American composer of songs and Broadway musicals
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Comedy on Friday the 13thFirst a look at the events of the dayThen, The Chase and Sanborn Hour, originally broadcast June 13, 1937, 88 years ago with guest Joan Blondell. Charlie McCarthy is in trouble with the truant officer again. Dorothy Lamour sings, "Please Make Me Be Good," a new Rodgers and Hart tune, being heard for the first time on the air. Joan Blondell appears in a skit by Colin Clements titled, "Spring." Afterwards, Charlie does his version, titled, "Summer." W. C. Fields has built a better mousetrap. He's then introduced to young Rollo Pepitone. Fields suggests that he "sit down and play with some broken glass." Charlie chats with Richard Rodgers and Lorenz Hart and tells them that his new tune is called, "A Little Of You On Toast" (the name of a new Rodgers and Hart tune). Richard Rodgers plays the piano as Don Ameche sings the tune for the first time on the air. Followed by George Burns and Gracie Allen, originally broadcast June 13, 1944, 81 years ago, broadcasting from the Kansas City War Bond Rally. The last show of the season, a program for the Fifth War Loan. Will George sing tonight at the Kansas City War Bond Rally? The broadcast originates from the Kansas City Municipal Auditorium. (Where I saw my first concert, The Carpenters, in 1971.)Then, The Great Gildersleeve starring Harold Peary, originally broadcast June 13, 1943, 82 years ago, Gildy plans his Honeymoon. Who will be Gildersleeve's best man? Will Gildy get Leila to stick to a budget?.Finally, The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast June 13, 1960, 65 years ago, Chairman of a Committee. Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day
In deze aflevering van Kalm met Klassiek licht Ab een klein, wit bloempje uit, dat houdt van rotsen en bergen, en vaak met Oostenrijk geassocieerd wordt. Wanneer je de naam hoort, gaat er misschien nog wel een ander belletje rinkelen, of een melodie zelfs. 'Edelweiss', zo heet de bloem, en ook het stuk van vandaag. En ja, die komt inderdaad regelrecht uit The Sound of Music, al heb je deze prachtige versie waarschijnlijk nog niet eerder gehoord. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37).
It's friend-of-the-show Chris's birthday, and there's nothing he'd rather do on his special day than share his girlfriend Vicki with his lightning-licking comrades. Vicki rules. She shares stories recalling her DJ past in the Detroit scene of yesteryear while adding female-powered cuts to this bonus episode's mixtape. Deon and Jay tackle old and new cuts spanning 7 decades of musical deliciousness, everything from 60's Brazilian bossa nova to 80's pop to 90's hip-hop to a fresh release from an alternative indie heavyweight.Sonic contributors to this very special 26th bonus episode of Lightnin' Licks Radio podcast include: Dave Matthews Band, Jurassic 5, DJ Nu-Mark, Zach Braff, Natalie Portman, Prince Paul, National Public Radio, Beastie Boys, Unknown Mortal Orchestra, Eddie Murphy, Olivia Newton John, John Waters' film Pink Flamingos featuring Divine, David Lochery & Mink Stole, Richard Rodgers, Deborah Kerr & Marni Nixon, Blake Mills, The Rivingtons, Black Thought & El Michaels Affair, Faith No More, MC Breed, Bootleg of the Dayton Family, Pat Finnerty's stink horn, Michelle Zauner, Ethan Klein, Stevie Wonder, Jimmy Webb, Glen Campbell, The Meters, Lani Hall, The Beatles, The Pretenders, YES, Paul Revere & the Raiders, Guitar Wizards of the Future, Daffy Duck, Squeeze, more Beatles, The Vapors, SRC, John Frusciante, System 7 & Derrick May, Brian Austin Green, Negative Approach, Laughing Hyenas, Mule, Insane Clown Posse, Stone Temple Pilots, Galaxy to Galaxy, Beck, Skinny Puppy, Millie Jackson, Bob Seger System, The Jesus and Mary Chain, James Brown, Betty Jean Newsome, Bob Vylan & Amy Taylor, Greet Death, Ol' Burger Beats, Muddy Waters, Against Me! Operation Ivy, Neon Trees, No Doubt, Bush, Gwen Stefani, English Beat, The Specials, Bad Manners, Cat Stevens, Steve Winwood, Jimmy Miller, more Pretenders, Sublime, Prince, The Avalaches featuring Camp Lo, Holland-Dozier-Holland, De La Soul, A Tribe Called Quest, William McLean, The S.O.S. Band, Parliament Funkadelic, ZAP, Tamia, LCD Soundsystem, David Bowie, James Murphy, Tom Scharpling, The Turtles, Bob James, The Alkoholiks, Justin Avdek, The Roots, Tori Spelling, and Dipshit Don, accepter of bribes. Jay loves – Missing Persons, Sergio Mendes, Honey Cone, and Newcleus. Deon likes – Japanese Breakfast, Laura Marling, Black Sheep, and The Pool.Vicki digs – Cat Bite, Sincere Engineer, P.P. Arnold, and Robyn.The 26th Bonus Mixtape:LISTEN TO THE MIX ON SOUNDCLOUD OR ON SPOTIFY[SIDE ONE] (1) Cat Bite - Call Your Bluff (2) Black Sheep - Strobelite Honey (3) Sergio Mendes & Brasil '66 - Wichita Lineman (4) Robyn - Dancing on my Own (5) The Pool - Jamaica Resting (6) Honey Cone - Sunday Morning People[SIDE TWO] (1) Japanese Breakfast - Mega Circuit (2) Sincere Engineer - Fireplace (3) Newcleus - No More Runnin' (4) Laura Marling - Don't Let Me Bring You Down (5) P.P. Arnold - The First Cut is the Deepest (6) Missing Persons - Surrender Your HeartA.I. David Silver appears courtesy of the fact that it's 2025 and we can deep fake whoever the flip we want to.Drink Blue Chair Bay. Shop at Electric Kitsch. Be kind to neighbors and strangers alike.
Floyd Collins runs on Broadway at Lincoln Center Theater's Vivian Beaumont Theater through June 22nd. To learn more, please visit www.lct.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
durée : 01:29:17 - "Manhattan" de Rodgers & Hart : un centenaire - par : Laurent Valière - Le 17 mai 1925, Richard Rodgers et Lorenz Hart connaissait leur premier succès qui allait les propulser sur le devant de la scène à Broadway et Hollywood : la chanson "Manhattan" créée pourtant pour une revue pour jeunes comédiens, "The Garrick Gaities"
It's a 78 RPM Sunday. These episodes should probably more appropriately be labelled spinning my dad's dad's shellac. In the old days of records coming on 10” disks with one song per side, it made collections rather large. So in order to organize them, record stores would sell large books that you can put several records in. The same you would do with photos. They came with a generic front cover and several sleeves to slip the disks into. My dad has a couple of these albums. I decided to pull out the ten record set inside a, now cream colored, album. But I only have time for ten songs. So get ready to hear the first five records in a personalized collection of 78 RPM disks in Volume 229: White Album Front Half. Credits and copyrights Harry James And His Orchestra – I Can't Begin To Tell You / Waitin' For The Train To Come In Label: Columbia – 36867 Format: Shellac, 10", 78 RPM Released: Oct 22, 1945 Genre: Jazz, Pop, Stage & Screen Style: Big Band, Swing, Vocal Recorded in New York, NY, August 20, 1945. I Can't Begin To Tell You Vocals [Vocal Chorus] – Ruth Haag Written-By – James Monaco and Mack Gordon Waitin' For The Train To Come In Vocals [Vocal Chorus] – Kitty Kallen Written-By – Martin Block and Sunny Skylar Claude Thornhill And His Orchestra – A Sunday Kind of Love / Sonata Label: Columbia – 37219 Format: Shellac, 10", 78 RPM, Bridgeport Pressing Released: Jan 1947 Genre: Jazz, Pop Style: Big Band Recorded New York, NY, November,11 1946. A Sunday Kind of Love Vocals [Vocal Chorus] – Fran Warren Written-By – Anita Leonard, Barbara Belle, Louis Prima and Stan Rhodes Sonata Vocals [Vocal Chorus] – Buddy Hughes Written-By – Alex Alstone, Ervin Drake, and Jimmy Shirl Dinah Shore / Dinah Shore With Spade Cooley And His Orchestra – Anniversary Song / Heartaches, Sadness And Tears Label: Columbia – 37234 Format: Shellac, 10", 78 RPM Released: Feb 1947 Genre: Pop, Folk, World, & Country Style: Vocal, Country, Swing Dinah Shore– Anniversary Song Written By – Al Jolson and Saul Chaplin from a theme by – Ion Ivanovici Dinah Shore With Spade Cooley And His Orchestra– Heartaches, Sadness And Tears Written-By – Ella May Evans and Spade Cooley Frank Sinatra – People Will Say We're In Love / Oh, What A Beautiful Mornin' Label: Columbia – 36682 Format: Shellac, 10", 78 RPM Released: Sep 1943 Genre: Pop Style: Ballad, Vocal Written-By – Oscar Hammerstein II and Richard Rodgers for the Broadway musical Oklahoma Frankie Yankovic And His Yanks – Oh Marie / On The Beach Label: Columbia – 12376-F Format: Shellac, 10", 78 RPM Released: Oct 1948 Genre: Folk, World, & Country Style: Folk Written-By – Frank Yankovic I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #78RPM #oldmusic #musichistory #musicalmemories #vinylcollecting #vinylrecords #fyp
HEDWIG AND THE ANGRY INCH | Text by John Cameron Mitchell | Music & Lyrics by Stephen Trask Works Consulted & Reference :Hedwig and the Angry Inch (Original Libretto) by John Cameron Mitchell & Stephen TraskHedwig and the Angry Inch (Broadway Libretto) by John Cameron Mitchell & Stephen Trask, Directed by Michael Mayer"John Cameron Mitchell reflects on 'Hedwig and the Angry Inch' - Q with Tom Power" Podcast InterviewNew York TimesTalks Interview of Neil Patrick Harris, John Cameron Mitchell, & Stephen Trask" 'Midnight Radio' with John Cameron Mitchell | Queer the Music with Jake Shears Ep. 14" Podcast InterviewMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wicked Little Town" from Hedwig and the Angry Inch (Original Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Cameron Mitchell "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from Pippin (Original Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
We once again pull out the most popular orchestra leader in my dad's collection. This is a follow-up album to a popular record my dad does not have. Both titles reference the Ira and George Gershwin tune S'Wonderful from the 1927 Broadway musical Funny Face. Of course Conniff arranged all of these standards by using a chorus singing tones and not lyrics, which created his own recognizable style. So, get ready to hear another in the great line of Space-Age composers performing music you heard on stage and screen in Volume 213: Ray's Marvelous. More information about this album, see the Discogs webpage for it. Credits and copyrights Ray Conniff And His Orchestra – 'S Marvelous Label: Columbia – CL 1074 Format: Vinyl, LP, Repress, Mono Released: 1958 Genre: Jazz, Pop Style: Easy Listening, Space-Age We'll hear 6 of the 12 songs on this record. The Way You Look Tonight Written-By – Dorothy Fields and Jerome Kern They Can't Take That Away From Me Written-By – The writing team of Ira and George Gershwin I've Told Ev'ry Little Star Written-By – the writing team of Oscar Hammerstein II and Jerome Kern You Do Something To Me Written-By – Cole Porter Where Or When Written-By – The writing team of Richard Rodgers and Lorenz Hart As Time Goes By Written-By – Herman Hupfeld I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #rayconniff #easylistening #vinylcollecting #oldvinyl
durée : 00:58:11 - « Bewitched (bothered and bewildered) » (Richard Rodgers / Lorenz Hart) (1940) - par : Laurent Valero - "La musique de Rodgers, élégante, contraste avec les paroles de Lorenz Hart en autodérision, qui contribua au succès de la comédie musicale Pal Joey crée à Broadway en 1940, avec le jeune Gene Kelly dans le rôle titre qui lança sa carrière, et Vivienne Segal créa la chanson sur scène" Laurent Valero
durée : 00:58:11 - « Bewitched (bothered and bewildered) » (Richard Rodgers / Lorenz Hart) (1940) - par : Laurent Valero - "La musique de Rodgers, élégante, contraste avec les paroles de Lorenz Hart en autodérision, qui contribua au succès de la comédie musicale Pal Joey crée à Broadway en 1940, avec le jeune Gene Kelly dans le rôle titre qui lança sa carrière, et Vivienne Segal créa la chanson sur scène" Laurent Valero
HADESTOWN Book, Music, & Lyrics by Anaïs Mitchell | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :Hadestown (Original Libretto) by Anaïs MitchellWorking on A Song: The Lyrics of Hadestown by Anaïs MitchellMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"All I've Ever Known" from Hadestown (Original Broadway Cast Recording) | Music & Lyrics by Anaïs Mitchell | Performed by Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Zubin Meta en de Wiener Philharmoniker openen bruisend Klassiekuur én het Nieuwe Jaar met de Champagne-Galopp van Hans Christian Lumbye. En wat staat er nog op uw Muzikaal Nieuwjaarsmenu: een Laendler van Richard Rodgers en een Gavotte van Alfons Czibulka, Winterlust van Josef Strauss en Myrthenblüten Walz van Johann Strauss. Maar wie zijn er nog […]
durée : 00:31:57 - Les Nuits de France Culture - par : Albane Penaranda - "Blue Moon", "My Favorite Things", "My Funny Valentine"... autant de chansons composées par Richard Rodgers, compositeur que Daniela Langer mettait sur le devant de la scène dans le deuxième volet de la série qu'elle consacrait à la chanson américaine dans "Le rythme et la raison". - réalisation : Véronique Lamendour - invités : René Urtreger Pianiste de jazz; Stephanie Crawford Chanteuse de jazz américaine; Nancy Haikin Chanteuse, compositrice et scénariste de comédie musicale américaine
Today's Guest Jamie-Lynn Sigler has been acting and singing since the age of 7. She got her start in New York regional theater, and has since starred in over two dozen theatrical productions including "Annie," "The Wizard of Oz," "The Sound of Music," "The Wiz," and "Gypsy." In the summer of 2001, she starred in the touring production of Richard Rodgers and Oscar Hammerstein II's "Cinderella," playing the lead opposite Eartha Kitt. Jamie made her Broadway debut starring as Belle in Disney's Broadway production of "Beauty and the Beast" from October of 2002 through February 2003. Beyond her theatrical appearances, she starred as Meadow Soprano in the critically acclaimed HBO original series The Sopranos (1999). For her work on the show, she received the 1999 and 2000 Hollywood Reporter Young Star Awards for Best Young Actress in a Dramatic Television Series and both 2001 and 2002 ALMA nominations. She also has a SAG Award for The Sopranos (1999) Best Ensemble Cast. Jamie is taking Kesimpta (ofatumumab) for her RMS. As with any medication, there can be risks. Doctors will test patients for active Hepatitis B infection, as people with Hepatitis B shouldn't take KESIMPTA. A doctor will also discuss the potential for serious side effects such as life-threatening and fatal infections, injection reactions, lowered antibodies, and other common ones like headaches. Links from Jamie ReframingMS.com TreatmentDecisionGuide.com, is a decision guide Jamie co-created with Novartis and others living with MS to provide people with detailed questions to ask an MS specialist to get to an informed treatment decision. MeSsy podcast Not Today, Pal podcast About Dr. Raj Dr Raj is a quadruple board certified physician and associate professor at the University of Southern California. He was a co-host on the TNT series Chasing the Cure with Ann Curry, a regular on the TV Show The Doctors for the past 7 seasons and has a weekly medical segment on ABC news Los Angeles. More from Dr. Raj www.BeyondThePearls.net The Dr. Raj Podcast Dr. Raj on Twitter Dr. Raj on Instagram Want more board review content? USMLE Step 1 Ad-Free Bundle Crush Step 1 Step 2 Secrets Beyond the Pearls The Dr. Raj Podcast Beyond the Pearls Premium USMLE Step 3 Review MedPrepTGo Step 1 Questions Learn more about your ad choices. Visit megaphone.fm/adchoices
La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi • La 750 Online quedó sin audio a las 00:10, antes de arrancar el programa de los lunes. Sin embargo, se podía escuchar por la FM 96.5 de Mar Del Plata. Lo que salió al aire fue la presentación en Quilmes, 28 de junio de 2023. Segmento Inicial • Qué hacer si entra un chorro en tu casa Segmento Dispositivo • Francisco José I de Austria • "Play The Game" ♫ (Toca el TSN) Queen, The Game, 1980. Segmento Humorístico • Ideas originales para pedirle a una mina que sea tu novia Sordo Gancé / Trío Sin Nombre • "Rezo Por Vos" ♫ (Único registro del truncado proyecto Spinetta/García, 1984) Privé, 1986. Parte De La Religión, 1987. • "Tarjeta postal" ♫ (Cátulo Castillo/Sebastián Piana) Canta Tita Merello/Orquesta Carlos Figari, 1969. Alejandro Dolina, acompañan Marzán/Brebes/Rodnoi, 2003. • "Don't Let Me Down" ♫ (Toca el TSN) The Beatles, Get Back B-Side, 1969. • "La Violeta" ♫ (Cátulo Castillo/Nicolás Olivari) Canta Gardel/Guitarras de Barbieri/Aguilar/Riverol, 1930. • "Blue Suede Shoes" ♫ (Carl Perkins, 1955) Elvis, 1956. • "Blue Moon" ♫ (Richard Rodgers y Lorenz Hart, 1934) Connee Boswell, 1935. Al Bowlly, 1936. Billie, 1952. • "Hit The Road Jack" ♫ (Percy Mayfield; grabada por Ray Charles y las Raelettes, 1961) Still in peaceful dreams I see, the road leads back to you)
This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback. Today our discussion centers on the second half of Hammerstein's remarkable partnership with Richard Rodgers, including the creation of their musicals South Pacific, Me And Juliet, The King And I, Pipe Dream, and The Sound Of Music. If you missed the first two parts, you may want to catch up with those before listening to this one. Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patrons Gary Fuller and Randy Everett. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
My guest again this week is the noted journalist and theater critic Laurie Winer, who returns for part two of our conversation about her book, Oscar Hammerstein II and the Invention of The Musical. If you missed part one, you may want to catch up with that before listening to this one. Following the triumph of Show Boat, during the 1930s Hammerstein experienced a very challenging decade of devastating flops on Broadway and very limited achievement in Hollywood. And that's where we pick up our conversation. Topics included in this episode include the musicals Oklahoma!, Carousel, and Allegro! as well the the stark differences between the personalities of Richard Rodgers and Oscar Hammerstein, their working methods, and their fruitful collaboration and contentious relationship with choreographer Agnes De Mille. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including Producer Level Patrons Paula & Steve Reynolds. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Curtain up on the 50th deep dive of KNOW THE SHOW as Anika and Michael delve into GYPSY, widely considered to be the greatest musical of all time.
Well, here's a milestone for you. I can't believe that I have reached 200 shows with no intent of stopping. While I've played over 12 hundred songs on this show over those more than three and a three quarter years, I have several that have stuck in my brain or keep coming up in conversation and memories. They may not be the most popular of the songs I've played, the biggest hits or even necessarily among my favorites, but they had a catchy melody or rhythm that I couldn't get out of my head. So get ready to hear a dozen extra memorable tunes you've heard on this show before in Volume 200: Frank's Earworms Take 2. Listen to the Ted Alexander unedited phone interview. Read Frank's REO Speedwagon story. Credits and copyrights The Lady Is A Tramp - Buddy Greco Written by Richard Rodgers, and Lorenz Hart Take the A Train - The Duke Ellington Orchestra Written by Duke Ellington Day-O - Harry Belafonte Written by Harry Belafonte, Lord Burgess, and Bill Attaway Java - Al Hirt Written by Allen Toussaint, Alvin Tyle, and Freddy Friday Let's Cha Cha - Tito Puente Written by Ray Coen Debbie Reynolds and the cast of the musical motion picture The Unsinkable Molly Brown - Belly up to the Bar, Boys Music And Lyrics written By Meredith Willson (Running Around in Circles) Getting Nowhere - Bing Crosby with John Scott Trotter and His Orchestra Written by Irving Berlin Ye-Me-Le - Sergio Mendez & Brasil ‘66 Written by Chico Feitosa, and Luis Carlos Vinhas Sing, Sing, Sing - Henry Mancini Composed by Louis Prima Spinning Wheel - Sammy Davis Jr. Written by David Clayton-Thomas Che La Luna - Louis Prima With Sam Butera And The Witnesses Written-By – Kopak, and Louis Prima Taste Of Honey - Herb Alpert & the Tijuana Brass Written by Bobby Scott and Ric Marlow I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.
Learn about Startup Tech Law.Check out my new show, the Law for Kids Podcast.Get Connected with SixFifty, a business and employment legal document automation tool.Sign up for Gavel using the code LAWSUBSCRIBED to get 10% off an annual subscription.Visit Law Subscribed to subscribe to the Substack newsletter to get notified about every episode, listen from your web browser, and for additional content.Follow @lawsubscribed everywhere.Sign up for the Subscription Seminar waitlist at subscriptionseminar.com.Check out Mathew Kerbis' law firm Subscription Attorney LLC. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lawsubscribed.com/subscribe
THE SECRET GARDEN Book & Lyrics by Marsha Norman | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :The Secret Garden (Original Libretto) by Marsha NormanCreating THE SECRET GARDEN Produced by Broadway Podcast NetworkMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Lily's Eyes" from The Secret Garden (Original Broadway Cast Recording) | Music by Lucy Simon, Lyrics by Marsha Norman | Performed by Mandy Patinkin & Robert Westenberg "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
A timeless classic that deserves to be seen and heard. Whether you are experiencing it the first time or you are coming from a place of nostalgia, the musical South Pacific includes some of the best and most recognizable tunes by the composing team of Richard Rodgers and Oscar Hammerstein II.Based on a novel by James Michener and adapted by Hammerstein and Josh Logan, the 1949 play boldly addressed the notion of learned prejudices, and confronted changing post-war attitudes about interracial marriage and mixed raced children.An enchanting evening.
HAMILTON Book, Music & Lyrics by Lin-Manuel Miranda | Based on Alexander Hamilton by Ron Chernow Works Consulted & Reference :Hamilton (Original Libretto) by Lin-Manuel MirandaHamilton: The Revolution by Jeremy McCarter & Liin-Manuel Miranda Alexander Hamilton by Ron ChernowMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wait for It" from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Leslie Odom Jr., Original Broadway Cast of Hamilton"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
“Pipe Dream” is a rarely produced stage musical with music by Richard Rodgers, book & lyrics by Oscar Hammerstein II, based on the novels “Cannery Row” and “Sweet Thursday” by John Steinbeck. “Pipe Dream” will run at Berkshire Theatre Group's Unicorn Stage in Stockbridge, Massachusetts through August 31.
Can you discuss some key trends and challenges you've observed in the marketing landscape, particularly in the consumer goods industry, and how you've navigated them throughout your career? As a marketing leader, what strategies do you find universally effective in driving brand awareness and engagement, regardless of the specific product or company you're working with? How do you approach fostering innovation and creativity within your marketing teams, and what advice would you offer to aspiring marketers looking to push boundaries and think outside the box? In your experience, what are some essential skills and qualities that every successful marketer should possess, regardless of the industry or company they're in?
Mark Horowitz is a Senior Music Specialist in the Music Division of the United States Library of Congress. He is in charge of the collections of Leonard Bernstein, Stephen Sondheim, Ella Fitzgerald, Leslie Bricusse, Richard Rodgers, Jonathan Larson and many more. He's also written a book about Stephen Sondheim. This is a fascinating interview!My featured song is Judy Collins's version of Stephen Sondheim's “Send In The Clowns”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Throughout songwriter Richard Rodgers' (born June 28, 1902) long career, with 43 Broadway shows and over 900 songs to his credit, he wrote primarily with only two lyricists, Lorenz Hart and Oscar Hammerstein. Much of his output with both men have become standards, but jazz musicians are particularly enamored with his earlier work, with Lorenz Hart. Some theorize that even though he was often at odds with Hart due to the latter's unreliable work ethic, the fact that Hart set lyrics to Rodger's music after it was composed allowed freer range to Rodger's imagination than the work he composed with Hammerstein, who insisted on writing the lyric beforehand and having Rodgers set it to music.
La Venganza de los lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción Entrada0:02:04 Segmento Dispositivo Traiciones en los mitos02:25 "Traicionera" ♫ (Música: Juan Ghirlanda, letra: Luis Garros Pe. Año 1928. Canta Gardel, una de las dos versiones que grabó ese mismo día, Dolina comenta que nunca sabremos cuál es la que repitió y conjetura que la se oye es, probablemente, la segunda) Segmento Humorístico Beneficios de bañarse en pareja. 23:05 Segmento Humorístico ¡Mamá, me encontré con un extraterrestre! 48:22 Sordo Gancé / Trío Sin Nombre Presentación1:16:00 "La rueda mágica" ♫ (Fito Páez, del Amor Después del Amor, 1991. Cantan Charly y Calamaro) "What a Wonderful world" ♫ (Grabada en 1967, por Louis Armstrong. Canción que escribieron Bob Thiele y George David Weiss) "Yo no sé qué me han hecho tus ojos" ♫ (Música y letra: Francisco Canaro, escrita para Ada Falcón, en 1933) "I am The Walrus" ♫ (The Beeatles, del Magical Mystery Tour. Lennon escribió la canción para confundir -o como una ironía- a escuchas que siempre hacían interpretaciones muy serias de las letras de los Beatles) "Zamba de Carnaval" ♫ (De Gustavo "Cuchi" Leguizamón y Manuel J. Castilla. Puede que sea del 1965) "Blue Moon" ♫ (Escrita por Richard Rodgers and Lorenz Hart en 1934, pasó a ser un "Standard" muy popular del jazz) "Días de vino y rosas" ♫ (Days of Wine and Roses; Canción del año 1962 con música del compositor estadounidense Henry Mancini y letra de Johnny Mercer para la película Days of Wine and Roses, de Blake Edwards. Ganó el Oscar a mejor canción) "Jijiji" ♫ (Patricio Rey y sus Redonditos de Ricota, de su segundo álbum de estudio, Oktubre, 1986) "Cuando los santos vienen marchando" ♫ (When the Saints Go Marching In, a veces traducida como "La marcha de los Santos", es un himno góspel estadounidense. Su origen exacto se desconoce. Su versión más famosa es la realizada por Louis Armstrong en 1927)
2+ Hours of Variety and ComedyFirst a look at this day in History.Then The Chase and Sandborn Hour, originally broadcast June 13, 1937, 87 years ago, with guest Joan Blondell. Charlie McCarthy is in trouble with the truant officer again. Joan Blondell appears in a skit by Colin Clements titled, "Spring." Afterwards, Charlie does his version, titled, "Summer." W. C. Fields misses two cues, then chastizes Don Ameche for jumping his cue. Bill Fields has built a better mousetrap. He's then introduced to young Rollo Pepitone. Fields suggests that he "sit down and play with some broken glass." Charlie chats with Richard Rodgers and Lorenz Hart and tells them that his new tune is called, "A Little Of You On Toast" (the name of a new Rodgers and Hart tune). Richard Rodgers plays the piano as Don Ameche sings the tune for the first time on the air. Followed by The Great Gildersleeve starring Harold Peary, originally broadcast June 13, 1943, 81 years ago, Gildy Plans the Honeymoon. Who will be Gildersleeve's best man? Will Gildy get Leila to stick to a budget?Then Jack Benny, originally broadcast June 13, 1948, 76 years ago, Don Wilson's Weight. The program originates from Detroit. Don Wilson "carries a lot of weight" in this town! Finally Superman, originally broadcast June 13, 1941, 83 years ago, Dr Deutch and the Radium Mine. Using a radio-controlled plane to escape, Clark Kent and Jimmy Olsen take over Dr. Deutch's boat after Dr. Browning dies. Thanks to Robert for supporting our podcast by using the Buy Me a Coffee function at classicradio.streamIf you like what we do here, visit our friend Jay atradio.macinmind.com for great old time radio shows 24 hours a day.
THE KING AND I Music by Richard Rodgers | Book & Lyrics by Oscar Hammerstein II | Based on Anna and the King of Siam by Margaret Landon | Original Choreography by Jerome RobbinsWorks Consulted & Reference :The King and I (Original Libretto)Something Wonderful: Rodgers and Hammerstein's Broadway Revolution by Todd S. PurdumMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Hello, Young Lovers" from The King and I (The 2015 Broadway Cast Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Kelli O'Hara, Ted Sperling, Orchestra"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
John & Marla break down the unmitigated disaster that was the Peggy Lee musical.Music by Paul HornerLyrics by Peggy LeeBook by Peggy Lee (originally by William Luce)Also featuring songs by Johnny Mercer, Joe McCoy, Richard Rodgers and Lieber & Stoller.Directed by Robert Drivas, replaced by Cy ColemanStarring Peggy LeeOpened on Broadway December 14, 1983.
THE MYSTERY OF EDWIN DROOD Book, Music, & Lyrics by Rupert Holmes | Based on the novel by Charles Dickens | Original Broadway production produced by New York Shakespeare Festival, Joseph Papp, ProducerWorks Consulted & Reference :The Mystery of Edwin Drood (Original Libretto)The Mystery of Edwin Drood (2012 Revised Libretto)Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Perfect Strangers" from The Mystery of Edwin Drood (The 2013 New Broadway Cast Recording) | Music & Lyrics by Rupert Holmes | Performed by Stephanie J. Block & Betsy Wolfe"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
During an incredible Broadway career that stretched from 1953 to 1998, composer Cy Coleman created the music for 12 Broadway musicals. Unlike most Broadway composers, however, he was never part of an ongoing songwriting team but instead worked with seven very talented but very different collaborators. My guest today is one of those esteemed lyricists -- David Zippel who partnered with Cy Coleman on the score for the 1990 Tony Award winning "Best Musical", City Of Angels the hit musical that altogether received 10 Tony Awards including Coleman and Zippel's win for Best Score. That show launched David on his own stellar career which has honored with two Academy Award nominations, two Grammy Award nominations, and three Golden Globe nominations. His songs can be heard on over twenty-five million CDs around the world that include recording by Stevie Wonder, Christina Aguilera, Mel Torme, Ricky Martin, Cleo Laine, Barbara Cook, Nancy LaMott, and include the Original Broadway Cast and Soundtrack recordings of The Goodbye Girl, The Women In White, The Swan Princess and Disney's Hercules and Disney's Mulan. David and I first met shortly after we had both arrived in NY in the early 1980's and have remained friends and colleagues ever since. Today we begin our conversation talking about Coleman's Russian-Jewish heritage. So many Broadway songwriters -- Irving Berlin, George Gershwin, Richard Rodgers, Harold Arlen, Leonard Bernstein to name just a few were the children or grandchildren of Russian-Jewish immigrants. If you enjoy this podcast, I invite to join my Broadway Nation Facebook Group where there is a large and lively community of musical theater enthusiasts. We have a great deal of fun and I feel certain that you will too! And If you would like to hear more about Carolyn Leigh, Dorothy Fields, Betty Comden and other women who invented the Broadway musical, you may want to check out Episode 7 and 8 of Broadway Nation. Special thanks Special thank the Julia Murney and David David Burnham, everyone at KVSH 101.9 FM the voice of beautiful Vashon, Island Washington, and to the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
THE WIZ Book by William F. Brown | Music & Lyrics by Charlie Smalls | From the story The Wonderful Wizard of Oz by L. Frank BaumWorks Consulted & Reference :The Wiz (Original Libretto)Oz and the Musical by Ryan BunchBlack Broadway by Stewart F. Lane"Easin' on Down the Yellow Brick Road: A Black Man's Journey to Oz" by Andre De Shields Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Home" from The Wiz (Original Cast Recording (1987)) | Music & Lyrics by Charlie Smalls | Performed by Stephanie Mills"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Heartland's Tim Benson is joined by Laurie Winer, founding editor of the Los Angeles Review of Books, to discuss her new book, Oscar Hammerstein II and the Invention of the Musical. They chat about why Winer believes Hammerstein more than anyone else invented the musical. They also discuss his relationship with collaborators Jerome Kern and Richard Rodgers and how Hammerstein's optimistic humor, openness to strangers, and rejection of bitterness contributed to a vision that orchestrated a collective reimagining of America. Get the book here: https://yalebooks.yale.edu/book/9780300223798/oscar-hammerstein-ii-and-the-invention-of-the-musical/Show Notes: Los Angeles Review of Books: Tim Riley – “A Poet of the Anticipation of Joy: On Laurie Winer's ‘Oscar Hammerstein II and the Invention of the Musical'”https://lareviewofbooks.org/article/a-poet-of-the-anticipation-of-joy-on-laurie-winers-oscar-hammerstein-ii-and-the-invention-of-the-musical/New York Times: Brad Leithauser – “A Cockeyed Optimist: Oscar Hammerstein Was No Stephen Sondheim”https://www.nytimes.com/2023/02/08/books/review/oscar-hammerstein-ii-and-the-invention-of-the-musical-laurie-winer.html
Heartland's Tim Benson is joined by Laurie Winer, founding editor of the Los Angeles Review of Books, to discuss her new book, Oscar Hammerstein II and the Invention of the Musical. They chat about why Winer believes Hammerstein more than anyone else invented the musical. They also discuss his relationship with collaborators Jerome Kern and Richard Rodgers and how Hammerstein's optimistic humor, openness to strangers, and rejection of bitterness contributed to a vision that orchestrated a collective reimagining of America. Get the book here: https://yalebooks.yale.edu/book/9780300223798/oscar-hammerstein-ii-and-the-invention-of-the-musical/Show Notes: Los Angeles Review of Books: Tim Riley – “A Poet of the Anticipation of Joy: On Laurie Winer's ‘Oscar Hammerstein II and the Invention of the Musical'”https://lareviewofbooks.org/article/a-poet-of-the-anticipation-of-joy-on-laurie-winers-oscar-hammerstein-ii-and-the-invention-of-the-musical/New York Times: Brad Leithauser – “A Cockeyed Optimist: Oscar Hammerstein Was No Stephen Sondheim”https://www.nytimes.com/2023/02/08/books/review/oscar-hammerstein-ii-and-the-invention-of-the-musical-laurie-winer.html
Ane Brun, Linden Jay and Sylvan Esso's Amelia Meath discuss collaboration, navigating between genres and lyrical inspirations.Ane Brun is a musician hailing from Norway but based in Sweden, who also runs the label Balloon Ranger. Her music is rooted in folk pop and she's released 11 studio albums; her most recent is Portrayals, which came out last year. It is a collection of covers, including a previously unheard version of Richard Rodgers and Lorenz Hart's Blue Moon, to celebrate 20 years since her debut album Spending Time with Morgan.Linden Jay is a Grammy-nominated musician and producer from London. In addition to releasing music as a soloist, he is one half of the band FARR, a transatlantic duo described as a crossover between soul and alternative pop. As a producer and songwriter, he has also worked with artists including Stormzy, Sampha, Kelis and Loyle Carner. Amelia Meath is a Grammy-nominated musician and dancer based in North Carolina. She sings in the electronic pop band Sylvan Esso and alt-folk group Mountain Man, and has collaborated with the likes of Real Estate and John Cale.
ANYTHING GOES Music & Lyrics by Cole Porter | Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse | New Book by Timothy Crouse & John WeidmanWorks Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You're the Top" from Anything Goes (New Broadway Cast Recording (1987)) | Music & Lyrics by Cole Porter | Performed by Patti LuPone and Howard McGillin"Cherry Pies Ought to Be You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by LaChanze, Peter Scolari, Andrea Martin, & Ernie Sabella"They Couldn't Compare to You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by Peter Scolari & Female Ensemble"Brush Up Your Shakespeare" from Kiss Me, Kate! (The New Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Lee Wilkof & Michael Mulheren"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Jonathan Butler-Duplessis (Hamilton Broadway: Aaron Burr, George Washington, and Mulligan/Madison) is back for round two! In this episode, we kick off talking about his experience playing Jim Conley in Parade. It was a really intense audition process, Jonathan couldn't afford contacts for the first half of the run so could barely see and the audience looked like blobs, and he had to deal with several instances of the cops being called on him for existing while Black. But according to Jonathan, all of this craziness actually *helped* his performance. We also dive into his Hamilton story, which starts with the belief that he was wrong for absolutely every part in the show. Of course that wasn't the case because we eventually hear the story about how Jonathan was giving Lin-Manuel Miranda shit for eating Sicilian style pizza at the Richard Rodgers so things worked out pretty well! Side note: Jonathan takes his Chicago pizza very, very seriously. Jonathan also has an incredibly moving debut experience, and talks about what it was like to play Aaron Burr for the first time. He explains his connection to Wait For It and how he carries his past with him as he moves forward. /// Jonathan on Instagram Jade Armor The Plate Show Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps
ONCE ON THIS ISLAND Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty Works Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Waiting for Life" from Once On This Island (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by LaChanze and 'Once On This Island' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Show Notes: Susan Khalje Susan Khalje joins us for this episode of Sew & So to take us into the world of couture sewing. Owner of the eponymous Susan Khalje Couture, she is also the longest contributing author to Threads Magazine. www.threadsmagazine.com Author of Bridal Couture and Linen and Cotton she also hosted Sew Much More on HGTV, teaches internationally, and hosts annual trips for groups of couture enthusiasts to Paris and London. (1:39) Susan learned to sew in high school when sewing was a part of the school curriculum…her grandmother helped too! (2:57) The first few things she sewed were definitely products of the times! She explains… (4:10) What exactly is couture? “Sewing's Equivalent to Gourmet Cooking!” And…she explains why loving the entire process is so very important. (5:20) Chez Cez et Bez https://www.taunton.com/contributors/susan-khalje/ where Susan trained was a turning point for her. She tells us the story of her transformation. She, Cez and Bez formed a trio of powerful committed couture sewists. And the pace…it was “lovely” and exhilarating! (8:24) Post Cez et Bez Susan went to a ready to wear company knowing that if she wanted to be on her own, she needed to learn more about the business. And…learn she did! (10:09) Susan lived abroad for many years in Afghanistan then Amsterdam. She tells us about this experience and her ultimate return to the States. First, there was a call to Nina Hyde Fashion Editor at the Washington Post to seek career counsel. This started her down the road of wedding dress couture. (12:24) Her escape from Afghanistan turned out to be more than she has anticipated – she explains. (13:23) Susan has a wonderful process for designing wedding dress couture…she walks us through it all! (16:42) And her favorite creation…? 17th century lace and a detachable train. (18:24) Who were her well known clients? Mrs. Rockefeller, Lauren Bacall, Kitty Carlisle, Mrs. Richard Rodgers to name a few! Cez et Bez were quite the designers…Susan tells us about them. (19:53) Susan shares her feelings about couture sewing and why she loves it so very much. (21:13) She takes us through the 5 elements of couture sewing. Design, Fabric, Fit/Proportion, Engineering, and Construction. (22:47) Susan and Kenneth D. King did a You Tube video called “the ethics of wearing vintage couture.” https://www.youtube.com/watch?v=gg9olZ3I56Q&t=73s She explains why they felt the necessity to do this! (25:35) Why does Susan say she's a good example of figuring out how to carve your own path and do what you love to do? And she explains how her international field trips began. (29:20) Susan has a sewing club that has created quite the community – so she takes us through its creation… and the myriad ways to stay connected. (33:32) Susan hosts international couture trips to Paris, in fact she just returned from one. Walk the streets of Paris with her and she takes us through their adventures.She talks about the company Leclerc whose influence has transcended the ages. And…the art of giftwrapping! (40:06) What's next for Susan? More of the same for sure…with a small twist! Her dream?! To have shared what she has been lucky enough to live. (42:11) And, what didn't we ask?! Listen here!! (42:47) To reach Susan, to www.susankhalje.com and susan@susankhalje.com If you know someone who has an outstanding story that should be shared on this podcast, drop Meg a note to Meg@sewandsopodcast.com or complete the form on our website.
SHE LOVES ME Book by Joe Masteroff, Music by Jerry Bock, & Lyrics by Sheldon HarnickWorks Consulted & Reference :She Loves Me (Libretto) by Joe Masteroff & Sheldon HarnickSense of Occasion by Harold PrinceTo Broadway, To Life! The Musical Theatre of Bock & Harnick by Philip Lambert She Loves Me (2016 Live Capture ) Directed by Scott EllisMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Tonight at 8" from She Loves Me (Original Broadway Cast Recording) | Music by Jerry Bock, Lyrics by Sheldon Harnick | Performed by Jenn Colella and 'Come From Away' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
COME FROM AWAY Book, Music, & Lyrics by Irene Sankoff & David Hein Works Consulted & Reference :Come From Away (Libretto) by Irene Sankoff & David HeinCome From Away: Welcome to the Rock: An Inside Look at the Hit Musical by Laurence MaslonCome From Away (2021 Live Capture ) Directed by Christopher AshleyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Me and the Sky" from Come From Away (Original Broadway Cast Recording) | Music & Lyrics by Irene Sankoff & David Hein | Performed by Jenn Colella and 'Come From Away' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
DAMN YANKEES Book by Douglass Wallop & George Abbott | Music & Lyrics by Jerry Ross & Richard Adler | Based on the novel The Year the Yankees Lost the Pennant by Douglass WallopWorks Consulted & Reference :Damn Yankees (Libretto) by Douglass Wallop & George AbbottDamn Yankees (Revised Libretto) by Joe DiPietroDamn Yankees (1958 Film) Directed by George AbbottFosse by Sam WassonSense of Occasion by Hal PrinceThe Secret Life of the American Musical by Jack ViertelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Whatever Lola Wants" from Damn Yankees (Original Broadway Cast Recording) | Music & Lyrics by Jerry Ross & Richard Adler | Performed by Gwen Verdon"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
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