Podcasts about inglan

22 Brit Inglan is a bitch Per diffondere questa puntata: https://www.radiotandem.it/satta-massagana-del-4-marzo-2025 Tutti i podcast di Satta Massagana: https://www.radiotandem.it/satta-massagana

Last season, we focused on playing pieces from Issues One to Three of The Sunday Paper. This season we are going to be furthering the conversation on resistance and anti-imperial struggles around the world. We're starting off close to home this week, with an on-the-ground report from a protest that happened in Canberra last Monday.Before I start this story I should explain for international listeners that Aboriginal Nations on this continent were invaded and occupied in 1788 by the British Empire. The Indigenous people never ceded their sovereignty, so this country is still illegally occupied with the current King Charles as the supposed head of stateKing Charles has been visiting this colony in the past week and in response, The Black People's Union, along with other grass roots Aboriginal groups and individuals, organised protests to ‘unwelcome' the King at each location of his visit. I drove up to Canberra to join the protest there.This episode was made on Ngunnawal, Ngambri and Wurundjeri land. This land was invaded, stolen and remains under occupation. Colonial violence continues, as does Indigenous resistance. Our theme music was made by DOBBY.This episode also features the track ‘Inglan is a Bitch' by Linton Kwesi Johnson.Our executive producer is Matt Chun.The Sunday Paper Podcast is compiled, mixed and edited by me, Mell Chun. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thesundaypaperpodcast.substack.com/subscribe

The conversation is in English, after a short introduction in Swedish. Möt Linton Kwesi Johnson i samtal med Judith Kiros. Den legendariske brittisk-jamaicanske poeten och musikern Linton Kwesi Johnson besökte Kulturhuset. Linton Kwesi Johnson (född 1952) är en brittisk-jamaicansk poet, reggaeartist och kulturkritiker, bosatt i London. Sedan sjuttiotalet är han en av sin generations viktigaste kulturella och politiska röster i Storbritannien. I gränslandet mellan dikt och musik, mellan jamaicansk patwa och brittisk engelska, mellan konst och aktivism, har han upprättat ett helt eget rum i litteraturen. I hans dubpoesi möts engagemanget i den svarta befrielsekampen med ett banbrytande språkarbete. Hans framträdanden med verk så som "Inglan is a Bitch", "New Craas Massahkah" och "Sonny's Lettah" har gett honom legendarisk status som scenpoet. 2022 gav Penguin Classics ut Linton Kwesi Johnsons "Selected Poems" och 2023 kom "Time Come: Selected Prose" på Picador, en bok som samlar hans texter om karibisk kultur och antirasistiskt motstånd. Från 13 september 2023 Jingel: Lucas Brar

1-Giappone, 11 marzo. Dieci anni fa il triplo disastro: un terremoto devastante, lo tsunami e la catastrofe della centrale nucleare di Fukushima. Lo speciale di Esteri. ..( Martina Stefanoni, Diana santini, Giuseppe Onufrio Greenpeace- Italia) ..2-Stati Uniti. A un anno dalla pandemia questa notte discorso alla nazione di Joe Biden. Il presidente americano porterà in dote il piano di aiuti anti Covid da 1900 miliardi di dollari. ..( Roberto Festa)..3-Spagna, primo paese a considerare i rider dei dipendenti. ..Accordo storico governo - parti sociali. ( Giulio Maria Piantadosi) ..4-la luce al servizio dell'agricoltura: la nuova opera dell'artista olandese Roosegarde è un'installazione anti pesticidi in un campo di 20 mila quadri. ( Anna Nessi) ..5-Le recensioni di Esteri. Inglan is a bitch, vita e opere di Linton Kwesi Johnson il libro di Mara Surace . ( Marcello Lorrai)

1-Giappone, 11 marzo. Dieci anni fa il triplo disastro: un terremoto devastante, lo tsunami e la catastrofe della centrale nucleare di Fukushima. Lo speciale di Esteri. ..( Martina Stefanoni, Diana santini, Giuseppe Onufrio Greenpeace- Italia) ..2-Stati Uniti. A un anno dalla pandemia questa notte discorso alla nazione di Joe Biden. Il presidente americano porterà in dote il piano di aiuti anti Covid da 1900 miliardi di dollari. ..( Roberto Festa)..3-Spagna, primo paese a considerare i rider dei dipendenti. ..Accordo storico governo - parti sociali. ( Giulio Maria Piantadosi) ..4-la luce al servizio dell’agricoltura: la nuova opera dell’artista olandese Roosegarde è un’installazione anti pesticidi in un campo di 20 mila quadri. ( Anna Nessi) ..5-Le recensioni di Esteri. Inglan is a bitch, vita e opere di Linton Kwesi Johnson il libro di Mara Surace . ( Marcello Lorrai)

Crucial Reggae Time #139 27092020 2 Hours Long Radio Canut The Heptones – Trip girl Invaders – Story of love Raphael Arenas – You're running Jah Children – If i could Johnny Osbourne – Niah man Johnny Clarke – Can't stop me now Johnny Clarke – Move out of Babylon Ken Boothe – Freedom street The Maytals – Walk with love Bitty Mc Lean – A cruising Earl Cunigham – Cool profile U Black – Love you girl Carlton Bryan – Bubbling rastaman Donovan – Me nuh business Lilly Melody – She needs me Naphtali – Hold up your mind Wayne Junior – Police and bad boy Tenna Irie – Ring a key Tuff black music Original survivors – Come away Jah Children Winston McAnuff – Fear 2020 Roots Vibration Yangaman Bob - Walking In The Rain, Walking In The Sun de l'album The Unreleased Sounds of Top Rank - Aba - Nigeria par Dig This Way Records Années 80s Dub Shepherds – Aquarius / Flight to Inglan 2020 Bat Records Roots Raid - Africa ft. Cookah & Likkle Ferguson 2020 Berry's Records Judi K old time guerilla riddim megamix Chronicle Decent citizen / Lilly Melody Triple : « Trouble / Puppa Nadem et Tomawok - Raggamuffin Deejay/ King Kong & Skarra Mucci – Old Time Guerilla 2020 Old Capital Records Nyabin King Stanley & Stepper One_ Universal Love_Vibes creator Records 2020 Yehoud I _Good things Vibescreator Records 2020 Injham – Brother Culture Hail up/ Charlie P - Ready fi up/ Sedition Crew – Injham et dubplates Album Play it twice 2020 King Dub Records Matthew Mc Nuff Marshall Neeko remix– Be careful Junior Roy – Please Tell Me / King Kong - Time Is Changing / Danny Coxsone - Stay positive 2020 I Love Sound-

Writing on Lorna Goodison’s poetry, Derek Walcott asks ‘What is the rare quality that has gone out of poetry that these marvellous poems restore? Joy.’ Goodison has served as the Poet Laureate of Jamaica and published twelve volumes of poetry; her Collected Poems came out from Carcanet in 2017. In 2019, she won the Queen’s Gold Medal for Poetry.Linton Kwesi Johnson is one of the only three poets to be published as a Penguin Modern Classic while still alive; his collections include Inglan is a Bitch, Tings an’ Times, and Mi Revalueshanary Fren.Johnson and Goodison were in conversation. See acast.com/privacy for privacy and opt-out information.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ I'm Coming Out by Diana Ross on Diana (Motown) 6′31″ Call me by Blondie on Autoamerican (Capitol) 14′31″ When saturday comes - Eden studio session by The Undertones on Hypnotized (BMG) 17′13″ A song from under the floorboards by Magazine on Rays and hail 1978-81 (Virgin) 23′01″ I will follow by U2 on Boy (Island) 26′10″ That's Entertainment by Jam on Sound Affects (Polydor) 29′53″ Garbageman by The Cramps on Songs The Lord Taught Us (IRS) 34′54″ The Magnificent Seven by The Clash on Sandinista! (Epic) 40′17″ Inglan is a Bitch by Linton Kwesi Johnson on Independent Intervenshan (Island) 45′48″ I'm So Sorry by Carroll Thompson on This is Lovers rock (Greensleves) 50′47″ Farewell to the gold by Nic Jones on Penguin eggs (Topic) 55′38″ Sharp cutting wings (Song to a poet) by Lucinda Williams on Happy woman blues (Smithsonian folkways recordings) Check out the full archives on the website.

On 26 April 2018, Linton Kwesi Johnson read from a selection of his poetry and discussed with Professor Paul Gilroy the inter-generational and transatlantic relationships that had nurtured it. This special gathering of the Postcolonial Writing and Theory seminar explored the formation and development of Linton Kwesi Johnson’s poetry and the inter-generational and transatlantic relationships that nurtured it and shaped its political underpinnings. In particular, we considered the special significance of music in his development, the lyricism of ‘dub poetry’ and the distinctive approaches to recording and performance that he has developed in the forty years since the release of Dread Beat and Blood. Linton Kwesi Johnson is an acclaimed Jamaican-born British poet and performer. He coined and popularised the term dub poetry, a form of performance-based oral poetry inspired by reggae music. In 2002, he became only the second living poet published in the Penguin Modern Classics series. As well as having released several commercially successful and classic albums as a reggae artist, Johnson’s volumes of poetry include Voices of the Living and the Dead (1974), Dread Beat and Blood (1975), and Inglan’ is a Bitch (1980). Paul Gilroy is Professor of American and English Literature at King’s College London, a foundational figure in the field of Black Atlantic Studies, and a world-leading scholar in cultural studies and the music of the black diaspora. Dr Louisa Layne, the chair of the discussion, is a lecturer in English and Comparative literature at the University of Oslo.

On 26 April 2018, Linton Kwesi Johnson read from a selection of his poetry and discussed with Professor Paul Gilroy the inter-generational and transatlantic relationships that had nurtured it. This special gathering of the Postcolonial Writing and Theory seminar explored the formation and development of Linton Kwesi Johnson's poetry and the inter-generational and transatlantic relationships that nurtured it and shaped its political underpinnings. In particular, we considered the special significance of music in his development, the lyricism of ‘dub poetry' and the distinctive approaches to recording and performance that he has developed in the forty years since the release of Dread Beat and Blood. Linton Kwesi Johnson is an acclaimed Jamaican-born British poet and performer. He coined and popularised the term dub poetry, a form of performance-based oral poetry inspired by reggae music. In 2002, he became only the second living poet published in the Penguin Modern Classics series. As well as having released several commercially successful and classic albums as a reggae artist, Johnson's volumes of poetry include Voices of the Living and the Dead (1974), Dread Beat and Blood (1975), and Inglan' is a Bitch (1980). Paul Gilroy is Professor of American and English Literature at King's College London, a foundational figure in the field of Black Atlantic Studies, and a world-leading scholar in cultural studies and the music of the black diaspora. Dr Louisa Layne, the chair of the discussion, is a lecturer in English and Comparative literature at the University of Oslo.

After last week's rudely interrupted show of British political pop, we pick up where we left off - more punk, more dub, more dubby punk. Enjoying the show? Please support BFF.FM with a donation. Playlist liar liar ge2017 by Captain Ska (-) 2′04″ The Huntsman Comes A-Marchin' by Chris T-T (-) 2′52″ The Running Fox by The Young'Uns (-) 10′11″ Tramp the Dirt Down by Elvis Costello (-) 18′55″ Nothing to Lose by Undercover Hippy on Truth and Fiction (-) 24′24″ Feed On Greed by The Undercover Hippy (-) 29′17″ Our Streets by The Undercover Hippy on Monkey Suit (-) 34′14″ Purge Your Inner Tory by Colour Me Wednesday (-) 39′43″ Thatcher's Fortress by The Varukers on Massacred Millions (-) 42′25″ Money For War by Beans On Toast on A Spanner in the Works (-) 44′35″ God Save The Humans by Grace Petrie on There's No Such Thing As A Protest Singer (-) 47′11″ Let's Give Thanks by Leon Rosselson on For The Good Of The Nation (-) 53′36″ Tory is a Four Letter Word by The King Blues on Tory is a Four Letter Word (-) 56′07″ Be Reasonable by Robb Johnson (-) 58′00″ The Day That Thatcher Dies by Hefner on We Love The City (-) 61′34″ Blue Skinned Beast by Madness on Madness (-) 69′18″ Review The Law by Ruff, Ruff, and Ready on Word Of Mouth (-) 74′13″ Ghost Town by The Specials on The Specials (-) 76′07″ New Crass Massahkah by Linton Kwesi Johnson (-) 83′28″ Five Nights Of Bleeding by Linton Kwesi Johnson on Dread Beat An' Blood (Island) 85′04″ Inglan is a Bitch by Linton Kwesi Johnson on Independent Intervenshan (Island) 97′14″ Street 66 by Linton Kwesi Johnson on Bass Culture (Island) 98′52″ Mile End by Pulp on Trainspotting OST (-) 108′04″ Rogue Trooper by Radical Dance Faction on Borderline Cases (-) 115′09″ Weak Become Heroes by The Streets on Original Pirate Material (-) Check out the full archives on the website.

JUNIOR ASPIRIN RADIO SESSION 20 THE BREXPODDevised, debated, campaigned and voted on by Andy Cooke, Dan Fox & Nathaniel MellorsHaving relocated our production facilities to a heavily fortified and luxury redoubt deep in the Scottish highlands, Junior Aspirin Records presents The Brexpod: a balanced, neutral and wholly unbiased reflection on the misery and hopelessness inflicted on the United Kingdom by the cowardly, venal, xenophobic, meretricious, mendacious, over-privileged turdworms who, on 23rd June 2016, paddled the country up Bullxit creek and left us in a Euromess without so much as a bratwurst or baguette to gnaw on. From the country that brought you sterling classics such as The Restoration, Luddism, Tony Blair, Margaret Thatcher, the invention of the machine gun, and the colonial subjugation of countries across the globe, the Brexpod is a three-hour epic told in broken English, and featuring Cotswold-stone-cold hits including 'Turd on the Run' by The Rolling Stones (feat. Boris Johnson) and 'Aftermath' by Tricky (feat. Nigel Farage vs. Jean-Claude Juncker). So when the clocks strike half-past France, and the stormy weather hits the pound, forget the summer beach holiday in Greece and thank The Village Green Preservation Society that you will have to learn to love Llandudno again. Kick back with the last remaining bottle of Chianti in England, finish off the tapas, complete your Irish passport application and let the Brexpod remind you and me, the perma-peasantry, that this is how it feels to be lonely.PODCAST HEREEurope Endless – Kraftwerk (feat. David Cameron)Edward Elgar – Nimrod (from ‘Enigma Variations’)Edward Elgar – The Pomp & Circumstance Marches, Op. 31 (March No.1)Anon – God Save the QueenWilliam Blake/Hubert Parry – JerusalemCoward – SwansFailure – SwansPanic – Coil Lay of the Land – The FallAftermath – Tricky (feat. Nigel Farage & Jean-Claude Juncker)Turd on the Run – The Rolling Stones (feat. Boris Johnson)That's When I Reach For My Revolver – Mission of Burma (feat. Michael Gove)European Son – The Velvet Underground (feat. Michael Gove)Euromess – J.J. BurnellMob Rule – Robert WyattThe Village Green Preservation Society – The KinksGetting Nowhere in a Hurry – Roy Budd Somebody Else's World – Sun Ra & His Solar Myth Arkestra (feat. Michael Gove)It Couldn't Happen Here – Pet Shop BoysStill Ill – The SmithsArthur – The Tiger LilliesYour English – The RebelNeighborhood Threat – Iggy PopNot One of Us – Peter Gabriel (feat. Donald Trump, Daniel Hannen & Boris Johnson)Running Scared – Roy OrbisonBroken English – Marianne FaithfulInglan is a Bitch – Linton Kwesi JohnsonIf You're Not White You're Black – Lord KitchenerNorwegian Wood – CornershopRacist Friend – The SpecialsLanguage & Mentality – African Head ChargeHard Times – Pablo GadUK – Burial (feat. Nigel Farage)Alone Again Or – LoveIsolation – Joy DivisionThis is How It Feels – Inspiral CarpetsRegret – New Order (feat. Mandy Suthi)Go Now – Bessie BanksYour Autumn of Tomorrow – The CrowThe Carnival is Over – Nick Cave & The Bad Seeds0:54 – Global Communication Half-Past France – John CaleI’m In Love with a German Film Star – The PassionsEuropa & The Pirate Twins – Thomas DolbyCome On Back to Me – The FoundationsWhere Do We Go From Here? – DeathBig A Little A – CrassFrench Disko – StereolabStormy Weather – Elizabeth Welch (from Derek Jarman's ‘The Tempest’)We Shall Overcome – Charlie Haden (feat. PJ Harvey reading John Donne)Europe Endless (reprise) – Kraftwerk

[APWW PGM #681] [Originally aired in 2014] We unravel the complex history of how Jamaican music in the United Kingdom became a major component in navigating the cultural and racial landscape for many blacks in a post-imperial Britain while pushing the genre into new musical soundscapes.

[APWW PGM #681] [Originally aired in 2014] Jamaican music journeyed to England in the ‘60s when immigrants from the island flocked to the UK in search of jobs and a better life. But as racism, unemployment and poor living conditions developed in the 70s, a new generation of UK-based reggae and dancehall artists transformed the music into a major platform for voicing the concerns, struggles and hard, daily reality of life in the UK for black immigrants. Through interviews with David Hinds of Steel Pulse, Dennis Bovell, Papa Levi and many more, we unravel the complex history of how Jamaican music in the United Kingdom became a major component in navigating the cultural and racial landscape for many blacks in a post-empire Britain while pushing the genre into new, musical soundscapes.

Jamaican music journeyed to England in the ‘60s when immigrants from the island flocked to the UK in search of jobs and a better life. But as racism, unemployment and poor living conditions developed in the 70s, a new generation of UK-based reggae and dancehall artists transformed the music into a major platform for voicing the concerns, struggles and hard, daily reality of life in the UK for black immigrants. Through interviews with David Hinds of Steel Pulse, Dennis Bovell, Papa Levi and many more, we unravel the complex history of how Jamaican music in the United Kingdom became a major component in navigating the cultural and racial landscape for many blacks in a post-empire Britain while pushing the genre into new, musical soundscapes. Read More! Check out the full feature- including interviews, playlists, and more at http://www.afropop.org/wp/16799/dread-inna-inglan-how-the-uk-took-to-reggae/ Program produced by Saxon Baird (T: @saxonius)

Sue Lawley's castaway is dub poet Linton Kwesi Johnson. Linton Kwesi Johnson was born in 1950s rural Jamaica. He lived in a farming community and looked after the animals, helping with the sugar harvest and fetching firewood. He lived with his grandmother after his parents separated, loving being the man of the house. She would entertain the young Linton, who she called "me husband", with folk songs, stories and ghost stories. In 1963, when he was eleven years old, Linton came to live in England. It was a huge contrast: "I had this childhood idea that literally the streets of London would be paved with gold and everybody living affluent lifestyles. So it was a bit of an eye-opener for me when I came and saw all these grey buildings with chimneys and smoke coming out of them and to see a white person sweeping the street!" He experienced racism at school, from peers and teachers alike, and became interested in the black movement. He joined the British Black Panthers in his teens, discovered black literature and began to write poetry of his own. He gained a sociology degree in the mid-1970s and had poems, inspired by politics and the Black movement, published in the journal Race Today. He soon became known for his poetry written in dialect and would often use reggae music to accompany it. He still tours with his band and can command stadium-size stages. Linton Kwesi Johnson became one of only two living poets to be published in a Penguin Modern Classic in 2002. He says "I've made a small contribution to bring poetry back to the people."During the interview, Linton Kwesi reads extracts from the following poems: 'Sonny's Lettah' taken from Inglan is a Bitch, 'Five Nights of Bleeding (for Leroy Harris)' from Things an Times and 'New Craas Massahkah (to the memory of the fourteen dead)'.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Embraceable You by Charlie Parker Book: 100 Years of Solitude by Gabriel Garcia Marquez Luxury: A bass guitar

Sue Lawley's castaway is dub poet Linton Kwesi Johnson. Linton Kwesi Johnson was born in 1950s rural Jamaica. He lived in a farming community and looked after the animals, helping with the sugar harvest and fetching firewood. He lived with his grandmother after his parents separated, loving being the man of the house. She would entertain the young Linton, who she called "me husband", with folk songs, stories and ghost stories. In 1963, when he was eleven years old, Linton came to live in England. It was a huge contrast: "I had this childhood idea that literally the streets of London would be paved with gold and everybody living affluent lifestyles. So it was a bit of an eye-opener for me when I came and saw all these grey buildings with chimneys and smoke coming out of them and to see a white person sweeping the street!" He experienced racism at school, from peers and teachers alike, and became interested in the black movement. He joined the British Black Panthers in his teens, discovered black literature and began to write poetry of his own. He gained a sociology degree in the mid-1970s and had poems, inspired by politics and the Black movement, published in the journal Race Today. He soon became known for his poetry written in dialect and would often use reggae music to accompany it. He still tours with his band and can command stadium-size stages. Linton Kwesi Johnson became one of only two living poets to be published in a Penguin Modern Classic in 2002. He says "I've made a small contribution to bring poetry back to the people." During the interview, Linton Kwesi reads extracts from the following poems: 'Sonny's Lettah' taken from Inglan is a Bitch, 'Five Nights of Bleeding (for Leroy Harris)' from Things an Times and 'New Craas Massahkah (to the memory of the fourteen dead)'. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Embraceable You by Charlie Parker Book: 100 Years of Solitude by Gabriel Garcia Marquez Luxury: A bass guitar