Podcast appearances and mentions of Augustin Hadelich

durée : 01:28:24 - Augustin Hadelich, l'élan et la profondeur - par : Aurélie Moreau - Violoniste subtil et convaincant, Augustin Hadelich a pour objectif de découvrir et faire constamment découvrir de nouvelles œuvres majeures, et de réinventer les anciennes. Aujourd'hui : Previn, Schumann, Bach, Sarasate, Haydn, Paganini, Beach…

Augustin Hadelich is a World Famous Classical Violinist. And a Bluegrass Star too! He has performed as a soloist with major U.S. and international orchestras. He's a Grammy winner and “Instrumentalist Of The Year” winner. I saw him perform last summer and he left the audience speechless, particularly with his stunning bluegrass solo encore performance of “Orange Blossom Special”. His latest album is called "American Road Trip".My featured song is Augustin's live performance in July 2024 of “Orange Blossom Special”. YouTube link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.--------------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

This is my 2024 HIGHLIGHTS SHOW featuring 10 incredible artists who appeared on the podcast this past year. I chose these artists more or less randomly out of the 116 episodes I aired in 2024. I could have chosen many others as well. But this episode will give you a good idea of the depth and scope of the podcast and my wonderful guests.The featured artists in this Highlights Show are as follows:AL KOOPER - Rock LegendBlood Sweat & Tears, Supersession, Dylan's “Like A Rolling Stone”PETER ERSKINE - Acclaimed Jazz DrummerWeather Report. Stan Kenton and Maynard Ferguson Big BandsJUDY COLLINS - Celebrated Singer/Songwriter“Both Sides Now”; “Send In The Clowns”; Subject of “Suite: Judy Blue Eyes” DAVID AMRAM - National TreasureFirst Composer in Residence for the NY Philharmonic; Shakespeare In The ParkAUGUSTIN HADELICH - Acclaimed ViolinistClassical and Bluegrass; “Orange Blossom Special”CORY WONG - Extraordinary Funk GuitaristCory Wong and the Wongnotes; The Fearless Flyers; VulfpeckAMANDA WARNER aka MNDR - Grammy Winning Electro-Pop ArtistFeatured on “Bang Bang Bang”. Kylie Minogue, Rita OraLACY J. DALTON - Country and Americana Music StarCountry's Bonnie Raitt; “Hot Coffee”, “16th Avenue”CHRISTIAN MCBRIDE - Superstar Musician/BassistMusic Director, Newport Jazz Festival; Paul McCartney, Freddie Hubbard, StingOSCAR HAMMERSTEIN II - Broadway's Greatest Lyricist“The Sound Of Music”, “Oklahoma”, “The King And I”---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

The British pianist Charles Owen has made some fine recordings, securing a quartet of Gramophone Editor's Choice accolades for albums of Poulenc, Jonathan Dove, Liszt and, with the violinist Augustin Hadelich, a collection of Czech music. Now, for Avie, he turns his attention to the music of Robert Schumann from the 1830s, including Carnaval, Papillons, the Intermezzi Op 4 and the Abegg Variations. James Jolly caught up with Charles recently in London to talk about the album, how Schumann's fascination with the duality of his character infuses these early works, and also about the luxury of recording in a beautiful restored barn deep in The Cotswolds without having to worry about the strict timetable of a commercial recording studio.

Augustin Hadelich feierte in diesem Jahr seinen 40. Geburtstag. Über seinen künstlerischen Weg erzählt er Grit Schulze ebenso, wie über den Sinn von Wettbewerben und seine Residenz bei der Dresdner Philharmonie.

On the latest episode of ‘New Classical Tracks' with host Julie Amacher, violinist Augustin Hadelich and pianist Orion Weiss collaborate on their new album, ‘American Road Trip,' to explore ‘all the wildly different styles of American classical music.' Listen now!

All Classical Radio's Director of Music and Programming John Pitman recently spoke with violinist Augustin Hadelich about American Road Trip, and more. Hear their conversation below on the Arts Blog:

Evan Shinners is a celebrated pianist, clavichordist and electronic music composer. He performs as WTF Bach, specializing in the music of Johann Sebastian Bach. He's also the host of the WTF Bach Podcast.My featured song is Augustin Hadelich's rendition of Bach's E Major work from Partita. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Evan at:www.evanshinners.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Zusammen mit dem Pianisten Orion Weiss erkundet der deutsche Geiger auf seinem neuen Album die Musiklandschaft seiner Wahlheimat.

"Bei uns im Wohnzimmer gab es immer Musik von Franz Schubert" erinnert sich der sympathische Geiger an seine Kindheit in der Toskana. Deshalb begleiten ihn Schuberts Lieder bis heute. In hr2-kultur verrät Augustin Hadelich, was er an Städten wie New York schätzt, warum er begeistert Musik des Jazzgeigers Eddie South hört und welche Chancen das Internet in Sachen Geigenspiel jungen Musiker*innen bietet.

During Bartok's life, the violin concerto we now know as Violin Concerto No. 2 was simply known as Bartok's only violin concerto. The reason? His first concerto, written when he was a much younger man, had never been performed or published. This was a deeply painful memory for Bartok, who had written the concerto for a woman he was in love with, Stefi Geyer, but Geyer refused both Bartok's advances and the concerto itself, and so it remained unperformed and unpublished until after Bartok's death. Bartok had written other works for violin and orchestra, including a rhapsody written for his friend and recital partner Zoltan Szekely. Szekely continuously asked Bartok to write him a full blown concerto, but Bartok refused again and again, until finally in 1936 Bartok agreed. But even then, Bartok wasn't so easy to pin down. Bartok resisted the idea of a full scale concerto, saying to Szekely that he wanted to write a theme and variations for violin and orchestra, but Szekely refused, and demanded a 3 movement standard concerto. Bartok finally agreed, but as you'll see later, he found a way to get his theme and variations in anyway! The concerto took two years to write, partly due to Bartok being busy with some of his greatest large scale works, but also because of Bartok's acute stress due to the rise of fascism across Europe. He was constantly thinking of emigrating from his native Hungary, and finally in 1938 he left. As he wrote to his friend: “What is most appalling is the imminent danger that Hungary too will surrender to this system of robbers and murderers..." All of these competing impulses - Bartok's bitter memories of his first concerto, the turbulent political siutation, and his seeming lack of confidence in writing a full scale concerto, contributed to the delay, but finally in 1938 the piece was finished and was triumphantly premiered on April 24, 1939 in Amsterdam. This concerto is one of the greatest 20th century violin concertos, and is full of a massive amount of brilliant detail as well as an urgently emotional and passionate character. It is a gigantic, nearly 40 minute long piece, and its difficulties for both the violinist and the orchestra are immense. Today we'll talk about all of the ins and outs of this remarkable concerto, including its challenges, its beauties, its emotional scope, and its brilliant combination of tonality and 12 tone music. Join us! Recording: Danish Radio Symphony, Augustin Hadelich, Violin, Vasily Petrenko Cond.

Orion Weiss is a Superstar Classical Pianist. He is one of the most sought after soloists and chamber music collaborators of his generation. He's been praised by the New York Times as a “brilliant pianist”, and the Washington Post has hailed his “powerful technique and exceptional insight”. He's performed with Itzhak Perlman, Emanuel Ax and violinist Augustin Hadelich, and with major orchestras worldwide.My featured song is Aaron Copland's “Hoe Down” recorded by Orion and Augustin Hadelich on their album “American Road Trip”. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Orion at:www.orionweiss.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

durée : 00:14:10 - Le Disque classique du jour du mardi 03 septembre 2024 - Dans ce nouveau disque, le violoniste Augustin Hadelich se lance dans un road trip américain, parcourant les routes et les chemins musicaux de sa patrie d'adoption en compagnie du pianiste Orion Weiss

durée : 01:27:33 - En pistes ! du mardi 03 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Dans la playlist du jour d'Emilie et Rodolphe, les œuvres d'Amy Beach, Aaron Copland, Enrique Granados, Léo Delibes, Robert Schumann, Gioachino Rossini, Antoine Forqueray et Gabriel Fauré. En pistes !

durée : 00:14:10 - Le Disque classique du jour du mardi 03 septembre 2024 - Dans ce nouveau disque, le violoniste Augustin Hadelich se lance dans un road trip américain, parcourant les routes et les chemins musicaux de sa patrie d'adoption en compagnie du pianiste Orion Weiss

durée : 01:27:33 - En pistes ! du mardi 03 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Dans la playlist du jour d'Emilie et Rodolphe, les œuvres d'Amy Beach, Aaron Copland, Enrique Granados, Léo Delibes, Robert Schumann, Gioachino Rossini, Antoine Forqueray et Gabriel Fauré. En pistes !

Der deutsche Weltklasse-Geiger Augustin Hadelich ist gerade 40 geworden, seit 20 Jahren lebt er in New York, seit zehn Jahren hat er die amerikanische Staatsbürgerschaft. Grund zum Feiern also - und das hat Hadelich mit einer Hommage an seine neue Heimat getan: "American Road Trip".

A violinist known for phenomenal technique, persuasive interpretations, and ravishing tones, Augustin Hadelich has performed across the world. He's appeared with orchestras from the Berlin and London Philharmonics to Tokyo's NHK Symphony and our own Sydney Symphony Orchestra. His recordings cover a wide range of the violin repertoire, and in 2016 he won a Grammy for Best Classical Instrumental Solo. He has a new album out this month – American Road Trip – and in this program Augustin takes us on that journey through some of the greats of American violin music. He shares with us stories of his life playing the violin, without a Rubik's cube in sight!

Augustin Hadelich is a World Famous Classical Violinist. And a Bluegrass Star too! He has performed as a soloist with major U.S. and international orchestras. He's a Grammy winner and “Instrumentalist Of The Year” winner. I saw him perform recently and he left the audience speechless, particularly with his stunning bluegrass solo encore performance of “Orange Blossom Special”. His new album is called American Road Trip. My featured song is Augustin's live performance in July 2024 of “Orange Blossom Special”. YouTube link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Augustin at:www.augustin-hadelich.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

durée : 00:58:21 - Augustin Hadelich, tempérament et sens du récit - par : Aurélie Moreau - Violoniste inspiré, Augustin Hadelich possède une technique phénoménale et un timbre séduisant. Vainqueur du Concours d'Indianapolis en 2006, il a reçu en 2016 un Grammy Award pour son enregistrement de L'Arbre des Songes d'Henri Dutilleux.

As part of the La Jolla Music Society's SummerFest 2023 series enjoy F. Mendelssohn: String Quartet in E-flat Major performed by Augustin Hadelich and Andrew Wan on violin, Matthew Lipman on viola, and Julie Albers on cello. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39714]

As part of the La Jolla Music Society's SummerFest 2023 series enjoy F. Mendelssohn: String Quartet in E-flat Major performed by Augustin Hadelich and Andrew Wan on violin, Matthew Lipman on viola, and Julie Albers on cello. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39714]

As part of the La Jolla Music Society's SummerFest 2023 series enjoy Perkinson: Blue/s Forms performed by Augustin Hadelich on violin. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39715]

As part of the La Jolla Music Society's SummerFest 2023 series enjoy Perkinson: Blue/s Forms performed by Augustin Hadelich on violin. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39715]

In this episode of House of Lou, Veronica is joined by Shannon Callahan, outreach specialist at Bring Conservation Home, and Susie Van de Riet, owner of St. Louis Native Plants, to discuss the popular topic of native plants and "rewilding" outdoor spaces to their natural state. St. Louis' landscape, climate, and rich biodiversity makes it an ideal environment for cultivating native plants. Shannon and Susie share why we should care more about our local flowers, shrubs, and trees and how to restore original flora and animal habitats to your property. Plus, Veronica touches on exciting updates happening around her home, including refinishing an antique secretary desk and renovating the original tile work on the front entrance of the house. Get updates and photos from these projects on Veronica's Instagram (@vtlookbook) or in the weekly Design+Home newsletter. Listen and follow House of Lou on Apple Podcasts, Spotify, Google Podcasts, or most places podcasts are available. Thank you to St. Louis Symphony Orchestra for sponsoring this episode. Join your St. Louis Symphony Orchestra and music director Stéphane Deneve on February 2 as international sensation and St. Louis favorite, violinist Augustin Hadelich, returns for Samuel Barber's lyrical Violin Concerto. Get tickets at slso.org. Got an idea for a future House of Lou episode?  We love hearing from our audience. Send your thoughts or feedback to Veronica at vtheodoro@stlmag.com or to podcasts@stlmag.com. We can't wait to hear from you! Looking for more inspo? Subscribe to our Design+Home newsletter to receive our latest home, design, and style content in your inbox every Wednesday. And follow Veronica (@vtlookbook) and St. Louis Magazine on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Top-performing native plants for the St. Louis area (SLM) Bring Conservation Home St. Louis Audubon Society U City in Bloom Missouri Botanical Garden The Donald Danforth Plant Science Center Shaw Nature Reserve St. Louis Native Plants The Sustainable Backyard Tour St. Louis garden and house tours (SLM) Whitmire Wildflower Garden Native Plant Garden Tour Quarrelsome Coffee Greenscape Gardens (Sue Leahy) St. Louisan Sue Leahy wasn't much of a gardener until she got hooked on native plants Papillon Perennials Missouri Wildflower Nursery Forrest Keeling Nursery Forest Relief Pure Air Native Sue Wheeler - Wheeler Refinishing Wild Ones Orchid Show Photography class at Missouri Botanical Gardens Darning and Mending class at Perennials Pulitzer Arts Foundation (Inside Tadao Ando building) County Glass See omnystudio.com/listener for privacy information.

durée : 00:58:21 - Augustin Hadelich, tempérament et sens du récit - par : Aurélie Moreau - Violoniste inspiré, Augustin Hadelich possède une technique phénoménale et un timbre séduisant. Vainqueur du Concours d'Indianapolis en 2006, il a reçu en 2016 un Grammy Award pour son enregistrement de L'Arbre des Songes d'Henri Dutilleux.

Guest host: Tracy Smith. In our cover story, David Pogue explores the mysteries and beauty of lightning. Also: Ben Mankiewicz sits down with Oscar-winning actor F. Murray Abraham; David Martin examines the alarming propensity for violent death among critics of Vladimir Putin; Dr. Jonathan LaPook profiles violin virtuoso Augustin Hadelich; Faith Salie reports on the science of sweat; and Luke Burbank talks with chefs who cook with cannabis.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nach bereits vier Mahler-Symphonien setzten Andris Nelsons und die Wiener Philharmoniker ihren Zyklus bei den Salzburger Festspielen fort - zusammen mit Alban Bergs Violinkonzert und dem Solisten Augustin Hadelich: Es war ein Erlebnis.

El 30 de abril de 1977, un grupo de mujeres se reunió en la Plaza de Mayo para reclamar por la aparición con vida de sus hijas e hijos secuestrados, torturados y desaparecidos, por la dictadura cívico militar que asaltó el poder el 24 de marzo de 1976. Hasta allí habían llegado debido a la falta de respuestas, a propuesta de Azucena Villaflor, una de las Madres, quien consideraba que si reclamaban juntas, serían recibidas por el presidente de facto, Jorge Rafael Videla. Junto a ella estuvieron Berta Braverman, Haydée García Buelas, María Adela Gard de Antokoletz, Julia Gard, María Mercedes Gard, Cándida Gard, Delicia González, Pepa Noia, Mirta Baravalle, Kety Neuhaus, Raquel Arcushin y dos mujeres más de las que no se conocen sus nombres. La orden de un oficial de la Policía Federal fue que circulen porque no podían quedarse allí reunidas  manifestándose. Entonces, tomadas de los brazos, comenzaron a dar vueltas alrededor de la Pirámide de Mayo, originando así la primera de muchas rondas que se sucederían, jueves a jueves, a lo largo de todos estos años de lucha. Más de cuatro décadas después, las Madres de Plaza de Mayo constituyen un símbolo de resistencia a la última dictadura cívico militar y son referentes en todo el mundo de la lucha por los derechos humanos. Recordamos esta fecha a partir de testimonios conservados en el Archivo Histórico de Radio Nacional. FICHA TÉCNICA Testimonios y música: `Songs my mother taught me´ (Antonin Dvořák) por Augustin Hadelich y Charles Owen 1984-02-03 Hebe de Bonafini (Presidenta de Madres de Plaza de Mayo) [Entrevista Magdalena Ruiz Guiñazu Radio Continental] 2005 Tati Almeyda (Madre de Plaza de Mayo) [Entrevista Diana Costanzo – Área de Contenidos de Radio Nacional] 2010-05-02 Nora Cortiñas (Madre de Plaza de Mayo) [Entrevista Eduardo Aliverti - Decime quien sos vos – Programa emitido por Radio Nacional] 1997-10-11 Hebe de Bonafini - 20 años de las Madres de Plaza de Mayo (Plaza de Mayo) `Madre escúchame´ (L Nebbia) por Litto Nebbia y La Orquesta Filarmónica de Kiev Edición:  Fabián Panizzi

Der Geiger Augustin Hadelich über Reife und Üben, Brettspiele und Selbstdisziplin.

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Season Six celebrates the Festival's 2022 season at Walk Festival Hall in Jackson Hole. Grand Teton Music Festival OrchestraChamber Music with Festival MusiciansJason Hardink, piano; Jeren Atherholt, oboe; Eugene Mondie, clarinet; Yuka Kadota, violin; Rita Porfiris, viola; Joseph McFadden, bassMaurice RavelSonata No. 2 in G Major for Violin and PianoAugustin Hadelich, violin; Jason Hardink, pianoSergei ProkofievQuintet in G minor, Op. 39I. Tema con variazioniFestival MusiciansSergei ProkofievConcerto for Violin No. 2 in G minor, Op. 63Augustin Hadelich, violin; Sir Donald Runnicles, conductor

durée : 01:58:46 - Augustin Hadelich, un violoniste sur le toit du monde - par : Philippe Cassard - À 38 ans, ce violoniste américain d'origine italo-allemande, que la France découvre à peine, s'impose comme un des artistes majeurs de sa génération, tous instruments confondus. - réalisé par : Pierre Willer

WQED-FM's Jim Cunningham speaks with violinist Augustin Hadelich after he performed the Sibelius Violin Concerto with the Pittsburgh Symphony Orchestra during our live broadcast on October 14, 2022.  

durée : 01:29:24 - En pistes ! du jeudi 22 septembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, nous ouvrons avec le douzième volume de l'intégrale Haydn 2032 par l'Orchestre de chambre de Bâle dirigé par Giovanni Antonini. Ensuite, nous écouterons Chopin par Martin Garcia Garcia mais aussi les messes de Bach par The Sixteen, notre disque du jour.

durée : 00:11:38 - Le Disque classique du jour du jeudi 22 septembre 2022 - Le violoniste Augustin Hadelich a conçu "Recuerdos", un album subtile et profond ayant pour thème l'Espagne, unissant trois œuvres pour violon et orchestre ainsi qu'une œuvre initialement écrite pour guitare seul.

Grammy-award winning violinist Augustin Hadelich makes his Sydney debut with Brahms' gorgeous Violin Concerto. Concert Hall, Sydney Opera House. - Augustin Hadelich ist ein deutsch-italienischer Geiger, der auf vielen Bühnen der Welt gastiert, doch bisher noch nie in Australien war. Am Mittwoch, Freitag und Samstag dieser Woche gibt Hadelich aber ein Konzert in Sydney an der Oper. Brahms und Bruckner stehen auf dem Programm.

Das aktuelle Album des Geigers verbindet Violinkonzerte von Britten und Prokofjew mit Sarasate und Tárrega.

Augustin Hadelich has a new album out now, called Recuerdos – featuring works by Sarasate, Prokofiev, Britten and Tarrega, brought together, perhaps surprisingly, by a Spanish theme. Augustin explains what draws these pieces together. The piece that gives the album its name, Recuerdos de la Alhambra features some rather impressive ricochet bowing on Augustin's recording. If you struggle with ricochet – let's be honest, who doesn't? – then listen out for Augustin's thoughts and approaches to this technique.  Read Augustin's interview on recording Suzuki repertoire: https://bit.ly/3o4gQPy Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_   Britten Violin Concerto in D Minor, Op.15 - II. Vivace - Animando – Largamento Augustin Hadelich, violin / WDR Symphonie Orchestra / Christian Măcelaru, conductor   Tarrega - Recuerdos de la Alhambra (Arranged by Ricci) Augustin Hadelich, violin Recuerdos Warner Classics   Photo credit: Suxiao Yang

Der deutsch-amerikanische Geiger Augustin Hadelich hat für das Label Warner Classic ein neues Album eingespielt, mit virtuosen Konzertstücken von Sergej Prokofjef, Benjamin Britten, Pablo de Sarasate und Francisco Tárrega. Eine ambitioniertes Programm, aber eine seltsame Zusammenstellung meint Eleonore Büning. Thematisch geht es von der Oper Carmen direkt in den spanischen Bürgerkrieg.

Our panelists pull back the curtain on what it means to be a "virtuoso" musician, focusing in-depth on two recent TSO guest soloists: violinist Augustin Hadelich, and pianist Olga Kern (pictured).

We preview the TSO's upcoming Nordic Air concert with guest violinist Augustin Hadelich, and test our castaway culinary knowledge with the desert island dessert quiz. Also – what music would you bring to a deserted island? Find out our choices as we play our own version of the BBC's legendary Desert Island Discs program.

Musical America's 2018 "Instrumentalist of the Year," Augustin Hadelich is easily one of the premier violinists of our time. In this conversation with WGTE's Brad Cresswell, Hadelich previews his new album Bohemian Tales (Warner Classics), which includes the rousing concerto by Dvorák (a work he performed with the Toledo Symphony in 2017). Also on the disc: works for piano (Charles Owen) and violin from two other Czech masters, Leos Janácek and Josef Suk. Augustin Hadelich's YouTube channel: https://www.youtube.com/c/AugustinHadelichViolin Photo Credit: Augustin Hadelich by Paul Glickman

Augustin Hadelich has released a masterful new album which pairs the concertos of two unlikely bedfellows: Johannes Brahms and György Ligeti. The powerhouse violinist joins us to talk about the project – and why these two seemingly disparate composers might be more alike than you think.

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Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Season Five's episodes celebrate the Festival's 2021 return to live performances at Walk Festival Hall in Jackson Hole.Grand Teton Music Festival OrchestraAugustin Hadelich, violinPyotr Il'yich TchaikovskyViolin Concerto in D Major, Op. 35Augustin Hadelich, violin; Louis Langrée, conductorCapriccio Italien, Op. 45Miguel Harth-Bedoya, conductor

"Bei uns im Wohnzimmer gab es immer Musik von Franz Schubert" erinnert sich der sympathische Geiger an seine Kindheit in der Toskana. Deshalb begleiten ihn Schuberts Lieder bis heute. In "Zwei bis Vier" verrät Augustin Hadelich, was er an Städten wie New York schätzt, warum er begeistert Musik des Jazzgeigers Eddie South hört und welche Chancen das Internet in Sachen Geigenspiel junge Musiker*innen bietet.

1931-mort d'Ysaÿe. En hommage: sonate n° 2, Dédiée à Jacques Thibaud et jouée par Augustin Hadelich.

durée : 01:58:25 - Le Bach du dimanche du dimanche 20 juin 2021 - par : Corinne Schneider - Au programme de cette 170e émission : les Sonates et Partitas pour violon par Augustin Hadelich (nouveauté Warner Classics) ; les 2 Livres du Clavier bien tempéré par Jérôme Granjon (nouveauté Anima) ; et l'expérience du « Bach materia » (2017) pour violon et orchestre d'Anders Hillborg ! - réalisé par : Céline Parfenoff

In this episode, we discuss recordings of “J S Bach: Sonatas & Partitas for solo violin, BWV1001-1006” by Augustin Hadelich, “Tchaikovsky: Symphonies Nos. 2 & 4” by Tonhalle-Orchester Zürich/Paavo Järvi, “ Vladigerov: Exotic preludes & Impressions” by Nadejda Vlaeva, “Soundtrack” by Dmitry Baevsky, “Too Close for Comfort” by George Cables, and “It's All Your Fault” by Mike LeDonne.   Don't miss our special interview episode with Mike LeDonne coming Friday morning Japan time on June 11!    The Adult Music Podcast is featured in: Feedspot's Top 20 Classical Music Podcasts Feedspot's Top 25 Jazz Podcasts   Episode 17 Deezer Playlist   “J S Bach: Sonatas & Partitas for solo violin, BWV1001-1006” (Warner Classics) Augustin Hadelich (violin) https://open.spotify.com/album/0FDL1ctBgpoWRQJSGjRX52 https://music.apple.com/us/album/bach-sonatas-partitas/1551720371   “Tchaikovsky: Symphonies Nos. 2 & 4” (Alpha) Tonhalle-Orchester Zürich, Paavo Järvi https://open.spotify.com/album/0ikk1u81tZ2G5Fe5MqUpsh https://music.apple.com/us/album/tchaikovsky-symphonies-nos-2-4/1555054169   “Vladigerov: Exotic preludes & Impressions” (Hyperion) Nadejda Vlaeva (piano) https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68327   “Soundtrack” (Fresh Sound New Talent) Dmitry Baevsky https://open.spotify.com/album/3Ap2O5ETi8DcnAl4bOdoZh https://music.apple.com/us/album/soundtrack-feat-jeb-patton-pete-van-nostrand-david-wong/1566015934   “Too Close for Comfort” (NighNote) George Cables https://open.spotify.com/album/1BJwgqurK2jJRz7PESZleu https://music.apple.com/us/album/too-close-for-comfort/1561406084   “It's All Your Fault” (Savant) Mike LeDonne https://open.spotify.com/album/4MkGmK7w7ui8PjpOywfe10 https://music.apple.com/us/album/its-all-your-fault/1561405889              

Bachs Musik bietet unendlich viele Zugänge. Erst recht bei einer Musik, die so subjektiv ist wie diese: Hier ist jeder auf sich gestellt, aber gerade deshalb auch frei. Und für Augustin Hadelich ist seine stupende Technik nie Selbstzweck, er verwandelt die Virtuosität in Ausdruck, Exzentrik, Rausch der Geschwindigkeit.

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

El 30 de abril de 1977, un grupo de mujeres se reunió en la Plaza de Mayo para reclamar por la aparición con vida de sus hijas e hijos secuestrados, torturados y desaparecidos, por la dictadura cívico militar. Foto del archivo Hasenberg-Quaretti Hasta allí habían llegado debido a la falta de respuestas, a propuesta de Azucena Villaflor, una de las madres, quien consideraba que si reclamaban juntas, serían recibidas por el presidente de facto, Jorge Videla. Junto a ella estuvieron Berta Braverman, Haydée García Buelas, María Adela Gard de Antokoletz, Julia Gard, María Mercedes Gard, Cándida Gard, Delicia González, Pepa Noia, Mirta Baravalle, Kety Neuhaus, Raquel Arcushin y dos mujeres más de las que no se conocen sus nombres. La orden de un oficial de la Policía Federal fue que circulen porque no podían quedarse allí reunidas manifestándose. Entonces, tomadas de los brazos, comenzaron a dar vueltas alrededor de la Pirámide de Mayo, originando así la primera de muchas rondas que se sucederían, jueves a jueves, a lo largo de todos estos años de lucha. Más de cuatro décadas después, las Madres de Plaza de Mayo constituyen un símbolo de resistencia a la última dictadura cívico militar y son referentes en todo el mundo de la lucha por los derechos humanos. Recordamos esta fecha a partir de testimonios conservados en el Archivo Histórico de Radio Nacional. FICHA TÉCNICA Testimonios y música: `Songs my mother taught me´ (Antonin Dvořák) por Augustin Hadelich y Charles Owen 1984-02-03 Hebe de Bonafini (Presidenta de Madres de Plaza de Mayo) [Entrevista Magdalena Ruiz Guiñazu Radio Continental] 2005 Tati Almeyda (Madre de Plaza de Mayo) [Entrevista Diana Costanzo – Área de Contenidos de Radio Nacional] 2010-05-02 Nora Cortiñas (Madre de Plaza de Mayo) [Entrevista Eduardo Aliverti - Decime quien sos vos – Programa emitido por Radio Nacional] 1997-10-11 Hebe de Bonafini - 20 años de las Madres de Plaza de Mayo (Plaza de Mayo) `Madre escúchame´ (L Nebbia) por Litto Nebbia y La Orquesta Filarmónica de Kiev Edición: Fabián Panizzi

"I felt it was too easy to just post a black square on Instagram."  The violinist Augustin Hadelich talks about his quarantine videos of Black composers, racism in the classical music world, the Bach album he recorded for Warner Classics during lockdown, the surprising benefits to being his own accompanist,  why he keeps his politics private, and the hostility he encounters when programming contemporary music. http://augustinhadelich.com/

Auf Youtube hat der Geiger Augustin Hadelich seine Tutorials "Ask Augustin" ins Leben gerufen, in denen er Fragen rund um Geigentechnik, Übemotivation und Lampenfieber beantwortet. Für ihn war das zunächst gar nicht so leicht: "Sich einfach vor die Kamera zu stellen und über Technik zu sprechen hat mich auch viel Überwindung gekostet. Aber es war dann am Ende doch nicht so schwer und ich kam dann in Fahrt und mir fielen immer neue Themen ein."

Augustin Hadelich hat sich bereits als einer der großen Geiger seiner Generation etabliert. Im Gespräch mit Grit Schulze geht es um seine italienische Heimat, Pasta, seine kostbare Geige und vor allem um Bach.

Der deutsch-amerikanische Geiger ist Solist im Philharmonischen Konzert am 12. Dezember. In den USA ist Augustin Hadelich längst ein Star, in Europa wird er an immer mehr Orten für seine fantastische Technik und sein aussergewöhnlich klangschönes Spiel gefeiert. Im Gespräch mit Beate Breidenbach erzählt er davon, weshalb es ihn reizt, ein ungewöhnlich vielseitiges Repertoire auf CD aufzunehmen, wie er anfing, Tango zu tanzen, und warum es ihm niemals langweilig wird, das Violinkonzert von Johannes Brahms zu spielen.

Episode 5 of the podcast features a segment of this full interview with internationally celebrated concert violinist, Augustin Hadelich. Mr. Hadelich is one of the great violinists of our time. The winner of numerous awards and prizes, Mr. Hadelich is known for his wide-ranging and adventurous repertoire and is often referred to by colleagues as a "musician's musician.” He is consistently cited around the world for his phenomenal technique, soulful approach, and insightful interpretations. Hear Mr. Hadelich, Sarah, and Justin in their engaging conversation about necessary skills beyond musical artistry to be a successful performer, how he is inspired, and his thoughts about social media and creative outlets in this time of pandemic restriction.Support the show (http://www.chambermusicguild.org/thecounterpointclub/donate/)

The final episode of The Counterpoint Club’s first series, Opus 1, explores the wide variety of careers in the music industry. Justin first looks at the history of professional chamber music ensembles in America. Willie interviews Alyssa Saint, violinist and Associate Director of Admission at the San Francisco Conservatory of Music, about her advice to high school students on the application process and what to look for in a university music degree program. Special guest, internationally renowned violin soloist Augustin Hadelich, talks with Sarah and Justin about becoming a successful performer, what inspires him, social media, and much more.Support the show (http://www.chambermusicguild.org/thecounterpointclub/donate/)

Musical America's 2018 "Instrumentalist of the Year," Augustin Hadelich is easily one of the premier violinists of our time. In this conversation with WGTE's Brad Cresswell, Hadelich previews his new album Bohemian Tales (Warner Classics), which includes the rousing concerto by Dvorák (a work he performed with the Toledo Symphony in 2017). Also on the disc: works for piano (Charles Owen) and violin from two other Czech masters, Leos Janácek and Josef Suk.Augustin Hadelich's YouTube channel: https://www.youtube.com/c/AugustinHadelichViolin Photo Credit: Augustin Hadelich by Paul Glickman

Musical America's 2018 "Instrumentalist of the Year," Augustin Hadelich is easily one of the premier violinists of our time. In this conversation with WGTE's Brad Cresswell, Hadelich previews his new album Bohemian Tales (Warner Classics), which includes the rousing concerto by Dvorák (a work he performed with the Toledo Symphony in 2017). Also on the disc: works for piano (Charles Owen) and violin from two other Czech masters, Leos Janácek and Josef Suk. Augustin Hadelich's YouTube channel: https://www.youtube.com/c/AugustinHadelichViolin Photo Credit: Augustin Hadelich by Paul Glickman

WQED-FM's Jim Cunningham spoke with violinist Augustin Hadelich about his new CD "Bohemian Tales" which features music of Suk, Dvorak and Janacek.  Hadelich also talks about his memories of performing in Pittsburgh.  

Mit "Bohemian Tales" ist dem Geiger Augustin Hadelich ein überragendes Album gelungen. Darauf spielt der Geiger Stücke von Antonín Dvořák, Leoš Janáček und Josef Suk.

Wellington Rebouças Guimarães (violino) Iniciou seus estudos de violino aos nove anos e concluiu, em 2012, o bacharelado em música – violino pela Faculdade Integrada Cantareira, sob orientação da Professora Elisa Fukuda. Em 2008, foi spalla da Orquestra Jovem do Estado de São Paulo (OJESP). Participou de importantes festivais nacionais e internacionais, como o “Festival Mattheiser Sommer – Academie”em Bad-Sobernheim (Alemanha) e Festival Internacional de Campos do Jordão. Fez aula com renomados professores entre eles: Maxim Vengerov , Gilis Apap, Glenn Dicterow, Dmitri Beslinsky, Yuzuko Horigome, Kristof Barati, Nicola Benedetti, Mark Gothoni , Augustin Hadelich e Gey Braustein. Foi concertino/spalla da Orquestra Sinfônica de Santo André. Em 2013 foi finalista do programa Preludio da TV Cultura, e como Primeiro Lugar nos concursos: Paulo Bosísio, Jovens Solista da Orquestra Jovem do Estado de São Paulo, 2 vezes consecutivas Jovens Solista da Orquestra Experimental de repertório também vencedor dos Jovens Solistas da Filarmônica de Goiânia, em 2018 1° lugar no primeiro concurso violin Festspiele Brasil. No ano de 2016 foi convidado para solar com a OER o Concerto no. 4 de W. A. Mozart no Theatro Municipal de São Paulo. Atualmente,atua como Solista B da Orquestra Sinfônica Municipal (OSM) e também como Spalla da Camerata Fukuda cargo que oculpa a 10 anos e professor convidado de festivais nacionais e internacionais.

Our panelists pull back the curtain on what it means to be a "virtuoso" musician, focusing in-depth on two recent TSO guest soloists: violinist Augustin Hadelich, and pianist Olga Kern (pictured).

Grammy-winning fiddler Augustin Hadelich brings one of the finest violins in the world to the Tiny Desk.

Grammy-winning fiddler Augustin Hadelich brings one of the finest violins in the world to the Tiny Desk.

Violinisten Augustin Hadelich spielt auf der letzten Geige des italienischen Geigenbaumeisters Giuseppe Guarneri von 1744. Über seine Geige namens „Leduc“ spricht er im SWR2 Musikgespräch.

Three breaches this week. Chrome will begin blocking HTTP downloads, Intel releases a CSME patch, and Emotet begins spreading via insecure WiFi. Eric joins a majority of Americans being Wrong About Pizza, Amazon reviews can be hilarious, and how to create a (virtual) traffic jam. 0:00 - Introduction 1:03 - Acrylic Pens 2:04 - Holly In Grass 2:32 - Augustin Hadelich 6:00 - Israel Voter Breach 8:27 - Denmark Citizen Breach 9:33 - Prisoner Data Breach 10:59 - Chrome will block HTTP downloads 15:59 - Intel CSME Vulnerability 19:28 - Emotet Spreading via WiFi 26:07 - Pizza Fun 29:22 - Tungsten Cube Review 31:22 - Virtual Traffic Jam

Augustin Hadelich returns to Benaroya Hall this week to play the Brahms Violin Concerto. In 2016, Augustin won the Grammy for Best Classical Instrumental Solo for his performance of Henri Dutilleux’s Violin Concerto, The Tree of Dreams, with the Seattle Symphony and Music Director Emeritus Ludovic Morlot. KING FM’s Dave Beck speaks with Augustin about his long association with the Brahms Violin Concerto, a work he first performed publicly when he was just 10 years old. We hear how Augustin Hadelich wrote his own cadenza for the Brahms Concerto, a piece he has recently recorded. We get an informative primer from Augustin on the tradition and history of the cadenza in famous violin concertos. And he talks about the challenges of writing a cadenza in the authentic style of Brahms. 

John Pitman Review: Augustin Hadelich links Brahms to Ligeti by All Classical Portland

Augustin Hadelich has released a masterful new album which pairs the concertos of two unlikely bedfellows: Johannes Brahms and György Ligeti. The powerhouse violinist joins us to talk about the project – and why these two seemingly disparate composers might be more alike than you think.

Augustin Hadelich has released a masterful new album which pairs the concertos of two unlikely bedfellows: Johannes Brahms and György Ligeti. The powerhouse violinist joins us to talk about the project – and why these two seemingly disparate composers might be more alike than you think.

Johannes Brahms und György Ligeti - rund 110 Jahre trennen ihre Violinkonzerte: das eine ein Meilenstein des romantischen Geigenrepertoires, das andere ein wenig überschattet von Ligetis avantgardistischem Orchesterschaffen der frühen 1960er Jahre. Die technisch souveräne, musikalisch temperamentvolle, kontrastreiche und tatsächlich vor Klangfarben sprühende Einspielung mit Augustin Hadelich bei Warner Classics wird auf jeden Fall beiden gerecht!

German-American violinist Augustin Hadelich talks to James Jolly about the challenge of Brahms's great Violin Concerto, which he has twinned with György Ligeti's Violin Concerto of some 110 years later for his new recording on Warner Classics.

I'm really happy to continue this series on the pedagogues that shaped me as a violinist with a discussion about another giant in musical journey, Zvi Zeitlin. Unfortunately, Professor Zeitlin passed away in 2012, but I had a wonderful time talking about him with Michael Klotz, violist with the Amernet Quartet and Senior Instructor at Florida International University in Miami. Michael and I were colleagues in the Zeitlin studio at both Eastman and at the Music Academy of the West and, in this episode. we discuss our experience studying with Mr. Zeitlin and his lasting influence on our lives. It was a true pleasure for me to talk with Michael and I think you'll enjoy our chat!   More about Michael Klotz   Website: http://michaelklotzmusic.com/ Amernet String Quartet: http://amernetquartet.com/ Florida International University: http://carta.fiu.edu/music/ Heifetz International Music Institute: https://www.heifetzinstitute.org/   Biography Born in 1978 in Rochester, NY, Michael Klotz made his solo debut with the Rochester Philharmonic at the age of 17 and has since then appeared as soloist with orchestra, recitalist, and chamber musician, and orchestra principal worldwide. After a performance of the Brandenburg Concerto No. 6 with violist Roberto Diaz, the Portland Press-Herald proclaimed, “this concert squelched all viola jokes, now and forever, due to the talents of Diaz and Klotz”. The Fort Worth Star-Telegram recently proclaimed Michael Klotz to be “a superb violist, impressive, with an exceptionally attractive sound,” and the Miami Herald has consistently lauded his “burnished, glowing tone and nuanced presence.”   Michael Klotz joined the Amernet String Quartet in 2002 and has toured and recorded commercially with the ensemble throughout the U.S., Canada, Mexico, Israel, Japan, South Korea, Romania, Colombia, Belgium, and Spain. Klotz has performed at some of New York's most important venues, such as Carnegie Hall, Alice Tully Hall, Weill Hall, Merkin Concert Hall, MoMA, Bargemusic, and the Kosciuzsko Foundation. His festival appearances have included Seattle, Newport, Caramoor, ChamberFest Cleveland, Festival Mozaic, Great Lakes, Cervantino, Festival Baltimore, Piccolo Spoleto, Sunflower, Martha's Vineyard, Skaneateles, Virginia Tech Vocal Arts and Music Festival, San Miguel de Allende, Beverly Hills, Music Mountain, Bowdoin, Madeline Island, Sarasota, Music Academy of the West, and Miami Mainly Mozart. Passionately dedicated to chamber music, Klotz regularly performs with many of today's most esteemed artists, having appeared as guest violist with the Shanghai, Ying, and Borromeo String Quartets, the Manhattan Piano Trio, and collaborated with artists such as Shmuel Ashkenasi, Arnold Steinhardt, James Ehnes, Augustin Hadelich, Vadim Gluzman, Gary Hoffman, Carter Brey, Michael Tree, Robert DeMaine, Andres Diaz, Roberto Diaz, Joseph Kalichstein, Franklin Cohen, and Alexander Fiterstein, as well as with many principal players from major U.S. and European orchestras. In 2015 he was named a Charter Member of the Ensemble with the Chamber Music Society of Fort Worth and regularly appears on this series. In 2002 and 2009, he was was invited by Maestro Jaime Laredo to perform with distinguished alumni at anniversary concerts of the New York String Orchestra Seminar in Carnegie Hall. Michael Klotz is a graduate of the Eastman School of Music, where he was awarded the Performer's Certificate. In 2002 he became one of the few individuals to be awarded a double Master's Degree in violin and viola from the Juilliard School. At Juilliard, he was the recipient of the Tokyo Foundation and Gluck Fellowships. His principle teachers and influences include Zvi Zeitlin, Lynn Blakeslee, Lewis Kaplan, Toby Appel, Peter Kamnitzer, and Shmuel Ashkenasi. Michael Klotz is a dedicated teacher and serves as Senior Instructor and Artist-in-Residence at Florida International University in Miami, where he teaches viola and chamber music. Klotz has recently presented highly acclaimed master classes at the New World Symphony, Cincinnati Conservatory, Cleveland Institute of Music, University of Michigan, Penn State University, University of Nevada – Las Vegas, Ithaca College, Texas Christian University, and West Virginia University. He is currently a member of the faculty of The Heifetz Institute and a viola coach at the New World Symphony. His former students currently attend and are graduates of prestigious conservatories, including the Curtis Institute of Music, the Juilliard School, Indiana University, and the Cleveland Institute of Music and are already achieving leading roles in the music world. Michael was featured in the November 2013 issue of the “Alumni Spotlight” in the Juilliard Journal and as the subject of Strad Magazine's “Ask the Teacher” column in the November 2013 issue. Michael Klotz resides in Hallandale Beach, FL with his wife Kelly and sons Jacob and Natan, as well as two dogs and a cat.     ZVI ZEITLIN (1922-2012) A faculty member at Eastman from 1967 to 2012, Zvi Zeitlin (1922-2012) was revered for decades as a violinist, pedagogue, chamber musician, and champion of contemporary music. Born in Dubrovna, Belarus, Zvi Zeitlin was raised and educated in Israel. At age 11, he became the youngest scholarship student in the history of the Juilliard School, studying with Sascha Jacobsen, Louis Persinger, and Ivan Galamian. He served in the RAF (1943-46) and concertized for troops throughout the Middle East and Greece. He made concerto appearances with such great conductors as Leonard Bernstein, Pierre Boulez, Zubin Mehta, Antal Dorati, Jascha Horenstein, and Christoph von Dohnanyi, and gave frequent tours of Europe, Australia, New Zealand, and Central and South America. One of Zeitlin's signature pieces was Arnold Schoenberg's fiendishly difficult, seldom performed Violin Concerto; his 1971 Deutsche Grammophon recording of this work with conductor Rafael Kubelik set the standard, and is still available. Zeitlin also premiered concertos by Gunther Schuller, Carlos Surinach, and Paul Ben-Haim, besides performing and recording a wealth of other repertoire in his long career; the Toronto Star called him “one of the violin world's grand old men, a true musical Methuselah.” Along with his solo appearances, he was a founding member of the Eastman Trio (1976-1982). Zeitlin taught annual master classes at the Royal Academy of Music, Guildhall School of Music and Drama, and Yehudi Menuhin School. He was a faculty member at the Music Academy of the West since 1973, and a visiting professor at Chetham's School of Music and the Royal Northern College of Music (Manchester, England) since 1992. Zeitlin was named Eastman's first Kilbourn Professor in 1976 and Distinguished Professor in 1998. In 2004, he received the University of Rochester's Edward Curtis Peck Award for Excellence in Teaching Undergraduates. Zeitlin's students occupy leading positions in major orchestras in the United States and throughout the world; hold important positions in universities and music schools worldwide; and are major prizewinners in international and regional competitions. Zvi Zeitlin died on May 2, 2012 in Rochester, at the age of 90.   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/   If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/

Violinist Augustin Hadelich , a fan favorite in Rochester, is back in town to perform the Sibelius Violin Concerto with your Rochester Philhamonic Orchestra in a program that also includes Shostakovich's Symphony No. 10. He and RPO Music Director Ward Stare sat down to talk about both pieces in depth with Julia Figueras, including Augustin explaining why he thinks he's playing it better now than he did on his CD.

We preview the TSO's upcoming Nordic Air concert with guest violinist Augustin Hadelich, and test our castaway culinary knowledge with the desert island dessert quiz. Also – what music would you bring to a deserted island? Find out our choices as we play our own version of the BBC's legendary Desert Island Discs program.

Ein sehr emotionales Stück, so empfindet Augustin Hadelich das Violinkonzert "Concentric Path" von Thomas Adès. Gemeinsam mit dem Münchener Kammerorchester bringt der Geiger das Werk am 8. und 9. März in München und Neuburg an der Donau auf die Bühne.

Violin virtuoso Augustin Hadelich joined us to talk about his upcoming performances and his new album. Plus, Chuck Todd, Alex Beam, Andrea Cabral, and Jennifer Mckim and Philip Martin on their investigative story on illegal massage parlors. (Full Show 1/25/18)

Bei Augustin Hadelich werden Paganinis 24 Capricen Opus 1 zum schillernden Klangkaleidoskop, zum launigen Abenteuer für die Ohren, zum lustvollen Spiel mit Erwartungen. "Statt Fingerfertigkeits-Etüden begegnen uns hier temperamentvolle Charakterstücke", sagt Alexandra Maria Dielitz.

The newly formed piano trio of violinist Augustin Hadelich, cellist Marie-Elisabeth Hecker, and pianist Martin Helmchen join AMFS President and CEO Alan Fletcher for a discussion in advance of the group's recital as part of the 2017 AMFS season. Recorded live in Aspen on August 9, 2017.

Der Geiger Augustin Hadelich ist im Rahmen der BR-KLASSIK-Studiokonzerte am 9. Mai 2017 gemeinsam mit dem Pianisten Charles Owen zu hören. Auf dem Programm stehen Werke von Beethoven, Schnittke, Mozart, Strawinsky und Tschaikowsky. Im Interview erzählt er, welche ganz persönliche Beziehung er zu diesen Werken hat.

Peter Tschaikowsky: Violinkonzert | Edouard Lalo: "Symphonie espagnole" | Augustin Hadelich (Violine) | London Philharmonic Orchestra | Leitung: Vassily Petrenko (Tschaikowsky), Omer Meir Wellber (Lalo)

In a program from 2010, Andrew Patner features music of modern and contemporary composers Bernd Alois Zimmermann, Richard Wernick, and David Rakowski from recent recordings by Augustin Hadelich, the Juilliard String Quartet, and Chicago pianist Amy Briggs [...]

Works for string duo and trio, performed by Musicians from Marlboro.Kodály: Serenade, Op. 12Kodály: Duo for violin and cello, Op. 7It’s difficult to discuss Hungarian composer Zoltán Kodály without, in the same breath, mentioning his longtime musical compatriot Béla Bartók. Despite their close association, Kodály had a distinct musical voice of his own, which certainly comes across in this program. First, we’ll hear Musicians from Marlboro play Kodály’s Serenade for two violins and viola. Kodály wrote a lot of vocal music, and his proclivity for melody comes through in this piece. Like many of his works, it incorporates scales and folk dance rhythms borrowed from his extensive studies of traditional Hungarian music. Next, we’ll hear violinist Augustin Hadelich and cellist Peter Stumpf of Musicians from Marlboro perform Kodály’s Duo for violin and cello. It, too, exhibits a profusion of passionate melodies and a harmonic language tinged with Eastern European folk scales.

In this episode we wanted to celebrate the upcoming holidays with a few of our favorite pieces. We have also included a special sneak peak to Agustin Hadelich's new album, "Echoes of Paris"! We hope you enjoy the music. Everyone have a wonderful holiday and a fantastic New Year! Harry Christophers, The Sixteen "In Dulci Jubilo" from "A Traditional Christmas Carol Collection, Vol. II" (The Sixteen Productions Ltd.)    There is such an abundance of festive music available to us that sometimes one wishes Christmas did not come but once a year! The Sixteen’s first volume of traditional Christmas carols contains some of our most favorite pieces but there is so much more wonderful festive music that deserves to be better known. So we decided to make a second volume. On this disc you will discover familiar seasonal favorites such as ‘Unto us a boy is born’ and ‘It came upon the midnight clear’ but we have also included some less well-known gems like ‘Cherry Tree Carol’ and ‘Gloucestershire Wassail’.Woody Phillips "Dance Of The Sugar Plum Fairy" (mp3) from "A Toolbox Christmas" (Gourd Music) Buy at Amazon MP3 Buy at eMusic More On This AlbumA Toolbox Christmas - Liner Notes: A Toolbox Christmas marks Woody Phillips' breathtaking debut into a world of repertoire and instrumentation only dreamed of by composers who have gone before him. True, Beethoven gave us the 'Hammer (klavier) Sonata' -- but Phillips has dared to explore the full range of the workbench's symphonic palette. Never before have your ears experienced the the exquisite marimba-like 2x4's in Jingle Bells ; the majestic table saw duet in Joy to the World ; the sensitive counterpoint provided by the power planer in I Saw Three Ships ; the filigreed ornamentation of the clanking pipes in We Wish You a Merry Christmas ; the uniquely persuasive percussion of the pneumatic nailer in Patapan ; the panoply of hand and power tools in The Twelve Days of Christmas -- listen and you'll know you're in a new and extraordinary realm of holiday music. Tchaikowsky's beloved Dance of the Sugar Plum Fairy may never sound the same to you again once you've experienced Phillips' ensemble of antique hand drill, mandolin, anvil, t-square, level and pipes. Will an eye remain dry as Auld Lang Syne, ethereal and poignant on the musical saw, shimmers over the drone of the shop vac? Phillips' ear is impeccable, perfectly attuned to nuances of tone and subtle differences of timbre among the various power tools, always employing the right tool for each job. Never, however, does Phillips disdain the traditional instruments of the concert hall. Though purists may balk at the sound of actual musical instruments on A Toolbox Christmas , when Phillips senses the need for a cello, mandolin, oboe or flute, in it goes, without regard for mere commercial considerations. His generous, all-encompassing love of beautiful sounds permits no petty divisions in his artistic kingdom. Above all, Phillips' true genius in A Toolbox Christmas has been to include the entire ambiance of the workshop on this recording. He has drawn not only on the incomparable sonorities of the tools themselves, but adds sounds every home-improver will recognize with delight: a tape measure retracting; duct tape tearing; the little ball bearing rolling as the spray paint can is shaken. He has created choirs of bottles and chiming sacks of 10d nails. Perhaps most inspired of all is his brilliant use of the perfectly-timed pop-top. The resulting magic awaits you in A Toolbox Christmas .Sir Colin Davis, London Symphony Orchestra "Messiah" from "Handel: Messiah" (LSO Live) Buy at iTunes Music Store Buy at Amazon MP3 Buy at eMusic More On This Album Handel's masterpiece uses short texts from the Bible to tell the story of Christ's birth, death and resurrection. Imbued with a deep humanity and written with the imagination of a composer at the peak of powers, Messiah is intimate yet dramatic and includes some of Handel's best-loved music.Hallé, Carl Davis"The Nutcracker" from "Hallé Christmas Classics" (Halle Concerts Society) Buy at iTunes Music Store Buy at Amazon MP3 More On This AlbumA wealth of Christmas favourites, under the direction of BAFTA award-winning conductor and composer, Carl Davis.'Claire Rutter... thrilling confidence and elan... a true prima donna... [with] spine tingling top notes...' Sunday Times Augustin Hadelich, Robert Kulek"Poulenc: Sonata for Violin and Piano, Op. 119" from "Echoes of Paris" (AVIE Records) More On This Album Augustin Hadelich, Robert Kulek"Stravinsky: Suite After Themes, Fragments and Pieces by Giambattista Pergolesi" from "Echoes of Paris" (AVIE Records) More On This AlbumI chose the four works on this recording because I think they fit together really well. After having played many combinations of them in recitals, I started wondering about the connection between these pieces - why are they so compatible? Almost immediately, Paris came to mind. All of these composers lived in Paris during the early part of the 20th century, when that city was a magnet for creative artists: painters like Matisse, Dali, Chagall, and Picasso, the writers Proust, Joyce, and Hemingway, and composers such as Debussy, Ravel, Satie, Poulenc, Copland, and many others. Stravinsky and Prokofiev were also among the many expatriate musicians who flocked to Paris at that time. They drew inspiration from the city’s electric atmosphere and cultural ferment, and then went off in their own amazing, revolutionary directions. I think that these French and Russian pieces form such a good program because there are echoes of Paris in these four works that help tie them together: puppet-like dances in both Debussy and Stravinsky; percussive, as well as militaristic and march-like sections in Stravinsky's Suite and the sonatas of Poulenc and Prokofiev; jazz references in Debussy and Prokofiev; and hints of Spanish flavor in both Debussy and Poulenc, so popular among French composers at that time. The key signatures also help to unify the program - g minor, G Major, D Major, and d minor. Claude Debussy sought to develop a style that was free of German compositional influences. Drawing inspiration from Spanish, jazz, and gypsy music, the violin sonata of 1917 (his last work) certainly bears the imprint of that philosophy. Avoiding the conventional sonata form, the structure of the piece is quite fractured and rhapsodic - the result is unique and fascinating. I love the sonata for all of its sudden twists and delicate turns. The second movement makes me think of puppets engaged in a dance. In 1920, two years after Debussy's death, Igor Stravinsky wrote his ballet Pulcinella, a humorous neo-classical work, that premiered in Paris the same year with sets and costumes designed by Pablo Picasso. In this work, he used music from an obscure 18th-century commedia dell'arte opera, assumed to have been written by Pergolesi, but probably written by other, lesser-known composers. By altering this material in various ways, Stravinsky created something completely new. He called the composition of Pulcinella an "epiphany through which my late work became possible" - for the first time, borrowed style became a compositional element. Most often, violinists play Samuel Dushkin’s 1932 transcription of Pulcinella, modeled after the transcription for cello and piano. Because many of the quirky dissonances are removed, it turns out to be a rather toned-down version of the work. On this recording, I am playing the earlier 1925 transcription that was made in collaboration with the violinist Paul Kochanski; it is much closer to Stravinsky’s original orchestral work. It is more difficult for both the violinist and the pianist, but well worth the effort! Sometimes I think the awkwardness of the writing is intentional, to make the piece seem slightly askew, making both the player and the listener a little bit uncomfortable. I am again reminded of puppets, but larger and clumsier than Debussy's. I also love how Stravinsky composes apparent mistakes into the piece. Having fled Russia after the revolution in 1917, Sergei Prokofiev spent many years living in Paris before returning to his homeland in 1935. Very much admired by Stravinsky and other composers who lived in Paris at the time, his first symphony (1917) is considered to be one of the first neo-classical works, even pre-dating Stravinsky's Pulcinella. His second violin sonata is, however, a late work. Originally written in 1942 for flute and piano, it was transcribed for violin at the request of David Oistrakh. It is a large, powerful work that is, in turn, sweet, happy, sad, passionate, even violent and militaristic. The march in the last movement, however, makes me think more of tin soldiers than real ones! In the sonata by Francis Poulenc, the soldiers are very real. Composed in 1942-1943, it is Poulenc’s homage to the great Spanish poet, Federico Garcia Lorca, who was executed in 1936 by the fascist government in Spain. The percussive opening of the sonata owes something to Stravinsky and Prokofiev, who were among his formative influences. Throughout the first movement, militaristic passages are juxtaposed with more lyrical, salon-like themes; perhaps these represent the socialist and fascist forces at war in Spain when Lorca was killed. Showing the impressionist influence of Debussy, the beautiful second movement was inspired by one of Lorca's poems: It has been speculated that the two triple-forte notes in the piano towards the end of the last movement ("Presto tragico") are the gunshots of the firing squad. Following exclamations of pain, a few sweet memories briefly return in the sorrowful coda. Poulenc himself was actually quite unhappy with the sonata, which was written for the French violinist Ginette Neveu, and after many revisions concluded that it was an "utter failure". I think he was being a little too hard on himself, and history has not agreed with him. It is one of my favorite sonatas, and I perform it often. Likewise, audiences are extremely enthusiastic and deeply moved by it. Coincidentally, I played a recital in Paris in April 2010 at the Louvre, also with Robert Kulek. We couldn't resist taking some photos while we were there. I hope you enjoy this recording! Augustin Hadelich