into the drum chair without a second thought. Cubby talks about how it's not just about finding someone who can play the part—it's about finding someone who gets the job done under pressure.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby currently resides with his wife, a University of Oregon graduate, having recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Eppy 122: Friends & Memories      It's now officially sweater weather (and we are summer gals...)      Speaking of gals, an 81-year-old South Korean fashion model fell short in her bid to become the oldest Miss Universe contestant- but she did win the "Best Dresser" award! Well done!      Laura shares her wonderful weekend with her gal pal running team. How did they fair in the Akron Marathon? Well, they opted to skip the running and instead indulge in a spa day, and gourmet dinners. Well done to them!    Laura, our science gal, waxed on about the new "mini-moon", then pumpkin carving and the new "Jelly Donut Blush."      We love Lucy and all the shows of the 1960's. We remember the shows for their humor, endearing characters, the move to social awareness- "The Carol Burnett Show", "MASH", "All in the Family", and so many more!      We'd love to hear from you! Hit us up on Instagram, X (formerly Twitter), and Facebook @OK_BoomerPod. You can also catch all the deets at OKBoomerPod.com or stream us on any podcast app and YouTube. Plus, check out **SpeakUpTalkRadio.com**—your go-to for authors and podcasters alike.  

I HAVE BEEN A FAN OF VICKI LAWRENCE FOR MY ENTIRE LIFE Because I grew up with The Carol Burnett Show, which my mom and I watched religiously for a good part of my childhood. And Vicki Lawrence was a huge part of that show, and she's bringing herself and her iconic character Mama to town for a "two woman" show. She's coming to the Paramount next March and tickets go on sale THIS FRIDAY (I will remind you Friday) and I've got tickets to give away after I talk to her at 1pm. I AM SO EXCITED ABOUT THIS INTERVIEW!

Balboa Market was damaged as burglar's break-in and steal the ATM, and the Dodgers still lead 1 to 0. Tesla charging costs versus a gas-powered vehicle. The latest update on The Dodgers and whether their season will continue. Also, Conway recounts a classic gambling story involving his father and a Carol Burnett Show themed slot machine. Tim outlines his hopes for The Dodgers to get the win and Crozier discusses his history as a Dodgers fan.  

Dennis is joined via Zoom by television writer Stan Zimmerman to talk about his memoir The Girls: From Golden to Gilmore, which documents his career working on such iconic shows as Roseanne, The Golden Girls and Gilmore Girls as well as The Brady Bunch Movie and A Very Brady Sequel. In this first part of a two-part interview, Stan talks about his midwest upbringing and how his mother bought him the ballet shoes he wanted behind his father's back. He also talks about meeting his longtime writing partner Jim Berg, why they work wll together and how they landed a gig on the first season of The Golden Girls when they were still in their 20's Stan also recalls feeling like he had to stay in the closet on that job but feeling like he had an ally in Estelle Getty. He talks about the culture of fear that was so common in TV writers rooms in those days and expresses hope that things are better today. He also talks fondly about working with director Betty Thomas on the first Brady Bunch Movie as a punch-up writer and feeling like his contribution was finally being properly appreciated...only to end up without a screen credit thanks to an old WGA rule. He also recalls Bea Arthur being concerned that the Golden Girls writing staff was too young, Rue McLanahan being extra funny when she said words ending in E-R, and the eyebrow raising thing Betty White would do when Estelle Getty flubbed her lines. Other topics include: the warm fuzzies Stan gets when he talks with Golden Girls fans, suggesting RuPaul for that cameo in The Brady Bunch Movie, Pia Zadora's giant cell phone and how when it comes to a career in entertainment, it's all about perseverance.  

In this special bonus episode, Susan, Sharon and Melissa spill a few secrets about our upcoming season and fun guests coming soon to 80s TV Ladies. Can you guess what female-driven television shows from the 1980s we'll be covering in our upcoming season?THE CONVERSATIONDo we know what we did this summer? How was your summer?What is that feeling in the air? Is it hope?!! Are you ready to Vote?Does Melissa even want to talk about her summer?Okay, for real: what shows are we gonna cover in Season THREE?!Can you guess the shows?The Vickie Lawrence-starring, Carol Burnett Show spin-off sitcom, Mama's Family.You take the good, you take the bad, you take them both and there you have… The Facts of Life.Yes! And finally yes: The Golden Girls!What are the recurring themes we are discovering through Season 1 and 2 interviews?Yes, there will be more special series guests this season: More Director Ladies, Star Trek Ladies, Stunt Ladies and more surprises!So join us as we spill Season Three secrets about what guests we will for sure be talking to: like Mama's Family's Dorothy Lyman and Eric Brown, women in television expert and pop-culture author, Jennifer Keishan Armstrong. And can you guess who will be our very special guest from The Golden Girls?AUDIO-OGRAPHYRead about our first guest for Season 3: Jennifer Keishan Armstrong at jenniferkarmstrong.com Get info on Jennifer's books and prep for episode 301:Mary and Lou and Rhoda and Ted: And all the Brilliant Minds Who Made The Mary Tyler Moore Show a Classic at Jennifer's website. When Women Invented Television by Jennifer Keishan Armstrong at Bookshop. At Barnes & Noble. At Amazon.CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're NOMINATED for Best Entertainment Podcast. Please VOTE for 80s TV Ladies in the Entertainment category at Women in Podcasting Awards.REMEMBER: Register or Check your US Election Registration at Vote.orgThis year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

 Mackie by Bob Mackie (1991) + "The Family" from The Carol Burnett Show (1973-78) and Carol Burnett & Company (1979) + Roger Beatty and Harvey Korman's Eunice (1982) + Dick Clair and Jenna McMahon's Mama's Family (1983-43, 86-90) 8/28/24 S6E64 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

TV icon Carol Burnett discusses her Emmy nomination for Apple TV+'s “Palm Royale,” and also shares stories from “The Carol Burnett Show” and her recent appearance on “Better Call Saul.” Also, on the Roundtable, we go through the drama series acting categories, and discuss the Olympics Learn more about your ad choices. Visit megaphone.fm/adchoices

Leading up to our return in September, we are doing summer reruns, which is our way of repurposing episodes that with a little configuring (and retitling) might get more listens than they got back in the day. First up: Mama's Family! And next week, you'll be getting a full-fledged new episode about Saved by the Bell! Enjoy! “There Is Nothing Like the Dames” (February 17, 1990) Believe it or not, Mama's Family has a deeply queer history. While the final result of — the syndicated revival that returned to TV after NBC canceled the it — bears little of that, this episode goes over all the ways a recurring sketch on The Carol Burnett Show originally told the story of a queer-coded artist who can't relate to his family back home. It's all the stranger to consider that Mama's Family never did an explicitly queer episode, even with all those Bob Mackie costumes. Read the article in which Bubba actor Allan Kayser talks about his famously tight jeans. Vicki Lawrence sings the original, non-instrumental version of the Mama's Family theme song. But also listen to her disco banger “Don't Stop the Music” and the no. 1 murder mystery pop hit “The Night the Lights Went Out in Georgia.” Watch the brilliant 1982 TV movie adaptation of the Harper family saga, Eunice. Also watch The Carol Burnett Show's famous “Went With the Wind” sketch. But most importantly watch the original sketch version that led to Mama's Family, when it was just called “The Family.” It made Drew way more sad than sketch comedy usually does.

Carol Burnett is one of the most adored comedians of all time. In 1967, she broke up the boys club that was network television with her freewheeling variety hour, “The Carol Burnett Show.” Now, more than half a century later, she's still flexing her quick wit and comedic acting skills on shows like “Better Call Saul” and “Palm Royale.” In this special interview from Los Angeles, Carol sits down with Tom to reminisce about the hard-won lessons and chance encounters that helped her become a star.

If you were a game show fan in your youth, you'll remember Garry Moore. It was on this day in 1952 that the TV panel game “I've Got a Secret” premiered.  Garry hosted that show and “To Tell the Truth.” He also had his own program, “The Garry Moore Show.” At that time, he introduced comedienne Carol Burnett. After the show ended, Burnett became a star on her own with “The Carol Burnett Show.” Moore started his career as a radio announcer on WBAL in Baltimore. His popularity on the game shows led to a cameo appearance in a film with Doris Day, named “It Happened to Jane.” Garry also made some radio monologues for Decca Records, including “Hugh, The Blue Gnu” and a triple speed reading of “Little Red Riding Hood.”

The Big Show visits with Vicki Lawrence - actress, comedian, and singer. She is best known for her character Mama. Lawrence originated multitudes of characters beyond Mama on CBS's The Carol Burnett Show from 1967 to 1978, the variety show's entire series run. Eric Kauffman has a great chat about her current one-woman stage show!

Comedy legend Carol Burnett feels so much love for Conan O'Brien. Carol sits down with Conan to discuss her introduction to the comedic arts, memorable tales from The Carol Burnett Show, meeting and learning from Lucille Ball, and making new friends on the set of Palm Royale. Later, Conan himself recalls the rip-roaring days of his early career. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847.

This week on #NoSuggestionPod we welcome the bright, chipper, and endearing actor, voiceover artist, and improv comedian, Josh Hurley (@joshhurley)! Co-host Aston Hollins (@astonhollins) and got to really wind through a vast array of topics in this lovely and nostalgic conversation with Josh, where we reminisce about many of our childhood favorites, like the movies Clue, Young Frankenstein, Akira, Wayne's World, and particularly Robin Williams classics Hook and Mrs. Doubtfire, as well as fond memories of TV shows like Carol Burnett Show, and Golden Girls. We also talk about the nature of art, the tensions between generations, getting locked out of Tik-Tok, we have a serious debate about the central ideas in the films Barbie and Poor Things, and more! We also have an abundance of hilarious and surreal improv scenes in this episode, including a scene that follows an intense interrogation around a suspected candy jar thief on Easter weekend. This episode is so dynamic, silly, thoughtful, nostalgic, sweet, and full of comedy. It's a quite unexpected gem! We know you'll enjoy Josh, give this episode a listen! And if you enjoy it, please rate, subscribe, and tell a friend! You can learn more about Ralf, his comedy, his music (as Precious Gorgeous), his acting, his teaching, this podcast, find full episodes of this podcast, and more at preciousgorgeous.com!

One of the most adored comedians of all time, Carol Burnett broke up the boys club that was network television with her freewheeling variety hour The Carol Burnett Show. More than half a century later, she's still flexing her quick wit and comedic acting skills on shows like Better Call Saul and Palm Royale. In this special interview from Los Angeles, Carol Burnett sits down with Tom  in the city she grew up in, and reminisces about the hard-won lessons and chance encounters that helped her become a star.

Author/executive producer Chris Korman talks about his latest release “OMG! It's Harvey Korman's Son!” as a loving memoir about life with his famous father including working on The Carol Burnett Show, the legendary Mel Brooks in “Blazing Saddles”, “High Anxiety”, “History of the World, Part 1”; playing in golf tournaments and as a father figure going to LA Dodger baseball games and more! Chris has 20+ years experience in the entertainment industry working with various artists, brand building and representation, and talks about his life being born with learning disabilities attending the Frostig School in Southern California with his father supporting him throughout the years, plus stories of Harvey with Peter Marshall, Johnny Carson, Tim Conway and more! Check out the amazing Chris Korman and his latest release “OMG! It's Harvey Korman's Son” on all major platforms today! #chriskorman #harveykorman #author #executiveproducer #OMGitsharveykormansson #comedian #thecarolburnettshow #melbrooks #blazingsaddles #highanxiety #historyoftheworldpart1 #palmsprings #golftournament #losangelesdodgers #frostigschool #learningdisabilities #petermarshall #johnnycarson #timconway #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerchriskorman #themikewagnershowchriskorman   --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

Author/executive producer Chris Korman talks about his latest release “OMG! It's Harvey Korman's Son!” as a loving memoir about life with his famous father including working on The Carol Burnett Show, the legendary Mel Brooks in “Blazing Saddles”, “High Anxiety”, “History of the World, Part 1”; playing in golf tournaments and as a father figure going to LA Dodger baseball games and more! Chris has 20+ years experience in the entertainment industry working with various artists, brand building and representation, and talks about his life being born with learning disabilities attending the Frostig School in Southern California with his father supporting him throughout the years, plus stories of Harvey with Peter Marshall, Johnny Carson, Tim Conway and more! Check out the amazing Chris Korman and his latest release “OMG! It's Harvey Korman's Son” on all major platforms today! #chriskorman #harveykorman #author #executiveproducer #OMGitsharveykormansson #comedian #thecarolburnettshow #melbrooks #blazingsaddles #highanxiety #historyoftheworldpart1 #palmsprings #golftournament #losangelesdodgers #frostigschool #learningdisabilities #petermarshall #johnnycarson #timconway #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerchriskorman #themikewagnershowchriskorman   --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

Variety shows were as much a part of 1970s television as reality shows were a part of the early 21st century, and today we're saving two of the most iconic — The Carol Burnett Show and Sonny & Cher, plus one very short-lived YET STILL ICONIC show for us GenXers, The Brady Bunch Variety Hour (which may or may not have been created in a drug-induced fever dream). Listen for lots of fun facts about these unforgettable shows that were such cultural touchstones for us 70skids, as well as memories of many of the skits, songs, and silliness that still bring us such joy today. “And The Beat (most definitely) Goes On …”Follow the PCPS on Instagram, Facebook and TIkTok.Support the PCPS on Patreon. Become a patron and check out the fun extras you get here.Help the PCPS keep on truckin' by making a donation here.Subscribe to the PCPS email newsletter, “The Weekly Reader” here.

Seems like we never can say goodbye to the 70s, we just can't get it out of our head. It is probably because as a nightingale would, we were struttin' our stuff like a free bird back then. This week we call on the entertainer to be the Billboard Top 40 from the Week of January 25, 1975. When we get to the end of the countdown will we be saying “you're no good”, or will we say it was some kind of wonderful? No matter what, per doctor's orders, you'd better take a big yellow taxi to the nearest club and get dancin'! Link to a listing of the songs in this week's episode: https://top40weekly.com/1975-all-charts/#US_Top_40_Singles_Week_Ending_25th_January_1975 Data Sources: Billboard Magazine, where the charts came from and on what the countdown was based. Websites: allmusic.com, songfacts.com,  wikipedia.com (because Mark's lazy) Books: “Ranking the 70's” by Dann Isbell, and Bill Carroll “American Top 40 With Casey Kasem (The 1970's)" by Pete Battistini. Rejected Episode Titles: Your Bulldog Drinks Champagne on Doctors Orders Big Yellow Taxi In the Sky With Diamonds A Nightingale is a Free Bird One Man Boogie on Reggae Woman Bungle in the Black Water Jungle You're the first, My Last, My Postman Some links to things we discussed in this episode: Enjoli Commercial:  https://www.youtube.com/watch?v=N_kzJ-f5C9U      The Jackson 5, Carol Burnett Show (1974): https://www.youtube.com/watch?v=yAItLVNBQlo Mr. Rooney Goes to Washington:  https://peabodyawards.com/award-profile/mr-rooney-goes-to-washington/ Grand Funk Railroad - Madison Square Garden 1972 - Full Concert: https://www.youtube.com/watch?v=ZNx07lau9hY Isaac Hayes “Never Can Say Goodbye”:  https://www.youtube.com/watch?v=bJpN1Jf2I50

Remember variety shows? Well, we are taking a look at one of the most popular ones of all time The Carol Burnett show. I am joined again by Steph DeWaegeneer and we talk about an episode from 1972 with guest star Burt Reynolds. The discussion is about how the show holds up and how Burt did in his performance. If you enjoy the podcast, please consider supporting it here, or with my Patreon page with the link below. This podcast can be found on Cross The Streams Media platform. www.patreon.com/scottwhite www.scottyblanco.com www.instagram.com/scottwhite1968 www.crossthestreamsmedia.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/scott-white5/message Support this podcast: https://podcasters.spotify.com/pod/show/scott-white5/support

Our guest today is legendary actress and singer Jan Daley. Adored for her unique magic of making what's classic, contemporary again. As a young adult in the '60s, she was crowned Miss California. In 1970 Jan's recording of "Til Love Touches Your Life" from the film Madron was nominated for an Academy Award for Best Song. During that time she opened on tour for several legendary comedians, among them George Burns, Rodney Dangerfield, Don Rickles, and Bob Hope. Jan went on to accompany Bob Hope on tour, performing to audiences around the world, including U.S. troops in Vietnam, with the Bob Hope Christmas Tour 50 years ago. With her incredible vocals, Jan became a frequent star on The Tonight Show Starring Johnny Carson and The Carol Burnett Show. This year, Jan was inducted into the Women Songwriters Hall of Fame, capping a career spanning over 50 years. #entertainment #entertainer #singer #singersongwriter #songwriter #jazzsinger #bobhope #rodneydangerfield #georgeburns #donrickles #deanmartin #johnnycarson #thetonightshow #cancersurvivor 

Our guest today is legendary actress and singer Jan Daley. Adored for her unique magic of making what's classic, contemporary again. As a young adult in the '60s, she was crowned Miss California. In 1970 Jan's recording of "Til Love Touches Your Life" from the film Madron was nominated for an Academy Award for Best Song. During that time she opened on tour for several legendary comedians, among them George Burns, Rodney Dangerfield, Don Rickles, and Bob Hope. Jan went on to accompany Bob Hope on tour, performing to audiences around the world, including U.S. troops in Vietnam, with the Bob Hope Christmas Tour 50 years ago. With her incredible vocals, Jan became a frequent star on The Tonight Show Starring Johnny Carson and The Carol Burnett Show. This year, Jan was inducted into the Women Songwriters Hall of Fame, capping a career spanning over 50 years. #entertainment #entertainer #singer #singersongwriter #songwriter #jazzsinger #bobhope #rodneydangerfield #georgeburns #donrickles #deanmartin #johnnycarson #thetonightshow #cancersurvivor 

Tv and film legend Carol Burnett joins The Art of Kindness with Robert Peterpaul for our 100th episode extravaganza! The Carol Burnett Show powerhouse calls in to discuss all things kindness: including life-changing acts of kindness throughout her life and career, and what her golden advice for the world. What can be said of the beloved icon Carol Burnett that hasn't been said? Carol is, of course, an award-winning actress, producer, comedic genius and best-selling author, widely recognized for her work in Broadway shows like Once Upon A Mattress, films like Annie and television, most notably The Carol Burnett Show. Named in 2007 by TIME magazine as one of “100 Best Television Shows of All Time,” The Carol Burnett Show ran for 11 years, averaged 30 million viewers per week, and received 25 Emmy Awards, making it one of the most honored shows in television history. It put Carol and her friends opposite legendary guest stars like Lucille Ball, Betty White, Cher, and her good friend Julie Andrews.  Carol's remarkable journey to stardom started with humble beginnings. Born in San Antonio, Texas, in 1933, she was predominantly raised by her mother and grandmother. The family moved to a less-than-glamorous part of Hollywood in the late 1930s, seeking a better life and eventually putting Carol in the halls of Hollywood High School. As time went by, the family's modest means made going to college a far away dream for Carol. However two acts of kindness soon intervened and changed her path forever… which, of course, we discuss in today's conversation. Carol now has a permanent steak in the grounds of Los Angeles, with the intersection of Highland Ave. and Selma directly adjacent to Hollywood High School, named Carol Burnett Square. This is merely one accolade the star has racked up over the years. As a highly acclaimed actress, Carol has been honored with Emmys, Golden Globes, People's Choice Awards, the Peabody, a Grammy, a SAG Lifetime Achievement Award. and many more. She is a Kennedy Center Honoree, the recipient of the Kennedy Center Mark Twain Prize for Humor and the Presidential Medal of Freedom; was inducted into the Television Hall of Fame, and has a star on the Hollywood Walk of Fame. In 2019, the Hollywood Foreign Press Association created The Carol Burnett Award which is an honorary Golden Globe to celebrate outstanding contributions to television on or off the screen. Offscreen, Carol enjoys spending time with her husband Brian, her two daughters Jody and Erin, her grandsons, and her cat, Nikki. As a passionate supporter of the arts and education, she established several scholarships around the country, including the Carol Burnett Musical Theatre Competition at her alma mater, UCLA, and the Carrie Hamilton Foundation, to honor her daughter's memory. A major thank you to our 100th episode sponsors: Schmackary's Cookies, Relativity Ventures, Sticker You, Rapid Press, NAJ Captured, Scott Appel Media, Jennifer Laski PR, Deanna Giulietti and Factory Underground, where this episode was recorded. Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom and Julie are joined by comedian and comic book writer James III (Black Men Can't Jump in Hollywood, Astronomy Club) to count down the Top 10 Non-Scary Moments in Scary Movies, including scenes from Exorcist 3, The Thing, Red Dragon, Sleepaway Camp, and more! PRE-ORDER JAMES III NEW GRAPHIC NOVEL "JUNIOR" ON OCT 30TH ruleof3inc.com Also Tom and Julie ghostwrite Sidney Powell's apology letter to the state of Georgia. Also Spaceballs, Matt Rife, Mr. Ed TV, Macklemore as Jack Skellington, your favorite Ronnie, president based podcasting, the Carol Burnett Show writers room, Turner and Hooch, pudding skins, The Day The Music Died Hard, big hats, Tom Segura trying to dunk, and Three Men and a Rosemary's Baby. Producer Brett's Academy Awards eligible short documentary... WHAT IS JOHN KASSIR'S FAVORITE TYPE OF PIZZA? THE DOCUMENTARY Available on Patreon now https://www.patreon.com/DoubleThreatPod Available on YouTube later this week https://www.youtube.com/foreverdogteam SUPPORT DOUBLE THREAT ON PATREON Weekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More! https://www.patreon.com/DoubleThreatPod WATCH VIDEO CLIPS OF DOUBLE THREAT https://www.youtube.com/@doublethreatpod JOIN THE DOUBLE THREAT FAN GROUPS *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat TOTALLY EFFED UP T-SHIRTS https://www.teepublic.com/user/dttfu SEND SUBMISSIONS TO DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome fellow adventurers! The discussion on working to get closer to God because time is short, continues right here on the Masculine Journey After Hours Podcast. The clips are from "The Carol Burnett Show," and a news clip about sleep.  There's no advertising or commercials, just men of God, talking and getting to the truth of the matter. The conversation and Journey continues.

Tomorrow's Hits Today! Introducing Chris "Bad News" Barnes, an astonishingly accomplished artist and resurrector of the long-lost and witty genre known as Hokum Blues*. American Blues Scene hails Barnes as “a former Seinfeld, Curb Your Enthusiasm, 30 Rock, & Carol Burnett Show performer that has made his mark in the blues community.” Dubbed the “King Of Hokum Blues” this dynamic, high-energy performer has spent the better part of his life marrying his love of blues and humor, developing a truly unique sound. So, BLUES FANS!!! This episode is for YOU!:) He's also a martial arts instructor! We talk to Chris about many of the incredible experiences and performances he has lived in comedy, acting, writing, strip clubs, and the BLUES!!! He has performed with Blues legends like Buddy Guy, Koko Taylor, Keb Mo, Beth Hart, Jimmy Hall, Blind John Davis, Pinetop Perkins, 'Big Eyes' Willy Smith, and many others. He's a board member of the MemphisBlues Foundation, and was the writer for Jim Belushi while he was on Saturday Night Live! Did he play "Tanner" in the cinematic classic The Bad News Bears??? Chris explains what 'Hokum Blues" is and details how he got his start in the Blues and the origins of his band! He LOVES Strip Clubs and tells us how they have inspired his writing! Lol Chris gives BIG LOVE, RESPECT, & APPRECIATION for all of the amazing Pole-Dancers!!! We also take a listen to his new single "Bad News Travels Fast"!He tells us about the passion and appreciation for Songwriters that is unique to Nashville Tennessee. And of course, Ilan, Danny, and Bob bring you 9 new tracks to keep your party bumpin'! Will Keanu Reeves or Saweetie be future guests??? Stay tuned... TRACK LIST Eliza Roze & The Martinez Brothers Pleasure Peak   Emily Wolfe Walk In My Shoes Daughtry  Artificial CHRIS BARNES INTERVIEW Chris “Bad News” Barnes  Bad News Travels Fast Saweetie Shot O'Clock  Dogstar Breach NLE Choppa It's Getting Hot SIDEPIECE What You Need Lyell and Baby Bugs Just My Type Usher, 21 Savage& Summer Walker Good Good Special love and prayers to the people of Maui. No Ka Oi! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode, television veteran Michael Burger (Family Feud, Price is Right, Mike and Maty, and many many more) talks about his showbiz career. He looks back on memories from working on cruise ships as well as being able to work with some of his idols.SHOW NOTESMichael Burger's IMDB: https://www.imdb.com/name/nm0121221/Michael Burger's Website: https://www.michaelburger.com/Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAUTOGENERATED TRANSCRIPTSMichael Jamin:So when you shoot a multi-camera sitcom the audience, they bring in an audience and it could take, I dunno, it could easily take five hours to shoot a half hour of television.Michael Burger:22 minutes. Five and a half. Yeah. Five hours to shoot. 22.Michael Jamin:And so what's the audience doing while they're resetting the scenes or the actors are changing?Michael Burger:Well, I've got a lot of stories. Some. I had a guy die once. What? And I just thought he was taking a nap. Yeah. I kept looking up going, God, I don't, A comic wants everybody engaged. Right? And he's just, and at the end, he's not leaving every, the bus is gone and they card him out and he died on the way to the hospital. I guess they revived him, then he died.Michael Jamin:You're listening to Screenwriters. Need to hear this with Michael. Hey everyone, welcome back to Screenwriters. Need to hear this. I'm Michael. I got a cool guest today. So as many of you know, my very first comedy writing job in Hollywood, I was a joke writer on a morning TV show on a b C called the Mike and Maddie Show. And my next guest is Michael Berger, the host of Mike and Mad Mike, thank you so much for joining me here. A areMichael Burger:You nice to see and reconnect with you again? It's been a fewMichael Jamin:And you are this, I know you're not quite a screenwriter, but I think have a lot to, I don't know, just a lot to add to the conversation because you're a professional talk show host and you posted so much. I'm going to blow through some of your credits real fast just so people, but don'tMichael Burger:Blow through 'em. I want you to land on 'em and marinate on 'em for a while.Michael Jamin:Let's linger on them unnecessarily for a long time. So obviously Mike and Maddie, but the Home and Family Feud, the live version as well as the Price is right, the live version, thousand Dollars Pyramid Match Game, iron Chef Personals, the Late Night Dating Show Straight to the Heart, not to mention your long history as a standup comedian on cruise ships, and then later doing warmup. I want for audiences for sitcom audiences, which I know you've, we've been on any of the same shows, which is, that's a whole nother level of comedy. I want to talk about that. But first I want to talk about where you began. It was, how did you become a comedian for cruise ships?Michael Burger:Well, a lot of these entries into showbiz come in through the side door. And this was certainly the case. I was a big fan of Steve Martin and back in the late seventies, there was a contest where they were looking for a Steve Martin lookalike and the payoff, the winner got a spot on the Tonight Show with Carson. So I figured this is my entry in, so I figured that I win this contest and I get my own show. Well,Michael Jamin:And you didMichael Burger:Well. You had to submit a cassette tape, audio cassette tape of you doing Steve Martin. No video cameras just a cassette. And they wanted that in theory, in front of a live audience while I had, I hadn't done any standup. There's no live audience, but my audience in the day was my classroom. So I went back to my high school and said, can I borrow the classroom and just do Steve Martin's material and I'll take my best cut from that. So I went to five teachers. I did five minute sets, and I submitted that tape with the best of the five to the radio station who said, yeah, great. Come on up to the tower records parking lot on Sunset, where there's 25 of us dressed like Steve Martin doing. You're a wild and crazy guy. I win that and go to San Francisco and I meet the western Halfie of the United States at the boarding house, and I win that. And the finals are at the Comedy store with the entire country represented. I'm one of six. Steve Martin is there, Carl Reiner is there. And the winner, the payoff is the Tonight Show spot. And I do, my thing and my twist on it was I came out white suit arrow through the head, no pants with boxers that said a B, C news brief.So I figured I'd add my joke and the guy I was up against that I thought was my competition, played banjo so well and looked like Steve. I thought, there's no way. Right. He does his bit, I do my bit. It's a tie between me and this guy from Nashville that looked like Steve. Steve Martin comes on stage and he's holding our wrists like a ref in a boxing match. And he holds up the other guy's hand. Okay, that guy wins. I lose, three months later I'm watching The Tonight Show and Johnny goes, oh, we have a guest tonight. And Steve Martin comes out and he's out for about 30 seconds and you realize it's not Steve. The real Steve comes out bound and gagged yelling, this guy's an imposter. That guy goes away. We never hear from him again. And that was my first taste at showbiz.Michael Jamin:And you were like, what? 20 something?Michael Burger:Yeah. Yeah. Maybe I was 27, 28. But what would you, somebody saw that and said, Hey, can you do that on a cruise ship? Can you do standup on a ship?Michael Jamin:But wait, what would've you done if you had won this? Because then you would've been on the Tonight Show, but you didn't have an act.Michael Burger:Well, I would do kind of what that kid did. The whole bit was to pay Steve Martin's movie off The Jerk that was coming out. And it was just a sight gag, but I certainly would've come up with something. And then, so what I wound up doing initially after that, and this is in the height of all the singing comedy telegrams, remember back in the day, dancing bears and roller skates? Yeah. So I did a Steve Martin lookalike Soundalike Comedy Telegram where Michael would hire me to make fun of somebody, and I would get all the information and I would go wherever they are, a bank, an office. I actually stopped a wedding once as Steve Martin air through the head white suit, hold on, I don't think this is right. And do a little Steve Martin thing. And there was a guy in the audience at a restaurant who came over after I just did this Rickles kind of riff. And he goes, that's very funny. Can you do ships? And I said, sure. And that's how I got on a cruise ship. And then I'd come on as Steve, and then I'd do my whole act after that, which I developed over time.Michael Jamin:But your act was basically kind of making fun of Steve, or was it all playingMichael Burger:Well, no, you quickly. No, I had some comedy ideas, but what I realized as soon as I got on the ship, 70% of the material comes from being on the ship. Right. I dunno if you've ever worked ships, but No. Oh, there's so much material. It's such a ripe group. And thenMichael Jamin:It's so interesting, you never even did the comedy clubs. You really came up your own way.Michael Burger:I really did. I did a few because of that little bit of notoriety, but the cruise ships were a better paying gig. You got to see the world and you really felt like you were in the business. You had a band behind you generally. There was an opening act. The only downside was if you didn't do well, you'd have to see these people for the next three days, four days, seven days.Michael Jamin:But howMichael Burger:Many I loved it.Michael Jamin:How many shows would you do on a, so you were like, let's say it was a seven day tour. How many shows would you do?Michael Burger:Two.Michael Jamin:That's it really?Michael Burger:Yeah. Yeah. I would do the three and four day cruises down to Ensenada and back. And so I would do welcome aboard show, I would be the headliner. I'd come out and do my hour, and then they said, you can do anything you want on Sunday night. So I'd go in the back lounge and then just try stuff. And that's really where you kind of learned what's funny, what's not. So I got to do, my God, for anybody listening that remembers the Catskills in those old days where you just work well clubs today, you go out and work material, I could go in that back room and I would go on at midnight and the buffet would start at midnight. And my goal as a performer was if I could keep people from getting up and leaving my show to go eat again, then I realized I had some pretty good material. So I would do an hour and a half, two hours in the back room.Michael Jamin:ButMichael Burger:The moment that really, maybe this is where you're headed, that launched my career was in the middle of the cruise. They had a passenger talent show. And on one of these cruises, the cruise director came up to me and said, Hey, can you fill in and host the Passenger Talent Show? I have other things to do. And he meant that as a verb. I mean, this guy was, he was all over the ship just right,Michael Jamin:Yeah. GoingMichael Burger:After whatever moved, you know what I mean? And I said, well, what do I do? And he goes, well, these people sign up throughout the week and then we turn 'em loose at midnight and they do whatever they do. Think America's Got Talent. And I said, well, what would you like me? Wait, introduce 'em, put a little show together, go at 11 o'clock at night, get with the piano player and you figure out maybe an order. I said, well, okay. It sounds like fun. So I did that. And I'm telling you, Michael, I had more fun doing that than any standup really. I had a chance to talk to somebody, where are you from? What do you do? And then you turn 'em loose. But because, and it's not unlike warmup where someone else is the star where someone else has the focus. You just set 'em up and turn 'em loose. Yeah. I had an 85 year old woman, get up and tap dance to the Lord's Prayer. You don't need to top that.Michael Jamin:Yeah. How do you, right.Michael Burger:I mean, I had everything. Right. So I started doing this and about at the same time, I was doing warmup for a game show. We're going to go way back now, a dance show called Dance Fever.Michael Jamin:Yes. WhichMichael Burger:Is again, these dancing shows, but way back, right.Michael Jamin:It was solid Gold and Dance Fever, those two shows. That'sMichael Burger:It. And they had three celebrity judges and they would judge the dancers. And the Cue card woman comes up to me on a commercial break and she goes, N B C is going to do a morning game show. And they want somebody new, somebody unknown, someone that no one's heard of. I said, that's me. I, I'm in the middle of the ocean. No one knows me. She goes, do you have a tape? I said, nah, I got a tape. Sure. I got a tape, I got no tape. So the very next cruise I go back on, I put 2,500 bucks on my credit card and I go buy that two piece video system where you had to buy the base unit, the head unit. And I brought that on the ship. I put it on a tripod, I put it back by the soundboard, and I pushed record and I videotaped every one of these passenger talent shows that I hosted and then cut everybody out.And it just kept my moment. My first demo tape was six minutes of me doing that. Right. So this woman at Dance Fever says, get me that tape. I'll get it to N B C. The two people in charge were Jake Talbert and Brian Franz. They were the presidents of daytime television, N B C. So she sends in the tape and I get a call, my agent and I come in, I have an agent at this point, and they go, do you know why you're here? And I said, yeah, Mary Steck was nice enough. I said, no, it's the guy at the end. I said, what do you mean the old guy? Yeah. What about him? Well, there's this charming old man that I'm introducing and playing with, and he grabs the mic out of my hand and goes, you must be saying something very funny, but I don't get it. Well, it's a huge laugh. And the N B C exec said the fact that that guy got the laugh and you let him have his moment and you didn't come back over with one more ad lib of your own tells me you got a sense of how to host. It's about making someone else shine. He said, we can teach you how to host a game show, but we can't teach you as the instinct to make someone else look better. Were youMichael Jamin:Aware of that though? I mean, we,Michael Burger:Not really. Yeah. I mean, I got better at it and I realized the sneaky joy of this is that if you get a laugh and get out of the way, put the onus back on them when you do a talk show. But when theyMichael Jamin:Said this to you, you're like, oh my God, I, I've been doing this all along and I didn't realize this. Or were you consciously doing that?Michael Burger:I think there was sort of a Midwest polite mentality, kind of how I was raised, don't interrupt, all that kind of stuff. It kind of goes part and parcel just being, I don't know, polite iss the perfect word. My dad was from Missouri, my mom was from Minnesota. We kind of raised in a polite family. I just thought that was the right thing. But I also realized that boy, you could use this to your advantage, 'em shine. And that I work at it to this day trying to be a better listener and try to be better at picking my moments. That's how it started. That's literally how my career started out at sea. AndMichael Jamin:Then so then what happened with that audition then?Michael Burger:So I got the pilot. I got the pilot for N B C Morning Talk show. My very first time on a lot is at N B C. And I'm parked six spots down from Johnny Carson. It's got a white Corvette. His license plate said 360 Guy thought that was a clever license plate all around Guy. Yeah. I'm six spots down from Carson. I just got off the boat. I am so far from showbiz. I'm walking on the set. We shoot the pilot at the same time. They're just about finished with a Tonight Show. We shot across the hall, very little security back in the eighties. I open the door and I walk in and I sit next to Gregory Peck. Colonel Michael going shelf is so easy. Yeah. He goes on, he comes out, I say, hi, Carson walks by, gives me one of these. Everybody walks out and we all go home. Kicker. The story is Pilot did not get picked up, but the production company, reg Grundy, who did all of those shows back in the day, sail of the Century and Scrabble, liked what I did and put me on retainer for a year to develop something else.Michael Jamin:But did they, and I never even asked you about Mike and Maddie did like Yeah. Did they coach you at all before you start doing this? Did they rehearse you or is it like, well, this is who we hired, let him do his thing?Michael Burger:It's a good question. In the game show world, when we were getting ready to do a game show, they would remind me that the first half of the game is fun and q and a and get some joy out of these contestants and root for 'em. And then when it shifts to the bonus round, there really needs to be a shift in tone. This money is serious money and this can change someone's life and this is not the place to go for a joke. Let's kind of shift the focus and really be there for 'em and root for 'em and console them if they lose and be happy for 'em when they win. So there was a little bit of that. Some of it, it's, most of it's just learning where your beats are, getting in and getting out.Michael Jamin:What about Mike in the game show world or home family, same kind of thing?Michael Burger:Well, Mike and Maddie was a whole nother league that was morning network everywhere in the country. And I was working with someone, which I had never done. So I came in for the audition and did well. And the woman I had auditioned with, they had a deal to put in place to put her on the air. And as I was driving home, my agent called and said, I don't know what happened in there, but they now want to do the show with you. And they're letting her go. Said, oh, well don't give her my address.Michael Jamin:AndMichael Burger:He said, we now have to find a woman to pair up with you for this morning talk show. And I thought, well, how do we do that? I said, well, Disney will set it all up. This is a dizzy production. And I auditioned and I audition's not even the right word. I sat down with 85 women and just said, how you doing? How you doing? And we just tried to see if there was any chemistry. It's like dating somebody. Is there there a connection? Maddie?Michael Jamin:This I had? No, I, I'm sorry, I have to interrupt. But this I had no idea about becauseMichael Burger:Yeah,Michael Jamin:It seems like they sell a show to A, B, C, they go, it's going to beMichael Burger:Morning show. We know, actually, let me back up. This show is going to be in syndication for Disney, which they could syndicate across the country and do anything. ABC's not involved at thisMichael Jamin:Moment.Michael Burger:So they had a development deal with this woman. They passed on, they put me in the spot. Now they got to pair me up. They pair me up, Maddie and I had instant chemistry. And about an hour after her audition, they say, we love you both. Let's do it. So we shot a pilot right at K H J on Melrose, a $40,000 pilot, right? I mean, that's about as cheap as you can get. And they took that pilot out and tested it and it tested as high as Oprah tested back in the day, right? A, B, C got wind of this and said, forget syndication, we'll put you on the air now. And three months later, Maddy and I hit the ground running, not knowing each other really. And what began a two year, 535 episode run with someone I got to know every day. We shot literally every, well, five days a week, Monday through Friday.Michael Jamin:So that's interesting.Michael Burger:We got to know each other. Got to learn the whole thing.Michael Jamin:I didn't know that was the origin of, because they're basically saying, okay, we're selling a morning TV show. We don't know who's in it yet, but if you like the idea of a morning TV show, we're going to audition this.Michael Burger:Back in the day, they were handing out these, they were handing these talk shows out pretty regularly. It was kind of the thing fairly inexpensive to produce, I guess. Although we had quite a budget. This was Morning Network. This was a big official show that we traveled and there was a nice budget for a big beautiful set. And everybody got what they needed to pull this off. And then celebrities would catch on and come on. And we had our favorites. And you got to sit down there with your idols. And yeah, there was a little pushback. The fact, I want to talk to you about this, because A, B, C was adamant that this show was not a comedy show in the morning. That you're taking people's time away from them and you got to give them something. They got to feel they haven't wasted their morning. So there's always a recipe, there's always something to learn from. And I came in kind of hot with this idea of comedy and they're going, no, people don't want to laugh in the morning. And I went, well, I got to disagree with you there, but Max Mutchnick and Max and who? Max and Dave, right?Michael Jamin:David Colleen, yeah.Michael Burger:Who created a little show calledMichael Jamin:Will and Grace.Michael Burger:So they were the first writers on Mike and Mad. And it was just overkill. We didn't need that much horsepower from them. They were so talented. They went on and did what they did. But I think because they brought me on, they certainly liked my sense of humor and thought this would be a nice way to wake up in the morning. So eventually they embraced the humor as long as he balanced it with information.Michael Jamin:And that show, it was Tamara Raw, Tamara, she was the producerMichael Burger:Started it.Michael Jamin:She started it. And I guess her vision was Letterman in the morning. But Letterman had a show in the morning. And so that's whereMichael Burger:You don't want to go down that path. And that kind of scared so, and part of this was wise that you, let's not waste people's time in the morning. Let's find that balance of being entertaining and give them a takeaway. And we realized that, I certainly found that balance. Maddie and I started to feel our own beats there on where we could jump in and we each got our own segments where we could shine. Yeah. Maddie was the greatest at locking in on a guest. And Carol Burnett came on and Maddie just started crying. That was, that's how she started the interview. It's because Maddie learned English having come from Cuba on one of the last Freedom Flights out. And now the show that she watched to learn English by the Carol Burnett Show. She's sitting there and she starts crying. Well, that's a great host showing her emotion, being interested. So yeah, I love working withMichael Jamin:Her. Yeah, she's delightful. Yeah, I remember, I remember taking, going to your dressing room with index cards versus jokes here, what about this?Michael Burger:And I wanted that so much to me that felt like Letterman and that felt like The Tonight Show. I was aching for that. I don't remember the conversation we had or what I fought for. I wanted Jonathan Winters on the show, and I had done warmup on his sitcom and they said, no, that's not our audience. And I went, what's not our audience? Funny. So I pushed, six months later, Jonathan came on and I got to sit with him and I got to do what Johnny Carson did with him, which was give him a hat and then do a character. And I thought, this is, I'm in heaven.Michael Jamin:ThisMichael Burger:Is as good as it gets. But it took some pushing because they thought, who wants Johnny in the morning? Yeah. So wait a minute.Michael Jamin:WhoMichael Burger:Doesn't want to laugh in the morningMichael Jamin:And be, but before that, you were still also doing warm before warm up. And then how did, so just so people know, so when you shoot a multi-camera sitcom, the audience, they bring in an audience and it could take, I dunno, it could easily take five hours to shoot a half hour of television.Michael Burger:22, 2 minutes, five and a half. Five hours to shoot 22.Michael Jamin:And so what's the audience doing while they're resetting the scenes or the actors are changing?Michael Burger:Well, I've got a lot of stories. Some had a guy die once. What? And I just thought he was taking a nap. Yeah. I kept looking up going, God, I, a comic wants everybodyMichael Jamin:Engaged.Michael Burger:And he's just, and at the end, he's not leaving every, the bus is gone and they car him out and he died on the way to the hospital. I guess they revived him, then he died. WhatMichael Jamin:Show was this?Michael Burger:Women in Prison?Michael Jamin:I don't remember. Don't remember. Women in Prison. Sure,Michael Burger:Sure you do. It was a sitcom with Wendy, Joe Sperber and Peggy Cass, an all star lineup. Blake Clark played the Warden and it was a sitcom about women in prison. I know. And I was the warmup. And then I did all of those types of sit. I mean, I did big ones, I did shows, you'd know. Yeah. Gosh, Mr. Belvedere is where I started.Michael Jamin:Remember one. AndMichael Burger:That's really where you learn, I don't know a comic that's got five hours, unless you're talking maybe Leno, but you know, do your act. But then you have to figure something else out. And that's where these hosting chops came in and yeah, you're like a surgeon on call. The moment the bell stops, then I start talking to the audience and then they're ready to go again. Could be right in the middle of a joke, you're telling, it doesn't matter, I'm here to serve. And they would do, again, for those uninitiated, maybe 15 scenes in a sitcom of 50 pages, 60 pages. They'll do each scene two or three or four times. The actors want another shot at the scene. Maybe they've got another joke laid in, or maybe they want another angle. And each time they do it, that audience has to be geared up, not only reminded, Hey, where were we? Right. And sometimes literally reminded because a lens went down and we have a 30 minute stop between scenes seven and eight. Yeah, that's happened. So you keep them entertained. And it's actually, I think that was the greatest training for me anyway.Michael Jamin:It must've actually a really important job because as a TV writer, we want the audience to have, they need the energy. They got to keep giving it to the audience. And it's the warmups job to keep them engaged and not wanting to leave and get bored and zoned out. Well, I'mMichael Burger:Glad you said that becauseMichael Jamin:Oh, very important.Michael Burger:The writers will come to me and say, how's the audience tonight? Or if the show's not going well, they'll going, Hey, can't you do anything your fault? I'll certainly try sometimes it just wasn't that funny. Or the reverse is true. Right. I have a Dick Van Dyke story that is painful. He did a sitcom with his son called Van Dyken Company. And Walter Barnett produced and they brought me in. I had a nice reputation of being the warmup guy. So I came in and did the pilot and it's like taking candy from baby, I'm killing. And Walter Barnett walks up to the rail about three feet up audience, and without stopping, he says, just pull it back a little bit and then keeps walking. And a couple scenes later, more laughs, he goes Less. Just less. Okay. Now we're like five seeds in. And he pulls me up and he goes, stop telling jokes.I'll tell you why. Later. I went, oh my God. So now I'm just talking to the audience and I happen to get one guy in the audience that was a mortician. I go, what do you do for a living? Mortician big laugh. He looks at me, what are you doing? People are dying to get in. I go, well, it's not, he's doing it. At the end of the show. He goes, I got to let you go. Dick is not happy. Dick, Dick van Dyke's not happy. Yeah. Yeah. Show's just not coming together. He had hoped, and there's a lot of laughter when we're not shooting, so I'll keep you posted. So the next week they bring somebody else in and it's awful. So they bring me back. But he said, okay, you can come back, but you can't do the puppet bit and you can't do these three jokes. I had some killer bits that I know I could rely on. So I finished the six episodes I did when I did five of them. ButMichael Jamin:It, it's, it's actually, warmup is a pretty high paying job. It's a pretty desirable job.Michael Burger:It was crazy. I'd never seen that kind of money for one night. I'm not doing the clubs. I'm not on tour, and I'm not only in town. I'm getting union money. So now I'm getting my sag guard and I, but that's a union job. Then they tried try to take it away from usMichael Jamin:That that's a union. That's a union chop. IMichael Burger:Didn't know that. It was after I fought for it, it was then a bunch of us got together and went to the union and said, Hey, we're a pretty important part of this production. They agreed, actors stood up for us and spoke on our behalf, and we wound up getting union money, which is how I got vested. But I mean, don't think I'm speaking out of school. Warmups could range. Back in the day was 800 for the night and five or 6,000 a night was not uncommon at the end. Yeah,Michael Jamin:I know that for sure. And then,Michael Burger:So you knock out a couple of those a week and all of a sudden you're going, IMichael Jamin:I'm rich ShowMichael Burger:Business. Well, show business is great, but you're also not on camera. And you're thinking, I remember having shows on the air and then going back and doing warmup and candidly thinking kind of a step back. And a producer said to me, I wouldn't look at it that way. He said, do you like doing it? And I said, I love doing it. He goes, you're good at it. I said, well, okay. And he said, that carries a lot of weight. If people are going to see you work 'em, see you doing what you do. Well. And I kind of reframed that and got back into the warmup and wound up doing a little show with people that you probably, or one actress that was probably everyone's favorite or has been. And that was Betty White. Yeah, sure. And I came back and did Hot in Cleveland and did 135 episodes. I spent 135 Friday nights with Betty White.Michael Jamin:Yeah, she's lovely. Yeah. I worked with her on an animated show. She couldn't be, she was so lovely.Michael Burger:Sweet. Right? Yeah. And gives you everything you'd hope.Michael Jamin:Oh, for such a pro. I remember I've told this story, I was doing an animated show. So I was directing her and she was, I don't know, maybe 15 feet in front of me. I'm at a table, I got my script. I'm giving her notes and she's delivering. She's great. But after a take, I'd give her a note, can you try like this? Like that? And she was very pleasant. But after a few sec or a minutes, she stops and she goes, I'm sorry, dear, but you're going to have to yell. My hearing isn't as good as it used to be. And I said, if you think I'm yelling at Betty White, you're out of your fucking mind. And she just lost it. She loved that. She was so far, I mean, she's like, she was so sweet whenMichael Burger:You would see her on the set, the room changed. Everybody was aware. It was like the Pope walked in and the little ad libs that she would throw off to the side, which having done 135 of 'em, I realized she had a lot to go to. But the first time I heard a couple of these, for instance, cameras rolling, awkward pause. Betty looks up and goes, if no one's saying anything, it's probably my turn. Yeah, that kills. Director goes, we have to go back. Betty goes, how far the pilot? So she got about 50 of these ready to go. And there was a scene where they, once a season, they would pair the girls up, Wendy Mallick, Jane leaves, Valerie Tonelli. They're all single as Betty was. So they would have a date show where all the women got paired up and the girls paired each other up with dates. So they picked Carl Reiner as Betty's love interest. And there's a scene where she and Carl KissAnd crowd goes Nuts. And then we stop. And Carl's 15 feet from me. And I had worked, interviewed Carl on Mike and Maddie. In fact, I, Carl, I let had him cut my tie, which is an old Johnny Carson thing I'll get back to in a minute. But I said, Hey Carl, you just kissed Betty. What was that like? And he goes, without missing a beat. Oh, it was unbelievable. She has her original teeth and all and her, she goes all of her own teeth and her original tongue recess. That right at 90 without missing a beat. And you saw these two connecting, right? As the old guards of the business,Michael Jamin:Some legends. But how did you get that first warmup job? I mean, walking into that is not, is hard.Michael Burger:It was. Or even gettingMichael Jamin:The opportunity to do it as hard.Michael Burger:Yeah, I go back to the cruise ship. I was doing warmup on the ship and a producer for Jeopardy was on who worked for Merck Griffin, and they were doing this dance show. And she goes, can you get me a tape? Then by that time I had, and so the very first warmup I did was Dance Fever. And one of the celebrity judges, it was Christopher Hewitt, who said to me on a break, oh dear Ladd, you should come do our show. And I did, did that show for seven years.Michael Jamin:Wow.Michael Burger:And then that kind of mushroomed into other warmupsMichael Jamin:Because you've had a really unconventional path into Hollywood, I would think.Michael Burger:Yeah, yeah. But my sights were set early on. I saw that Carson did a game show and then a talk show. And I went, well, that works for me. So lemme see if I can get a game show. Let's see if I can get a talk show. And I've accomplished those. IMichael Jamin:Certainly, but you were never a weatherman.Michael Burger:No, I never, I never, what happened? Do I look the part,Michael Jamin:Was that a slam? It's a quietMichael Burger:Slam.Michael Jamin:Letterman was a Well, weather. He was, yeah. I mean, seems like that's another, as long as you're in front of the camera, I'd think. Well,Michael Burger:In the LA market, you couldn't get past Fritz Coleman.Michael Jamin:Yeah,Michael Burger:Right. Did that for 40 years who also did standup. And I never wanted to do that. And the opportunity to act had come up a number of times. And with all humility, I just said, no, I don't think I would be good enough. I knew what I liked. I knew I liked talking to people, basically.Michael Jamin:But you've done some actingMichael Burger:And I figured I'd just stay in my lane.Michael Jamin:But you've done acting. I know you have, in an episode that I wrote, you're an episode, episode of Lowes and Clark.Michael Burger:Yeah. I don't, that's not on the resume. I just don't, those got handed to you because you were on the air doing something else. Right. I got to present at the Emmy's because we were on the air, and Maddy and I handed Oprah, her Emmy award, and we're going down the elevator with Oprah, and she's singing our theme song. And turns out she was a fan of the show, kind of, yeah. Was our godmother. Because when Mike and Maddie went across the country, we aired in Chicago after her. So she was on at nine, we were on at 10:00 AM and we were an instant hit because we followed Oprah. And so much so that Oprah became a fan of the show and invited us to everything. I went to the Oscars with Oprah. I sat at dinner at Spago with Oprah. I mean, she, now, were there any call guests? No, she does not call now.Michael Jamin:Were there any, because you had a lot of great guests on Mike and Matt there. Anything that you in touch with that you kind of became friends with?Michael Burger:Yeah, George Hamilton, Robert Wagner. Robert Wagner is about as cool as anybody gets. Yeah. And he asked me to mc the charity event that he was doing. It was a Jimmy Stewart Relay race. It was a celebrity race in Griffith Park. I said, I'd be happy to. And he goes, do you want to play golf? And I went, well, I don't. I can play hack around, but he's like a member at Bel Air. And I said, well, yeah, maybe that would be nice. And I'm just pushing him off. I didn't want to embarrass myself. So the next year I do the event again. And he goes, are you still playing golf? And I went, yeah. And he goes, are we going to play? And I went, he goes, do I have to send a car for you? And I went, no. RJ is what he wanted to be called. I said, I just didn't feel like I could play right when I first met him, this is So Robert Wagner, I, I'm standing there with a buddy of mine and I see him coming, and we have to go to the stage and he comes up and he takes his arm and he puts it through mine and goes, Michael, walk with me. I mean, so old school, right, Michael?Michael Jamin:Right,Michael Burger:Gloria, my friend. I'm good. Thank you. Rj. Yeah. They were idols. I got a chance to meet. God, I met President Carter, had retired, but I got to do Habitat humanity with him and sit down and build a house and talk to him about life. And every musician you ever heard of. How about the artist? Jewel made her first appearance on Mike and Mad. We put her on there. I did notMichael Jamin:Know that. I remember James Brown. I remember walking past James Brown.Michael Burger:James the Sure. Leanne Rime made her first appearance with us.Michael Jamin:Really? Well, I mean, I wasn't there for that, or I don't know. Yeah. That's so funny. Wow. So that's amazing.Michael Burger:Yeah. James Brown do. So you were there for James?Michael Jamin:Yeah. Yeah.Michael Burger:And he sat down and he said something, and that wound up on entertainment tonight. That night he said, the music is funded by drug money.Michael Jamin:EverybodyMichael Burger:Went, did he just say that? And all of a sudden, now we're hard news reporters. We felt like, I don't know. I don't Charlie Rose or something. We got a scoop.Michael Jamin:I don't remember that. WeMichael Burger:Just stumbledMichael Jamin:Into it. And then what was it like? Just rolling? I mean, I know you had must have talking points on when you're interviewing guests, butMichael Burger:Oh boy, you, you're so right. A celebrity gets interviewed the night before, and then they have bullet points. And the next day you kind of spit out those questions so they could comment on what they were pre-interviewed about. But in conversation, sometimes things go another way. But as you know, the producer's job is to keep you the host on track. And we had God bless her, Kathy Paulino, Kathy, I think her name was.Michael Jamin:Yes. Yes. Is that her name?Michael Burger:IMichael Jamin:Don't remember. I Kathy interview. Yeah.Michael Burger:She, I interviewed Robert Gole the night before, and she had this list of questions, and she's just behind camera with this, and she's doing this, and I see her, and I'm ignoring her because something better is happening. And we get to the, and she goes, Michael, you did not ask any of those questions. What happened? What's wrong? And I said, did you hear what Robert Gullet was saying? She goes, no. Well, I said, the interview took a path down a different road. He had mentioned his father, and I noticed he'd paused almost if he was going to tear up. And I thought, there's something more to explore there. And I said, what about your dad? And he said, on his deathbed, his dad said, Robert, come here. And Robert comes in, and he goes, son, you're meant to sing. Go do that. Well, I mean, I got chill.I got tills hearing that. Now, that was not on the cards. It was following the arc of a conversation. And sometimes these producers feel, maybe they're not doing their job. We didn't ask those questions, but interviewing people is really about a conversation. So we had those moments where we went off the card and I think made some friends there, had some great, some great interviews. I'm very proud of. Patty LaBelle sat down with us and admitted that her three sisters had all died of cancer. And she wasn't sure she was going to see 50. And she starts to tear up and we're going, she goes, I must like you guys, we're six minutes in. Yeah. Talk shows. You get six minutes, seven minutes, maybe two segments, maybe 15 minutes. And I think we did some nice work and met some people in a very finite amount of time.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not going to spam you, and it's absolutely free. Just go to michaeljammin.com/watchlist.I remember those morning meetings. We talk about the show, and I remember sitting in the back, because I'm young, it's my first real writing job, and they call me a producer because that way they wouldn't have to pay me writer's skill. So they said, you're a producer. But I'm like, I'm not a producer. I can write stuff. But I remember thinking, how does everyone here know what to do? I really had no idea was I was in awe of the whole thing. How does everyone here know what to do?Michael Burger:But as the more you hung around, it kind of demystifies itself after a while, right?Michael Jamin:Yeah. But there was also, and to some degree, yes, but it was also like you only get one shot. It wasn't like you get to rehearse. It was like, you better get this right. We're on live tv. We're not live, but we're on TV and live detect. Yeah. We're not doing again. We're not doing it again. SoMichael Burger:Yeah, that was, if you concentrated on that, it would paralyze you. What I found starting to do this was that how in the world can we talk to somebody for six minutes and get anything out of it that seems too short? Yes. And you learn to ask. There's a great quote by Blaze Pascal, he's a French philosopher, and the quote is, if I had more time, I would've written a shorter letter.Michael Jamin:Right?Michael Burger:And it talks about the science of the art of being brief. Then you learn that in the talk show world where you need to be concise and you take away all the stuff in the same way. Jerry Seinfeld would take out a word that doesn't work in a joke. A good interview is become very, there's no Sophie's choice there. You know, start cutting things away, not going to make it. And you stick with what works at that moment. So you be, become careful, you be good editors of yourself as you interview. But I found how it was so, it was so phe and so I compared it to cotton candy. You would do it, and it was gone. And then the next day we had to do it all over again. Yes.Michael Jamin:Right, right. Yeah.Michael Burger:The sheer volume Yes. Of cranking out an hour a day for two years was mind boggling to me. But yeah, I didn't have to do it myself. I had help.Michael Jamin:Yeah. And IMichael Burger:Had to show up refreshed,Michael Jamin:The minute recorded. I remember thinking all the producers, well, you're screwed. You got to do this. You're done. All that work you did is over now, and you have to do more. I mean, yeah, it doesn't end.Michael Burger:And we went live to tape. We wouldn't stop unless there was something drastic happening. And once in a while, we would tape two shows on a Thursday so we could travel on a Friday to go to another town and maybe do something live there. Unlike the show I did with Christina Ferrari, which was two hour, two hours live a day there. There's no stopping. I mean, what goes wrong? You see? Which was a whole nother level of fun because,Michael Jamin:But there's aMichael Burger:Too late,Michael Jamin:There's an art though, to getting people to be vulnerable. Like you're saying on television right now, you have six minutes, and then sometimes you'll see it where an interviewer, just like they're reading the questions, they're just waiting to get the next question. They're not really in it.Michael Burger:True. Were you there for Charlie Shaneen?Michael Jamin:I probably would'veMichael Burger:Remembered. Charlie comes on and he's nervous, and he's sitting there and he's looking around. I go, what's wrong, Charlie? Because I don't know, no one's given me anything to say. So what do you need? A cup of coffee would be nice. So I went over, we had a big set. We had a working kitchen. So I got him a cup of coffee, and we sat down and go, anything else? He goes, well, cream would be nice. I went back and got him.Michael Jamin:Great.Michael Burger:That was such a fun interview because he really was authentic and he really was nervous. And we just played it where you had some other guests that were, shall we say, just a little more controlled and didn't want to open up. And they were there to promote something. That's what a talk show does, is we promote you doing whatever you're doing.Michael Jamin:And what were you thinking when you're like, oh, I'm just tanking here. This isMichael Burger:Going with No, the opposite. Oh no, I'm thinking, let's do more of this now. I felt, oh, now we're doing Letterman. Now we're doing a talk show where things are off the rails and there's nothing, and the big camera has to whip out of the way. No one had planned that. I lived those moments where something went wrong, butMichael Jamin:When someone wasn't comfortable on care. What about that? Well, whereMichael Burger:It wasn't scripted, heavily scripted, where you would get something that wasn't planned. No, that'sMichael Jamin:Fine. I mean, when a guest is clearly not engaging, they're just, they're struggling.Michael Burger:Well, you'd see the producer going, let's jump ahead. JumpMichael Jamin:Ahead to, what do IMichael Burger:Jump to? Well, we could tighten it up and then the next guest can go longer. We had a little bit of an accordion, you know, find a way a to get in there somehow, some way. But they're not all, some are better talk show guests than others.Michael Jamin:AndMichael Burger:Some come in, we had, comedians had Richard Jenny on who I went to his dressing room and I go, what do you need? And he gave me five setups, hotdog, car, couch, whatever it was. So he knew all the jokes he'd go to when you just laid 'em in there.Michael Jamin:Would you write those down or on a card, or you just No,Michael Burger:That kind of stuff was just, yeah, they certainly had 'em on a card. But when we got a comic on, I really felt, oh my God, I got to kick up my game here because this is really what I want to be. I mean, this is, I idolize you, you men and women that had come on.Michael Jamin:There really is. SoMichael Burger:Carl Reiner comes on, and there's a very famous episode of The Tonight Show where Carl Reiner comes on and says to Johnny, I never make the best of the Tonight Show. I never make it. And he goes, I, I'd like to be part of those eclipse at the end of the year. And cars going like, okay. And he goes, you're a great dresser. Johnny goes, oh, thank you. And he goes, stand up if you don't mind. And he goes, okay. So Carson's standing up and he's looking at his tie, and he goes, the tie's not right, however, and he pulls out a pair of scissors and he cuts off Johnny's tie. Right. Johnny didn't know it. Fred Decoda had said to Johnny, Hey, just don't wear your best clothes tonight. That's all I'm missing. SayMichael Jamin:God.Michael Burger:So he cuts the tie rightAt the end of our interview with Carl, I said, Hey, there's a moment you had with Carson and I would just be thrilled if we could recreate this. And he doesn't know where I'm, he doesn't know where I'm going with this. I said, there was a moment where you cut Johnny's tie. And he goes, yes, I remember that. And I said, can I? And he goes, oh, no, no, no. My wife gave me. And I went, no, no, I don't want to cut your tie. Right. Would you cut my, he goes, I'd love to cut your tie. And he stands up and makes a production and cuts my tie. Right. And I have that tie cut with an autograph framed in my office. Wow. Wow. It was my moment of, I mean, those are the big moments, right. Meeting your idols. Yeah. Like Jonathan Winters, I assume people listening know Johnny. Remember Johnny the greatest improv artist ever? And Robin Williams was a fan of his. Yep. So I get to do warmup on a sitcom called Davis Rules. Remember that? With Bonnie Hunt? No. Yeah. How do he won an Emmy for that? Okay. Jonathan Winters did. So Jonathan Winters, Bonnie Hunt, the kid Giovanni.Michael Jamin:Yep. Wow.Michael Burger:So they would have a script, John enters kitchen.dot pop on couch because he, yeah. Whatcha going to do with this maniac? So he would start, he'd go off roars of laughter, but he, Jonathan loved audience. So he comes up to me, maybe we're a half hour in, I'd never met Jonathan Winters. And he walks by the rail and without stopping, says to me, Bing, how's your golf swing? And he keeps going. And as he's about eight feet away, I go, Bing, how's your golf swing? And he goes, whoa, whoa, whoa. And he does Bing Crosby. Well, at the end of the show, I go up and say, Hey, I can't believe you're even here, and I can't believe I got to meet you. And he goes, Hey. He goes, that was fun. He goes, I love doing that kind of stuff. He goes, anytime you want to throw me something, let's do it.So this is taking a pitch from Kershaw. This is the best of the best, the best. So the next week it's a sitcom, the format, it's going to be a four hour night, it's going to be stops and starts. And Jonathan is just sitting there like a little kid waiting to play. He does it, the acting he can do in his sleep, but it's the improv that he loves. So I'd catch his eye and go, excuse me. Yeah. Did you not invent lettuce? Is that you? Yes. I invented lettuce. God, for 10 minutes. That happened for a year and a half. So I got to play with him for, I don't know what it was, 52 episodes.Michael Jamin:Wow.Michael Burger:That's meeting your idols and being even more impressed than you could possibly imagine.Michael Jamin:Yeah. But how gracious of him, I mean, that's veryMichael Burger:Much fun. But that's him, him, he loved the audience. And Bonnie Hunt was so great at navigating him back to the script without even seeing it. But the show was funniest when it was off the rails because Jonathan Giovanni eei, the actor would look at him and he had a line, and then there'd be this pause and they'd going, Giovanni, that's your line. He goes, where? What's my line? Because it's so far past what was written in the script. What'sMichael Jamin:My line?Michael Burger:Yeah. Because Johnny had taken it out to the parking lot and then made a left down Ventura. Yeah.Michael Jamin:That's so funny. SoMichael Burger:Those warmup days I loved. And when I got out of it and then got a chance to come back into it, my ego aside that I'm not on the camera, I'm behind it. Well,Michael Jamin:Let's talk. I end up working that though. I mean about that must have been difficult for you, but I don't know. You did it anyway.Michael Burger:Well, it, yeah, it took about 10 minutes to get over myself, and then I'm standing in front of an audience, getting a laugh, and I went, wow, this is pretty cool. Right.Michael Jamin:But did it, I mean, that'sMichael Burger:Felt right back in the mix. That'sMichael Jamin:The Hollywood rollercoaster. I mean, you're up, you're down. You're up and down. I mean,Michael Burger:Yeah, I naively thought one pilot, I'm on my way. I've got a TV show. That very first thing I did for N B C didn't get picked up. And I went, oh, that, that's show bz. Yeah. I, that's the up and low. That's you thought. Right. So you learn to discipline yourself and be grateful for what comes your way, which I think I've done. And I also wound up with some side hustles along the way, flipping homes. And I got my real estate license and did that stuff on the side. Right. Not thinking I'd ever want to, boy, here's something revealing.Michael Jamin:Yeah,Michael Burger:It's probably five years ago, Catholic church. Sunday morning, I'm sitting there and there's a woman in front of me with her husband. The husband looked like he had been beaten down. What's the old joke? Where they've taken the spine out? He's just been beaten so many years by being to this woman. She's eight o'clock black dress Pearls, Mrs. Kravitz from Bewi. Does that help you? This is who I'm dealing with and looking around. And she owns the room and it's church. So the priest says, halfway through, turn to the person next to you or behind you and say, peace be with you. So I'm right behind her. So she turns and goes, what happened to you? And turns around, excuse me, what happened to you? Yeah. You used to be on tv, turn around. This is mess. Listen to Padre there. She couldn't fathom the fact that I wasn't on the air and wanted to know how my life not seeing me on Mike and Maddie anymore. And I said, no, I, I'm, I'm fine. Okay. Things are good. Just turn around. But she needed, I didn't have the time to deep dive into the complexities and the ups and downs of this business inMichael Jamin:Church. But did it hurt though when she said that?Michael Burger:No, I actually thought it was wildly funny because I've told this story now for 20 years or five years. Yeah. But yeah, no, I loved being on the air and certainly miss it. The skillset set is still there. I think it's gotten better. You learn, hosting is cumulative. Everything you do adds one more layer. But I've certainly made peace with it and understand the business that, I mean, I've got a wonderful life because of all the ups and downs. Right?Michael Jamin:Yeah. One of the things that people say to me, because I post a lot on social media, and they go, well, you seem so humble. I'm like, because I've been in the business for 25 years. That's why, I mean, do you not, you're every step of the way you're getting humbled. IMichael Burger:Mean, how about, is there any bitterness in your journey?Michael Jamin:Not really, because I never really thought I was going to get this far.Michael Burger:Oh, that's interesting.Michael Jamin:I thought it was never my goal to my, it never my goal to have my own show and my own Norman Lee Empire. I just wanted to be as aMichael Burger:Writer, showrunner producer, you mean?Michael Jamin:Yeah. No, I just wanted to write on TV show. I wanted to write on cheers, to be honest. AndMichael Burger:OhMichael Jamin:Wow. But when I broke into the business, cheers. It was already well done. But I wound up writing with many writers from who wrote on Cheers. And I wound up shooting a show that was shot on the cheer sound stage. And so in my mind, I made it like it. But certainly,Michael Burger:Well, what demons do you have as a writer? Or what holds you back as a writer, whether you're working or not, and is it amplified when you're not working?Michael Jamin:It's easy to look at other people. Here's what it is. I had a friend I was writing on King of the Hill and one of the other writers signed a big deal or something, and I was very jealous. And my brother friend, he was older on King of the Hill, and he said, he gave me a great piece of advice. He said, there will always be someone younger than you, less talented than you, making more money than you. Oh. I go, well, there it is. That, there it is. And that really, I hung onto that for a long time. I feel like. Okay, so it's easy to compare your career to somebody else, but to honest. I'm so far, I'm so lucky that I have what I have. So I'm not bitter at, because youMichael Burger:Got this far, but I don't want to put words in your mouth. But it hasn't taken away the desire to do this again and work more, or be where someone else is at this moment?Michael Jamin:No, I'm happy. As long as I get to keep working, I'm happy. I really am. Yeah, and it's really, it's funny when you're talking about doing warmup for these multi-camera shows, there are no multi-camera shows anymore. It's true. If you wanted that job today, good luck getting it. There are no shows. So how do you get that?Michael Burger:Good luck in a couple of ways. I have a friend of mine, you probably know Ron Pearson.Michael Jamin:Yeah, Ron, what about him? Ron'sMichael Burger:One of the best out there, hands down, a great comic and a great warmup. But he said the stuff he was doing 3, 4, 5 years ago in front of an audience, he couldn't do nowMichael Jamin:ReallyMichael Burger:The sensitivities of what you can and cannot say. BecauseMichael Jamin:He was prettyMichael Burger:In front of a crowd.Michael Jamin:He was pretty wholesome. I remember I worked with him.Michael Burger:Very wholesome. It's just some things you can't say. I got another buddy of mine, Ross Schaeffer, who was a corporate keynote speaker who says, even in the corporate world, there's some things you can't say. There was some reference to women speak more than men on a daily basis. They, there's more of verbose. Right. Because I was told by the person hiring me, well, I wouldn't say that he was using it as a way women really control the marketplace. A woman will decide what you're ultimately going to buy that flat screen TV you got in your house. Yeah. You got that because your wife said it's okay. Right. But that's actually sensitive to say now.Michael Jamin:Yeah.Michael Burger:Well, didn't even occur to me.Michael Jamin:Yeah.Michael Burger:Here's what some show is up for me. And this happened here in Long Beach, a great little restaurant in Belmont Shore on Thursday nights. They had a jazz piano player. It's this little French cafe and then go in for a bite to eat, and this guy's playing in the corner and there's maybe in a restaurant that seats 80, there's probably seven. And he would play and it'd be nothing. So I'd give him a little something, something, right. We're all performers and you're feeling for this guy, and I know when a song ends. So I gave him a little more and he takes this break and he comes over and sits next to me and he goes, Hey, thanks for trying to make that happen. I said, of course. He said, buy you a drink. Sure. And we get to talk and he goes, lemme tell you my favorite story about supporting another actor or performer. He goes, I'm working a club down in LA and it's the same thing. Nobody's there. It's quiet. And I finish, I don't know, I'm 30, 40 minutes in and I finish a song and I hear, and he looks up to finally thank this one person that's acknowledging his talent. And it was a woman taking a cigarette out of a pack.Michael Jamin:Oh my God. Oh myMichael Burger:God. Try to get the the tobacco into the filter. Yeah. He goes, boy, that if that isn't showbiz rightMichael Jamin:There. Yeah. That is Show biz, just what youMichael Burger:Think. You made it at any level, you're going to get humbled one moreMichael Jamin:Time. Time you're going to get humbled. Right.Michael Burger:Yeah. Yeah. I think it's a humility is a great trait anyway, I think. Yeah.Michael Jamin:Yeah.Michael Burger:As an interviewer, as a host, as anything, anybody in the business, gratitude and humility will serve you a long way, I think. Yeah,Michael Jamin:Right. Yeah. You got to enjoy the ride. And I was told that over and over, enjoy the ride. I didn't really quite what it meant. Yeah. But then whenMichael Burger:We did Match game, match game 98, and we shot at CCB ss, we shot on the same set that they do. The price is right. They just turned it around for us. And I would go in early and I'd leave late and I'd drive in and I'd see that c b s sign lit up and I said, I don't want to leave, and I know this is going to be over. I know it's over because we're airing against Oprah at 3:00 PM on C B Ss. That's why I know it's over. And we did our 135 and it went away. But I never for a moment, took that for granted. I loved every second of that knowing, Hey, you know what? You could worry about it being over, but ultimately, hey, like you said, just enjoy this ride. I had my best friend did the warmup on it. It was the announcer in the warmup, and we laughed ourselves silly, and we shot seven a day. Game shows you shoot a bunch. So we would shoot four, take a lunch break and do three, did 135 episodes.Michael Jamin:Have you seen that movie Babylon yet with Brad Pitt?Michael Burger:I couldn't get through it.Michael Jamin:Oh really? OhMichael Burger:Yeah, about 20 minutes down. I went, yeah, no.Michael Jamin:Oh, you might want to revisit it. I love it. Oh yeah, it was about that. It was about knowing when your time is over and it was so, it was so crushing. I thought it was beautiful. But yeah, I could see, yeah, you need to stick with it a little bit, but I love that.Michael Burger:Where do you think you are in the arc of your career?Michael Jamin:I think, well, I mean, think all of us. I think you hit a certain age in Hollywood, and if I haven't already approached it, I'm getting very close.Michael Burger:It's funny, when you leave your demo, you have a birthday and you leave your demo.Michael Jamin:There was an article, this is a couple, this is many years ago, probably 10 or 15 years ago, and I was my partner and we were taking over for a show. We're running a show. It was Michael Eisner's show, and there's an article in the trades and in a variety, whatever, and it said veteran TV writers, Michael Jamon, Steve Clare, and it was an article about us. And then I go, wow, I become a veteran. And then, oh wow. One of the writers sitting next to me, he goes, that's not a good sign. It means your career's coming toMichael Burger:An edge. Yeah. Veteran was not a compliment. He'sMichael Jamin:Not a compliment.Michael Burger:I remember sitting, I had just turned 40 and I was sitting in an office with an executive at Tele Pictures, I believe it was, and I was sitting there with my agent, Richard Lawrence, who has since retired. I've outlasted my agent. That's not good. And this woman who's in charge of production says, look, Michael, I know who you are and we're fans, but here's the thing. Oh boy. She goes, we're going to hire the person that looks like the person we want watching us. Yeah. I went, well, okay, that can be a lot of things, but I can't be an 18 year old woman. Right. Yeah. Whatever the demo was, they were searching. So that stuck with me that there are things, there are times things you just can't change. I fit a certain demo and a seasoned host would be the category. And if that comes back then great. There's a show coming up this fall where they're bringing back the Bachelor, but it's called the Golden Bachelor. Have you heard about this? No. So it's the Bachelor produced by the same people, but it's for 60 and up. So the contestants will be 60 and up,Michael Jamin:Right.Michael Burger:Called the Golden Bachelor. Right Now the thought is, well, maybe people will value a more seasoned looking picture there, and maybe the host will come along with that. I don't know.Michael Jamin:So what do you know? Probably not. It's going to be hosted by a 20 year old.Michael Burger:It's going to, no, it's going to be hosted by the same guy that's doing the younger version. So I think they're getting it both ways. Right. They're going to get a younger host and an older demo. That's fine. You know, Saja stepping down with Wheel of Fortune that there's a lot of talk about who might slip in there. And that ranges from his daughter. Pat Sajak has a daughter that could certainly do it. Vanna could do it. Ryan Seacrest is, there's talk. Yeah, Whoopi said she wants it. Oh wow. Tom Bergson's name has been tossed around. Right. Mine's been tossed around, but it's tossing it. I'm tossing the name around.Michael Jamin:Yeah. Right. Hey, what about this guy?Michael Burger:I did Wheel of Fortune in Vegas. Harry Friedman, who produced it, right, came up with a live version of Wheel of Fortune. So back in 2000, we went to the M G M, they took over the lounge, which used to be Catch a Rising Star renamed at the Wheel of Fortune lounge, and you got a chance to come in. Oh wow. And play Wheel of Fortune and win prizes. Catch and prizes. So it was just like the TV show, but it was not airing, but it was live. Right. What made the show so fun is that unlike the TV show where you're screened for intelligence and the ability to play the game, this is a bingo ball that's pulled, and now you're on stage. So we have three contestants that could be, well, you name it. In this case, it was a woman who'd had a little bit, a guy who didn't speak the language, and it was as wild and as funny as you'd hoped it would be, because they didn't understand the concept and the letters, and some did didn't. We had this poor gal had the puzzle almost revealed, and the answer was cassette deck. And every letter was turned. Everything was revealed except the C. And she's staring at it and she goes a set deck. And the woman next to her goes cassette deck, you idiot turned her.Which you'd never see on tv, right?Michael Jamin:No.Michael Burger:Oh my God. Gosh, that was fun. We did a half a year of that right now. We did three shows a day for six months.Michael Jamin:And so it's the, it's interesting. Yeah. So it's about, I don't know. Ye

Paulmarkies asked and Girls Gone Hallmark listened! Megan and Wendy review "Surprised by Love" in today's brand new episode. The movie follows a young entrepreneur (played by Hilarie Burton) who tries to persuade her conservative parents to embrace her current partner, but unexpectedly finds herself drawn to a former high school love interest (played by Paul Campbell). This movie premiered originally on January 3, 2015. Got a favorite fall-themed movie starring your favorite leading man or woman you'd like Girls Gone Hallmark to review? Let us know! Email us at meganandwendy@gmail.com. About "Surprised by Love" Directed by Robert Iscove. He's still alive, this appears to be the last movie he directed. According to IMDB he has 64 directing credits including "Smart Cookies," "Behind the Camera: The Unauthorized Story of Diff'rent Strokes", "From Justin to Kelly," and the 1999 teen rom-com "She's All That." Written by Neal H. Dobrofsky and Tippi Dobrofsky. These two have written a lot for Hallmark Channel including “Love Strikes Twice,” “You Had me at Aloha,” several episodes of “When Calls the Heart.” In 2020, they had written their 30th movie for Hallmark called “The Christmas Doctor” starring Holly Robinson Peete. Fun fact: In 2021 they co-wrote the first original holiday movie for Peacock along with their son Spyder Dobrofsky. It was called “The Real Housewives of the North Pole” and starred Kyle Richards. There hasn't been anything new from the Dobrofskys since then. Related: Listen to our review of "Love on the Air" Stars Hilarie Burton (Josie) who is probably best known as playing Peyton Sawyer on One Tree Hill. Previous Hallmark movies include: "Summer Villa" and "Naughty or Nice." Back in 2019 it's reported that Burton was “let go” from a Hallmark movie after she made requests for a more diverse cast. She was very outspoken about the bigotry from then head Bill Abbott. With all that said, we haven't seen Burton in a Hallmark joint since 2016. Paul Campbell (Gridley). Last seen in "The Cases of Mystery Lane" and last year's "Three Wise Men and a Baby."  Tim Conway played Josie's grandfather. Conway passed in 2017. He was a six time Primetime Emmy winner with 14 total nominations. He's known for roles in the Carol Burnett Show, McHale's Navy, guest spots, and tons of voice work in his later years. Related: Listen to our review of "The Cases of Mystery Lane" Girls Gone Hallmark hosted by Megan and Wendy have brand new movie reviews all summer long based on the suggestions from the Hallmark community!

We are continuing our summer tradition at “Here's The Thing” where members of the staff select their favorite interviews from the archives. This week, we revisit Alec Baldwin's conversations with two amazing women in entertainment, Lena Dunham and Carol Burnett. Lena Dunham, creator and star of the ground-breaking “Girls” and writer/director of the recent film “Catherine Called Birdy,” spoke with Alec in 2013 about making her first film, “Tiny Furniture,” how her work evolved following its success and what it's like to play a version of herself. In 2015, Alec spoke with comedian and actress Carol Burnett about making 11-seasons of the Emmy-winning “The Carol Burnett Show,” navigating being a woman in show business in the 60s and creating her incredible performance as Miss Hannigan in “Annie.”See omnystudio.com/listener for privacy information.

C&R get your Thursday rolling, as they have fun talking hat collections & Jimmy Buckets! They predicted Butler would come up big again in another Playoff game! Did "the yips" get Jayson Tatum? 'OLD SCHOOL WHEN 50 HITS' celebrates SNL alum Tina Fey, celebrating her 53rd Bday. Topic is "best old school comedy sketches!" The light shines on SNL, The Carol Burnett Show, In Living Color, The Tonight Show, Key & Peele, MAD TV and more! The crew & callers from all over the country weigh-in! Plus, they preview the Lakers/Nuggets & finish their thought on Pete Alonzo! See omnystudio.com/listener for privacy information.

Covino & Rich have too much fun inside "..When 50 Hits!" Tina Fey is celebrating her 53rd birthday & so the show is talking best old school comedy sketches! The light shines on SNL, The Carol Burnett Show, In Living Color, The Tonight Show, Key & Peele, MAD TV and more! The crew & callers from all over the country weigh-in! Plus, Jimmy Butler gets love, they preview the Lakers/Nuggets & finish their thought on Pete Alonzo! See omnystudio.com/listener for privacy information.

Robert Mitchell is on the cutting edge of helping people heal and explore their lives with the help of psychedelics. We get into a fascinating conversation about that along with his unconventional upbringing. His mother, Gwen Davis, was a brilliant author and as Robert describes a "Zelig character", who was always around some of the most interesting people no matter where she went. His father, Don, was a tv producer whose credits include The Carol Burnett Show and The Oscars. Robert was a great guest, is a great person and we had a ton of laughs and really enjoyed having him on. We think you'll enjoy it too.To learn more about Robert, enquire about what he's doing today and listen to his podcast (which we really enjoy) go to:https://www.primordialastrology.com/home-1His podcast can also be found here:https://podcasts.apple.com/us/podcast/psychedelic-transformation/id1501880271To support David, think of him when you think of Real Estate (and podcasts):www.DavidPassHomes.comSend Stacy some love on Facebook and Instagram@stacy_rubinowitzSend this episode to two friends and help us keep the show going!! Hosted on Acast. See acast.com/privacy for more information.

Today, on her 90th birthday, a celebration of Carol Burnett! After seven decades in the industry, Burnett sat down with Sam to discuss her upbringing in the Hollywood Arms Apartments (4:25), a mysterious envelope of money that allowed her to study at UCLA (8:00), a generous loan that catapulted her to New York City (13:06), and her “big break” in 1957 (23:30). Then, we walk through how Julie & Carol at Carnegie Hall came to be (31:40), finding her place in “a man's game” on network television (40:15), and her fond memories of The Carol Burnett Show and everyone who made it possible (43:56). Finally, before we leave, a conversation on divine intervention (52:00) and what she's grateful for today (56:37).See omnystudio.com/listener for privacy information.

Tom and Julie pitch Forever Dog CEO Joe Cilio on Dirty Dog, a sexy new podcast network featuring shows like Butts, Boobs, and Bras; Wieners, Wieners, Wieners; and This American Wife. Plus they watch the Rob Zombie Munsters movie and Matt Damon on Hot Ones. Also movies with brooms, the end credits of The Carol Burnett Show, Double Threat AI, dreams about Jared Fogle dying, Blonde, Get Back, Olaf's Frozen Adventure, baby's first movie, Benedict Cumberbatch motion capture, Mel Brooks, and Hollywood Toy & Costume. BUY TICKETS FOR DOUBLE THREAT LIVE IN NYC! *October 21 2022 - Brooklyn - The Bell House - https://www.eventbrite.com/e/double-threat-hosted-by-julie-klausner-tom-scharpling-tickets-330645087357 JOIN FOREVER DOG PLUS FOR VIDEO EPISODES, AD-FREE EPISODES, & BONUS CONTENT: http://foreverdog.plus JOIN THE DOUBLE THREAT FAN GROUPS: *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH: https://www.teepublic.com/stores/double-threat SEND SUBMISSIONS TO: DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT: https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices