Podcasts about brahms violin concerto

Alex Andreou and Naomi Smith welcome special guest founder of Scientists for EU and chair of European Movement UK, Mike Galsworthy to discuss whether it is better to unite pro-European forces behind one mission or let them be a lively, symbiotic ecosystem. Plus a deepdive into the UK's science and technology strategy. Join the US in deregulating? Or join Europe and actively drain science capacity from it? And of course 'Wokey Dokey' and 'Grin And Share It'. ***SPONSOR US AT KO-FI.COM/QUIETRIOTPOD*** “As a campaigning organisation, you have to go to where people are - the spaces that they occupy, the informational areas that they're in, and in person. You have to meet them where they are both physically and in terms of opinion, whether ministers or voters.” “What we are talking about is not a political party winning, but rather how do you move all of UK society in the same direction. At each and every level [rejoining the EU] has to be made relevant to each and every community - personally, regionally, demographically.” “The gov't knows where the public is. The polling has been very clear for some time. The single most influential group that needs to step up right now is business - every size, every industry, every location. They need to step and push gov't towards EU alignment during this critical period in the run up to the [Starmer - von der Leyen] summit.”  “There is a real opportunity right now, given the way Trump is behaving, for a ‘brain drain' from the States and diversion of talent that would usually flow to the States, especially from Global South countries worried about the racism and the barriers to funding. The UK and Europe should get together to move on this.” “With the falling apart of USAID, the soft power opportunity there, through science and health security, is huge. This is where both the UK and the EU are strong and trusted.” “Population decline is an existential threat to mature Western economies and soon they will find that they are actually in competition for immigration. The first such country to realise this, will reap huge benefits.” CALLS TO ACTION LINKS: Click here to ask your MP to read Best for Britain's Growth Report. Sign up for European Movement here. Support the Open Rights Group here. Grin and Share It about funding underprivileged musicians by selling a stradivarius here. Ida Haendel playing Brahms Violin Concerto in D Major, Op.77 on a rare stradivarius. Full interview with Sir John Curtice on Rejoin prospects for the i here. Mike's Byline Networks is here. Our bookshop featuring many of the books we have featured can be found at uk.bookshop.org/shop/quietriot. Kick your X habit, finally, by using one of three Quiet Riot Bluesky Starter Packs. With one click, it will hook you up with, among many good accounts, Alex, Naomi, and Kenny. ***SPONSOR US AT KO-FI.COM/QUIETRIOTPOD*** With Naomi Smith, Alex Andreou and Kenny Campbell – in cahoots with Sandstone Global. Email us at quietriotpod@gmail.com. Or visit our website www.quietriotpod.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brahms' violin concerto is one of the most difficult works for any violinist to tackle. It is as virtuosic as the hardest piece of Paganini as well as being as musically complex as a Brahms symphony. It takes most violinists years or even decades to feel comfortable with this piece, and many violinists consider it a kind of Mount Everest. Why? What makes this piece so complex, and yet so beautiful? What kind of choices do violinists make in their interpretations? For today, I'm not only going to tell you about this piece and how Brahms composed it, but I'm also going to compare 3 different recordings of the piece(Heifetz, Oistrakh, and Ferras) in order to show you the differences in interpretations between these 3 titanic violinists. We'll also talk about many of the topics we've covered before with Brahms; continuous development, gorgeous melodies, and that amazing Brahmsian quality of both respecting established forms while constantly subtly subverting them. Let's start the climb together and get to know this remarkable piece. Join us!

Johannes Brahms - Violin Concerto: Finale Rachel Barton Pine, violin Chicago Symphony Orchestra Carlos Kalmar, conductor More info about today's track: Cedille CDR90000-068 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Robert McDuffie is a soloist, educator and entrepreneur who joins us on this week's episode of Violin Podcast. Robert talks about his upcoming collaboration with the Czech National Symphony at Carnegie Hall and and New Jersey Performing Arts Center, his founding of the McDuffie Center for Strings, and his experience with American classical music. He will be performing the Brahms Violin Concerto with the Czech National Symphony at Carnegie Hall in February 2023. Get tickets for Carnegie Hall - https://www.carnegiehall.org/Calendar/2023/02/16/Czech-National-Symphony-Orchestra-Robert-McDuffie-Violin-0800PM Get Tickets for New Jersey Performing Arts Center - https://www.njpac.org/event/czech-national-symphony-orchestra/ -- Website: https://violinpodcast.com Practice PDF Download - https://www.ericmrugala.com/downloadables Looking to build a website? Get 15% off your annual Bandzoogle subscription using promo code - https://bandzoogle.com/?pc=ericviolin Violins, Bows, Cases & Accessories - https://bit.ly/3cBfxmQ Sheet Music Deals - https://www.sheetmusicplus.com/?aff_id=687531 Violin YouTube Tutorials - https://www.youtube.com/playlist?list=PLe_sdzIIWklYFtqNAybZaFq_JTUZIEaDO -- Follow us on Social Media! Facebook - https://facebook.com/violinpodcast Instagram - https://instagram.com/violinpodcast Twitter - https://twitter.com/violinpodcast YouTube - https://youtube.com/violinpodcast -- AFFILIATE DISCLAIMER Product links in this description may earn a commission. We only advertise products that we believe in. If you choose to purchase a product through one of our affiliate links, it is no extra cost to you, and it helps us out! -- About Violin Podcast The Violin Podcast is a new podcast that was created in early 2020 to be used as a resource for violinists all around the world to hear professionals in the violin world for practice tips, career advice, and adapting to an ever changing musical landscape. VP host and violinist Eric Mrugala interviews violinists from around the world discussing various topics such as practice tips, career advice, entrepreneurship, and more. The Violin Podcast aims to be more than a podcast. It's a community where we can engage in conversation about the violin, and how to navigate as a musician in the 21st century. Our mission is to bring violinists together and create a useful resource for violinists and musicians alike to help them make an impact in music.

Mark and Matthew listen to the first movement of Brahms' violin concerto and discover that, at heart, its depth and richness lies in the organic development of simple, musical ideas.

Nathalie Stutzmann makes her Pittsburgh Symphony debut May 6th, 7th, and 8th 2022 with Dvorak's New World Symphony and the Brahms Violin Concerto played by Daniel Lozakovich, along with a Heinz Hall first of Missy Mazzoli. Maestra Stutzmann makes her Met debut in two Mozart operas in 2021 and her debut at Bayreuth as well as the new Music Director of the Atlanta Symphony. Then there's the Kristiansand Orchestra in Norway and the recording career as a contralto. What's next? Hear all about it in the interview with Jim Cunningham complete with an assessment of women in the composing and conducting world and a little light shopping in Market Square.

Borika van den Booren is first violinist with the Concertgebouworkest. Eduardo Marturet & Berlin Symphony Orchestra.

This week we have a Patreon-sponsored episode looking at the Brahms Violin Concerto. This is a piece inextricably linked with the great violinist Joseph Joachim. We'll talk all about the genesis of the concerto, and the lively back and forth Brahms and Joachim shared over the more difficult parts of the piece. Along with the structure of this masterpiece, we'll also compare 3 recordings from Heifetz, Oistrakh, and Ferras, exploring how great violinists of the past tackled this monumental challenge.

2019년 9월 22일 일요일 오후 2시 예술의전당 콘서트홀 Sun. Sep 22, 2019 at 2:00 P.M. Concert Hall, Seoul Arts Center 지 휘 / 이병욱 바이올린 / 김봄소리 연 주 / 코리안심포니오케스트라

Augustin Hadelich returns to Benaroya Hall this week to play the Brahms Violin Concerto. In 2016, Augustin won the Grammy for Best Classical Instrumental Solo for his performance of Henri Dutilleux’s Violin Concerto, The Tree of Dreams, with the Seattle Symphony and Music Director Emeritus Ludovic Morlot. KING FM’s Dave Beck speaks with Augustin about his long association with the Brahms Violin Concerto, a work he first performed publicly when he was just 10 years old. We hear how Augustin Hadelich wrote his own cadenza for the Brahms Concerto, a piece he has recently recorded. We get an informative primer from Augustin on the tradition and history of the cadenza in famous violin concertos. And he talks about the challenges of writing a cadenza in the authentic style of Brahms. 

In this episode, I have a wonderful conversation with Dr. Immanuel Abraham.  Immanuel talks to us about his path to a professional career, all things mindful and efficient practice, and the importance of learning to compose in enhancing your performance on your instrument! Immanuel has a wonderful approach to practicing and music-making and I hope you enjoy his story and find yourself inspired by his dedication and determination!   ALL ABOUT guest: Website: https://www.immanuelabraham.com/ Instagram: https://www.instagram.com/theviolindoctor/ Facebook: https://www.facebook.com/TheViolinDoctor/ The Violin Guild: https://www.facebook.com/groups/TheViolinGuild/ YouTube channels: https://www.youtube.com/channel/UCddZDSbY6_Y4cIa-nMsY2oA   Biography American violinist and composer, Dr. Immanuel Abraham, graduated Summa Cum Laude from both the University of Michigan (MM, 2015) and University of Arizona (DMA, 2018) with degrees in Violin Performance. He has earned numerous awards, recognitions, and is a sought-after composer.  His most recent commissions have included complete scores for theatrical works, string quartets, and "The Abraham 24 Caprices for Solo Violin", which have premiered in 3 countries. Dr. Abraham has performed in 7 countries, been featured on CBS Detroit, Buzzfeed, and Fiddlerman's exclusive blog series "Music Is For Everyone." His Instagram @TheViolinDoctor engages 20K followers. ​Dr. Abraham began music studies at in 2004 under Chicago Civic Orchestra Concertmaster, Guillaume Combet. Only months later, he auditioned into the Merit School of Music Conservatory.  In the next three years he placed 2nd in the institution's Annual Concerto Competition and became Concertmaster of the Merit Symphony Orchestra.  Simultaneously, he served as asst. concertmaster in the Chicago Youth Symphony (including the 2008 CYMI under Maestro Gustavo Dudamel) and was Concertmaster of the Blue Lake International Youth Symphony Orchestra. Graduating with highest honors, he continued violin studies at the University of Michigan under Naumberg Award-Winner, Andrew Jennings. There he began to compose and explore the Electric Violin as well. In 2013, he won the Blue Lake Fine Arts Camp Concerto Competition, soloing the Conus Violin Concerto for a live audience of over 1,500 and airing live on FM Radio.  In 2014, he placed 2nd in the Stamp.FM Online Music Awards, and opened for world-class bands We The Kings and HelloGoodbye at the Michigan Theater. His first year in Arizona, he won the University of Arizona 2015 Concerto Competition with the Brahms Violin Concerto. He premiered his own cadenza, replacing the 1867 standard by Joseph Joachim.  Dr. Abraham also served as the Arizona Symphony Orchestra concertmaster for two years under Maestro Thomas Cockrell, and the Arizona Contemporary Ensemble ("ACE") under Maestro Daniel Asia.  He  also is a recipient of the Fred Fox School of Music​ Graduate Fellowship. ​Dr. Abraham has enjoyed work as the concertmaster of the Michigan Pops Orchestra, sub-anchor for Blue Lake Public Radio, Violin Specialist for the Sphinx Organization, Violin; Viola; Cello; faculty at the Chicago Music Store, Allegro School of Music, Blue Lake Fine Arts Camp, and as the United States Consultant for the 1st Oskar Rieding International Competition for Young Violinists. He also served two years as an assistant teacher for the University of Arizona, giving weekly lectures in music history. Today, Dr. Abraham directs his own private studio of two-dozen local Arizonan students (sign up here!) He plays on a modern violin by renown Japanese luthier, Tetsuo Matsuda.  He is also the creator of Facebook's most popular bowed-string forum, The Violin Guild™, comprising over 30,000 members worldwide!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also, a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Flute 360 | Episode 38: “An Interview with Dr. Matthew Santa”  In today’s episode, Heidi talks with Dr. Matthew Santa who is Professor of Music Theory and Chair of the Music Theory and Composition Area at the Texas Tech University School of Music (Lubbock, Texas, USA). Matt talks about his compositional process, his Sonata for Flute and Piano, and advice for young composers! Check out today’s episode! Episode 38 – Main Points: 0:55 – Snow in Lubbock, TX! 1:45 – “I love thinking about the strategy of music: composing, teaching, playing, and making music.” – Matt 2:04 – Question: Please tell us your background, your main instrument, and how you got into composing? 2:13 – Matt’s musical background. 4:09 – Question: What is your compositional process like? 4:19 – “I start with the text if I am writing for voice.” – Matt 5:00 – “In college, I experimented with starting with a block of meter changes.” – Matt 5:58 – Question: How do you choose the block of time signatures? 6:34 – Question: How did you come to write your Sonata for Flute and Piano? 7:00 – “I wrote the flute sonata for [my wife, Lisa].” – Matt 8:01 – “I used the metrical block strategy for the Flute Sonata!” – Matt 8:11 – Question 8:28 – Answer 9:16 – Question: Do you ever feel like Robert and Clara Schumann? 10:00 – NFA’s Flute Convention (2016) 10:55 – Question: What are your goals and intentions when writing for the flute? 11:19 – “I want to write music that people would be excited to listen to and play.” – Matt 12:13 – Daniel Dorff’s Episode 35! 12:42 – Question:What’s your favorite piece of all your compositions? 12:47 – Matt’s answer. 13:25 – Question: Any suggestions for the budding new composer? 13:31 – “Finish all the pieces that you start.” – Matt 14:15 – Question: Is there a common issue that you see among composition students when you work with them on their pieces? 14:49 – “Finish what you start...and write A LOT!” – Matt 15:05 – Louisiana State University’s School of Music 15:54 – “...the discipline piece is huge!” – Matt 17:12 – Matthew’s colleague: Michael Berry (University of Washington) 17:44 – “The initial four chords...is the chord progression found in the 2nd movement of my Flute Sonata!” – Matt 18:32 – Question: Any last comments and/or suggestions that you would like to share? 18:51 – Matt’s answer. 19:27 – Jessye Norman singing, “When I am Laid in Earth” by Purcell. 19:35 – Brahms’ Violin Concerto. 23:06 – Picks! Picks: Matt Album: Introducing Brad Mehldau (1995) Book: Guns, Germs and Steel by Jared Diamond (1997) Book: Organized Time: Rhythm, Tonality, and Form by Jason Yust (2018) Heidi Documentary: Man on Wire (2008) Audible Book: Hope in the Dark by Craig Groeschel Episode 38 – Resources: Texas Tech University’s Music Theory Department Santa’s Biography Santa’s Course Resources Santa’s Textbooks Lisa Garner Santa performing Dr. Matthew Santa’s “Sonata for Flute & Piano” MSR Classics: Dr. Lisa Garner Santa’s Shades of Sound CD Heidi Kay Begay’s Website Episode 38 – Sponsors: J&K Productions’ Website  

Has something ever been stolen from you? Do you remember the feeling of panic when you realised it was gone? Now imagine if that thing was worth £1.2m. This is the story of violinist Min Kym and what happened when her instrument was taken from her. It’s a tale of giddy love, devastating loss and the healing power of music. Original music was written by Thomas Hewitt Jones (@thewittjones). Tim Lihoreau can be found on Twitter (@TimLihoreau) and the Classic FM team can be found @ClassicFM. You can get in touch about the show at classicfm.com and find out more about this episode at classicfm.com/casenotes The recordings featured in this episode are: Bach: Sarabande from Partita No.2 in D minor Min Kym (violin) Brahms: Violin Concerto, II Adagio Min Kym (violin), Philharmonia Orchestra/Andrew Davis Paganini: Caprice, Op.1 No.16 Min Kym (violin) Bach: Adagio from Sonata No.1 in G minor Samuel Staples (violin) playing a 1684 Stradivarius violin Massenet: Méditation from ‘Thaïs’ Min Kym (violin), Gordon Back (piano) Bach: Chaconne from Partita No.2 in D minor Alina Ibragimova (violin) Saint-Saëns: Introduction and Rondo Capriccioso Min Kym (violin), Gordon Back (piano) Lalo: Symphonie Espagnole Min Kym (violin), London Symphony Orchestra/Barry Wordsworth Chausson: Poéme Min Kym (violin), Gordon Back (piano)

A tribute to musicians who died in 1973, Including: Clara Ward, Gene Krupa, Ben Webster, Kid Ory, Memphis Minnie, Vaughan Monroe, Joseph Szigeti, Willie the Lion Smith and Noel Coward. Music includes: Mad Dogs and Englishmen, Drum Boogie, Brahms Violin Concerto, How I Got Over, The Things We Did Last Summer and Ory's Creole Trombone.

Fine Music Radio — Rodney Trudgeon’s guest this week on People of Note was a recent visitor to Cape Town, the French violinist and recording artists PHILLIPE GRAFFIN who played the Brahms Violin Concerto with the Cape Town Philharmonic under Bernard Gueller. Phillipe Graffin has recorded extensively for the Hyperion label and he has acquired a particular reputation for interpretations of the French violin repertoire. He has shared the concert platform with many distinguished soloists, orchestras and conductors around the world and some composers have especially written works for him.

In Ep. 5, The Life of Fritz Kreisler, pt. I tells the story of Vienna's greatest violinist, Fritz Kreisler, from birth to his marriage in the beginning of the 20th century. His rise to fame was an eventful one and we will see him grow from a normal little boy into a first rate wunderkind. Following the glories of his youth, Kreisler will give up the violin to pursue the medical arts and also do a bit of soldering. But in the end, the call of music was too great and he set his sights once more on a career as a virtuoso violinist. ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com Thank you as always for the music provided by musopen.org. Works performed in the episode and their performers are... Liebeslied by Fritz Kreisler performed beautifully by Emanuel Salvador - https://musopen.org/music/2800/fritz-kreisler/3-old-viennese-dances/ Symphony no. 3 - Scherzo by Anton Bruckner - unnamed European Orchestra - https://musopen.org/music/983/anton-bruckner/symphony-no-3-in-dm-wab-103/ Flower Duet from Lakme by Leo Delibes performed by - Mosaica - https://musopen.org/music/2742/leo-delibes/lakme-flower-duet/ Beethoven Violin Concerto mvt. 1 - unknown performer - https://musopen.org/music/1056/ludwig-van-beethoven/violin-concerto-in-d-op-61/ Brahms Violin Concerto mvt. 3 performed by Fritz Kreisler himself! - https://musopen.org/music/1064/johannes-brahms/violin-concerto-in-d-op-77/

Violinist Isabelle Faust talks about playing chamber music, and about the greatness of the Brahms Violin Concerto.

This week marks the 183rd birthday anniversary of the great violinist/composer Joseph Joachim. We celebrate with Cedille's Grammy-nominated recording of Joachim's colossal Violin Concerto "In the Hungarian Style " plus the cadenza Joachim wrote for the Brahms Violin Concerto, of which Joachim gave the premiere in 1879.

In today's Proms Music Guide, Andrew McGregor talks about Brahms' Violin Concerto.

We talk to Tamas Kocsis, the concertmaster of the Orlando Philharmonic, who will be the soloist Saturday night in the Brahms Violin Concerto. Also, another quick look at the UCF Orlando Jazz Festival which runs Friday & Saturday night.

 Rachel Barton Pine discusses the great 19th Century violinist Joseph Joachim on the 100th anniversary of his death, and considers his enduring influence as a violinist, educator, and composer.  Includes musical examples from the Brahms Violin Concerto, written for Joachim, and an anecdote about Van Halen.playing time: 12:50 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Do you have a question you'd like Rachel to answer on her podcast? Just send your question via text or as an MP3 attachment to: rachelbartonpine@aol.com Thanks for listening! visit Rachel online: www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine Rachel Barton Pine's podcast is produced by Windy Apple Studios www.windyapple.com