Podcast appearances and mentions of andrew mcclellan

Rick Kogan is joined in studio by Kelsey and Andrew McClellan to talk about the art of sign painting which they do through their company, Heart & Bone, and their collaboration with Jim Coudal and Field Notes.

During this week of Churches together and Christian unity, we welcome Andrew McClellan, Vicar of St John's Bromley, as he speaks on Mark 2:1-12

Dave and Mike review Ridgefield's win over Staples and Wilton's victory against Fairfield Warde, and talk to Tigers coach Andrew McClellan.

Ridgefield boys basketball coach Andrew McClellan discusses winning the FCIAC regular-season title, the new playoff format and the keys for the Tigers to win their fourth championship in five years.

After another uneven week filled with quarantine and weather, Joe and Sean break down the latest Top 10 for Week 3 and chat with Andrew McClellan of No. 6-ranked, and defending FCIAC champion Ridgefield. Rundown: 0:00-15:35 - Recap and the latest Top 10 15:35-48:25 - Interview with Ridgefield coach Andrew McClellan 48:25-End - Week Ahead and Wrap Up

Welcome to our first ever episode, 'What is a Museum?' Listen to your hosts Alice Acland and Tash Waddell discuss the origin and history of the museum and talk about key issues in the museum sphere at play in 2020, such as commercialisation, blockbuster exhibitions and the politics of representation. We would love to hear from you! Email us at mediumofthemuseum@gmail.com, follow us on Twitter @MediumMuseum and Instagram @mediumofthemuseum.You can listen to Medium of the Museum wherever you get your podcasts.Links to further reading 'ICOM Museum Definition'https://icom.museum/en/resources/standards-guidelines/museum-definition/'How Museums Evolved Over Time From Private Collections to Modern Institutions'https://mymodernmet.com/history-of-museums/Anna Cline, 'The Evolving Role of the Exhibition its Impact on Art and Culture'https://digitalrepository.trincoll.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=1275&context=thesesMichael Glenwood, 'Museums' disturbing transformation: relentless commercialisation'https://www.latimes.com/entertainment/arts/la-ca-cm-knight-art-commercialization-20150719-column.html'Cabinets of Curiosities and the Origin of Collecting'https://www.sothebysinstitute.com/news-and-events/news/cabinets-of-curiosities-and-the-origin-of-collectingHolly Pittaway, 'Politics at Play: Space, Power, and Representation at BMAG'https://www.redbrick.me/politics-at-play-space-power-and-representation-at-bmag/Andrew McClellan, 'The Art Museum from Boulée to Bilbao' (2008) (really good overview of historical changes of museums alongside thematic discussion of Commercialism, Restitution, Ideals and Mission)Many thanks to Immy Patron for creating our podcast graphic and Theo Young-Smith for our jingle!

Andrew McClellan discusses the Ridgefield boys basketball team's hot start and trying to defend the FCIAC championship.

Tralala Blip: Live at The Foundry, Fortitude Valley, 1 August 2019 In 2007 Randolf Reiman, former singer of Sydney hardcore band Massappeal, began working with a disability support service in Lismore, N.S.W. Reiman provided electronic musical equipment for the differently-abled clients of the service to experiment with. It was here that the seeds of collaboration were sown for the project that would become Tralala Blip. Since 2009, the band has had many highlights, playing at the Sydney Opera House, creating the theatre project "My Radio Heart", touring Europe and delivering a consistent run of experimental pop records. Their releases include limited-run independent CD-R Arpeggiator Heart in 2011, collaboration album Tralala Blip Meets Muttboy in Atlantis in May 2012 on Sound Crucible, album Submarine Love Songs in October 2013 on Room40, album Aussie Dream in April 2014 on Disembraining Machine, album Oceans of Love in February 2016 on Tenth Court and most recently album Eat My Codes If Your Light Falls in July 2019, again on Room40. It was at the Brisbane launch of Eat My Codes If Your Light Falls that this set was recorded, with the lineup of ​Randolf Reimann, Lydian Dunbar, Phoebe Hall, Mathew Daymond and Zac Misfud. Recorded by Blake Howson Mixed by Tralala Blip & Scott Mercer Special thanks to live engineer Jesse Williams Also featuring excerpts from previous Tralala Blip sets recorded by Live Delay: Red Mecca 2 at The Pound, Brisbane, 20 June 2014 (recorded and mixed by Andrew McClellan, originally aired ep. 79) The Foundry, Fortitude Valley, 21 October 2016 (recorded by Eileen Tierney and mixed by Branko Cosic, originally aired ep. 193) Show production, engineering and host: Scott Mercer Originally aired via Zed Digital, 7-8pm, Sunday 8 December, 2019

Ridgefield guard James St. Pierre and coach Andrew McClellan discuss the Tigers' 52-49 FCIAC championship win over Danbury.

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class.  Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time. This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history. Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoices

We welcome Andrew McClellan this evening who brings us a message from Mark 2:1-12.

We welcome Andrew McClellan this evening who brings us a message from Mark 2:1-12.

Andrew McClellan continues our series 'Real Faith' this evening with a talk entitled 'Love your neighbour as yourself' from James 2:1-13.

Andrew McClellan continues our series 'Real Faith' this evening with a talk entitled 'Love your neighbour as yourself' from James 2:1-13.