Podcasts about broadjam

Jarvis Evans hails from Miami, Florida. He finds inspiration in every turn of events. From 2005 to 2010, Jarvis participated in American Idol's Season 9 & 10 as a Semi-Finalist. Jarvis is a favorite at Broadjam.com, the largest independent music network. His songs reached #1 on the charts several times. Jarvis has performed at Underground Atlanta Heritage Arts Festival, where he charmed the audience. Jarvis played the lead in a new Gospel Musical in Atlanta, called One Step at a Time. Also, he performs smooth and jazzy sets with legendary accompanist guitarist Dean Coppolino at the Uptown Restaurant & Lounge. From 2010 to 2015, Jarvis Evans speared on CW's TV Show Before The Fame. From 2015 to 2020, Jarvis hosted and performed at the Multicultural Kwanzaa Christmas Expressions and Atlantic Station Tree Lighting Ceremony. In 2018, Jarvis performed for Sony Records at Kilwin's Atlantic Station in Buckhead. In 2020,  Jarvis Evans pursued film and photography, directing his music video the for release of Welcome To Paradise and other music releases and clients. Jarvis appeared on VG 39 and other inspirational platforms in Toronto Canada, in 2021. He released his new comeback single Relight Your Fire, available on digital platforms. http://jarvisevansmusic.com Management & Booking: Mimi Johnson www.CausticEntertainementGroup.com Causticent@gmail.com www.wijsf.org

What a treat to have Freya Wolf on the show plus every song from her new album called "Just Another Day" was an exclusive to New Starz Show thanks Freya and Ross Hemsworth of Remote Highway. The album will be released April 29th 2022. Freya was born in Aberdare in South Wales in 1978 She lived in Aberdare, Swansea, Carmarthenshire raised alongside The Stereophonics and like so many Welsh people, was born with an amazing voice! She moved to Street in 2008 before travelling the UK for two years, with stays in London, Scotland, North and South Wales, Cornwall, Devon, before finally settling in Somerset. As a classical pianist she was inspired early on by Nina Simone and Beverly Craven. She then found a love for female soul singers. She says “I have varied tastes from rock to reggae, classical piano to drum and bass. However, my all-time favourite soul tracks are RESPECT by Aretha Franklin and My Baby Just Cares for Me by Nina Simone. My favourite track from other genres is Brighter Days by Hybrid Minds ft Charlotte Haining.” Freya writes and co-writes her own material including her first two singles This Man is Mine” and “Meet Me at 8” both of which she co-wrote with U.S. Songwriter's Hall of Fame member Ross Hemsworth. The single Red Roses (Are Never Enough) also co-written with Ross, attracted the interest of world-famous guitarist Marc Ribler who provided the solo and outro guitar work on the rack. FOUR of the tracks from the album, have already been picked up by two U.S. music publishing companies who specialise in placing music into films and TV series' through pitches on Broadjam! Freya's first three singles have had considerable global airplay but we believe the forthcoming single I CAME HERE TO DANCE could see her rocket into the public eye with yet more radio and media interviews planned and even senior management of online platforms such as TikTok are now showing a big interest in Freya! **Explicit Permission has been given by the artist and Remote Highway to play the songs and the interview ** --- Send in a voice message: https://anchor.fm/neil-clark10/message

Hey Everyone! It's Bridget Marquardt here with a brand new episode of Ghost Magnet! Today's guest is Mike Huberty of American Ghost Walks. Summer's here and I'm getting ready to places. How about you?  Growing up near Milwaukee, Mike was always interested in ghost stories, UFO sightings, and other weird tales. He came to Madison for college in 1995 and loved it so much he stayed. Mike has been performing as bassist and vocalist in Madison rock band, Sunspot, since those college days and in 2010, he founded a tourism company dedicated to preserving local history, folklore, and showing people a great time around the city. In addition to performing with his band and hunting ghosts, he hosts a weekly podcast on the paranormal and pop culture called See You On The Other Side and handles licensing musicians' songs to films and television for the music website, Broadjam.com. Since 2010, Madison Ghost Walks has expanded to American Ghost Walks, preserving and boosting haunted history in eight Midwestern cities including the Wisconsin Dells, Milwaukee, Lake Geneva, Minneapolis, St. Paul, Stillwater, and Waukesha and now in Puerto Rico and Hawaii too.  All this plus an all new Ghost Report with Lisa Morton.  #HauntedMadison #HauntedHawaii #HauntedMilwaukee

Harold Waits is a guitarist in As For You and Calous. We discuss how he began his musical journey, his touring with Calous, his quest for tone, upcoming music in both bands, and more! Follow Harold Waits: YouTube: https://www.youtube.com/channel/UC_XQLwv0hWDqGghOjgnDnxQ Follow As For You: Facebook: https://www.facebook.com/AsForYouband Spotify: https://open.spotify.com/artist/1YqeUx90y1u66Ops9TAmlH Reverbnation: https://www.reverbnation.com/ASFORYOU Follow Calous: Facebook: https://www.facebook.com/calousband/ Broadjam: http://Www.broadjam.com/songs/calous - This week’s episode is brought to you by Couch Town Coffee. Use the code "AUDIBLE FARM" to save 20% @ https://www.couchtowncoffee.com - This week's episode is also brought to you by Broken Strings Inc. Their 367 initiative to give one guitar to a student in every school district in Iowa is a great cause. For more information visit https://www.facebook.com/brokenstrings4ia - Video versions available @ https://www.patreon.com/AudibleFarm - Shop Audible Farm @ https://audiblefarm.bigcartel.com - See more content @ http://www.AudibleFarm.com #AudibleFarm #IowaMusic #Podcast #Interview #Iowa #Music #IowaMusician #Musician #IowaPodcast #Entertainment #Comedy #Art #IowaArt #IowaComedy #IowaEntertainment #Guitar #Drum #Bass

My friend, Chris SD, from Sync Songwriter will talk all about sync licensing -- all the ins and outs, all you need to know, all the different ways you can get licensed, how you can build relationships in the business and how to get more of your music licensed. Be ready to get excited about sync placements just like how Chris is so passionate about it. He is bringing 5 of his music supervisor friends on a virtual panel this October 11th so you can learn inside tips directly from them. Join us on this free workshop at femusician.com/chris. Chris started as a touring indie musician in Canada. The band parted ways then he got into music production and working in different roles with bigger artists and won some awards. He was then given the opportunity to move to LA for work. After his wife got pregnant, he yearned to spend more time with his daughter instead of being in the studio for 12-14 hours a day. He thought about moving his work online which he did, then he started getting inquiries about sync licensing. He previously had a similar job in Canada and so he started connecting with music supervisors in the US. So now his job is connecting indie artists with music supervisors for television and film. There is so much great music from indie artists but they lack relationship with the right people in the industry. When Chris was working with indie artists in Canada, he did notice that the indie artists were just as good as the bigger artists except that they do not have the managers and labels to push them. When Chris started doing sync licensing, he didn't know anything about it. He thought having the connections was enough so he did all the mistakes. He sent the wrong music or sent it at the wrong time and did the wrong approach. By talking with music supervisors and learning more about the behind the scenes, he cracked the code about sync licensing and helped people do that. After teaching people, he brought them infront of the music supervisors and let them build that relationship themselves. Here are other important things Chris shared:Types of Payments from Sync LicensingWhen your music if played on TV or film, you got performance fees from your PRO. Sync Fee - lump of cash to license your music from the productionRoyalties - Everytime that show airs, you get royalties for that. You can have one song playing in more than one show and you can get a lot of royalties for that.Typical Ways to Submit Your Music for Sync LicensingPay-to-submit sites (ex. Songtradr, Broadjam, TAXI)Non-exclusive Music LibrariesExclusive Music LibrariesLicensing AgentsTips on Sync LicensingMusic supervisors prefer songs that was written from the heart rathen that music written specifically for sync.There's no way to submit a demo. Whatever you submit has to be the final mix that is played.Your songs also need to be cleared ahead of time and fully and legally authorized to be used in the show.When you get yourself a placement, you have to be ready. You will get a lot of attention but that is fleeting. You need to capitalize that moment. You need to make sure your music is out there and people can find your music and find out who you are. Having your lyrics on your website also helps in a big way so people can search you just by your lyrics.The ultimate way of getting your music into TV and film is developing relationships and your reputation with the actual people who play the music.Chris will be having an amazing event on October 11th at 11 AM Pacific Time where he brings 5 music supervisors and hear all the behind the scenes of sync licensing so you can see a road map on how you can get your music into TV and film. To join, go to femusician.com/chris and register for free.Link mentioned in this episode: femusician.com/chris

My friend, Chris SD, from Sync Songwriter will talk all about sync licensing -- all the ins and outs, all you need to know, all the different ways you can get licensed, how you can build relationships in the business and how to get more of your music licensed. Be ready to get excited about sync placements just like how Chris is so passionate about it. He is bringing 5 of his music supervisor friends on a virtual panel this October 11th so you can learn inside tips directly from them. Join us on this free workshop at femusician.com/chris.  Chris started as a touring indie musician in Canada. The band parted ways then he got into music production and working in different roles with bigger artists and won some awards. He was then given the opportunity to move to LA for work. After his wife got pregnant, he yearned to spend more time with his daughter instead of being in the studio for 12-14 hours a day. He thought about moving his work online which he did, then he started getting inquiries about sync licensing. He previously had a similar job in Canada and so he started connecting with music supervisors in the US. So now his job is connecting indie artists with music supervisors for television and film.  There is so much great music from indie artists but they lack relationship with the right people in the industry. When Chris was working with indie artists in Canada, he did notice that the indie artists were just as good as the bigger artists except that they do not have the managers and labels to push them.  When Chris started doing sync licensing, he didn't know anything about it. He thought having the connections was enough so he did all the mistakes. He sent the wrong music or sent it at the wrong time and did the wrong approach. By talking with music supervisors and learning more about the behind the scenes, he cracked the code about sync licensing and helped people do that. After teaching people, he brought them infront of the music supervisors and let them build that relationship themselves.  Here are other important things Chris shared: Types of Payments from Sync LicensingWhen your music if played on TV or film, you got performance fees from your PRO.  Sync Fee - lump of cash to license your music from the production Royalties - Everytime that show airs, you get royalties for that. You can have one song playing in more than one show and you can get a lot of royalties for that. Typical Ways to Submit Your Music for Sync LicensingPay-to-submit sites (ex. Songtradr, Broadjam, TAXI) Non-exclusive Music Libraries Exclusive Music Libraries Licensing Agents Tips on Sync LicensingMusic supervisors prefer songs that was written from the heart rathen that music written specifically for sync. There's no way to submit a demo. Whatever you submit has to be the final mix that is played. Your songs also need to be cleared ahead of time and fully and legally authorized to be used in the show. When you get yourself a placement, you have to be ready. You will get a lot of attention but that is fleeting. You need to capitalize that moment. You need to make sure your music is out there and people can find your music and find out who you are. Having your lyrics on your website also helps in a big way so people can search you just by your lyrics. The ultimate way of getting your music into TV and film is developing relationships and your reputation with the actual people who play the music. Chris will be having an amazing event on October 11th at 11 AM Pacific Time where he brings 5 music supervisors and hear all the behind the scenes of sync licensing so you can see a road map on how you can get your music into TV and film. To join, go to femusician.com/chris and register for free. Link mentioned in this episode: femusician.com/chris (http://femusician.com/chris)

Ep 141 10 Reasons NOT to Have Only One Social Media Profile (for the D.I.Y. Rock Star) Video Description Don’t get us wrong; we LOVE to interact on Facebook! In fact, it is the number one place that we engage with you all. It’s just that there are ALL kinds of reasons NOT to focus ALL your networking efforts in one place. Would you be surprised to hear that we have over 23k+ followers on over 23 platforms? That’s right. (Stay tuned to see ALL the places we hang out.) In this episode, we detail why it is beneficial NOT to put all your eggs in one social media platform’s basket. In fact, we detail 10 reasons to spread your love around. Check out the discussion. We spend MOST of our time on Facebook, Instagram, Twitter, YouTube, and Pinterest, but we also have a presence on Tumblr, Bitchute, ReverbNation, BandCamp, LinkedIn, Mix, WeHeartIt, Blogger, Bloglovin’, Broadjam, Medium, SoundCloud, 8 Tracks, Spotify, Apple Music, Songtradr, Hypedit, Blubrry, and Twitch. We haven’t signed up for TikTok and nor WhatsApp…. Please, pre-order “Sugar Fit” funk album from Bourgeoisie Paper Jam at http://bit.ly/BPJbandcamp Thanks in advance! #socialmedia #strategy #prejippie #bloomingprejippie #coronavirus #quarantine #musicianlifestyle #artisticfreedom #diyrockstar #musicbiz What do you think? Are you on any unusual social media platforms that we should know about? Please share in the comments below. If you like this, you might enjoy: • Musical Discoveries #3: http://bit.ly/ep71musdisc3vid • Coronavirus for the D.I.Y. Rock Star Playlist: http://bit.ly/diycoronavirusplay • Beyond Blooming Backstage Grove Studios Tour: http://bit.ly/bbbgrovetourvid • “Inspiration for a D.I.Y. Music Lyric Video: How We Improved Our Video Making During Coronavirus Quarantine” https://bit.ly/videomakingblog • “First Music Video? 10 Best Websites for Free Stock Video Footage” http://bit.ly/freestockvideosprej • “Further Confessions: I Hate Video Editing” http://bit.ly/ihatevideoediting • “YouTube Frenzy: But the Beauty of this Rabbit Hole” http://bit.ly/youtubefrenzy • “Tips for Competing with Yourself (for the D.I.Y. Rock Star)” http://bit.ly/Ep94BV2019blog20 • “Tips for Video Making (for the D.I.Y. Rock Star)” http://bit.ly/Ep86BV2019blog12 UPCOMING: • New Funk album, “Sugar Fit,” by Bourgeoisie Paper Jam o Spotify follow: https://bit.ly/bpjspotfollow (Please follow!) o Album Pre-order: http://bit.ly/BPJbandcamp Mentioned/seen in video: • Stars in Your Eyes Eyewear (Austin, TX) • Hartke Amp (see unboxing at https://youtu.be/QZaDmme2FMQ ) MUSIC: “I Get Faded (No Voce),” excerpt from Bourgeoisie Paper Jam’s “Sugar Fit” album: More Ways to experience B L O O M I N G P R E J I P P I E : • Blog: http://bit.ly/bloomingprejippie • Facebook: http://www.facebook.com/bloomingprejippie • Twitter: http://www.twitter.com/bloomingprejipp • Instagram: http://www.instagram.com/bloomingprejippie • Pinterest: http://www.pinterest.com/bloomingprejippie • YouTube: http://bit.ly/youtubesubprejippie • SoundCloud (Gab & Jam podcast): http://bit.ly/gabandjam • SoundCloud (music): https://soundcloud.com/prejippie • Spotify Artist Profile: https://bit.ly/bpjspotfollow (Please follow!) • Funky Happy People (Who Listen to a Variety of Genres of Music) Facebook Group: http://bit.ly/funkyhappyjoin • Be the Next D.I.Y. Rock Star Facebook Group: http://bit.ly/diyrockstarjoin Please subscribe. Thanks. http://bit.ly/youtubesubprejippie Until next Monday, here’s wishing love, peace, and chicken grease!

CEO of Broadjam Roy Elkins talks independent music and it's future. Being a member of Broadjam since 2005 myself, I have been honored to be part of one of the originals!

While freelancing as webmaster for an adult website, and I met Joe Walla when I accompanied my boss to a gigantic adult video, toy and clothing warehouse, where he shopped for items to stock the online store. Sitting behind a  desk in the sales office was Joe. He gave us each card that read “Joe WallaThe Million Dollar Man”. You can hear me and Joe talkin' about the porn industry, rockin' and racing, open mics, biker bars, songwriting, reminisce about the old days and - get caught up on some of the stuff Joe's doing now. He also has a Youtube show where he combines the world of rock ’n roll with the combustible world of racing. It’s Called: Rockin & Racing With Joe Walla and Chris Seaward Discover Joe, listen to and buy his music on his official site:https://joewallaband.com/or... Joe Walla Music on BroadJam https://www.broadjam.com/JoeWalla  Rockin & Racing With Joe Walla and Chris Seaward ________________________ Be sure to visit the Tales of the Road Warriors Facebook Group: https://www.facebook.com/groups/TalesWarriors/

It can be hard for lesser-known bands and musicians to get a foothold in several areas of the music industry without having the right connections or, as old school as it sounds, a record label. This is true when it comes to trying to get licensing agreements to place their music in radio, film, TV shows, advertising campaigns, and video games.   But what if there was a social network built specifically for that reason?  What if bands and artists could connect with each other, build relationships, collaborate, and easily find music licensing opportunities to help support their revenue goals?   Broadjam.com, founded in 1999, is one of the world’s largest and oldest music community websites that provides services aimed at independent musicians and bands. The website is home to over 500,000 searchable songs and over 190,000 artists from all over the world.   To help independent musicians find opportunities, Broadjam holds a variety of sponsored contests throughout the year with the purpose of exposing and rewarding the best in musicianship and songwriting.  These songs can go on to receive placement in major media campaigns on the radio, TV, film and even video games.   Music industry professionals also use the Broadjam service to find music for feature films, TV and commercials, plus they take will take part in select Broadjam contests to help determine winners and placements. Major record labels use Broadjam’s music encoding service to encode, catalog and control music metadata.   Broadjam also offers professional services to industry customers, including their online system for tallying votes in popular music award ceremonies, from the popular Academy of Country Music Awards all the way back Broadjam’s backyard in Madison, Wisconsin for the annual Madison Area Music Awards. Their knowledge and expertise has been trusted by clients such as Warner/Chappell, Advanced Micro Devices, Peavey, Yamaha and more.   Roy Elkins, founder and president of Broadjam, joins us in this episode to share his story with us about how Broadjam came about, his experiences and time in the music industry, his past employment at Ensoniq Corporation and Sonic Foundry that gave him a foundation and the connections to establish Broadjam, and his love of continuously giving back to the music industry at both the local and national levels. --- Support this podcast: https://anchor.fm/behindthebackline/support

Mary Lemanski started her professional music career at age 11, playing pipe organ. For the past 17 years, Mary has released her original music on the Internet. In 2004, she placed runner-up in the Song of the Year Contest, had a Top 10 Hit on Broadjam.com's New Wave charts, and performed at the One World Festival in St. Cloud, MN. In 2005, she was showcased at Earth Mother Mind Jam in Tempe, AZ, the Putt Putt Pub Crawl in St. Louis, MO, and the Millennium Music Conference in Harrisburg, PA. In May 2006, Mary won honorable mention in the R&B/Hip-Hop category of the Song of the Year Contest.  In 2010, Mary Lemanski released her first full-length CD, "Eclectic." Since releasing "Eclectic," Mary has performed at Six Flags Great America and was a Semi-Finalist in the 2011 Song of the Year songwriting contest. She was also a Regional Winner in Flavorpill's A Band Apart competition and was featured on the Chicago Regional Winners mixtape. In 2012, Mary released, "Speechless," an album of instrumentals in various genres. She recently released a 5-song EP with her band, Mary & The Immaculate Rejections, and is currently writing for her third full-length solo release. Mary earned a Music/Business Administration degree from Millikin University, a certification in audio engineering from the Conservatory of Recording Arts & Sciences, and an MBA in e-Business from the University of Phoenix. She is the Director of Operations and the Chicago & Springfield, IL coordinator for Songsalive!, an international songwriting organization. Mary has worked widely in the music industry, including Epitaph Records, BMG Entertainment, Clear Channel Radio, Razormaid.com, and Rhino Staging.     

This week's playlist: • Honey Bee by Papa Mali from Do Your Thing (2007), available from FogCityRecords.com and the iTunes Music Store. Visit this page, sponsored by Fog City Records, and read this article at JamBands.com for more information about Papa Mali. • Travelin' Daddy by Circe Link, from More Songs! (2003), available from CD Baby and the iTMS. Visit CirceLink.com or her MySpace pagefor more information. • Ask Myself Why by Eddie Turner, from Rise (2005), available from NorthernBlues.com and the iTMS. Visit EddieDevilBoy.com and Eddie's MySpace page for more information. • I'm So Lonely by Robert Wuagneux, from a new CD entitled Always! that's due to be released June 1st. The individual track may be purchased now through Dr. Bob's page at Broadjam.com. Visit Dr. Bob's site, 1-Uproductions.com for more information. • Blackjack by Phillip Walker, from Going Back Home (2007), available from DeltaGrooveProductions.com and the iTMS. Visit PhillipWalker.com for more information. • A Master Of Time by Pete "Stratmaster" Mitchell, from Cutting The Mustard (2006) available from CD Baby and the iTMS. Visit Stratmaster.co.uk for more information. • Play My Guitar by Pete "Stratmaster" Mitchell, also from Cutting The Mustard (2006). • Shoot Him Down by Jenny Beck, from On The Outside (2005), available from the store at her site and the iTMS. Visit Jenny's site and her MySpace page for more information. • Shack Bully by EB Davis & The Superband, from Live at the A-Trane, Berlin (2005). EB sells his own CDs through his online store. You can also learn more at EB Davis.com and at his MySpace page. • Devil In My Shoes by the Rose City Kings, from Holler Out For More: Rose City Kings Live (2005), available from CD Baby. A studio version of Devil In My Shoes appears on the RCK's first album Delta Hop (2003). Visit RoseCityKings.com and their Garageband.com page for more information. Also, visit the Rose City Kings' online store for some cool band-related merchandise. Mentioned during this show: Mark Kerr's Blues Nation podcast and The Traveling Juke Joint podcast. Excellent online resources for more information about the blues: The Blues Foundation and the Delta Blues Museum; and be sure to download and listen to the DBM's top-notch (and free) podcast, the Uncensored History of the Blues. (Music on Murphy's Saloon #73 courtesy of the artists and the Podsafe Music Network, the PROMONET program of the Independent Online Distribution Alliance or Download.com)

This week's playlist: • Bad Blood by Janiva Magness from Do I Move You (2006), available from NorthernBlues.com and the iTunes Music Store. Visit JanivaMagness.com for more information. • Foul Weather Blues by Harpdog Brown. To buy Harpdog's most recent CD, Once in a Howlin' Moon, visit HarpdogBrown.com. Visit Harpdog's Garageband page or his MySpace page for more information and to hear more killer tracks. • Gemini by David R. Merry, a single first released in 2000, and currently available from the Podsafe Music Network. Visit David's page at UKScreen.com and David's MySpace page for more information. • Ain't Nobody by George Fletcher and the Handsome Men (now known as George Fletcher's Bourbon Renewal), from Ain't The Worst That You Could Find (2000), available from CD Baby; also available: Dangerous Things - Live (2005). Visit GeorgeFletcher.com for more information and to see George's photo gallery. • The Wheel Man by Watermelon Slim and the Workers, from The Wheel Man (2007), available from Slim's site, NorthernBlues.com and the iTMS. Visit WatermelonSlim.com for more information. • I've Got News by Watermelon Slim and the Workers, from The Wheel Man (2007), available from Slim's site, NorthernBlues.com and the iTMS. Visit WatermelonSlim.com for more information. • Strange Voodoo by Robert Wuagneux, from 1-U w/U (2002), available from his site. The individual track may be purchased through his page at Broadjam.com. Visit Robert's site, 1-Uproductions.com for more information. • Running To New Orleans by Byther Smith, from his album Throw Away The Book, available from Black & Tan Records. Visit Byther's page at TheBlueHighway.com for more information. • Let Me Stir in Your Pot by Carey Bell, from Deep Down (1995), available from Alligator Records and the iTMS. Visit Carey's page at the Alligator Records site for more information. • Some Sympathy by Chris Juergensen, from Big Black Sun (2005), available from CD Baby and the iTMS. Visit ChrisJuergensen.com to buy Big Black Sun and for more information. Mentioned during this show: two guitarists whose work will be featured on Murphy's Saloon Blues Podcast in the near future: Pete Mitchell, aka Stratmaster; and Brad Wilson; The Untouchables, directed by Brian DePalma; the Cara's Basement podcast, in iTunes, and the Web page. Excellent online resources for more information about the blues: The Blues Foundation and the Delta Blues Museum; and be sure to download and listen to the DBM's top-notch (and free) podcast, the Uncensored History of the Blues. (Music on Murphy's Saloon #71 courtesy of the artists, and either the Podsafe Music Network or the PROMONET program of the Independent Online Distribution Alliance)

This week's playlist: • Ice Storm by Boo Boo Davis, from East St. Louis (2007), available from Black & Tan Records. Visit BooBooDavis.com and Boo Boo's page at the IODA site for more information. • Sweet Home New Orleans by Phillip Walker, from Going Back Home (2007), available from Delta Groove Productions.com and the iTunes Music Store. Visit PhillipWalker.com for more information. • Insecurity by Doc Bates, from Hard Headed Heart (2006). Visit Doc's page at Podshow.com for more information. • Wine, Women & Song by Johnny Ferreira, from Rock & Roll Saxophonist (2006), available from CD Baby and the iTMS. Visit JohnnyFerreira.com for more information. • One Thing's For Certain by Robert Wuagneux, from It's a 1-Uful World (2003), available from his site. The individual track may be purchased through his page at Broadjam.com. Visit Robert's site, 1-uproductions.com for more information. • Workin' So Hard by Robert Wuagneux, from Love Is Easy (2004), available for purchase through his site. A variety of tracks are also for sale as individual downloads from Robert's download page at Broadjam.com. Visit Robert's site, 1-uproductions.com, for more information. • Poor Man's Train by Gerry Wall, from Winter Grass (2006), available from CD Baby and the iTunes Music Store. Visit GerryWall.com for more information. • Guaranteed Recipe by The Raunch Tones, from Standing Room Only: Songs from the Last Roadhouse (2005), available from Silk City Records and the iTMS. Visit RaunchTones.com for more information. • Hooked On You by Albert Collins, from Cold Snap (1986), available from Alligator Records and the iTMS. Visit Albert's bio page at the Alligator site for more information. • Ya Better Treat Me Right by The Mitchell Blues Band. For more information, visit the band's GarageBand page. Mentioned during this show: Mary4Music.com, one of the very best online blues directories I've ever seen; MarkKerrLtd.com, the home page of Mark Kerr, a smokin' blues guitarist, a great friend to Murphy's Saloon and the host of the Mark Kerr's Blues Nation podcast; James Carlyle's podcast Hambone's Blues Rumshack, which originates in the Shetland Islands; and Chicago radio demigoddess Cara Carriveau's podcast, Cara's Basement. Excellent online resources for more information about the blues: The Blues Foundation and the Delta Blues Museum; and be sure to download and listen to the DBM's top-notch (and free) podcast, the Uncensored History of the Blues. (Music on Murphy's Saloon #70 courtesy of the artists and the PROMONET program of the Independent Online Distribution Alliance, the Podsafe Music Network or Garageband.com)