Podcasts about attic institute

Philip Kenney is an author and psychotherapist. His most recent work is a novel entitled, The Mercy Dialogues. That work examines the power of dialogue, in the service of love, to bridge seemingly impossible divisions between people. Prior to that, in 2022, his chapbook of haiku entitled, Only This Step, was published by Finishing Line Press. In 2018, his first non-fiction book, The Writer's Crucible: Meditations on Emotion, Being and Creativity, was a finalist for The Red City Review Non-Fiction Book of the Year. That work was written to support writers with the emotional vulnerabilities they face living a creative life. On occasion, Philip gives workshops based on The Writer's Crucible at The Attic Institute in Portland.Those workshops enable authors to understand and work with the emotions that complicate the creative process. In 2018, his essay, The Rebirth of Masculinity: What We Can Learn from Harvey Weinstein and Co. was published in issue #7 of The Timberline Review. 

Notes and Links to Erica Berry's Work      For Episode 201, Pete welcomes Erica Berry, and the two discuss, among other topics, her early reading and writing and generational traumas and anxieties that have colored her life and many of our lives, her move from poetry into nonfiction and an eventual embrace of many different types of writing and lenses, the “ecology of fear,” travel and confronting fears, and making storylines about seemingly disparate topics-land rights, myth, wolves, fear-into a coherent and superb book.        Erica Berry's nonfiction debut, Wolfish: Wolf, Self, and the Stories We Tell About Fear, was published in February 2023 by Flatiron/Macmillan (US+Canada), and Canongate (UK+Commonwealth) in March 2023.     Her essays and journalism appear in Outside, Catapult, Wired,. Winner of the Steinberg Essay Prize, she has received grants and fellowships from the Ucross Foundation, Minnesota State Arts Board, the Bread Loaf Writers Conference, the Institute for Journalism and Natural Resources, and Tin House.    She teaches workshops for teenagers and adults through the Attic Institute, Literary Arts, the Sitka Center for Art and Ecology, the New York Times Student Journeys, and Oxford Academia. She was the 2019-2020 National Writers' Series Writer-in-Residence and Teaching Fellow at Front Street Writers in Traverse City, Michigan.    She graduated from Bowdoin College in 2014, and received her MFA from the University of Minnesota as a College of Liberal Arts Fellow in 2018. She now lives in her hometown of Portland, Oregon, where she is a Writer-in-the-Schools and an Associate Fellow at the Attic Institute of Arts and Letters. Buy Wolfish: Wolf, Self, and the Stories We Tell About Fear   Erica's Website   Review of Wolfish for The Atlantic: “The Book That Teaches Us to Live With Our Fears”   "Why Do We Fear Wolves?" from LitHub, 2017     At about 2:15, Erica reps The Chills at Will swag!   At about 2:55: Erica quotes Rebecca Solnit in describing her early reading and writing and the relationships to anxiety and ease and pleasure    At about 4:20, Erica focuses in on some favorite readings and writers from growing up, including Cornelia Funke, in addition to the importance and shortcomings of journaling in her life    At about 8:55, Erica talks about her early connections to farms in her family, as well as poetry and nonfiction and her views of them as she got into high school and college   At about 13:05, Pete asks Erica about traumas and fears and how generational traumas have affected her family, her, and her writing    At about 17:15, Pete shouts out his son's soccer debut in asking Erica about confronting fears; Erica quotes a telling example from Rachel Cusk's work   At about 19:45, Erica responds to Pete's questions about the connections between travel and exploration as imperatives for writers   At about 23:00, Pete shouts out Jean Guerrero's top-notch Crux in asking Erica about her multidimensional writing style; Erica speaks about the background and rationale for her “interdisciplinary omnivorousness”    At about 26:00, Erica replies to Pete's questions about what helped her to solidify seemingly-disparate topics into Wolfish; she discusses how early iterations of the book didn't feature fear so prominently    At about 29:30, Pete sets the scene for the book's opening, the start featuring the discovery of a wolf corpse, as well as further exploration by Erica of “crying wolf” and the many permutations of Little Red Riding Hood   At about 31:20, Erica speaks of ways in investigating the wolf's effect on society's consciousness through various expressions across the world involving the wolf    At about 33:00, Erica reads from Page 6 of her book, an excerpt involving false perceptions about worldwide wolf attacks on humans   At about 35:45, Erica discusses myths and stories and cultures that don't always match up with perceptions of wolves, as well as ideas of indigenous' connections to wolves and ideas of boundaries   At about 39:10, Pete and Erica chart the journeys of OR-7 and other wolves   At about 40:15, Pete cites Oregon's horrific laws of the past involving Black people in asking Erica about how she brought together seemingly-unrelated issues and histories     At about 43:45, Erica and Pete discuss binaries and how Erica wrote against them    At about 44:45, The two discuss real-life tragedies and rational fears, and Erica discuss the implications of the “ecology of fear”   At about 49:20, Erica discusses her time at a wolf sanctuary in England and its aftereffects    At about 52:40, Erica discusses her heightened understanding of ranchers and food systems and the “stewards of the land” in eastern Oregon and beyond   At about 57:00, Erica discusses “connecting with the land” and ranchland   At about 58:15, The two discuss Erica's trip to Sicily and ideas of getting past fears/living with minimized fear   At about 1:02:20, Erica discusses exciting upcoming projects    At about 1:04:00, Pete shares two pertinent quotes paraphrased by Erica's teachers and she highlights their importance and genesis    At about 1:04:50, Broadway Books and Powell's in Portland are highlighted as indie bookstores at which to but Erica's book    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 202 with Dennis J. Sweeney, a cross-genre writer and the author of You're the Woods Too and In the Antarctic Circle, as well as four chapbooks of poetry and prose. He has been a finalist for the National Poetry Series and the Big Other Book Award.    The episode will air on September 5.

Hola, bienvenidos, and welcome to another episode of the Latinx Identity Project. This is the podcast where we tell stories for us and by us. I am your host, Elsa Iris Reyes.Today's guest is Ruben Quesada, a critically acclaimed writer and author of his latest novel, Latinx Poetics: Essays on the Art of Poetry.Join us as we deep dive into Ruben's inspiration for his writing and the state of Latino literature today.If you like what you hear, please leave a review. Thanks for listening and enjoy the show!More about Ruben:https://www.rubenquesada.com/Ruben Quesada is also the author of Revelations (2018), Next Extinct Mammal(2011), and translator of Selected Translations of Luis Cernuda (2008).Quesada has served as an editor for AGNI, Pleiades, and The Kenyon Review. Hiswriting appears in Best American Poetry, Ploughshares, Guernica, and HarvardReview. He has been honored by the Department of Cultural Affairs and SpecialEvents in the City of Chicago, Canto Mundo, Lambda Literary Writers' Retreat,Napa Valley Writers Conference, and Vermont Studio Center. Quesada hastaught courses on poetry and poetics for Vermont College of Fine Arts, Northwestern University, Chicago High School for the Arts, School of the ArtInstitute, Columbia College Chicago, and University of California, Riverside. He is an Associate Teaching Fellow at The Attic Institute and teaches for the UCLA Writers' Program. He lives in Chicago and serves on the board of the National Book Critics Circle.Connect with Ruben on twitter @RubenQuesadaSupport the showArtwork and intro music by Emmanuel Reyes @trueloathing

Project: I'm Speaking, featuring CANDICE SCHUTTERThis episode is important.Candice Schutter is a writer, educator, and the creator and host of The Deeper Pulse podcast. She's worked as a group facilitator and life coach for nearly two decades, focusing primarily on agency and self-expression. She has a BA in Psychology, a Master's degree in Social Impact, and is a 2016 Graduate Fellow of the Atheneum Master Writing Program through The Attic Institute in Portland, Oregon.AND Candice is a New Age cult survivor.But what's most interesting about Candice isn't any of these externals.  Its the way she chooses to live her life and the way she's chosen to use her life to change the world.  Listen, learn, and tap into YOUR "deeper pulse".http://www.candiceschutter.com/podcast/thedeeperpulse.html--- Support this podcast: https://anchor.fm/stacy-parish/supportSupport the show

Ever wonder what it's like to be sexually abused at the hands of a family member and NOT be believed? Well, that's what happened to my next guest on the S.O.S. podcast. Hear what happened when Kelly Wallace bravely shared her story in open court but was not vindicated due to her Grandfather's community ties and public reputation. She now is writing her memoir after years of processing this trauma, dedicated to helping others heal. Her writing style has roots in writing about key moments and peels back the layers of human nature. She studied with the Pinewood Table writers' group led by award-winning authors Stevan Allred and Joanna Rose. Kelly's writing honors include publications in The Manifest-Station, On Loan From the Cosmos, VoiceCatcher, and Perceptions magazines, additionally fellowships at the Summer Fishtrap Gathering and the Attic Institute, and residencies at Hypatia-in-the-Woods. She is a graduate of Wells College in Aurora, New York, and is a frequent podcast guest speaking about her experience as a child sexual abuse survivor.Read more about her work - https://www.kellywallace.org/

After watching a child sexual abuse awareness video in her second grade classroom, Kelly Wallace told her mom that she was being molested on weekend visits at her grandparents house. In the middle of a contentious divorce, Kelly's mom believed her but her father, an up and coming attorney sided with his dad.Kelly Wallace testified against her grandpa at eight years old. With a less than 2.8% conviction rate of sexual assault cases, her grandpa was found not guilty. She is a recovering alcoholic with twenty-one years of sobriety. Kelly Wallace developed a writing style that both roots in the moment and peels back the layers of human nature at the Pinewood Table writers group led by award-winning authors Stevan Allred and Joanna Rose. Kelly's writing honors include publications in The Manifest-Station, On Loan From the Cosmos, VoiceCatcher and Perceptions magazines, fellowships at the Summer Fishtrap Gathering and the Attic Institute, and residencies at Hypatia-in-the-Woods. A graduate of Wells College in Aurora, New York, she is a frequent podcast guest speaking about her experience as a child sexual abuse survivor.                        3 top tips for my audience: 1. Never, ever give up! 2. Rejection is protection 3. Don't quit five minutes before the miracle Social media and contact info Kellywallace.org Twitter: kellythewriter1 Insta: kellythewriter

The Tirukkuṟaḷ, or Kural, for short, is considered a masterpiece of universal philosophy, ethics, and morality. Traditionally attributed to Thiruvalluvar, also known as Valluvar, the original text has been dated from 300 BCE to 5th century CE. The classic Tamil work is one of the most cited and translated ancient texts in existence; it has been translated into over 40 Indian and non-Indian languages and has never been out of print since its first publication in 1812. In a new translation of the Kural, Thomas Hitoshi Pruiksma brings English readers closer than ever to the brilliant inner and outer music of Tiruvalluvar's work and ideas. The work consists of 1,330 short philosophical verses, or kurals, that together cover a wide range of personal and cosmic experiences, such as — Politics: Harsh rule that brings idiots together—nothing Burdens the earth more Friendship: Friendship is not a face smiling—friendship Is a heart that smiles Greed: Those who won't give and enjoy—even with billions They have nothing Drawing on the poetic tradition of W. S. Merwin, Wendell Berry, and William Carlos Williams, and nurtured by two decades of study under Tamil scholar Dr. K. V. Ramakoti, Pruiksma's translation transforms the barrier of language into a bridge, bringing the fullness of Tiruvalluvar's poetic intensity to a new generation. In the 134th episode of Town Hall's In the Moment podcast, Pruiksma discusses his translation of the Kural with poet, editor, and translator, Dr. Ruben Quesada. Thomas Hitoshi Pruiksma is an author, poet, performer, and teacher. His books include The Safety of Edges and Give, Eat, and Live: Poems of Avvaiyar. Pruiksma teaches writing for Cozy Grammar and has received grants and fellowships from the National Endowment for the Arts, 4Culture, Artist Trust, the Squaw Valley Community of Writers, the US Fulbright Program, the American Literary Translators Association, and Oberlin Shansi. Ruben Quesada, Ph.D. is editor of Latinx Poetics: Essays on the Art of Poetry (University of New Mexico Press, 2022) and author of Revelations (Sibling Rivalry Press, 2018), Next Extinct Mammal (Greenhouse Review Press, 2011), and translator of Selected Translations of Luis Cernuda (Aureole Press, 2008). Dr. Quesada has served as an editor for AGNI, Pleiades, and The Kenyon Review. His writing appears in Best American Poetry, Ploughshares, and Harvard Review. He is an Associate Teaching Fellow at The Attic Institute and teaches for the UCLA Writers' Program. He lives in Chicago. Buy the Book: The Kural—Tiruvalluvar's Tirukkural: A New Translation of the Classical Tamil Masterpiece on Ethics, Power and Love Presented by Town Hall Seattle. To become a member or make a donation click here. 

The Tirukkuṟaḷ, or Kural, for short, is considered a masterpiece of universal philosophy, ethics, and morality. Traditionally attributed to Thiruvalluvar, also known as Valluvar, the original text has been dated from 300 BCE to 5th century CE. The classic Tamil work is one of the most cited and translated ancient texts in existence; it has been translated into over 40 Indian and non-Indian languages and has never been out of print since its first publication in 1812. In a new translation of the Kural, Thomas Hitoshi Pruiksma brings English readers closer than ever to the brilliant inner and outer music of Tiruvalluvar's work and ideas. The work consists of 1,330 short philosophical verses, or kurals, that together cover a wide range of personal and cosmic experiences, such as — Politics: Harsh rule that brings idiots together—nothing Burdens the earth more Friendship: Friendship is not a face smiling—friendship Is a heart that smiles Greed: Those who won't give and enjoy—even with billions They have nothing Drawing on the poetic tradition of W. S. Merwin, Wendell Berry, and William Carlos Williams, and nurtured by two decades of study under Tamil scholar Dr. K. V. Ramakoti, Pruiksma's translation transforms the barrier of language into a bridge, bringing the fullness of Tiruvalluvar's poetic intensity to a new generation. In the 134th episode of Town Hall's In the Moment podcast, Pruiksma discusses his translation of the Kural with poet, editor, and translator, Dr. Ruben Quesada. Thomas Hitoshi Pruiksma is an author, poet, performer, and teacher. His books include The Safety of Edges and Give, Eat, and Live: Poems of Avvaiyar. Pruiksma teaches writing for Cozy Grammar and has received grants and fellowships from the National Endowment for the Arts, 4Culture, Artist Trust, the Squaw Valley Community of Writers, the US Fulbright Program, the American Literary Translators Association, and Oberlin Shansi. Ruben Quesada, Ph.D. is editor of Latinx Poetics: Essays on the Art of Poetry (University of New Mexico Press, 2022) and author of Revelations (Sibling Rivalry Press, 2018), Next Extinct Mammal (Greenhouse Review Press, 2011), and translator of Selected Translations of Luis Cernuda (Aureole Press, 2008). Dr. Quesada has served as an editor for AGNI, Pleiades, and The Kenyon Review. His writing appears in Best American Poetry, Ploughshares, and Harvard Review. He is an Associate Teaching Fellow at The Attic Institute and teaches for the UCLA Writers' Program. He lives in Chicago. Buy the Book: The Kural—Tiruvalluvar's Tirukkural: A New Translation of the Classical Tamil Masterpiece on Ethics, Power and Love Presented by Town Hall Seattle. To become a member or make a donation click here. 

Noah & Ross sit down with poet, translator, editor, & teacher Ruben Quesada to talk about his new substack PROMOTION FOR POETS. Links of interest from this episode:Ruben Quesada website Be sure to sign up for Promotions for Poets (substack)Revelations (Sibling Rivalry Press) by Ruben Quesada Charles Olson essay on Projectice VerseHeadwaters (WW Norton) by Ellen Bryant Voigt The Art of Syntax (Graywolf) by Ellen Bryant VoigtRuben Quesada is a neurodivergent, gay, Latinx poet. A native Angeleno, Ruben was raised by Costa Rican immigrant parents. He is the author of Revelations, Next Extinct Mammal, and translator of Exiled from the Throne of Night: Selected Translations of Luis Cernuda. He is a recipient of an Individual Artist grant from the Department of Cultural Affairs and Special Events at the City of Chicago. He is producing a short documentary film on Latinx poetry.  After receiving a PhD in English, Ruben moved to Illinois in 2012. Soon after, with the mentorship of founding members from Canto Mundo Poetry, Macondo, and the Institute of Latino Letters | Letras Latinas, Ruben founded the Latinx Caucus at the AWP (Association of Writing & Writing Programs) Conference. Since 2015, the Latinx Caucus has been led by a leadership team of poets and writers who represent intersectional identities from the Americas.                 In 2015, Ruben moved to Chicago to launch the Logan's Run Readings series. This series was the nation's only Latinx literary salon and featured poets and writers including Daniel Borzutzky, Erika L. Sanchez, David Campos, Wendy C. Ortiz, and Diego Báez. For the past 15 years, Ruben has taught literature and creative writing. He's taught at Vermont College of Fine Arts, University of California-Riverside, The School of the Art Institute, Columbia College Chicago, Northwestern University, and UCLA Writers' Program. He teaches as an Associate Teaching Fellow at the Attic Institute. Ruben has written for Ploughshares, The Kenyon Review, Harvard Review, The Rumpus, Cobalt, and Chicago Review of Books. Recently, he worked as poetry editor at AGNI and guest editor at PANK. In his spare time, he manages Mercy Street Readings, a live, literary broadcast. He is editing a special folio of LGBTQIA+ poetry for the spring 2022 issue of Pleiades magazine. Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here. Follow Bull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress 

Ithaca has stolen Portland's weather, Ed's shed is nearing completion, and John is worried about how much context is too much. Also: Idyllwild nearly burned down, John's watching TV, and Ed plans to go to Missoula and to eat the whole bread bowl. Follow links to Cynan Jones's Cove, Nicole Krauss's Forest Dark, Dominique Fabre's The Waitress Was New, the weirdness of season 2 of Friday Night Lights, Foyle's War, Attic Institute, Jimmy Martin, Motorcyclez on Instagram, Baerlic Brewing, Frickin Fried Chicken, and Charm School Social Club.

An interview with author and crowdfunding success story, Shanna Germain. An award-winning writer and editor, she has published more than 350 stories, novellas, novels, articles, essays and books. She is an Associate Fellow at the Attic Institute and has taught classes in writing, publishing, media and photography at a wide variety of places. She is also co-author of Kicking It: Successful Crowdfunding from Stonebox Press Show Notes: Introduction: song - From the Heart (instrumental) by The Slants) (04:26): Why use Kickstarter instead of other platforms? (07:57): The pros and cons of working with collaborators (09:24): How to use stretch goals to raise extra money (13:15): The momentum cycle with crowdfunding campaigns (13:45): How to avoid failure (15:37): The make it or break it point in a campaign (20:22): Using a tool like BackerKit (21:00): Budgeting/goal setting (22:28): Best practices for creating backer rewards (24:36): How to provide incentives so people give more (31:35): The typical day/routine for creative work (37:28): Most influential books (40:00): Best Advice for a Young Creative Resources: BackerKit Crowdfunding Resource Kit Book: Story: Substance, Structure, Style, and the Principles of Screenwriting by Robert McKeeBook: Swimming Sweet Arrow by Maureen Gibbon Book: A Poetry Handbook by Mary Oliver Book: Dog Songs: Poems by Mary Oliver Book: The Lure of Dangerous Women by Shanna Germain

David Biespiel‘s Charming Gardeners (University of Washington Press, 2013) is unlike any book I’ve read in a long time. Filled with epistolary poems, his book – despite being populated by the poet’s friends and family – is actually a work of great loneliness. In many ways, Biespiel’s journey is America’s, where the road is both a symbol of arrivals, but also departures, and in between is solitude. On the surface, Biespiel’s poems seem like the private meditations of one man. However, his poems encompass each of us, socially and politically, by illuminating our nation’s contradictory character: a longing for enchantment in a disenchanted world. The poems in Charming Gardeners live between the wilderness and the civilized and the poet, finding himself in this zone of uncertainty, does what any of us would do: call out to those we love. In our conversation we discuss his years in Boston and D.C., the Attic Institute in Portland, the poetry wars, and so much more. I hope you enjoy our conversation as much as I did. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Biespiel‘s Charming Gardeners (University of Washington Press, 2013) is unlike any book I’ve read in a long time. Filled with epistolary poems, his book – despite being populated by the poet’s friends and family – is actually a work of great loneliness. In many ways, Biespiel’s journey is America’s, where the road is both a symbol of arrivals, but also departures, and in between is solitude. On the surface, Biespiel’s poems seem like the private meditations of one man. However, his poems encompass each of us, socially and politically, by illuminating our nation’s contradictory character: a longing for enchantment in a disenchanted world. The poems in Charming Gardeners live between the wilderness and the civilized and the poet, finding himself in this zone of uncertainty, does what any of us would do: call out to those we love. In our conversation we discuss his years in Boston and D.C., the Attic Institute in Portland, the poetry wars, and so much more. I hope you enjoy our conversation as much as I did. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet, essayist, and Attic Institute founder David Biespiel drops in for our recent literary field trip.

We're on a field trip to Powell's City of Books this week! Nick Jaina, Jay Ponteri, and more. Our guest curator this week i poet and Attic Institute founder David Biespiel.