Podcasts about emmerich k

Den Owend ab hallwer aacht live aus der Philharmonie. Um Programm: • Edvard Grieg: - Morgenstemning i ørkenen op.46/1 (Peer Gynt. Suite Nr. 1) - «Våren» op.33/2 pour voix et orchestreChanson de Solveig (Peer Gynt) - Dans l'antre du roi de la montagne (Peer Gynt. Suite op.46/1) • Richard Wagner: Tannhäuser - "Dich, teure Halle" • Richard Strauss: Till Eulenspiegels lustige Streiche • Johann Strauss (Sohn): An der schönen blauen Donau • Emmerich Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" (Die Csárdásfürstin) • Leonard Bernstein: "I Feel Pretty" (West Side Story) • Johann Strauss (Sohn): - Perpetuum mobile - Tritsch-Tratsch-Polka Interpreten: Elisabeth Teige, Sopran Lëtzebuerger Philharmoniker Pietari Inkinen, Direktioun

I can think of no more appropriate way to end this difficult year than with another episode lauding my late friend, the sublime American lyric tenor Jerry Hadley. I am of the firm belief that Jerry was one of the finest singers this country has ever produced. Everyone has their favorite among his performances, which display an eclecticism rare among opera singers, but I believe that his artistry found its fullest and truest expression in his performances of Viennese operetta. His bright, sunny vocal timbre, his capacity for vocal shading and dynamics, his sense of both humor and pathos, his ringing high notes, as well as of precision and acuity of his German diction make him an ideal interpreter of this music. The majority of the music heard on this episode comes from two albums of operetta arias that Jerry recorded in 1995 under the baton of Richard Bonynge. This is supplemented by two duets with Australian soprano Deborah Riedel from a series of English-language versions of Lehár operettas also conducted by Bonynge, as well as various live performances of Jerry in the music of Johann Strauss II and Erich Korngold. While Lehár is the most prominently featured composer, we also heard excerpts from work by Emmerich Kálmán, Carl Millöcker, Ralph Benatzky, Leo Fall, and that king of operetta tenors himself, Richard Tauber, who was also quite a capable composer. The episode concludes with reminiscences of my close friendship with Jerry, crowned by a magisterial live performance of “Dein ist mein ganzes Herz.” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Dægurflugur og söngvar frá ýmsum tímum. Tónlist eftir Emmerich Kálman og Franz Léhar. Leikin eru nokkur lög eftir óperettuhöfundana Emmerich Kálman og Franz Léhar. Meðal flytjendar eru Örvar Kristjánsson, Grétar Örvarsson, Karlakórinn Vísir, Svanhildur Sveinbjörnsdóttir og Guðmundur Sigurðsson ásamt Skagfirsku söngsveitinni, Fjórtán Fóstbræður, Gerðubergskórinn, Szymon Kuran og Reynir Jónasson, Tígulkvartettinn, Ragnar Bjarnason og Sigrún Hjálmtýsdóttir, Sigurður Ólafsson og Bjarni Lárentíusson og Njáll Þorgeirsson. Umsjón: Jónatan Garðarsson.

Dægurflugur og söngvar frá ýmsum tímum. Tónlist eftir Emmerich Kálman og Franz Léhar. Leikin eru nokkur lög eftir óperettuhöfundana Emmerich Kálman og Franz Léhar. Meðal flytjendar eru Örvar Kristjánsson, Grétar Örvarsson, Karlakórinn Vísir, Svanhildur Sveinbjörnsdóttir og Guðmundur Sigurðsson ásamt Skagfirsku söngsveitinni, Fjórtán Fóstbræður, Gerðubergskórinn, Szymon Kuran og Reynir Jónasson, Tígulkvartettinn, Ragnar Bjarnason og Sigrún Hjálmtýsdóttir, Sigurður Ólafsson og Bjarni Lárentíusson og Njáll Þorgeirsson. Umsjón: Jónatan Garðarsson.

Comment rendre hommage à Vienne sans faire résonner la musique de l'un des plus emblématiques de ses maîtres, Johann Strauss II? Portées par Alfred Eschwé et son Wiener Johann Strauss Orchester, ses valses et polkas seront bien présentes sous la Tente du Festival de Gstaad lors de ce grand gala final… mais elles seront loin d'être seules! Car la Vienne qui danse et qui s'amuse du 19e et du début du 20e siècle, c'était aussi les opérettes aux accents volontiers tziganes de Franz Lehár et Emmerich Kálmán, de même que les spectacles rose bonbon de Carl Zeller. Sans oublier Rudolf Sieczyński, Viennois d'origine polonaise – c'étaient les derniers feux de la mosaïque culturelle de l'immense empire des Habsbourg… – auteur de l'emblématique et inoxydable «Wien, du Stadt meiner Träume» [Vienne, ville de mes rêves], une chanson devenue iconique de la nostalgie de ces temps révolus. On peut compter sur Polina Pasztircsák et Dovlet Nurgeldiyev pour rendre ces pages de velours délicieusement… sucrées!

Wie kann man Wien seine Reverenz erweisen ohne Werke des «musikalischen Schädels in Europa», wie Richard Wagner Johann Strauss (Sohn) nannte, erklingen zu lassen? Alfred Eschwé und das Wiener Johann Strauss Orchester präsentieren seine Walzer und Polkas bei der grossen Abschlussgala im Festival-Zelt Gstaad. Doch damit nicht genug! Denn im tanz- und amüsierfreudigen Wien des 19. und frühen 20. Jahrhunderts begeisterten auch die Operetten von Franz Lehár und Emmerich Kálmán mit ihren Zigeunerklängen, oder die melodieseligen Stücke von Carl Zeller. Nicht zu vergessen Rudolf Sieczyński, ein Wiener mit polnischen Vorfahren, der Autor des unverwüstlichen Lieds «Wien, du Stadt meiner Träume» ist. Dieser Nachklang der kulturellen Vielfalt des riesigen Habsburger Imperiums bringt wie kaum ein anderes Programm die Sehnsucht nach einer längst vergangenen Zeit zum Ausdruck. Polina Pasztircsák und Dovlet Nurgeldiyev werden fraglos den rechten Ton für diese unvergänglichen Zeugnisse der leichten Muse finden.

Auch in Franken machen immer öfter kleine Krankenhäuser dicht. Beispiel Hersbruck im Nürnberger Land. Klaus Emmerich vom Aktionsbündnis "Schluss mit Kliniksterben in Bayern" kämpft dagegen an.

The Prototype Festival is a contemporary opera festival in New York CityThe New Opera Showcase is a contemporary opera showcase sponsored by Opera America and Trinity Wall Street CathedralCandillari studied piano in Graz, AustriaOlivier Messiaen is a 20th-century French composerCandillari’s grandmother performed the titular role in Georges Bizet’s Carmen at the Serbian National Theatre in Novi Sad, former Yugoslavia. Candillari was also born in this city, which is the second-largest city in present-day Serbia.La Traviata is a grand opera by Giuseppe VerdiCandillari studied jazz at Jacobs School of Music at Indiana University in Bloomington, INA Hochschule is an institution of higher education within German-speaking countriesAt age six, she became “obsessed” with the operetta Die Csárdásfürstin by Hungarian composer Emmerich KálmánFranz Lehár’s operetta The Merry Widow takes place in the fictional state of Pontevedro, a thinly veiled reference to the real-life principality of Montenegro.David Baker was the Director of Jazz Studies at Indiana University’s Jacobs School of MusicEvans references a concert he saw at Symphony Hall Boston with jazz vibraphonist Gary Burton & Handel and Hayden SocietyCarnegie Hall (New York) and Wigmore Hall (London) are two well-known classical music venuesCandillari became the Head Coach at the Slovene National Theatre in Maribor, SloveniaCosì fan tutte is an opera buffa (a kind of comedic opera) by Wolfgang Amadeus MozartRecitative is a musical style primarily used in baroque and classical vocal music (namely opera and oratorio) that highlights narrative storytelling.Candillari’s husband, Nick Schwartz, is the bass trombonist of the New York City Ballet.Rusalka is an opera by Antonín Dvořák and was programmed as part of Cincinnati Opera’s 2020 season. Evans also references his Symphony No. 7 which was inspired by composer Johannes Brahms.Contemporary opera Fellow Travelers by Gregory Spears references the music of French troubadours of the Middle AgesMusical Composition: Craft and Art is a book by Alan BelkinMind Over Finger is a podcast about music performance.W1A is a British comedy TV showArthur Rubinstein once famously noted, “Don’t practice too much.”Seth MacFarlane, the creator of the adult animated TV series Family Guy, is also a jazz singer.

Tonight… We go ‘Inside the Huddle’ with tenor Jonathan Zeng, who’s currently singing the role of Edwin in Chicago Folks Operetta’s production of Emmerich Kálmán’s “The Csárdás Princess”. Find out why this piece has been largely ignored on American stages, and how Jonathan prepared to play this unique role... And then… in ‘Chalk Talk’... it’s the OBS World Cup. Our panel predicts the outcome of the world’s greatest sporting event. How? By using each country’s contributions to opera as the deciding factor in their respective soccer matches, of course... Plus… it’s the ‘Two Minute Drill’: everything you need to know from the past week in OperaLand, and our team’s hot takes on those stories... www.facebook.com/OBSCHI1/

Am 11. Februar 2017 fand die Premiere von Emmerich Kálmáns "Zirkusprinzessin" an der Oper Graz in der Inszenierung von Peter Lund statt. Eine überzeugende Produktion der gleichnishaften Operette, allerdings mangelt es an glaubwürdigen Darstellern, meint Kritiker Peter Jungblut.

Two-hour radio series finale featuring music by Gilbert & Sullivan, Edward German, Emmerich Kálmán & Johan Strauss II, and interviews with Choreographer Carol Hageman and Music Director J. Lynn Thompson. Broadcast 7.21.12 on WCWS. Advertisements

Featuring music by Gilbert & Sullivan, Jacques Offenbach, Franz Lehár, Emmerich Kálmán and interviews with company members Boyd Mackus and Nicholas Wuehrmann. Broadcast 7.14.12 on WCWS.

Featuring music by Gilbert & Sullivan, Victor Herbert, Emmerich Kálmán, Jacques Offenbach, Richard Rodgers, Sigmund Romberg and an interview with company member Ted Christopher. Broadcast 7.7.12 on WCWS.

Featuring music by Gilbert & Sullivan, Jacques Offenbach, Kurt Weill, Richard Rodgers, Emmerich Kálmán and an interview with company member Nicholas Wuehrmann. Broadcast 6.23.12 on WCWS.

Featuring music by Gilbert & Sullivan, Emmerich Kálmán, Eduard Künneke, Franz Von Suppe and Frederick Lowe. Broadcast 5.5.12 on WCWS FM.