Podcasts about canon eos 5d mark iv

'From the creators of Terry: A Life on Tape and Bill Coyote and the Bargain: The Truth. I'm Baker Bugbroke, and this is Shooting Silver; Memoirs of a Canon EOS 5D Mark IV.' Baker Bugbrooke is back! This episode sees Baker go deep undercover into a hidden world of photography. This episode was voiced by Alex Williams (Baker Bugbrooke), Keith Flemming (Jordan Leech), Janina Smith AKA Richard Energy (Silver), Emma Ballantine (LA Times Coffee Shop Lady), Owen Jenkins and Arthur McBain (The two hunters & all other parts). ***DON'T FORGET TO NAB YOURSELF A BOTTLE OF THE 'AT YOUR PERIL & 4160 TUESDAYS LIMITED EDITION PERFUME' HERE>>> www.indiegogo.com/projects/at-your-peril-perfume#/ Intro theme voiced by Oliver Britten.

Dopo aver visto che Canon ha di recente aggiornato con un nuovo firmware la "vecchia" EOS 5D Mark IV del 2016, abbiamo deciso di cercare di capire insieme quali potrebbero essere, ancora oggi, i motivi per cui uno storico utente reflex potrebbe ancora resistere al passaggio al sistema mirrorless. Siamo riusciti addirittura a fare un episodio serio, e ne siamo orgogliosi (forse).

Join me every Friday night at 9:00 pm est for LIVE Q&A for New Photographers. This is the show were I Educate, Encourage and Mentor you in your photographic journey. Whether that is just as a hobby, a part time job or full time career, my goal is to guide you through the Artistic as well as the Technical aspects of all things photography. Watch the Video on Youtube.PhotoMentor.tv or Facebook.PhotoMentor.tv Keep Up to date on the news, ramblings and opinions off the Photo Mentor Facebook - photomentortv Instagram - photomentortv Twitter - photomentortv This Week I answer Your questions: - Can you make the background blurry in Lightroom ? - My sister and I are going to take pictures in the snow. Could you recommend activities for candid and positioned pictures. - How do you watermark your photos? - Beginner Question but what is your opinion on Canon or Nikon? Pros and cons? - What's the best lens for low light photography so you don't need to boost up the ISO so much to avoid grainy images? I am interested in shooting concert photography. - Can you recommend a relatively inexpensive telephoto lens for wildlife? - I see so many people say “kit” lenses are crap? Why and should I buy different lenses to start learning? - I started to try to learn photography in October with Nikon D 5000. Should I upgrade with full frame yet? - I am doing a close up product photography. What lens would you recommended for a Canon 6D mark II? - What you recommend between Canon EOS 5D Mark IV & Canon EOS R - Can someone tell me the difference between 35mm and a 50mm prime lens? Looking at getting one or the other for pictures of the family.

On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding.   Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene.   We discuss many topics in this easy-going conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens.   Guest: Matt Price Photograph © Matt Price

Hoy vemos cómo conseguir la máxima nitidez en nuestras fotografías y Sandra nos presentará el trabajo del fotógrafo Dag Ole Nordhaug.      >   NUEVOS TALLERES DE FOTOGRAFÍA 2021 Ya están disponibles las fechas para los Talleres de Fotografía de Paisaje que formarán parte de mi oferta formativa para el año 2021. Si te apetece acompañarme en nuevas aventuras fotográficas, respetando todas las medidas de seguridad, echa un vistazo. Plazas limitadas.  Calendario de Talleres de Fotografía de Paisaje 2021 con Rafa Irusta CÓMO CONSEGUIR LA MÁXIMA NITIDEZ EN TUS FOTOGRAFÍAS Podemos decir que la nitidez es otra herramienta creativa que tenemos a nuestra disposición para para definir nuestra visión de una escena. En mi caso es una herramienta secundaria, como ya comentaba en el episodio 73 en el que hablamos sobre la obsesión con la nitidez. Vigila la calidad de los filtros que pones delante de tus objetivos. Utiliza trípode. Esto te permitirá reducir las vibraciones a la hora de hacer tus fotos y conseguir velocidades de obturación más largas, sin miedo a perder nitidez. Hablando de usar trípode, revisa dónde lo vas a colocar y evita superficies irregulares que pueden agravar el problema de la inestabilidad. Los teleobjetivos van a potenciar las vibraciones y pueden aumentar las trepidaciones. Evita dejar colgando la correa de la cámara. En días de viento puede actuar como una vela de un barco, provocando vibraciones. Mejora tu técnica de enfoque. Da igual que uses enfoque automático o manual. Si usas la pantalla de la cámara vas a tener una imagen mayor que si miras por el visor. Además, dicha pantalla te permitirá ampliar y afinar mucho más el enfoque. Enfoca en el punto adecuado: Esto dependerá de la escena y del aspecto creativo de tu imagen. A veces deberás enfocar al sujeto principal y en otras ocasiones puede que busques una mayor profundidad de campo y quieras tener toda la escena enfocada, recurriendo a la distancia hiperfocal o al apilado de foco. Exposición adecuada: Cuando hacemos una foto y configuramos la cámara, debemos tener presente 3 ajustes: ISO, Apertura y Velocidad de obturación. El valor que más va a definir la nitidez de una imagen será la Apertura. Para no tener ablandamiento de los bordes debido a la difracción recomiendo usar una apertura de f/8, máximo f/11 para cámaras con sensores pequeños y f/11 a f/16 con cámaras de sensor full frame. También es recomendable usar el punto dulce de los objetivos, que suele ser el equivalente a cerrar 3 pasos a partir de su máxima apertura. Por ejemplo, si un objetivo f/2.8 lo cerramos 3 pasos, deberíamos usarlo a f/8. De todas formas, lo mejor es conocer tus objetivos y saber el punto dulce de cada uno haciendo pruebas. Revisa siempre la nitidez en la pantalla trasera para asegurarte que estás haciendo bien las cosas. Focus Magnifier (o lupa de enfoque). Con esta función puedes comprobar el enfoque ampliando la imagen antes de disparar. Focus Peaking. Facilita el enfoque manual a través de la pantalla trasera de la cámara, destacando las zonas enfocadas. Patrón Cebra. Nos indica las zonas del encuadre que tienen un nivel de brillo excesivo y por lo tanto, perderán el detalle en las altas luces. Estabilizador de imagen. Puede beneficiar, pero también perjudicar los resultados finales de nuestras fotos. Dependerá de cada marca y del tipo de estabilizador de cada objetivo o cuerpo de cámara. Activa el bloqueo del espejo. En mi cámara Canon EOS 5D Mark IV, al usar el modo LiveView se activa automáticamente el bloqueo del espejo. En las cámaras sin espejo, obviamente no hay espejo pero algunas cámaras llevan incorporado otro método, como la función de obturador de cortina frontal electrónico de Sony. Usa disparador remoto o temporizador para minimizar las vibraciones al hacer el disparo. En caso de disparar a mano, sostén la cámara correctamente,

Ya está el primer "Ola K Ase" de 2020 para empezar el año con alegría y buen humor. Un año, por cierto, que ha empezado muy fuerte con varios anuncios importantes y sorpresas varias. Y un año en el que todo parece indicar que seguiremos trabajando y generando contenido por encima de nuestras limitadas posibilidades. Pero en nuestra ajetreada vida siempre habrá un hueco para resolver -o al menos intentarlo- todas las dudas existenciales de nuestros queridísimos photolarianos, que son los verdaderos protagonistas de este proyecto. En serio, os queremos más que en 2019 y menos que en 2021. En este programa trataremos todos estos temas de enorme trascendencia y vital importancia: Sugerencia (2:31) Rumores sobre Nikon (6:39) ¿Porqué no habláis de carretes? (7:55) ¿Hay mucha diferencia entre el Samyang 35 mm f2.8 y el Zeiss? (10:20) Otra sugerencia (12:48) ¿Vale la pena la Canon EOS 5D Mark IV hoy? (14:18) Recomendación de cámara para vlogging (17:26) ¿Se puede cambiar la bayoneta de un Sigma Art para Nikon a montura L? (21:30) Busco una mirrorless no Sony por menos de 1500 euros (27:00) Fabricada en China, Malasia o Japón, ¿es importante? (28:13) ¿Que sabéis de una futura Nikon Z5? (31:51) ¿Nikon D750 o D610? (34:28) Busco un ordenador para Lightroom y vídeo (36:10) ¿Sony A6600 o Fujifilm X-T3? (41:05) Adaptadores para objetivos Pentax, ¿Existen? (44:35) ¿Réflex o mirrorless? ¿APS-C o full frame? (47:47) ¿Funciona el Eye AF de Sony con los peces? (51:16) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! ▶ También puedes ayudarnos haciendo tus compras de Amazon desde este link (enlace afiliado) https://amzn.to/2EEceMf ▶ Nuestro equipo (enlaces afiliados)Panasonic Lumix GH5: https://amzn.to/2wuFVs0 · Panasonic Lumix G80: https://amzn.to/2T7oJDN Lumix G 12-35 f2.8: https://amzn.to/2wtPlDX Lumix G 14-60 mm f2.8-4: https://amzn.to/2PdN9rQ Sony A7 III: https://amzn.to/2ofGqCi Micrófonos Saramonic VMICLINK5: https://amzn.to/2T4Trxt Mochila Vanguard Veo Discover 42: https://amzn.to/2NvozT1 Trípode Vanguard Veo 2 265CB: https://amzn.to/31nnKSV Trípode Manfrotto Pixi: https://amzn.to/2yBKsdx Apple MacBook Air: https://amzn.to/2M6BBcP  Dell XPS 15: https://amzn.to/2LXXsmo Web: https://www.photolari.com Facebook: https://www.facebook.com/PhotolariMag Instagram: https://www.instagram.com/photolari/ Twitter: https://twitter.com/Photolari

Explore The Walking Dead season 10 episode 1 along with Tameche and Tracey. The co-hosts are back with a podcast episode dedicated to season 10 premiere of The Walking Dead. Greg Nicotero directs the season opener titled ‘Lines We Cross’. The episode gives viewers a peek into the lives of our favorite survivors after the […] The post ‘The Walking Dead’: Tameche and Tracey discuss S10E1 ‘Lines We Cross’ appeared first on So Many Shows!.

The Walking Dead season 9 episode 5 is hailed as Rick Grimes’ last episode. What does that mean exactly? Find out what Tameche and Tracey think about his departure. AMC has been preparing us for Rick Grimes’ final episode for a few weeks now. But can one really be prepared for the exit of a […] The post ‘The Walking Dead’ episode 905 with Tameche and Tracey appeared first on So Many Shows!.

¡Por fin! Vuelve "Ola K Ase, Photolari" después de más de un mes de parón. Lo sabemos, es imperdonable, pero os juramos por todas las Zenit y Yashicas del mundo que no damos para más, y la vuelta al cole de este año está siendo una auténtica locura. Pero finalmente hemos encontrado un hueco en nuestras frenéticas vidas de influencers para hacer una de las cosas que más nos gusta: contestar a los lectores, divagar sin rumbo y echarnos unas risas. El el épico consultorio de hoy (más de una hora) recibimos la visita de un Photolariano, contestamos (con mucha diplomacia) a un personaje que no le gusta que "mendiguemos" y tocamos todos estos temas: - Álvaro, hay una carta para ti (2:40)- Diferencia de precio en tiendas de la Canon EOS 5D Mark IV (6:50)- Duda entre (casi) todas las cámara del mercado (13:12)- ¿Cual es la mejor cámara APS-C de la actualidad? (18:30)- ¿Qué opinión tenéis sobre DxO Mark? (22:46)- ¿Merece la pena la Fujifilm X-Pro1 por 600 euros? (27:45)- Un clásico, ¿que cámara me compro? ¿FF o APS-C? ¿Reflex o sin? (30:18)- Cámara de vídeo con entrada de micro por 800 euros (36:54)- Duda entre Sony A6000. Olympus O-MD E-M10 II o Fujifilm X-T100 (40:16)- En FNAC me recomendaron una Sony A7 para empezar (41:47)- Videocámara por 1.500 euros (47:10)- La mejor cámara híbrida foto/vídeo por 1.500 euros (53:03)- Otro que quiere una cámara por 1.500 euros (55:42)- ¿Entra polvo en el 24-70 mm f4 IS de Canon? (59:40)- Otro clásico, ¿me cambio de cámara o compro objetivos? (1:02:33)- ¿Existirá formato DX en la nueva montura Nikon Z? (1:06:37) Recordad que podéis enviar las preguntas para el próximo “Ola K Ase” a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

Get the Canon EOS 5D Mark IV - https://geni.us/1BeA9qo Check out all of my camera gear here - http://bit.ly/2yUH5yT I've said it before, but I absolutely love the Canon 5D MK IV. In this video I take you through the BEST Canon 5DMKIV video settings I have found to give you that cinematic and film look to your footage that you know you need today! Chapters 1. Full HD Video Settings 1:08 2. Shutter Settings for Full HD 2:37 3. ISO Settings 3:10 4. Aperture 3:37 5. White Balance 3:59 6. Exposure 4:54 7. Focus 5:08 8. Audio 5:25 9. Slow Motion 6:14 10. Slow Motion Frame Rate 6:31 11. Slow Motion Shutter 6:41 12. Boost ISO 7:08 13. Super Slow Motion 7:51 14. Super Slow Motion Shutter 8:38 15. A few Caveats 9:10 Close 10:50 MY VLOG SETUP: Canon EOS R Body on Amazon - https://geni.us/Y5EAe Canon 24mm Lens on Amazon - https://geni.us/d1aCXZ RF to EF Control Ring Adapter on Amazon - https://geni.us/NEBK This tripod on Amazon - https://geni.us/SRH0 With this mic on Amazon - https://geni.us/qUkdTy Captured on this CF card on Amazon - https://geni.us/lhS6voS Or this SD Card (for 4K) on Amazon - https://geni.us/TVVF8 Edited on this computer on Amazon - https://geni.us/I4IVh GEAR I USED TO SHOOT THIS: Canon EOS R on Amazon - https://geni.us/Y5EAe LENS on Amazon - 24mm f1.4 L II - https://geni.us/d1aCXZ Rode PG2-R Pistol Grip Shock Mount with Rycote Lyre Suspension on Amazon - https://geni.us/2cGMkv Rode NTG2 Condenser Shotgun Microphone on Amazon - https://geni.us/qUkdTy Rode VideoMic Pro R with Rycote Lyre Shockmount & Rode DeadCat (Get the newer VideoMic Pro Plus instead as per below links) on Amazon - https://geni.us/LPjc SanDisk Extreme Pro 256GB SDXC UHS-I Card - BEST SD FOR 4K on Amazon - https://geni.us/TVVF8 Adjustable C-Stand for top down camera on Amazon - https://geni.us/pZZYP Sennheiser HD 380 PRO Headphones on Amazon - https://geni.us/uHRVReQ Good and Cheap Lighting Kit on Amazon - https://geni.us/XiRBtx I get ALL MY MUSIC from SoundStripe *Get 20% off your first month via this link - http://bit.ly/2MQsOI4 (full disclosure - I get a $15 kickback off my subscription for everyone who signs up via the above link) FOLLOW ME: Instagram: https://www.instagram.com/michaeljdrowley Twitter: https://twitter.com/michaeldrowley Facebook: https://www.facebook.com/michaeljdrowley Website: http://www.michaeldrowley.com ABOURT ME: Feeling too comfortable in design engineering after a solid 10 year career - I took a massive leap of faith and started my own video production company, Pendula. Become part of the journey so far, the highs, the lows, the triumphs and challenges AND subscribe for great content to help you up your game in all things video production and creative. DISCLOSURE: As an Amazon Associate I earn from qualifying purchases.Subscribe to Getting into it with Loveridge Designs on Soundwise

Cinematographer Rick Delgado has worked for a broad range of commercial clients and is in high demand as he jumps around from his home base in Miami to LA, NY, and all over the globe. Rick is a talented, sensitive, thoughtful story teller who I previously featured in episode 188 of the Artful Camera (previously known as the Digital Convergence Podcast). When I spoke to Rick in that episode, I knew I wanted to have the chance to speak with him again. As it turned out, we were able to collaborate work together for a few days shooting a mini-documentary called Analog Made. It was a delight to work with Rick, and get hands-on experience with his RED Weapon fitted with the superb 8K Helium sensor. With a Super35 sensor, the Helium features much improved low light performance with less noise and breathtaking dynamic range. Working with the RED was a considerable step up in quality and technology for me. This camera capable of capturing gorgeous massive 8K RAW video at up to 60 fps. Drop down to 4K, and the slow-mo capability increases to 120 fps. Go down to 2K, and an impressively liquid 240 fps is achievable–which we took advantage of in a number of closeups. Impressive as the RED Weapon is, of even greater value to me was the chance to work closely with Rick and benefit from his extensive experience as a highly sought after director of photography. Of note, too, is that Rick is a hybrid shooter and is often called upon to shoot both still photos and video at the same time. His tool of choice for shooting stills is the Canon EOS 5D Mark IV. This episode of the Artful Camera was recorded in my home after wrapping up two full days shooting together. This is the first time I’ve recorded a podcast episode live in my office with another guest in the studio. Having Rick in the studio certainly changed up the dynamics of recording a conversation. It was such a delight that I’m going to have to find a way to live in-house recordings like this again if future episodes of the podcast. In the conversation we recorded together, Rick and I talk about what it was like to shoot the Analog Made documentary with wood turner Danny McCravy. Rick delves into the differences of shooting commercial work and documentaries and the process of extracting a story. Rick walks us through how you go through the interview process with the person talking about their life and then from there begin to piece things together: Where does the story begin? What is the crescendo of the story? What is the main take-away? What do you leave with when the filming is done? It isn’t always possible to know what the story is or know where the story leads to when you begin filming a documentary–but one this is certain: the story will reveal itself. Now that shooting has wrapped for this installment of Analog Made, next begins the process of putting the story together from the beautiful footage that DP Rick Delgado masterfully captured. I’ll be using REDCINE-X Pro and FCP X together to edit the piece. I’ll save that experience for a future episode. This episode is sponsored by: CrumplePop - Premiere Pro and Final Cut Pro X Plugins: http://crumplepop.com Mentioned in the show: Fragile, by Nilo Batle (17 years old, Young Arts Gold Winner): https://vimeo.com/181053540 RED Weapon Helium 8K: http://www.red.com/products/weapon-8k Visionsmith ReLamp for Arri: http://visionsmith.com/?v=7516fd43adaa Get 10% off a subscription to Soundstripe.com (use code ARTFULCAMERA when you check out): https://artfulcamera.com/soundstripe Contact and support the Artful Camera: Send email or leave voice mail feedback: https://artfulcamera.com/contact/ Website: https://artfulcamera.com  

This year I’ve published 31 episodes of the Digital Convergence Podcast. If there is anything to be learned from these podcast episodes this year it’s that gear will only get you so far. Most cameras made today are good–even the iPhone in your pocket. Video editor Chris Fenwick called the iPhone a “studio in our hands.” With such power and quality available to us, there’s no reason to agonize over what camera to buy. In essence, there’s nothing left to pixel peep because all pixels are pretty good.  So now that we’ve got gear angst out of the way, in 2017 and beyond, we can move on and focus on creating. You are first and foremost a creative.  Imagination trumps gear.  The creative process begins with an idea. Where do creative ideas come from? In this last episode of 2016, I explore this question and examine the creative process through a series of interview clips that feature filmmaker and director David Lynch, actor and comedian Gene Wilder, director and explorer James Cameron, composer and performer Yanni, musician and founder of The Black Eyed Peas will.i.am, producer and musician Brian Eno, and author, lecturer, and education expert Sir Ken Robinson. Their thoughts on where creative ideas originate, the creative process, creative failure, and overcoming creative discouragement will inspire you to expand your creative horizons no matter what your situation is in life, or the gear and software you have, in the year ahead.  Please support our show sponsors:  Get your yearly subscription to the VideoBlocks + AudioBlocks bundle today for only $149 here: http://videoblocks.com/digital2016  CrumplePop - Premiere Pro and Final Cut Pro X Plugins: http://crumplepop.com  Mentioned in the show:  Interviews on Creativity:  Hitchcock's Definition of Happiness: https://youtu.be/14dOICbwSIs  Gene Wilder on Creativity (from CTForum.org) https://youtu.be/4gG3ludjkMs  James Cameron Interview on Creativity | Montréal 2014: https://youtu.be/duEyYGqWFt8  Yanni: Illustrating the Creative Process: https://youtu.be/xQJ21n9LDHo  will.i.am on Creativity | American Genius (from National Geographic): https://youtu.be/yEnVShUZXks  Brian Eno by Alfred Dunhill: https://youtu.be/5mqtc2Z3K8o  Brian Eno & Steven Johnson On Art (from How We Get To Next): https://youtu.be/RMU5nhpb4LE  Sir Ken Robinson on creativity and education: https://youtu.be/fKaGExyFOR0  Steve Johnson’s How We Get To Next: https://howwegettonext.com  The amazing people featured on Digital Convergence Podcast in 2016:  Filmmakers:  Justin DeMers and Ray Tsang: DCP 185: Team of One Filmmaking with Justin DeMers and Ray Tsang: https://creativemethod.tv/blog/dcp-185-team-of-one-filmmaking-with-justin-demers-and-ray-tsang  Rick Delgado: DCP 188: Director and Cinematographer Rick Delgado: https://creativemethod.tv/blog/dcp-188-director-and-cinematographer-rick-delgado  Cinzia Angelini: DCP 190: Mila Film Writer and Director Cinzia Angelini and Producer Andrea Emmes: https://creativemethod.tv/blog/dcp-190-mila-film-writer-and-director-cinzia-angelini-and-producer-andrea-emmes  Jason Amm: DCP 191: Jason Amm - Producer of Electronic Voyager: Retracing Bob Moog's Sonic Journey: https://creativemethod.tv/blog/dcp-191-jason-amm-producer-of-electronic-voyager-retracing-bob-moogs-sonic-journey  Mathew Farrell: DCP 193: The Karakoram Anomaly - With Mathew Farrell: https://creativemethod.tv/blog/dcp-193-the-karakoram-anomaly-with-mathew-farrell  Tom Bryan: DCP 202: Tom Bryan's The Casey Neistat School of Filmmaking: https://creativemethod.tv/blog/dcp-202-tom-bryans-the-casey-neistat-school-of-filmmaking  Ken Bell: DCP 206: Kenn Bell - Director of Second Chance Dogs: https://creativemethod.tv/blog/dcp-206-kenn-bell-director-of-second-chance-dogs  Entrepreneurs:  Soundstripe: DCP 189: Soundstripe Co-Founder Micah Sannan: https://creativemethod.tv/blog/dcp-189-soundstripe-co-founder-micah-sannan  Jason Been: DCP 192: Jason Been - Imagecraft Productions: https://creativemethod.tv/blog/dcp-192-jason-been-imagecraft-productions  Dylan Higginbotham: DCP 207: Dylan Higginbotham - Founder of Stupid Raisins and Creator of FCP X Plugins: https://creativemethod.tv/blog/dcp-207-dylan-higginbotham-founder-of-stupid-raisins-and-creator-of-fcp-x-plugins Brent Barbano of Sharegrid: DCP 196: Am I Getting Paid Enough? - Part 3: https://creativemethod.tv/blog/dcp-196-am-i-getting-paid-enough-part-3 Mentors: Dave Dugdale: DCP 203: Dave Dugdale on Sony and Canon: https://creativemethod.tv/blog/dcp-203-dave-dugdale-on-sony-and-canon  Caleb Pike: DCP 204: Caleb Pike Builds a Hackintosh for FCP X: https://creativemethod.tv/blog/dcp-204-caleb-pike-builds-a-hackintosh-for-fcp-x  Kris Simmons: DCP 194: Am I Getting Paid Enough? (With Kris Simmons): https://creativemethod.tv/blog/dcp-194-am-i-getting-paid-enough-with-kris-simmons  Joseph Olson: DCP 199: Joseph Olson on Crushing it on YouTube: https://creativemethod.tv/blog/dcp-199-joseph-olson-on-crushing-it-on-youtube  Ben Bruton-Cox: DCP 198: No Country for Old Men with Canon EOS 5D Mark IV's: https://creativemethod.tv/blog/dcp-198-no-country-for-old-men-with-canon-eos-5d-mark-ivs  Contact and Support Creative Method TV:  Send email or leave voice mail feedback: http://creativemethod.tv/contact/  CreativeMethod.TV YouTube Channel: https://www.youtube.com/channel/UCIo1YmQXnMm21b-Slkr69Tg  CreativeMethod.TV on Instagram: https://www.instagram.com/creativemethod.tv/  CreativeMethod on Facebook: https://www.facebook.com/creativemethodtv/  CreativeMethod website: http://creativemethod.tv  

This is the 200th episode of the Digital Convergence Podcast. My special guest for this episode is none other than Chris Fenwick. Chris has a long, storied history with this show so it's only fitting that he joins me in a fun conversation about the past, the present, and the future of being a digital media creative. This podcast began to be published in January 2010 at the beginning of the "convergence" revolution brought about accidentally by Canon with the epic Canon EOS 5D Mark IV. This show has tracked the progress of the technology of the tools used by digital media creatives for nearly six and a half years. Mentioned in the episode: CrumplePop's website: http://crumplepop.com CrumplePop AudioDenoise: http://www.crumplepop.com/fcpx-premiere-plugin-audio-denoise/ CrumplePop EchoRemover: http://www.crumplepop.com/fcpx-premiere-audio-plugin-echoremover/ Make a donation to support the Digital Convergence Podcast: http://creativemethod.tv/donate Send email or leave voice mail feedback: http://creativemethod.tv/contact/ Carl Olson on Twitter: https://twitter.com/TheCarlOlson CreativeMethod.TV YouTube Channel: http://www.youtube.com/c/CreativeMethodTV CreativeMethod.TV on Instagram: https://www.instagram.com/creativemethod.tv/ CreativeMethod on Facebook: https://www.facebook.com/creativemethodtv/ CreativeMethod website: http://creativemethod.tv  

On August 25th, the Canon EOS 5D Mark IV - was officially announced amidst a cacophony of both praise and disappointment - depending on whether you are primarily a stills photographer or videographer. Ben Bruton-Cox of the Our Week In Video podcast helps me work through my own angst over Canon. Is the Mark IV right for me?   “Expectation postponed makes the heart sick, but a desire realized is a tree of life” –ancient proverb.   After 8 years of unrequited love and anticipation, Canon has slammed the door closed on the convergence market that they gave birth to. When the 5D Mark II was released, it had the most basic of video features. But, O!, it was the loveliest HD video ever seen (only 30fps in the beginning, moire, poor dynamic range, and rolling shutter notwithstanding) from a camera costing less than $3,500. With that camera, Canon accidentally created the “convergence” market, and with it, hope and expectation that  Canon would continually improve the video features of the EOS 5D line.   Sadly, I feel that if Canon could go back in time, they would never approved video capability in any of their DSLRs. However, the genie is out of the bottle. The convergence market’s expectation was that their desires for pro video features would be built into 5D Mark IV. They thought “surely after 8 years we will have the ultimate convergence camera!”   Alas, that expectation - at least by those who consider themselves convergence photographers and filmmakers - was unrealized. They are the ones most disappointed in the EOS 5D Mark IV because Canon has the capability to deliver and meet the needs and wants of convergence creators, but have deliberately hobbled these features. What makes this sting even more is the marketing language Canon used to announce the 5D Mark IV gushes with phrases such as:   “see legendary"   “builds on the powerful legacy of the 5D series"   “amazing refinements"   “creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers"   You certainly have to have a creative imagination to believe that.   Frankly, the EOS 5D Mark IV feels like an intentional hobbling of features that – I believed if were reversed – would see Canon crush it over and beyond what they are doing now with the sale of mid range DSLRs.   The EOS 5D Mark IV is no doubt a superb still camera with competent - though mostly outdated - HD video baked in.  It’s a camera I want to like. I personally haven’t bought into other convergence cameras by Sony and Panasonic yet.   I love Canon. I love Canon gear. I love the Canon image. I love the Canon ergonomics. I love Canon lenses.   I get it that my love for Canon is unrequited and they probably don't want me – a convergence creative – as a customer. It hurts a bit in part because I and so many other convergence bloggers, podcasters, and YouTubers have resulted in the sales of tens of thousands of Canon DSLRs to convergence creatives - all to Canon’s benefit - and all without any compensation to us whatsoever.   Some folks make the claim that we should all just trust Canon’s marketing department, that they are smart, and know what they are doing. This is a dubious claim. Many large companies have marketing departments that have been clueless about their customers - resulting in massive failure for those companies. The same can happen to Canon.   It’s a serious mistake for Canon to jilt the very market they created – albeit accidentally.    Mentioned in the episode:   CrumplePop's website http://crumplepop.com   CrumplePop AudioDenoise http://www.crumplepop.com/fcpx-premiere-plugin-audio-denoise/   CrumplePop EchoRemover http://www.crumplepop.com/fcpx-premiere-audio-plugin-echoremover/   Soundstripe.com http://soundstripe.com   Ben Bruton-Cox and Our Week In Video podcast https://www.facebook.com/ourweekinvideo/   Canon EOS 5D Mark IV https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/dslr/eos-5d-mark-iv   Official Canon EOS 5D Mark IV Introduction https://youtu.be/8Z9089048wk   Introducing the Canon EOS 5D Mark IV https://youtu.be/BtD-xEvG21E   Jared Polin “Fro Knows Photos” Canon EOS 5D Mark IV DSLR Preview https://www.youtube.com/watch?v=j0ou39qKoWM   Planet 5D article by Mitch Anger - RANT: “The Canon EOS 5D Mark IV Doesn’t Have…” http://blog.planet5d.com/2016/08/rant-the-canon-eos-5d-mark-iv-doesnt-have/

The Canon 5D Mark IV was announced today. This has certainly been a much anticipated release. So now that we have the specs how does the 5D Mk IV stack up? Lets talk about that. Canon EOS 5D Mark IV available September 8, 2016 Find it at B&H: http://goo.gl/bT2ilZ

In this episode I cover: 1) The return of Rocko's Modern Life and how I met the B-52's while working as a camera operator intern at a local Atlanta TV station. 2) Canon EOS 5D Mark IV rumors are heating up. I talk about the latest information from CanonRumors.com. It looks like the 5D Mark IV will support 4K video, but it does not come with a CFAST card slot. In a few days - perhaps as early as August 25, 2016 - we likely all will have the facts, but will it make a difference? 3) There's a free sound library available that may be of interest to digital media creatives. It's a royalty free library from Red Sky Lullaby. 4) If you are a Final Cut Pro X user, I tell you how you can win a free pass for the 2016 FCPX Creative Summit. And I also tell you about an awesome FCP X resource: fcp.co. 5) Kris Simmons - The Video Business Success Coach - returns to motivate you to put your biz into high gear. Ron Dawson of Radio Film School left us a voice mail with a great question about a topic we did not address in our series “Am I getting paid enough?” Stay tune to hear Ron’s question and Kris Simmons answer to it. Mentioned in the podcast: CrumplePop's website: http://crumplepop.com CrumplePop AudioDenoise: http://www.crumplepop.com/fcpx-premiere-plugin-audio-denoise/ CrumplePop EchoRemover: http://www.crumplepop.com/fcpx-premiere-audio-plugin-echoremover/ The return of Rocko's Modern Life: http://www.theverge.com/2016/8/11/12445758/rockos-modern-life-nickelodeon-one-hour-special-announcement New Canon EOS 5D Mark IV spec rumors: http://www.canonrumors.com/canon-eos-5d-mark-iv-specifications-and-image/ Verify on-demand-insurance for drone pilots: http://verifly.com Radiophonic Atmospheres FREE Sample Pack from Red Sky Lullaby: http://99sounds.org/radiophonic-atmospheres/ Make a donation to support the Digital Convergence Podcast: http://creativemethod.tv/donate Send email or leave voice mail feedback: http://creativemethod.tv/contact/ Carl Olson on Twitter: https://twitter.com/TheCarlOlson CreativeMethod.TV on Instagram: https://www.instagram.com/creativemethod.tv/ CreativeMethod on Facebook: https://www.facebook.com/creativemethodtv/ CreativeMethod website: http://creativemethod.tv