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12 episodes with solo violin
6 episodes with solo violin
8 episodes with solo violin
2 episodes with solo violin
2 episodes with solo violin
3 episodes with solo violin
2 episodes with solo violin
3 episodes with solo violin
2 episodes with solo violin
What can Mao Zedong teach us about Donald Trump? To find out, ChinaTalk interviewed the legendary sinologist Orville Schell, who visited China during the Cultural Revolution and is currently at the Asia Society. We discuss… Mao Zedong's psychology and political style, Similarities and differences between Mao and Trump, How Mao-era traumas reverberate in modern China, including how the Cultural Revolution has influenced the Xi family, How Zhou Enlai and Deng Xiaoping survived the Cultural Revolution, and which of their tactics could be useful in modern America, What civil society can do to defend democracy over the next four years. Co-hosting is Alexander Boyd, associate editor at China Books Review and former ChinaTalk intern. Read Orville's article, "Trump's Cultural Revolution," here. Read the Asia Society piece on religion and political power here. Orville's crazy Asia Society event, From Pontius Pilate to Chairman Mao: Religion and Politics https://www.youtube.com/watch?v=opw9vqpPBqQ&ab_channel=AsiaSociety Book recommendations: Joseph Torigian - The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping Perry Link - The Anaconda in the Chandelier - excerpt from ChinaFile William Shirer - The Rise and Fall of the Third Reich Victor Klemperer - I Will Bear Witness: A Diary of the Nazi Years, 1933-1941 Outro music: Bach's Partita No. 1 for Solo Violin in B Minor, BWV 1002: VIII. Double, Gidon Kremer https://open.spotify.com/track/3x1Rdpgy6QGSlW9tItHYdm?si=20fa2051dc5d4f91 Aria from J.S. Bach Cantata 'Schwingt freudig euch empor' https://open.spotify.com/track/5pIy4Gll1YywqKX25EbbOb?si=520327db35f54201 Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, violinist Nancy Zhou shares her deep, thoughtful approach to music-making. She explores: How interpretation goes beyond technique to storytelling The importance of score study and stepping into the composer's mind How body awareness and movement shape musical expression What musicians can learn from dancers and storytellers The philosophy behind her upcoming album, Stories (Re)Traced Nancy's insights will challenge the way you think about practice, performance, and artistic growth. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your free consultation with Renée HERE Download the transcript from this episode HERE MORE ABOUT NANCY ZHOU Website: https://www.nancyzhouviolin.com YouTube channel: https://www.youtube.com/channel/UCvaRXhb0sinvhGN4GzuTetg Instagram: https://www.instagram.com/nancyzhouviolin Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Dmitri Shostakovich (1906 - 1975) - Sinfonia n. 2 in si maggiore Op. 14 “To October” 1. Opening 2. Crochet 3:453. Solo Violin 5:444. Entrance of the Choir 11:30Orchestra and Choir of the Marinsky TheatreConductor - Valery Gergiev About Sinfonia n. 2 in si maggiore Op. 14 Ottobre
In her poetic Six Pieces for Solo Violin, composer Sophia Jani unfolds a series of targeted techniques to celebrate the solo violin and its place as a sweetheart of music history and modern times. In collaboration with violinist Teresa Allgaier, she foreshadows the set with an introductory prelude and then proceeds with great intentionality through a variety of musical characters; she shares the details with Mary Claire Murphy.
Music Majors Unplugged | Career Advice for Aspiring Musicians
In today's episode, we talk with Erik Rohde about conducting and education! Erik Rohde maintains a diverse career as a conductor, violinist, and educator, and has performed in recitals and festivals across the United States and in Europe and Asia. He is the Director of Orchestral Activities at the University of Northern Iowa and the Artistic Director and Conductor of the Winona Symphony Orchestra (MN). Prior to his appointment at the University of Northern Iowa, Rohde served as the Director of String Activities and Orchestra at Indiana State University where he conducted the Indiana State University Symphony Orchestra and taught violin, chamber music, and Suzuki pedagogy. In Indiana, he also founded the Salomon Chamber Orchestra, an orchestra dedicated to promoting the works of living composers and of Haydn and his contemporaries. Having grown up in Rochester, Rohde is particularly excited to return to his hometown to conduct the orchestra that includes former teachers, classmates, and colleagues. He began his musical studies with Linda Thompson on the violin at the age of 4 and first heard the Rochester Symphony at one of their annual educational concerts a few years later. Having begun his musical journey in Rochester, this is an exciting chance to return and make music in a new way in a community that he loves and one that helped shape the early part of his musical journey. A committed advocate for contemporary music, he has premiered and commissioned many new works by both established and young composers, and is constantly seeking to discover new compositional voices. In addition to regularly bringing new orchestral works to programs each season, he is the violinist of the new music duo sonic apricity, which is dedicated to uncovering and commissioning new works by living composers for violin and viola. The duo released their first recording on the Navona label in December of 2022. At Indiana State University, he helped to host the annual Contemporary Music Festival – now running for over 50 years. He has worked with Joan Tower, Augusta Read Thomas, Libby Larsen, Chen Yi, Meira Warshauer, Elliott Miles McKinley, Christopher Walczak, Michael-Thomas Foumai, Pierre Jalbert, James Dillon, David Dzubay, Marc Mellits, Carter Pann, Narong Prangcharoen and countless others. In 2019, he released two recordings with composer Elliott Miles McKinley, conducting his percussion concerto Four Grooves and performing on his eighth string quartet. In his native Minnesota, Rohde has served as the Music Director of the Buffalo Community Orchestra, conductor and violinist for the Contemporary Music Workshop, Camarata Suzuki orchestra conductor for the MacPhail Center for Music, String Ensemble conductor at the Trinity School, and first violinist of the Cantiamo and Enkidu String Quartets. Rohde holds a Doctorate of Musical Arts in Conducting from the University of Minnesota – Twin Cities, where he studied with conductors Mark Russell Smith, Kathy Saltzman Romey, and Craig Kirchhoff and violin pedagogue Mark Bjork. He also holds degrees in Violin Performance and Biomedical Engineering. Rohde lives in Cedar Falls, IA with his wife Erin and their children. Betwixt Bach: Suite for Solo Violin (2021) Performed by Erik Rohde
Music Majors Unplugged | Career Advice for Aspiring Musicians
In today's episode, we talk with Erik Rohde about conducting and education! Erik Rohde maintains a diverse career as a conductor, violinist, and educator, and has performed in recitals and festivals across the United States and in Europe and Asia. He is the Director of Orchestral Activities at the University of Northern Iowa and the Artistic Director and Conductor of the Winona Symphony Orchestra (MN). Prior to his appointment at the University of Northern Iowa, Rohde served as the Director of String Activities and Orchestra at Indiana State University where he conducted the Indiana State University Symphony Orchestra and taught violin, chamber music, and Suzuki pedagogy. In Indiana, he also founded the Salomon Chamber Orchestra, an orchestra dedicated to promoting the works of living composers and of Haydn and his contemporaries. Having grown up in Rochester, Rohde is particularly excited to return to his hometown to conduct the orchestra that includes former teachers, classmates, and colleagues. He began his musical studies with Linda Thompson on the violin at the age of 4 and first heard the Rochester Symphony at one of their annual educational concerts a few years later. Having begun his musical journey in Rochester, this is an exciting chance to return and make music in a new way in a community that he loves and one that helped shape the early part of his musical journey. A committed advocate for contemporary music, he has premiered and commissioned many new works by both established and young composers, and is constantly seeking to discover new compositional voices. In addition to regularly bringing new orchestral works to programs each season, he is the violinist of the new music duo sonic apricity, which is dedicated to uncovering and commissioning new works by living composers for violin and viola. The duo released their first recording on the Navona label in December of 2022. At Indiana State University, he helped to host the annual Contemporary Music Festival – now running for over 50 years. He has worked with Joan Tower, Augusta Read Thomas, Libby Larsen, Chen Yi, Meira Warshauer, Elliott Miles McKinley, Christopher Walczak, Michael-Thomas Foumai, Pierre Jalbert, James Dillon, David Dzubay, Marc Mellits, Carter Pann, Narong Prangcharoen and countless others. In 2019, he released two recordings with composer Elliott Miles McKinley, conducting his percussion concerto Four Grooves and performing on his eighth string quartet. In his native Minnesota, Rohde has served as the Music Director of the Buffalo Community Orchestra, conductor and violinist for the Contemporary Music Workshop, Camarata Suzuki orchestra conductor for the MacPhail Center for Music, String Ensemble conductor at the Trinity School, and first violinist of the Cantiamo and Enkidu String Quartets. Rohde holds a Doctorate of Musical Arts in Conducting from the University of Minnesota – Twin Cities, where he studied with conductors Mark Russell Smith, Kathy Saltzman Romey, and Craig Kirchhoff and violin pedagogue Mark Bjork. He also holds degrees in Violin Performance and Biomedical Engineering. Rohde lives in Cedar Falls, IA with his wife Erin and their children. Betwixt Bach: Suite for Solo Violin (2021) Performed by Erik Rohde
02 18 2024 - “Passagalia For Solo Violin by Snowmass Chapel
Conversation with the versatile and dynamic violin soloist and chamber musician Njioma Grievous , winner of the Robert F. Smith First Prize and the Audience Choice awards of the Sphinx Competition. Topics including · Her performance preparation and pre-performance routines · The importance of Receiving and following advice · The skills she thinks are important to develop · Her favorite tool in the practice room and the great way she uses it · How she gets herself to practice when she doesn't feel like it · Her no. 1 advice for people taking auditions · The changes she would like to see in the classical music world · And her actionable tip on how to memorize music Book your free consultation with Renée HERE Download the transcript from this episode HERE MORE ABOUT NJIOMA GREVIOUS Website: https://www.njiomagrevious.com/ YouTube: Watch Here Instagram: https://www.instagram.com/ngrevious8/ Abeo Quartet: Website: https://www.abeoquartet.com/ Facebook: https://www.facebook.com/abeoquartet/ Instagram: https://www.instagram.com/abeoquartet Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Celebrating its 30th anniversary this season, New Century Chamber Orchestra has been resident in San Francisco's Bay Area since its founding in 1992. One of just a handful of conductorless chamber orchestras in the world, the ensemble makes collaborative musical decisions, leading to an enhanced level of engagement from all involved. As well as giving masterful performances of the core chamber repertoire, New Century is known for reviving long-lost gems, experimenting with works from genres such as rock or jazz, and championing new music by commissioning, programming, and premiering works by living composers. Track Listing:1 Philip Glass: Piano Concerto No. 3 / Movement I2 Movement II3 Movement III (for Arvo Pärt)4 Tan Dun: Double Concerto / I. Misterioso5 II. Misterioso6 III. Misterioso 7 Mark-Anthony Turnage: Lament for Solo Violin & Orchestra 8 Jake Heggie: OvertureHelp support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).
My guest today is Immanuel Abraham, a very special musican, who is an inspiring violinist, educator and composer. His phenomenal talent, discipline and creativity is even more inspiring since he didn't have an opportunity to learn a musical instrument until the age of 14 and 4 years later, he was auditioning for the renowned University of Michigan in violin performance, playing the same Paganini caprice he'd heard Ithak Perlman play on Shalom Sesame as a child. He speaks candidly in this interview about his perseverence in the face of very difficult challenges. More information and links below, including Timestamps! Like all my episodes, this is also available as a video on my YouTube, and the transcript is linked here as well: https://www.leahroseman.com/episodes/immanuel-abraham Please help me keep this series going! You can leave a tip or consider becoming a monthly supporter and get access to special perks: https://ko-fi.com/leahroseman Immanuel is well-known on social media as The Violin Doctor, which is a Dr. Who reference, but Immanuel actually is Doctor of Musical Arts, awarded from the University of Arizona. When he was a student, in an effort to learn as much as he could that was violin-related, he started The Violin Guild which is an amazingly supportive Facebook group of over 60,000 string players worldwide. Our conversation focused on different aspects of music education, personal development, and you'll get to hear some clips of Immanuel performing some of his 24 Caprices for solo violin. Below is a link for a discount code the week this is released, and if you're a violinist I encourage you to buy this amazing volume, which I have been learning and plan to start recording this summer. Immanuel will be releasing his complete recording of all 24 Caprices. https://www.theviolindoctor.com/24 The discount code that will be activated May 12th through May 18th is, theviolindoctor for 25% off of the 24 Caprices for Solo Violin, Second Edition. You will also find Immanuel's current projects and social links there as well. Timestamps (00:00) Intro (02:25) perspectives on starting the violin at age 14, dealing with racism and growing up in the projects (15:02) hearing Itzhak Perlman and the opportunity for free lessons through the Merit School of Music with Guillaume Combet (21:32) inspiration for Immanuel's 24 Caprices for Solo violin (28:48) clip of Caprice 14 (30:00) clip of Caprice 21 in C Minor, “The Blues” (31:43) Caprice 23, a fugue (complete) (35:54) please support this series on Ko-fi! (36:23) why Immanuel bought a beginner book spent his lunch money on Paganini (41:12) Andrew Jennings University of Michigan (47:15) giving students some choice of repertoire, keeping them motivated (53:08) Sphinx Organization teaching kids in the inner city (01:04:45) becoming a composer, opening for We The Kings (01:11:11) transcribing jazz, learning by ear (01:16:25) violin technique finger independence (01:22:08) yoga, dealing with stress (01:26:03) balance of composition, teaching and performing (01:28:21) discount code for the Caprices theviolindoctor --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
DescriptionSome thought that the virtuoso violinist Paganini was a metaphorical musical God, others thought he literally got his virtuosity from a deal with the Devil. But what was the real story behind Niccolò Paganini's genius? Take a minute to get the scoop!Check out the trailer for The Devil's ViolinistFun FactKnown particularly for his fiendish 24 Caprices for Solo Violin, Paganini helped popularise certain string techniques such as bow bounces – spiccato – as well as left-hand pizzicato and harmonics. He also purposely mistuned strings to make certain pieces easier to play. It is said he could play 12 notes per second – a feat later achieved by violinist David Garrett, who plays Paganini in The Devil's Violinist, a 2013 film based on the composer's life story. It is now believed that Paganini's unusual finger length, which allowed him to play three octaves in one hand span, was due to Marfan syndrome, a genetic disorder. Equally, his ability to play at incredible speed could be attributed to Ehlers-Danlos syndrome, a disorder which causes increased flexibility and a lack of coordination.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.
Efectivamente, la inmensa mayoría de las piezas del programa de esta semana las podemos encuadrar dentro del concepto música electrónica, pero va a resultar que no lo son tanto... Escucharemos: Lara Somogyi - hundred00 Ben Lukas Boysen - Gravity Floating Points - Promises (Movement 6) Bruce Brubaker & Max Cooper - The Poet Acts Benjamin Hudson & Jürgen Kruse - Spiegel im Spiegel Niklas Paschburg - Winter Born Nils Frahm - Ode - Our Own Roof Mari Samuelsen & Anna Meredith - Meredith_Midi (Arr. for Solo Violin and Electronics) Lisa Gerrard & Marcello De Francisci - Until We Meet Again Piano Noir - Polarity Vangelis - I Dreamt Music PC Nackt - Space_Schubert Ludovico Einaudi reimagined by Mercan Dede - Yerevan
Most musicians work for years to master their instruments, with no guarantee of success. To what lengths will humans go for the sake of genius? What wouldn't we give to be talented? To be famous? To be the best in the world? In this episode, we meet four musicians rumored to have paid the ultimate price for their art.Researched, written, and produced by Corinne Wieben with the voice talent of Jack Krause. Music:- Paganini's 24 Caprices for Solo Violin, Op. 1 - XX. Caprice in D Major. Allegretto, performed by Jonathan Vered is from MusOpen.- Blues guitar riffs by juskiddink are from FreeSound:https://freesound.org/people/juskiddink/sounds/77268https://freesound.org/people/juskiddink/sounds/58493- All other original music is by Purple Planet.Episode bibliographyEnchantedPodcast.netFacebook/enchantedpodcastInstagram/enchantedpodcastTwitter/enchantedpodSupport the show
CHEST#8 ----- musicfor (fishbone kite) -----/---/--/-7-/--/---/----- music for watching fish ---- We Wave From Our Boats - Mary lattimore ---- Desert Sand - Roger Eno, Brian Eno ---- Design I Could Not Love - Varnrable, Choir of Young Believers ---- Pine trees - Mary Lattimore ---- Strand of life ("Viroid") - Laurie Spiegel music for catching fish ---- Sirens - Anna Homler, Steve Moshier ---- Oath - Mija Milovic ---- Between the Gray and the Purple - Steve Roach ---- Reverie (arr. Knoth for Solo Violin, Strings and Electronics) - Hannah Peel, Erland Cooper, Mari Samuelsen, Scoring Berlin ---- dark eyed sister - 2005 ---- Huit - Sky H1 music for removing bone ---- L'Abbesse - Michel Godard, Gavino Murgina, BRuno Helstroffer, Fanny Paccoud, Steve Swallow ---- Take the thorn, leave the Rose - Ana Roxanne ---- Seca - Lucrecia Dalt ---- Reminiscene - Ólafur Arnalds, Alice Sara Ott ---- Animal - Sky H1 feat. Soho Rezanejad ---- A study in Vastness - Ana Roxanne music for building fishbone kite ---- Donta - Pamela Angela music for kite flying ---- Going Through the Veil - Becoming a Swan - Joanna Brouk ---- Tears Take Forever - Croatian Amor, Varg2TM, NikkiH2OP ---- In Waves - oqbqbo version - Frederik Valentin, Loke Rahbek, oqbqbo ---- Stravinsky: The Firebird Suite: Berceuse (1919 Version) [live] music for kite burning ---- Elysian Heights - Sky H1 ---- Swallow Ash - GIL ---- Gemini Mood Swing - Mia Ghabarou music for falling from the sky ---- Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): MElodie dell'Orfeo - Christoph Willibald Gluck, Yuja Wang ---- HVORFOR IKKE KALDE DEM ØJNE - oceanfloor.group ---- FALLING RIZLAS - Actress ---- Angel's Flight ---- Axis Mundi - Paraadiso, TSVI, Seven Orbits music for collecting bones ---- Silver Ladders - Mary Lattimore ---- OPALERNE VENTER 2CC - oceanfloor.group music for Madonna ---- Like a Prayer - Madonna -----/---/--/-7-/--/---/-----
What do you do when you are stressed, mad or sad? Do you go for a run to pound your feet on the ground, or maybe you pick up a paintbrush or an instrument? Join host Liz Lyon as we explore ways musicians have used tough moments in their lives to create pieces of music that helped them to feel better. Maybe this music can help you feel better, too. Episode 86 playlist Garreth Brooke and Anna Salzmann: Healing — Anna Salzmann is a visual artist who has partnered with composer and musician Garreth Brooke to present a musical and visual piece of art called Healing, which they hope can help people explore the emotional process of healing.LISTEN — Garreth Brooke and Anna Salzmann: Healing Garreth Brooke and Anna Salzmann: Healing by Johann Sebastian Bach: Partita in D minor for Solo Violin — Violinist Francisco Fullana had always found comfort in Bach's music. He practiced music on his violin to help him heal while he was recovering from a shoulder injury. He also found comfort in the music by Bach during his time in isolation during the COVID pandemic.LISTEN — Johann Sebastian Bach: Partita in D minor for Solo Violin J.S. Bach: D minor Partita for Solo Violin by Joshua McGhee: Let God Bring Tomorrow — Joshua McGhee is a talented multi-instrumentalist, meaning he plays more than one instrument. He has been commissioned to write pieces of music in response to some tragic events. Let God Bring Tomorrow was written in response to a mass shooting.LISTEN — Joshua McGhee: Let God Bring Tomorrow Joshua McGhee: Let God Bring Tomorrow by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.
Winner of both the Tibor Varga and Joseph Joachim International Violin Competitions in 2021, violinist Maria Ioudenitch speaks to online editor Davina Shum about her recent competition success. Maria shares how she prepares to keep match-fit for competition performances, both musically and mentally. She shares how she deals with performance nerves, offering advice to young musicians starting out on dealing with the pressures of competing. Plus we hear about her exciting plans and ambitions for the future. Maria was born in Russia, moving to Kansas City at the age of three. She studied at the International Center for Music at Park University, in Kansas City with Ben Sayevich, the Curtis Institute of Music with Pamela Frank and Shmuel Ashkenasi and the New England Conservatory with Miriam Fried. Check out thestrad.com for the latest news and articles on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Ysaÿe: Sonata no.5 for Solo Violin in G major II Danse rustique Maria Ioudenitch, violin Photo credit: Jenny Chou
Leonidas Kavakos's recording of the complete Bach Sonatas and Partitas for Solo Violin is newly released on Sony Classical. In today's Gramophone Podcast he talks to Editor Martin Cullingford about these extraordinary works.
Intro: One More Night – Can 1. Bulldog – The Challengers (1:58) 2. Argos Farfish – Sharhabil Ahmed (4:36) 3. Blues for Yna Yna – Gerald Wilson, Orchestra (6:52) 4. Channel 1 Crash – Jackie Mittoo (2:33) 5. Bing Crosby – Van Dyke Parks (2:25) 6. Ridin' Down the Canyon – Bing Crosby (2:56) 7. Little Rabbit and Rabbit Where's Your Mammy – Crockett's Kentucky Mountaineers (3:04) 8. Anchored in Love – Carter Family (2:45) 9. Turn Your Radio On – Blue Sky Boys (3:02) 10. Hallelujah – Alabama Sacred Harp Singers (2:18) 11. Montrose (Psalm 9. 10-11) – Congregation of the Back Free Church, Isle of Lewis (2:50) 12. I Know the Lord, He Heard My Prayer – Congregation of the Morning Star Baptist Church, NOLA (3:44) 13. Samoa Tula'i – Choir of the Western Samoa Teachers' Training College, Apia (1:59) 14. Midnight Movies – M.G. Boulter (4:22) 15. Slow and Easy Blues – Jimmy Yancey (2:35) 16. Ry Cooder – Tortoise (7:05) 17. Track X – Black Country, New Road (4:44) 18. Hogwash and Balderdash – Black Midi (2:32) 19. Waker Alhazer – Tabansi Studio Band (17:43) 20. Air Mail Special – Benny Goodman Sextet (3:29) 21. Tarantella Calabrese – L'Arpeggiata/Pluhar/Marco Beasley (3:09) 22. Brownskin Girl – Joseph Spence (5:13) 23. Money Money – Three Night Wizards (2:46) 24. Fisher's Hornpipe – Fuzzy Mountain String Band (2:15) 25. Suspension Bridge Hambo / Corrente from J.S. Bach's Partita BWV1004 in D Minor for Solo Violin – Kreeta-Maria Kentala (4:46) 26. Contemplation II – Jessica Moss (6:58) 27. Aria da Capo from ‘The Goldberg Variations' BWV 988 – J.S. Bach, Gould (3:45) Outro: Pogles Walk – Vernon Elliott Ensemble
If you're not a violinist, you might not be familiar with the name Eugene Ysaye. But this violinist and composer was called “The King of the Violin” at the turn of the 20th century. Ysaye's biggest compositional achievement was inspired by a performance by the legendary Joseph Szigeti in 1923. Enraptured, Ysaye went into his studio and 24 hours later (!), he emerged with 6 solo violin sonatas, each dedicated to one of his favorite violinists. Dive in with us this week to learn all about these amazing works!
For this week's Gramophone Podcast Editor Martin Cullingford is joined by the acclaimed violinist and conductor Fabio Biondi to talk about the complete Sonatas and Partitas for Solo Violin by JS Bach, which he has just recorded for the Naïve label. This week's Gramophone Podcast is in association with Leipzig – the City of Music.
Learn what it takes to create a compelling arrangement of a Pop, Rock, or Jazz tune and the factors that help determine whether a song is a good candidate for solo violin treatment or if it needs an ensemble or band to do it justice. If, like host Laurel Thomsen, your performance life has been requiring you to learn new songs in various non-Classical genres lately, or if you have a favorite song you hope to translate to your instrument, we discuss the tools within a violinist's and other bowed string player's technique that can help bring tunes originally written with vocals and lyrics to life in new ways. We also explore musical roles within an ensemble and discuss how different instrument choices can elevate an arrangement. Finally, we cover some tips on how to present performance and repertoire options to a client during the booking process to ensure that expectations are met and song requests are realized. A word of thanks from Laurel: Many thanks to the clients who have booked me for their weddings and events over the years, and who help me stretch outside my comfort zone with new song requests. Also, thanks to the other musicians adding their musical contributions to this episode: Dan Frechette, acoustic guitar - www.danfrechette.com, and Dan Robbins, doublebass - www.danrobbinsmusic.com. All other instruments featured (besides those included on the two karaoke backing tracks) were performed by Laurel Thomsen. Laurel Thomsen's website, including info about her recordings, concerts, and teaching can be found at www.laurelthomsen.com Please send Laurel an email at laurel@laurelthomsen.com if you have a violin, viola, fiddle, music biz, or practice related question you'd like answered in her Violin Geek blog or on a podcast, have a topic you'd like her to cover or someone you'd like her to interview, or have a story or insight to share. Also, get in touch if you'd like to inquire about violin, viola, or fiddle coaching or lessons with Laurel via Skype, FaceTime, or Zoom. You're also welcome to post your success story, comments, or suggestions to www.facebook.com/laurelthomsenmusic. Happy Practicing! --- Support this podcast: https://anchor.fm/violingeek/support
A commentary on the human artistic endeavor. Helga Thoene proposes in her essay that Johann Sebastian Bach embedded into the ciaccona (Partita in D minor for solo violin (BWV 1004) numerous mathematical and musical references making the work a memorial, or trombeau, to his deceased wife, Maria Barbara Bach, who died in 1720. Check out a recording of the Partita here The album Morimur by the Hilliard Ensemble can be found here More about the research by Thoene can be found here, here, and here.
Hailed by the New York Times as “a brilliant soloist,” who “played with extraordinary precision and luminosity,” violinist Fabiola Kim discusses her amazing career, which began when she made her concerto debut with the Seoul Philharmonic Orchestra at the age of just seven!
Donald Macleod explores the life and work of Béla Bartók. Music Featured: For Children Piano Concerto No 3 Contrasts Hungarian Sketches Kossuth 14 Bagatelles, Nos 4 & 5 Piros Alma / Red Apple 44 Duos for Two Violins (No 44, Transylvanian Song) Allegro Barbaro Romanian Folk Dances for Orchestra Transylvanian Dance String Quartet No 2 (i Moderato; ii Allegro molto capriccioso) Orchestral Suite No 2 (ii Allegro scherzando) Three Hungarian Folk Tunes The Miraculous Mandarin Suite Village Scenes (i Wedding; ii Lullaby) Dance Suite Two Portraits (ii One grotesque – Presto) Out of Doors (iii Musettes; iv The Night's Music; v The Chase) Piano Concerto (i Allegro moderato; ii Andante) Cantata Profana Mikrokosmos Bulgarian Rhythm No 1 (Vol 4, No 113) Study in Chords (Vol 3, no 69) Perpetuum Mobile (Vol 5, No 135) Sonata for Two Pianos and Percussion Sixth String Quartet (iii Mesto – Burletta – moderato; iv Mesto) Sonata for Solo Violin (i Tempo di ciaccona) Concerto for Orchestra (v Finale) Presented by Donald Macleod Produced by Martin Williams, for BBC Cymru Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Béla Bartók (1881-1945) https://www.bbc.co.uk/programmes/m000ztnr And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Things are about to change...! •Check out CtrlGroup: https://ctrlgrouppod.com/ Don't want to wait for new episodes? Watch the visual novel version of our show on YouTube: https://www.youtube.com/playlist?list=PLrDE9LAmyappSwTkFWCJH4BP2_xXSH7nG Thank you to some of our patrons: Varian, Magic Man, Ezekiel Ragnulf, Charles, twieaper123, Jessica Long, Z, Venesa, Vessel, Mr. Bakudan & Skye Evangelyne You can find links to all of our content/social media here! https://linktr.ee/ChosenOnes Support us on patreon: https://www.patreon.com/ChosenOnesDnD Make a one time donation: https://ko-fi.com/chosenones Character credits are below. Avayath (he/him) is played by funnybunnyjay (he/him) https://twitter.com/funnybunnyjay Shui (he/him) is played by Zen (he/him) https://twitter.com/zento_box Theo (they/he) is played by Sweetsunberry (they/he) https://twitter.com/Sweetsunberry Brandy (he/him) is played by Ripley (she/her) https://twitter.com/Ripp_Tides All other characters are played by Cassiroll (they/them) https://twitter.com/CassirollChan [MUSIC CREDITS] PeriTune - Music-box_Gentle2 by PeriTune https://www.youtube.com/watch?v=_oD6d-qBCBA&feature=emb_title "Melody of the Sparks" by David Knight https://twitter.com/DJWNaito RIVER MEDITATION by Jason Shaw https://freemusicarchive.org/music/Jason_Shaw Waste of a Sunset by Julie Maxwell https://www.freemusicarchive.org/music/Julie_Maxwells_Piano_Music Shelter At Last (Piano) by Will Savino https://www.patreon.com/musicd20/= Bright Ideas by Shane Ivers - https://www.silvermansound.com Emotion by Ivan Luzan The Folk (No Vocals) by raspberrymusic Oh Mallory (Instrumental Version) by Josh Woodward Epilogue (Instrumental Version) by Josh Woodward http://joshwoodward.com/ https://creativecommons.org/licenses/by/4.0/ Solo Violin by Rafael Krux Chii11 by Drake Stafford https://freemusicarchive.org/music/Drake_Stafford The Magic Clock by simming Gothic Enchanted Ballroom Waltz by AllenGrey Horror Glitch Trailer by Luca Francini "We Are The Chosen" by dcolemusic https://twitter.com/davexole
In this episode of the Classical Post Podcast, concert violinist Alexi Kenney shares his experience of releasing a visual album (Paul Wianko's X Suite for Solo Violin) earlier this year that was filmed in wine country at a fabulous estate in Sonoma, California. The Donum Estate was founded 20 years ago on 190 idyllic acres. Today, 91one those acres are planted with grapes such as pinot noir and chardonnay. But more interestingly, the grounds are dotted with an incredible sculpture collection of modern art. The resulting series of videos from this album — that you can watch on YouTube — features Alexi playing amidst this dynamic landscape of Vineyard-bliss and contemporary sculptures. He commissioned the composer Paul Wiancko to write this work called X Suite for Solo Violin. The visual album pairs the seven movements with seven sculptures at this vineyard. The work originally premiered at London's prestigious Wigmore Hall in 2019. But now this is the recording premiere in multiple formats — the video on YouTube and audio recordings you can find on Spotify, Apple Music, etc. Alexi is one of those people that sees art as "total art", encompassing not just what you hear, but what you see and experience in the physical world. I know I personally value this and want the classical music world to move in this direction. But for now, I want to highlight his viewpoint on just that — creating art music that's not in a vacuum, but inextricably tied to the visual experience. How is this valuable to you? Some might find art music esoteric, but I'm here to showcase Alexi's work as something that's approachable just as you would approach a wine pairing at a fine restaurant. To take the analogy further, imagine a summer's night on Nantucket. You've just had dinner with the sun setting over the water. You've had a fine bottle of champagne. And now you're getting ready to leave and have a cigar by the fire, now that the cool breeze is sweeping off the coast. All of these elements are uniquely beautiful — the food, the view, the champagne, the fire — but if you eliminate one of these, it's still beautiful, but not as complete. That's the best way I can describe this discussion of art we have in this podcast episode. The total package becomes transcendent, picking us up from the mundane and placing us in a state of elevated consciousness. I hope you enjoy my chat with Alexi Kenney who The New York Times calls “spellbinding". -- Classical Post explores the intersection of classical music, style, and wellness, diving into meaningful conversations with leading artists from an array of different backgrounds. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive articles or subscribe to our monthly newsletter to be notified of new content.
19世紀魔鬼小提琴家Paganini，音樂神童Mozart, 大提琴傳奇Jacqueline Du Pre，他們退去天才光環後，會是什麼樣子呢? 這周想和大家分享三部電影，顛覆你對音樂家在舞台上光鮮亮麗的美好想像，面對生活困難時，音樂家很少被人看到的另一面。 我們這次非常榮幸，與捷傑電影發行商合作，會送出五組電影票，參加辦法會在本集Podcast中講解喔! [BGM（opening）] Paganini, 24 Caprices for Solo Violin, Op. 1 - XX. Caprice in D Major. [BGM（background）] Rachmaninov, Rhapsody on a Theme of Paganini, Op. 43 - Var. XVIII [Piano arr. - Schultz] [BGM（background）] Mozart, Serenade in G Major Powered by Firstory Hosting
The music of Johann Sebastian Bach is a lifetime companion for many violinists. And in our time of Covid-19 isolation, his Six Sonatas and Partitas for Solo Violin have taken on a new resonance. These pieces are spiritual, virtuosic, joyful - and enigmatic.
The concluding chapter of our two part presentation of 'Scarlet Caprice for Solo Violin' by the extraordinary Vincent Robert-Nicoud. The piece of music we took such presumptuous liberties with in this production is 'Caprice for Solo Violin no. 5' by Niccolò Paganini performed by Ruggerio Ricci. The original recording is in the public domain. Our diabolical reworking, thankfully, is not. ---- NOCTURNAL TRANSMISSIONS is a fortnightly podcast featuring inspired performances of short horror stories, both old and new, by voice artist Kristin Holland. https://www.nocturnaltransmissions.com.au You can support us by becoming a patron at Patreon.com: https://www.patreon.com/nocturnaltransmissions
The Bach Chaconne is one of the great masterpieces of Western Classical Music, and today we're going to be diving straight into this monumental work. We'll talk about the legends behind its composition, the work itself, different interpretations of the piece, and its many many arrangements. As Brahms wrote about the piece: “On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings." Join us to discuss this towering artistic achievement!
Phantom Echoes In This Nightmare Tale... ---Tales From The Vault Episode 11--- Mr. Izvertzoff, a wealthy Russian landowner, mysteriously disappears while visiting a cavern on his land - the so-called "Cave Of The Echoes". He is presumed to have been murdered and the finger of blame is pointed firmly at his man-servant, Ivan. Many years after the tragedy, an enigmatic Hungarian traveler and a mysterious Tibetan shaman conduct an eerie ceremony within the cave to determine the true identity of the murderer. Mesmerized by the atmosphere of the place and the ghostly echoes which reverberate through the cave, the onlookers are shocked to learn the truth of what happened to Mr Izvertzoff. Helena Petrovna Blavatsky was a Russian philosopher and author who co-founded the Theosophical Society in 1875. While best known for her occult knowledge and the book "The Secret Doctrine", she also wrote a collection of fictional short stories, collected in a volume called "Nightmare Tales", first published in 1907. I thoroughly enjoyed reading and producing this story, and look forward to reading a few more of HPB's Nightmare Tales very soon. Please let me know what you thought in the comments :) Produced and narrated by David Sweeney-Bear (c)2021 https://buymeacoffee.com/dsbaudio More full-length audiobooks at https://dsbaudio.com Audio sample for convolution reverb effects is from Inchindown Oil Tanks, Scotland (the longest known reverberation in the world), provided by Matt Gray https://mattg.co.uk Music: J S Bach: Ciaconna from fifth Partita for Solo Violin, performed by Ben Goldstein
Hva har Paganini og Fugledansen med Venom å gjøre? Det aller meste, faktisk! Da Jernverket møtte Venom på Tons Of Rock i 2015 satte Cronos & co sammen en noe utradisjonell spilleliste (se under). I tillegg fortalte de om et loft fylt med kasserte, men ferdiginnspilte skiver, likheten mellom en dårlig diett og en dårlig akkordprogresjon samt hva Black Sabbath og Kiss hadde for lite av. Kjernen i Venoms budskap er: Utvid din musikalske horisont. Venom skulle egentlig ha spilt på Infernofestivalen i påsken, men for å begrense spredningen av koronaviruset er Inferno og alle andre konsertarrangementer avlyst på ubestemt tid. Heldigvis er Venom bekreftet til neste års festival, så det er bare å glede seg! Du kan høre Venoms spilleliste ved å følge Jernverket på Spotify. Spilleliste (tekst) Venom - From the Very Depths Paganini, Ruggiero Ricci - 24 Caprices for Solo Violin, Op. 1: No. 24 Elvis Presley - Suspicious Minds Venom - Blackened Blues Britney Spears - Stronger The Proclaimers - I'm Gonna Be (500 miles) Chas & Dave - Snooker Loopy Sigmund Dehli - Fugledansen Dean Martin - Rudolph, the Red-nosed Reindeer Støtt Jernverket økonomisk via Patreon eller Vipps-nummer 567438. Det er også hyggelig om du legger igjen en anmeldelse på iTunes. NB! Jernverket har byttet publiseringsplattform. Det vil sannsynligvis føre til en del døde lenker i episodebeskrivelsene. Jeg jobber med å få ordnet dette, men si gjerne fra dersom du oppdager noe "rart".
【主持】 程衍樑（新浪微博：@GrenadierGuard2） 杨一（新浪微博：@杨一1） 【嘉宾】 StormXu徐风暴，通用汽车前工程师，「喜剧联合国」创始人（微博：@StormXu徐风暴） [02:45]Storm改名徐风暴事件始末 [05:30]“脱口秀”一词在中国电视出现得很早 [07:50]2014年程衍樑在一则CNN报道中首次得知StormXu [09:30]周立波不承认自己的作品是单口喜剧 [12:20]中式喜剧的南北之别 [16:15]Storm矢志做单口喜剧界的大咕咕咕鸡 [16:45]方言笑话的生命力非常旺盛 [17:15]现场录制被一阵电钻声打断了 [23:05]巩汉林老师成功地让全国人民接受了错误的上海形象 [25:05]杨浦喜剧一哥败走深圳往事 [31:40]小剧场、大剧场和电视 [34:50]辛辣的观众和高笑点 [35:40]很多中文笑话说起来其实没有读起来有意思 [42:45]杨浦喜剧一哥再次败走《相声有新人》 【推荐播客】 伐要去管它|Storm带你解读生活 【音乐】 "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 5. Chaconne"（Nathan Milstein·Bach: Sonatas and Partitas for Solo Violin·1998·Deutsche Grammophon） "给我一个吻"（张露·给我一个吻·1954·百代唱片） 您可以通过网易云音乐、Spotify搜索「忽左忽右 BGM」，获得节目完整歌单。 【logo设计】杨文骥 【收听方式】 推荐您使用「苹果播客」、Spotify或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM、蜻蜓FM、 荔枝FM、网易云音乐收听。 【本节目由JustPod出品】 【互动方式】 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下
【主持】程衍樑（微博：@GrenadierGuard2）杨一（微博：@杨一1）【嘉宾】StormXu徐风暴，通用汽车前工程师，「喜剧联合国」创始人（微博：@StormXu徐风暴）●[02:45]Storm改名徐风暴事件始末●[05:30]“脱口秀”一词在中国电视出现得很早●[07:50]2014年程衍樑在一则CNN报道中首次得知StormXu●[09:30]周立波不承认自己的作品是单口喜剧●[12:20]中式喜剧的南北之别●[16:15]Storm矢志做单口喜剧界的大咕咕咕鸡●[16:45]方言笑话的生命力非常旺盛●[17:15]现场录制被一阵电钻声打断了●[23:05]巩汉林老师成功地让全国人民接受了错误的上海形象●[25:05]杨浦喜剧一哥败走深圳往事●[31:40]小剧场、大剧场和电视●[34:50]辛辣的观众和高笑点●[35:40]很多中文笑话说起来其实没有读起来有意思●[42:45]杨浦喜剧一哥再次败走《相声有新人》【推荐播客】伐要去管它|Storm带你解读生活https://www.ximalaya.com/yule/11776250/【音乐】 "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 5. Chaconne"（Nathan Milstein·Bach: Sonatas and Partitas for Solo Violin·1998·Deutsche Grammophon）"给我一个吻"（张露·给我一个吻·1954·百代唱片）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微信公众号：播客一下
【主持】程衍樑（微博：@GrenadierGuard2）杨一（微博：@杨一1）【嘉宾】StormXu徐风暴，通用汽车前工程师，「喜剧联合国」创始人（微博：@StormXu徐风暴）●[02:45]Storm改名徐风暴事件始末●[05:30]“脱口秀”一词在中国电视出现得很早●[07:50]2014年程衍樑在一则CNN报道中首次得知StormXu●[09:30]周立波不承认自己的作品是单口喜剧●[12:20]中式喜剧的南北之别●[16:15]Storm矢志做单口喜剧界的大咕咕咕鸡●[16:45]方言笑话的生命力非常旺盛●[17:15]现场录制被一阵电钻声打断了●[23:05]巩汉林老师成功地让全国人民接受了错误的上海形象●[25:05]杨浦喜剧一哥败走深圳往事●[31:40]小剧场、大剧场和电视●[34:50]辛辣的观众和高笑点●[35:40]很多中文笑话说起来其实没有读起来有意思●[42:45]杨浦喜剧一哥再次败走《相声有新人》【推荐播客】伐要去管它|Storm带你解读生活https://www.ximalaya.com/yule/11776250/【音乐】 "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 5. Chaconne"（Nathan Milstein·Bach: Sonatas and Partitas for Solo Violin·1998·Deutsche Grammophon）"给我一个吻"（张露·给我一个吻·1954·百代唱片）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微信公众号：播客一下
【主持】程衍樑（微博：@GrenadierGuard2）杨一（微博：@杨一1）【嘉宾】StormXu徐风暴，通用汽车前工程师，「喜剧联合国」创始人（微博：@StormXu徐风暴）●[02:45]Storm改名徐风暴事件始末●[05:30]“脱口秀”一词在中国电视出现得很早●[07:50]2014年程衍樑在一则CNN报道中首次得知StormXu●[09:30]周立波不承认自己的作品是单口喜剧●[12:20]中式喜剧的南北之别●[16:15]Storm矢志做单口喜剧界的大咕咕咕鸡●[16:45]方言笑话的生命力非常旺盛●[17:15]现场录制被一阵电钻声打断了●[23:05]巩汉林老师成功地让全国人民接受了错误的上海形象●[25:05]杨浦喜剧一哥败走深圳往事●[31:40]小剧场、大剧场和电视●[34:50]辛辣的观众和高笑点●[35:40]很多中文笑话说起来其实没有读起来有意思●[42:45]杨浦喜剧一哥再次败走《相声有新人》【推荐播客】伐要去管它|Storm带你解读生活https://www.ximalaya.com/yule/11776250/【音乐】 "Partita for Violin Solo No. 2 in D Minor, BWV 1004: 5. Chaconne"（Nathan Milstein·Bach: Sonatas and Partitas for Solo Violin·1998·Deutsche Grammophon）"给我一个吻"（张露·给我一个吻·1954·百代唱片）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright微信公众号：播客一下
我们的老朋友刘怡再次做客《忽左忽右》，不久前，他刚刚见证了一段重要的历史现场。刘怡带来了许多有趣的故事和令人感慨的见闻，一起来听听吧。 【主持】 程衍樑（新浪微博：@GrenadierGuard2） 杨一（新浪微博：@杨一1） 【嘉宾】 刘怡，《三联生活周刊》主笔 [02:15]一位大二辍学的叙利亚连长请求刘怡讲述亚洲的历史 [03:40]拉卡的律师六年没有翻过报纸了 [07:20]“小孩害羞是文明的标志” [09:50]战后三种阶段的三个样板 [12:25]跑掉了的一代人 [13:10]大阿里巴巴和小阿里巴巴 [13:40]有故事的顺风车司机 [16:45]“你知不知道古勒卜丁·希克马蒂亚尔是谁？” [18:00]刺客假扮记者成风 [19:40]全世界有几十万记者报道过美国总统选举，谁知道阿富汗总统是怎么选出来的？ [20:25]老司机讲述颠沛流离生涯 [22:20]文明社会改变了一个人的价值观 [26:10]今天的军阀曾是昨日的国家精英 [30:45]辩不过就干掉他 [31:40]大人物往往不会反思，更不忏悔 [32:55]在代尔祖尔的迷人星空下 【音乐】 "Partita No 2 in d, BWV 1004 IV. Giga (IV. Giga)"（James Ehnes·6 Sonatas & Partitas for Solo Violin·2007·Alliance Records Label） "Memorie"（Argine·Luctamina In Rebus·2001·Ark Records） 您可以通过网易云音乐、Spotify搜索「忽左忽右 BGM」，获得节目完整歌单。 【logo设计】杨文骥 【收听方式】 推荐您使用「苹果播客」、Spotify或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM、蜻蜓FM、 荔枝FM、网易云音乐收听。 【本节目由JustPod出品】 【互动方式】 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下
我们的老朋友刘怡再次做客《忽左忽右》，不久前，他刚刚见证了一段重要的历史现场。刘怡带来了许多有趣的故事和令人感慨的见闻，一起来听听吧。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】刘怡，《三联生活周刊》主笔●[02:15]一位大二辍学的叙利亚连长请求刘怡讲述亚洲的历史●[03:40]拉卡的律师六年没有翻过报纸了●[07:20]“小孩害羞是文明的标志”●[09:50]战后三种阶段的三个样板●[12:25]跑掉了的一代人●[13:10]大阿里巴巴和小阿里巴巴●[13:40]有故事的顺风车司机●[16:45]“你知不知道古勒卜丁·希克马蒂亚尔是谁？”●[18:00]刺客假扮记者成风●[19:40]全世界有几十万记者报道过美国总统选举，谁知道阿富汗总统是怎么选出来的？●[20:25]老司机讲述颠沛流离生涯●[22:20]文明社会改变了一个人的价值观●[26:10]今天的军阀曾是昨日的国家精英●[30:45]辩不过就干掉他●[31:40]大人物往往不会反思，更不忏悔●[32:55]在代尔祖尔的迷人星空下【音乐】 "Partita No 2 in d, BWV 1004 IV. Giga (IV. Giga)"（James Ehnes·6 Sonatas & Partitas for Solo Violin·2007·Alliance Records Label）"Memorie"（Argine·Luctamina In Rebus·2001·Ark Records）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
我们的老朋友刘怡再次做客《忽左忽右》，不久前，他刚刚见证了一段重要的历史现场。刘怡带来了许多有趣的故事和令人感慨的见闻，一起来听听吧。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】刘怡，《三联生活周刊》主笔●[02:15]一位大二辍学的叙利亚连长请求刘怡讲述亚洲的历史●[03:40]拉卡的律师六年没有翻过报纸了●[07:20]“小孩害羞是文明的标志”●[09:50]战后三种阶段的三个样板●[12:25]跑掉了的一代人●[13:10]大阿里巴巴和小阿里巴巴●[13:40]有故事的顺风车司机●[16:45]“你知不知道古勒卜丁·希克马蒂亚尔是谁？”●[18:00]刺客假扮记者成风●[19:40]全世界有几十万记者报道过美国总统选举，谁知道阿富汗总统是怎么选出来的？●[20:25]老司机讲述颠沛流离生涯●[22:20]文明社会改变了一个人的价值观●[26:10]今天的军阀曾是昨日的国家精英●[30:45]辩不过就干掉他●[31:40]大人物往往不会反思，更不忏悔●[32:55]在代尔祖尔的迷人星空下【音乐】 "Partita No 2 in d, BWV 1004 IV. Giga (IV. Giga)"（James Ehnes·6 Sonatas & Partitas for Solo Violin·2007·Alliance Records Label）"Memorie"（Argine·Luctamina In Rebus·2001·Ark Records）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
我们的老朋友刘怡再次做客《忽左忽右》，不久前，他刚刚见证了一段重要的历史现场。刘怡带来了许多有趣的故事和令人感慨的见闻，一起来听听吧。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】刘怡，《三联生活周刊》主笔●[02:15]一位大二辍学的叙利亚连长请求刘怡讲述亚洲的历史●[03:40]拉卡的律师六年没有翻过报纸了●[07:20]“小孩害羞是文明的标志”●[09:50]战后三种阶段的三个样板●[12:25]跑掉了的一代人●[13:10]大阿里巴巴和小阿里巴巴●[13:40]有故事的顺风车司机●[16:45]“你知不知道古勒卜丁·希克马蒂亚尔是谁？”●[18:00]刺客假扮记者成风●[19:40]全世界有几十万记者报道过美国总统选举，谁知道阿富汗总统是怎么选出来的？●[20:25]老司机讲述颠沛流离生涯●[22:20]文明社会改变了一个人的价值观●[26:10]今天的军阀曾是昨日的国家精英●[30:45]辩不过就干掉他●[31:40]大人物往往不会反思，更不忏悔●[32:55]在代尔祖尔的迷人星空下【音乐】 "Partita No 2 in d, BWV 1004 IV. Giga (IV. Giga)"（James Ehnes·6 Sonatas & Partitas for Solo Violin·2007·Alliance Records Label）"Memorie"（Argine·Luctamina In Rebus·2001·Ark Records）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
Join us for classical music news and anecdotes, a new angle on Handel's Ode for the Birthday of Queen Anne, plus reviews of violinist Elicia Silverstein's solo recital for the Baroque at the Edge festival, and the Fort Smith Symphony's new recording of Florence Price's first and fourth symphonies.Music Credits: Handel, ‘Eternal Source of Light Divine' from Ode for the Birthday of Queen Anne, from soprano Antonia Dunjko, Edmund Andler-Borić on the organ and Igor Mrnjavčić on trumpet, and from countertenor Bradley Sharpe, trumpeter Theo Van Dyck and the Norfolk Festival Chamber Choir and Orchestra under Christopher Jackson.Organist Sam Bardsley performs his fugue on a theme after David Cameron.Bieber Passacaglia for Solo Violin from Elicia Silverstein, The Dreams and Fables I Fashion on Rubicon.Jellantsje de Vries plays Salvatore Sciarrino's 6 Caprices for Solo Violin.Florence Price Symphony No. 1, Mov. 1 from John Jeter and the Fort Smith Symphony on Naxos.Our version of the first movement from Sibelius' 5th Symphony. Follow us here:instagram.com/classicalpod/twitter.com/ClassicalPodfacebook.com/ClassicalPod/ Watch episodes from China's SuperVocal here: https://www.youtube.com/watch?v=BT6xngAYIAAPreview Sciarrino's score for the 6 Caprices: https://www.scribd.com/doc/194141493/Sciarrino-6-Capricci-Per-ViolinoLuciano Berio's ‘Sequenza VIII' performed by David Bowlin: https://itunes.apple.com/ke/album/luciano-berio-sequenza-viii-corale-huang-ruo-4-fragments/821130622Antonín Dvořák's Symphony No. 9 From the New World, Budapest Festival Orchestra with Iván Fischer: https://itunes.apple.com/gb/album/dvo%C5%99%C3%A1k-symphonies-nos-8-9-from-the-new-world/151636663Read about Florence Price and the African-American Spiritual: https://timmyfisher.co.uk/words/the-african-american-spiritualMore info on SoundState coming up at the Southbank Centre, London: https://www.southbankcentre.co.uk/whats-on/festivals-series/classical-season/soundstate
过去一年来，「多抓鱼」无疑是备受文艺青年瞩目的小程序，这款专注于二手书交易的应用在短时期内收获了众多铁粉，其中包括不少老书虫甚至作家，它的用户体验为何能够维持在一个较高水准，看似冷僻文艺的经历究竟有何商业魅力？多抓鱼创始人@猫助 做客「忽左忽右」，为大家带来她的故事。 【主持】 程衍樑（新浪微博：@GrenadierGuard2） 杨一（新浪微博：@杨一1） 【嘉宾】 猫助，多抓鱼创始人（豆瓣ID:@猫助） 郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom） [02:20]「多抓鱼」名称的诞生 [06:30]猫助做过多年的综艺文案 [11:40]中国传媒大学的碟摊藏龙卧虎 [15:15]家庭环境塑造子女世界观 [18:40]最小可执行产品（MVP）与杀熟 [20:40]许多作家成为多抓鱼的重度用户 [22:00]孔夫子网与多抓鱼的异同 [23:30]猫助就缺一个首席经济学家 [26:00]畅销作家与滞销作家 [28:45]二手闲置商业正在崛起 [37:00]满足挑剔的用户真不容易 【音乐】 "Partita for Violin Solo No. 2 in D Minor, BWV 1004: I. Allemande"（James Ehnes·The Six Sonatas & Partitas for Solo Violin·2000·Analekta-Fleur De Lys Records） "Transatlanticism"（Death Cab for Cutie·Transatlanticism·2003·Barsuk Records） 您可以通过网易云音乐、Spotify搜索「忽左忽右 BGM」，获得节目完整歌单。 【logo设计】杨文骥 【收听方式】 推荐您使用「苹果播客」、Spotify或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM、蜻蜓FM、 荔枝FM、网易云音乐收听。 【本节目由JustPod出品】 【互动方式】 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下
过去一年来，「多抓鱼」无疑是备受文艺青年瞩目的小程序，这款专注于二手书交易的应用在短时期内收获了众多铁粉，其中包括不少老书虫甚至作家，它的用户体验为何能够维持在一个较高水准，看似冷僻文艺的经历究竟有何商业魅力？多抓鱼创始人@猫助 做客「忽左忽右」，为大家带来她的故事。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】猫助，多抓鱼创始人（豆瓣ID:@猫助）郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）●[02:20]「多抓鱼」名称的诞生●[06:30]猫助做过多年的综艺文案●[11:40]中国传媒大学的碟摊藏龙卧虎●[15:15]家庭环境塑造子女世界观●[18:40]最小可执行产品（MVP）与杀熟●[20:40]许多作家成为多抓鱼的重度用户●[22:00]孔夫子网与多抓鱼的异同●[23:30]猫助就缺一个首席经济学家●[26:00]畅销作家与滞销作家●[28:45]二手闲置商业正在崛起●[37:00]满足挑剔的用户真不容易【音乐】"Partita for Violin Solo No. 2 in D Minor, BWV 1004: I. Allemande"（James Ehnes·The Six Sonatas & Partitas for Solo Violin·2000·Analekta-Fleur De Lys Records）"Transatlanticism"（Death Cab for Cutie·Transatlanticism·2003·Barsuk Records）【logo设计】杨文骥【收听方式】本节目由喜马拉雅FM独家播出，也可通过泛用型播客客户端订阅收听《忽左忽右》。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
过去一年来，「多抓鱼」无疑是备受文艺青年瞩目的小程序，这款专注于二手书交易的应用在短时期内收获了众多铁粉，其中包括不少老书虫甚至作家，它的用户体验为何能够维持在一个较高水准，看似冷僻文艺的经历究竟有何商业魅力？多抓鱼创始人@猫助 做客「忽左忽右」，为大家带来她的故事。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】猫助，多抓鱼创始人（豆瓣ID:@猫助）郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）●[02:20]「多抓鱼」名称的诞生●[06:30]猫助做过多年的综艺文案●[11:40]中国传媒大学的碟摊藏龙卧虎●[15:15]家庭环境塑造子女世界观●[18:40]最小可执行产品（MVP）与杀熟●[20:40]许多作家成为多抓鱼的重度用户●[22:00]孔夫子网与多抓鱼的异同●[23:30]猫助就缺一个首席经济学家●[26:00]畅销作家与滞销作家●[28:45]二手闲置商业正在崛起●[37:00]满足挑剔的用户真不容易【音乐】"Partita for Violin Solo No. 2 in D Minor, BWV 1004: I. Allemande"（James Ehnes·The Six Sonatas & Partitas for Solo Violin·2000·Analekta-Fleur De Lys Records）"Transatlanticism"（Death Cab for Cutie·Transatlanticism·2003·Barsuk Records）【logo设计】杨文骥【收听方式】本节目由喜马拉雅FM独家播出，也可通过泛用型播客客户端订阅收听《忽左忽右》。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
过去一年来，「多抓鱼」无疑是备受文艺青年瞩目的小程序，这款专注于二手书交易的应用在短时期内收获了众多铁粉，其中包括不少老书虫甚至作家，它的用户体验为何能够维持在一个较高水准，看似冷僻文艺的经历究竟有何商业魅力？多抓鱼创始人@猫助 做客「忽左忽右」，为大家带来她的故事。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】猫助，多抓鱼创始人（豆瓣ID:@猫助）郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）●[02:20]「多抓鱼」名称的诞生●[06:30]猫助做过多年的综艺文案●[11:40]中国传媒大学的碟摊藏龙卧虎●[15:15]家庭环境塑造子女世界观●[18:40]最小可执行产品（MVP）与杀熟●[20:40]许多作家成为多抓鱼的重度用户●[22:00]孔夫子网与多抓鱼的异同●[23:30]猫助就缺一个首席经济学家●[26:00]畅销作家与滞销作家●[28:45]二手闲置商业正在崛起●[37:00]满足挑剔的用户真不容易【音乐】"Partita for Violin Solo No. 2 in D Minor, BWV 1004: I. Allemande"（James Ehnes·The Six Sonatas & Partitas for Solo Violin·2000·Analekta-Fleur De Lys Records）"Transatlanticism"（Death Cab for Cutie·Transatlanticism·2003·Barsuk Records）【logo设计】杨文骥【收听方式】本节目由喜马拉雅FM独家播出，也可通过泛用型播客客户端订阅收听《忽左忽右》。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright
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