Podcasts about Vicar

After some years living with trauma and off the rails, Daphne was divorced and raising her young son. Reconnecting with God transformed her inwardly and outwardly - from bringing God into the workplace, sharing Jesus at New Age events, or working with troubled kids on her local estate - Daphne has never shied away from a challenge. She spent 25 years as a senior leader in media sales and marketing, is now a business coach, ordained self-supporting Vicar and LICC speaker. Her zest for life and for Jesus is infectious and will encourage you in whatever calling you have - no matter how 'ordinary' it may feel.Check out Daphne's website: www.daphneclifton.com---

In today's God Sighting, the Rev. Hannah Wilder, Vicar of St. Mary's Ramona, shares a brief reflection on a moment when God's presence became visible in an unexpected way. May you be attentive to the holy surprises this Christmas season.To learn more about St. Mary's, visit: https://stmarysramona.org/ Faith to Go is a ministry of The Episcopal Diocese of San Diego. Click here to learn more about EDSD's great work in our region and how you can support this ministry.Remember to get in contact with us!Email: faithtogo@edsd.orgInstagram: @faithtogo

Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso Música Epidemic Sound licencia premium para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de mi primer Libro 'Crónicas Vampíricas de Vera' Amazon https://amzn.eu/d/gCg2y5E 🖤 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Good morning. ‘Her own thoughts and reflections were habitually her best companions.' So says Jane Austen of Fanny Price in Mansfield Park. But she could equally have said it of herself. Jane Austen's 250th birthday this week is being widely celebrated on this network. She was swathed in the practice of faith: her father and two of her brothers were ordained, and two visits to church on Sunday were her lifelong pattern. She certainly knew the shortcomings of religion: parodying the servility and self-importance of the parson Mr Collins, she says he ‘was not a sensible man, and the deficiency of nature had been but little assisted by education or society.' Her gift is to turn the interactions of family and community, and especially the elaborate dance and fragility of finding a marriage partner, into a whole moral universe. Her characters transcend their surroundings. One, Mr Bennet, says laconically, ‘For what do we live, but to make sport for our neighbours, and laugh at them in our turn?' Another, Mr Knightley, says poignantly to Emma Woodhouse, ‘If I loved you less, I might be able to talk about it more.' It's a truth universally acknowledged that it's never been clear what it actually means to be a Christian. Some insist on adherence to specific doctrines. Others on obedience to identifiable moral codes. Others point to formation in a traditional culture. A woman of her time, Jane Austen's participation in worship and devotion was socially conventional. But she has her own answers to this perennial question. If she were to identify a favourite parable, my guess is she'd choose the story of the two sons, one of whom refused his father's request to go into the vineyard, but did; while his brother said, ‘I will,' but didn't. For Austen, Christianity's about actions not words. ‘Christian' is more of a verb than a noun. The many suitors are sifted out not by their protestations of love, but by their true character. Of Fanny Price, we're told, ‘She made herself indispensable to those she loved.' Which connects Jane Austen in a significant way to Christmas. For the Christmas story's not about what God says. It's about what God does. In Northanger Abbey, Isabella Thorpe exclaims, ‘There's nothing I would not do for those who are really my friends. I have no notion of loving people by halves. It's not my nature.' Coming in person as a vulnerable baby is communicating by action rather than by word. Maybe Jane Austen knew exactly what she thought being a Christian meant. It meant not loving by halves. Perhaps she's more of a theologian than she's usually given credit for.

Merry Christmas for 2025, once again Rev Jay, Grinch Mitch, Linz and OddRev explore the intersection of Christmas, cinema, and theology, discussing whether certain films qualify as Christmas movies. They delve into classics like "It's A Wonderful Life" as well as the blockbuster "Batman Returns," the animated feather Klaus get a run through the Christmas test and finally we get a visit with the Vicar of Dibley! Examining themes of kindness, sacrifice, and the multiverse concept. The conversation also touches on the importance of community, the pressures of the holiday season, and the significance of reaching out for support during difficult times (Here is the link for https://www.beyondblue.org.au/)01:00:06Introduction to Christmas and Cinema00:43:31Exploring 'It's A Wonderful Life'00:19:50The Spiritual Themes in 'Batman Returns'00:44:17Community and Connection00:57:54The Pressures of the Holiday Season01:02:31Conclusion and Final Thoughts

Preacher: Revd Christopher Ho, Vicar of Church of Our Saviour Date: 7 December 2025 (8.30am)

This week, we get into Pregnant by the Pastor: The Aftermath, and we're not sure if it's a sequel or the first installment because even Tubi doesn't know. We don't even know what this movie is about, who it's for, or what its many layers of dense symbolism even mean. Oh boy, here we go ...Various vixens with vague values, valor or virtue vie for Vicar's viscosity void of virginity, vestments and vespers! Tyler Perry approach! Visual shorthand via hat! A ton of tongues! Meeting with the impregnator! Part-time pastor rap partners?! Talking shop over mustard and water! Side rimmer jobs? Graveyard chicanery! Sensible sound design, and much, much more on this week's episode of The Worst Movie Ever Made! www.theworstmovieevermade.com

The book of Revelation is filled with Jesus-- His hope, His plan, and Our Salvation. As we remember the Saints who have gone before us, we can be comforted by His great plan.Scripture Readings:Revelation 7:9-17|1 John 3:1-3|Matthew 5:1-12Website : glc.gracepocatello.orgStay Connected to us: facebook.com/glcpocatelloOnline offering can be done through our secure platform: https://glc.gracepocatello.org/give-online/YouTube Channel: https://www.youtube.com/user/PocatelloGrace

A prayer for our church family this week. Music by Denys Kyshchuk from Pixabay

In this episode of ‘Connecting the Diocese’, Erik Archer, Director of Communications and Public Relations for the Diocese of La Crosse, interviews Father Sam Martin, the Vicar for Clergy and recent pastor of Holy Name Parish in Wausau. The conversation dives deep into Advent as a season of preparation, recounts personal, pastoral stories, and explores […]

Matthew McVicar is a law clerk at Godfreys Law and the founder of Son of a Vicar - a New Zealand-made fragrance brand he launched in 2024. What began as an idea during his law studies has grown into a small but ambitious business, with three signature perfumes now on the market.A year ago, Son of a Vicar was little more than an idea. Matthew was in his third year of law school in Christchurch, experimenting with scents in his spare time and trying to imagine how a fragrance brand could feel at home in New Zealand without simply replicating what already existed. He wanted a brand with a strong point of view but had no idea of the realities of bringing it to life. The past twelve months have been a steep learning curve. In developing his first three fragrances and launching the business, Matthew has had to do far more than refine scent profiles. Building Son of a Vicar meant registering a company, understanding tax and compliance, managing sourcing and production, and learning how to present the brand in a way that makes people stop, experience, and connect. Matthew loved seeing the first bottles come together, making early sales, receiving positive reviews, and even being featured in The Press. Those moments have been both motivating and surreal. But there's also been doubt, not about whether there was space in the market, but about whether people would truly understand the brand. His biggest question was whether he had created something people could feel proud to own, because that was always the standard, he wanted Son of a Vicar to reach. One of the most important lessons Matthew has learned is that people buy into people, not just products. Every time he has stepped out from behind the brand, whether in interviews, at markets, or on social media, the response has been warmer and more engaged. At first, he worried that sharing his story - the student years, the small wins and mistakes - might undermine the professionalism and luxury he wanted Son of a Vicar to embody. Instead, he found that the story strengthened the brand by giving it a human dimension. Bravo Matthew!

What does Advent have to do with winter? Music by Denys Kyshchuk from Pixabay

Hospitality starts with receiving from God, who calls us to invite others to share all he gives us in Jesus. Music by Denys Kyshchuk from Pixabay

Join us in this heartfelt episode of ‘Connecting the Diocese’ as we prepare for Thanksgiving with special guest Father Sam Martin, Vicar of Clergy for the Diocese of La Crosse. Father Sam reflects on personal and spiritual meanings of Thanksgiving, recounts childhood traditions, and shares insights on observing this special holiday as Catholics. Listen in […]

How do we consider the End Times without falling into hysteria or the date-guessing that contradicts scripture? In this week's Let's Talk About This, Father McTeigue explores what we can and should be doing. Father finishes with Weekend Readiness to prepare you for Sunday Mass. Show Notes The Return of the King: Discourses on the Latter Days The Four Great Evils of the Day The Temporal Power of the Vicar of Jesus Christ Soothsayers of the Second Advent iCatholic Mobile The Station of the Cross Merchandise - Use Coupon Code 14STATIONS for 10% off | Catholic to the Max Read Fr. McTeigue's Written Works! "Let's Take A Closer Look" with Fr. Robert McTeigue, S.J. | Full Series Playlist Listen to Fr. McTeigue's Preaching! | Herald of the Gospel Sermons Podcast on Spotify Visit Fr. McTeigue's Website | Herald of the Gospel Questions? Comments? Feedback? Ask Father!

Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso Música Epidemic Sound licencia premium para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de mi primer Libro 'Crónicas Vampíricas de Vera' Amazon https://amzn.eu/d/gCg2y5E 🖤 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Don't be shy, send me a message!Thomas Felix Creighton continues The Alphabet of Britishness, looking especially at Queen Victoria.The first ten minutes covers:Thomas' top three cinematic and TV depictions of Queen VictoriaMrs. Brown (1997)The Private Life of Sherlock Holmes (1970)Doctor Who “Tooth and Claw” (modern season 2, episode 2)...and also in brief some other 'V' topics such as:Victoria & Albert MuseumVauxhall (London)VermouthVesper (seems silly not to)Victory! Although perhaps we'll cover this far more in the next installment…Vicar - again a great suggestion for a deep diveViceroy – check out my video and podcast episode looking at my top five books on the British Empire: www.youtube.com/britishcultureVickers machine gun The main part of this podcast comprises of two readings, one on the height of the Victorian Era, the Queen's Diamond Jubilee of 1897, and the second on The Great Exhibition of 1851.“Pax Britannica: The Climax of the Empire” by James / Jan Morris.“A Portrait of Britain Between the Exhibitions 1851 – 1951” by Donald Lindsay and E.S. Washington, part of the Oxford Introduction to British History series.Visit the website: https://albionneverdies.com/ Support the show

2025 November 9th - 9:30am Generations Sermon - Vicar Grant by St Luke's Lutheran Church & School

Fr. Bryan Zielenieski, Vicar for the Renewal, on the Vatican overruling a plan to merge St. Bernadette with Sts. Peter and Paul full 160 Tue, 04 Nov 2025 18:34:04 +0000 DhwyH9uNQEMJrrAmNcriyrI7NWmRTq22 news & politics,news WBEN Extras news & politics,news Fr. Bryan Zielenieski, Vicar for the Renewal, on the Vatican overruling a plan to merge St. Bernadette with Sts. Peter and Paul Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News

Vicar's Top 12 Cleric Kerfuffle questions (legally distinct), All Saints' Day, and then more questions from Vicar. All Saints' Day, Rev. 7:2–17, 1 John 3:1–3, Matt. 5:1–12

A Bun Dance by Penelope Bourdillon Penelopebourdillon.com https://www.amazon.co.uk/Bun-Dance-Penelope-Bourdillon/dp/1637672772 The Bible is many things: a library; history books; a collection of wise sayings, and much, much more. Most importantly it reveals the secrets of life: who we are; what is our purpose; how we should live; what is our destiny? It is centered in Jesus who reveals what God is really like. A gentle Father, overflowing with tender love and mercy towards us. A God who sings, laughs, grieves, shouts for joy, longs for company, and - He has a sense of humor. All this is found in the Bible that this book describes: it contains jokes! Read it and laugh, smile, wonder, and then give thanks for the help you find. ----------------------------------------- Reviews: Throughout my ordained ministry I have longed to get people to engage with scripture more openly and faithfully and, above all, sensibly. Scripture requires interpretation, not wholesale, literal acceptance; it both demands and repays reflection, and it is a source upon which to draw at different times, in various circumstances. Properly and faithfully handled, inquiringly understood, and lovingly absorbed, it will afford great nourishment and deep comfort. I commend this book as a welcome effort designed to encourage engagement, discovery and comfort. - The Most Reverend John Davies, sometime Archbishop of Wales and Bishop of Swansea and Brecon. Penelope's style is delightful and unique. As I was reading what she had written I felt that I was listening to her speaking... My prayer is that it may reach many families who normally do not go to church. - Revd Prebendary John Collins, Prebendary of St. Paul's Cathedral and former Vicar of Holy Trinity Brompton.

¡Vótame en los Premios iVoox 2025! Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso Música Epidemic Sound licencia premium para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de mi primer Libro 'Crónicas Vampíricas de Vera' Amazon https://amzn.eu/d/gCg2y5E 🖤 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

FULL POD #170: Guess who hooked up with the Vicar of Dibley?!

¡Vótame en los Premios iVoox 2025! ¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso Música Epidemic Sound licencia premium para este podcast BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de mi primer Libro 'Crónicas Vampíricas de Vera' Amazon https://amzn.eu/d/gCg2y5E 🖤 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

https://www.jasonnewland.com/ "Favourite Comedy Characters | Monday's Boring Objects | LMBYTS #1461 | Jason Newland | 13th October 2025" ⏱️ Duration: 1 hour, 30 minutes

Paulo Díaz, co-coordinador de la Vicaría del Agua del Vicariato Apostólico de Iquitos, conversa con Glatzer Tuesta en No Hay Derecho de Ideeleradio. No Hay Derecho en vivo de lunes a viernes, desde las 7 a. m., por el YouTube y Facebook de Ideeleradio.

Vicar answers 12 Clergy Combat questions, the widow's grief, Paul's prayer from prison, and a Galilean foreshadowing of Easter.   Sixteenth Sunday after Trinity, 1 Kings 17:17–24, Eph. 3:13–21, Luke 7:11–17

2025 October 5th - 8:00am Foundations Sermon - Vicar Grant by St Luke's Lutheran Church & School

Meditate on this word, vicarious. It's a living proxy, a stand-in whose actions ripple eternally. Adam embodied humanity vicariously, not by vote or consent, but by divine design. His choice resulted in a "free gift" of sin imputed to us all, unasked, unearned (Romans 5:12-19). Did anyone poll you? Invite you to inherit Adam's sin? No. yet here we stand, heirs to the fall. But oh, the counterpoint! Jesus Christ, our true Vicar, steps into the chaos as humanity's Champion. In Him, the Trinity's redemptive council unfolds. The Father sends the Son (John 3:16), the Son lays down His life (Philippians 2:8), the Spirit seals the victory (Ephesians 1:13-14).

¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en YouTube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de Crónicas Vampíricas de Vera 🍷 Amazon https://amzn.eu/d/gCg2y5E Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

“This isn't just about the baby, this isn't just about the parents and godparents. This is about all of us and it is about our faith.” This is the realization that came to Con O'Mahony, Vicar for Education in the Diocese of Hamilton, Ontario, and pastor at St. Margaret Mary Parish, while attending a Baptism at the Cathedral of Our Lady of the Angels in Los Angeles. Standing in a filled cathedral before John Nava's magnificent tapestries depicting the communion of saints, he suddenly understood: “We are not doing this alone. We're not doing this in isolation. We are doing this with the whole church—there's something bigger than ourselves.” Con explains that preaching doesn't start at the ambo—it begins in personal encounters, especially when preparing for sacraments as personal as baptism. He connects with families before any paperwork is done, even if only for a few minutes before the ceremony, asking about the child's name and listening to their stories. Often, his best homily material comes from these everyday conversations—like a second grader's humorous definition of Baptism: “When the priest gives you a bath in church so that God will like you better.” Con sees truth in this—baptism is God washing us—but with one crucial correction: not to like us better, but to prove God's unconditional love was there for us all along. Con and host Ricardo da Silva, S.J., connect this love to not only the person being baptized but to the whole community and to the faith. The conversation moves from the practical—how Con prepares, what makes a good baptismal homily—to a deeper shift in how we approach these moments. As Ricardo reflects, too often “we tend to preach for people that we don't think we'll ever see again.” What if instead we “preach as though you want to see them again and you are going to see them again? This is not a once and for all—this is a once and then.” Learn more about your ad choices. Visit megaphone.fm/adchoices

2025 September 28th - 11:00am FUEL Sermon - Vicar Grant by St Luke's Lutheran Church & School

In our Motherhood taboo series we are seeking to “fill the gap” between feminist, thoughtful, deconstructing/inclusive orthodoxy Christian content and the trad wife motherhood content online.  Content warning: we will be talking about miscarriage and pregnancy loss in this episode.  This week we are joined by two friends and colleagues, The Rev. Allison Caudill and The Rev'd Allie McDougall who have both navigated miscarriage in their ministry.  Miscarriage is something many families experience and yet, it is considered a major taboo in our society. Our guests will share with us their experiences of publicly navigating loss and how their faith helped them through it. This was one of the most moving discussions we have had to date on the podcast and we pray it will be a blessing for our listeners.More on our guests:The Rev'd Allie McDougall, Vicar of St. Paul's and St. Stephen's, Stratford, Ontario, CanadaSubstack: Gathering Up the Crumbs https://substack.com/home/post/p-155663524 The Rev. Allison CaudillRector, St Mark's Episcopal Church Clifford (https://www.stmarksclifford.org/) & Grace Episcopal Church Massies Mill (https://gracemassiesmill.org/)Blog: motherawrites.comInstagram: @allicat27 +++Like what you hear? We are an entirely crowd-sourced, you-funded project. SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcastThere's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons!OUR HOTLINE - call in your questions! - 262.229.9763+++Our Website: https://andalsowithyoupod.comOur Instagram: https://www.instagram.com/andalsowithyoupodcast/++++MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/++++More about Father Lizzie:BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/RevLizzie.comhttps://www.instagram.com/rev.lizzie/https://www.tiktok.com/@rev.lizzieJubilee Episcopal Church in Austin, TX - JubileeATX.org ++++More about Mother Laura:https://www.instagram.com/laura.peaches/https://www.tiktok.com/@mother_peachesSt. Paul's Episcopal Church in Pittsburgh, PA++++Theme music:"On Our Own Again" by Blue Dot Sessions (www.sessions.blue).New episodes drop Mondays at 7am EST/6am CST!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Rabiah talks with Ravi Holy—a vicar, comedian, and leader of a therapeutic program for adult survivors of child abuse. Ravi shares his remarkable journey from punk theater and addiction to recovery, faith, and finding his calling in the Church of England. He discusses the intersection of comedy, ministry, and therapy, the challenges of serving a community, and the importance of honesty and resilience. Plus, Ravi answers the Fun Five and shares how you can connect with him.Timestamps:00:00 Introduction00:34 Meet Ravi Holy: Vicar, Comedian, and Program Leader01:22 Ravi's Background: From Cambridge to London02:10 Punk Theater, Addiction, and Recovery04:14 Finding Faith and the Path to Sobriety06:04 Experiences with Religion: From Cult to Church of England09:45 Becoming a Vicar and Discovering a Calling13:30 The Realities and Surprises of Vicar Life15:00 Comedy and Ministry: How Standup Informs Preaching18:00 Getting Started in Comedy and Early Gigs21:00 Running Heal for Life: Supporting Survivors of Child Abuse25:00 Integrating Comedy, Ministry, and Therapy27:00 Burnout, Resilience, and Staying Sane as a Clergy Member29:00 Advice and Mantras: Honesty and Growth30:00 Fun Five Questions33:00 Where to Find Ravi and Closing ThoughtsNote from Host:Since they are people, a lot of comics are more than just comics. With Ravi Holy, that was obvious when I met him. He was dressed in clericals. I was intrigued that a vicar was performing comedy and loved his set. Since then we have gigged together and have had the chance to chat and now I'm sharing one of those chats with you. I know episodes have been sparse. I love sharing my conversations and will keep going until I don't love it anymore. And I'll try to share more regularly. Thank you for reading and thank you for listening. It is a privilege to have any ears or eyes on the podcast and I appreciate your time. If it is your first time here, check out more. There are over 100 cool people to listen to and find inspiration from! +++++ Find RaviInstagram: @revraviholyFacebook: Ravi HolyLearn more about Heal for Life: [Google "Heal for Life UK"] +++++ More than Work Social Media: @morethanworkpod (Facebook, Instagram) and @rabiahcomedy (TikTok)Please review and follow anywhere you get podcasts. Thank you for listening. Have feedback? Email morethanworkpod(at)gmail.com!

Bollhagen's Top 12 Football Names That Would Get Lutherans Excited About Football, hope in Isaiah, and Vicar's radio interview. Twelfth Sunday after Trinity, Isaiah 29:17–24 (and Mark 7:31–37)

Vicar's first weeks, remembering names, Cain and Abel, the parable of the Pharisee and the tax collector, and some extra points on the readings. Eleventh Sunday after Trinity, Luke 18:9–14 (and the others)

Vicar's first sermon, AI and loneliness, a discussion on shame and pride, and weddings vs funerals- what's more important? Tenth Sunday after Trinity, Romans 9:30–10:4

In today's program, Tom concludes a two-part series with guest Greg Durel. Here's TBC executive director Tom McMahon.Tom: Thanks, Gary. Our topic – this is part two – our topic has been Roman Catholicism, and in particular, the pope at this airing is visiting the United States, so we want to address that. In order to do that, I have Greg Durel, a good friend of mine, who's the pastor of Heritage Bible Church in Gretna, Louisiana, and he has a weekday radio ministry that is devoted to educating Catholics in biblical doctrine. As I mentioned last week, like myself, Greg grew up in the Roman Catholic Church, so he knows Catholicism experientially as well as his study of the Catholic Church tradition and its dogmas. So Greg, welcome back to Search the Scriptures 24/7.Greg: Well, thanks for having me, Tom!