Austrian composer (1825-1899) "Junior"
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5 episodes with Johann Strauss II
3 episodes with Johann Strauss II
2 episodes with Johann Strauss II
2 episodes with Johann Strauss II
3 episodes with Johann Strauss II
2 episodes with Johann Strauss II
2 episodes with Johann Strauss II
2 episodes with Johann Strauss II
2 episodes with Johann Strauss II
El envejecimiento es un proceso continuo y gradual que se inicia a nivel celular y molecular a partir de los 20 ó 30 años. Un estudio de del Instituto de Investigación Biomédica y del Centro de Regulación Genómica ha identificado modificaciones en el código genético relacionadas con el envejecimiento sanguíneo, un hallazgo que allana el camino para detectar enfermedades producidas por la vejez y el desarrollo de nuevas terapias para retrasar el envejecimiento en humanos. Hemos entrevistado a Alejo Rodríguez-Fraticelli, investigador ICREA en el IRB y co-autor del estudio.El pasado sábado, 31 de mayo, la Agencia Espacial Europea conmemoró el bicentenario del nacimiento de Johann Strauss II con un gran concierto en directo que fue transmitido a las estrellas mediante la antena de 35 m de espacio profundo de la ESA en Cebreros (Ávila). La celebración tuvo justo un día después del 50 aniversario de la firma de la Convención que dio lugar al nacimiento de la agencia espacial. Alda Olafsson nos ha informado del hallazgo de grandes concentraciones de microplásticos y micropartículas de caucho en poblaciones coralinas de Cladocora caespitosa en las Islas Columbretes, una reserva marina a 60 km de Castellón. Con testimonios de Diego Kersting, líder del trabajo en el Instituto de Acuicultura Torre de la Sal del CSIC. José Luis Trejo nos ha informado de un estudio en el que ha participado sobre los mecanismos neuronales que nos inducen al sedentarismo y las mejores estrategias para fomentar el ejercicio. Jesús Pérez Gil nos ha hablado de otro estudio, del que es coautor, sobre los poros de Kohn, espacios entre los alvéolos que permiten la comunicación y la redistribución del aire, y su papel en distribución del surfactante pulmonar, una sustancia compleja que evitado el colapso pulmonar y facilita el intercambio gaseoso. Adeline Marcos nos ha informado del proyecto europeo TEXTaiL. Empleará por primera vez tecnologías emergentes clave como la Inteligencia Artificial, la digitalización 3D, o los gemelos digitales, entre otros, para capturar y visualizar las características visibles y no visibles de los objetos arqueológicos textiles. Con testimonios de Aggelos Gkiokas, director de la empresa TechnAI y uno de los socios del proyecto.Escuchar audio
El envejecimiento es un proceso continuo y gradual que se inicia a nivel celular y molecular a partir de los 20 ó 30 años. Un estudio de del Instituto de Investigación Biomédica y del Centro de Regulación Genómica ha identificado modificaciones en el código genético relacionadas con el envejecimiento sanguíneo, un hallazgo que allana el camino para detectar enfermedades producidas por la vejez y el desarrollo de nuevas terapias para retrasar el envejecimiento en humanos. Hemos entrevistado a Alejo Rodríguez-Fraticelli, investigador ICREA en el IRB y co-autor del estudio.El pasado sábado, 31 de mayo, la Agencia Espacial Europea conmemoró el bicentenario del nacimiento de Johann Strauss II con un gran concierto en directo que fue transmitido a las estrellas mediante la antena de 35 m de espacio profundo de la ESA en Cebreros (Ávila). La celebración tuvo justo un día después del 50 aniversario de la firma de la Convención que dio lugar al nacimiento de la agencia espacial. Alda Olafsson nos ha informado del hallazgo de grandes concentraciones de microplásticos y micropartículas de caucho en poblaciones coralinas de Cladocora caespitosa en las Islas Columbretes, una reserva marina a 60 km de Castellón. Con testimonios de Diego Kersting, líder del trabajo en el Instituto de Acuicultura Torre de la Sal del CSIC. José Luis Trejo nos ha informado de un estudio en el que ha participado sobre los mecanismos neuronales que nos inducen al sedentarismo y las mejores estrategias para fomentar el ejercicio. Jesús Pérez Gil nos ha hablado de otro estudio, del que es coautor, sobre los poros de Kohn, espacios entre los alvéolos que permiten la comunicación y la redistribución del aire, y su papel en distribución del surfactante pulmonar, una sustancia compleja que evitado el colapso pulmonar y facilita el intercambio gaseoso. Adeline Marcos nos ha informado del proyecto europeo TEXTaiL. Empleará por primera vez tecnologías emergentes clave como la Inteligencia Artificial, la digitalización 3D, o los gemelos digitales, entre otros, para capturar y visualizar las características visibles y no visibles de los objetos arqueológicos textiles. Con testimonios de Aggelos Gkiokas, director de la empresa TechnAI y uno de los socios del proyecto.Escuchar audio
El 31 de mayo de 2025, la Agencia Espacial Europea transmitirá el famoso vals El Danubio azul hacia la nave Voyager 1 Por Félix Riaño @LocutorCo A 24 mil millones de kilómetros de la Tierra viaja Voyager 1, la sonda espacial más lejana de la humanidad. Aunque no puede responder, será el destinatario simbólico de un concierto único: El Danubio azul, compuesto hace dos siglos por Johann Strauss II y famoso por acompañar una escena de ballet espacial en la película 2001: Odisea del espacio, será transmitido desde España como homenaje. ¿Puede una pieza musical corregir un “error cósmico”? Cuando la NASA lanzó las sondas Voyager en 1977, incluyó un disco dorado con saludos en múltiples idiomas, sonidos de la Tierra y una selección musical global. Aunque contenía a Bach, Mozart, Beethoven y Chuck Berry, el vals de Strauss no fue incluido. Muchos lo vieron como una omisión extraña, especialmente por su fama intergaláctica gracias a 2001: Odisea del espacio, donde suena mientras una nave espacial se acopla lentamente a una estación orbital, como si flotara en un escenario celestial. La omisión del vals en el disco dorado fue justificada por criterios de diversidad cultural y purismo ideológico. Los encargados del comité liderado por Carl Sagan optaron por incluir ejemplos folclóricos y modernos poco conocidos, dejando fuera una de las piezas más populares del repertorio clásico europeo. El vals se volvió tan emblemático en el cine que muchos lo consideran el himno no oficial del espacio, pero se quedó en la Tierra… hasta ahora. El sábado 31 de mayo de 2025, a las 20:30 CET, la Orquesta Sinfónica de Viena tocará El Danubio azul desde el Museo de Artes Aplicadas. ESA usará su antena DSA 2, de 35 metros, en Cebreros, España, para enviar la señal a Voyager 1. La transmisión viajará a 1.079 millones de kilómetros por hora, pasando por la Luna en 1,5 segundos, Marte en 4,5 minutos, Júpiter en 37 minutos y Neptuno en 4 horas. Llegará hasta la posición de Voyager 1 en 23 horas. Probablemente no. Aunque el haz de radio será dirigido con precisión, la antena de Voyager 1, construida en los años 70, no está diseñada para recibir audio con el formato actual. Tampoco tiene la capacidad para interpretar señales tan rápidas ni filtrar el ruido interestelar. Es decir, la transmisión será más simbólica que funcional. Pero eso no le quita su valor: el mensaje viajará hacia las estrellas, apuntando al sistema estelar AC+79 3888, a 17 años luz de distancia. La Orquesta Sinfónica de Viena ensayó con rigor para evitar fallos técnicos. Aunque habrá un concierto en vivo, la señal transmitida será de una grabación de ensayo hecha la noche anterior. Este evento celebra múltiples aniversarios: los 200 años del nacimiento de Johann Strauss II, los 50 de la ESA, los 20 de la antena DSA 2 y los 125 de la orquesta vienesa. La iniciativa busca hacer justicia poética, llevando el vals más famoso del mundo hasta un oyente que no podrá escucharlo, pero que representa la esperanza de encontrar vida o, al menos, memoria en las estrellas. No es la primera vez que la música viaja al cosmos. En 2008, la NASA envió la canción Across the Universe de The Beatles. En 2012, el tema Reach for the Stars de will.i.am fue transmitido desde un rover en Marte hacia la Tierra. Y en 2024, The Rain de Missy Elliott fue enviada rumbo a Venus. Además, los astronautas de misiones tripuladas han recibido música desde la Tierra desde los años 60. Lo que diferencia este evento es su conexión artística con la historia del cine y con una nave que literalmente salió del sistema solar. Strauss no viajó en el disco dorado, pero ahora su vals flota en dirección al espacio interestelar. ¿Crees que hay alguien o algo allá afuera que podría escucharlo? Comparte tu opinión y escucha más historias así en el pódcast Flash Diario:Flash Diario en Spotify
Johann Strauss II aasta Viinis.
"Ich liebe Operetten" - dat ass e Saz, deen de Stanislav Rosenberg aus ganzem Häerz soe kann. Hien ass net nëmme Pianist a Komponist, mee och nach Dirigent. Egal ob hien um Piano Sänger:inne begleet oder eng grouss Oper dirigéiert, d'Opermusek bleift fir hien einfach "die ultimative Leidenschaft". Den 28. Februar 2025 dirigéiert hien eng Operettegala am neie Centre culturel Machera zu Gréiwemaacher, eng Operettegala mam Fokus op d'Wiener Musek vum Johann Strauss II - ganz passend, well 2025 säin 200. Gebuertsdag gefeiert gëtt. Dem Marie Schockmel huet de Museker méi verroden, ënner anerem iwwer déi alleréischt Oper, déi hie gesinn huet an doriwwer, datt dem Strauss seng Musek eng ganz aktuell ass.
I can think of no more appropriate way to end this difficult year than with another episode lauding my late friend, the sublime American lyric tenor Jerry Hadley. I am of the firm belief that Jerry was one of the finest singers this country has ever produced. Everyone has their favorite among his performances, which display an eclecticism rare among opera singers, but I believe that his artistry found its fullest and truest expression in his performances of Viennese operetta. His bright, sunny vocal timbre, his capacity for vocal shading and dynamics, his sense of both humor and pathos, his ringing high notes, as well as of precision and acuity of his German diction make him an ideal interpreter of this music. The majority of the music heard on this episode comes from two albums of operetta arias that Jerry recorded in 1995 under the baton of Richard Bonynge. This is supplemented by two duets with Australian soprano Deborah Riedel from a series of English-language versions of Lehár operettas also conducted by Bonynge, as well as various live performances of Jerry in the music of Johann Strauss II and Erich Korngold. While Lehár is the most prominently featured composer, we also heard excerpts from work by Emmerich Kálmán, Carl Millöcker, Ralph Benatzky, Leo Fall, and that king of operetta tenors himself, Richard Tauber, who was also quite a capable composer. The episode concludes with reminiscences of my close friendship with Jerry, crowned by a magisterial live performance of “Dein ist mein ganzes Herz.” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.
The world of Vienna at the end of the 19th century was a world of change. New design, new fashion and new philosophy -- and new music. But amidst sweeping change, the Viennese drank champagne and were swept along by the works of the great Johann Strauss II, known appropriately as the "Waltz King". One of his greatest works is the operetta megahit Die Fledermaus which, beneath its frivolity and popping champagne corks, lies a darker vision and foreshadowing of a very different world to come. In this episode, Carl is joined by returning musicologist and professional musician Dr. Christopher Brellochs for a look at Strauss and his most famous work -- how he created it and what he was trying to communicate to audiences. In addition, Carl and Chris take a look at another blockbuster operetta, The Merry Widow by Franz Lehar and discuss how the musical form has evolved into a modern era. Lastly, this episode ends with a look at just how works like Die Fledermaus and The Merry Widow have influenced our modern Broadway musical theatre today. Visit the Gilded Gentleman website for more episodes.
Johann Strauss II - Die Fledermaus: OvertureSlovak Radio Symphony Orchestra Johannes Wildner, conductorMore info about today's track: Naxos 8.553171Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
This Day in Legal History: First Televised TrialOn October 25, 1988, New York marked a significant moment in legal and media history by televising its first-ever courtroom trial—the highly publicized murder case of Joel Steinberg. Steinberg, a disbarred attorney, was accused of the brutal abuse and subsequent death of six-year-old Lisa Steinberg, his illegally adopted daughter. Public outrage and media interest were intense, and the televised trial offered viewers unprecedented access to courtroom dynamics, evidence presentation, and witness testimony. This coverage came as part of an experimental initiative in New York, designed to gauge whether the public's right to access the legal process through television could coexist with the fairness and decorum of courtroom proceedings. The trial captivated audiences and sparked debates over the benefits and pitfalls of televised trials. Advocates argued that broadcasting trials promoted transparency and public understanding of the judicial system. Opponents, however, voiced concerns that television could disrupt proceedings, influence witness behavior, and introduce bias by swaying public opinion. Steinberg's trial ultimately led to his conviction for manslaughter, though the broader implications of the experiment reached far beyond this single case. The success of this experiment paved the way for the launch of Court TV in July 1991, which would go on to cover high-profile cases like those of O.J. Simpson and the Menendez brothers, changing public engagement with the legal system. This development marked a shift toward greater media access in courtrooms across the United States, though the debate over its impacts continues today. The Steinberg case remains a key moment in the intersection of law and media, shaping how future generations would come to witness and understand legal proceedings through their screens.Hollywood studios frequently use California's anti-SLAPP law to counter idea theft lawsuits, claiming free speech protections to halt proceedings and requiring plaintiffs to demonstrate their case has merit early on. The anti-SLAPP statute was originally designed to protect individuals from strategic lawsuits stifling public participation, but it now often benefits large corporations in creative disputes. Once defendants claim free speech protections, plaintiffs face restrictions on discovery, potential delays from appeals, and the risk of paying hefty legal fees for defendants if the motion is successful. Recent court decisions, like Musero v. Creative Artists Agency and Norman v. Ross, have strengthened the effectiveness of anti-SLAPP motions in these cases, making it challenging for creators to bring successful suits. While the Ninth Circuit previously allowed some idea theft claims to proceed in federal court (e.g., Jordan-Benel v. Universal), California state courts have since diverged, making such claims nearly impossible to win in state court. This split between federal and state interpretations creates additional uncertainty for plaintiffs. Attorneys now approach idea theft claims cautiously, noting the costs, time, and complexities due to anti-SLAPP law. Even with valid claims, plaintiffs may struggle against the heavy evidentiary burden, and fewer lawyers are willing to take on such cases in California's current legal landscape.Hollywood Studios Use Free Speech Law to Beat Idea Theft SuitsA bipartisan bill that would provide tax relief for U.S. citizens held hostage abroad is stalled in Congress. The Senate bill, introduced by Senator Chris Coons, seeks to delay tax filing deadlines and waive penalties for detained individuals and their spouses. Supporters argue that wrongful detainees should not face IRS penalties for missed deadlines due to captivity, and inaction would leave affected Americans liable for accumulating penalties. This issue has gained urgency following recent hostage situations, including Americans held in Gaza and other countries.The Senate bill's path forward is complicated by a disagreement over legislative procedure. The Senate agreed to pass the bill without a separate vote if the House sent over an identical version. However, the House Ways and Means Committee chose to advance a different bill, introduced by Rep. Claudia Tenney, which merges tax penalty relief with changes to the process for revoking tax-exempt status for groups linked to terrorism. House Republicans believe the merged bill improves the original, but this approach risks delaying or blocking the legislation entirely, as the Senate is less likely to approve the modified version. If the House does not pass the original Senate bill, the legislation will likely be delayed until the next Congressional term.Relief for Hostages Facing IRS Penalties Bogs Down in CongressLos Angeles County District Attorney George Gascon announced he would recommend parole for Erik and Lyle Menendez, who have served nearly 35 years in prison for the 1989 murder of their parents. Gascon cited new evidence supporting claims that the brothers endured years of sexual abuse by their father, Jose Menendez, which could have influenced the jury's decision had it been available during their trials. Convicted in a high-profile second trial in the 1990s, the brothers argued self-defense, but prosecutors claimed they killed their parents for financial gain.Gascon now believes the brothers, ages 21 and 18 at the time of the murders, have “paid their debt to society,” though he emphasized the severity of their crime and noted opposition within his office. He also acknowledged a recent letter from Erik Menendez describing abuse months before the murders, as well as allegations against Jose Menendez from a former member of the pop band Menudo, raising questions about abuse patterns.The decision to expedite the case follows renewed public interest, driven by a Netflix dramatization and an upcoming court hearing scheduled for November 26. Gascon, facing re-election, denied that political motivations influenced his decision, highlighting his broader efforts to address “over-incarceration” in similar cases. Some Menendez family members support the brothers' release, while Gascon reiterated his office's evolving stance on complex issues of sexual abuse and violence.Menendez Brothers to Get DA Recommendation for Resentencing (1)Prosecutor recommends parole for Menendez brothers in 1989 murder of parents | ReutersThe owners of the cargo ship Dali have agreed to pay the U.S. government $102 million after the vessel collided with Baltimore's Francis Scott Key Bridge in March 2024, causing its collapse and resulting in six fatalities. The Justice Department had filed a $103 million lawsuit against Grace Ocean Private Limited and Synergy Marine Private Limited, both based in Singapore, to recover federal costs for cleanup and debris removal needed to reopen the Port of Baltimore. This operation required over 1,500 responders and substantial resources, with reopening delayed until June.The Dali had reportedly experienced electrical failures leading up to the crash, prompting both a National Transportation Safety Board inquiry and an FBI investigation. Additionally, Maryland state officials are seeking separate compensation from the companies, estimating $1.7 billion to $1.9 billion to rebuild the bridge by 2028. Funds recovered for bridge reconstruction are expected to reduce costs borne by taxpayers.Cargo-ship owner to pay US $102 million over Baltimore bridge collapse, DOJ says | ReutersThis week's closing theme is by Johann Strauss II.This week's closing theme features the lively elegance of Johann Strauss II with the first movement of his Wiener Klänge im Walzertakt mit Johann Strauss, a piece that captures the unmistakable joy and sophistication of the Viennese waltz. Known as the “Waltz King,” Johann Strauss II was a composer and conductor who, more than anyone, popularized and refined the waltz into an art form beloved worldwide. Born into a musical family in 1825, he inherited his father's musical gifts and keen understanding of public taste, quickly building on his father's legacy to establish himself as a central figure in Austrian music.Strauss's music became synonymous with the grandeur and charm of 19th-century Vienna. His waltzes, like the famous Blue Danube and Tales from the Vienna Woods, offered audiences sweeping, melodic expressions of life's joyful moments and turned the city into a cultural hotspot. Wiener Klänge, or "Viennese Sounds," presents a selection of these celebrated waltzes, celebrating not only the beauty of the dance but also the rhythmic elegance that Strauss brought to the genre. The piece combines energetic and graceful passages that bring the sparkle of a Viennese ballroom to life.Strauss was known for infusing his compositions with light-hearted elegance and rhythmic sophistication, evoking the sway and energy of couples gliding across a ballroom floor. His work on Wiener Klänge draws listeners into this vibrant world, where each waltz embodies both the simplicity and complexity that made his music timeless. To this day, his works continue to charm audiences worldwide, cementing his legacy as one of Austria's most beloved composers. Ending with Wiener Klänge is a nod to his infectious rhythm and intricate harmonies that encapsulate Vienna's musical heritage—an uplifting conclusion to our week.Without further ado, Wiener Klänge im Walzertakt mit Johann Strauss first movement, enjoy. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe
In this week's episode, meet Johann Strauss II, a brilliant composer from the Romantic period, famous for his lively and joyful waltzes.Strauss playlist: https://open.spotify.com/playlist/195Ic94w6sCRNi19f0G1UP?si=54adb35532604621 Hosted on Acast. See acast.com/privacy for more information.
We are celebrating Vancouver Opera's 65th anniversary with a truly fabulous season. The season opens with Johann Strauss II's beloved operetta Die Fledermaus. This charming comedy relies almost entirely on a series of pranks, trickery and disguise as plot devices to illuminate the themes of revenge, love, friendship, and forgiveness and reconciliation. Die Fledermaus runs from October 26th to November 3rd, with a masquerade party performance on Halloween. Full article. Credits: Ashley Daniel Foot - Host Mack McGillivray - Audio Producer Jane Potter - Writer and Narrator Bryan Tran - Miscellaneous Voices
Vamos explorar a incrível obra de um dos maiores mestres da orquestração: Maurice Ravel. O compositor francês, nascido em 1875, foi capaz de dar vida a cores e texturas únicas na orquestra, sempre sabendo exatamente qual instrumento deveria carregar cada melodia. Ravel concebeu a ideia para La valse pela primeira vez em 1906. Inicialmente, a peça seria chamada de Wien (o nome alemão para Viena) em homenagem às valsas vienenses de Johann Strauss II, que Ravel admirava sinceramente. Anos mais tarde, seu aluno Manuel Rosenthal lembrou que Ravel acreditava “que todos os compositores realmente tinham o desejo de ter sucesso em escrever uma valsa muito boa”, dizendo que “Infelizmente é muito difícil. Portanto, tentei escrever uma valsa sinfônica como um tributo ao gênio de Johann Strauss.” Apresentado por Aroldo Glomb Seja nosso padrinho: https://apoia.se/conversadecamara RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata.
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AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC
Rubrique:histoire Auteur: rene-bizet Lecture: Daniel LuttringerDurée: 10min Fichier: 7 Mo Résumé du livre audio: Le scénario du film de Conrad Wiene sur Johann Strauss II, sorti en 1928, raconté par René Bizet dans la revue de cinéma Pour vous du 8 août 1929. Cet enregistrement est mis à disposition sous un contrat Creative Commons.
fWotD Episode 2628: Jacques Offenbach Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 15 July 2024 is Jacques Offenbach.Jacques Offenbach (; 20 June 1819 – 5 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.Born in Cologne, Kingdom of Prussia, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; He found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical theatre. Finding the management of Paris's Opéra-Comique company uninterested in staging his works, in 1855 he leased a small theatre in the Champs-Élysées. There, during the next three years, he presented a series of more than two dozen of his own small-scale pieces, many of which became popular.In 1858 Offenbach produced his first full-length operetta, Orphée aux enfers ("Orpheus in the Underworld"), with its celebrated can-can; the work was exceptionally well received and has remained his most played. During the 1860s, he produced at least eighteen full-length operettas, as well as more one-act pieces. His works from this period include La belle Hélène (1864), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867) and La Périchole (1868). The risqué humour (often about sexual intrigue) and mostly gentle satiric barbs in these pieces, together with Offenbach's facility for melody, made them internationally known, and translated versions were successful in Vienna, London, elsewhere in Europe and in the US.Offenbach became associated with the Second French Empire of Napoleon III: the emperor and his court were genially satirised in many of Offenbach's operettas, and Napoleon personally granted him French citizenship and the Légion d'honneur. With the outbreak of the Franco-Prussian War in 1870, and the fall of the empire, Offenbach found himself out of favour in Paris because of his imperial connections and his German birth. He remained successful in Vienna, London and New York. He re-established himself in Paris during the 1870s, with revivals of some of his earlier favourites and a series of new works, and undertook a popular US tour. In his last years he strove to finish The Tales of Hoffmann, but died before the premiere of the opera, which has entered the standard repertory in versions completed or edited by other musicians.This recording reflects the Wikipedia text as of 00:35 UTC on Monday, 15 July 2024.For the full current version of the article, see Jacques Offenbach on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Amy.
Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA's Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford's The Tent. Used by permission. Courtesy Myra Melford; “Malinke's Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich
Coaching recargolat com una trompa. Crítica teatral de l'obra «El tigre», de Ramon Madaula. Intèrprets: Mercè Martínez i David Olivares. Disseny il·luminació i so: Dani Tort. Vestuari i caracterització: Nídia Tusal. Fotografia i vídeo: David Batlle. Disseny gràfic: Arkham Studio. Maquinària escènica: Agustí Rovira. Producció executiva: David Grau. Producció: Guerrilla Produccions. Direcció: Ramon Madaula. Espai Texas, Barcelona, 9 juny 2024. Veu: Andreu Sotorra. Música: El vals de l'emperador. Interpretació: Johann Strauss Orchestra. Composició: Johann Strauss II. Àlbum: Valsos de Viena, 2010.
DescriptionHow The Blue Danube Cast Its Spell in 60 seconds. Take a minute to get the scoop!Fun Fact"The Blue Danube," composed by Johann Strauss II in 1866, was first performed in February 1867 in Vienna, Austria. Originally a choral work, it gained greater popularity as an orchestral piece and is now one of the most famous waltzes in classical music. Its debut took place at a concert of the Vienna Men's Choral Association.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Welcome to Season 03 Episode 13 - the "Ostara" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Donald Marrazzo, voice faculty member at the SUNY Fredonia School of Music; Ms. Laylah Ali, visual artist and professor of art at William College; and Mr. Rick Davis, Executive Director, 1891 Fredonia Opera House. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Don Marrazzo/Live at the Met 02:06 Laylah Ali/Is Anything The Matter? 22:18 Arts Calendar 42:58 Rick Davis/Bach and Beyond 47:40 Media "Swingtime in Springtime," composed and performed by Django Reinhardt, 1947, from a collection entitled Django Reinhardt: Best of the Radio Sessions, Cleopatra Records, 2009. "Ah! Je veux vivre", from the opera Roméo et Juliette; Charles Gounod, composer; Jules Barbier and Michal Carré, libretto, 1867; performed by Nadine Sierra, soprano, from the 2024 Metropolitan produuction "Some Other Spring," Arthur Herzog Jr. and Irene Kitchings, composers, performed by Ben Webster, saxophone; from a 1971 recording produced by Tim der Bals. Four Seasons: Spring: Antonio Vivaldi, composer (1718-20); performed by Voices of Music, Feb. 8, 2020 "Voices of Spring" Opus 410, Johann Strauss II, composer, 1882. Artist Links Donald Marrazzo Metropolitan Opera House Laylah Ali Rick Davis BECOME AN OPERA HOUSE MEMBER!
It's played every year on New Year's Day, but what is Johann Strauss II's "By the Beautiful Blue Danube" about?
El concierto de la OSRM será emitido por Onda Regional, con los comentarios de Juan González Cutillas, a partir de las 21:00 horas este sábado 6 de enero.Esta tarde escuchamos la polca 'Tritsch Tratsch' y el vals de 'El murciélago', ambas piezas de Johann Strauss II, el vals de Roque Baños para la película 'Obra maestra', 'La viuda valenciana' de Khachaturian y la 'Marcha Radetzky' de Johann Strauss I.
Dive into this insightful episode of Space Cafe as Markus Mooslechner engages with Aarti Holla-Maini, the dynamic new director of the United Nations Office for Outer Space Affairs (UNOOSA). With a rich background in the satellite communications industry and a passion for space sustainability, Holla-Maini offers a fresh perspective on global space policy and its impact on society. From her personal journey to her bold vision for the future of space exploration, this episode is a must-listen for anyone interested in the evolving landscape of space diplomacy and technology.3 Memorable Quotes by Aarti Holla-Maini:"We're all one. It's important to connect with people as individuals and rally around what unites us, not what divides us.""My vision is a world where policymakers leverage all space applications, services, technologies, and data to the max for global challenges and policy objectives.""We need to invest in what is sustainable and right, focusing on space technologies that bring improvement to society as a whole."List of All Links or Names Shared:Aarti Holla-MainiUnited Nations Office for Outer Space Affairs (UNOOSA)World Radio Conference (WRC)International Telecommunications UnionChoice of Music for the Spotify Playlist for the Aspiring Space Traveler:Aarti Holla-Maini's choice: "The Blue Danube" by Johann Strauss II, reflecting her appreciation for classical music and its timeless connection to space and humanity.
SpaceWatch.Global is pleased to present: The Space Café Podcast #96: Navigating Space and Diplomacy: Aarti Holla-Maini at the Helm of UNOOSAEpisode 096 features special guests: Aarti Holla-MainiDive into this insightful episode of Space Cafe as Markus Mooslechner engages with Aarti Holla-Maini, the dynamic new director of the United Nations Office for Outer Space Affairs (UNOOSA). With a rich background in the satellite communications industry and a passion for space sustainability, Holla-Maini offers a fresh perspective on global space policy and its impact on society. From her personal journey to her bold vision for the future of space exploration, this episode is a must-listen for anyone interested in the evolving landscape of space diplomacy and technology.3 Memorable Quotes by Aarti Holla-Maini:"We're all one. It's important to connect with people as individuals and rally around what unites us, not what divides us.""My vision is a world where policymakers leverage all space applications, services, technologies, and data to the max for global challenges and policy objectives.""We need to invest in what is sustainable and right, focusing on space technologies that bring improvement to society as a whole."List of All Links or Names Shared:Aarti Holla-MainiUnited Nations Office for Outer Space Affairs (UNOOSA)World Radio Conference (WRC)International Telecommunications UnionChoice of Music for the Spotify Playlist for the Aspiring Space Traveler:Aarti Holla-Maini's choice: "The Blue Danube" by Johann Strauss II, reflecting her appreciation for classical music and its timeless connection to space and humanity.
Aunque siempre se puede aprender por cuenta propia, creemos que suele ser más recomendable que haya alguien al lado con conocimientos, capacidad para explicarlos y altas dosis de empatía, paciencia y pasión por la materia objeto de enseñanza. Todo esto lo explicamos en este episodio en el que suenan piezas maestras y que seguro conoces, de autores inmortales como Vivaldi, Mozart, Beethoven, Chopin y Johann Strauss II. Para acompañar a Carlos Iribarren y el “profe” Mario Mora en esta clase tan especial, hoy nos visita David Garbajosa, profesor de música en un colegio y en una universidad, por lo que podremos contrastar algunas diferencias entre alumnos de edades bastante dispares. Esperamos que disfrutes con nosotros de la nueva y pedagógica entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.
DescriptionThe Blue Danube is the most famous waltz ever written. It is considered Austria's second national anthem. Take a minute to get the scoop!Just for fun you may want to check out:The Vienna boys choir, On the Beautiful Blue Danube
Johann Strauss II: Die FledermausGabriel von Eisestein, Hermann PreyRosalinde, Julia VaradyAdele, Lucia PoppAlfred, René KolloPrinz Orlofsky, Ivan RebroffDr. Falke, Bernd WeiklFrank, Benno KuscheIda, Evi ListBayerischer StaatsopernchorBayerisches StaatsorchesterCarlos Kleiber, direttore
For our New Year Celebration, we return to Viena and the music of Johann Strauss II.
Today's episode is a celebration of the Texas-born, German-assimilated soprano Helen Donath. Very few singers can boast of a career lasting more than 50 years which yielded such consistently superb vocalism and artistry. Donath began as a soubrette with lyric-coloratura capabilities which blossomed into a jugendlich dramatisch voice capable of successfully assuming roles in Wagner, Strauss, and Weber. Today's episode has two “gimmicks,” the first of which is that all of the selections are sung in German, even if they were originally set in French or Italian. The second gimmick is that strewn in amongst the other selections, there is a smattering of holiday-related material including works by Bach, Handel, Mozart, Humperdinck, and Pfitzner. Other composers heard include Otto Nicolai, Friedrich von Flotow, Paul Hindemith, as well as numerous examples of Donath's peerless Mozart singing and a generous helping of operettas by Lehár, Millöcker, and Johann Strauss II. Vocal guest stars are legion, and include Julia Varady, Siegfried Jerusalem, Anna Moffo, Peter Schreier, Edda Moser, Theo Adam, Werner Hollweg, and Günther Leib in performances conducted by Leonard Bernstein, Herbert von Karajan, Kurt Eichhorn, Rafael Kubelik, Herbert Blomstedt, Wolfgang Sawallisch, Bernhard Klee, Otmar Suitner, Hans Schmidt-Isserstedt, Gerd Albrecht, and Willi Boskovsky, as well as Klaus Donath, Helen's husband since 1965. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
Hollis Stacy, winner of four LPGA majors, was a junior phenom, winning three straight U.S. Girl's Junior championships. Her lifelong swing thought for tempo came from her mother Tillie. It was the Blue Danube Waltz by Johann Strauss II and when Hollis got a little cocky, Tillie was good at keeping her grounded, "FORE the Good of the Game."
Sandy Burnett explores the life and music of Austrian composer, Johann Strauss II.
Glittering and gloriously tuneful, Die Fledermaus (“The Bat”) is the most enduring operetta of Vienna's famous “Waltz King,” Johann Strauss II. Its plot features revenge, infidelity, disguised identities, and a glamorous ball at its center, given by a wealthy host who requires his guests to keep the party lively. Toasting “King Champagne,” the characters of this “spirited” operetta recognize the royalty of sparkling wine: the beverage that motivates, infuriates, and ultimately exonerates them. Hosted by Pat and Rosie (www.rosiebrooks.com)
Nigel Simeone with his pick of recordings of Johann Strauss II's Die Fledermaus. Strauss's sparkling operetta premiered in 1874 and has been delighting audiences and listeners ever since. It has been fortunate on record, and Nigel discusses with Andrew a huge range of performances and styles.
‘Las reinas en la literatura'. Hoy en Letras en el tiempo, Patricia del Río se sumerge en el fascinante mundo de historias y personajes de las reinas más emblemáticas de los últimos siglos, y cómo los escritores y escritoras de todas las épocas las recrearon en sus novelas y cuentos. El historiador, Mauricio Novoa, nos explica sobre el protagonismo de las reinas y de aquellas que revolucionaron el mundo. En el libro de la semana, la historiadora Claudia Núñez nos habla de ‘La Mariscala' (Ediciones B, PRH 2022), la historia no contada de Francisca Zubiaga y Bernales, la primera presidenta del Perú. El periodista Diego Pajares recomienda tres películas imprescindibles sobre esta temática: The Crown, serie en Netflix; ‘Elizabeth', con Kate Blanchet; y ‘La reina', con Hellen Mirren. Por su parte, el crítico literario y gerente de la librería Escena libre, comenta tres libros nuevos: ‘El tiempo es un río sin orillas', de Laura Rosales (poesía); ‘Vida lancha', de Aldo Pancorbo Valdivia (novela); y ‘Artilugios', de Mariángela Ugarelli Risi (narrativa). La música utilizada en este especial sobre reinas, nos traslada también a las cortes europeas. Con solo cerrar los ojos escucharemos: ‘Song without words', de Felix Mendelson; ‘Kaiser-Waltzer', de Johann Strauss II; ‘Sinfonia in G Major: I. Allegro', de Frederick the Great; ‘Zadok the priest', de George Friderick Handel; ‘Les amants magnifiques: entrée d'Apollon', de Jean-Baptiste Lully. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 35 – Tercera temporada.
‘Las reinas en la literatura'. Hoy en Letras en el tiempo, Patricia del Río se sumerge en el fascinante mundo de historias y personajes de las reinas más emblemáticas de los últimos siglos, y cómo los escritores y escritoras de todas las épocas las recrearon en sus novelas y cuentos. El historiador, Mauricio Novoa, nos explica sobre el protagonismo de las reinas y de aquellas que revolucionaron el mundo. En el libro de la semana, la historiadora Claudia Núñez nos habla de ‘La Mariscala' (Ediciones B, PRH 2022), la historia no contada de Francisca Zubiaga y Bernales, la primera presidenta del Perú. El periodista Diego Pajares recomienda tres películas imprescindibles sobre esta temática: The Crown, serie en Netflix; ‘Elizabeth', con Kate Blanchet; y ‘La reina', con Hellen Mirren. Por su parte, el crítico literario y gerente de la librería Escena libre, comenta tres libros nuevos: ‘El tiempo es un río sin orillas', de Laura Rosales (poesía); ‘Vida lancha', de Aldo Pancorbo Valdivia (novela); y ‘Artilugios', de Mariángela Ugarelli Risi (narrativa). La música utilizada en este especial sobre reinas, nos traslada también a las cortes europeas. Con solo cerrar los ojos escucharemos: ‘Song without words', de Felix Mendelson; ‘Kaiser-Waltzer', de Johann Strauss II; ‘Sinfonia in G Major: I. Allegro', de Frederick the Great; ‘Zadok the priest', de George Friderick Handel; ‘Les amants magnifiques: entrée d'Apollon', de Jean-Baptiste Lully. Conducción: Patricia del Río ||| Producción: Amelia Villanueva ||| Edición de audio: Andrés Rodríguez ||| Episodio 35 – Tercera temporada.
Two years ago last month, the great French (bass-)baritone Gabriel Bacquier died just four days short of his 96th birthday. At that time I offered a brief memorial tribute which opened my eyes to aspects of his artistry and voice with which I had been previously unfamiliar. Like his near-contemporary, the Italian baritone Tito Gobbi, Bacquier was one of the supreme actors of the operatic stage, whose voice coarsened somewhat over the course of his long career, even as his mastery as an actor and interpreter increased. By the time he retired, his repertoire consisted almost entirely of buffo parts. But in the earliest years of his career (and also like Gobbi), he possessed a baritone of velvety beauty that might surprise those who know only his later comic roles. This episode, which commemorates the second anniversary of Bacquier's death as well as his (posthumous) 98th birthday, focuses on the three different musical genres in which, in those early years, from 1953 through 1968, he excelled in equal measure: opera, of course, but also mélodie and operetta. The operatic portrayals represented include the title roles in Don Giovanni and Orphée et Eurydice; Zurga in Les Pêcheurs de perles; the Count in Le nozze di Figaro; Iago in Otello; Golaud; and his incomparable Scarpia, which he sang opposite every great Tosca of the 1960s with the exception of Callas. Complementing these live and studio recordings are recordings of melodies by Duparc, Fauré, Debussy, Ravel, and Poulenc; and operetta arias by Sigmund Romberg, Franz Lehár, Johann Strauss II, and Reynaldo Hahn, all deliciously sung in French. Vocal guest stars include Mirella Freni; Alain Vanzo; Bernard Demigny; Janine Ervil; Yvonne Gall, with whom Bacquier studied at the Conservatoire de Paris; and the late Renate Holm, the renowned German soubrette who died in April at the age of 90. In all this repertoire, Bacquier, who insisted on the appellation “acting singer” rather than “singing actor,” displays his commitment to clear yet full projection of text, which serves as a mirror into the music and not the other way around. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
Hola familia mágica, Muchos hermanos compartieron el amor por la música. Vamos a conocer a algunas familias que no solo fueron hermanos sino compositores. Fanny y Félix Mendelssohn Los hermanos Bach Los hermanos Strauss Las hermanas Boulanger Linka video de caja musical: https://youtu.be/nlPHd1ezgL4 La música de este episodio 00:34 The Hebrides, Op. 26 por Félix Mendelssohn. Interpretado por Hamburg Symphony Orchestra & Alois Springer 02:07 Concerto in E Minor for Violin and Orchestra, Op. 64: I. Allegro molto appassionato (attacca) por Félix Mendelssohn. Interpretado por Jaime Laredo & Scottish Chamber Orchestra. 02:48 A Midsummer Night's Dream, Op. 61: III. Wedding March por Félix Mendelssohn. Interpretado por Rochester Philharmonic Orchestra & Theodore Bloomfield. 03:21 Songs Without Words, Op. 62: Spring Song in A Major (Allegro grazioso) por Félix Mendelssohn. Interpretado por Anton Nanut & RTV Slovenia Symphony Orchestra. 04:10 The Hebrides, Op. 26 por Félix Mendelssohn. Interpretado por Hamburg Symphony Orchestra & Alois Springer 05:30 Presto für eine Spieluhr Nr. 30 por C.P.E. Bach. Interpretado por Bernhard Schneider an der Klais-Orgel von St. Aegidien, Braunschweig. 07:25 Concerto for Pianoforte Op. 13 No. 6 in E flat por Johann Christian Bach. Interpretado por Anders Muskens & Das Neue Mannheimer Orchester. 08:44 On the Beautiful Blue Danube, Op. 314 por Johann Strauss II. Interpretado por David Parry & London Philharmonic Orchestra. 11:33 3 Pieces for cello and piano por Nadia Boulanger. Interpretado por Dora Kuzmin & Petra Gilming. Si te gusta el episodio, califícalo en tu app favorita o puedes dejar tu review. :) No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Web: allegromagico.com ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños.
This weeks on Pep Talks, I am taking a quick dive into Roland Barthe's concept of the "Punctum" from his book "Camera Lucida," to explain why some artworks and films stick in your mind and others don't. Find out why Stanley Kubrick's choice of music for scoring "2001: A Space Odyssey" & Ingrid Bergman's turn as a boxing nun made both of these films punctum-y and stick in my brain. Also, come hear about Barthe's personal quest to find a photo of his mother that contained her true essence, and how we as artists can try and infuse our own work with punctum-like staying properties. Works mentioned: "Camera Lucida" (1980) book by Roland Barthes "The Bells of St. Mary's" (1945) film directed by Leo McCarey and starring Ingrid Bergman "2001: A Space Odyssey" (1968) film by Stanley Kubrick Songs mentioned: "The Blue Danube" by Johann Strauss II used in "2001: A Space Odyssey" "Also Sprach Zarathustra" by Richard Strauss used in "2001: A Space Odyssey" "Gesänge der Frühe" or "Songs of the Morning" (1853) by Robert Schumann, mentioned by Roland Barthes Special thanks to P Elaine Sharpe for their contributions to this episode! Please stop by the Pep Talks Instagram and give a follow to see behind-the-scenes shots and image carousels that go with each episode (@peptalksforartists). Thanks for listening, rating and following! -------- "Also Sprach Zarathustra - Sonnenaufgang" by Richard Strauss (2010 version by Kevin MacLeod), used by permission of Creative Commons license All other music public domain or licensed Soundstripe.com tracks --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support
Gstaad Menuhin Festival Podcast – L'histoire intime des chefs-d'œuvre du classique
Comment rendre hommage à Vienne sans faire résonner la musique de l'un des plus emblématiques de ses maîtres, Johann Strauss II? Portées par Alfred Eschwé et son Wiener Johann Strauss Orchester, ses valses et polkas seront bien présentes sous la Tente du Festival de Gstaad lors de ce grand gala final… mais elles seront loin d'être seules! Car la Vienne qui danse et qui s'amuse du 19e et du début du 20e siècle, c'était aussi les opérettes aux accents volontiers tziganes de Franz Lehár et Emmerich Kálmán, de même que les spectacles rose bonbon de Carl Zeller. Sans oublier Rudolf Sieczyński, Viennois d'origine polonaise – c'étaient les derniers feux de la mosaïque culturelle de l'immense empire des Habsbourg… – auteur de l'emblématique et inoxydable «Wien, du Stadt meiner Träume» [Vienne, ville de mes rêves], une chanson devenue iconique de la nostalgie de ces temps révolus. On peut compter sur Polina Pasztircsák et Dovlet Nurgeldiyev pour rendre ces pages de velours délicieusement… sucrées!
Listen for the music that makes us want to sway! Meter in 3 is often called the waltzing meter because the special dance called the waltz is performed to music in a meter of 3. Have fun learning about the Waltz King, Johann Strauss II. Mr. Henry, Mr. Fite, and Mr. Hairylegs learn all about him in this episode! On to the show! Check out our YouTube channel: Remember to Share and Subscribe! https://www.youtube.com/channel/UCdGhqK_DWpRIKS45ICqN3eQ ***Classroom Teachers and Homeschoolers*** Find our digital resource to help enhance your classroom HERE! Like us on Facebook! Support The Music Podcast for kids on Patreon HERE! Mr. Fite Check out original fun and educational music from Mr. Fite at https://brucefite.com/music and subscribe to Mr. Fite's YouTube Channel Mr. Henry Are you looking for affordable piano lessons for your 6-10-year-old? Start the music journey with Mr. Henry by taking a sneak peek into the Premier Membership with the free mini-piano course! https://www.mrhenrysmusicworld.com/piano FREE Rock Out Loud Online Music Teaching Platform [Disclosure: The Music Podcast for Kids is an affiliate of Rock Out Loud which means we receive a percentage of sales if a teacher decides to upgrade the service. There is no additional cost to the user. Our link gives access to the app for free as well!]
DescriptionOn New Year's eve, there are a handful of audience favourites that conductors around the world choose to perform. One such crowd-pleaser is the Die Fledermaus Overture by Johann Strauss II. Join me, as we take a minute to get the scoop!Fun FactThe first London performance of Die Fledermaus did not take place until 1895, "Twenty years after its production as a lyric opera in Vienna…it was [composer and conductor Gustav] Mahler [who] raised the artistic status of Strauss's work by producing it at the Hamburg Opera House”.About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)
Avant d'écrire la Chauve-Souris, Johann Strauss II pensait ne pas être fait ni pour la voix, ni le théâtre… Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.
Strauss Jr Indigo and the Forty ThievesSheet MusicJohann Strauss JrVoice(s) and OrchestraIndigo and the Forty ThievesIndigo und die vierzig Räuber (Indigo and the Forty Thieves) is the name of an operetta composed by Johann Strauss II to a German libreto by Maximilian Steiner. The text was based on "Ali Baba and the Forty Thieves", one of the most popular tales from the Book of One Thousand and One Nights. The operetta was premired in 1871 in Vienna and the general reception was mixed. It was re-staged several times in the following years and, after Strauss' death, it was completely reworked by Max Steiner. The new version, premiered in 1906, was called One Thousand and One Nights (previous titles included ' Queen Indigo' and 'A Night on the Bosphorus'). The title 'One Thousand and One Nights' was also used by Strauss in a waltz (Op. 346) that drew melodies from the original stage work.
Doppelgangers are described in the Monster Manual as “devious shapeshifters that take on the appearance of other humanoids, throwing off pursuit or luring victims to their doom with misdirection and disguise. Few creatures spread fear, suspicion, and deceit better than doppelgangers. Found in every land and culture, they can take on the guise of any individual of any race.”We are joined by Noir.Noir is a voice actor, streamer, musician, and improviser. He has studied at Chicago's iO, Westside Theater, and Second City. He is the Nerdy host of Critical Misses' Morning Ritual, creator and Game Master for Kobold Presses Into the Southlands, Magpies CPP ProgramCheck Out Our Sponsors!Start Playing: find a gaming table today at StartPlaying.GamesWarrstories:Smoke, Steel and Sharpened Fangs campaign https://startplaying.games/adventure/62decda76e943140b20d64adGet a $10 Credit on StartPlaying.Games! https://startplaying.games/referral/ckaipkuw001akbopk4jimaqd2MUSIC"Creeping" by Borrtex"Memories Of Thailand" (Beat Doctor's 'stuck in Britain' remix) by Risey"Darkness" by Three Chain Links"The Blue Danube Waltz" by Johann Strauss II"Autumn Mvt 3 Allegro" by John Harrison with the Wichita State University Chamber PlayersBartok - Roumanian Folk Dances - Waistband Dance Roumanian Polka Maruntel" by the Advent Chamber Orchestra"Brandenburg Concerto No. 5 - Bach" by "Dee Yan-Key""Epic Cinematic" by Scott Holmes"Of Elias Dream" by BensoundKill Every Monster is a 5th Edition Dungeons and Dragons podcast. In each episode we are joined by a guest to discuss the lore, mechanics, and story potential of classic D&D creatures. We debate tactics for maximizing these creatures in your game, and we ask the ever-important question: are they really a monster?Send us your questions for our Season 1 Mailbag episode!COMMUNITYDiscordTwitterTikTokRedditInstagramFacebookSupport this podcast at — https://redcircle.com/kill-every-monster/exclusive-content
ماجرای ساخته شدن یکی از مهمترین فیلمهای تاریخ سینما، ۲۰۰۱: یک ادیسه فضایی اثر ماندگار استنلی کوبریک 2001: A Space Odyssey Directed by Stanley Kubric روایت: مهدی خدادادی تدوین: سینا سعدی حمایت مالی از میدنایتکست پادکست الف دیدن تصاویر و مطالب مرتبط با اپیزودهای میدنایتکست از طریق وبسایت و اینستاگرام: وبسایت میدنایتکست اینستاگرام میدنایتکست موسیقیها: "Also sprach Zarathustra" by Richard Strauss "The Blue Danube" by Johann Strauss II پادکست سینمایی میدنایت
As inesquecíveis! Nesta edição do Clássicos CBN, Helder Trefzger continua a trazer sua playlist com os maiores "Clássicos dos Clássicos" de todos os tempos. É a terceira da série iniciada pelo maestro. Em destaque, o 'Boléro' de Ravel e 'O Danúbio Azul' de Johann Strauss II. Ouça!
對於非音樂專業出身的人來說，不聽古典音樂的主要原因是因為聽不懂。 但是「聽懂」音樂這件事情，從來不是古典音樂存在的目的。 古典音樂並不是用來區分受過音樂教育的菁英階級，或者是一般聽眾，更不是拿來考驗聽眾的音樂知識。 [bgm (opening)] Johann Strauss II, Vienna Blood Op.354 [bgm] Erik Satie, Gymnopedies No.1,2,3 Powered by Firstory Hosting
Há 155 anos, o austríaco Johann Strauss II compôs a valsa que se tornou a mais famosa do mundo: Danúbio Azul. Por sua popularidade, se tornou uma espécie de hino não-oficial da Áustria. No Brasil, a composição embala as festas de 15 anos. Nesta edição do Clássicos CBN, o maestro Helder Trefzger explica como "Danúbio Azul" foi construída, demonstrando que, na verdade, se trata de uma sequência de cinco valsas!
Xin chào các bạn, hôm nay ngày 3 tháng 6 là ngày gì? Mời các bạn theo dõi nhé: SỰ KIỆN 1888 – Vương quốc Sedang được thành lập tại vùng Tây Nguyên thuộc Việt Nam ngày nay, với quốc vương là Marie-Charles David de Mayréna - người Pháp. Ông đã thám hiểm vùng Tây Nguyên và thuyết phục một số tù trưởng các bộ lạc thành lập Vương quốc Sedang với ông làm vua. Mayréna cùng một số dân chúng các bộ lạc tuyên bố họ không phải là thần dân của hoàng đế Việt Nam, và lập ra vương quốc riêng của họ. Mayréna được bầu ra bởi thủ lĩnh các bộ lạc Bahnar, Rengao, và Sedang tại làng Kon Gung ngày 3 tháng 6 năm 1888. Ông sau đó tự xưng là Marie Đệ nhất, Vua xứ Sedang. 1975 – Loại máy bay phản lực tiêm kích đầu tiên của Nhật Bản là Mitsubishi F-1 có chuyến bay thử nghiệm đầu tiên. Sinh 1986 – Rafael Nadal, vận động viên quần vợt Tây Ban Nha. Anh hiện đang giữ vị trí số 2 thế giới. Nadal được đánh giá là một trong những tay vợt xuất sắc nhất mọi thời đại 1992 – Địch Lệ Nhiệt Ba, nữ diễn viên Trung Quốc. Mất 1899 – Johann Strauss II, nhạc sĩ người Áo (s. 1825). Ông được gọi là "Vua nhạc waltz". Tác phẩm nổi tiếng của ông được nhiều người Việt biết đến là bài The Blue Danube - Sông Danube Xanh 1989 – Thế Lữ, nhà thơ người Việt Nam (s. 1907) Ông nổi danh trên văn đàn vào những năm 1930, với những tác phẩm Thơ mới, đặc biệt là bài Nhớ rừng 2016 – Muhammad Ali, vận động viên quyền Anh Mỹ gốc Phi (s. 1942) #aweektv #3thang6 #homnayngaygi #todayinhistory #whatistoday #muhammadali --- Send in a voice message: https://anchor.fm/aweek-tv/message
En este episodio los niños y niñas podrán aprender qué es un vals y escucharán los valses más famosos del siglo XIX y alguno del siglo XX. Ideal para niños mayores de 7-8 años. Lo que vas a escuchar en este episodio 00:25 On the Beautiful Blue Danube, Op. 314 por Johann Strauss II, interpretado por David Parry & London Philharmonic Orchestra. 02:42 Fairy Kisses Waltz, interpretado por South Shore Concert Band & Richard Whitmarsh. 03:14 Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 por Johann Strauss II, interpretado por CSR Symphony Orchestra, Bratislava & Ondrej Lenárd. 04:28 Kaiser-Walzer (Emperor Waltz), Op. 437 por Johann Strauss II, interpretado por Milan Weber & International Festival Orchestra. 05:44 Die Schönbrunner Walzer Op 200 por Joseph Lanner, interpretado por Robert Stolz & Berliner Symphoniker. 07:07 Los ciudadanos de Viena Vals Op 419 por Carl Michael Ziehrer, interpretado por Mariss Jansons & Wiener Philharmoniker. 08:33 Les patineurs por Émile Waldteufel, interpretado por Orchestra of the Bolshoi Theatre. 09:49 Waltz no. 2 por Dmitri Shostakovich, interpretado por André Rieu y su Orquesta. 10:45 The Sleeping Beauty, Op. 66 - Suite: Waltz (Act 1) por Pyotr Ilyich Tchaikovsky, interpretado por Vienna Philharmonic Orchestra & Herbert von Karajan. 11:22 Swan Lake, Ballet Suite, Op. 20: Waltz por Pyotr Ilyich Tchaikovsky, interpretado por Norddeutschen Philharmoniker & Wilhelm Schüchter. 12:22 Waltzes, Op. 9a, D 365: Nos. 1, 2, 6, 10, 14, 16 por Franz Schubert, interpretado por Peter Schmalfuss. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :) No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.
Welcome back to ArtBeat Radio! In this episode, we listened to various pieces of music that we felt reminded us of Spring. A few members of ABR shared their thoughts and opinions on pieces by Vivaldi, Claude Debussy, Kevin Day, Johann Strauss II and Beethoven. Listen in to these clips of music and let us know what they remind you of! 1:19 “Spring” – Antonio Vivaldi 2:33 “Prelude to the Afternoon of a Fawn” – Claude Debussy 3:47 “Galactic Voyage” – Kevin Day 5:18 “Voices of Spring Waltz” – Johann Strauss II 6:41 “Symphony No. 5” – Ludwig van Beethoven Thank you to Daniel from Infinite Stage for reminding us of classical pieces and introducing us to modern composers! Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org
En este post podrás conocer y escuchar la música de unos de los compositores vieneses más famosos del siglo XIX. Su vals “El Danubio Azul” es una de las piezas más conocidas e interpretadas del mundo . Conocido como “El Rey del Vals”, y famoso como violinista, director y compositor, Johann Strauss II hizo de éste género uno de los conocidos y más bailados durante su vida. ¡Vamos a conocerle! LO QUE VAN A ESCUCHAR EN ESTE EPISODIO 00:37 Kaiser-Walzer (Emperor Waltz), Op. 437, interpretado por Milan Weber & International Festival Orchestra. 09:47 Die Fledermaus: Overture, interpretado por Slovak State Philharmonic Orchestra, Kosice & Alfred Walter. 10:51 Wiener Blut (Vienna Blood), Op. 354, interpretado por Ondrej Lenárd & CSR Symphony Orchestra, Bratislava. 11:59 Tritsch-Tratsch-Polka, Op. 214, interpretado por Ondrej Lenárd & CSR Symphony Orchestra, Bratislava. 12:35 Unter Donner und Blitz (Thunder and Lightning), Op. 324, interpretado por Ondrej Lenárd & CSR Symphony Orchestra, Bratislava. 14:07 An der schonen, blauen Donau (The Beautiful Blue Danube), Op. 314, interpretado por Milan Weber & International Festival Orchestra. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :) No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.
Episode Credits Royalty Free Disco Music https://www.youtube.com/watch?v=nwd50y3VItE Buzzing Bees Sounds https://freesound.org/people/cognito%20perceptu/sounds/370871/ Ambient sounds of Stephansplatz: https://freesound.org/people/magedu/sounds/287196/ Birdsong from the Vienna Woods https://freesound.org/people/hessma63/sounds/315978/ Liguorianer Seufzer - Scherz-Polka, op. 57 - Johann Strauss II https://www.youtube.com/watch?v=pHLVqpRtdOA Tchaikovsky - Swanlake. - Swan Theme https://www.youtube.com/watch?v=9cNQFB0TDfY Flight of the bumblebee - Rimsky-Korsakov https://www.youtube.com/watch?v=9ZsGEhTGL6g All other Sounds and Music are property of Phonetic Planet, Susan Shea, and Joshua David Yardy
Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79"The Blue Danube" is the common English title of "An der schönen, blauen Donau", Op. 314, a waltz by the Austrian composer Johann Strauss II, composed in 1866.
Despite lockdown, the Vienna Philharmonic has managed to perform as a full ensemble and even travel to Asia. In this episode, chairman Daniel Froschauer and general manager Michael Bladerer discuss this season's challenges and accomplishments. Show Notes: *2:41 – audience decorum in Japan *5:09 – maintaining musical standards *7:01 – [musical excerpt: “Im Fluge, Polka schnell,” Josef Strauss] – aerosol tests andgovernment collaboration *11:15 – activities at the orchestra academy *13:10 – [musical excerpt: “Wo die Zitronen blüh'n…,” Johann Strauss II] – coping with renewed performance restrictionsThis interview was originally conducted for the International New York Times.Excerpts from the 2020 New Year's Concert with the Vienna Philharmonic under conductor Andris Nelsons provided courtesy of Sony Classical Intro and outro composed and performed by Miguel Kertsman
"The Blue Danube" is the common English title of "An der schönen, blauen Donau", Op. 314 (German for "On the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866. We have taken this lovely waltz and desecrated it with barking, farting dogs. You're welcome, or we're sorry. All the love & toots, from the dogs of Planet Dogland!This piece was re-arranged, performed, and recorded by Jason Roark, who never toots stinky toots.Support the show (https://www.patreon.com/powerdogadventures)
What do Puccini, Charlie Chaplin, Faure, Elgar, Richard Strauss, Johann Strauss II, Grieg, and Janacek have in common? They all had moustaches! This is your presenter Tim’s very subtle Movember theme for the last show […] http://media.blubrry.com/queen_of_the_night/p/joy.org.au/queenofthenight/wp-content/uploads/sites/183/2020/12/2020-11-29-Queen-of-the-Night.mp3 Podcast: Play in new window | Download (Duration: 51:56 — 47.6MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post The Movember Show appeared first on Queen of the Night.
Feuer frei für Gags und Anspielungen: Ben und Hardy sprechen über das Cute’em up Parodius: Non-sense Fantasy, das in den 90ern u.a. für SNES, NES, Turbografx und den Gameboy erschien und einige berühmte Shooter, wie Gradius und R-Type, auf die Schippe nahm. Parodius erfand das Rad zwar nicht neu, kombinierte bereits Bekanntes aber mit witzigen Sprites und Animationen im Anime-Stil und verwendete zusätzlich aufgepeppte klassische Musikstücke, unter anderem von Tschaikowski, Chopin, Brahms, Johann Strauss II oder Offenbach. Somit entstand ein ansprechender Mix, der sehr wohlwollend angenommen wurde. Neben der Spielbeschreibung sprechen Hardy und Ben auch über die sexuellen Anspielungen des Titels und bekommen sich über die Qualität der NES Version in die Haare. Die verwendete Musik vom Konami Kukeiha Club stammt aus verschiedenen Versionen von Parodius Labyrinth (GB) Island of Pirates (SNES) Vic Viper Theme (SNES) Space Ship Moai (GB) Theme of Hot Lips (SNES) Hit the showers (SNES) Theme of Chichibinta Rika (PSX) Amusement Park (NES)
Aquesta setmana Pedro Pardo i Albert Galceran ("Els homes cl
Soprano Kirsten C. Kunkle has been hailed as an outstanding singing actress with a voice that has been described as beautiful, ethereal, powerful, fiery, and bewitching. Among her favorite roles are Agathe in Der Freischütz, the title role in Suor Angelica, Magda and the Foreign Woman in The Consul,” Mimì in La bohème, Rosalinda in Die Fledermaus, Contessa in Le nozze di Figaro, Mother in Amahl and the Night Visitors, Iolanta and Brigitta in Iolanta, Zemfira in Aleko, Lisa in Pique Dame, Donna Elvira in Don Giovanni, Laetitia in The Old Maid and the Thief, and the Witch in Hansel and Gretel. With the Philadelphia Opera Collective, she has created leading roles in numerous world premieres, including Edith Standen in Shadow House, Annie Jump Cannon in Jump the Moon, Edgar Allan Poe in Opera Macabre: Edgar Allan Poe, and Dr. Frankenstein in By You That Made Me, Frankenstein. In 2016, she made her professional straight play debut in Machinal with EgoPo Classic Theater and her professional musical theatre debut as Domina in A Funny Thing Happened on the Way to the Forum with the Scranton Shakespeare Festival. She has an Honorable Mention for The American Prize in Voice – Professional Art Song and Oratorio Division (Women), as well as being a two-time semi-finalist for The American Prize in Opera (Women). She made her Carnegie Hall debut in 2014, as well as being the Pennsylvania District National Association of Teachers of Singing Artist Award winner that year. She won second place in the Roschel Vocal Competition in 2015. She attended Bowling Green State University and the University of Salzburg for her undergraduate studies, majoring in voice performance with minors in Italian and German. Her graduate degrees are in voice performance from the University of Michigan. A voting member of the Muscogee Nation, Dr. Kunkle commissioned and premiered sixteen original compositions, including one of her own, based upon the poetry of her ancestor and highly-acclaimed poet of the Native American Muscogee Nation, Alex Posey. She has recorded extensively through the Comic Opera Guild, specializing in the works of Victor Herbert. Her recordings are collected at the Library of Congress, the National Museum of the American Indian at the Smithsonian Institution, and the Merkel Area Museum in Merkel, Texas. Ms. Kunkle is included on the list of Classical Native American Artists and Musicians at the Smithsonian Institution's National Museum of the American Indian and on the Molto Native Music list of performers. She has been published in peer-reviewed journals and is a successful voice educator. She is the Co-Founder and Artistic Director of Wilmington Concert Opera, a grassroots women and minority led opera company in Wilmington, Delaware. Most recently, she had her solo European debut with the Sofia Philharmonic in the role of Arabella in Johann Strauss II's “Blindekuh.” She is also a NAXOS recording artist for “Blindekuh,” which was released in March of 2020 to extraordinary reviews. --- Support this podcast: https://podcasters.spotify.com/pod/show/musicast-podcast/support
I continue my talk with Paul Kerekes about the state of music and world affairs.For those of you who are seeing the Youtube version of this podcast, I assure you the still image of Beethoven I am using while I monologue is within the public domain.Here is the information for the digital concert streaming tonight by my good friend and colleague Kathleen Monson:https://www.youtube.com/watch?v=avO7qs9iG4k&feature=emb_title"Die Fledermaus" by Johann Strauss II, done at 8pm tonight, the inaugural effort of KJR Studio Productions, which is the artistic baby of Kathleen Monson and her husband Jordan. STARRING:Kathleen Monson as RosalindaBrian Pember as EisensteinCorinne Costell as AdeleChristopher Jackson as AlfredEilo Bucky as Dr. FalkeRyan Frenk as Dr. BlindBen Ross as FrankChristina Bernardoni as Prince OrlofskyI have an auxiliary role as a bass in the chorus. Program can be found on Youtube link.Support the show (https://www.patreon.com/Famousmusicianspodcast)
The Romantic Period – Part I This week we hear works by Franz Schubert, Charles-François Gounod, Johannes Brahms, Johann Strauss II, Charles-Marie Widor, Edward MacDowell, and Gustav Mahler. 164 Minutes – Week of September 21, 2020
在你的印象中，哪位音樂家 一生賺了最多錢？ 這週我們繼續聊，除了能寫出好作品，還具備商業頭腦，行銷手段的前三名音樂家，到底有誰呢？ Spotify playlist: https://spotify.fi/3a51cMg Instagram: https://bit.ly/30CbOz5 [背景音樂（開頭）] 蓋希文，藍色狂想曲（斯洛伐克交響樂團，Libor Pesek指揮） [背景音樂（背景）] 小約翰·史特勞斯 維也納森林的故事作品第325號 [BGM（opening）] Gershwin, Rhapsody in Blue. (Slovak National Philharmonic, Libor Pesek) [BGM（background）] Johann Strauss II, Tales from the Vienna Woods Powered by Firstory Hosting
The story of a man who may have invented the first real car, and the people who tried to destroy it.The Marcus Carhttps://www.technischesmuseum.at/object/marcus-wagen-1888-1889https://www.asme.org/about-asme/engineering-history/landmarks/203-siegfried-marcus-carMusic Credits:Ludwig van Beethoven, Piano Concerto No. 3, Op 37, 1st Mvt.Davis High School Symphony Orchestra2008 Wennberg Music Festival (Creative Commons License)https://creativecommons.org/licenses/by-nc-nd/3.0/Johann Strauss II, Viennese Blood, Op 354Unknown Performance(Public Domain)Ludwig van Beethoven, Piano Sonata No. 21, Op 53 in CMajor Waldstein I- Allegro Con Brio Paul Pitman(Public Domain)Excerpt from Adolf Hitler's Speech at NSDAP Rally, July 1932(National Archives)Horst Wessel March(Public Domain)Henry Eccles, Violin Sonata in G minor(Creative Commons License)https://creativecommons.org/licenses/by/3.0/
Popular Classics Name Artist Album Year Comments Thunder And Lightning Polka (Unter Donner und Blitz, Op. 324) – Johann Strauss II (1868) Reginald Dixon Blaze Away [EMI Starline SRS 5024] 1962 3-14 Wurlitzer, Tower Ballroom, Blackpool Coppélia Waltz – Léo Delibes (1870) Reginald Foort The Theatre Organ - Vol II [Cook Labs 1151] 1952 3-17 Wurlitzer, Mosque Civic Center, Richmond, VA; originally Acca Temple Mosque, 5000 seats, 1927; Album released 1973 Dance Of The Hours – Amilcare Ponchielli (1876) Eddie Weaver Extasonic Vol. 1 [Concert Recording CR-S033] 3-17 Wurlitzer, Mosque Civic Center, Richmond, VA; originally Acca Temple Mosque, 5000 seats, 1927 Carmen - Aragonaise – Georges Bizet (1875) Tony Fenelon Tony Plays Duo [CD] 1995 Piano and 4-29 Wurlitzer Hybrid, Capri Theatre, Goodwood, Adelaide, SA Morning, Noon And Night In Vienna – Franz Von Suppé (1844) Douglas Reeve Thunder And Lightning [Crystal CRY 3002] 1968 4-42 Hill, Norman & Beard, The Dome, Brighton Tristesse (Étude, Opus 10, No. 3) – Frédéric Chopin (1832) Robert Wolfe Together Wherever We Go [Thursford TE-11] 1983 3-19 Wurlitzer, Thursford Collection, Norfolk, UK Slavonic Dance No. 1 in C Major – Antonin Dvorák (1878) Martin Ellis Martin on the Morton 4-26 Robert Morton, Van der Molen Residence, Wheaton, IL
Prepare yourself for the upcoming launch of 'Perseverance', the new Mars Rover. Then, hear what DNA analysis reveals about the Dead Sea Scrolls. The show ends with an essay about finding a balance between the science and the joyful appreciation of nature. Bench Talk is a weekly program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for links to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/ Public domain music is 'Blue Danube' by Johann Strauss II (1866). Bench Talk: The Week in Science | Mars Rover; Dead Sea Scrolls; A Walk in the Park | July 27, 2020 by Forward Radio is licensed under a Creative Commons License.
Prepare yourself for the upcoming launch of 'Perseverance', the new Mars Rover. Then, hear what DNA analysis reveals about the Dead Sea Scrolls. The show ends with an essay about finding a balance between the science and the joyful appreciation of nature. Bench Talk is a weekly program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for links to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/posts/?ref=page_internal Public domain music is 'Blue Danube' by Johann Strauss II (1866).
In our 100th episode, Edgar Wright takes us on a musical journey through some of his favorite cinematic needle drops.Show Notes:Movies Referenced In This EpisodeBeyond The Valley Of The Dolls (1970)Baby Driver (2017)*Reservoir Dogs (1992)Vanishing Point (1971)*2001: A Space Odyssey (1968)Deja Vu (2006)Man On Fire (2004)The Bourne Supremacy (2004)The Bourne Ultimatum (2007)Alien (1979)The Mexican (2001)Gremlins (1984)*American Graffiti (1973)Star Wars (1977)Jaws (1975)The Exorcist (1973)Halloween (1978)The Amityville Horror (1979)*Dawn of the Dead (1978)Deep Red (1976)Suspiria (1977)Shaun of the Dead (2004)Monty Python And The Holy Grail (1975)*An American Werewolf In London (1981)The Long Goodbye (1973)The Evil Dead (1983)Face-Off (1997)The Wizard Of Oz (1939)Mandy (2018)The Hallow (2015)The Nun (2018)Mulholland Drive (2001)*Christine (1983)Blue Collar (1978)*Ferris Bueller’s Day Off (1986)*Mauvais Sang (1986)Frances Ha (2012)Lovers On The Bridge (1991)Holy Motors (2012)Annette (TBD)*Goodfellas (1990)Mean Streets (1973)Alice Doesn’t Live Here Anymore (1974)Raging Bull (1980)*Mad Max: Fury Road (2015)Mad Max (1980)Babe (1995)(1973)Happy Feet (2006)Dr. Strangelove (1964)Band of Outsiders (1964)Blow-Up (1966)Bonnie And Clyde (1967)The Graduate (1967)Harold and Maude (1971)A Clockwork Orange (1971)Electra Glide In Blue (1973)The Warriors (1979)The Wanderers (1979)The Shining (1980)Trading Places (1983)Breathless (1983)Blood Simple (1984)Ghostbusters (1984)Back to the Future (1985)Pee-wee’s Big Adventure (1985)Blue Velvet (1986)Manhunter (1986)Something Wild (1986)Do The Right Thing (1989)Wild At Heart (1990)Miller’s Crossing (1990)Silence of the Lambs (1991)Dazed and Confused (1993)Pulp Fiction (1994)Chungking Express (1994)Bottle Rocket (1996)Trainspotting (1996)Romeo + Juliet (1996)Grosse Point Blank (1997)Boogie Nights (1997)Rushmore (1998)Buffalo ‘66 (1998)Beau Travail (1999)The Matrix (1999)Sexy Beast (2000)The Royal Tenenbaums (2001)Ocean’s Eleven (2001)Zodiac (2007)Hard Boiled (1992)Bad Lieutenant (1992)Natural Born Killers (1994)Jackie Brown (1997)Last Night In Soho (TBD)Casino (1995)The Departed (2006)Shine A Light (2008)The Age of Innocence (1993)20 Feet From Stardom (2013) Other Notable ItemsWalter HillRoger EbertRuss Meyer“Neat Neat Neat” song by The Damned (1977)Bill PopeAlex NorthEnnio MorriconeTony ScottJerry GoldsmithRidley Scott“Bell Bottoms” song by The Jon Spencer Blues Explosion (1994)“Also Sprach Zarathustra” by Richard Strauss (1896)“The Blue Danube” by Johann Strauss II (1867)György LigetiStanley KubrickGeorge LucasWalter MirchRobert AltmanRon HowardPaul Le MatMackenzie Phillips“All Summer Long” song by The Beach Boys (1964)Happy Days TV series (1974-1984)Scott BaioSuzi QuatroHarrison Ford“Tubular Bells” song by Mike OldfieldLalo SchifrinWilliam FriedkinThe Twilight Zone TV series (1959-1964)The Halloween score by John Carpenter (1978)George A. RomeroDawn of the Dead score by Goblin (1978)Dario ArgentoSimon PeggDawn of the Dead The Unreleased Incidental Music (2004)De Wolfe Music"The Gonk" song by Herbert Chappell (1965)“Cosmogony” by Paul Lemel (1972)The Egyptian Theatre in HollywoodTFH Guru John LandisDavid Naughton“Blue Moon” song by Elvis Presley (1956)“Blue Moon” song by Bob Dylan (1970)“Blue Moon” song by Sam Cooke (1959)“Blue Moon” song by The Marcels (1961)“Moondance” song by Van Morrison (1970)“Bad Moon Rising” song by Creedence Clearwater Revival (1969)Jenny Agutter“The Long Goodbye” song by Clydie King (1973)John Woo“Over The Rainbow” song by Judy Garland (1939)“Christmas (Baby Please Come Home)” song by Darlene Love (1963)“Do You Hear What I Hear” by Johnny Mathis (1969)Nicolas Cage“Mandy” song by Barry Manilow (1974)The Vista Theatre in HollywoodCorin HardyThe Panos Cosmatos podcast episode“We Belong Together” song by Robert & Johnny (1958)“Little Bitty Pretty One” song by Thurston Harris (1957)Keith Gordon“Harlem Nocturne” song by The Viscounts (1959)“Bad To The Bone” song by George Thorogood and the Destroyers“I Feel Good” song by James Brown (1964)The Christine soundtrack (1983)Impressions of An American Werewolf In London soundtrack by Meco (1981)John Hughes“Oh Yeah” by Yello (1985)“Twist And Shout” song by“Love Missile F1-11” song by Sigue Sigue Sputnik (1983)The Ferris Bueller’s Day Off soundtrack (1986)SparksKraftwerk“The Race” song by Yello (1988)Jeffrey JonesLeos Carax“Modern Love” song by David Bowie (1983)Denis LavantJuliette BinocheAdam DriverMarion CotillardMartin Scorsese“Be My Baby” song by The Ronettes (1963)“Tell Me” by The Rolling Stones (1964)T. RexMott The Hoople“Rags To Riches” song by Tony Bennett (1953)“Layla” song by Derek and the Dominoes (1970)“Atlantis” song by Donovan (1969)“My Way” song by Sid Vicious (1978)“Jump Into The Fire” by Harry Nilsson (1971)“What Is Life” song by George Harrison (1971)“Monkey Man” song by The Rolling Stones (1969)George MillerBen CarsonAnsel ElgortJim McBrideQuentin TarantinoThe Strokes“Stuck In The Middle With You” song by Stealers Wheel (1972)“Little Green Bag” song by the George Baker Selection (1971)Michael Madsen“Gimme Shelter” by the Rolling Stones (1969)Mary ClaytonMick JaggerThis list is also available on Letterboxd.
Las piezas más icónicas de la música clásica que definitivamente debes conocer. Las mejores canciones instrumentales que todos conocen, pero nadie sabe el nombre, a pesar de que casi todos los días las escuchamos en programas de televisión o en anuncios. Mozart, Chopin, Beethoven, Tchaikovsky y mucho más. ¡Esto es realmente clásico! Temas: 1)00:00 - Tchaikovsky, Swan lake, Dance of little Swans (or cygnets) 2)00:19 - Rossini, The barber of Seville 3)00:26 - George Bizet, Toreador song 4)00:38 - Vivaldi "Four seasons", Summer 5)00:54 - Edvard Grieg - In the hall of the Mountain King 6)1:15 - Chopin, Nocturne in C#m 7)1:36 - Tchaikovsky, Dance of the sugar plum fairy 8)1:48 - Beethoven, Fur Elise 9)2:00 - Johann Strauss II, Wiener Blut 10)2:13 - Dvorak, Symphony no 9 11)2:26 - Richard Strauss, Also sprach Zarathustra 12)2:39 - Mozart, Symphony no 40 13)2:48 - Chopin, Nocturne in Eb op 9 no 2 14)3:08 - Bach, prelude in C 15)3:23 - Erik Satie, Gymnopedie no 1 16)3:38 - Leo Delibes, Flower duet 17)3:48 - Giuseppe Verdi, libiamo ne' lieti calici 18)4:03 - Bach, Orchestral suite no 2 19)4:18 - Boccherini, minuet 20)4:30 - Tchaikovsky, The Nutcracker: Russian dance 21)4:38 - Mozart, Eine kleine Nachtmusic 22)4:55 - Erik Satie, Gnossienne no 1 23)5:15 - Chopin, Nocturne in Bbm 24)5:32 - Johann Strauss II, The Blue Danube 25)5:47 - Chopin, "Minute Waltz" 26)6:00 - Beethoven "Ode to Joy" 27)6:14 - Modest Mussorgsky, Night on bald mountain 28)6:39 - Tchaikovsky, 1812 Overure 29)6:51 - Mozart, Lacrimosa 30)7:09 - Chopin, "Funeral March" 31)7:29 - Tchaikovksy, Waltz of the Flowers 32)7:44 - Jacques Offenbach, "Orpheus in the Underworld" 33)7:58 - Mozart, Rondo Alla Turca 34)8:12 - Bach, Air on the G string 35)8:28 - Johann Strauss II, Tales from Vienna Woods 36)8:44 - Vivaldi, Four Seasons: Autumn 37)9:02 - Rossini, William Tell Overture 38)9:28 - Richard Wagner, Ride of the Valkyries 39)9:35 - Chopin, Revolutionary Etude 40)9:45 - Tchaikovsky, The Nutcracker March 41)9:56 - N. Rimsky-Korsakov, Flight of the Bumblebee 42)10:09 - Beethoven, Symphony no. 5 43)10:25 - J.S.Bach – Toccata and Fugue in D minor, BWV 565 44)10:35 - Felix Mendelssohn – Wedding March (from “A midsumer Night’s Dream”) 45)10:46 - P.I. Tchaikovsky – swan lake: act I: No.2 Valse 46)11:07 - Leo Delibes – Pizzicato (from “Sylvia”) 47)11:20 - W.A. Mozart – Piano Concerto no.21 in C major (II Movement) 48)11:31 - Johann Strauss II – Kunstlerleben (Artist’s life) op. 316 49)11:46 - Antonin Dvorak – Serenade for strings (II. Menuetto: Allegro con moto) 50)12:10 - G.F.Handel – Messiah (HWV 56) 51)12:18 - Edvard Grieg – Morning Mood 52)12:25 - Antonin Dvorak – Humoresque Op. 101, No.7 53)12:43 - Giuseppe Verdi – La donna e mobile 54)13:04 - Georges Bizet – Habanera 55)13:20 - Jahannes Brahms – Hungarian Dance no.5 in F sharp minor 56)13:31 - Johann Strauss II – “Fruhlingsstimmen” Op 410 (Voices of Spring) 57)13:44 - Georges Bizet – Prelude to Act 1 for “Carmen” 58)13:57 - Antonio Vivaldi – the Four seasons “Spring” (I: Allegro) 59)14:13 - P.I. Tchaikovsky – swan lake, Act II: No.10 Scene (Moderato) 60)14:33 - Franz Liszt – Liebestraume no. 3 in A flat major 61)14:42 - Claude debussy – Clair De lune (from Suite bergamasque) 62)15:07 - Erik Satie – Gnossienne No.3 63)15:32 - Frederic Chopin – Prelude Op.28, no.4 64)15:56 - Ludwig van Beethoven – Moonligh Sonata
Más de 3,5 horas de las grabaciones de música clásica más famosas y reconocibles. ¡Lo mejor de la música clásica para estudiar, leer, relajarse y (sobre todo) disfrutar! Temas: 0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato) 02:42 Edvard Grieg – Morning Mood 06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor) 08:51 Frederic Chopin - Nocturne in C-sharp minor 12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle") 14:58 W.A. Mozart - Rondo alla Turca ("Turkish March") 18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2) 23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto) 26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy 28:10 Federic Chopin – Prelude Op.28, no.4 30:44 Gioachino Rossini – Overture to “The Barber of Seville” 36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment) 37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major) 42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068) 45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro) 51:44 Erik Satie – Gymnopedie no.1 54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring") 1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1 1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance 1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie) 1:09:07 Gioachino Rossini – William Tell Overture 1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco) 1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers 1:31:47 Richard Wagner – Ride of the Valkyries 1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile) 1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314 1:49:19 Erik Satie – Gnossienne No.1 1:52:42 Edvard Grieg – In the Hall of the Mountain King 1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2 1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro) 2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major 2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement) 2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment) 2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque") 2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan) 2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March) 2:28:25 Edvard Grieg - Notturno, Op.54, No.4 2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”) 2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen” 2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro) 2:43:36 Erik Satie – Gnossienne No.3 2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316 2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12) 2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275) 2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor) 2:57:53 Richard Strauss – Also sprach Zarathustra 2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz") 3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto). 3:04:29 Modest Mussorgsky – Night on Bald Mountain 3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354 3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565 3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section) 3:18:14 Leo Delibes – Pizzicato (from “Sylvia”) 3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre) 3:29:33 W.A. Mozart – Requiem in D minor 3:33:01 J.S.Bach – Prelude in C major
The Portsmouth Sinfonia billed themselves as “indisputably, the worst orchestra in the world.” They have brought joy into the lives of millions. In the fifth episode of Ghost Echoes, we learn about the importance and healing effects of failure. Music and Sound Notes: -- The recording of Vivaldi's Concerto for two trumpets heard here is NOT Matthew Parsons and his colleague Glenn Skelton. It is in fact Michel Rondeau (presumably double tracked) and organist Alaine Letendre, sourced from Musopen. -- Here's Chi-Chi Nwanoku's BBC performance of Failing by Tom Johnson. -- The snippets heard shortly after are from “It Never Entered My Mind” performed by the Miles Davis Quartet, the third movement of Bach's Italian Concerto performed by Glenn Gould, the first movement of the Tchaikovsky violin concerto performed by Patricia Kopatchinskaja with Teodor Currentzis conducting MusicaEterna, and Hans Abrahamsen's let me tell you as sung by Barbara Hannigan with Andris Nelsons conducting the Bavarian Radio Symphony Orchestra. -- All the tracks by the Portsmouth Sinfonia are from their debut album, The Portsmouth Sinfonia Plays the Popular Classics. The works excerpted from here are Also Sprach Zarathustra by Richard Strauss, the first movement of Beethoven's fifth symphony, and “The Blue Danube” by Johann Strauss II. Further reading, listening: -- Information on the Portsmouth Sinfonia came from Cornelius Cardew: A Life Unfinished by John Tilbury and this piece by Eric Grundhauser. -- Thanks to Berlin Atmospherics for the applause SFX.
SO MANY STRAUSSES (STRAUSSI?), SO LITTLE TIME. Yessss in this Strauss-centric episode we discuss the life and times of Johann Strauss II and Richard Strauss - unrelated by blood, but both rather famous for composing some classical bangers. Enjoy!Little bits and pieces you might want to know about...Here's where you can hear all the music from all the episodes: https://open.spotify.com/playlist/6HxdsK2pKwY2Dt44nvSojlAnd our Patreon for those who want more TCP: https://www.patreon.com/ThatClassicalPodcastWebsite: https://www.thatclassicalpodcast.com/Twitter: https://twitter.com/thatclassicalInstagram: https://www.instagram.com/thatclassicalinsta/Facebook: https://www.facebook.com/thatclassicalpodcast/ See acast.com/privacy for privacy and opt-out information.
Con Mario Mora y Carlos Iribarren | Rescatamos El Duelo para estas vacaciones de Navidad en un programa muy de este momento. ¿Qué prefieres, los valses de año nuevo o la trompetería alpina? Escucha esta lucha de Johann Strauss II contra Richard Strauss y elige tu ganador.
Con Mario Mora y Carlos Iribarren | Rescatamos El Duelo para estas vacaciones de Navidad en un programa muy de este momento. ¿Qué prefieres, los valses de año nuevo o la trompetería alpina? Escucha esta lucha de Johann Strauss II contra Richard Strauss y elige tu ganador.
This week we take off with Wolfgang Amadeus Mozart's Eine kleine Nachtmusik, a piece with an odd association for me, and land safely with Johann Strauss II: The Blue Danube.
Kelley sang the role of Federico Lorca in the original version of Osvaldo Golijov’s opera Ainadamar.Kelley earned her Bachelor of Music degree from Thornton School of Music at the University of Southern California and her master's degree in Music from the University of California, Los Angeles.John Adams is an American composer, clarinetist, and conductor of classical music and opera, with strong roots in minimalism.Suzuki is a character in the opera Madame Butterfly, an opera in three acts (originally two) by Giacomo Puccini.Roberto De Candia is an Italian operatic baritone.Maria Luigia Borsi is an Italian opera singer.Hadleigh Adams is an operatic baritone from Palmerston North, New Zealand. Hadleigh recently played Mercutio in Cincinnati Opera’s performance of Charles Gounod’s Romeo and Juliet.Die Fledermaus is an operetta composed by Johann Strauss II.A breeches role (also pants role or trouser role) is a role in which an actress appears in male clothing.Tanglewood is a music venue in the towns of Lenox and Stockbridge in the Berkshire Hills of western Massachusetts.The Cleveland Orchestra, based in Cleveland, is one of the five American orchestras informally referred to as the "Big Five".Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra.Cherubino is a character in The Marriage of Figaro, an opera buffa (comic opera composed by Wolfgang Amadeus Mozart."The Composer" is a character in Richard Strauss's opera Ariadne auf Naxos.Das Lied von der Erde ("The Song of the Earth") is a composition for two voices and orchestra written by the Austrian composer Gustav Mahler.Cecilia Bartoli is an Italian coloratura mezzo-soprano opera singer and recitalist.“Voi Che Sapete” is an aria from The Marriage of Figaro.Renée Fleming is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions.Leontyne Price is an American soprano. She rose to international acclaim in the 1950s and 1960s, and was the first African American to become a leading performer, or prima donna, at the Metropolitan Opera, and one of the most popular American classical singers of her generation.Robert Spano is an American conductor and pianist.The Gospel According to the Other Mary is an opera/oratorio by John Adams.Peter Sellars is an American theatre director, noted for his unique contemporary staging of classical and contemporary operas and plays.El Niño is an opera-oratorio by John Adams.Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music.El Salón México is a symphonic composition in one movement by Aaron Copland, which uses Mexican folk music extensively.Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four German-language epic music dramas composed by Richard Wagner.Kelley grew up in Clovis, California.Audra McDonald is an American actress and singer. Primarily known for her work on the Broadway stage, she has won six Tony Awards, more performance wins than any other actor, and is the only person to win all four acting categories. McDonald was raised in Fresno, California.La Cenerentola is an operatic dramma giocoso by Gioachino Rossini.The Turn of the Screw is a 20th-century English chamber opera composed by Benjamin Britten.Claude Debussy was a French composer.Phyllis Curtin was an American classical soprano who had an active career in operas and concerts from the early 1950s through the 1980s.Donald Runnicles is a Scottish conductor.Louis Langrée is the music director of the Cincinnati Symphony Orchestra.Evans mentions the following Mahler works: Symphony No. 2 (known as the Resurrection Symphony), Symphony No. 3, Symphony No.8, Rückert-Lieder, and Kindertotenlieder.The songs of Des Knaben Wunderhorn (The Boy’s Magic Horn) by Gustav Mahler are voice-and-piano and orchestral settings of German folk poems chosen from a collection of the same name.The Rape of Lucretia is an opera by Benjamin Britten.Carnegie Hall is a concert venue in Midtown Manhattan in New York City.The Neruda Songs are a cycle of five songs composed for mezzo-soprano soloist and orchestra by the American composer Peter Lieberson for his wife, singer Lorraine Hunt Lieberson. Lieberson chose O'Connor as the first mezzo-soprano to sing his composition Neruda Songs live in concert after the death of his wife.Bernard Haitink is a Dutch conductor.The Atlanta Symphony Orchestra (ASO) is an American orchestra based in Atlanta, Georgia. Robert Spano has been its music director since 2001.Agustín Barrios was a Paraguayan virtuoso classical guitarist and composer, largely regarded as one of the greatest performers and most prolific composers for the guitar.Carmen is an opera by French composer Georges Bizet.The Dream of Gerontius is a work for voices and orchestra in two parts composed by Edward Elgar in 1900, to text from the poem by John Henry Newman.Wesendonck Lieder is the common name of a set of five songs for female voice and piano Wagner, Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice).Hans Werner Henze was a German composer.Sea Pictures is a song cycle by Elgar consisting of five songs written by various poets.Jascha Heifetz was a Russian-American violinist.Kelley cites Dawn Upshaw, an American soprano, as her most important mentor.The Unbearable Lightness of Being is a 1984 novel by Milan Kundera, about two women, two men, a dog and their lives in the 1968 Prague Spring period of Czechoslovak history.Tidying Up with Marie Kondo is a reality television series developed for Netflix and released on January 1, 2019.Kelley mentions Here’s the Thing and Fresh Air as some of her favorite podcasts.Zero, aptly named for the amount of food you eat during a fast, is a simple tracker that helps users sync a fast with their biological clock.Spotify Technology S.A. is a Swedish media-services provider founded in 2006 with an app of the same name.Pandora is a music application.Metropol Restaurant & BarJessica Rivera is an American soprano of Peruvian-American ancestry.Kelley cites Nina Simone as one of her favorite musicians outside of classical music.
Donald Macleod surveys the life, loves and music of Alban Berg. As a youngster, Berg loved the music of Brahms, Mahler and Richard Strauss and composed 34 songs as a teenager. Maybe this would have been the end of it, but his brother Charly secretly took some of these songs to show a music professor in the city - Arnold Schoenberg. This week’s episode begins with a look at their stimulating but often turbulent relationship. Donald tells the story of Berg’s long marriage to Viennese beauty Helene Nahowski, and the secrets beneath the surface, including Berg’s love affair with Hanna Fuchs-Robettin which permeated his compositions. We hear about how his time in army training led to physical collapse, from which he emerged to write a brutal opera – Wozzeck. Finally, Berg’s premature death from an infected insect sting, and how his wife Helene set up a shrine to his memory, forbidding the completion of Lulu, the unfinished opera he left behind. Music featured: Über den Bergen – Over the Mountains Lied de Lulu from Lulu Suite Still is where the graves are (Schattenleben) Where the Laburnum Grows Passacaglia (arr. Von Borries) Piano Sonata, Op 1 String Quartet, Op 3 Vielgeliebte schone Frau Seven Early Songs Four Pieces for Clarinet and Piano, Op 5 Five Altenberg Lieder Chamber Concerto for piano, violin and 13 wind instruments (Rondo) Ferne Lieder – Distant Songs Wozzeck: Act 3, Tanzt Alle Wozzeck: Act 3, Scenes 4 and 5 Three Pieces for Orchestra Wein, Weib und Gesang (Waltz Op 333 by Johann Strauss II, trans. Berg) Chamber Concerto for piano, violin and 13 wind instruments (Adagio) Lyric Suite Der Wein Schliesse mir die Augen beide (1907) Schliesse mir die Augen beide (1925) Lulu Suite: Variationen Violin Concerto Presented by Donald Macleod Produced by Rosie Boulton for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Alban Berg https://www.bbc.co.uk/programmes/m00047vv And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
What's in the night sky this month? Scott shows us what to look for in January. And what can we expect in terms of space exploration this coming year? Dave will review upcoming spaceflights...they will be spectacular! Thanks to Johann Strauss II for providing the accompanying music....The Blue Danube! This is a public domain recording by the Philadelphia Orchestra made in 1939. Bench Talk: The Week in Science | Space Exploration in 2019 | Dec. 31 2018 by Forward Radio is licensed under a Creative Commons License.
Cannes Classics fête cette année les 50 ans de 2001, l'odyssée de l'espace, œuvre charnière du cinéma de science fiction. À cette occasion, Rétropolis se frotte à l'immensité spatiale en 10 morceaux pour 10 films. La playlist de l'émission : 1) An der schönen blauen Donau - 2001, l'odyssée de l'espace [Johann Strauss II] 2) The Trip to Earth - Superman [John Williams] 3) Main Title - Alien [Jerry Goldsmith] 4) A Flight into Space - Moonraker [John Barry] 5) All Systems Go / The Launch - Apollo 13 [James Horner] 6) A Heart Beats in Space - Mission to Mars [Ennio Morricone] 7) Sunshine - Sunshine [John Murphy] 8) Define Dancing - Wall-E [Thomas Newman] 9) We're we going - Interstellar [Hans Zimmer] 10) Spacewalk - Passengers [Thomas Newman]
In our 40th episode, Julia bends our ears and conveys the Global Rivers You Should Know [along with related sidebars] in this super-sized water-themed ep. [And Canadian Tourism Board, if you’re listening, we’re available.] Later, enjoy a quiz called “Rolling on a River”! . . . [Music: 1) Johann Strauss II, “The Blue Danube Waltz,” 1867; 2) Frau Holle, “Ascending Souls,” 2017. Courtesy of Frau Holle, CC BY-NC 3.0 license.]
En este episodio jugarás con Tchai a las hadas y duendes. Vas a tener una gran aventura: volarás en globo, te encontrarás con un dragón, y hadas te ayudarán a regresar a casa en donde habrá una fiesta, todo mientras escuchas música clásica divertida. Las notas del episodio: www.allegromagico.com/22. En este episodio escucharás: [00:40] Ottorino Respighi. Trittico Botticelliano, P. 151: I. la Primavera. [02:22] Vincent Ho. The Shaman: III. Fire Dance (Live). [04:09] Wolfgang Amadeus Mozart. Serenade No. 13 In G Major, K. 525 "Eine Kleine Nachtmusik": IV. Rondo - Allegro. [05:56] Maurice Ravel. Piano Concerto for the Left Hand in D Major, M. 82: II. Allegro. [07:57] Gustav Mahler. Symphony No. 1 in D Major "Titan": Ib. Sehr gemächlich. [10:34] Gustav Mahler. Symphony No. 1 in D Major "Titan": Ic. Vorwärts drängend . [12:17] Johann Strauss II. Explosions Polka Op. 43. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :) Síguenos en: Facebook, Twitter, Instagram y Pinterest. Únete a la comunidad de Allegro Mágico en allegromagico.com/comunidad.
Composed in 1868, G’schichten aus dem Wienerwald, op. 325 was one of six waltzes by Johann Strauss II which featured a virtuoso part for zither.… The post Johann Strauss Jr : Tales from the Vienna Woods, Op. 325 appeared first on Radio Fehu.
La realeza contrataba músicos para que enseñaran a sus hijos a tocar instrumentos, compusieran música para ocasiones especiales, y animaran las fiestas de la corte. En este episodio escucharás interesantes historias de reyes y princesas y la música que escuchaban. Consulta las notas del episodio en allegromagico.com/7. [00:30] Emperor Waltz, Op.437 - Johann Strauss II [02:44] Les Amants Magnifiques: Entrée dÁpollon - Jean Baptiste Lully [04:06] Symphonies pour les soupers du roi, Sixième Suite: Gracieusement, sans lenteur, Vif - Michel Richard Delalande [05:11] Concierto para flauta no.3: III. Allegro assai - Federico II "El Grande" [07:01] Música Acuática suite no.2, HWV 349: II. Alla Hornpipe - George Frideric Händel [09:05] Zadok the Priest, Himno de coronación no.1, HWV.258 - George Frideric Händel [13:49] Sonata in E, K.380: Andante commode - Domenico Scarlatti [15:59] Song without words, Op.38: No. 6, Dueto, Andante con moto, MWV U119 - Félix Mendelssohn [18:40] Sueño de una noche de verano, Op.61: III. Marcha Nupcial - Félix Mendelssohn
Johann Strauss II, (Johann Sebastian Strauß, Johann Sebastian Strauss, Johann Strauss, Jr., ya da Johann Strauss the Younger) (25 Ekim 1825, Viyana – 3 Haziran 1899, Viyana) , 19.… The post Müzikle Yolculuk 53 – Johann Strauss Voices of Spring appeared first on Radio Fehu.
We all need to take a moment to relax sometimes. The pieces featured in this month's podcast were selected to help you find a moment of calm. Learn more about beautiful music by Johann Strauss II, Amy Beach, and Frederick Delius. Missed us last month? Hear the podcast of Salon97's visit to the VoiceBox show! Join Salon97 online!www.salon97.org http://twitter.com/salon97 http://www.facebook.com/salon97 http://pinterest.com/salon97/
Works for piano, violin and chamber orchestra performed by pianist Gleb Ivanov, violinist Corey Cerovsek, and the Gardner Chamber Orchestra.Johann Strauss II (arranged by Grünfeld and Ivanov): Die FledermausKurt Weill: Violin ConcertoMost of us who know the music of Kurt Weill think of him as an important, if somewhat atypical, composer of musical theatre, the writer of such dark show tunes as “Mack the Knife” from The Threepenny Opera. But before he set to work revolutionizing music theatre with Bertolt Brecht, Weill was a pupil of one of Europe’s most famous composers, and he wrote a few pieces in more typical classical forms, one of which—his violin concerto—we’ll hear today.We begin with a little amuse bouche: an arrangement by Grünfeld of themes from Johann Strauss’s Die Fledermaus performed and further embellished by Gleb Ivanov. Grünfeld was a gifted pianist who worked for many years in the Austrian Imperial Court. His composition was mostly limited to virtuosic works for his own instrument, and he had a particular penchant for Strauss transcriptions. In this performance, Ivanov puts his own stamp on the piece, which is perhaps a bit musically fluffy, but devilishly challenging technically.
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