Podcasts about Kreisler

durée : 01:27:59 - Laurent Korcia, fougue et sensibilité - par : Aurélie Moreau - 1er Prix du Concours Francescatti, Grands Prix des concours Paganini et Jacques Thibaud, Laurent Korcia est un violoniste célébré pour son jeu plein d'imagination et son tempérament audacieux. Aujourd'hui : Korngold, Bartók, Fauré, Kreisler, Ysaÿe…

Finally, we've reached the last day of March, and that means it's my birthday! We are listening to Episode 042! For this occasion, I'm bringing you a very special session, recorded live last week at Oassis Natural Cooking in Jardinets de Gràcia, Barcelona. Tracklist: 01. Bodies – Bodies (Original Mix) 02. Tobias Gesumaria - Eternal Secrets 03. SANDHAUS – Girl Like U 04. Kamilo Sanclemente, Andre Moret, Mariusso – Atenea (Original Mix) 05. Semad – Gulo 06. ONFAYA – I Can Feel It (Extended Mix) 07. Somelee – Samaya (Extended Mix) 08. Kreisler – Miss You (Extended Mix) 09. Jelly For The Babies, Plecta feat. Veliko – Mercy (Club Version) 10. RIINA – Way Out (Extended Mix) 11. Budakid – Freedom (Patrice Bäumel Remix) 12. Catz’n Dogz feat. Cloud Boat – Open Door (Jaspar Kaspar Remix) 13. Enamour – Is This Your Card? 14. IDQ – Idle 15. You & I – Suitcase Stories (Lost Desert Remix) 16. Secret Echoes – Particles (Original Mix) 17. Pavel Petrov – Back To Black feat. Vall 18. Snirco & Millero – Sweet Moment (Original Mix) 19. Eelke Kleijn feat. Emily Roberts – Watching Over Me (Extended Mix) 20. Mathilde Nordberg – Wish You Were Here (Extended Mix) 21. Solomun & Jain – Tout le monde est fou (Club Version) 22. Dilby, Trice Be – Feel It (Extended Mix) 23. Santiago Garcia – Lie (Enamour Extended Remix) 24. 3GGER – Out (Original Mix) 25. Bonnie Spacey & Favio Inker – Alright (Original Mix) 26. BURNERS! – C’mon (Original Mix) 27. Bonobo & Totally Enormous Extinct Dinosaurs – Heartbreak (Original Mix) - Like every month, for 2 hours the best worldwide sounds of the electronic scene will impact your soul. Compiled and Mixed by Alan Dorve. More info www.alandorve.com

2009 zesummegedoen, spillt de Kreisler Quartett gréisstendeels Concerten zu Lëtzebuerg. Den Ensembel, deen aus Musekerinnen a Museker vun de Lëtzebuerger Philharmoniker besteet, huet dobäi ee breet gefächerte Repertoire. Dëse Sonndeg (16.3.) spillt d'Formatioun ee Concert zu Lasauvage an der Eglise Sainte-Barbe. Am Gespréich mam Luc Boentges schwätzt den Cellist Niall Brown iwwer d'Creatioun vum Kreisler Quartett , de Concertsprogramm an d'Liewen tëschent berufflechem a private Museksliewen.

von Billerbeck, Liane www.deutschlandfunkkultur.de, Studio 9

von Billerbeck, Liane www.deutschlandfunkkultur.de, Studio 9

von Billerbeck, Liane www.deutschlandfunkkultur.de, Studio 9

von Billerbeck, Liane www.deutschlandfunkkultur.de, Studio 9

Rachmaninoff took Kreisler's beloved Liebesleid for violin and turned it into a virtuosic piano showpiece full of crunchy chromaticism and awkward chords :) With pianist Henrik Kilhamn.Video: https://youtu.be/EAKBxLgu560

Con Flash Strato, los Secretos, los Modelos, Mamá, Nacha Pop, Kreisler, Tommy Edwards, Beyoncé, Dolly Parton, Miley Cirus, Destiny's Child, Debi Nova, Jose Alfredo Jiménez, Pasión Vega, Bunbury, Buena Fe y Joaquín Sabina.

Er war der erste, der es immer tat: Fritz Kreisler, der Wiener Charmeur mit dem gepflegten Schnurrbart und dem schlanken Ton. Kreisler gilt als erster Geiger, der ununterbrochen vibrierte. Doch die Vertreter der Historischen Aufführungspraxis haben dem Gewackel den Kampf angesagt - allen voran Roger Norrington, der mit seinem Radio-Sinfonie-Orchester Stuttgart selbst die spätromantische Musik absolut vibratolos spielt. Unser ZOOM erzählt die Geschichte einer Infektion.

Remember to suscribe to my channel and like it, if you do like it: https://www.youtube.com/channel/UCOKDo0LCFhuEGwdP6AdyQPQ/featured Check my other socials and follow me everywhere: IG: https://www.instagram.com/jamesdetorres/ FB: https://www.facebook.com/JamesDeTorresMusic Twitter: @JamesDeTorresMS Spotify: https://open.spotify.com/artist/3V2xA860a9cLBlJEpVbgsP?si=oH2fA3hyQtWsS8JdW6LDSg Lunar Sessions 122 Tracklist 1st Hour 1.Lane 8 - First Light (Original Mix) This Never Happened 2. WhoMadeWho, Kolsch - Heartless (Alex Wann Remix) The Moment 3. MYRNE, Shallou - Heal (Extended Mix) This Never Happened 4. Raz Alon - Mon Amour (Original Mix) Maccabi House 5. Andrea Oliva, Kyozo - Ricochet (Original Mix) Zamna Records 6. Santiago Garcia - Lie (Enamour Extended Remix) Signature Music 7. Deep Dish - Say Hello (Deep Dish Goes Peak Extended Remix) Armada 8. Fabrizio Marra - Average (Original Mix) Lelantus Records 9. Kreisler, James de Torres - Be Real (Original Mix) Nomade Records 10. Vintage Culture, DJ Glen - Brava (Original Mix) Vintage Culture 11. Arash, Hugel - I Adore You (ARTBAT Remix) Virgin 2nd Hour 12. Yamagucci & OMRI - Selector (Original Mix) Maccabi House 13. Toto Chiavetta - Pink Flow (Original Mix) Borders of Light 14. Anu - Think About It (Extended Mix) Horizon 15. Alar & Kinky Sound - Together (Original Mix) Wired 16. Jon.K, Kuman - Zeta (Original Mix) Somatique Music 17. Weekend Heroes - Modular (Original Mix) Escape Gravity 18. Nathan Nicholson, Massano, Anyma - Angel in the Dark (Extended Mix) 19. Andrewboy, Shazze - Freedom (Original Mix) Area Verde 20. NEM3SI$ - One Life (Extended Mix) CROCUS 21.Signum, Scott Mac, Einkam, Korolova - Coming On Strong (Extended Mix) Armada 22. Armina, Artaria - She (Original Mix) Siona Records 23. Oysher - My Bad (Original Mix) Octopus Recordings 24. Chakra, Edi Mis - X-Files (Ruback & Mariz Remix) Iboga Records

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Anne Hillerman Anne Hillerman discusses her latest novel, “Lost Birds,” and her career as a writer with host Richard Wolinsky. Anne Hillerman has written nine books in a series of mysteries featuring the native detectives Joe Leaphorn and Jim Chee, created by her father, the legendary novelist, the late Tony Hillerman (1925-2008). Previously a writer of travel books focusing on Santa Fe and environs, she began working on these novels following the death of her father and chose to increase the role of a minor character, Bernadette Manuelito, from Tony Hillerman's books to one of primary protagonist. That change was later emulated in the “Dark Winds” television series. Complete Interview   Caleb Carr (1955-2024) Caleb Carr in 2002. ​​​​​Caleb Carr (1955-2024), author of The Alienist and other works, in conversation with Richard Wolinsky, recorded in the KPFA studios October 15, 1997. Digitized, remastered and edited in September 2024, this interview has not been heard in over a quarter century. Caleb Carr, who died on May 23, 2024 at the age of 68, was a military historian, a novelist, and a writer who examined the nature of violence in his fiction and non-fiction. He was perhaps best known for his best-selling novel The Alienist, which recently became a two-season streaming series. Over all, he wrote 11 books, several articles and reviews, worked on both seasons of the television series and two exorcist films. He was the son of Lucien Carr, a key member of the group that included Jack Kerouac and Allen Ginsberg. Lucien Carr went to prison for manslaughter for killing the sexual predator who had abused him as a youth. Kerouac helped him dispose of the knife. This interview was recorded in the KPFA studios on October 15, 1997 while Caleb Carr was on tour for The Angel of Darkness, the sequel to The Alienist. While he never came back directly to the character of Lasso Kreisler, the protagonist of The Alienist, Caleb Carr's final novel, a contemporary mystery, Surrender, New York, featured as its protagonist an expert on the life and work of Kreisler. His next book following The Angel of Darkness was Killing Time, a dystopian science fiction novel. Complete Intervew   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).  See website for upcoming readings. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre A Whynot Christmas Carol, November 26-December 24, Toni Rembe Theatre. Aurora Theatre  Fallen Angels by Noel Coward, October 19 – November 17. Awesome Theatre Company. See website for information. Berkeley Rep. The Matchbox Magic Flute, October 18 – December 9, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. New Years Eve at the Speakeasy, Jan. 1, 2025. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: New Roots Theatre Festival, November 14-17. See calendar for current and upcoming productions. BroadwaySF: See website for events at the Orpheum, Curran and Golden Gate. Kimberley Akimbo, November 6 – December 1, Golden Gate. See website for special events. Broadway San Jose:  Come from Away, November 21-24, 2024. California Shakespeare Theatre Closed. Center Rep: Dragon Lady, written and performed by Sara Porkalob, October 27 – November 24. Central Works  The Contest by Gary Graves, Oct. 19 – Nov. 17. Cinnabar Theatre. Gutenberg! The Musical January 17-26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre A Charlie Brown Christmas, Nov. 23 – Dec. 15. Curran Theater: See website for special events.. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for information and notice of a final production. 42nd Street Moon. See website for upcoming productions. Golden Thread  AALA: A Family Trilogy by Adam Ashraf Elsayigh, Nov. 16-17, Z Space. Hillbarn Theatre: Anastasia, December 5 -29, 2024. Lorraine Hansberry Theatre. See website for upcoming productions Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Theatre Company Waste by Harley Granville-Barker,  Feb. 6 – March 2, 2025.Transcendence Theatre: Broadway Holiday, December 12-15, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) The Gulf, An Elegy by Audrey Cefaly, October 18 – November 24. Oakland Theater Project.  Ghost Quartet by Dave Malloy, Oakland Nov 1-24. Flax Art & Design, San Francisco, Dec. 5-8. ODC Theatre. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. The Agitators by Mat Smart, Nov 22 – Dec. 15. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. The Play That Goes Wrong, September 21 – November 9. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: See website for upcoming schedule. Shotgun Players.  Thirty Six: Do You Like What You See by Leah Nanako Winkler. November 18 – December 22. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Cabaret, November 21 – December 15. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Miss Bennett: Christmas at Pemberley by Lauren Gunderson and Margot Melcon, December 4- 29. . Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   . The post November 7, 2024: Anne Hillerman – Caleb Carr appeared first on KPFA.

Phil Hebblethwaite examines five classical musical hoaxes and controversies, from the early twentieth century to the modern day. These are origin stories that have fooled and perplexed some of the greatest experts. In an age of misinformation, when faking it has never been more prevalent, the series unravels the stories of some of the most brazen and confounding composer controversies. What is the appeal of engineering a hoax? And why do we fall for them so easily? It's a journey that raises questions about scholarship, authenticity and our faith in expert opinion.In the first essay, Phil tells the story of Fritz Kreisler - the virtuoso violinist who passed his own works off as compositions by forgotten Baroque composers. It took 30 years before the hoax was revealed. How did Kreisler manage to fool so many people for so long?Written and presented by Phil Hebblethwaite Producer: Jo Glanville Editor: Joanne Rowntree Researcher: Heather Dempsey Studio Engineer: Dan King A Loftus Media Production for BBC Radio 4

Caleb Carr in 2002. ​​​​​Caleb Carr (1955-2024), author of The Alienist and other works, in conversation with Richard Wolinsky, recorded in the KPFA studios October 15, 1997. Digitized, remastered and edited in September 2024, this interview has not been heard in over a quarter century. Caleb Carr, who died on May 23, 2024 at the age of 68, was a military historian, a novelist, and a writer who examined the nature of violence in his fiction and non-fiction. He was perhaps best known for his best-selling novel The Alienist, which recently became a two-season streaming series. Over all, he wrote 11 books, several articles and reviews, worked on both seasons of the television series and two exorcist films. He was the son of Lucien Carr, a key member of the group that included Jack Kerouac and Allen Ginsberg. Lucien Carr went to prison for manslaughter for killing the sexual predator who had abused him as a youth. Kerouac helped him dispose of the knife. This interview was recorded in the KPFA studios on October 15, 1997 while Caleb Carr was on tour for The Angel of Darkness, the sequel to The Alienist. The interview includes mention of a movie-length pilot for a science fiction series, directed by Joe Dante. That pilot, originally titled The Warlord, Battle for the Galaxy, was released on DVD as The Osiris Chronicles. It is not available for streaming. While he never came back directly to the character of Lasso Kreisler, the protagonist of The Alienist, Caleb Carr's final novel, a contemporary mystery, Surrender, New York, featured as its protagonist an expert on the life and work of Kreisler. His next book following The Angel of Darkness was Killing Time, a dystopian science fiction novel. The post Caleb Carr (1955-2024): “The Alienist” and “The Angel of Darkness,” 1997 appeared first on KPFA.

durée : 01:28:07 - Nigel Kennedy, le violon en toute liberté - par : Aurélie Moreau - Pour Nigel Kennedy, célèbre violoniste virtuose et anticonformiste, « Il faut puiser dans la tradition transmise par nos aînés, ce qui permet d'exprimer sa propre personnalité ». (Diapason). Aujourd'hui : Beethoven, Vivaldi, Elgar, Kreisler, Walton...

Er war direkt an der Quelle: Seine Großmutter Isot Kilian war die letzte Geliebte von Bertolt Brecht und hat ihre Liebe zum Theater an die Familie weitergeben. Seine Mutter hat schon dem sechsjährige Karsten makabere Lieder von Georg Kreisler vorgesungen und hat ihm von den Verfolgungen, die ihre Familie erleiden musste, erzählt. Sein Vater Josh Sellhorn war beim Verlag „Volk und Welt“ und hat in sogenannten Schallplattenvorträgen die Welt der jüdischen Kultur unter das Volk gebracht. Die Eltern trennten sich, doch die Liebe zu Kreisler und zu jiddischen Liedern behielten sie bei. Sie bilden immer noch die Säulen in den Programmen von Karsten Troyke, der damit seine Eltern im Geiste wieder zusammenführt.

The versatile Nikolaj Szeps-Znaider leads the CSO as soloist in Mozart's richly melodic Violin Concerto No. 2 and Kreisler's wistful Liebesleid. Trading violin bow for baton, Szeps-Znaider conducts Stravinsky's Pulcinella Suite, a neoclassical gem that shines a spotlight on the orchestra's principal players, and Mozart's Prague Symphony, a work of grand gestures and profound, melodious depth. Learn more: cso.org/performances/23-24/cso-classical/mozart-and-stravinsky

Intet er givet på forhånd, intet er som i går, eller for lidt siden. Natten er ingenmandsland, natten er en Jætte, en kaosmagt. Natten er rolig, natten er vild og frem for alt er natten er din. Lise Dress, Schumann, Nala Sinephro, Ravel, Kreisler, Jomi Massage, Pia Raug, Hugo Diaz og Martha Agerich lader natten gå sin gang med andre af nattens sjæle. Vært: Minna Grooss. (Sendt førte gang 23. maj 2023).

durée : 01:27:06 - En pistes ! du mercredi 10 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, la pianiste hongroise Annie Fischer interprète l'œuvre de Schumann, l'Orchestre Philarmonique de Berlin dirigé par Simon Rattle dans leur version de la Symphonie n°2 de Borodine, la pianiste Yeol Eum Son et le violoniste Svetlin Roussev nous livrent les plus belles pages de Kreisler

durée : 00:04:44 - 114. Fritz Kreisler, pionnier de Bach au disque (1910) -

Joan Pujol desempeñó labores de espionaje y contraespionaje durante la Segunda Guerra Mundial para ambos bandos y a plena satisfacción, llegando a ser condecorado con la Cruz de Hierro alemana (1944) y la Orden del Imperio Británico (1944). Su intervención fue decisiva en el éxito del desembarco en Normandía.Alejandra Kreisler (1984), referente del arte urbano español, compagina la representación de artistas con diversos proyectos. Up&Coming es una galería con soporte on-line que oferta obra de artistas emergentes, con precios que oscilan entre los 300€ y los 6.000€.Representa a la artista murciana Cantabella

Co sprawiło, że uznany na świecie skrzypek, grający 260 koncertów rocznie porzucił instrument i z własnej woli ubrał mundur oraz poszedł na front? Na to pytanie pomaga odpowiedzieć wojenna historia Fritza Kreislera, jednego z największych wirtuozów minionego stulecia. „Cztery tygodnie w okopach” to tytuł wspomnień, które podyktował jednemu z dziennikarzy podczas swojej rekonwalescencji, gdy ranny wrócił z walk o Galicję w 1914 roku. Wydane zostały w Stanach Zjednoczonych rok później. Są cennym świadectwem koszmaru Wielkiej Wojny, ale pozwalają także zrozumieć, dlaczego Europa stanęła w płomieniach, które pochłonęły miliony istnień ludzkich. Podcast powstał dzięki Mecenasom Szafy Melomana. Jeśli chcesz stać się jednym z nich i wspierać pierwszy polski podcast o muzyce klasycznej, odwiedź mój profil w serwisie Patronite.pl. Muzyka w odcinku: 1. M. de Falla, „Taniec hiszpański nr 1” z „La Vida breve” (w aranżacji F. Kreislera), wyk. Franc Rupp (fp.), Fritz Kreisler (skrzypce), Naxos 2005 (reedycja). 2. F. Kreisler, „Liebesleid” (wyk. F. Kreisler, 1910 i S. Rachmaninow 1921 we własnym opracowaniu). 3. F. Kreisler, „Marche miniature viennoise”, wyk. Victor Syymphony Orchestra, Charles O'Connell, 4. C.M. von Weber, „Sonata na skrzypce i fortepian nr 1”, cz. 2, wyk. Michael Raucheisen (fp.), Fritz Kreisler (skrzypce), 1930, źródło: Wikimedia commons, domena publiczna. Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego.

00:00 Felix Raphael & Natascha Polke & coiro Everything Is Yours Extended 06:15 Emre K. - Wanna Be Myself 12:20 Movement Machina, Hoten - Fly On 18:05 LAR feat. 88Birds - Bulletproof (L.GU. Extended Remix) 24:30 Kile & PUROFY - No Turning Back (Extended Mix) 28:50 Voon, Tim Condor - Now You're Gone (Goodenach Remix) 34:20 Kreisler x Rmny - I'm Falling (Analog Context Remix) 39:50 Prismode, Solvane, Max Joni - Changes (Extended Mix) 45:50 Ophanim - Nyra (Extended Mix) 50:50 Marsh Phenoir Mariel Beausejour - Dont Wait 54:40 Russell Rose - Breathe For Once

Part II Kathleen Parlow was one of the most outstanding violinists at the beginning of the 20th century. In 1912, she was signed by the Columbia Record Company in New York, and her first records for the U.S. label were brought out alongside those of the legendary Eugene Ysaÿe. Listen to her fascinating story and how she took the world by storm. From her devastating looks to the intrigue her priceless instrument created. You will hear rare recordings of this prodigious player as we retell her life and try to understand why such an incredible talent has been so forgotten today. Brought to you by Biddulph recordings   Transcript     Welcome to the Historical String Recordings podcast, a show that gives you a chance to hear rare and early recordings of great masters and their stories.  My name is Linda Lespets and my co host is Eric Wan. This is part two of the story of the remarkably talented violinist Kathleen Parlow. In part one, we met a prodigious talent. She was the first foreigner to study in the Russian Conservatorium in St. Petersburg with the famous teacher Auer, and her most ardent admirer had given her an extraordinary gift of a Guarneri del Gesù violin. But just how far can talent, hard work, and good looks get this young woman in the beginning of the 20th century? Keep listening to find out. So now it's 1909 and Kathleen has her career taking off. She has her teacher with connections, she has her violins, and the concert that she did in the National Theatre, the one where Einar saw her for the first time, the one with Johan Halvorsen conducting, well Kathleen and Johan hit it off. And now, a year later Johan Halvorsen has finished his violin concerto, and he's been working so long and hard on it, like it's his baby and, he actually dedicates this concerto to Kathleen Parlow, and asks her to premiere it with the Berlin Philharmonic at the Modenspa outside The Hague in the Netherlands in the summer of 1909. Then Johan Halversen writes this concerto, which is sort of athletic and sort of gymnastic to play. And  he finishes it and dedicates it to her to Kathleen Parlow. And she plays this very tricky piece which kind of shows his faith in her virtuosic talents.  Well, one of her first recordings was the Moto Perpetuo by Paganini and Auer says it's one of the most difficult pieces in terms of bowing technique ever written, he says in one of his books. The reason why is one has to keep a very controlled bow, crossing strings all over the place, and play it very rapidly. Now Kathleen Parlow's recording of the Paganini Moto Perpetuo, which was made in her first recording session for HMV, is really astounding. It's the fastest  version ever made. I think it's even faster than the Jascha Heifetz and Yehudi Menuhin.  Clean as a whistle, but she also phrases it so beautifully. So she doesn't just play it technically very fast. She really shapes, you know, it's all regular sixteenth notes or semiquavers, and yet she shapes the line beautifully and really gives a direction. So when you hear this, you realize she's more than just a virtuoso performer. She's somebody with real musicianship.  She's an astounding player. And this concerto, it's quite interesting. It's, it's tricky and it's a piece that really shows off a virtuoso. So it's, it's quite a good one for Kathleen. And at the same time, he gives it a Norwegian twist. It's cleverly composed and a virtuoso such as Kathleen was perfect for playing this piece. There are references to Norwegian folk music. In the last movement, we can hear pieces that were traditionally played on the Norwegian Hardanger fiddle. So it's a violin that has sympathetic strings that run under the fingerboard, and it gives it quite like a like a haunting sound, a very kind of Scandinavian sound. So there are bits in this concerto that are from traditional music played on that violin. Then there's, there's this fun bit which makes a reference to a traditional Norwegian dance called the Halling Dance. And the Halling Dance is danced, it's danced by men at weddings or parties, and there's really no other way to describe it than breakdancing and it's like the ancestor of breakdancing. So what happens is the men, they show off their prowess to the ladies by doing this really cool sort of these acrobatics and the music for this hailing dance itself is quite tricky and you have to play it with like a rhythm to get the crowd moving and to give the dancer like the impetus to do his tricks and the men, they wear these like traditional costumes of like high waisted breeches and red waistcoats with long puffy sleeves and this little black hat. It's a bit like Mr. Darcy meets Run DMC.  You've got this man in this traditional dress doing this breakdancing, basically. And then they do they do backflips. They do that thing where you hold your foot and you jump through it with your other foot. They do like the caterpillar move. Even like spitting around on their heads. And what happens is they'll be, they'll be dancing to this music often played with, you know, the epinette and they'll be spinning around and then intermittently after spinning around, they'll do, you know, the backflip and the headspin or the, the caterpillar. And it's, I don't know how they do it. It's, they must be very dizzy. Anyway, it's incredible. And then sort of the climax of the dance is that there's a woman also, you know, dressed traditionally, and she's got this pole, this long pole. And on the end of the pole is a hat. And the idea is you have to kick the hat off, but the pole is three meters high.  So she's standing on like a ladder with the pole. And so the dancer, he'll do this kind of flying kick in the air. Either you can, you kick it off or you miss it. So in Johan Halvorsen's concerto at the end, there's this high harmonic and that you either have to hit on the G string. And like in the dance, you know, you're hitting that hat off. And so you're always there. You're always wondering if the soloist can pull it off. Can they, can they hit that high harmonic? And it's, it's the same sort of the equivalent of the spinning high kick from the dance. So, and if you were Norwegian, You would get this, I think, from the, from the music and you'd hear it. You hear that you do hear it in the music. So Kathleen Parlow, she plays this Halversen concerto and she plays it three times that year, and when she plays the piece in the National Theatre in September, there's sort of, there are mixed reviews with the critics saying that the piece was too unconventional. It's a little bit different and here's where Halvorsen, he like, he kicks up a stink a bit. This, because this concerto is like his baby and he's really protective and he's like, you know, he's quite fragile. He's, he's worked so much on this thing and people are just saying, you know, nasty things.  They don't understand the work that went into it. Yeah, you write a concerto.  So people, they flocked to hear Kathleen play Johan Halversen's concerto at the theatre. And it was full to bursting on several nights in a row. And if you consider on the same night in Oslo in another hall, Fritz Kreisler was playing and here you have Kathleen Parlow and people are just like cramming in to see her and Halvorsen's concerto. She was a huge name in her time. Only after a few performances and the negative critiques, Johan Halvorsen, he cancelled all the future performances of the work and, and when he retired, he burnt the manuscripts and asked for all the copies to be destroyed as well, it really, he was really hurt. Well, it was to be lost forever, except So a hundred years later, a copy of the concerto was serendipitously found in the University of Toronto's Faculty of Music, when one of the employees was looking through, not music, but personal documents of Kathleen's and it had been filed in there by mistake. And because it was with her personal files, it hadn't really, like her letters and things, it had been overlooked. So they found it and they resurrected it and they've re performed this concerto that had been lost for a hundred years.  And that's another role as a musician. You're also not managing, but you also have to deal with composers that could have quite be quite touchy and everything like a musician has to have, have on their plate. Well, I think being a musician, not only do you have to have an incredible skill level, you have to have an engaging personality. You have to be able to transmit a personality through the music itself. And you have to have incredible social grace to navigate charming not only your audience, but charming the people who create the concerts, the sponsors, the people who bankroll them. I think it's an incredibly difficult task. Because the skill level playing the violin is so difficult. That in itself would take up most people's energy. But on top of that, also have to be ingratiating and charming. I think it's an incredibly difficult life. Yeah, must be exhausting. And she does get exhausted. She'll have Breakdowns through, like her first one is when she's about 22. She has like almost like a nervous breakdown. And so it's kind of, she runs hot for a long time and then crashes.  And it might be like, you're saying like all these different things they have to, all the balls that they have in the air that they're juggling to keep it going. Kathleen Parlow, she's still in her teens. She's still a teenager. She has incredible success. She's performing in Germany and the Netherlands. And later that same year, she returns to Canada where she makes an extensive tour. She makes her debut in New York and Philadelphia.  I mean, she's just like, she's just all over. I mean, America's a big place and she's just all over the place.  And then in 1909, at the age of 19, she gets a recording contract with the gramophone company known as his master's voice. And that's the one with the dog listening into a recording trumpet.  And she was offered a 10 percent artist's royalty figure. So is that good? Getting 10 percent royalties? Yes. A 10 percent royalty at that time. is really quite unheard of. I believe the gramophone company gave that to their superstars. Louisa Tetrazzini, for example, was the great coloratura soprano of the day, and she received 10 percent of the sales royalty. So for Kathleen Parlow to be receiving that percentage really attests to her status. Yeah. And like you were saying before, it was, it's like amazing that we've forgotten about her. Oh, it's kind of astounding. She was an absolute star. The concert halls and one newspaper wrote an article and I quote one of the articles, the young woman could not mistake the furor she created. She was, so she was described as the greatest woman violinist in the world and the girl of the golden bow and Of course the obsession with her willowy figure and pale complexion and feminine wilds continues Which is sort of I mean even the case today I suppose will people will go into describing a woman and what she's wearing what she looks like a bit more than a guy, this thing that's just pervaded and then there was Einar Bjornsson, always there in the background. The communications between them, himself and Kathleen, was sort of constant. He was always visiting and in her diary she was, you know, just abbreviating his name because it was so his feelings for the young woman were extreme and the money he borrowed from his father, he would never be able to repay. So he was sort of indebted his whole life because of this. It must have been a little bit awkward explaining to his wife as well where the money has gone. Yeah, it's a big chunk of her dowry. I mean, even if he did tell her, maybe, you know, I don't know, maybe he didn't tell her. Maybe she, it was possible for him to do that. I'm not sure how the laws in Norway work. If, you know, sometimes in some countries, once you marry, your, your money becomes your husband's.  Basically, after the successful gramophone company recordings, she was really launched her career. She travelled all over. She travelled to, back to the United States, even though she's from Canada. She was regarded as a British artist, primarily because Canada was part of Britain, but then she made her success in the United States. And she was a very big success, so much so that the Columbia Record Company decided to offer her a recording contract. Now, there were two main companies in the United States. One of them was the Victor talking machine, which is essentially, that later became RCA Victor when it was bought by the Radio Corporation of America. But it originally started as the Victor talking machine. They had many, many big artists. They had people like Fritz Kreisler and Mischa Elman, and they also engaged a female violinist by the name of Maude Powell, who was an American born violinist. And so the Columbia Record Company decided that they should have their own roster of great instrumentalists, particularly violinists. And so they signed up Eugene Ysaie,  the great Belgian violinist, but at the same time they also signed up And I think, in a sense, that was to somehow put themselves in competition with the Victor Company. These two major record companies in the United States. So you had  the Victor Company with Mischa Elman and Fritz Kreisler and their female star, Maude Powell. And then you have Columbia answering back with Eugenie Ysaie and their female star, Kathleen Parlow.  Yeah. So you have like we were saying, like all the relationships that you have to keep juggling as a musician. And I think what Kathleen Parlow had on top of that was this. This complicated relationship with Einar, her, her patron, who was, who it was, it's all a bit ambiguous what was going on there, but she also had that in the equation. So it's not surprising that she had multiple breakdowns like she would just go for it and then, and crash. And she plays, I think Kreisler's tambourine chinois. And was that because there was sort of this, like this kind of fascination with the Orient at that time in the, in like the 1910s, 1920s? Well, the origin of tambourine chinois, apparently according to Kreisler, but Kreisler always spun tall tales. He said that he was in a Chinese restaurant in San Francisco when the idea, the musical ideas of tambourine chinois came to, to being. So, but Kreisler always. You know, invented stories all the time. I mean, the thing is, it's a very  playful, it's a very you know, fun piece of music. It's very bustling.  So, hence, that's why probably Fritz Kreisler is associated with a busy Chinese restaurant in San Francisco, because it's very, very bustling in its character. But the middle section of Tamborine Chinois It's Act Viennese,  so it's funny, because the middle section, when you hear it, it doesn't sound like anything  to do with the Orient, or if anything, it sounds like the cafe, coffeehouses  of Vienna. Yeah, it'd probably be cancelled anyway today. Well, if they heard that story, it certainly would. Then, she actually only does her first tour in America when she's 20. Kathleen, she continues with her endless touring and concert. Her money management was never great, although, you know, she's still, she's still earning quite a lot of money, and her mother and herself had, they had enough to live on, but never enough to be completely hassle free. And not that she wanted it, it seemed like she was sort of addicted to this life of the stage, and she once said when she was older that she thought maybe she had to get a job teaching, but she just couldn't do it.  She played more than 375 concerts between 1908 and 1915 and, and you can believe it to get an idea. So she's 19 year old's touring schedule. Here are the countries she played in in 1909. And you have to remember the concerts are nonstop every night, almost in different cities, but here are just, here are just some of the countries she travelled to in this year, in 1909. Germany, England, Poland, Netherlands, then she goes back to England, Ireland, Germany, England, the Netherlands, Norway, Wales, England again, Ireland again, England, Scotland, Poland. Man, I gave it, it was just, you know, huge. And in her diaries we can see that she's, like, she's just a young woman, like, about town when she's in London, she takes trips to the theatre, and she talks about going to see Madame Butterfly, and she goes shopping, and she goes to tea with people she has like, appointments at the dressmaker for fittings for new dresses, and, and all of this is in between lessons, and rehearsals, and concerts. And her diary is just jam, she has these day books and they're just jam packed. Then Auer when he comes to London, her diary, it's like she has lessons with him. And you can see she's sort of excited, she's like hours arriving and then she'll see him and then she'll often have lunch with him and lessons and sometimes the lessons are at eight o'clock at night or, or 10am on a Saturday or at the middle of the night on a Monday. And she'll skip from him to rehearsals with her pianist from Carlton Keith. And she's lots of tea. She's going to tea a lot with a lot of different people. She's still only 19 here. So her popularity, it's like, it's far reaching and she's not just playing like classical music. She'll also play just popular pieces of the day. There's Kreisler's Tambourine Chinoise. And then she'll play, there's some of the recordings. They're these Irish, little Irish. Songs. So it was to appeal to the general public as well, her repertoires and her recordings. And then in 1910, she turns 20 and she has her first tour in North America. And then in 1911, the New York Herald declares her as one of the phenomena of the musical world on par with Mischa Elman. That must have been frustrating because for years she's in the same class as him and she knows him. And everyone just keeps comparing her to, she's like, Oh, she's almost as good as this guy. But no, here they're saying she is as good as this guy. I could just, must've been a little bit frustrating. Then she makes an appearance with the Toronto Symphony in 1911 and she'll go back there many times. And in the next year, in 1912, she moved with her mother, who's still her mentor and manager and chaperone, to England, where they, they rent a house just out of Cambridge, you know, in the peaceful countryside away from the big cities. And in between her touring from here, she went, she goes to China, to the U. S., to Korea and Japan. And in Japan, she records with Nipponophone Company. She recorded quite just in a not much in a short space of time. She could have, she could have recorded more afterwards, because yeah, but she doesn't. Then the news of the tragic sinking of the Titanic in April had Kathleen jumping on a streamliner herself to play a benefit concert in New York for the survivors of the disaster. And I've seen that booklet, and that you open the booklet, and there's like, life insurance.  And then there's actually ads for another streamliner, and you're like, too soon, too soon, people don't want this. And then she plays, so on that same trip, she plays at the Met Opera. She plays Tchaikovsky's Serenade, Melancholique.  And in New York, she signed up by Columbia Record, by the Columbia Record Company. And her first records for the US label are brought out alongside those of Eugene Ysaye. So she's alongside these, they all, they must've all known each other. She was a contemporary and she just kind of slips off the radar. And as with all the recordings of the great violinists of the day, most of Paolow's recordings on American Columbia were of popular songs and that, that would attract the general public. But the fact that most of these recordings were accompanied by an orchestra and not just piano highlights her status as a star. So they had the, they got together an orchestra for her, so she's worthy of an orchestra.  Still in 1912, Kathleen, she's 22 now and she's been traveling so much, she's, now it's happening, it's hitting her, she's exhausted and she has a kind of breakdown it'd probably be like a burnout and, which, it's amazing she's lasted this long, since, you know, age 5, 6, up to 22. So she's both mentally and physically exhausted and her mother, acting as her agent, realizes that she needs to reduce some of her tours. She retreats to Meldreth, that's that house just outside of Cambridge that they have, that they've been renting. It's quite close to London, that little cottage that they have. They have easy access to London by train. And not only could they go easily to London, but traveling, traveling businessmen! From Norway! Could come to them! Easily. She continues with the concerts, one at Queen's Hall in London. So she has her little burnout, but then she's back again. Plays Schubert's Moment Musical around this time. After they've rented this home for four years, they end up buying it. So she does have enough money to buy a house, so she is you know, not frittering away all her money. So this gives her some sort of stability. And it, even though it's a, it's still a very unusual existence for a young lady of the day. So she's breaking a lot of stereotypes and this could end up being exhausting after a while. So it was nice for her to have a calm place to kick up her heels or fling off her corset. But no, she didn't, but willowy frame, she doesn't look like she's got a corset. I don't think you can play. Can you? Could you play that much? You know, you can't breathe. But, but, aren't there like old photos of, of lady violinists in corsets? I don't know how they do it. Like, you can't.  Well, you had to do everything else in the corset.  But you get kind of hot and sweaty and you're under the lights and it must have been exhausting. At least she was like lucky to have that pre Raphaelite fashion where she could be wearing, you know, the flowing sort of we're heading into the, the sort of the looser clothes in this era. But I think some people are still hanging on to corsets, but it's like the end of corsets and you're getting more loose clothing thankfully for her. And according to letters Kathleen wrote to friends her and her mother, and they fell in love with the village life in Mildreth. Kathleen was able to relax and lead a normal life in between tours. And then in 1915, you have World War I hits, and her tours are less frequent. Her, her patron Einar, must have been having some lively fun. Dinner conversations with his family on opposing sides.  So you've got, you know, with his, you know, fascist party, enthusiastic brother and his ex-prime minister brother in law and his theatre operating lefty brother and his Jewish wife and his Left wing satirical journalist sister, and her German husband, and then,  and then his patriot father. So Einar probably just wanted to run away to willowy Kathleen, and her stunning violin. But she remains in England for much of the war, and she does a few concerts locally.  And her diary is quite blank until about 1916. And she uses, like, so she uses this time to relax. So ironically, she needed a war. To have a rest. That was the only thing slowing her down. She could, because she couldn't travel and tour. Now she's 26, but I feel like she's just, she's lived so much already. It's incredible. So Meldreth was the happy place where she enjoyed their lovely garden and their croquet lawn and Miss Chamberlain from the Gables next door would come and play croquet and she could escape to another world, almost. She'll go through periods of having these sort of breakdowns. I think she just pushes, there are some people like that. They'll push themselves; they just keep pushing themselves until they collapse. And I feel like she was one of, she looks like she didn't really pace herself. She just went, just hurtling into it. She just catapults herself into life and concerts and playing.  In 1916, she returned to the US. She toured Norway and the Netherlands. For playing she was said to possess a sweet legato sound that made her seem to be playing with a nine foot and was admired for her effortless playing, hence her nickname, the girl with the nine foot bow. So yeah, so she must have had this really kind of, it's hard to tell, you want to be there in the concert hall to hear her. I feel like the recordings don't do her justice. A lot of Experiencing music and these pieces is actually going to a concert and it's the same today listening  on a you know, at home, it's not the same as being in a concert hall and having that energy of the musician and the energy of the orchestra and the and the audience,  it's very different dynamic. She recorded a few small pieces for Columbia records. And then that was, that was it. And we have no more recordings of her. And between 1917 and 1919, she wasn't able to tour outside England due to the war that was going on. And for the last 12 years, Einar Bjornsson had. He'd been this presence in her life, but now in the summer of 1920, he visited her one last time in London before sailing home for good. So that.  So it finishes at this time, so he was, he was married, he had children, he was also broke. Buying a horrendously expensive violin and giving it to a girl can do that to you. And Kathleen writes, Kathleen writes in her diary simply, E. B. Sailing home. Einar had to return to his family as soon as possible because he couldn't afford to divorce his wife. Elspeth Langdon, she was, she wasn't going to let him off that easily. And if he left, he would have had to repay the, the dowry, I imagine.  Thank you. Thank you very much.  As I said, there are just no letters of her correspondence. There's correspondence between her and everyone else, but not with them. So that still remains. But you can sort of see by circumstance what was kind of going on. And after the Great War, Kathleen Parlow, she resumed her career in full force. She gave several world tours traveling to the Middle East, to India, to China, to Korea and Japan. And she toured the States, Canada, Indonesia and the Philippines in that year and she played concerts in 56 different cities. It was just non stop and in, and when I say 56 different cities, that's not 56, you know, concerts. That's like multiple concerts in each.  City, night after night.  And then in 1926, Kathleen and her mother, they leave England and they move to San Francisco. She takes a year off due to her mental health. So again, she's like, she's overdone it. The stress and basically, you know, a nervous breakdown and she's now in her mid thirties. But after having this year off, she's back onto it. She's back touring again. It's like this addiction, like you were saying, this is what, it's kind of like her, what makes her run. It's what, You know, keeps her going. But at this point she begins to slow down slightly and she starts teaching a bit. Starts teaching more and in 1929 she tours Mexico and she travels without her mother for the first time. Because her mother, Minnie, she would have been getting quite old and then Kathleen she's 39 now. So despite playing many concerts and receiving very high praise financially, she's barely kind of breaking even and she later told an interviewer that when things were very hard she and her mother had talked about her getting a job to ensure their security for the future but she just couldn't do it. And then, but then she did end up teaching at Mills College, Oakland, California. For from 1929 to 1936, but then her world tours continued and this is like, this is how she thrived, even though she would, you know, she'd crash and burn and from the exhaustion and, but then, you know, then she would go back. She realized she had to teach to earn some money. And then she returned to Canada in 1941, where she remained until she remains there until she dies in 1963.  She's offered a job at the Toronto College of Music and she begins making appearances with orchestras. She has a pianist, she has the, she creates the Parlow String Quartet, which was active for 15 years. Even though this time was difficult financially for her, she would,  she would never give up her violin. You know, she was struggling, just scraping by, but she, she would never give up her violin and so, I mean, it was a tricky situation. It was, it was a gift. Yeah. I mean, could you imagine? Like, she must've realized what Einar went through to give this to her and she can't, you know, she can't just be like, I'm going to sell it. So there's this sort of, it's like she's holding on to a bit of him really, like, by keeping it, if she, she gives that up.  So she taught at the University of Toronto and on her wall was a large portrait of her teacher, Leopold Auer, whom she would always refer to as Papa Auer. Now that she'd given up her career as a soloist, but she still remains very active in chamber music, concerto appearance. October of 1959, she was made head of the string department at the London College of Music in West Ontario, Canada. She never marries, and she dies in Oakville, Ontario, in 1963 at the age of 72. She kept her Guarneri del Gesu until her dying day, and the instrument was sold with her estate. The Kathleen Parlow scholarship was set up with the proceeds from the sale of her violin and the money from her estate. So Kathleen Parlow was a somewhat extraordinary woman, ahead of her times in many ways, and her relationship with Einar, must have been pretty intense. And it was, there was obviously strong feelings there. And even though it's a very grey area, we don't know her love life contrasts with her, her brilliant career and her phenomenal touring and the, the energy that she had to do, it was.  Exceptional she just does these brief recordings and then she does no more. And maybe, maybe that's why we've forgotten her. Have the other, did the others go on to keep recording? Well, they did. They certainly did. I think I'm surprised that Kathleen Parlow didn't make more recordings. I really am. And I don't know what that's about. I can only speculate, but I think she also kind of retreated from concertizing, didn't she,  in her twenties? So, I mean, you know, she did play as far afield as the, you know, she went to China, she went to Japan. She even made recordings for the Niponophone Company in the early twenties. So she was obviously still a great celebrity. But it's sort of puzzling how somebody who had all their ducks in place to make a superstar career. You know, she had  talent, she had beauty, she had interest. You know, from the public, so support from her teacher, all those elements would guarantee a superstar career. But it's so mysterious that she kind of fell off the radar. So much so that her name is completely forgotten today. Yeah, it's one of the big mysteries, but it's really quite remarkable that she was such a terrific violinist, even at the end. It wasn't that she lost her nerve or lost her playing ability. She obviously had it. So there are definitely other factors. that made her withdraw from public concertizing.  And just her touring schedule is just exhausting. Like just the traveling. Yeah, it's crazy. I mean, I mean, this is truly an example of burnout. Yeah. But, but then she would, she would have the crisis and then she'd be back on, she'd be back touring.  Well, you know, she was pretty resilient. But I think just the sheer number of years, I think, must have taken its toll. I think she loved being in England, in Cambridgeshire. I think those were some really happy years for her, to have a home and in a beautiful setting. But it really, it's a very complicated life and a life that really, one would want to try to understand in a deeper way.  Yeah, and it seems a little nothing was ever very simple. Yeah, and she never, she never marries, she never has a family. It's Yes. Her life is really And you'd imagine she'd have suitors, you know, send them off because, you know, she was a talented, beautiful woman. So she's got Misha Elman. He could, like, if you were a man, you could easily get married and then your wife would have children. But at that time, if you married, like, she had to choose between getting married and her career. You couldn't work if, like and it often, like, you weren't allowed to work. Absolutely. Terrible. No, it's true. So she had this like, this threat, and that's all she could do. That was her life playing. And then if she married, that would be taken away from her. So she had to decide between, you know, a career and this. It's kind of, it's a bit sad, but yeah, it's a huge choice that she made and she  was married to life. Yeah. The sacrifice. One way or the other. Well, I think it's wonderful that she is being remembered  through this Buddulph recordings release.  And it's the first time there's ever been a recording completely devoted to her. So I'm really glad that. will be able to somehow restore her memory, just a little bit even. Well, thank you for listening to this podcast. And I hope you enjoyed this story about the incredible Kathleen Parlow.  If you liked the podcast, please rate it and review it wherever you listen to it. And I would really encourage you to keep listening to Kathleen Parlow's work. What you heard today were just excerpts from her songs. So if you would like to listen to. The whole piece, Biddulph Recordings have released two CDs that you can listen to on Apple Music, Spotify or any other major streaming service. You can also buy the double CD of her recordings if you prefer the uncompressed version.  Goodbye.   ​ 

We meet a percussionist from the famous LaGuardia High School for the Performing Arts who gives a tour of the marimba to Peter Dugan, a 13-year-old cellist who loves both ballet and music, and a pianist who relates with the emotions of Schubert.

A teen quartet plays Mozart, a 15-year-old flutist shares why her instrument is a dependable friend, and a violinist plays a Kreisler arrangement and draws connections between science and art.

01.⁠ ⁠Natema - Lose All Control Feat Aline Lime 02.⁠ ⁠Band&dos - Metaverso 03.⁠ ⁠Daniel Rateuke - Flukosa 04.⁠ ⁠Dean Mickoski, Capri - Aleraya [Redolent Music] 05.⁠ ⁠The Angles - Chama Cha Trumpeta (Natema Remix) 06.⁠ ⁠Band&dos, Aaron Sevilla Ft Toshi - Sobe 07.⁠ ⁠Sugar Hill - Empire feat Laura Rogalli (Natema Remix) 08.⁠ ⁠DJ Chus - Soultana [Redolent Music] 09.⁠ ⁠Sugar Hill, Natema - Make him love 10.⁠ ⁠Woo Doo - Membranophone 11.⁠ ⁠Natema - Oh Nana - (The Angels Remix) 12.⁠ ⁠Natema - The Message 13.⁠ ⁠La Santa - Bombo [Redolent] 14.⁠ ⁠Natema , Kreisler and Beka Episcopo - LerêRedolence Radio is the weekly podcast of Redolent Music, a new label founded by Electronic Music DJs and producers Chus & La Santa, that represents a multi-cultural and eclectic group of new talent... Download

Welcome to Season 4 of Conversations with Musicians, with Leah Roseman. For this first episode in 2024, I welcome the violinist, author and coach Jennifer Roig-Francoli. We talk about her newly released  book, Make Great Music with Ease!: The Secret to Smarter Practice, Confident Performance, and Living a Happier Life, and  her Art of Freedom Method which incorporates the mind-body skills of the Alexander Technique. This episode also features excerpts from her solo violin album, Solo Con Spirito, with music of Kreisler, Enescu and Bach.  Jennifer had the opportunity to study with Nathan Milstein, Josef Gingold and Stanley Ritchie  and has had an interesting career as a performer, including with Appollo's Fire. We talk about performing barefoot at Carnegie Hall, travels to India, and in Jennifer's words” how you do one thing is how you do everything”. I myself have been very influenced by different mind-body practices like the Alexander Technique,  and the power of thought to help me address habitual tensions in my own life has really helped me, and I trust this inspiring and helpful episode will be of help to you, both musical performers and not, because the content of this discussion addresses universal challenges for all of us.  This conversation is punctuated by some excerpts from Jennifer's solo album, and I hope you'll listen to the whole album which you'll find both on streaming services, or better yet for purchase on her website: https://artoffreedom.me/meet-jennifer/ Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/jennifer-roig-francoli Here you can sign up for my weekly newsletter to get access to Sneak Peeks for upcoming episodes: https://mailchi.mp/ebed4a237788/podcast-newsletter I have had several interviews talking about some of the same issues as this episode. My interviews with  Julie Lyonn-Lieberman, Madeline Bruser, Stephen Nachmanovitch, Derek Gripper and Daniel Ramjattan will be good places  to start if you missed any of those.  Finally, I'm an independant podcaster, and I truly need the help of my listeners to keep this project going: https://ko-fi.com/leahroseman photo of Jennifer Roig-Francoli: Tina Gutierrez Timestamps:  (00:00) Intro (04:16) album Solo con Spirito! Celebrating 50 (05:27) excerpt from Kreisler's Recitativo and Scherzo-Caprice (07:07) excerpt from Enescu's Sarabande (07:47) Stanley Ritchie  (10:03) Jennifer's studies at Indiana University, learning baroque violin (12:58) Apollo's Fire (15:11) studies with Nathan Milstein (18:43) Alexander Technique and Primal Alexander touch-free approach (32:58) please support this series! Thanks.  (33:15) the importance of transitions and mindset, performance anxiety, The Art of Freedom Method (41:43) music education, pressure from teachers, competitiveness in the music industry (46:36) excerpt from Ysaye's Ballade (46:34) challenges in parenting for musicians (52:44) music education, letting go of the focus on goals (58:41) excerpt from Bach's Chaconne (01:00:12) performing barefoot (01:02:56) decisions around pitch and more for Solo con Spirito (01:07:25) How you do one thing is how you do everything (01:11:32) India meditation retreat Amma's ashram (01:16:31) connections made through Art of Freedom online coaching --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Enjoy this week's episode with Brazilian Dj & Producer NATEMA. Tetto Bononi, better known as NATEMA, is a renowned Brazilian producer, musician, and DJ, recognized as one of the pioneers of the Afro House movement in Brazil. His innovative approach and bold style celebrate the classics of Afro-Brazilian culture through a unique blend of ethnic sounds, percussive rhythms, and beats, earning him a solid fan base worldwide.
Since 2019, Natema has placed over 25 songs in the top 100 of Afro House, totaling an incredible 915 days among the best-sellers. His releases frequently achieve prominence in the Afro House category, currently holding the 31st position in the genre's sales ranking in the last year. Notable reworks and remixes such as "A Gira," "Music is My Sanity," "Voices," and "VoImbora" (featuring As Ganhadeiras de Itapuã) have become integral parts of renowned electronic music artists' repertoire, including names like Carl Cox, Themba, Gorgon City, Blond:ish, Vintage Culture, DJ Chus, Hannah Wants, and Stephan Jolk. These collaborations have established Natema as one of the leading exponents of Brazilian Afro House. His album "Afro House Made in Brasil 2021" was acclaimed by the Afro House community and currently holds the top position on the genre's album list on Spotify.
With a career spanning more than a decade in the electronic music scene, Natema has performed in major clubs and festivals around the world, from São Paulo to Moscow, passing through Paris and Mexico City. In addition to his musical success, Natema is also a co-founder of TRANSA RECORDS, a rising independent record label that aims to nurture talents and stay in tune with industry trends. In just 4 years, TRANSA has already released 450 works and has established itself as a reference in Latin American electronic music. Enjoy this Groovy Afro Journey with NATEMA including DJ Chus - Soultana & ⁠La Santa - Bombo on Redolent! 01.⁠ ⁠Natema - Lose All Control Feat Aline Lime 02.⁠ ⁠Band&dos - Metaverso 03.⁠ ⁠Daniel Rateuke - Flukosa 04.⁠ ⁠Dean Mickoski, Capri - Aleraya [Redolent Music] 05.⁠ ⁠The Angles - Chama Cha Trumpeta (Natema Remix) 06.⁠ ⁠Band&dos, Aaron Sevilla Ft Toshi - Sobe 07.⁠ ⁠Sugar Hill - Empire feat Laura Rogalli (Natema Remix) 08.⁠ ⁠DJ Chus - Soultana [Redolent Music] 09.⁠ ⁠Sugar Hill, Natema - Make him love 10.⁠ ⁠Woo Doo - Membranophone 11.⁠ ⁠Natema - Oh Nana - (The Angels Remix) 12.⁠ ⁠Natema - The Message 13.⁠ ⁠La Santa - Bombo [Redolent] 14.⁠ ⁠Natema , Kreisler and Beka Episcopo - Lerê This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Die alte Berliner Philharmonie befand sich zwar an der Bernburger Straße im Bezirk Kreuzberg, aber wenn einer der größten Virtuosen seiner Zeit dort konzertierte, schickte natürlich auch das Friedenauer Tageblatt einen Berichterstatter: Fritz Kreisler hatte mit dem Violinspiel bereits für einige Jahre aufgehört, nachdem ihn die Wiener Philharmoniker bei einem Vorspiel abgelehnt hatten, als er im Alter von schon Mitte zwanzig doch noch eine Solokarriere startete, die ihn zu einem der gefragtesten, wiewohl auch umstrittensten Interpreten seines Instruments auf dem Globus machte. Auch in seiner Wahlheimat Berlin – aus der die Nazis den gebürtige Wiener wegen seiner jüdischen Herkunft später vertreiben sollten – wurde Kreisler gefeiert, wie wir von dem mit den Initialen R.B. zeichnenden Rezensenten erfahren. Mit einem Kaufpreis von 120 Milliarden Mark war eine Stadtteilzeitung wie das Friedenauer Tageblatt übrigens kaum billiger als die großen Flaggschiffe der Hauptstadtpresse. Dass es trotzdem lohnte und lohnt, sie zu lesen, untermauert Paula Rosa Leu.

Kencan Dengan Tuhan - Selasa, 5 Desember 2023 Bacaan: "Tetapi baiklah ia bekerja keras dan melakukan pekerjaan yang baik dengan tangannya sendiri, supaya ia dapat membagikan sesuatu kepada orang yang berkekurangan." (Efesus 4:28) Renungan: Suatu ketika di Jerman pernah diadakan konser biola yang menampilkan seorang vionis terkenal bernama Fritz Kreisler. la memainkan biolanya dengan sangat baik dan setiap ia mengakhiri sebuah lagu, semua penonton kagum terhadapnya. Suatu hari setelah konsernya berakhir, seorang wanita menghampirinya dan berkata, "Saya ingin sekali mempersembahkan hidup saya agar dapat bermain biola seperti Anda!" Dengan tenang Kreisler menjawab, "Tepat, itulah yang saya lakukan!" Fritz Kreisler telah mengorbankan waktu, tenaga, dan hasrat pribadinya agar dapat meraih prestasi gemilang seperti sekarang ini. Pepatah Tiongkok kuno mengatakan, "Kalau Anda ingin bahagia satu jam pergilah tidur, kalau Anda ingin bahagia satu hari pergilah memancing, kalau Anda ingin bahagia satu bulan, pergilah berlibur, kalau Anda ingin bahagia satu tahun, mintalah warisan, akan tetapi kalau Anda ingin bahagia selamanya, cintailah pekerjaanmu." Setiap orang yang ingin mengalami peningkatan dalam berkarir, seharusnya dapat mencintai apa pun yang mereka tekuni. Karena rasa cinta itulah yang mendatangkan kegembiraan yang kuat, yang membuat hidup semakin bergairah sehingga kita tidak merasa sedang bekerja tetapi melakukan hobi yang dibayar. Marilah kita belajar menyukai profesi dan pelayanan yang sudah Tuhan percayakan bagi hidup kita. Berikan waktu, tenaga, pikiran, dan kerjakanlah semua tugas dan kewajiban dengan sepenuh hati dan akan tiba waktunya, kita tidak hanya akan mendapatkan masa depan yang gemilang tetapi penghargaan tertinggi dari Tuhan dan sesama. Tuhan Yesus memberkati. Doa: Tuhan Yesus, berilah aku hati yang selalu bersyukur atas pekerjaan yang kujalani saat ini, sehingga dengan ucapan syukurku aku mampu mencintai pekerjaanku. Amin. (Dod).

MUSICINTHEAIR @Villahangar #PodcastShow THIS WEEK presents >> @susanright [EPISODE 300-40] TRACKLIST: 01. Kreisler, RMNY – Souls / Dialtone Records 02. Ary Sya – 1999 / Around Midnight
 03. Habischman – Evolving feat. Miila Mor (Dub) / SCI+TEC 04. Alex Preda – Starring At You (Extended Version) / Pursuit
 05. Briska – Transitorio / SINNER MUSIC 06. blaktone – The Rise Of Phoenix / Mobilee Records 07. Grigoré – The Journey / Spectrum (NL) 08. Astrø – We are not who we think we are / Be Free Recordings
 09. dinodeuts – Forward / cygnusx1records
 10. AIO – Reincarnation / KOSMOS 11. Jessin – I Want It (Susan Right Remix) / unreleased
 12. Susan Right – Santa Maria / unreleased Site -> www.villahangar.com FB -> www.facebook.com/villahangar TT -> www.twitter.com/Villahangar

01. Kreisler, RMNY – Souls / Dialtone Records 
02. Ary Sya – 1999 / Around Midnight
 03. Habischman – Evolving feat. Miila Mor (Dub) / SCI+TEC 
04. Alex Preda – Starring At You (Extended Version) / Pursuit
 05. Briska – Transitorio / SINNER MUSIC 
06. blaktone – The Rise Of Phoenix / Mobilee Records 
07. Grigoré – The Journey / Spectrum (NL) 
08. Astrø – We are not who we think we are / Be Free Recordings
 09. dinodeuts – Forward / cygnusx1records
 10. AIO – Reincarnation / KOSMOS 
11. Jessin – I Want It (Susan Right Remix) / unreleased
 12. Susan Right – Santa Maria / unreleasedMusic in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs, Download

►Еще больше эксклюзивной музыки: itunes.apple.com/ru/podcast/id… 01. Alexey Romeo — Prince Of Percia (Extended Mix) 02. DiMO (BG), Dan Tanev - Bosque Verde (Original Mix) 03. Ora Beats - Whakatika (Original Mix) 04. Mauri Fly - Red Tribal 2023 (Silvano Del Gado Remix) 05. Kreisler, Natema, Beka Episcopo - Lerê (Original Mix) 06. Joezi & Asher Swissa - Mama Africa 07. N-You-Up - Jungle Maniac 08. Jordan Grace, Kasango - Save А Prayer (Dj Chus Rework) 09. Arodes - WAVES 10. Notre Dame - Emowe (Original Mix) 11. Nico de Andrea feat. EMRIA - Corazon (Extended Mix) 12. Klangwolken - Burkina Faso

►Еще больше эксклюзивной музыки: itunes.apple.com/ru/podcast/id… 01. Alexey Romeo - Tropical Rain (Extended Mix) 02. Sllash & Doppe - Mwendwa (Original Mix) 03. Francis Mercier, Victor Deme, Hugel - NaNa Djon (feat. Victor Démé) (Original Mix) 04. Kreisler, Natema, Beka Episcopo - Lerê (Original Mix) 05. MOSKA, Danielle Simeone, DJ Purple, Band&dos - Soundz (Band&Dos Remix) 06. Alex Paerel - Makeba (Extended Mix) 07. FEX (IT) - El Pescador (Original Mix) 08. MAYA (ESP) feat. Mr. V - Won't Stop (Original Mix) 09. Tayllor & Marasi - Besame Mucho 10. THEMBA - Azteca (Extended Mix) 11. Tabia, Drush (FR) - Sonini (Original Mix) 12. Nico de Andrea feat. EMRIA - Corazon (Extended Mix)

Ready, Set, Walk…and Read!“ B Inspired” podcast met with Sairra Cloen, Boyertown Community staff member; Lindsey Mason, former director of the Boyertown Community Library; and Barbara Kreisler, volunteer, to celebrate a dream they've had for years: the establishment of a permanent StoryWalk® in the Boyertown Community Park. Families can now enjoy stories in the park every day—not just Wednesdays in good weather. The episode explores the backgrounds and experiences of these VIP library lovers; we thank them for their efforts in enhancing literacy and community involvement in the many activities they organize and plan for the betterment of Boyertown. 

SynopsisOn today's date in 1914, Austria-Hungary declared war on Serbia, effectively beginning the First World War. Early in the course of that war, a French composer named Albéric Magnard became a national hero when he died defending his home against invading German troops. Maurice Ravel tried to enlist as a French pilot but was refused because of his poor health. Instead, he became a truck driver stationed at the Verdun front. British composer Ralph Vaughan Williams was too old to be drafted, but he enlisted as a private in the Royal Army Medical Corps. Another British composer, George Butterworth, would be killed by a sniper during the Battle of the Somme.The Austrian violinist and composer Fritz Kreisler served briefly in the Austrian Army in 1914 before being wounded and honorably discharged. He arrived in then-neutral New York on November of 1914 and remained in America through the war years. In 1915, Kreisler made a recording of Bach's Double Violin Concerto, performing with the Russian violinist Efrem Zimbalist. Austria and Russian may have been at war in Europe, but in a cramped New Jersey recording studio, at least, the music of Bach provided a brief island of peace and harmony.Music Played in Today's ProgramJ. S. Bach (1685 - 1750) Double Concerto (recorded 1915) Fritz Kreisler, Efrem Zimbalist, vn;string quartet Buddulph CD 21/22

We're treated to the magical music of Classical masters Beethoven, Tchaikovsky, Liszt, and Kreisler. Plus, an 18-year-old soprano finds inspiration in the history of the first African American Opera House in the United States in her hometown of Pittsburgh. And two teens tell us what it's been like to leave their home countries to study music in New York and Los Angeles.

Alexey Sonar Socials: Spotify: spoti.fi/2LNlsu9 Bandcamp: alexeysonar.bandcamp.com Instagram: www.instagram.com/alexeysonar Facebook: www.facebook.com/alexeysonar VK: vk.com/alexeysonar Telegram: t.me/skytopresidency Youtube: bit.ly/2MCWZXG 01. Anturage, Andre Zai - Lovster [Maneki Neko] 02. Redspace, ISMAIL.M - Ornament [Traful] 03. Michael A - Helius [Genesis Music] 04. Tali Muss, Bondarev - Algorythm [WARPP ] 05. Alex Efe - Voices of Orion (Yudi Watanabe Remix) [Lake Under-ground Music] 06. Envotion - Vessel of Poison (Digital Department Breaks Remix) [Intricate Records] 07. Jiminy Hop - A Tour (Simos Tagias Remix) [Shambhala Music] 08. Nick Muir - All One Word (GMJ & Matter Remix) [Proton Music] 09. Steve Foulds, Alfonso Muchacho - Dusk (Extended Club Mix) [Stripped Recordings] 10. Kastis Torrau, Amber Long - Menace (Framewerk Endangered Remix) [Stripped Recordings] 11. MNDZKR - Phaneron (Dub Mix) [YOMO Records] 12. pumbum - Simple Question (Taleman Extended Remix) [SkyTop] 13. Kreisler, RMNY - I'm Falling (Analog Context Remix) [In-nerselves] 14. Space Food - You & I [Sarcasm Recordings] 15. Kenan Savrun - Sombra [SLC-6 Music] 16. Denis Njord - Guitar Glider [Intricate Records] 17. Jean Caillou - There (Berni Turletti Remix) [Sound Avenue] 18. Nas Horizon - De Sonne [Movement Recordings] 19. Luis Damora - Castex [Mango Alley] 20. Tantum - Korner (Subandrio Remix) [Juicebox Music] 21. Stonecities - Before the End We Dance (Original) [Eat My Hat Music] 22. Emi Galvan - Samsara [Replug]

An eminent psychologist, Joseph Kreisler, recognized the importance of contentment from having observed problems of human nature from a professional viewpoint. Dr. Kreisler says, "If you wish to be miserable, think about yourself and what you want, what you like, what attention other people ought to pay you, and then you will find nothing will satisfy you. You will spoil everything you touch, and finally, you will make pain and misery out of everything God sent you."

Daniel Lozakovich's rich, romantic style of playing often sees him likened to the iconic violinists of the 20th century. On Spirits, his latest Deutsche Grammophon recording, he celebrates some of his forebears in the hope of passing on their style and repertoire to younger generations. “I've chosen a selection of very accessible miniatures, which I associate with different violinists,” he explains. “All these musicians had such strong, soulful spirits that it's impossible to forget their sound.” Partnered by pianist Stanislav Soloviev, Lozakovich performs his favorite encores by Elgar, Debussy, Falla, Gluck, Brahms, and Kreisler.Track Listing:1 ELGAR Salut d'amour, Op_ 122 ELGAR La Capricieuse Op_ 173 DEBUSSY Suite bergamasque, L_ 75 - III_ Clair de lune4 FALLA La vida breve - Danse espagnole5 GLUCK Melodie from ‘Orfeo ed Euridice', Wq_ 306 BRAHMS 21 Hungarian Dances, WoO 1 - No_ 2 in D Minor_ Allegro non assai7 BRAHMS 21 Hungarian Dances, WoO 1 - No_ 6 in D-Flat Major_ Vivace8 KREISLER 3 Old Viennese Dances - II_ LiebesleidHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

We meet a teenage pianist with an affinity for horror movie scores, a percussionist who adapts Debussy for marimba, a talented violinist who likes to read books upside down, and an outstanding trio from Utah play Café Music. They all answer the question — why classical music?

This month, DG Podcast host Sarah Willis catches up with star-violinist David Garrett. The main topic is, of course, David's recently released album ‘Iconic', which was inspired by iconic Golden Age violinists such as Heifetz and Kreisler, who influenced David so much as a child. David also talks about his guest collaborators on the album who include Andrea Bocelli and Itzhak Perlman. And what is coming up next for David? Find out on this podcast!

Als der legendäre Sprachkünstler Georg Kreisler 2001 seine Abschiedstournee gegeben hatte, trat sein Freund und Kollege Tim Fischer an, um von ihm "die Fackel der kultivierten Boshaftigkeit zu übernehmen". Am 18. Juli 2022 wäre Kreisler 100 Jahre alt geworden. Tim Fischer nimmt den runden Geburtstag zum Anlass, um den gebürtigen Wiener mit einer Hommage zu ehren. "Tigerfest" heißt das neue Programm, ein gleichnamiges Album ist gerade erschienen. Tim Fischer hat dafür in Kreislers Repertoire Neues gesucht und gefunden: zeitlos aktuelle Höhepunkte aus dem Gesamtkunstwerk eines optimistischen Pessimisten. Für sein Livekonzert bei NDR Kultur reduziert Fischer seine Band auf den fabelhaften Vibraphonisten Hauke Renken. Das Video gibt es anschließend auf ndr.de/extra.

Deutsche Grammophon today unveils Iconic, a new album by genre-defying and multi-award-winning violinist David Garrett. Inspired by the legendary violinists whose dazzling showpieces and heart-melting melodies he fell in love with as a child, Garrett has recorded works by Bach, Dvorák, Gluck, Kreisler, Mendelssohn and Schumann, among many others. He is accompanied by his guitarist Franck van der Heijden – who also conducts the players of Orchestra The Prezent – as well as being joined in duet arrangements by his former teacher Itzhak Perlman, star tenor Andrea Bocelli, flautist Cocomi and trumpeter Till Brönner.Purchase the music (without talk) at Itunes or Amazon. Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

As the BBC turns 100, enjoy 100 Years in 100 Minutes! This is just part 1, 1922-54 - from the company years of Magnet House then Savoy Hill, to the corporation years up to the eve of commercial competition, the last time the BBC was the sole official broadcaster. For the early years, enjoy the archive clips, some very rare - from the first presenters, John Reith and early performers. As time goes on, extracts give way to insights: from experts, podcast listeners and those who were there...   YOU HAVE BEEN LISTENING TO: 1920s: John Reith, Arthur Burrows, Kreisler's Liebesleid (first music on the BBC), A.E. Thompson, Leonard Hawke (Drake Goes West - first music from London), Charles Penrose (The Laughing Policeman), Helena Millais as Our Lizzie, Rev John Mayo, Rev Archibald Fleming, Harold Bishop, Cecil Lewis?, Peter Eckersley, Kathleen Garscadden, Lord Gainford, Dr Kate Murphy, Dr Andrea Smith, Archibald Haddon, Marion Cran, Percy Scholes?, Justin Webb, Nightingale and Cello, Rev Dick Sheppard (first broadcast service), Richard Hughes' Danger (first play), A.J. Alan, King George V, Alan Stafford, Tommy Handley, John Henry and Blossom, Dr Martin Cooper, Harry Graham, Arthur Phillips, Filson Young, H.L. Fletcher, Flotsam and Jetsam, Christopher Stone, Henry Wood, Prof David Hendy, Vita Sackville-West, Clapham and Dwyer, Mabel Constanduros, Toytown   1930s: Norman Long and Stanelli, Harold Nicolson, Simon Rooks, Val Gielgud, Gillie Potter, Henry Hall and the BBC Dance Orchestra, King George VI, Gerald Cock, Elisabeth Welch, Caroll Gibbons and the Savoy Orpheans, Lew Stone, Murgatroyd and Winterbottom, Nelson Keys, Sandy Powell, The Western Brothers, Stuart Hibberd, Charles Siepmann, King Edward VIII, Elizabeth Cowell, Tommy Woodroffe, Bandwaggon, ITMA (Mrs Mopp), Neville Chamberlain, John Snagge   1940s: J.B. Priestley, Winston Churchill, Music While You Work, Edward Stourton, Charles Gardner, Bruce Belfrage, Princess Elizabeth, C.S. Lewis, Stephen Bourne, Una Marson, Nightingale and the Bomber, Charles Huff, Lilliburlero, Romany, Richard Dimbleby, Edward R Murrow, Frank Gillard, Guy Byam, Johnny Beerling, George Elrick, Norman Shelley, Michael Standing, Paul Hayes   1950s: Jeffrey Holland, Julia Lang, Roger Bolton.   (...+ various unknown announcers)   FURTHER LINKS:  Like what we do? Share it! We're on facebook.com/bbcentury, with a separate group on facebook.com/groups/bbcentury, and (while it lasts) on twitter.com/bbcentury. Tag us in, let people know you listen. Love what we do? Support us at patreon.com/paulkerensa The novel based on this podcast is due out in February 2023: Auntie and Uncles - details here: https://amzn.to/3hxe4lX   We look forward to continuing to unpack this century of broadcasting in our usual slower way on the podcast. But next time, join us for part 2 (1955-87) and part 3 (1988-2022). paulkerensa.com/oldradio

Mateus 25:16 – O que havia recebido cinco talentos saiu imediatamente, aplicou-os, e ganhou mais cinco. O famoso violinista Fritz Kreisler (1875-1961) descobriu um violino especial numa de suas viagens, mas naquele momento não tinha dinheiro para comprá-lo. Ao voltar para comprar o instrumento, o violino tinha sido vendido a um colecionador. Kreisler foi atrás […] O post Parábola dos Talentos apareceu primeiro em Rede Novo Tempo de Comunicação.

Vichtl, Wolfgangwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Gary Scott Thomas and Lissa Kreisler pick up where they left off and talk about her rise to the Radio Hall of Fame and much more.Also In This Episode:Why Lissa's First Job Involved Her Having To Sniff ArmpitsWhat It's Like Getting Recognized In Public From Her LaughThe Mean Nickname She Was Given by Highschoolers Due To Her Having To Wear a Full Body BraceWhy Lissa Kept Her Maiden Name For On The RadioGrowing Up Wearing Homemade Clothes and Why She Promised To Never Wear Homemade Clothes AgainWhat Gary Did That Made His Kid Ask Him, “Why Do You Hate Me?”Lissa's Take On Vaccines and Mask WearingThe Nastiness and Hatred On Social Media