Podcasts about Stradivarius

En la 1433-a E_elsendo el la 25.10.2025 ĉe www.pola-retradio.org: • En nia felietono pri la koninda polo ni prezentas la figuron de renoma  bakteriologo kaj mikrobiologo, Helena Sparrow. Pro sia ĉarmo difinata kiel „la belle Polonaise” ŝi unuavice restas en la memoro kiel pionirino de publika sano. Ŝiaj esploroj kaj laboroj ne limiĝis al Pollando, aparte gravan kontribuon ĉi-rilatan ŝi alportis en Tunizio. • En la kultura kroniko – post la kalendarfoliaj informoj ligitaj kun la 25.10 – vi ekscias pri la Conrad-festivalo en Krakovo; pri ciferecigata, la unusola en Pollando,ekzemplero de Stradivarius-violono; pri sociologia fotoregistro rilate la polan socion en londona ekspozicio, • En la E-komunuma segmento ni informas pri la nunjara, 6-a Virtuala Kongreso de Esperanto, okazonta komence de decembro: uea.org/gk/1257a1. • Muzike ni proponas fragmenton de la originala E-kanzono „Per fido” kiun komponis, la tekston verkis kaj kantas Simmon Keith Barney. La reta foto ĉe nia programinformo prezentas elstaran polan violoniston, Janusz Wawrowski kun unusola pola Stradivarius-violono dum la solenaĵo de nomatribuo „Polonia”. • En unuopaj rubrikoj de nia paĝo eblas konsulti la paralele legeblajn kaj aŭdeblajn tekstojn el niaj elsendoj, kio estas tradicio de nia redakcio ekde 2003. La elsendo estas aŭdebla en Jutubo ĉe la adreso: https://www.youtube.com/results?q=pola+retradio&sp=CAI%253D Interalie pere de Jutubo, konforme al individua bezono, eblas rapidigi aŭ malrapidigi la parolritmon de la sondokumentoj; eblas transsalti al ajna serĉata fragmento de la elsendo.

“‘Love the Lord your God with all your heart and with all your soul and with all your mind.' This is the first and greatest commandment.” — Matthew 22:37-38 My wife and I recently attended a symphony. Seventy-five musicians on the stage gave their best. The star of the show was a young violinist playing a 1699 Stradivarius violin. At the end of the performance, with the crowd on their feet applauding, the young man left the stage. The applause continued, and he reappeared and bowed. The applause increased, and he returned a second time. Was this violinist an egotistical young man? No. Giving the audience the opportunity to express their gratitude and amazement for a beautiful performance added to the listeners' joy. If the violinist had simply walked off and not returned, the audience would have felt shortchanged. Expressing appreciation is an important part of enjoying a great performance. The first table of God's law to his people (commandments 1-4) calls them to love the Lord with all their heart, soul, and mind. God wants us to honor and glorify him in all we think, say, and do. The first table of the law is designed to enable us to truly appreciate God's beauty and glory. Calling for our love and respect in this way is not egotistical. Rather, it is a sign that the utterly amazing and loving God wants us deeply to enjoy the best life, blessings, and hope possible. Lord God, thank you for your law, which teaches us to see and enjoy your amazing, beautiful love for us all. Help us to think and act and live in your ways always. In Jesus' name, Amen.

- Springsteen na premierze filmu o swoim życiu- Broadway uniknął strajku aktorów, muzycy negocjują- Szachowy mistrz Daniel Naroditsky nie żyje Masz pytanie do naszej redakcji? Możesz je zadać tutaj: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tally.so/r/npJBAV⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zawsze rano. Same fakty.5 najważniejszych wiadomości.5 minut.Wydarzenia ze świata, sportu, popkultury, technologii, środowiska i gospodarki.Ramówka:Poniedziałek: Ekonomicznie in BriefWtorek: Sport in BriefŚroda: PopCulture in BriefCzwartek: Technologicznie in Brief / Planet in BriefPiątek: World in BriefW aplikacji Voice House Club m.in.:✔️ Wszystkie formaty w jednym miejscu.✔️ Możesz przeczytać lub posłuchać.✔️ Transkrypcje odcinków z dodatkowymi materiałami wideo.

De un pequeño taller en Galicia… a dominar el closet del mundo entero.Inditex, el grupo detrás de Zara, Bershka, Pull&Bear, Massimo Dutti y Stradivarius, cambió las reglas del juego: convirtió la moda en un negocio de velocidad, integración y obsesión por el consumidor.Con más de 5,500 tiendas en 98 países, 38 mil millones de euros en ventas y un modelo operativo estudiado por Harvard, Inditex se volvió sinónimo de eficiencia.Pero el modelo que lo llevó a la cima —el fast fashion— hoy se enfrenta a su mayor desafío: Shein y una generación que exige sostenibilidad.En este episodio de Chisme Corporativo, te contamos la historia del grupo español que redefinió la moda global, desde los días en que Amancio Ortega cosía batas en La Coruña hasta su batalla actual por no perder el trono.

Zzz . . . Boo . . . Snooze to this lovely ethereal novel – "The Lost Stradivarius" by James Meade Falkner zzz For an ad-free version of Sleepy, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sleepyradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: Quince: Go to Quince.com/sleepy for free shipping and 365-day returns BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. GreenChef: GreenChef.com/50SLEEPY and use code "50SLEEPY" to get 50% percent off your first month, then twenty percent off for two months with free shipping. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

Drift off with this calm bedtime reading about the timeless Stradivarius violins, perfect for soothing sleep and easing insomnia. Learn about the artistry, history, and enduring mystery behind these legendary instruments as you relax. Benjamin's steady, comforting narration transforms fascinating facts into a gentle story that helps quiet the mind and release tension. No whispers, tricks, or hypnosis—just calm education designed to ease sleeplessness and invite rest. Let the blend of knowledge and serenity guide you toward peaceful dreams. Happy sleeping! Read with permission from Stradivarius, Wikipedia (https://en.wikipedia.org/wiki/Stradivarius), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wonder why Bob Hope still lands with new audiences today? I sit down with Bill Johnson, a gifted Bob Hope tribute artist who grew up in Wichita and found his way from dinner theater to USO stages around the world. We talk about radio roots, World War II entertainment, and how “history with humor” keeps veterans' stories alive. You'll hear how Bill built a respectful tribute, the line between tribute and impersonation, and why audience connection—timing, tone, and true care—matters more than perfect mimicry. I believe you'll enjoy this one; it's funny, warm, and full of the kind of details that make memories stick.   Highlights: 00:10 - Hear how a Bob Hope tribute artist frames humor to build instant rapport. 01:41 - Learn how Wichita roots, a theater scholarship, and early TV/radio love shaped a performer. 10:37 - See why acting in Los Angeles led to dinner theater, directing, and meeting his future wife. 15:39 - Discover the Vegas break that sparked a Bob Hope character and a first World War II reunion show. 18:27 - Catch how a custom character (the Stradivarius) evolved into a Hope-style stage persona. 21:16 - Understand the “retirement home test” and how honest rooms sharpen a tribute act. 25:42 - Learn how younger audiences still laugh at classic material when context is set well. 30:18 - Hear the “history with humor” method and why dates, places, and accuracy earn trust. 31:59 - Explore Hope's USO tradition and how Bill carries it forward for veterans and families. 36:27 - Get the difference between a tribute and an impersonation and what makes audiences accept it. 41:40 - Pick up joke-craft insights on setup, economy of words, and fast recoveries when lines miss. 46:53 - Hear travel stories from Tokyo to Fort Hood and why small moments backstage matter. 50:01 - Learn the basics of using Hope's material within IP and public domain boundaries. 51:28 - See the ethical close: making sure a “reasonable person” knows they saw a tribute.   About the Guest:   With a career spanning over thirty years, Bill has forged his niche on stage, screen, and television as a dependable character actor.   Bill's tribute to the late, great Bob Hope was showcased in New Orleans, LA at Experience the Victory, the grand opening of the National WWII Museum's first expansion project. In the ceremony, Bill introduced broadcaster Tom Brokaw, and performed a brief moment of comedy with Academy Award winning actor, Tom Hanks. Bill continues to appear regularly at the WWII Museum, most recently in On the Road with Bob Hope and Friends, which was under-written by the Bob & Dolores Hope Foundation.   Highlights from over the years has included the 70th Anniversary of the End of WWII Celebration aboard the USS Midway in San Diego, and the Welcome Home Vietnam Parade in Tennessee. Additionally, Bill has been honored to appear around the world as Mr. Hope for the USO in locations such as the Bob Hope USO centers in Southern California, the USO Cincinnati Tribute to Veterans (appearing with Miss America 2016-Betty Cantrell),  USO Ft. Hood (appearing with the legendary Wayne Newton), USO of Central and Southern Ohio, USO Puget Sound Area in Seattle, USO Guam, USO Tokyo, USO Holiday Shows in Virginia Beach for US Tours, and a Tribute to the USO on the island of  Maui with country music superstar Lee Greenwood.   Other notable appearances include Tribute Shows for Honor Flight chapters in Alabama, South Carolina, and Ohio, the Vietnam Helicopter Pilots Association, the US Army Ball, the annual 1940's Ball in Boulder, CO, “USO Cuties Show” at the Tropicana in Atlantic City, the Les Brown Jazz Festival in Tower City, PA, and Hosting “So Many Laughs: A Night of Comedy” at the National Veterans Memorial and Museum in Columbus, OH.   Through the years, Bill has been “murdered” on CSI, portrayed Michael Imperioli's banker in High Roller: The Stu Unger Story, as well as, roles in films such as Ocean's 11, Three Days to Vegas, TV's Scare Tactics, Trick Shot, an award winning short film for Canon cameras, and the series finale of Dice, where Bill appeared as John Quincy Adams opposite Andrew Dice Clay.     Bill is currently based out of Las Vegas, NV where he lives with his wife, author Rosemary Willhide, and rescue dog, Brownie.   Ways to connect with Bill:   http://www.billjohnsonentertainment.com http://www.GigSalad.com/williampatrickjohnson     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:23 This is your host, Mike hingson, and you are listening to unstoppable mindset. You know, we have a saying here, unstoppable mindset, where inclusion, diversity and the unexpected meet, and we're going to definitely have unexpected today. This is also going to be a very fun episode. By the time you hear this, you will have heard a couple of conversations that I had with Walden Hughes, who is the president of the radio enthusiast of Puget Sound. And he's also on the on other boards dealing with old radio show. And he introduced me to Bill Johnson, who is a person that is well known for taking on the role of Bob Hope, and I'm sure that we're going to hear a bunch about that as we go forward here. But Bill is our guest today, and I just played a little segment of something for Bill with Bob Hope and Bing Crosby, two characters by any standard. Well, anyway, we'll get to all that. Bill, I want to welcome you to unstoppable mindset, and I'm really honored that you're here with us today.   Bill Johnson ** 02:31 Oh, thanks a million. Michael, it's such a pleasure to be here. Well, this is going to be a fun discussion.   Michael Hingson ** 02:38 Oh, I think so. I think absolutely by any standard, it'll be fun. Well, why don't we start before it gets too fun with some of the early stories about Bill growing up and all that. Tell us about the early bill.   Bill Johnson ** 02:52 Okay, well, I was born and raised in Wichita, Kansas, of all places. And I used to say, I used to Marvel watching Hope's Christmas specials with my family that sort of spurred my interest. But grew up in Midwest, went to Wichita State University, and then after graduation, I had a job with an independent film company and a move to Los Angeles seeking my fortune. Well, the film company pulled it in three months, as those things do, and so I was left with my, I guess, my pursuit of the entertainment career from there.   Michael Hingson ** 03:42 So did you what you went to school and high school and all that stuff?   Bill Johnson ** 03:46 Yes, oh yes, I went to Wichita East High I didn't graduate with honors, but I graduated with a B,   Michael Hingson ** 03:56 that's fair B for Bob Hope, right? Yeah.   Bill Johnson ** 04:01 And then I actually went to college under a theater scholarship, wow. And so that, in those days, that would pay for everything, books, class, which delighted my parents, because we were a family of simple means. So that was the only way I was going to go to college was having a scholarship and but as it turns out, it was for the best years of my humble life, because I got a lot of hands on experience in a Wichita State medium sized College, yeah, but back then it was Much smaller, so I had a lot of opportunity.   Michael Hingson ** 04:43 I've actually been to Wichita State. I've been to Wichita and, oh, great, did some speaking back there. And we're probably going to be doing more in the future. But it's an it's a nice town. It's a great town to to be a part of. I think,   Bill Johnson ** 04:56 yes, people are so nice there. And what I. I've noticed living in other places and then going home to visit Wichitas are cleaned. Just something you noticed, the streets are usually pretty clean and foliage is well manicured. So hats off to the city for keeping the place up to date or keeping it clean   Michael Hingson ** 05:22 anyway. Well, yeah, you got to do what you got to do, and that's amazing. And in the winter, everything gets covered up by the snow.   Bill Johnson ** 05:30 Yes, you do get all four seasons in Wichita, whether you like it or not. See there, yeah, it's one of those places where they have that saying, If you don't like the weather, wait 10 minutes and it'll change.   Michael Hingson ** 05:43 Yeah. So, so, so there. So you majored in theater in college?   Bill Johnson ** 05:49 Yes, I did. Actually, the official designation at Wichita State was speech communication, ah, so that's what I got my Bachelor of Arts   Michael Hingson ** 06:02 degree in so what years? What years were you there?   Bill Johnson ** 06:05 I was there in the fall of 75 and graduated a semester late. So I graduated in December of 79 Okay,   Michael Hingson ** 06:17 yeah, but that was after basically the traditional golden days and golden age of radio, wasn't   Bill Johnson ** 06:24 it? Yes, it was still in the days of black and white television.   Michael Hingson ** 06:29 But yeah, there was a lot of black and white television, and there were some resurgence of radio, radio mystery theater CBS was on, and I think that was before, well, no, maybe later in 7879 I don't know when it was, but NPR did Star Wars. And so there were some radio, radio things, which was pretty good.   Bill Johnson ** 06:53 And I think our friends in Lake will be gone began.   Michael Hingson ** 06:56 Oh yeah, they were in, I think 71 garrison. Keillor, okay, it'll be quiet week in Lake will be gone my hometown. I know I listened every week. Oh, I   Bill Johnson ** 07:06 did too. So my interest in radio was, I think, started back then.   Michael Hingson ** 07:12 Yeah, I enjoyed him every week. As I love to describe him, he clearly was the modern Mark Twain of the United States and radio for that matter. Is that right?   Bill Johnson ** 07:26 Oh, gosh, well, I, I'm, I'm, I'm glad to agree with you. And a lot of that wasn't it improvised to his weekly monolog. He'd have, oh, sure, yeah,   Michael Hingson ** 07:39 he, had ideas. He may have had a couple notes, but primarily it was improvised. He just did it. He just did it.   Bill Johnson ** 07:47 I let some of the episodes you take a lot of find a lot of humor in the fact he's kind of pleased with himself. And he goes, Well, look what we just said, or something. He'll do.   Michael Hingson ** 07:57 Yeah, it was, it was fun. So what did you do after college? Well,   Bill Johnson ** 08:03 after college, when I had moved to Los Angeles, after that, did not work out. I pursued my living as a as an actor, which didn't last long. So I of course, had to get a secondary job, I guess. Let me back up. It did last long, although I didn't have enough to pay my bills. Oh, well, there you go. I had a secondary job as whatever I could find, bartending. Usually, I did a lot of work as a bartender and but you get at least doing something like that. You get the people watch, yeah, oh.   Michael Hingson ** 08:47 And, that's always entertaining, isn't   Bill Johnson ** 08:49 it? Well, it can be, yeah, that's true. Back in my that's where I kind of develop your little stick you do for customers to get them to laugh and maybe tip you. My big thing was that you'd always see a couple, say, making out at the bar because it was kind of dark in there. And I would always say, Hey fellas, you want to meet my wife, Carol? Oh, that's her boss. Don't worry about it. They're having a good time or something like that, just to try to get a few laughs.   Michael Hingson ** 09:23 I've done similar things at airports. I know that the TSA agents have a such a thankless job. And one of the things I decided fairly early on, after September 11, and you know, we got out, and most people, and most of the TSA people don't know it. But anyway, whenever I go through the airport, I love to try to make them laugh. So, you know, they'll say things like, oh, I need to see your ID, please. And, and I'll say things like, Well, why did you lose yours? Or, you know, or you why? I didn't want to see it. It's just a piece of paper, right? You know? But, and I get them to laugh. Mostly, there are few that don't, but mostly they they do. And then the other thing is, of course, going through with my guide dog. And we go through the portal. They have to search the dog because he's got the metal harness on that always sets off the detector. Oh my, yeah. And, and so they say, Well, we're going to have to pet your dog. I said, Well, just wait a minute. There's something you need to know. And I really sound very serious when I do this. You got to understand this before you do that. They go, oh yeah. And they back up, and I go, he only likes long searches. If you don't take a half hour, he's not happy because his tail is going 500 miles a second, you know? Oh, great coming. But it is fun, and we get him to laugh, which is, I think, important to do. We don't laugh at enough in life anyway.   Bill Johnson ** 10:57 Amen to that. It's That's my philosophy as well, my friend. And there's not a lot to laugh about these days. And hopefully we can find the humor, even if we create it ourselves.   Michael Hingson ** 11:11 Yeah, I think there's a lot to laugh at if we find it. You know, there are a lot of things that are not going very well right now, and there are way too many things that make it hard to laugh, but we can find things if we work at it. I wish more people would do that than than some of the things that they do. But what do you do?   Bill Johnson ** 11:31 Yes, yeah, from from your mouth to God's ears, that's a great plan for the future.   Michael Hingson ** 11:39 Well, we try so you you did some acting, and you had all sorts of other jobs. And then what happened?   Bill Johnson ** 11:47 Well, I finally got fed up with the whole bartending thing and the rat race of trying to make it in Los Angeles. I did some commercials. I had a couple of small roles in some independent movies, as they say. But on my first love being theater, I hit the road again doing some regional theater shows to where I finally ended up back in Kansas, once again, that the there was a dinner theater in my hometown of Wichita, and I got hired to do shows there. Oh, so eventually becoming a resident director so and my my family was going through some challenges at the time, so it was good to be home, so I hadn't really abandoned the dream. I just refocused it, and I got a lot of great experience in directing plays, appearing in plays, and I met my white wife there. So so that was a win win on all counts.   Michael Hingson ** 13:00 I first got exposed to dinner theater after college. I was in Iowa, in Des Moines, and the person who was reading the national magazine for the National Federation of the Blind, the magazine called the Braille monitor guy was Larry McKeever was, I think, owner of and very involved in a dinner theater called Charlie's show place, and I don't remember the history, but I went to several of the performances. And then he actually tried to create a serial to go on radio. And it didn't get very far, but it would have been fun if he had been able to do more with it, but he, he did do and there were people there who did the dinner theater, and that was a lot of fun.   Bill Johnson ** 13:45 Oh, gosh, yeah, although I must say that I was sort of the black sheep of the family being in the arts. My My mom and dad came from rural communities, and so they didn't really understand this entertainment business, so that was always a challenge. But there's one footnote that I'm kind of proud of. My grandfather, who was a farmer all his life. He lived on a farm. He was raised on a farm. Every year at the Fourth of July Co Op picnic. The Co Op was a place where they would take the crops and get paid and get supplies and so forth. They would have a picnic for all the people that were their customers every year he would supposedly play the unscrupulous egg buyer or the egg salesman. And so he'd go to the routine, was an old vaudeville routine. He'd go to this poor farmer and say, Here, let me pay you for those eggs. That's here. There's one two. Say, how many kids do you guys have now? For the No, five. 678, say, How long have you and your wife been married? What is it? Seven years, eight, they get the guy go, no, 1011, 12, so that was the bit, and he would do it every year, because I guess he did it   Michael Hingson ** 15:15 really well. Drove the farmers crazy.   Bill Johnson ** 15:18 Yeah, so, so humble beginnings in the lineage,   Michael Hingson ** 15:23 but on the other hand, once you started doing that, at least being in the theater was enough to pay the bills. Yes.   Bill Johnson ** 15:30 So my parents really couldn't complain about that.   Michael Hingson ** 15:34 Well, see, it worked   Bill Johnson ** 15:36 out, yes indeed. And I met my wife, so I'm not complaining   Michael Hingson ** 15:41 about any of it. Now, was she in the theater? Yes, she was a performer.   Bill Johnson ** 15:46 We met in a show called lend me a tenor, and she was the lead, and I was at this point doing my stage management duties. But suffice to say we have gone on and done many shows together since then, and even had been able to play opposite each other a couple of times. So that cool, yeah, that's, that's a you can't ask for better memories than   Michael Hingson ** 16:13 that. No, and you guys certainly knew each other and know each other well. So that works out really well.   Bill Johnson ** 16:20 Yeah, that works out pretty good, except, you know, you sometimes you have to have a conversation and say, Okay, we're just going to leave the theater on the stage and at home. We're at home. Yeah?   Michael Hingson ** 16:32 Well, yeah, there is that, but it's okay. So how did you get into the whole process of of portraying Bob Hope, for example, and did you do anything before Bob of the same sort of thing?   Bill Johnson ** 16:51 Well, interestingly enough, to complete the whole circle of my experience, when I was performing in Wichita, I got a job opportunity here in Lacher. I'm living in Las Vegas now, to move out here and audition, or come out and audition for a new dinner show that was opening at Caesar's Palace. It was called Caesar's magical Empire, and it was, it was in 1996 and during that time, there was this big magic craze in Las Vegas. Everybody was doing magic   Michael Hingson ** 17:27 shows. You had Siegfried and Roy and yeah.   Bill Johnson ** 17:30 So I came out, I auditioned and got hired. And so then it was like, Well, now you got to move. So we moved on a just on hope and a prayer. And luckily, they eventually hired my wife, and so we got to work together there, and I eventually went on to become the, what they called the show director. I didn't do the original show direction, but it was my job to maintain the integrity of the attraction. So during those years it was that was kind of difficult, because you have to listen to being on the administrative team. You've got to listen to all the conflict that's going on, as well as and try to keep the waters calm, keep peace. Yes. So anyway, doing my show and being interactive, you talk back and forth to the audience, and after it was over, you take them out to a next the next experience in their night, when they would go see magic in a big showroom. And a lady came up to me and and she said, say, I've got this world war two reunion coming up next month. I'd like you to come and be, pretend to be Bob Hope. Do you know who that is? And I was like, yes, he's one of my heroes. And so that was the first opportunity, suffice to say, I guess I did. Should have prefaced it by saying, when the magical Empire first opened, we were all playing these mystical wizards and dark characters. Well, that didn't fly. That wasn't any fun. So then the directors, the producers said, well, everybody, come up with your own character, and we'll go from there. And so I created this character named the Stradivarius, because I like to fiddle the room. I get it and   Michael Hingson ** 19:37 but I played it like Bobby and you like to stream people along. But anyway, hey, I wish I would have   Bill Johnson ** 19:42 thought of that. My approach was like Bob Hope in one of the road pictures. So the show would be sort of a fish out of water type thing. Come on, folks. You know, I laughed when you came in that type of thing. Yeah. So when this lady saw the show that. How she got that inspiration?   Michael Hingson ** 20:04 Well, your voice is close enough to his that I could, I could see that anyway.   Bill Johnson ** 20:09 Oh, well, thank you. Sometimes I'd say it drives my wife nuts, because I'll come across an old archival material and say, Hey, honey, how about this one? So she's got to be the first audience, yeah.   Michael Hingson ** 20:23 Well, I'm prejudiced, so you could tell her, I said, so okay,   Bill Johnson ** 20:27 that you would, you'd love to hear it, right? Yeah.   Michael Hingson ** 20:31 Well, absolutely. Well, so you went off and you did the the World War Two event.   Bill Johnson ** 20:38 Did the World War Two event shortly after that, the met this, well, I should tell you another story, that shortly after that, a young man came to my show, and during the show, he stopped me and said, say, You remind me of someone very dear to me. Have you ever heard of Bob Hope? And I said, yeah, he's again. I said, one of my heroes. The guy said, Well, you kind of remind me of him. Went on his merry way, and I didn't think much of it. Well, it just so happens. The next day, I was watching the biography documentary of Bob Hope, and all of a sudden this talking head comes up, and it's the same guy I was just talking to in my show the day, the day before, it turns out that was, that was Bob's adopted son, Tony Tony hope. So I took that as a positive sign that maybe I was doing something similar to Mr. Hope, anyway. But then, as I said, The show closed very soon after that, sadly, Mr. Hope passed away. And 2003 right, and so there was, there was no real demand for anything like that. But I didn't let the idea go. I wanted something to do creatively. I continued to work for the same company, but I went over and ran the 3d movie at Eminem's world in Las Vegas 20 years. So I had plenty of time to think about doing   Michael Hingson ** 22:26 something creative, and you got some Eminem's along the way.   Bill Johnson ** 22:30 They keep them in the break room for the employees. So it's like, here's all the different brand I mean, here's all the different flavors and styles. So to have a way and you can tell guests, oh yeah, that's delicious. It tastes like, just like almonds or   22:45 something. Yeah.   Bill Johnson ** 22:47 So based on that, I decided to pursue this, this tribute, and it, I'll tell you, it's difficult getting started at first, you got to practically pay people to let you come and do a show. I'd go to retirement homes and say, Hey, you want to show today. Sometimes they'd let me, sometimes they wouldn't. But the thing about doing a show at a retirement community is they will be very honest with you. If you ain't any good, they'll say, man, no, thanks. Oh, nice try. So know where my trouble spots were,   Michael Hingson ** 23:29 but, but audiences don't treat you as the enemy, and I know that one of the things I hear regularly is, well, how do you speak so much and so well. You know the one of the greatest fears that we all have as a public speaking, and one of the things that I constantly tell people is, think about the audiences. They want you to succeed. They came because they want to hear you succeed, and you need to learn how to relate to them. But they're not out to get you. They want you to be successful and and they love it when you are and I learned that very early on and speaking has never been something that I've been afraid of. And I think it's so important that people recognize that the audiences want you to succeed anyway.   Bill Johnson ** 24:17 That's so true. And you kind of touched on a quote I remember one of the books from Bob hopes. He said how he approaches it. He said, I consider the audience as my best friends, and who doesn't want to spend time with your best friend, right?   Michael Hingson ** 24:34 And I and I believe that when I speak, I don't talk to an audience. I talk with the audience, and I will try to do some things to get them to react, and a lot of it is when I'm telling a story. I've learned to know how well I'm connecting by how the audience reacts, whether there's intakes of breath or or they're just very silent or whatever. And I think that's so important, but he's. Absolutely right. Who wouldn't want to spend time with your best friend? Yes, amen. Did you ever get to meet Bob? Hope   Bill Johnson ** 25:07 you know I never did, although I at one point in my when I was living in Los Angeles, a friend of mine and I, we were in the over the San Fernando Valley, and they said, Hey, I think there's some stars homes near here. Let's see if we can find them. And we said, I think Bob Hope lives on this street. So we went down Moor Park Avenue in Toluca Lake, and we finally saw this home with a giant H on the gate. And it's like, Oh, I wonder. This has got to be it. Well, all of a sudden these gates began to open. And we, kind of, my friend and I were like, and here, here, Hope came driving home. He was, he arrived home in a very nicely appointed Chrysler Cordoba, remember those? And he had one, he just was just scowling at us, like, what are you doing in my life? You know, and they drove it. So that's as close as I got to the real guy. But I wish I could have had the pleasure of seeing him in person, but never, never was fortunate enough.   Michael Hingson ** 26:18 Well, one of the things that's interesting is like with the World Trade Center, and I've realized over the past few years, we're in a world with a whole generation that has absolutely no direct Memory of the World Trade Center because they weren't born or they were too young to remember. And that goes even further back for Bob Hope. How does that work? Do you find that you're able to connect with younger audiences? Do they talk with you know? Do they do they react? Do they love it? How   Bill Johnson ** 26:52 does that go? Well, interestingly enough, a lot of times, if there are younger people at shows, they're usually dragged there by their parents and I have found that they will start chuckling and giggling and laughing in spite of themselves, because that old humor of hopes that, granted, it is corny, but there's some great material there, if presented in the proper context. Yeah. I was funny story. I was doing a show at the National World War Two Museum in New Orleans. They were dedicating a new theater or something, and the color guard was a group of local leaf Marines that were serving in a local base, and they were standing there right before they went on, and this young man kept looking at me, and finally he said, very respectfully, says, I'm sorry, sir, but who are you? So I said, luckily, there was a picture of Bob Hope on the wall. And I said, Well, I'm trying to be that guy. And I said, Hang around a little bit. You'll hear some of the material so, but that's the thing I that you did bring up. An interesting point is how to keep your audience, I guess, interested, even though the humor is 4056, 70 years old, I call it like all my approach history with humor. The first time I did the Bob Hope, as in the national natural progression of things, I went to an open call, eventually here in Vegas to do they were looking for impersonators for an afternoon show at the Riviera in a place called Penny town. It was just a place for Penny slots. And they had, and they hired me. They said you can do your Bob Hope impression there. And so they had a stage that was on a one foot riser. You had a microphone and a speaker and a sound man, and you had to do a 10 Minute monolog six times a day every Yeah, do 10 minutes. You'd have about a 40 minute break. Do 10 more. And I didn't do it every day, but you would be scheduled. Maybe they'd have, you know, have a Reba McEntire one day. They'd have an Elvis one day. Well, so I would it was a great place to try your ad, because, and that's what turned me on to the whole idea of history with humor. Because when I started, I was just doing some of his material I'd found in a hope joke book that I thought were funny. Well, once in a while, people would be playing the slots. Granted, they were looking at the machines. Nobody was looking at me. And once, when I'd have somebody who. Ah, you know, crank the arm, one arm banded against and then, or I make the sound man laugh. And that was my goal. Well, there was a snack bar right in front of us with a rail that people. They weren't tables, but you could go, lean against the rail and eat your I think it was called Moon doggies hot dog stand so you could eat your hot dog and watch Bob. Hope so if I could make the moon doggy people hot dog folks choke on their hot dog while they were laughing. That was like a home run. Yeah. But to keep them interested, tell them something that they will know. For instance, Hope's first show for the troops was May 6, 1941 down in March field in Riverside California. And you start giving dates and specifics that i i can see the people in the audience go, oh yeah, in their mind's eye, they if they were around, then they will go back to that day. What was I doing then? Okay, and so you kind of make the world relevant for them. So that's how I approach World War Two, Korea and Vietnam. Is give dates and places, which you got to be accurate, because the veterans   Michael Hingson ** 31:27 will set you straight. Oh yeah, because they do remember. Oh yes, they were there.   Bill Johnson ** 31:33 So some of them and but it's, it's amazing, as you say, you can tell if the audience is engaged by if they inhale or if they make some complimentary noises during the show. Sometimes I'll get fellas who will sit there and ponder just looking at me, and then they'll come up afterwards and say, Man, I hadn't thought about that in years.   Michael Hingson ** 32:04 Yeah, thank you. And you know you're connecting, yeah, yeah.   Bill Johnson ** 32:09 And because hope represented, I think, a good memory in a kind of a rough time for a   Michael Hingson ** 32:16 lot of folks. Well, he did. He did so much for the troops with the military. And as you said, May 6, 1941, and it went from there. And of course, during the whole war, he was all over and entertaining people and and he was also very active in radio as part of all that.   Bill Johnson ** 32:38 Oh my goodness, I don't know how the man found time to sleep, because if he were alive today, he would love social media and podcasts and things, because he was always trying to get his name in the paper or get some publicity, but he never forgot about his audience. He would want to do a show for the troops, no matter where they were stationed or he said I couldn't look at myself in the mirror if I didn't try.   Michael Hingson ** 33:10 Yeah, well, you do a lot with veterans and so on. So you've kind of kept up that tradition, haven't you?   Bill Johnson ** 33:19 Yes, I have been fortunate enough to play a lot of reunions and some, maybe some uso themed shows, because that first show he did, hope did, in May of 1941 was they just was a radio show that his, one of his writers had a brother stationed it in Riverside, California, and the war hadn't started, so they had nothing to do, right? These guys were bored, and so he said, Let's take our show down there and hope. So hope didn't want to leave the comfort of his NBC studio. It's like, you know, what's the idea? And they said, how big is the crowd? And they said, Well, I don't know, maybe 1000 and of course, you know 1000 people. And you know, in Hope's mind, he says, I'd give my arm and a leg to hear 10 people laugh. 100 people is like a symphony, but 1000 people, yeah, sheer fantasy. So he said, Oh, wait a minute, are you 1000 people? Are you sure? And this guy, Al capstaff, said, Well, maybe two. So that was it. And they went down. And when the audience, of course, they were just hungry for anything, the response was just so great that hope said, well, where has this been? And he said, shortly after that, we teamed up with the USO and been going steady. Ever since, yeah,   Michael Hingson ** 35:02 and that's so cool. And again, you've, you've kept a lot of that going to now, we've talked on this show with Walden about reps and the showcase and so on. Are you going to be up at the recreation in Washington in September?   Bill Johnson ** 35:18 Yes, I am. I'll be there, and we're, I believe we're doing a one of the cavalcade of America shows that sort of incorporates a lot of his initial, well, one of his initial tours over in World War Two. But it's because a cavalcade is a recreation. A lot of it's drama, dramatized, but it's, it's and it's encapsulated you go bang, bang, bang across a big section of World War Two and Hope's experience in Europe. But it's, to me, as a fan of that genre, it's fascinating, so I just looking forward to it. I think it's going to be a lot of fun.   Michael Hingson ** 36:04 Well, we ought to, one of these days, we need to just do a Bob Hope radio show or something like that, and get you to come on and get an audience and and, and just do a show.   Bill Johnson ** 36:15 Oh, that would be great. I would love. That would be fun. That would be great, you know. And if there's any naysayers, you just say they said, Why do you want to do radio? Say, well, as hope would say, radio is just TV without the eye strain,   Michael Hingson ** 36:30 yeah, and the reality, you know, I'm one of my favorite characters, and one of my favorite shows is Richard diamond private detective, and I was originally going to actually be at the showcase doing Richard diamond, but I've got a speaking engagement, so I won't be able to be there this time, so we'll do it another time. But I remember, you know, at the beginning of every show, the first thing that would happen is that the phone would ring and he would answer it and say something cute, and it was usually his girlfriend, Helen Asher, who is played by Virginia, or who is, yeah, played by Virginia. Greg and one of his shows started. The phone rang. He picked it up. Diamond detective agency, we can solve any crime except television. That's great. I love that one. I love to use that.   Bill Johnson ** 37:20 I gotta remember that that's a great line, yeah,   Michael Hingson ** 37:24 but it's really fun. Well, so you classify yourself as a tribute artist. How do you really get started in doing that, and how do you keep that going?   Bill Johnson ** 37:38 Well, that's, that's a, that's the million dollar question. Basically, I I found all the archival material I could find, and there's a ton of information on Bob Hope on YouTube nowadays, and you need to decide, are you a tribute, or are you an impersonator? Because there is a slight difference.   Michael Hingson ** 38:04 What difference a tribute?   Bill Johnson ** 38:08 Well, first off, an impersonator is someone who resembles someone famous and dresses up in a manner as to portray them, and that can include a tribute artist who may not look identical to the person, but can capture a mannerism or a vocal vocal rhythm to suggest enough that the audience will accept it. I I do it. I am, I feel like I can capture a little bit of his face with some, you know, some of the expressions people have told me my eyes resemble his, as well as wear a hat or something from try to copy a costume from a picture that is very you feel like is iconic of this character. So if you can come out and present that, that's the battle hope would always he began his radio shows, as you recall, by saying where he was and like, how do you do ladies and gentlemen, this is Bob live from Santa Ana Air Base, hope and and then do a two, two line rhyme about his sponsor, usually Pepsodent, just to get on to start the show with a laugh like Pepsodent on your brush and use plenty of traction and none of Your teeth. They'll be missing in action.   39:39 Yeah.   Bill Johnson ** 39:42 Huge, but, but you to to pursue it. As I said, you've just got to, you've got to kind of forage out in the real world and see if see somebody's looking for a show, and hopefully get someone to take a chance. Okay? Give you an opportunity. That's why I went to that open call to do that show at the Riviera. It is difficult to tell jokes at people that are chewing at you, but it's a good learning ground, plus doing the shows at the retirement homes made you prepared for anything because, but I found that I got the strongest response from veteran mentioned some of those history moments, historical moments. And so I thought maybe I'll just focus on this, not to put together the other comedy. And the other experiences are very important too. But the things I have found people remember the most were those shows for the troops. Yeah, and basically, in a nutshell, and they don't remember what did he What did he say? Do you remember a joke? Sometimes they'll tell me a joke, but most, most times, they don't remember what he said, but they remember how he made them feel,   Michael Hingson ** 41:06 yeah, and the fact that he said it, yes, yeah,   Bill Johnson ** 41:10 there's a there's a common joke I'd heard for years, and a friend of mine told me he was a 10 year old kid at Fort Levin fort, Leonard Wood, Missouri. And hope came out and told the joke. The guy goes into a bar. Oh, no, excuse me. Let me back up. A grasshopper goes into a bar. The bartender says, Hey, we got a drink named after you. The grasshopper says, you got a drink named Irving cute. And I'd heard that. Yeah, I guess hope told it and so you never know what what inspires your comedy, but there's a lot of common things I heard growing up that I will find hope said. Hope said it at one point or another in his either his radio show or on one of his specials. So   Michael Hingson ** 41:58 do you think that a lot of what he did was ad lib, or do you think that it was mostly all written, and he just went from a script?   Bill Johnson ** 42:07 That's a good point. He was one of the first performers to use cue cards, okay? And a lot of it was was written, but from what I've read is that he was also very fast on his feet. That's what I thought. Because if something happened, he would come in with a bang, with with another line to top it, yeah. Well, you know, like we were talking about that command performance, where with Lana Turner that he said, she said, Well, they've been looking at ham all night, and you're still here. Ah, big laugh. Haha, yeah. And he said, Now I'm bacon with the double entendre, you know, like, yeah, you burn me, whatever. But that was, I thought that was   Michael Hingson ** 42:51 cute, yeah, and he, and he is, clearly there had to be a whole lot more to him than than writing. And so I absolutely am convinced that there was a lot of bad living. And there was just, he was fast, he was good at it and them, and the more he got comfortable, because of those big crowds that they got him started, the better he became   Bill Johnson ** 43:16 absolutely you can there's a great book by, I know, do you know Bob mills? He was one, was one of Bob Hope's writers wrote a right and he explains the formula behind a lot of their jokes situation, and then it would have a payoff, you know, like, I don't know what happened, but now that you know this is set up in a setup and then the joke. Hope supposedly liked an economy of dialog. He didn't like a lot of language going from point A to point B to tell his joke. That's why the rapid fire delivery. And he had a lot of jokes in his shows. The radio shows had, at least, was it something like 10 jokes a minute?   Michael Hingson ** 44:08 Well, they were, they were very fast. And there were, we've got a few rehearsals of Bob Hope shows. And clearly some of the things that he did, because at first he wasn't getting the reaction that he thought he was going to get, but he pulled it out. And again, it's all because he was fast. He was good.   Bill Johnson ** 44:29 Yeah, I've got some blooper reels from some of the Christmas specials, and he'll try and try and try. And then finally, he'll say, take that card and tear it up, throw it away. And that's funnier than the joke itself.   Michael Hingson ** 44:44 Yeah, than the joke itself. It's really cute. So you obviously like performing. Does that run in your family?   Bill Johnson ** 44:55 Well, not necessarily, as I said, I'm kind of the black sheep of the. Family, because I was in the arts, they would rather have a more what do I want to say? A more safe career, a career choice as a you know, because entertaining, you're always wondering, well, where's my next job? Yeah, as opposed to something else, where you might have a better idea of what are your next paychecks coming? But I do have always had a day job, and this is sort of like my way to flex those creative muscles.   Michael Hingson ** 45:33 So what's your day job today? My   Bill Johnson ** 45:35 day job is I still do technical support for the good folks at Eminem's world on the script. Only they after covid happened, they closed the 3d movie that I was overseeing. And another fellow, when I do tech support, we just basically make sure the lights come on. And as well as I have a job at the College of Southern Nevada, on the support staff, trying to help folks who have English as a Second Language get a job. So I find those are both rewarding challenges.   Michael Hingson ** 46:15 It's a good thing I don't go to Eminem's world because I don't really care if the lights are on or not.   Bill Johnson ** 46:20 Oh, well, there you go. We need somebody here doing rim shots.   Michael Hingson ** 46:26 Yeah, you like dependent people are all alike. You know, you got to have all those lights. Yes, I don't know that I've been to Eminem's world. I've been to the Eminem store in New York City, but I don't think I've been to the one in Las Vegas.   Bill Johnson ** 46:40 I was actually at the opening of that Eminem store in New York City. Funny story, they know they have people that put on the character suits, right? And when I was there to help them kind of get their get acclimated to wearing those suits and then peering in front of people. Well, the kids were doing around, say, two in the afternoon. Well, the New York Times showed up at noon, one pick they wanted a picture of and so I had to put on the I was yellow, the peanut, and this other person that was there put on the red suit, and we walked down on 46th Street and started walking on the street, wave and and carrying on. I thought, Here I am. I finally made it to Broadway. Yeah, and I'm and I'm dressed as a nut so,   Michael Hingson ** 47:30 and you had Hershey right across the street,   Bill Johnson ** 47:32 right across the street, so I don't know. I imagine her, she's still there, probably still going head to head, to this   Michael Hingson ** 47:40 day, the last time I heard they were so well, I don't know, I don't know whether anything really changed with covid, but the last I heard they were   Bill Johnson ** 47:49 well, more powerful, Yeah, funny story.   Michael Hingson ** 47:56 Well, so you will, you travel basically anywhere to do a show? Are there any limits?   Bill Johnson ** 48:03 Or no, I'll go anywhere. My this tribute has taken me as far as Tokyo, Japan for the USO there. I've done shows in the Pacific and Guam I'm not too sure I want to travel internationally these days, but if somebody has an opportunity, I'll think about it. Funny thing happened at that, that show I did in Tokyo, I was, it was, it was a gala for the local uso honor the the troops who were serving in that area. So they had that representative from each branch that was serving our Navy, Marines and the Japan, nation of Japan now has what they call, this, the Civil Defense Group. I believe that's what they call because after World War Two, they signed that document saying they would not have an organized military. But right, they have their civil defense, and so we were honoring them, that there was a group, an Andrew sisters trio, performing, singing and dancing and and I was standing off off stage, just waiting to go on and finish the show. And this, this has been 20 years ago. Let me preface that this older Japanese gentleman came up to me, and he said, I would like to make a toast. And there was a lady in charge who, you know this was. There was some, some admirals there, and leaders of the Seventh Fleet were, were there. So everything had to be approved. Everything went according to schedule. The military events are just boom, boom, boom. And so I said, Well, okay, I need to ask Judy, when this Judy was in charge, when we can do this? And he just said, I want to make a tow. Toast. And I said, okay, but I have to clear it with Judy. Well, I finally got Judy and said that older Japanese man would like to make a toast. And she said, Yes, let him do whatever he wants. Turns out, he was an admiral in the Japanese Navy during during World War Two, and he was attending the event here, although these many years later, just as you know, everyone else was sure. So to bail myself out of it, I went back on said stage and said, And now, ladies and gentlemen, our honored guest would like to make a toast. And he, of course, I can't remember the toast, but as I at the time, I thought that was very sweet and very eloquent. So it's just these incredible little snippets of life you you go through. It's like, how could I ever know, when I was a five year old kid in Kansas, that Monday I'd be chatting with a world war two Admiral from the Japanese Navy, right? Just, it's just mind boggling.   Michael Hingson ** 51:06 So I'm curious. Bob Hope copyrighted a lot of his jokes. Are you able to still use them? Well, that's a   Bill Johnson ** 51:13 good question. Yes, he did. He copyrighted his jokes and everything, however, and I have spoken to the lawyer for the hope estate. There are the, what do you call that? It just flew out of my head that the the laws surrounding   Michael Hingson ** 51:32 intellectual property, copyright laws and intellectual property and public domain, yeah, yeah.   Bill Johnson ** 51:38 The song, thanks for the memory is in public domain, and hope would always change the lyrics to where he went because he hated the song. Supposedly he had, how did I get hung with that old dog of a song?   Michael Hingson ** 51:52 Yeah, well, he kept using it every week, so I can't believe it was too anti song. Yeah,   Bill Johnson ** 51:57 that's true, but the hope is they did copyright his jokes, but as long as I don't write a book and try to sell them as my jokes, I should be fine as well as I am. Allow you the those laws allow you to present impersonate someone, no matter who it is. You could impersonate your next door neighbor, even though he's not famous, as long as you do not do something to harm them, yeah, or represent it in an unflattering way   Michael Hingson ** 52:28 well, and clearly, what you're doing is pretty obvious to anyone who knows at all that it's Bob Hope and that you're trying to do a tribute to him. So I would think it would make sense that that would work   Bill Johnson ** 52:39 well it should and but the final caveat is that a reasonable person must come away from the show knowing full well they did not see the original. You must tell them. And Bob Hope's been gone for   Michael Hingson ** 52:55 many years. Yeah, 22 years now.   Bill Johnson ** 52:59 So that's usually not a problem, but that's how I finished my tribute as vice is, I usually wear a hat to complete the illusion, with the bill flecked up. I'll take the hat off and say, now if I could break character and tell about how hope was named an honorary veteran, and at the age of 94 it was an amendment passed by Congress designated him as an honorary veteran, and it was received unanimous bipartisan support   Michael Hingson ** 53:30 as it should yes and   Bill Johnson ** 53:33 Hope went on to say, sort of all the awards I've received in my lifetime being now being listed among the men and women I admire the most. This is my greatest honor, so that's a good way for me to wrap up my tributes whenever possible.   Michael Hingson ** 53:54 Do you have, oh, go ahead, no,   Bill Johnson ** 53:56 I was gonna say there's another funny story. You know, hope lived to be 100 Yeah, and George Burns.   Michael Hingson ** 54:03 George Burns, lived to be 100   Bill Johnson ** 54:05 lived to be 100 Supposedly, the two of them had a bet as to who would live the longest. Now, the thing is, what were the stakes and how do you collect? Yeah, because some guy, you're not going to be there. But in any event, George Burns was born in the 1890s and so he was older than hope. Hope was born in 1903 George Burns lived to be 100 years and 10 days old. Bob Hope lived to be 100 years and 59 days   54:41 Oh,   Bill Johnson ** 54:42 so hope. Well, the story goes that in his final, final months, he was just he was pretty much bedridden and slept and slept a lot. His wife, Dolores went to his bedside. He had that 100 years 10 day mark, and she said. Well, Bob, you won the bet. You have now lived longer than George Burns. And supposedly, even though he was fat, he was like they thought he was asleep, this huge smile just curled up his lips so he heard, that's great.   Michael Hingson ** 55:18 That's great. Well, if, if you have, do you have something that you could do for us, or do you have something that you could play or something that would give us just a little flavor?   Bill Johnson ** 55:28 Um, yeah, I Well, if you, I would tell your listeners that they want to catch a little bit more. They can go to my website, Bill Johnson entertainment.com, and there's some video clips there, but I like to do is that hope would always, he would always joke about traveling to the event, and that's how I like to begin my shows with him arriving. Since I just flew in on a wing of prayer. I was on the wing because as a soldier, I wouldn't have a prayer nicely. My flight was very nice, but the plane was rather old. In fact, the pilot sat behind me wearing goggles and a scarf. This plane was so old that Lindbergh's lunch was still on the seat. The fasten seat belt sign was in Latin. To get to the washroom, you had to crawl out on the wing. But I come on, folks, I said, to get to the washroom, you had to crawl out of the wing. But hey, I don't know about you, but I have a fear of flying that dates back to my childhood. See, when I was a baby being delivered by the stork, that blasted bird dropped me from 400 feet. Yeah, he did that to stay out of the range my father's shotgun. See, Dad already had my brothers, Eenie, Meenie and Miney. When I came along, he didn't want   56:55 no moat. I get it just   Bill Johnson ** 57:00 it goes along in those words. Well, we are,   Michael Hingson ** 57:05 we are definitely going to have to just work out doing a radio show and getting you to to do a whole show, and we'll have to get some other people to go along with it. We'll figure it out. Oh, that sounds great. I would buy a lot of fun to do. Count me in. Well, I want to thank you for being here. This has been absolutely wonderful to be able to talk about Bob Hope and to talk about you. Even more important, I'm sure that Bob Hope is monitoring from somewhere, but by the same token, you're here and we're here, so we do get to talk about you, which is important to do as   Bill Johnson ** 57:41 well. Well, that's very kind, Michael. I was hopeful that you would be at the rips.   Michael Hingson ** 57:47 I was planning on it because I wanted to, I want to really do the Richard diamond show. I'll, I told you I'd send you the command performance that we talked about Dick Tracy and B flat, or, for goodness sakes, is he ever going to marry Tess true heart? Oh yes. And I'll also send you the Richard diamond that we're going to do the next time I'm able to be at the rep show. It's, it's   Bill Johnson ** 58:06 really hilarious. Oh, that sounds great.   Michael Hingson ** 58:09 But I want to thank you for being here once again. Tell us your website.   Bill Johnson ** 58:14 My website is, it's my name and followed by entertain Bill Johnson, entertainment.com there's there's some video clips there, and some great pictures of some of the folks I've had the pleasure of meeting and performing with. I don't want to name drop, but just to give the the act a little more credence, pictures with Les Brown Jr. Rest his soul. I did it floored. I was able to do a show with Lee Greenwood on the island of Maui Wow, as well as perform with Wayne Newton at Fort Hood, Texas. Wayne Newton actually took over for Bob Hope with the USO when Bob just got too old to travel. Yeah, so, so that's just for a humble, humble guy. It's some incredible stories   Michael Hingson ** 59:19 well, and you're keeping some wonderful memories alive, and we'll definitely have to do something with that. But I want to thank you for for being here and again. Bill Johnson, entertainment.com, so go check it out, folks and and there's a lot of old radio out there online. We've talked about yesterday usa.com or yesterday usa.net they're the same. You can listen. You can go to reps online, R, E, P, S online, and listen to a lot of radio programs there. There are a number of people we've had Carl Amari on who several years ago, did come. Complete redos of all of the Twilight zones, and he made them scripts for radio, which was a lot of fun. Have you ever heard any of those?   Bill Johnson ** 1:00:07 I've never heard. I was a big fan of the show when it was on TV, but I never heard any of the   Michael Hingson ** 1:00:12 radio. Stacy Keach Jr is is the Rod Serling character, but, oh yeah, Twilight radio,   Bill Johnson ** 1:00:19 that's great. I will check it out,   Michael Hingson ** 1:00:22 or we'll send you some that's even better. But I want to thank you for being here, and thank you all for being here with us. I hope you had fun today. It's a little bit different than some of the things that we've done on the podcast, but I think it makes it all the more fun. So thanks for being here. Please let us know what you think. Email me. I'd love to hear from you. Michael, H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to get your thoughts wherever you're listening. Please give us a five star review. We appreciate those a lot. Tell other people about the podcast. We really would like to get as many people listening as we can, and we want to be sure to do the kinds of things you want on the podcast. So if you know anyone else who ought to be on the podcast, Bill, that goes for you as well, please introduce us. We're always looking for more people to come on unstoppable mindset that we get a chance to chat with. So hope that you'll all do that and again. Bill, I want to thank you one more time for being here. This has been fun.   Bill Johnson ** 1:01:21 This has been a blast. Michael, thank you so much for having me. I really enjoyed it.   Michael Hingson ** 1:01:32 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

durée : 00:04:06 - Soli Deo Gloria, un roman graphique à la gloire du baroque ! - par : Max Dozolme - A la découverte de "Soli Deo Gloria" de Jean-Christophe Deveney et Edouard Cour, un magnifique roman graphique qui vient de paraître aux éditions Dupuis et qui nous plonge dans une Europe musicale féérique et musicale, où planent les ombres de Bach, Vivaldi, Stradivarius et bien d'autres... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

El Stradivarius Mendelssohn aparece casi un siglo después después

What It's Like to Be Face Blind in a Neurodiverse Relationship   Ever mistaken a stranger for your spouse? Journalist and author Sadie Dingfelder has—because she's face blind. In this episode of Your Neurodiverse Relationship, Sadie and her husband Steve share what it's like to navigate marriage when both partners are neurodivergent in different ways.   From ADHD to prosopagnosia (face blindness), this conversation is filled with relatable moments, honest insights, and laugh-out-loud stories. Sadie discusses how discovering her own neurodivergence led to writing her debut book, “Do I Know You?”, while Steve reflects on living with ADHD since childhood and what finally helped him understand how his brain works. Together, they talk with host Jodi Carlton about cognitive empathy, relationship conflict, and what it really takes to make a neurodiverse marriage thrive.   If you're in a neurodiverse relationship—or love someone who is—this episode offers validation, wisdom, and the reminder that being “on the same team” is everything.   00:00 – Welcome to Season Five 01:00 – “I Thought I Was Neurotypical”: Meet Sadie & Steve 04:40 – Mistaking a Stranger for Your Spouse?! Discovering Face Blindness 09:15 – How COVID Changed Everything in Their Marriage 13:50 – “We're Living in Different Realities”: Cognitive Empathy Explained 19:10 – ADHD Meds, Creativity & Finding What Actually Works 25:00 – The Secret to Making Neurodiverse Relationships Work   ✨ About Sadie Dingfelder & Steve Hay: Sadie Dingfelder is a science journalist with a sharp wit and a deep curiosity about hidden neurodiversity. In her debut book, “Do I Know You? A Faceblind Reporter's Journey into the Science of Sight, Memory, and Imagination”, she unpacks what it's like to live with prosopagnosia (face blindness) while taking readers on a fascinating tour of the brain's inner workings. A former reporter for the Washington Post Express, Sadie is known for blending humor and insight—whether she's reviewing every bathroom on the National Mall or playing a priceless Stradivarius at the Smithsonian. Her writing has appeared in The New Yorker, National Geographic, Washingtonian, and other major publications.   Steve Hay is an engineer and aspiring scientist who is currently developing an augmented reality art project that simulates prosopagnosia by using AI to subtly distort faces in real time. Before turning his focus to brain and perception research, Steve worked as a Navy nuclear engineer and later in the green energy sector, applying AI and machine learning to grid-scale energy storage. His work blends scientific insight, creative experimentation, and a knack for making the invisible visible.  

The Genius Act in the US and a new regulatory framework in Hong Kong have helped legitimize stablecoins, potentially setting the stage for increased usage. The two largest issuers of dollar-backed stablecoins, Tether and Circle, hold more than $270 billion in US treasuries. At least one person – US Treasury Secretary Scott Bessent – sees that rising to $2 trillion. This should reinforce the dollar's role as the world's reserve currency while disrupting the global banking and SWIFT payments system, says Yat Siu, co-founder of Animoca Brands, which has $1.8 billion in digital assets. He breaks down what's next for stablecoins and digital assets – and reveals why his company tokenized a 1708 Stradivarius violin. Siu joins John and Katia on the Asia Centric podcast.See omnystudio.com/listener for privacy information.

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The unassuming violinist, donning a baseball cap and T-shirt, set up near Washington D.C.’s L’Enfant Plaza subway station. He moved the bow across the strings, making melodious tunes. But commuters rushed past, oblivious. He played an entire music program with only a handful of people stopping to listen. If the crowd had only known they were rushing past Joshua Bell, one of the greatest virtuosos of our generation who the night before played at the Library of Congress. Bell played several of the most difficult, mesmerizing violin pieces in the world, all on a 1713 Stradivarius worth roughly $3.5 million. It’s easy to be unaware, to miss wonders right in front of us. This was Jacob’s experience as he journeyed to Haran (Genesis 28:10). He stopped and set up camp in a simple spot that seemed like any other, just a place to lay his head for the night. God appeared to him in a midnight dream, however, telling him that his numerous descendants would bless “all peoples on earth” (v. 14). He also assured Jacob that He would “watch over [him] wherever [he] would go” (v. 15). When he awoke, Jacob said, “Surely the Lord is in this place, and I was not aware of it” (v. 16). God is everywhere, “[filling] heaven and earth” (Jeremiah 23:24). He’s present in the most ordinary places. Our invitation is to keep our eyes and ears open, to watch and listen for God.

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Bill Dedman, Pulitzer Prize-winning investigative reporter and New York Times #1 bestselling author of Empty Mansions, shares the extraordinary story of a reclusive copper heiress, the battle over her fortune, and the HBO series adaptation now in development. As an investigative journalist, Bill Dedman has built his career writing stories that change the way we see the world. It was that reporter's instinct—paired with relentless curiosity—that led him to one of the most extraordinary tales of American wealth: the mysterious life of Huguette Clark and the spending of a great American fortune. Had Bill not stumbled onto her story—and brought it to light in Empty Mansions—her final wishes might well have been lost in the legal battle over her $300 million estate. Huguette was the daughter of copper magnate and U.S. senator W.A. Clark, one of the richest men in America. She grew up in dazzling extravagance: the largest home in New York City, with 121 rooms, four art galleries displaying rare art, and a $100,000 pipe organ that filled the halls with music. There was also Bellosguardo, the family's 23-acre estate in Santa Barbara with sweeping views of the Pacific. She traveled to Europe, attended champagne soirées and black-tie balls—it was, by any measure, a life lived in grandeur. And yet, in stark contrast, Huguette later chose seclusion. For decades, Huguette lived reclusively in her Fifth Avenue apartments, surrounded by paintings by Renoir, Degas, and Corot, and by her vast collection of antique dolls—thousands of them, some dressed in custom Dior. She painted portraits, read voraciously, and built elaborate miniature temples by hand, each costing up to $100,000 to make. In her eighties, though still in excellent health, she chose to move into a modest hospital room, where she remained for the next twenty years—her whereabouts unknown even to longtime friends. Meanwhile, her staff kept her mansions in New York, California, and Connecticut just as she left them—waiting, it seemed, for her return. What makes Huguette's story even more remarkable is her quiet generosity to friends, strangers, and staff: $30 million to her nurse, a Stradivarius violin for the nurse's son, a Rolls- Royce for the chauffeur, a Renoir, fine jewels, Christmas cards with $30,000 checks enclosed—among many other gestures that changed the lives of those around her. Her choices were so unusual that distant relatives, left out of her will, seized on Huguette's eccentricities as grounds to question her capacity, sparking a legal battle over her fortune. Was she being manipulated? Was she unwell? Crazy? "Did you hear about the dolls?" Had they been Birkins, she'd be on the pages of Vogue... Bill uncovers a more nuanced truth: a woman of elegance and discretion, a loyal friend and deeply caring person, a trained artist dedicated to her craft. "It takes a while to get close enough to someone's choices so that they start to make sense," he said. That insight runs through Empty Mansions, the New York Times #1 bestseller that continues to captivate readers. A brilliant reporter and storyteller, no one but Bill Dedman could have written this story with such depth and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

En 24 horas de RNE nos asomamos a un thriller rodeado de música, con elementos muy realistas y una atmósfera que solo puede crear el arte: El misterio del último Stradivarius, la nueva novela de Alejandro Guillermo Roemmers, poeta, dramaturgo y artista por la paz. En El misterio del último Stradivarius, con prólogo de Mario Vargas Llosa, nos explica el autor, confluyen tres géneros: "novela histórica, un thriller y una novela de objeto". Roemmers cuenta que se documentó muy bien sobre el meticuloso proceso de creación de estos violines tan notables: "Están compuestos de tres maderas diferentes, pero todos tienen una madera especial que es del norte de Italia, del abeto rojo que produce una sonoridad. La tapa posterior es de arce y la parte de las cuerdas, que tiene que ser muy resistente por la tensión que tiene, suele ser de ébano. Cada artesano obtiene un resultado diferente. Cada instrumento tiene un sonido diferente, que muchas veces tiene que ver con la personalidad del luthier que lo que lo hace", añade el escritor.Roemmers describe esta novela como "una aventura" que pasa por épocas de Europa muy turbulentas de los últimos tres siglos: "La invasión napoleónica en Venecia, la peste en Nápoles, el comienzo de la Primera Guerra Mundial, un campo de prisioneros en la Segunda Guerra Mundial... Hay un poquito de todo", cuenta. Una trama que se entrelaza con la de unos investigadores que tratan de desentrañar un crimen desde Paraguay: "Ambas tramas se van acercando hasta coincidir en un momento. Y todo entre la historia real ambientada con la mayor verosimilitud posible. Hay algunos personajes reales y otros de ficción". Entrevista completa en RNE Audio.Escuchar audio

Here is an unlocked premium ep because the next public ep will be a day or two late because we are all so BUSY   Hey man can I use your bathroom all day? In perpetuity? Including but not limited to after you die and transferable with the deed to the house? No? Well I'm not allowed to at my other friend's house anymore because he hates Israel and my dung looks so much like Sabra hummus that it violates BDS. Lizzo dropped a Zyn in a Stradivarius she borrowed from a museum. Jimmy Carter is a shell for a hermit crab. His mouth is like a hollowed out former McDonald's because if you get too close and try to take pictures the employees come out and yell at you. I can't get hard looking at a picture of Jimmy Carter so I must be straight but I can't get hard looking at a picture of Kay Granger either so I must be bi

No permitamos que los afanes nos impidan ver lo verdaderamente valioso. Caminemos con calma mirando lo bueno con detalle, mirando lo que trasciende y comprendiendo que la presencia de Dios no siempre se manifestará con trompetas celestiales

Have you ever rushed past something extraordinary without noticing? That's exactly what happened when Joshua Bell, one of the world's greatest violinists, played his $3.5 million Stradivarius in a Washington DC metro station during rush hour. Out of 1,100 commuters, only six stopped to listen. The children noticed—they tried to stop—but parents hurried them along, focused on schedules and destinations rather than the masterful performance unfolding before them.This fascinating social experiment raises profound questions about our perception. If we can't pause to appreciate world-class music when it's right in front of us, what else are we missing? Today, I challenge you to make a choice: look for and listen to the beautiful things around you. Take a walk somewhere you can appreciate nature. Visit your favorite place—that spot where you experience those "aha" moments of wonder and gratitude. In slowing down and noticing, we connect not just with the world around us but with its Creator. Join me each weekday morning for five minutes that will help you start your day right, with perspective and purpose. What beauty will you notice today?We would love to hear your comments. Send us a Text MessageSupport the show

About Joacim "Jay" Mattisson Joacim "Jay" Mattisson is a solution finder, who brings fresh perspectives to the discussion. As a founder and investor, Jay shake things up - be it software solutions, SaaS, websites, workflows or data gathering. Jay has a sensitive ear to what the users actually need. He builds close-knit teams that translate customer requirements into solid services.  Experienced Scrum master and team leader using Agile methodology to bring projects in on time and on budget. Jay is President Swedish American Chamber of Commerce Arizona - promotes trade, investment and business opportunities between Sweden and Arizona. Board member SACC USA - the umbrella organization for 20 SACC chambers in the US. Adviser to the German American Chamber of Commerce Arizona. Board member and Treasurer Global Ties Arizona - grassroots diplomacy organization and International Visitors Leadership Program organization. Global Ties Arizona builds and strengthens relationships between community members, businesses and nations through international exchange and educational programs, one handshake at a time.   Episode Notes 03:34 Lesson 1: Dare to be Vulnerable 08:35 Lesson 2: Work on bigger problems earlier 12:28 Lesson 3: Focus on what is right 15:11 Lesson 4: Normalize Excellence 17:57 Lesson 5:   Be a Stradivarius among ordinary Violins. 21:48 Affiliate Break 22:33 Lesson 6: If you get upset over small stuff, you're not bigger than that 30:02 Lesson 7: Be aware of your shadow 32:07 Lesson 8: You can still lose 33:37 Lesson 9: Dual use 37:22   Lesson 10: It's never too late to have a fantastic childhood  

We hold these truths to be self-evident, that all men are created equal...How many times have we heard these words? Back in 2007, the Washington Post ran an article by Gene Weingarten called “Pearls Before Breakfast”. In it, he chronicles an experiment by the newspaper, in which world-renowned violinist Joshua Bell put on a baseball cap and a t-shirt, and entered the L'Enfant Plaza metro station in Washington DC. Once there, he removed his Stradivarius violin from its case, and began to play. This is the music you're hearing right now. This an artist who has sold out opera houses and played for heads of state, playing a $4 million dollar violin. Of the approximately 1,000 people who walked past, only seven stopped to listen.  And so it is, sometimes, with our national identity as Americans. We are busy, we are desensitized, that it is an act of the will to stop, screen out the noise, and appreciate for a moment just how fundamentally unique and beautiful our country is. And the Declaration of Independence, the founding document of our country, has its own special music. In an effort to listen, I sat down with Brenda Hafera, Assistant Director of the Simon Center for American Studies, here at the Heritage Foundation. —Follow Brenda Hafera at Heritage.org:https://www.heritage.org/staff/brenda-haferaWashington Post Video of the Joshua Bell Experiment: https://www.youtube.com/watch?v=hnOPu0_YWhwFull Text of the Declaration of Independence: https://www.archives.gov/founding-docs/declaration-transcriptHave thoughts? Let us know at heritageexplains@heritage.org

Era una noche de invierno del año 1820 en la ciudad de Londres. Un hombre mal vestido, evidentemente pobre, entró temblando de frío en una tienda que compraba y vendía violines. Debajo del brazo llevaba un bulto. El dueño de la tienda, Arthur Betts, le preguntó: —¿En qué puedo servirle, señor? —Me estoy muriendo de hambre —le contestó el hombre—. ¿Cuánto me ofrece por este viejo violín? Betts tenía ya varios violines viejos, pero por ayudar al hombre hambriento pagó por el violín una guinea, que era una antigua moneda inglesa equivalente a veintiún chelines, es decir, poco más que una libra esterlina. El hombre tomó la moneda de oro y se perdió en las sombras de la noche. Arthur Betts, que era músico y fabricante de violines, tomó el arco y lo pasó sobre las cuerdas del viejo violín. El resultado fue un tono maravilloso que despertó su curiosidad. Así que iluminó con una vela la parte interior del violín y vio allí grabado en la madera el célebre nombre italiano «Antonio Stradivari». Junto al nombre aparecía la fecha «1704». Tan pronto como comprobó que éste era el famoso violín Stradivarius que habían buscado en toda Europa durante los últimos cien años, Betts salió corriendo por la puerta en busca del vendedor, pero el hombre se había esfumado. Posteriormente Betts vendió el violín por quinientas libras, y después de varios intercambios de dueños, en 1886 se vendió por mil doscientas libras, mil veces más del valor que le dio Betts inicialmente. Hay muchas historias de violines perdidos que fueron comprados por irrisorias sumas de dinero, pero esta, al parecer, es la única historia basada en documentos que atestiguan su veracidad. Lo que tiene en común con esas otras historias menos fidedignas es que el dueño no tenía idea del verdadero valor de lo que poseía. Es posible que esta sea una fiel representación de la vida de muchos de los que nos consideramos cristianos. En medio del frío y del hambre espiritual que nos azota, tenemos a nuestra disposición algo muy valioso, lo suficiente como para sacarnos de esa pobreza. Sin embargo, ni se nos ocurre que tenga tanto valor. Al contrario, ese algo no representa más para nosotros que una cura temporal para aliviar nuestras penas. Así que lo menospreciamos, como si lo estuviéramos vendiendo por una monedita, y seguimos padeciendo de hambre y de frío. A pesar de que nos hace falta, no nos valemos de él por no reconocer su valor. No obstante, cada uno de nosotros puede llevar consigo ese tesoro que basta para satisfacer todo lo que jamás pudiera necesitar. Se trata del Señor Jesucristo, el único tesoro que es más que suficiente para sacarnos de la pobreza y la miseria espiritual. Lo cierto es que Cristo no sólo basta para todo, sino que lo es todo. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net

En el año 1985, un joven violinista llamado Joshua Bell tocó con su Stradivarius en el metro de Washington D.C., disfrazado como un músico callejero. Miles pasaron sin notar quién era. Solo siete personas se detuvieron. Días antes, él había llenado un teatro con entradas de más de $100 cada una. Su música era la misma, pero el ambiente la hizo invisible. Un crítico escribió: “A veces lo más sublime pasa desapercibido por el ruido de la vida”. De la misma manera, la voz de Dios a menudo no se escucha porque estamos demasiado ocupados, distraídos o llenos de ruido interior. El Señor Jesús buscaba lugares apartados para orar. Elías lo oyó en un silbo apacible y aún hoy, Dios sigue hablando... pero pocos se detienen a escuchar. Quizá estás esperando una señal, pero lo que necesitas es silencio. No de Dios, sino tuyo. Apaga el ruido. Haz una pausa. Allí, en lo quieto, hallarás dirección, consuelo y propósito. La Biblia dice en Salmos 46:10: “Estad quietos, y conoced que yo soy Dios...” (RV1960).

In this episode of Journeys of Discovery, Michael Hayman sits down with internationally renowned violinist and author, Min Kym. A child prodigy who found her voice through the violin, Min shares the extraordinary story of her deep connection to music - from growing up in a traditional South Korean home to the devastating theft of her beloved Stradivarius. Min reflects on the pressures of early success, the identity crisis that followed the loss of her violin, and how she ultimately found her way back to music. She and Michael discuss the profound relationship between musician and instrument, the emotional weight of artistry, the reality of perfectionism, and the cathartic process of writing her memoir, Gone: A Girl, a Violin, a Life Unstrung.  Recorded at Cadogan Hall in collaboration with the Royal Philharmonic Orchestra, this is a conversation about music, talent, and what it takes to begin again. 

Reaching back to the first season of Clear and Vivid, a replay of the July 2018 episode when the violin virtuoso tells Alan why he likes to talk to his audience as well as play for them; why he plays Bach very differently from Tchaikovsky; and why the first time he played the Stradivarius that was to become his 30 years later, “I thought that I'd died and went to heaven.”

Rubrique:nouvelles Auteur: jules-de-la-madelene Lecture: Daniel LuttringerDurée: 35min Fichier: 24 Mo Résumé du livre audio: Une nouvelle (fantastique ?) de Jules de La Madelène (1820-1859) parue dans La Revue de Paris en décembre 1844. Cet enregistrement est mis à disposition sous un contrat Creative Commons.

The Rule of Thumb. I like the show where a guy brings a Stradivarius violin that he found in his grandmother's attic and wants a few million dollars for it. So, the shop owner brought in an expert to see if it was authentic. So, the expert arrives, examines the wood and structure, and concludes that... The post Gospel-Homily for Palm Sunday (2025) appeared first on St. Clement Eucharistic Shrine.

Do you ever doubt how rare you are? Consider the Stradivarius. 

Viitorul este alchimia multor lucruri și întâmplări care, aparent, nu au legătură unele cu altele. Există vreo legătură între muzică, agricultură, business, științe grele, curiozități exotice? Da, există. Am invitat astăzi la „Noi venim din viitor” pe un om care le aduce pe toate laolaltă. Este businessman în domeniul agriculturii, compozitor de muzică clasică și pasionat de științele grele care încearcă să ne reveleze alcătuirea intimă a universului nostru.Haideți să le luăm pe rând. Muzica nu este despre note. Muzica este vibrația care trezește în noi versiunea noastră mai bună, ascunsă sub zgura vieții cotidiene. În esența ei, muzica face treaba asta: ne eliberează de zgura pe care am pus-o pe noi și ne deschide ochii către ceea ce e mai bun în noi.Asta a făcut compozitorul Dan Popescu atunci când a compus concertul de muzică clasică „Vântul, Apa și Pământul” (Wind, Water, Earth). A fost interpretat pe scenă de un trio de excepție: Alexandru Tomescu la vioară (și nu una oarecare, ci Stradivarius), Sînziana Mircea la pian și Ștefan Cazacu la violoncel.Am ascultat acest concert și am simțit vraja muzicii, acele momente privilegiate în care devii imponderabil și te conectezi la stele. Da, muzica nu este despre note, ci despre vibrația pe care dialogul lor o produce pe diverse instrumente.Dan Popescu nu doar compune muzică. Omul a studiat electronica și telecomunicațiile și este actualmente un om de afaceri în domeniul agricol. A fondat firma AECTRA AGROCHEMICALS, cu care conectează agricultura românească la viitor.L-am invitat la emisiunea „Noi venim din viitor” pentru a explora împreună alchimia unui om care duce România în viitor prin afaceri și prin muzică. Nu vă ascund că, personal, pe mine m-a lăsat cu gura căscată.În ce privește businessul, mai multe despre ceea ce face puteți afla la adresa: aectra.ro

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA MUJERES 2025“AMANECER CON JESÚS”Narrado por: Sirley DelgadilloDesde: Bucaramanga, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church===================|| www.drministries.org ||===================02 de AbrilLos Stradivarius dormidos de los reyes«Así que, si alguno se limpia de estas cosas, será instrumento para honra, santificado, útil al Señor y dispuesto para toda buena obra» (2 Timoteo 2: 21).Ese mantienen erguidos y quietecitos sin el menor de los sonidos, los elegantes y llamativos a las miradas que les observan con regocijo, se mantienen erguidos y quietecitos sin el menor de los sonidos, los famosos Stradivarius. Violines y violoncelos que llevan el nombre de su Luthier (su creador). No hay quien les iguale; no hay nada que se le asemeje. La perfección estampada en cada curvatura, en cada clavija, en cada puente, tiene la firma de la excelencia. Por muchos años han estado ahí sin que nadie los toque y solo están en el museo del palacio real para ser admirados por su belleza. ¿Pero es acaso el ser observados para lo que fueron creados? Rotundamente no.Hay ocasiones en que, al igual que esos instrumentos, perdiendo de vista el propósito por el cual fuimos creadas. Nos convertimos en piezas de museo, en exhibiciones de aparador, sin sentido y sin misión, sin propósito ni objetivos. Centradas en nosotras mismas, nos perdemos el privilegio de usar nuestras facultades de las cuales hemos sido provistas para alegrar el corazón de otros.Cierto día, la reina Sofía y el rey Juan Carlos I, decidieron hacer vibrar las cuerdas de aquellos instrumentos por tantos años dormidos en sus vitrinas y los mejores músicos fueron traídos al palacio para ejecutarlos. Así lo describe María Eugenia Rincón en su libro Sofía, una mujer: «Y fueron usados y escuchados y vividos, recobrando así su verdadera misión, dejar de ser piezas de museo para sonar en la Sala de Columnas del Palacio de Oriente por primera vez en muchas centurias».Su verdadera misión. Tal frase hizo vibrar mis pensamientos al aceptar que también algunas veces he olvidado mi verdadera misión y paso los días en un aparador. ¿Cuál es tu misión? Eres hija del Rey y estás en su palacio, pero, ¿estás desempeñando el papel que te ha tocado ser? ¿O estás dormida cuál Stradivarius sin emitir para el mundo melodías de gozo?La buena noticia para hoy es que el gran Artista quiere tomarte en sus brazos para hacerte cumplir tu verdadera misión. Ya sea en casa, con tu familia, ya sea en el trabajo, con tus compañeros, sea en la escuela, con tus amigos; todos ellos necesitan oír de ti la música del cielo que emana a través de una vida santificada que precede a la maravillosa armonía que viviremos en la eternidad. 

Fecha: 02-04-2025 Título: Los Stradivarius dormidos de los reyes Autor: Sayli Guardado Locución: Analía Hein http://evangelike.com/devocionales-cristianos-para-mujeres/

En este episodio de El Brieff, analizamos la nueva imposición de aranceles del 25% a las importaciones de acero y aluminio anunciada por Donald Trump y sus posibles repercusiones en México y Canadá. Revisamos la discusión en el Senado sobre la reforma del Infonavit y su impacto en los ahorros de los trabajadores. Además, exploramos cambios corporativos en Cemex, tensiones judiciales en México, conflictos internacionales, ventas récord de un violín Stradivarius y la evolución de la industria automotriz con el sistema de conducción ‘God's Eye' de BYD.Patrocinado por STRTGY: STRTGY es la innovación que tu empresa necesita. Con su inteligencia artificial de última generación, automatiza procesos críticos y reduce costos operativos al mínimo. Diseñado para adaptarse a cualquier industria, STRTGY se encarga de elevar la eficiencia en cada nivel de la organización, eliminando el riesgo de errores humanos. Conoce más en www.strtgy.ai o escríbenos a arturo@strtgy.aiApoya este podcast convirtiéndote en donante de El Brieff entrando a este link.Si te interesa una mención en El Brieff, escríbenos a arturo@brieffy.com Hosted on Acast. See acast.com/privacy for more information.

Met vandaag: Geeft de Raad van State Faber's asielwetten een onvoldoende? | Hoe werkt het nieuwe malariavaccin? | Wat wil Sakir Khader met nieuwe expo in FOAM laten zien? | Wat maakt een Stradivarius viool zo mooi? | Presentatie: Lucella Carasso.

In Los Angeles, a night-time curfew has been imposed in areas impacted by the devastating wildfires, as police warn against looting. Also: a Stradivarius violin heads to auction with an estimated $18m price tag.

Antes y después de cada exposición, hay un trabajo de las galerías que a menudo pasa desapercibido, un trabajo cultural muy tapado por la faceta comercial. Para mostrar ese trabajo, Pedro Marín Boza ha escrito 'Galerías de arte: conceptos, historias y otras particularidades', editado por Cátedra. Está incluido en la colección Básicos de Arte que dirige una autoridad en la materia, Estrella de Diego. Algo que el autor quiere dejar claro desde el comienzo: las galerías de arte no solo venden, no solo cumplen una función comercial, marchante no es el único sinónimo de galerista.Este martes, el Ministerio de Cultura, ha anunciado la compra de Casa Gomis, obra de Antonio Bonet Castellana, por 7 millones 250 mil euros. El anuncio lo hacía el ministro Ernest Urtasun en la propia Casa Gomis, también conocida como La Ricarda, en El Prat de Llobregat, en Barcelona. Una obra singular de la modernidad arquitectónica en España en un paisaje natural. El Ministerio de Cultura hará de Casa Gomis un centro cultural en torno al arte y la naturaleza. El Cuarteto Casals, un prestigioso esemble de música de cámara que el próximo 20 de enero volverá a tocar esta pieza en el Teatro Real de Madrid. Hablamos de un concierto solidario: 'Stradivarius por la Dana' en el que se podrá escuchar el sonido, con sus matices, melodías, del Cuarteto Palatino, los Stradivarius de Patrimonio Nacional que hacía más de 25 años que no salían del Palacio Real.Y nos vamos con Martín Llade que viene con su sesión de música clásica y el disco de Galatea & Acis, 'La Pispersione'.Escuchar audio

In 1895 Sherlock Holmes and Dr Watson are on the trail of two elusive Conmen. Merry Christmas to my listeners and its a Sherlock story I wrote myself and was published in an anthology earlier this year. If you want to listen to subscribers only episodes, for less than the price of a cup of coffee you can access these via the link: podcasters.spotify.com/pod/show/steven-connelly/subscribe Feel free to donate on ko-fi.com/historicalcrimespodcast email: thehistoricalcrimespodcast@yahoo.com

Hey man can I use your bathroom all day? In perpetuity? Including but not limited to after you die and transferable with the deed to the house? No? Well I'm not allowed to at my other friend's house anymore because he hates Israel and my dung looks so much like Sabra hummus that it violates BDS. Lizzo dropped a Zyn in a Stradivarius she borrowed from a museum. Jimmy Carter is a shell for a hermit crab. His mouth is like a hollowed out former McDonald's because if you get too close and try to take pictures the employees come out and yell at you. I can't get hard looking at a picture of Jimmy Carter so I must be straight but I can't get hard looking at a picture of Kay Granger either so I must be bi   Full episode at https://www.patreon.com/posts/118574289

Irem Isik is Head of Marketing at Storyly where they're all about helping you get the right content into the right places on the buyer journey – from discoverability to post purchase. Irem also spent most of the 2010s working at huge consumer facing brands in the CPG space – like Lipton's Tea, Wall's Ice cream and Nestle! In this episode, we discuss: Why you need to embrace different content formats Personalization of content Customer research and customer-centricity The role of technology in content marketing Dive in: [03:33] Content marketing focuses on customer engagement, sales. [07:21] Repurpose content considering customer intent and format. [11:27] Miss rich research in B2C, customer engagement vital. [14:00] Content positioning varies across web and mobile. [18:55] Stradivarius excels in engaging, native video content. [20:46] Insider Tips from Irem! Find the notes here: https://keepopt.com/233 Download our ebook >> https://keepopt.com/ebook "500 Top Tips to Make Your eCommerce Business More Profitable" ****Get all the links and resources we mention & join our email list at https://keepopt.comLove the show? Chloe would love your feedback - leave a review here: https://keepopt.com/review or reply to the episode Q&A on Spotify.Interested in being a Sponsor? go here: https://keepopt.com/sponsor

When Steven Kotler was a kid, he was skinny, klutzy, and often the last guy picked for any team or athletic contest. Steven spent a lot of his childhood losing fights to jocks. At 53 years old, he decided to conquer his past shame and push his own aging body past preconceived limits. In this episode, Steven discusses how to navigate peak performance as we age and how to keep our use-it-or-lose-it skills. He will also dispel myths about the aging brain and give insight on how to always stay young and profiting!  In this episode, Hala and Steven will discuss:  (00:00) Introduction (01:30) Debunking the "Long Slow Rot" Theory (02:53) Stradivarius and the Myth of Aging (03:59) "Use It or Lose It": The Secret to Preserving Skills (05:59) Learning Park Skiing at 53 (06:59) Why Old Dogs Can Learn New Tricks (12:16) Outdoor Challenges That Boost Performance (15:55) Mastering New Skills at Any Age (19:00) Social Connections as an Aging Superpower (23:30) Forgiveness as an Anti-Aging Tool (29:44) Fluid vs. Crystallized Intelligence Explained (33:02) Lessons in Flow from a Dog Sanctuary (36:21) The Power of Cross-Generational Friendships (44:26) Lifelong Learning: The Ultimate Advantage (52:29) What Blue Zones Reveal About Thriving (58:10) Flow State: Aging's Greatest Ally Steven Kotler is a New York Times bestselling author, an award-winning journalist, and the Executive Director of the Flow Research Collective. He is one of the world's leading experts on human performance. Steven is the author of several bestselling books. His work has been nominated for two Pulitzer Prizes, translated into over 50 languages, and has appeared in over 100 publications, including the New York Times Magazine, Wired, Atlantic Monthly, Wall Street Journal, TIME, and the Harvard Business Review.  Connect with Steven: Steven's Website: https://www.stevenkotler.com/ Steven's LinkedIn: https://www.linkedin.com/in/steven-kotler-4305b110/ Steven's Twitter: https://twitter.com/steven_kotler Steven's Instagram: https://www.instagram.com/stevenkotler/ Sponsored By: Fundrise - Add the Fundrise Flagship Fund to your portfolio in minutes at https://fundrise.com/PROFITING  Found - Try Found for FREE at https://found.com/profiting  Mint Mobile - To get a new 3-month premium wireless plan for just 15 bucks a month, go to https://mintmobile.com/profiting  Working Genius - Get 20% off the $25 Working Genius assessment at https://www.workinggenius.com/ with code PROFITING at checkout Shopify - Sign up for a one-dollar-per-month trial period at https://youngandprofiting.co/shopify    Indeed - Get a $75 job credit at https://indeed.com/profiting    Teachable - Claim your free month of their Pro paid plan at https://teachable.com/profiting Airbnb - Your home might be worth more than you think. Find out how much at airbnb.com/host Resources Mentioned: Flow Research Collective Radio: https://www.stevenkotler.com/radio  Flow Research Collective: https://www.flowresearchcollective.com/zero-to-dangerous/overview Steven's book, Gnar Country: Growing Old, Staying Rad: https://www.amazon.com/Gnar-Country-Growing-Old-Staying/dp/0063272903 LinkedIn Secrets Masterclass, Have Job Security For Life: Use code ‘podcast' for 30% off at yapmedia.io/course. Top Tools and Products of the Month: https://youngandprofiting.com/deals/  More About Young and Profiting Download Transcripts - youngandprofiting.com Get Sponsorship Deals - youngandprofiting.com/sponsorships Leave a Review - ratethispodcast.com/yap Watch Videos - youtube.com/c/YoungandProfiting   Follow Hala Taha LinkedIn - linkedin.com/in/htaha/ Instagram - instagram.com/yapwithhala/ TikTok - tiktok.com/@yapwithhala Twitter - twitter.com/yapwithhala   Learn more about YAP Media's Services - yapmedia.io/

I sat down with Yat Sui to talk about everything from classical music to the future of Web3 and why it's vital for the world. Yat shares an incredible story about buying a Stradivarius violin, tokenizing it, and how it connects to the democratization of digital assets. Join us for this mind-blowing conversation where finance, culture, and technology intersect in surprising ways! Yat Sui: https://x.com/ysiu ►► Sponsored by Aptos Foundation:

** Ponte en presencia de Dios. Trata de hablar con Él. ** 10 minutos son 10 minutos aunque te puedas distraer. Llega hasta el final. ** Sé constante. El Espíritu Santo actúa “a fuego lento” y requiere constancia. Audios de 10 minutos que te ayudan a rezar. Un pasaje del Evangelio, una idea, una anécdota y un sacerdote que te habla y habla al Señor invitándote a compartir tu intimidad con Dios. Busca tu momento, piensa que estás con Él y dale al play. Toda la info en nuestra web: www.10minutosconjesus.org diezminutosconjesus@gmail.com Para recibir cada día tu meditación por Whatsapp pulsa aquí: http://dozz.es/nu36t

Why are these 300-year-old instruments still coveted by violinists today? And how do working musicians get their hands on multimillion-dollar antiques? Zachary Crockett is not fiddling around. SOURCES:Frank Almond, professional violinist.Ziv Arazi, co-owner of Rare Violins of New York.Bruno Price, co-owner of Rare Violins of New York. RESOURCES:"When It Comes to String Instruments, Stradivariuses Are Still Pitch Perfect," by Ted Scheinman (Smithsonian Magazine, 2022)."Study Confirms Superior Sound of Stradivari Is Due to How Wood Was Treated," by Jennifer Ouellette (Ars Technica, 2021)."The Case of the Stolen Stradivarius," (FBI News, 2015)."A High-Strung Market," by E. H. B. (The Economist, 2013)."Violins For Music — And Investment Returns," by Michael S. Fischer (Financial Advisor, 2013)."Stradivarius Fetches Record $16 Million in Charity Sale," (Reuters, 2011). EXTRA:A Violin's Life, album series by Frank Almond (2013).

Danny reads in Spanish the conclusion of the story "Un Stradivarius." --- Support this podcast: https://podcasters.spotify.com/pod/show/danny-evans/support

Improve your comprehension skills. Danny tells the story of "El Stradivarius" in Spanish. --- Support this podcast: https://podcasters.spotify.com/pod/show/danny-evans/support

In which researchers squabble for centuries about the secret ingredient that made one Cremonese craftsman the greatest musical instrument-maker of all time, and John seasons guitars under a bus. Certificate #36611.

Today's blockchain and cryptocurrency news Bitcoin is up slightly at $68,986 Eth is down slightly at $3,759 Binance Coin, is up 1% at $646 Coinbase donates $25M to crypto super PAC Fairshake Dapper Labs settles $4M lawsuit MSTR's Michael Saylor settles tax issue with D.C. Galaxy Digital tokenizes Stradivarius. Core Scientific inks deal with AI Hyperscaler CoreWeave Learn more about your ad choices. Visit megaphone.fm/adchoices

The Strad violin is noted for its tonal qualities and superior craftsmanship. And for its price tag. There are many theories why the Strad sounds so great, from the wood to the lacquer, to the simple fact that Antonio Stradivari was really good at what he did. Rosin up your bow and take a listen to this classic episode.See omnystudio.com/listener for privacy information.