Podcasts about Tramp

Dana and Tom with returning 5x Club Member, Kieran B. (Host and Creator of the Best Picture Cast), discuss the silent comedy classic, Modern Times (1936), celebrating its 90th anniversary: written and directed by Charlie Chaplin, cinematography by Ira Morgan and Roland Totheroh, music by Charlie Chaplin, editing by Charlie Chaplin and Willard Nico, starring Charlie Chaplin and Paulette Goddard.Plot Summary: In Modern Times, Charlie Chaplin returns again as the Little Tramp, a factory worker who struggles to keep up with the fast pace of modern machines. On an assembly line, he tightens bolts all day until the pressure drives him nearly insane. After a nervous breakdown, he is sent to a hospital. When he gets out, he is mistaken for a communist leader during a workers' protest and is thrown in jail. Even in jail, his clumsy good luck helps him stop a prison break, but once he is free, he finds it hard to survive in a world ruled by machines and money.During his struggles, the Tramp meets a poor young woman played by Paulette Goddard. She is hungry, homeless, and trying to care for her sisters after their father dies. The two form a close bond and dream of building a simple life together. They face job losses, hunger, and constant trouble with the law, yet they refuse to give up hope. In the final scene, Chaplin and Goddard walk down an open road, determined to keep going despite the hardships of the modern world.Guest:Kieran B (15x Member Club)Host and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Personal LetterboxdPrevious Episodes (17x): Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, 12 Angry Men (1957) Revisit,

Cenevre son evre midir, belli değil. ABD ile İran arasında müzakereler devam ederken Tramp'ın saldırı kararı alıp almayacağı bilinmiyor. Her tür sürprize açık, merakla bekliyor ahali.

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I ove godine milijun karnevalista diljem Njemačke, a posebno u Porajnju, su unatoč lošem vremenu izišli na ulice kako bi sudjelovali u pokladnom slavlju. Karneval je u ovoj sezoni posebno politički obojen, a karnevalisti nisu poštedjeli nikoga: od Putina, preko Trumpa do Merza i AfD-a. Nenad Kreizer razgovara s reporterom na terenu Filipom Slavkovićem i objašnjava političku i kulturnu dimenziju pokladnih svečanosti u Njemačkoj i šire. Von Nenad Kreizer.

Jakšić i Milinčić „prevrću“ teme od pitanja da li Tramp i Putin pregovaraju preko glave Evrope, analize ruskog „rata iscrpljivanja“ i otpornosti njihove ekonomije, pa sve do uloge crkve i spornog mita o vekovnom prijateljstvu Srbije i Rusije. Razgovor kulminira pitanjem da li je za Moskvu Kosovo samo karta za razmenu sa Vašingtonom ili, kako Milinčić veruje, nepremostiv princip koji se ne prodaje...

Stax. Otis Redding. Carla Thomas. Booker T. Jones. Isaac Hayes. Steve Cropper. Donald Dunn. Al Jackson Jr. Wayne Jackson. 1967. King and Queen. Lowell Fulson.How much more soul can you be? The answer is "none"; "None more soul"!If Kev were to title this episode, he'd probably call it "Tramp", or possibly, "Minks and rats and frogs and squirrels and rabbits, oh my!"The twenty second installment in this podcast-within-a-podcast covers a song submitted by Kofi regular Al Dudeney, who is catering very much to the Cardinal's tastes here with a late 60s duet between the legendary Otis Redding and Carla Thomas; "Tramp" from the last studio album Otis recorded before his tragic, untimely death, "King and Queen". The song at the end is the Randy Woods Band horn-led remake of Absofunkinlutely's classic cut "Grow Your Love". You can find it here: https://youtu.be/fmyzddSY4QcIf you want to get involved in the Kofi Klub, you can make a donation here: https://ko-fi.com/seasidepodreview and let us know which song you want us to add to the wheel! We also have a private channel in our Discord community for donors.Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://shows.acast.com/uccAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

This time Jay and the Tramp are in the hot seat as Elle deep dives into our individual experiences with one epic glow party.Visit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch!Colorado's premier Lifestyle club

Track listing: Robbie Williams - Let Me Entertain You (4:21)Cats - Prologue / Jellicle Songs For Jellicle Cats (4:33)Phantom Of The Opera - Overture / The Phantom Of The Opera (6:44)Joseph and the Amazing Technicolor Dreamcoat - Joseph's Coat (The Coat of Many Colors) (3:33)Muppets Take Manhattan - Together Again (3:03)Simpsons Sing The Blues - Sibling Rivalry (4:40)American Tail - Somewhere Out There (2:45)Wizard Of Oz - If I Only Had A Brain (3:41)E.T. - Flying Theme (3:42)Pinocchio - I've Got No Strings (2:21)Lady And The Tramp - He's A Tramp (2:27)The Jungle Book - The Bare Necessities (4:51)Dumbo - When I See An Elephant Fly (1:51)Lion King - I Just Can't Wait To Be King (2:50)Bedknobs & Broomsticks - Portobello Road (3:24)Super Mario Brothers 3 Medley (2:46)Anticipation (1:22)Clay Fighter (1:50)Super Castlevania IV - Simon Belmont's Theme (3:42)Super Castlevania IV - Forest of Evil Spirits (1:58)Super Castlevania IV - The Trick Manor (3:40)Super Castlevania IV - Bloody Tears (2:06)Super Castlevania IV - Vampire Killer (1:08)Super Castlevania IV - Beginning (1:56)Super Castlevania IV - Ending Theme (2:30)

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Moderator Annette Insdorf will interview Ethan Hawke after a screening of his new film, Blue Moon. The prolific actor, writer, director and musician offers a tour-de-force performance as the acerbic lyricist Lorenz Hart, whose songs include "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." In addition to Hawke's Oscar-nominated performance opposite Denzel Washington in Training Day (2001), he is perhaps best known for indie collaborations with Richard Linklater on Boyhood (2014), Waking Life (2001), and the BEFORE trilogy (1995, 2004, 2013) – which he scripted with the director and co-star Julie Delpy. Among his other memorable films are First Reformed (2017), Born to Be Blue (2015), Good Kill (2014), Before the Devil Knows You're Dead (2007), Hamlet (2000), Gattaca (1997), and Dead Poets Society (1989). He has also directed both fiction and documentary, such as Wildcat (2023), The Last Movie Stars (2022), Blaze (2018), and Seymour: An Introduction (2006). From a brilliant screenplay by Robert Kaplow, Linklater elicits Hawke's greatest performance yet — incarnating the self-destructive Hart on the very night that his collaborator Richard Rodgers (Andrew Scott) has just opened Oklahoma! on Broadway with new partner Oscar Hammerstein II. Co-starring Bobby Cannavale and Margaret Qualley, Blue Moon is a revelation of Hawke's maturation as an artist.

Dana and Tom discuss the silent classic, City Lights (1931) for its 95th anniversary: written and directed by Charlie Chaplin, cinematography by Roland Totheroh and Gordon Pollock, music by Arthur Johnston and Alfred Newman, editing Charlie Chaplin and Willard Nico, starring Charlie Chaplin, Virginia Cherrill, Florence Lee, Harry Myers, Al Ernest Garcia, and Hank Mann.Plot Summary: City Lights, written, directed by, and starring Charlie Chaplin, is a silent romantic comedy about a kind-hearted Tramp who falls in love with a blind flower girl. When she mistakes him for a wealthy man, the Tramp goes to great lengths to help her, including befriending a troubled millionaire who only recognizes him when he is drunk.As the Tramp struggles with poverty and bad luck, his love for the flower girl pushes him toward quiet acts of sacrifice. The film blends slapstick humor with deep emotion, building to a famous final scene that reveals the Tramp's true identity and captures Chaplin's belief in compassion, dignity, and human connection.Chapters:00:00 Introduction, Cast, and Background for City Lights05:07 Our Relationship(s) with City Lights10:30 Why Does Chaplin Resonate So Much with Critics?14:51 Plot Summary for City Lights15:43 What is City Lights About?19:05 Did You Know?23:13 First Break34:43 Best Performance(s)36:59 Best Scene(s)39:25 Second Break40:10 In Memoriam41:48 Best/Funniest Lines42:50 The Stanley Rubric - Legacy46:12 The Stanley Rubric - Impact/Significance50:45 The Stanley Rubric - Impact/Significance53:58 The Stanley Rubric - Classicness58:11 The Stanley Rubric - Rewatchability01:00:30 The Stanley Rubric - Audience Score and Final Total01:02:50 Remaining Questions for City Lights01:07:18 Remaining Thoughts01:13:35 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/city-lights-1931For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:City Lights, Charlie Chaplin, silent film, romantic comedy, film analysis, movie review, cinematic legacy, film history, emotional storytelling, classic cinemaRonny Duncan Studios

Nova epizoda podkasta pod zaštitom Međunarodnog PEN centra sveže je ispečena i servirana sa svim prilozima! U prvom delu emisije Nenad Kulačin i Marko Vidojković merili su ko je veća faca - Sisolini ili Tramp, zakleli su se na vernost Toninu Piculi, osetili transfer blama zbog "tematske" sednice Vlade Srbije, a posvetili su pažnju i policijskom teroru nad novosadskim studentima. Gost je Marko Marjanović, koji kontroliše profil Kristal Met Dejmon na Iksu. Marjanović je više puta trpeo represiju zbog aktivnosti na drutvenim mrežama. Bio je hapšen, prebijan, ucenjivan i o svemu tome je govorio u ovoj emisiji. Pored toga, osvrnuo se na aktuelni i predstojeći režimski teror na društvenim mrežama i van njih, a podelio je sa gledaocima mišljenje o tome koji je pravi recept za pobedu na izborima. Ovo je samo delić tema o kojima se razgovaralo, uz pregršt zanimljivih pitanja koja su stigla sa DLZ Patreona. U Magarećem kutku, moći će da vas bude sramota u Ćutino ime. Da bi DLZ opstao, pretplatite se na patreon.com/ucutatinecemo ili pošaljite donaciju na PayPal ucutatinecemo@gmail.com. Na isti mejl možete poručiti DLZ merch sa trajnim popustom.

La rozzezza di Tramp nella politica, la rimessa in discussione del ddl stupro e la violenza dilagante tra i giovani

In this Women in Sport podcast, Ruth Nelson, Emma and Mitchell discuss: Ruth's remarkable path into combat sports, from taking up kickboxing as a young mother to becoming one of Britain's most formidable female fighters. The evolution of women's participation in combat sports, including the growing visibility of female athletes and the influence of icons such as Ronda Rousey. The realities of competing at elite level while working full‑time, challenging traditional ideas of what it means to be a “professional athlete”. Ruth's experience training with male‑dominated MMA environments, building confidence, and forming lasting relationships within the martial arts community. The importance of representation and role models, including the impact of Ruth's own achievements on younger athletes — and even her own son, who later competed for Team GB. Barriers faced by women in combat sports, from gender bias and under‑recognition to physiological challenges such as training and competing while managing the menstrual cycle. Ruth's involvement in the feature film Tramp, portraying a fighter navigating motherhood, physical change and resilience — and how the story reflects the real lived experiences of many women in sport.

Ove nedelje u fokusu: Grenland više nije mim nego potencijalno poprište sukoba. Američka vojska vežba iskrcavanje, Danska dobija ponudu koja se „ne odbija“, a mi se pitamo da li gledamo početak kraja NATO saveza kakvog poznajemo i „nekretninsku kupovinu veka“. Tramp je Nemačkoj ispostavio račun za 70 godina „besplatne zaštite“ – pričamo zašto Mercedes i BMW postaju kolateralna šteta trgovinskog rata i kako retroaktivna naplata dugova može da razdrma evropski socijalni mir i ekonomiju. U Srbiji, ministar Nikola Selaković JTOK naziva „kriminalnom bandom“ jer se usudilo da ga optuži u slučaju „Generalštab“. Vlast po hitnom postupku menja zakone da tužilaštvu „slomi kičmu“ i stavi ga pod političku kontrolu, brišući i poslednji privid borbe protiv visoke korupcije. Prebacujemo se i na Venecuelu: Marija Korina Mačado poklanja Trampu svoju Nobelovu medalju, zauzvrat dobija „seen“, a Bela kuća bira naftu i „čvrstu ruku“ umesto demokratije. Dok iranski režim na demonstrante šalje teško oružje i gasi internet, zapadna empatija ćuti. Pričamo o selektivnoj solidarnosti i svetu koji reaguje samo na tragedije koje su uživo na streamu. Za kraj – estradno-politički cirkus: Lidija Vukićević proglašava Vučića za „najboljeg frajera politike“, dok u Čačku publika grudvama gađa Anu Bekutu jer grad daje 40.000 evra za koncert, a ljudi danima nemaju struju i vodu. Dramu zaokružuje predsednik koga u tri ujutru bude u Abu Dabiju zbog „napada“, pa Bekutu proglašava heroinom jer je nastup završila pevajući iz policijskog kombija. Podržite naš rad i rani pristup epizodama: Patreon: www.patreon.com/dopisi

Group Guide Use this guide to help your group discussion as you meet this week. TranscriptMy name is Spencer, I'm one of the pastors here. We are in week three of a four week series on New Testament prayers. So we are looking at some prayers that are in the New Testament and trying to capture some of the truth that is bound up in them so that it might encourage us in our prayers but also help us grow in the discipline of prayer which is vital for the life of the Christian. So we'll finish this, we have one next week and then we'll jump back into Second Samuel. So we're gonna be in Ephesians chapter three today, verses 14 through 21. It's on page 568 in the blue Bibles. If you don't have a Bible at home, please take that blue Bible. That's a, that's a gift we want. You have a Bible that you can read, but you can follow along with us. The text will also be on the screen.There are some things in life that you learn kind of on your own through reasoning and all types of things. And then there are things that happen to you that just change you. Some external forces that just absolutely change your life. So this can happen in a variety of ways. One of the clear ones that happened for me was when we had our first child. So, you know, heard for years that we have a child, it'll change you. Have a child, it will change you. And kind of do that at some experiential level. That was going to happen before we had a kid. We had a, we had a dog. So we got a little bit of a jump start on taking care of some type of creature. And we loved that dog. I didn't like that dog. You've been here long enough, you've heard enough stories about that dog. That dog was the worst. But we loved it, took care of it. And then like lady and the Tramp, that story that plays out over and over again, we had a child and that child, like when you first hold your child in the hospital or if you adopt a child and the agency places that child with you either, and you're in the room with that child for the first time, like there's just something that happens within you. External force just comes in and it just, you, you thought you, you, you knew this category of love and that just gets deepened in ways that are just so profound and wonderful. And when I held my daughter for the first time, it was just powerful. Then went home and I saw that dog and I was like, I hate you. Like, I love, I love this child so much. With the Love that I had this child. I just is a disdain by comparison. But there's just something happens. There's external forces that work in you. That's not just limited to children. Sometimes experiences happen to you and it changes you. And none of those hold, hold a. Hold a flame to. When the Lord determines to work in our lives in powerful ways, the external force of who our Lord is is working in our hearts. It changes us in ways that are profound. And that's what this prayer is today. It's capturing that. It's a prayer for God to. To work powerfully within us. So we're going to see this prayer and see the encouragement that comes with a prayer like this and then also see the fruit that comes from these types of prayers. So let me pray for us and then we'll walk through this piece by piece.Heavenly Father, I thank you that you do work in mighty ways. And I pray that this would be a morning in which you do that you would work in our inner being, in our hearts, in profound ways that help us not just hear your word, but do it. But that comes not from ourselves. It comes from you. And we ask that you do that in Jesus name. Amen.All right, so this prayer begins in the middle of. Towards the end of chapter three with for this reason. Okay, we're going to stop there. So this happens in Ephesians. You see this phrase for this reason over and over again. And what's happening is that Paul is drawing to mind what he said previously. He's building on truth that he's already established for this reason. And we saw this a little bit in week one. Chet, in week one of this series went to a prayer in Ephesians chapter one. And that was built upon the truth that came before that, which is the first few verses of Ephesians is this. This declaration of how God plans to redeem his people, that he chooses us and he redeems his people. And then Chet walked us through this prayer of wanting to know God and experience his glory in profound ways. Then when you get to chapter two, those first 10 verses one through 10 and chapter two are some of the most, I would argue, one of the most important passages in all the Scriptures. It is a beautiful summary of the gospel. That we were once dead in sin. We were sons of disobedience, children of disobedience, that we were wayward and that God, in his mercy, he saves us by grace through faith, not of our own doing. So if you're looking to grow in some scripture memory this year, and you have no place to start. I can't think of a better place to start than that passage right there. Builds upon that talks about how Jews and Gentiles are both a part of the same household of God, of how God dwells in his church. So really, for this reason, builds upon the gospel that he's articulated with such beauty and specificity. And those first three chapters, because the gospel is good news.> For this reason I bow my knees before the Father,> from whom every family in heaven and on earth is named,> that according to the riches of his glory he may grant you to be strengthened with power through his Spirit in your inner being,> so that Christ may dwell in your hearts through faith—that you, being rooted and grounded in love,> may have strength to comprehend with all the saints what is the breadth and length and height and depth,> and to know the love of Christ that surpasses knowledge, that you may be filled with all the fullness of God.> Now to him who is able to do far more abundantly than all that we ask or think, according to the power at work within us,> to him be glory in the church and in Christ Jesus throughout all generations, forever and ever. Amen.I bow my knees before the Father, from whom every family in heaven and on earth is named. Stop there. As I bow my knees, which just for a moment, we should consider our posture when we pray. Now, I'm not being dogmatic on this. I'm not saying that every time you pray you have to bow on your faith, bow on your knees, that every time you pray you need to be on your face before the Lord. I think you can drive and pray. I think you can sit in a chair and pray. But if the only posture by which we pray is a comfortable posture, I think we're missing something. In prayer, there's something about the physical body and how God has made us in the position of bowing before the Father, laying prostrate on your face before the Father. And if that's not an aspect of your prayer life, it should be because it brings humility within us. There's a physical humility displayed when we bow before the Father in prayer. That's what he's doing here. I bow before the Father, which also should be noted. This prayer is very trinitarian in its language, very explicitly. So going to see Father, Son and Holy Spirit in this prayer. And as most prayer in the New Testament that we see, all the prayers that we see written, some of the teachings that we see on prayer, normative patterns of prayer are to the Father, but we also think of our triune God, Father, Son and Holy Spirit. So this begins with I bow my knees before the Father, from whom every family in heaven and earth is named. Throughout every family, every creature comes from, from his creation that we're named, that God's sovereignty and all of this is implied here.And then we have verses 16 through 19, which is very dense, very rich, and it is a lot. So we got to kind of take it component by component. Because Paul's breaking down one kind of overarching truth for us piece by piece. My wife and I, we were trying to teach our kids some life skills and try to teach them to make a sandwich. You could just say, get on in there and make it. Make yourself a PB and J. It's like, no, it's like, this is how it works. Step one, get the bread out. Step two, get the jar of peanut butter. Put the knife in the jar, get the peanut butter out, smear it over this one piece, then take the a paper towel and wipe that peanut butter off. Because only psychopaths put that straight in the jelly. You know who you are. Leaving peanut butter remnants in the jelly like a. And then get the jelly smear in the bread, and then we piece it together and then you've got the sandwich. Right? So Paul's component by component here, there's one overarching sandwich, one big truth he's trying to give us, but he's got to break this down. So we're going to have to take this piece by piece to see what he's getting at here.In this prayer, he says that according to the riches of his glory, he may grant you to be strengthened with power through his spirit in your inner being. Okay, sit there. That first part, according to the riches of his glory, Chet helped us see in week one of this. He was quoting Herman Babnik, a theologian from a century ago, and describing glory and defining it. He said, the glory of God is the infinite, indescribable perfection and beauty of all the other attributes that all the good and wonderful attributes of God, his goodness, his faithfulness, his power, his might, and on and on, shine brightly in a way that displays glory. And he says, according to the riches of that glory, this indescribable, infinite, marvelous glory says, according to the riches of his glory, he may grant you to be strengthened with the power through his spirit in your inner being, to be strengthened with the power of spirit through his spirit, the Holy Spirit in your inner being. Okay, let's pause there for a moment.There is an American lie that is told repeatedly over and over again that if you look inside yourself, inherit to who you are, you'll discover power, you'll discover greatness. And that greatness will help you win and overcome and be great. And y', all, that story is told over and over again, from Moana looking inside herself to, I mean, most recently, Stranger Things, the stories that we tell over and over again. There's something inherent inside of you that you just got to tap into. To overcome, to do great gets told over and over and over again. And that sometimes actually even funnels into some American churches, not even the majority, but some of them, certainly some with big platforms, and there are even some pastors, at least those who claim to be, that will parrot that lie. Over and over again. There's something you just gotta tap into. The power that's deep, that's wonderful within you. But that's not what the gospel teaches at all. It's not what the gospel teaches. The gospel teaches that if you look deep inside yourself, what you will discover is frailty, weakness, sin, brokenness, depravity. That's what's inherent in each of us. And that's what makes the gospel such good news. That's why that's wonderful that it's not in ourselves to arrive at greatness. It's on ourselves to overcome that. It comes from God working within us, the external power of God coming to work inside of us in powerful ways. May he strengthen by the power through his spirit in your inner being. This power comes from God.In verse 17, he says, so that Christ may dwell in your hearts through. Through faith. That Jesus Christ and faith in him brings the power of God, Father, Son, Holy Spirit, to dwell richly in his people. And then he continues. That you, being rooted and grounded in love. Here we go. May have strength to comprehend with all the saints what is the breadth and length and. And height and depth. And to know the love of Christ that surpasses knowledge, that you may be filled with all the fullness of God, goodness. When I was a kid, we got to go to the Grand Canyon. My stepdad and I, we went. And I remember getting out of the car, walking through this clearing and seeing the Grand Canyon and having a very normal experience that many people have when they see the Grand Canyon. You just feel small. Now, the reasons that you feel small, because the Grand Canyon is massive. The Grand Canyon is 277 miles long. It is 4 to 18 miles wide. various points. It is over a mile deep. Totals at 1,904 square miles. You could take the entire state of Rhode island and put it in the Grand Canyon. I want to help you picture this for a moment. You may not find this helpful. I found this helpful and I'm talking. So theoretically, if you filled up the Grand Canyon with water, okay, it would take 4.17 quadrillion liters of water to fill the Grand Canyon. Now, if you're like me and you failed math as a kid, you might ask, what's a quadrillion? Had that same question. Quadrillion is 1 million billions, right? Take a billion. Now you have a million of those billions. And now you have a quadrillion four of them. That's how many liters of water it takes to fill the Grand Canyon. Now stay with Me further, the average adult human being, the capacity and the adult human being is about 42 liters. So if you were to take a human and fill it up with water. 42 liters. Okay. I in the eighth grade, well after my second eighth grade because I failed math. Stay with me. After my second eighth grade when I was there witnessing how big the Grand Canyon was, I was very small, very had not broken £100 yet. So half an adult human being. So think 20 liters capacity human being beholding 4.17 quadrillion capacity Grand Canyon. That's why I felt small. That's why anyone feels small. You might be. That's the most crazy confusing way to explain how to behold the Grand Canyon. I could keep going. I could tell you that if you took all the people in the world and put them in the Grand Canyon you wouldn't come close to filling it up. But it takes 60 to 70 trillion trillion human beings to fill up the Grand Canyon. I could do this with all kinds of things. With AI, I can do jello, I can do VW beetles, I can go all day pounds of sand. And every time I try to explain to you how big the Grand Canyon is by our understanding, you still can't grasp it because you can't understand 4.17 quadrillion liters of Wallers. Even if I switch it to gallons, which would be more helpful, I couldn't understand that. 67 trillion people. There's no quite way we could possibly picture and understand how big the Grand Canyon is. And when we in ourselves try to understand the bigness of the God who made that Grand Canyon, who holds that in the palm of his hand like it's nothing, the scale of comparison doesn't work. To try to comprehend with all the saints what is the breadth of and length and height and depth and to know the love of Christ that surpasses knowledge. It's not an 8th grade kid trying to stack up against the Grand Canyon. We don't have categories for that. The discrepancy between us and the size and the majesty and the wonder and the glory and the weight of glory of who our God is, is infinite. Yet God and his graciousness, this is what he does. Knowing that we and ourselves have no ability to begin to comprehend how great and how wide and how wonderful the love of his love of God. Him understanding this, He Himself dwells in us. He goes to work in our inner being to strengthen us, to empower us so that we can begin to understand the infinite capacity of love. That God has for us. That's. I mean, that's more than having your first child and having this love grow and understanding of what really love is, it's much, much, much, much, much bigger than that. When God goes to work in us to give us eyes to see and understand just the beginning of how great his love is. That's why, y'. All. I don't. When people who don't believe in Jesus and are skeptical when they take shots at the character of God. Your God is loving. Let me tell you how your God's not loving. Your God is not righteous. Not just. Let me tell you why your God isn't just. This is why. I don't. I don't get all offended. I'm not. Of course you would not begin to. How possibly could you begin to understand the depths and the riches of the love of God if He's not working in you to help you understand that in the first place? You have no capacity to understand how great he is. You have capacity to understand his great love. You have no capacity to understand his justice. You have no capacity to understand the riches of his glory and his majesty and his wonder and his all. So of course you would not get this. But when the Spirit goes to work in us and begins to open up our eyes to see and we. We begin to. To start to grasp how. How grotesque our sin is and how wretched our rebellion is against God and how we just joyfully choose sin over him repeatedly, over and over and over and over and over and over again to the point of ad nauseam. When we begin to understand with new spiritual eyes to understand how much our sin is heinous against a holy and perfect God who made us. Once we start to understand that, we can begin to partially understand how rich his love is that he would not injustice bring down his full wrath upon us. But he would send His Son to be crushed for us. He would send His Son to be crucified for us. He would send His Son to take the place that we deserve in judgment. And the more you stare at the cross by the power of the Holy Spirit working in us, you begin to see how deep his love is. You cannot discover God without Him first working in you. You cannot know him without him first working in you. You cannot understand his glory, his goodness, or any aspect. And especially you cannot understand his love without him first working in us. We need God to work in us. That's why Paul's praying this. That's why he's praying this over them, because they're not going to reason their way to this. They're not going to logic their way to this. No, they need God. He's praying. May God work in your inner being to see this and to know the love of Christ that surpasses knowledge.And here's the sandwich, y'. All. Here's where it all comes in. That you may be filled with all the fullness of God. It all leads into that. He's praying you don't have it in you, but may God work in you, strengthen you, work in your inner being, so you might understand the depths of. Of the love of God, that the fullness of God may dwell in you. He's praying the fullness of God may dwell in you. Which begs the question, what is that? What is the fullness of God? I can both tell you what that is and can also admit I don't fully understand what that means. I can tell you biblically what that means. Biblically, it means that God dwells in you and his glorious attributes begin to work through you in mighty wonderful ways that display who he is. That's what that means. But how to fully understand that? I don't know. I don't know how you pictured that. I mean, you can tap a 4.17 quadrillion liter water tank and take your eighth grader and say, get to drinking, but I don't. So how do. How do you understand the fullness of God? And as I thought through this, the best way that my finite mind could try to picture this is that if you have a light bulb on a dimmer switch that you can slowly turn up, which I do in my. In my dining room, I've got this dimmer switch and turn it on, and I still have the Edison bulbs that haven't got out of stock yet. And you can turn it up a little bit and then you'll see the. The inner components of the light begin to light up. Light bulb begin to light up. But if you have a powerful enough light switch and enough light source, the more that you turn up that switch, the less you're going to see of the components of that light bulb. And eventually, if you turn up a light bulb to its maximum capacity, that you're not going to be able to see anything but light itself, you're not going to be able to see the inner workings of this at all, that the only observable substance will be light. And the best I can picture of what the fullness of God is is that God and His glory and the perfection of his attributes dwell so richly in his people that the only observable reality is God himself. And that's a beautiful thing to pray for that when people see you, the only observable reality that shines through you is the fullness of God. And that is a glorious thing to pray for. As he prays this on behalf of this Ephesian church. And you can't reason your way to that reality. You can't discover that our only hope is praying for it is praying for God to work in us in mighty wonderful ways. That at the fullness of God, God and all of his glory and his bright shining love working in us would just be the only observable thing about you.So that reality makes this final part of the prayer that we're about to read so beautiful. Because that's true now.To him who is able to do far more abundantly than all we ask or think according to the power at work within us to him be the glory in the church and in Christ Jesus throughout all generations, forever and ever. Amen, man. The end of this prayer is an opportunity to dream, to dream a bit. Any all ever dream about winning the lottery? I know a Baptist would never do that. I think most of you have. I've dreamed about it and all the silly material things that you could purchase if I won the lottery. Now let's just disclaimer. I don't buy lottery tickets because I'm a Baptist. I really don't. Let's put that aside. If I won the lottery right now, there's no limit on money. There are some material things that my heart would go after. No doubt. Probably not the same as you, but I would try to find. There are some big land tracks between like Cayce Lexington. So if you took Cayce Lexington, Red Bank. There's an area right there where there's still some big old land tracks. It's getting developed, but not all. And I scoop up one of those land tracks, 100 acres. And then I put a giant fence, we're talking like 20 foot fence all the way around it. And then I'd stock it with as many deer as possible. Just load it up. It'd be a reserve. I wouldn't be selfish. I'd invite some of you. Some of you that don't shoot things you shouldn't shoot. You know who I'm talking about. Some of you know how I'm talking about. This isn't pointing anybody specifically. It just annoys me when people shoot smaller bucks. But that's not the point of this dream. If I I would. I would get this big land track and then I build pretty much the same size house I have now, a little nicer and there'd be a pond because my son has gotten into fishing. We stock it with fish and we just invite people to this to be. So we just have people coming over enjoying it. And I'm sure you've done some version of that, probably different. I don't think your lottery dreams are based in that area of town. But we've done this if we're honest, many of us. And what makes some of those dreams about things that do not matter at all, that have no really tangible, eternal significance, the reason you could do that is because money is the limit, right? That's the point of those lottery dreams, is that money is the limit. And if you didn't have money, here are the things you could really do. But it's all about things that don't matter. It's all about things that don't last. It's all about things that will be here and gone.When is the last time we took that type of creativity and dreaming about things that do matter, things that have eternal significance, that if there were no limits and God was at work in us in mighty wonderful ways, beginning to help us comprehend the limitless love of God and the fullness of him dwelling in us in rich and powerful ways. If that's true, then man, what are the things that we could be dreaming about that we could pray for now to him who is able to do far more abundantly than all we ask or think? And I want you to dream for a bit about things that actually have significance. If God and His infinite power is at work within us, what are the things that we should be praying for, things we should be dreaming about? I want to give you some categories. Last week we talked about holiness. We talked about. We read a prayer of sanctification, of us becoming more like Christ by repenting of sin and obeying him. And the hope is, is that you didn't just hear that, but you responded to be a doer of the word. And this week at group, you began to talk about sin and not in shallow ways, but in real ways. That's my hope. And if you haven't done it yet, please do. But what if in this past week you started to take sin really seriously and then leaving today, you started to pray big prayers of just like God, this area of my life that I so deeply want you to change, this sin that just keeps plaguing me, God, would you so remove its Influence in my life that a year from now, just walking with you and all of a sudden temptation comes and I'm like, neo from the Matrix, just. And you're just. No, it's just an annoyance. I'm just. Would you work so powerfully within me that I wouldn't feel the destructive influence of the sin? I just have so much fullness of you dwelling within me. That's a thing to pray for.Let's talk about reconciliation as a category. Some of you have relationships with people that have been marred by the effects of sin. And maybe you're not talking to them anymore. Maybe there is relational weirdness. And it just. Every time you see them, it just. You. Every time you see something online, you just. What if you started praying in a way to our limitless God that he would work in a mighty way in you and in them, so that when you saw them, all you felt was actually love, the love of God. That brightness just shines through you in a way. It's like I. I just love that person so much because he can. He can work in mighty ways.Give you a different category, personal evangelism. Some of y' all have that lost coworker or that friend that you've been building with for quite some time. What if you began to pray with dream and imagination? God? Would you. Would you use me to declare the gospel of Jesus Christ to this person? Would you save them? And what if God, in a few months, orchestrated you and her? Or you and him standing right in front of me in a pool baptizing them, celebrating that Jesus saved them, and then you disciple them? You say, come, follow me as I follow Christ. Here's how you study the Word. Here's how you pray. Here's how you live in community. Follow me as I follow Christ. And then in a few years, they're actually a group leader. Because you prayed for boldness and zeal, the death of apathy and self interest, and God worked in you and you declared the gospel of Jesus Christ.Give you another category about planting a church. It's about time we did that. It's about time we planted a church. What if 50 of you weren't in this room a few years from now? What if you, because God, working in your inner being, gave you faith to take a step of obedience and go and take the gospel somewhere else? I'll give you one couple more categories. What if some of you considered the call to ministry, serving the local church? What if some of you prayed some dangerous prayers and God began to work in your inner being in wonderful, mighty ways. And you said, I, I'll make less money. I'll serve the church, I'll be obedient. And for, for the men in this room, some of you, that means considering the call to be a pastor and, and aspiring to the office of overseer and desiring that noble task 1 Timothy 3:1, in a way that you would give your life away to loving and shepherding and leading and preaching God's people. And I'll give you one last category to dream on. What if some of you became international missionaries, you began to pray those kind of dangerous prayers that when you think about it, you want to put it to the side because you don't want to go there. But God began to work in you and broke your heart for a people group that doesn't know the gospel, for a country that needs solid theological enrichment in the local churches. And you, in a few years packed up your bags and sold everything and you left. And you're obedient to the call to go, to make disciples of all the nations. Those are the things worth dreaming about and those are the things worth praying for.Now, to him who is able to do far more abundantly than all that we ask or think according to the power at work within us, to him be glory in the church and in Christ Jesus throughout all generations, forever and ever. Amen, y'. All. He's able. He's able to do more than we could ever dream or imagine. Why aren't we praying? The type of dangerous, wonderful, glorious Christ exalting prayers that make us uncomfortable. We have access to limitless power to go to work in us, to do unimaginable work that he set apart for us. And the question is, is what are we waiting for? I think some of us are holding back. I think even as we think in those type of categories for a moment, there's already the counter that said, I just, I don't know, I'm not ready. I don't know if I'm ready for that yet. That seems scary. What if I fail? What if it doesn't work? What if? What if? What if? What if? And I want to tell you, you let God be the limit on what he's going to do in you and through you and get out of the way. We pray and we dream like this because of where this ultimately ends. Because to him belongs all glory and the church and in Jesus Christ throughout all generations, forever and ever. Amen. This ends in doxology. This ends in glorious praise to Him. Did we get to experience him in indescribable ways that we would get to be used by him to do unimaginable things to Him. Be the glory forever and ever. Amen.Brothers and sisters, God wants to strengthen us, to help us comprehend the depths of his love in profound, wonderful ways. And as we experience his love in infinite, wonderful ways, we'd be obedient to the things that he calls us to with no limit style Dreaming it's time for us to pray for the fullness of God to dwell in us. It's time to start praying bold, audacious, big dream prayers. And that's what we're going to do for the next few minutes. Daniel's going to come up here and he's just going to play and we're going to sit and we're going to pray and we're going to pray for two things. We're first going to pray for God and His fullness to dwell in us that would shine so brightly that when people see us, they see Christ. And the second thing we're going to pray for is going to pray for God to do far more abundantly than all we ask or think. And we get to dream a little bit and we get to be dangerous a little bit. And we get to be silent for a little bit. And we get to let the Lord go to work in our hearts. So that's what we're going to do. For a few minutes we're going to sit in silence and then I will close this in prayer. But let me, let me make this clear. Some of you need to encounter, maybe for the first time, this power of God. Some of you. This won't make sense until God first begins a work in you, which means some of you need to place your full faith in Jesus that you've been putting faith in other things yourself. And now is the time for you to actually respond to the lordship of God so that he might begin to dwell in you fully. And I would encourage you to do that as well. But we're going to sit for a few minutes. Maybe you need to get a posture of prayer. Maybe you need to be open handed a little bit. Maybe you need to get on your knees. We don't have a traditional altar, but you might need to come up here, you might need to stand up and walk out, but prepare yourself to be in a posture of prayer. And for a few minutes we're going to sit in silence and we're going to pray for the fullness of God to dwell richly in us in mighty ways. And then we're going to pray for God to do far more abundantly than we could ever ask or think. Let's pray.Lord, we pray that we'd be filled with the fullness of you, God. May you work in our inner being that we might be begin to comprehend how profound and wonderful our love is and a world way that you would dwell so richly within us and shine so brightly through us. Oh lord, would you fill us, God, to you who are able to do far more abundantly than all we ask or think. God, would you remove the limits that we place on you in our lives? Would you make us uncomfortable? Would you give us faith? God, we ask for faith to pray like this. May you work mightily in us to do the things that you desire for us. To you be glory and your church and our Savior Christ Jesus throughout all generations, forever and ever. Amen.We're going to stand, we're going to praise our glorious God and we're going to worship.

Elle, Jay and the Tramp talk about the highlights of 2025 and what's next for 2026Visit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch!Colorado's premier Lifestyle club

Would you rather adopt Lady & the Tramp or the Aristocats? Would you rather have a Genie or a Fairy God Mother? These are some of the questions Mandi will ask Alyssa in this episode where you can get to know our hosts! We hope you will join us!Send us a message by clicking here. We may read or respond to it in a future episode!Support the show

Cece and the Tramp still buzzing from the night before, interview Ian and Jolie - the amazing couple behind epic glow parties that have grown into an inspiring community in the pacific northwest. Visit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch! Colorado's premier Lifestyle club

Das Leben Charles Chaplins teilt sich in zwei große Bereiche. Charles Chaplin und Charlie Chaplin. Der Slapstick-Tramp und der politische Satiriker… naja, vereinfacht dargestellt zumindest. In seinem ersten großen Politischen Werk spielt Chaplin einen kleinen jüdischen Barbier der bei einem Unfall im ersten Weltkrieg sein Gedächtnis verlor. So hat er nicht mitbekommen, wie sein Land eine politische Kehrtwende gemacht hat. Ein Diktator hat das Ruder übernommen und den Juden wird das Leben schwer gemacht. Japp. Natürlich eine satirische Darstellung von Hitler-Deutschland. Da unser jüdischer Barbier keine Ahnung hat von all dem, muss er es auf die harte Tour lernen. Im Kampf mit den Nazis die ihn beinahe an einer Laterne aufknüpfen und durch die Zerstörung seines Friseurladens. Mit seiner Love-Interest aus der Nachbarschaft träumt er von einer besseren Welt, in der wir friedlich miteinander leben. Da er sich ein wenig zu vehement gewehrt hat, wird er ins Konzentrationslager gebracht, aus dem er es irgendwann schafft auszubrechen. Der Clou an der Sache: er sieht dem Führer zum verwechseln ähnlich. Chaplin spielt natürlich eine Doppelrolle und spielt den Führer unvergleichlich lachhaft. Und so halten den Tramp alle für den Führer, als er in geklauter Uniform mit seinem Kumpel auf den Straßen auftaucht. Um sein Leben zu retten, muss er für einen Moment Hitler sein, aber alles in ihm weigert sich und so holt er stattdessen zu einer Rede für die Freiheit und die Nächstenliebe aus. Und hier endet der Film. Ein Tolles und Kraftvolles Ende… und doch sitzt der 13 Jährige Johannes vor dem Fernseher und denkt: “Und jetzt? Was passiert jetzt? Überlebt er? Wird er gelyncht? Wird die Welt eine Bessere?” diese Panik, nicht zu wissen was passiert, verfolgt mich bis heute. Ich will dass es ihm gut geht. Plor, willst du nicht auch wissen was mit ihm passieren wird?? ---- Hat euch diese Episode gefallen? Dann spendiert uns doch einen Kaffee unter https://buymeacoffee.com/mussmansehen

Elle, Jay and the Tramp interview Steve and Laura - A couple with an amazing story. One of the few times that we've heard where the lifestyle saved their marriage.Visit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch! Colorado's premier Lifestyle club

We're back with Tom's first adventure! This week: A Vindictive Tramp! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 203: The Stylus Is In The Groove And We're Spinning In Circles December 15, 2025 A list had accumulated of tunes for a Tales Vinyl Tells program and it finally came time to reveal that list. It was……just the right time. So, there's Renbourn, Winchester, Lake, The ‘Tramp, even Michael Stanley with a cooker, backed by some pros, like Joe Walsh, Sanborn, Deja vu ppl and a really great group. I'll put into print here what I mentioned in the show, this tune, Let's Get The Show on the Road, is on YouTube when they played on Don Kirschner's Rock Concert. Thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

We're back with Tom's first adventure! This week: A Vindictive Tramp! Learn more about your ad choices. Visit megaphone.fm/adchoices

Animated dogs share a plate of spaghetti, furry love is in the air and a classic romance was born 70 years ago in Disney's Lady And The Tramp. The Cocker Spaniel with the great floppy ears charmed her rascally Tramp so much that he even settled down with his "pidge". And while this isn't at the level of Snow White or Pinocchio, it's a lighthearted, enjoyable dog romp that became a blockbuster. On a personal note, all the pooch talk in this 702nd episode had me often reminiscing about my 3 own dear departed four-leggers. So kiss over your pasta as some Italians sing Bella Notte and I spend a half-hour talking about the somewhat-Christmas movie, Lady And The Tramp. Subscribe to Have You Ever Seen in your glorious podcasting application. Rate the show as well and spend a few minutes writing a review. Contact points are: email (haveyoueverseenpodcast@gmail.com), Twi-X (@moviefiend51) and Bluesky (ryan-ellis). Oh, and check out Letterboxd (RyanHYES).

Na intersekciji podcasta Dopisi iz Diznilenda i ExKurs Podcast nalazi se Peder, Pop i Pravnik Podcast. Miljan (Peder) kao poveznica između Vukašina Milićevića (Pop) i Nemanje Paleksića (Pravnik). Sve teme iz oba podcasta i one kojima u njima nema mesta, ovde, na jednom mestu. Vidimo se (i čujemo), za sad, dvaput mesečno. Da li je Tramp zaista prvi LGBT predsednik Amerike, odnosno da li je to zapravo bio Klinton, ako je verovati mejlovima Epstinovog brata? S tim u vezi, šta je s poklanjanjem Generalštaba Trampovoj familiji? Šta se dešava s NIS? Zatim se dotičemo i dešavanja oko Dijane Hrke, Milomira Jaćimovića, a onda zapadamo u neke teške teme poput odbijanja vladajuće stranke da podrži zakon za roditelje-staratelje dece s teškim invaliditetom i zečija rupa nas vodi dalje do mučnih slučaja nebrige i nemara prema starima, deci i drugima koji ne mogu da se bore za sebe, ne samo u Srbiji, nego i u regionu. To nas naposletku dovodi do pitanja kako uopšte onda možemo da verujemo u Boga, ali na kraju uspevamo da udarimo brigu na veselje prigodnim pesmicama Mitropolita Fotija. Pratite nas na: https://www.youtube.com/@dopisiizdiznilenda www.facebook.com/DopisiizDiznilenda/ www.podcast.rs/autori/dopisi-iz-diznilenda/ Ako želite da nam pomognete u održavanju servera na soundcloudu, uplate rado primamo na PayPal: mtanic@gmail.com ili postanite naš patron na www.patreon.com/dopisi Miljan: fb: /mtanic, Twitter/Instagram: @mtanic YouTube: /Mtanic Nemanja: fb: /paleksic @diznilend iTunes: itunes.apple.com/us/podcast/id1223989792 Stitcher: https://www.stitcher.com/show/dopisi-iz-diznilenda-podcast Pocket Casts: pca.st/pT2h podcast.rs/show/dopisi-iz-diznilenda/ Spotify: https://open.spotify.com/show/4U3wm6QOkJ30QEbk1kvqZS?si=RM6QdrOlTuO0WUJzYBl7hA

Elle, Jay and the Tramp recount our sexy Halloween adventures. This one gets hot! Visit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch! Colorado's premier Lifestyle club

Enjoy! Long Time No See.

This story is a selection from: ‘The Best of Super Great Kids' Stories - What would you do if an angry fairy suddenly popped up beside you while you were taking a nap? In this Scottish fairy tale told by storyteller Amy Douglas that's exactly what happens to an unsuspecting tramp with rather surprising results. Learn more about your ad choices. Visit podcastchoices.com/adchoices

IT'S TIME TO WATCH THE MUPPETS! This week we watched Dinosaurs - Network Genius. Distracted rants include but are not limited to Honey Don't!, Netflix, Jason Alexander, malls, The Celebrity Traitors, Dexter: Resurrection, Lady and the Tramp, Marvel celebrates 70 Years of 'The Muppets', Mr. Wizard, Star Trek: The Next Generation, Rainbow Brite, and much more!"Earl's new job involves picking hit shows for television; but the show he puts on the air make their viewers unbelievably stupid and he must find a way to make everybody smart again to save society."Follow us:tiktok.com/@ittwtmInstagram.com/ittwtm

Alice and Kris discuss slut-shaming of horny women, Brechtian villains, and Ares's alleged fertility.

Support the show and get 20% off your first Lucy order with code SOTIB at https://www.lucy.co/SOTIB #coltondowling #CameronWofford #LukasMcCrary Go watch Waitresses: Episode 1 - https://www.youtube.com/watch?v=i8ZE7IwHpeU&t=124s Episode 2 - https://www.youtube.com/watch?v=7XlmD8WFQhY&t=11s Chapters: 00:00 Intro – Cam's "no mess" problem 02:00 Colton declares Cam gay (again) 03:15 Peptides, filters, and fake sponsors 05:10 Cam's "vomit in the eye" morning 07:00 LA beauty addiction & throwing up skinny 09:15 The top era & the fountain story 12:20 The mattress had to go 14:00 Gay sex horror stories & learning moments 16:10 China's population and random TikTok facts 18:00 Wedding photos & outshining the bride 20:00 Killer Cam: the Justin Bieber years 23:10 "We couldn't go to Six Flags" 25:00 Calling Cam's mom to confirm Bieber chaos 27:00 Setting Lucas up with Alyssa live on pod 29:20 Pottery, bongs, and the one-handed teacher 32:00 Hot handicaps & the Lady and the Tramp analogy 34:45 Gay senators, DL guys, and politics talk 37:15 Why Cam "hates" bi guys 39:00 Grindr, ghosting, and boots in bed 41:00 Would Lucas f*** Cam? (obviously yes) 43:00 Ice baths, pottery, and redemption 45:00 Ad read – Lucy's Breakers 46:10 Final chaos & flirting gone wrong 48:00 Cam gets defensive (and gayer) 50:30 The podcast "intervention" moment 53:00 Final segment – "Can we see your d***?" 56:00 Closing plugs & goodbyes 58:00 Outro – "Some of This Is Bad" subscribe here and follow the show: Spotify - https://open.spotify.com/show/0rIdFG1tD5NPDm9bwgd0B5 Instagram - https://www.instagram.com/someofthisisbad/ TikTok - https://www.tiktok.com/@someofthisisbad Patreon - https://patreon.com/SomeofThisisBad Follow Cameron Wofford: Instagram- https://www.instagram.com/cameronwofford/ Linktree- https://linktr.ee/Cameronwofford Follow Lukas McCrary: Instagram - https://www.instagram.com/lucasmccreary/ TikTok - https://www.tiktok.com/@lucasmccreary Follow Colton: Instagram - https://www.instagram.com/coltondowling/ Twitter - https://twitter.com/colton_dowling TikTok - https://www.tiktok.com/@coltondowling

2. The Birth of The Tramp and Professional Confidence Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin arrived in America with the Carno group between 1910 and 1913. Stan Laurel noted his prodigious talent and absolute professional self-confidence. In 1914, Chaplin joined Max Sennett's Keystone studio, where he quickly created the iconic Tramp costume from wardrobe pieces, deliberately seeking visual contradiction. He soon demanded and received control to direct his own highly successful pictures. Despite his fame and early unsuccessful marriages, he remained extraordinarily shy in private life. 1917

3. Social Commentary, Goddard, and The Great Dictator Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin's 1931–1932 world tour revealed global squalor, which drove his social commentary in Modern Times. The film's politics concerned the FBI, though Chaplin was extremely wealthy and privately mocked radical labels. He lived with Paulette Goddard for ten years, fabricating a marriage and sham divorce to aid her career. Chaplin self-financed all his major features, including The Great Dictator. He delayed making sound pictures because he believed the Tramp should not speak, thereby preserving his character's universality. 1918

Jeffrey Epstein's relationship with Prince Andrew was a calculated social maneuver designed to elevate Epstein's standing among the world's elite. By befriending the Duke of York — a senior member of the British royal family — Epstein gained access to circles of wealth and influence that would have otherwise been closed to him. The two men traveled together, attended exclusive parties, and were photographed at high-society events from New York to Palm Beach. Epstein reportedly viewed Andrew as a prized connection, describing him as a “trophy friendship” that opened doors to financiers, politicians, and royals. Their association lent Epstein an air of legitimacy, helping him appear as more than a mere financier and instead as a man trusted by royalty — a perception he used to recruit and manipulate others within his growing network of power.Prince Andrew's now-infamous claim that he was unable to sweat became one of the most ridiculed moments in modern royal history. During his 2019 BBC Newsnight interview with Emily Maitlis, Andrew attempted to discredit Virginia Giuffre's account that she danced with him at London's Tramp nightclub in 2001, saying she was mistaken because he “didn't sweat at the time.” He insisted this was due to a “peculiar medical condition” caused by an “adrenaline overdose” from his service in the Falklands War, which supposedly made it impossible for him to perspire. The explanation was immediately met with disbelief and mockery worldwide — even medical experts publicly questioned its plausibility, noting there was little evidence to support his story. For the public, it wasn't just the absurdity of the excuse — it was how clearly it reeked of desperation, further eroding what little credibility the prince had left.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Jeffrey Epstein's relationship with Prince Andrew was a calculated social maneuver designed to elevate Epstein's standing among the world's elite. By befriending the Duke of York — a senior member of the British royal family — Epstein gained access to circles of wealth and influence that would have otherwise been closed to him. The two men traveled together, attended exclusive parties, and were photographed at high-society events from New York to Palm Beach. Epstein reportedly viewed Andrew as a prized connection, describing him as a “trophy friendship” that opened doors to financiers, politicians, and royals. Their association lent Epstein an air of legitimacy, helping him appear as more than a mere financier and instead as a man trusted by royalty — a perception he used to recruit and manipulate others within his growing network of power.Prince Andrew's now-infamous claim that he was unable to sweat became one of the most ridiculed moments in modern royal history. During his 2019 BBC Newsnight interview with Emily Maitlis, Andrew attempted to discredit Virginia Giuffre's account that she danced with him at London's Tramp nightclub in 2001, saying she was mistaken because he “didn't sweat at the time.” He insisted this was due to a “peculiar medical condition” caused by an “adrenaline overdose” from his service in the Falklands War, which supposedly made it impossible for him to perspire. The explanation was immediately met with disbelief and mockery worldwide — even medical experts publicly questioned its plausibility, noting there was little evidence to support his story. For the public, it wasn't just the absurdity of the excuse — it was how clearly it reeked of desperation, further eroding what little credibility the prince had left.to contact me:bobbycapucci@protonmail.com

Jeffrey Epstein's relationship with Prince Andrew was a calculated social maneuver designed to elevate Epstein's standing among the world's elite. By befriending the Duke of York — a senior member of the British royal family — Epstein gained access to circles of wealth and influence that would have otherwise been closed to him. The two men traveled together, attended exclusive parties, and were photographed at high-society events from New York to Palm Beach. Epstein reportedly viewed Andrew as a prized connection, describing him as a “trophy friendship” that opened doors to financiers, politicians, and royals. Their association lent Epstein an air of legitimacy, helping him appear as more than a mere financier and instead as a man trusted by royalty — a perception he used to recruit and manipulate others within his growing network of power.Prince Andrew's now-infamous claim that he was unable to sweat became one of the most ridiculed moments in modern royal history. During his 2019 BBC Newsnight interview with Emily Maitlis, Andrew attempted to discredit Virginia Giuffre's account that she danced with him at London's Tramp nightclub in 2001, saying she was mistaken because he “didn't sweat at the time.” He insisted this was due to a “peculiar medical condition” caused by an “adrenaline overdose” from his service in the Falklands War, which supposedly made it impossible for him to perspire. The explanation was immediately met with disbelief and mockery worldwide — even medical experts publicly questioned its plausibility, noting there was little evidence to support his story. For the public, it wasn't just the absurdity of the excuse — it was how clearly it reeked of desperation, further eroding what little credibility the prince had left.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In celebration of Sharon Van Etten's breakthrough third album, Tramp, we take a detailed look at how it was made. Growing up in New Jersey, Sharon Van Etten studied music by learning several instruments and singing in the choir. After graduating high school, she went to Middle Tennessee State University to study recording. Though she started writing songs around the year 2000, she didn't perform or release music until 2005 when she moved back to New Jersey. Later she moved to New York and started working for Ba Da Bing Records. She signed to the Language of Stone label and released her debut album, Because I Was in Love in 2009. Her next record, Epic, was released in 2010 and included the song “Love More,” which was recorded for the Shaking Through documentary series. After a group of musicians, including Aaron Dessner of The National and Justin Vernon of Bon Iver, covered the song “Love More,” Sharon reached out to them to see if they'd be interested in collaborating. She began recording songs with Aaron Dessner in his garage studio in Brooklyn. Her third album, Tramp, was eventually released in 2012. In this episode, Sharon Van Etten describes this pivotal moment in her career when she was gaining confidence as an artist and learning how to collaborate with other musicians. She talks about how Aaron Dessner's garage studio offered a her a place of refuge during a time when she was living between sublets and keeping her belongings in her car. In the garage studio, they were able to spend the course of a year building up her songs from minimal demos into fully fleshed out arrangements. Aaron Dessner describes his first time producing for another artist and how he was immediately struck by Sharon's voice and musical mind. He talks about the music culture in Brooklyn at the time where he would be able to call in friends and collaborators to come over and record whenever they had time. This allowed them to have a community of voices, string arrangements and a full band sound for the record, which was new for Sharon's music at the time. From touring with The National, to excavating songs from a hard drive, to bringing in friends like Bryan Devendorf, Zach Condon, Jenn Wasner, Julianna Barwick, Matt Barrick and more, to learning to deal with anxiety and crowds, to taking inspiration from Patti Smith's Just Kids, to a turning point moment for both Sharon as an artist and Aaron as a producer, we'll hear the stories around how the record came together.

Today Jay and the Tramp are joined by Justin as we dive into the locker room of men's issues in the lifestyleVisit us at UnapologeticSwingers.comAlso visit our partners: Shivers.Store and use the discount US at checkout for 10% off your order and our newest sponsor, The Scarlet Ranch! Colorado's premier Lifestyle club

15. Oktober 1940: Premiere von Chaplins "Der große Diktator". Während Hitler Europa verwüstet, hält Chaplin eine Rede für Menschlichkeit - und gegen den Hass. Von Andrea Klasen.

Luke Spiller and Marc LaBelle join Eddie Trunk to discuss their bands' joint tour and musical journeys. They dive into their Bad Company tribute contributions, with The Struts' 'Rock and Roll Fantasy' and Dirty Honey's 'Rock Steady' releases. Luke shares the emotional story behind Brian May's collaboration on the 10th anniversary version of 'Could Have Been Me,' while both frontmen reflect on casino gigs, audience demographics, and the challenges of creating setlists. The conversation reveals their musical influences, with Marc citing Steven Tyler and Luke drawing inspiration from James Brown, offering listeners an intimate look at two of rock's most promising young bands. Following that, former White Lion frontman Mike Tramp joins Eddie to discuss his current musical journey, including his 'Songs of White Lion' album series where he re-records the band's classic tracks. Tramp opens up about his complex relationship with guitarist Vito Bratta, explaining why a reunion never materialized after the band's 1991 breakup. He shares stories about adapting to performing White Lion's music at 64, his renewed approach to the stage, and how he's found peace with carrying the band's legacy forward. The conversation also touches on the upcoming Volume 3 release featuring deep cuts like 'Fight to Survive' and 'Cherokee,' with special guest appearances. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lady L'Creme and Viktor Devonne talk about all kinds of things, from makeup to foster parenting to the insane 24 hours news cycle.  Between parenthood and showgirling, Lady spends time in Tucson, and met Viktor at the AZ Burlesque Festival, and now they compare notes. This chat was recorded on September 25, 2025.  Give love to the folks… Lady L'Creme: https://www.instagram.com/ladylcreme/?hl=en & https://www.tiktok.com/@ladylcreme More Viktor: @viktordevonne  More WEBurlesque: @weburlesque FOOTCLOTHES! Get 10% off your order with the code VIKTORDEVONNE at FOOTCLOTHES.COM @footclothesofficial Tonight On Murder She Wrote with Viktor and Petra: @murdershewrotepod

In this episode, Christy brings in Mark Twain and Charlie Chaplin. Their lives were both a dance between humor and seriousness. They both had alter egos - Samuel Clemens with Mark Twain and Charlie Chaplin with the Tramp. They explian how humor is used to teach and to heal. To join the Inner Self reading waitlist with Christy email garybodley @ gmail . com To learn more about Christy Levy, click here. To book a 55-minute connect call with Gary, click here For more info about the new 7 Rays Activations program, please click here  

Enjoy an over conversation with Noah Veil, an independent wrestler based out of Florida, also known as the Punk Rock Prima Dona, the Southeast's Gay Gatekeeper, the Erotic Nightmare and more, as we discuss the wild wrestling journey they've been on, how wrestling has helped them feel more comfortable in real life with who they are, Noah Veil Isn't Over, and so much more!Noah's Links:Instagram: https://www.instagram.com/noahveil97Twitter: https://x.com/NoahXVeilFacebook: https://www.facebook.com/noah.veil.2023Merch Shop: https://noahveil.shop/Match vs. Pha'nesse mentioned in the episode: https://youtu.be/7zYamdbEvQA?si=DpPoXFbe8SMdkwF1Thumbnail Done By: Rankirakira - https://bsky.app/profile/rankirakira.bsky.socialHelp out Gearpunk here:Fractured comic: https://ko-fi.com/s/8017f69d25Kofi: https://ko-fi.com/gearpunk/goal?g=12Check out the MERCH SHOP, now with the NEW OFFICIAL LOGO PRIDE MERCH: https://post-modern-art-podcast-shop.fourthwall.com/Join the PostModArtPod Discord server: https://discord.gg/bdg4UFbmm9Join the PMAP Patreon: https://www.patreon.com/pmapIntro Animated by: https://bsky.app/profile/fasado.bsky.socialIntro Song - "Seductive Treasure" - Color of IllusionOutro Song - "Parts In Motion" - Vera Much Stream her EP "Thank U!": https://open.spotify.com/album/3AO61mm8a81osp9FsPpFgv?si=sZ2Pq_aSTbWLzHLwff2RigLinktree (To find other platforms, socials, etc.): https://linktr.ee/PostModernArtPodcastFor business inquiries, contact postmodernartpodcast@gmail.com Showrunners of the podcast are Nathan Ragland and TipsyJHeartsTipsy's Links:Twitter: https://twitter.com/TipsyJHeartsBluesky: https://bsky.app/profile/tipsyjhearts.bsky.socialInstagram: https://www.instagram.com/tipsyjhearts/Patreon: https://www.patreon.com/tipsyjheartsKo-fi: https://ko-fi.com/tipsyjheartsPortfolio: https://tipsyjhearts.wixsite.com/portfolioProduced with A1denArtzAiden's Links:Carrd: https://a1denartz.carrd.co/Tumblr: https://a1denartz.tumblr.com/Bluesky: https://bsky.app/profile/a1denartz.bsky.socialInkblot: https://inkblot.art/profile/a1denartzInstagram: https://www.instagram.com/a1denartz/Go out there and create something special!

It's a no-holds-barred conversation with footballing legend Paul Cannell — the Geordie striker who lit up mid-1970s Newcastle United, vaulted into the heyday of the North American Soccer League, and left a trail of memorable goals, disciplinary cards, and impish chaos in his wake. Best remembered for his fiery stint with the two incarnations of the NASL's Washington Diplomats, Cannell was as much a headline in the nightlife columns as he was on the sports pages. On the field, he was fearless in the air and relentless in the tackle, leading the Dips in scoring while collecting enough penalty points to draw more than a few league suspensions. Off the field, he became a fixture in DC-area bars and dance clubs, a radio guest of a young new voice named Howard Stern, and — by his own telling — the first soccer player ever signed by Nike, bringing Studio 54-era disco-inspired white boots to the playing pitch. Cannell takes us straight into the heart of those wild years. He opens up about the highs and hangovers of the NASL boom (including stints with the Memphis Rogues, Calgary Boomers & Detroit Express), brushes with legends like Johan Cruyff and Pelé, the infamous “F***in' Hell, It's Paul Cannell” chant that followed him everywhere, and the unfiltered stories that made his memoir as outrageous as its title. Blunt, funny, and never shy of controversy, Cannell reminds us why he became one of the NASL's most colorful figures — and why his name still carries a mix of respect, disbelief, and laughter decades later — especially among DC sportswriters and soccer fans.  PLUS: The "Mayor of Georgetown" helps Tim remember classic DC night spots of the day like Winston's, Tramp's & Sign of the Whale!   + + +   Get the best in high-quality commemorative Dips, Memphis Rogues Detroit Express, Calgary Boomers & NASL league T-shirts with promo code savings from our friends at OldSchoolShirts.com (code GOODSEATS)!  + + +    SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable "Good Seats" Store: https://www.teepublic.com/stores/good-seats-still-avalable?ref_id=35106   BUY THE BOOK (AND SUPPORT THE SHOW!):  "F***in' Hell It's Paul Cannell": https://amzn.to/4mxEOzC   SPONSOR THANKS (AND SUPPORT THE SHOW!):  Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2 Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats   FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

In this week's episode, Mike Tramp of White Lion reflects on the writing and recording of the band's 1987 hit “Wait,” a song that helped catapult them into the mainstream after years of grinding it out in clubs. He shares the story behind the track's evolution, from early edits to its polished final version, and offers insight into his unique, ego-free songwriting partnership with guitarist Vito Bratta. Tramp also discusses working with producer Michael Wagener, the emotional power he hoped to convey through the lyrics, and how time has deepened his understanding of the band's music. From radio dynamics to recognition from rock royalty, this conversation paints a vivid picture of a band on the rise and a song that continues to strike a chord. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes  For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com  Follow Chris DeMakes A Podcast on Instagram: https://www.instagram.com/chrisdemakesapodcast/ Join the Chris DeMakes A Podcast community on Facebook: https://www.facebook.com/groups/2643961642526928/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, a very special event in Walt's Hometown, Fantastic Four arrives at the resort in more ways than one, a sneak peek at the Holidays for 2025, a teaser for Oogie Boogie Bash, we talk about our experience at the Pacific Northwest Mouse Meet, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: A very special event in Walt Disney's hometown of Marceline, Missouri is happening on September 20th and tickets are now on sale! The Dreaming Tree Gala, which is held at the Walt Disney Family Farm, returns this year themed to Lady and the Tramp. General Admission includes Dinner on the Family Farm, Access to Peg's Speakeasy, Guided Tours of Marceline, a gift bag, and admission to the Walt Disney Hometown Museum. If you upgrade to the VIP ticket, you also get access to Guest Speaker Panels, which feature Leslie Iwerks, Don Peri, Matt McKim, Marcy Carriker Smothers, and Holly Foster Wells. All the information, including the link to purchase tickets is at the link in our show notes. – https://waltdisneyhometownmuseum.betterworld.org/events/2025-dreaming-tree-gala-at-disne The new Fantastic Four movie debuted last week, so guests can meet the Fantastic Four (and their cute robot companion H.E.R.B.I.E.) in Tomorrowland. The mid-century modern aesthetic of the movie fits in well with the Tomorrowland 60s theme. The H.E.R.B.I.E. character is a marvel of in-park animatronics as it rolls around on one wheel. The characters are meeting outside the Tomorrowland Theater for a limited time. There is also a projection show now through September 21st of Space Mountain's exterior to celebrate the Fantastic Four. – https://disneyparksblog.com/disney-experiences/fantastic-four-first-steps-disney-parks/ Of course with the arrival of the Fantastic Four, there are a number of food, beverage, and novelties. {talk about the food options} For the novelties, there is a Fantastic Four: Clobberin' Sipper, and a Mister Fantastic Straw Clip. – https://disneyparksblog.com/disney-experiences/disney-eats-the-fantastic-four-first-steps-best-bites/ Weeklyteers who are unable to visit Disneyland for the 70th anniversary have an alternate option. More Disney+ POVs have been added to the collection. There are now a total of 17 POVs on Disney+, all from Disneyland. – https://disneyparksblog.com/disney-experiences/disneyland-resort-70th-new-disney-pov-collection/ We are in the middle of summer, with Halloween just around the corner, and Disney has already shown a sneak peek of the Holidays at the Disneyland Resort. Mickey, Minnie, and the rest of their friends will sport a “holiday spin” on their 70th Celebration outfits. Disney Festival of the Holidays is returning to Disney California Adventure from November 14th through January 7th, along with Disney Viva Navidad!. “World of Color Happiness!,” “Tapestry of Happiness,” and select 70th Celebration festivities will continue through the holiday season. – https://disneyparksblog.com/dlr/holidays-at-disneyland-resort-2025/ Last week, the Disneyland and Disney Parks social media accounts teased the new villain additions to Oogie Boogie Bash this year. It appears that Syndrome from The Incredibles, and the return of Maleficent to the party. These new additions replace Sid and Madame Mim. – https://www.micechat.com/419510-disneyland-update-tomorrowland-fantastic-4-halloween-earl-of-sandwich/ Another addition has arrived at Downtown Disney. Nectar Life, a bath and body boutique, has opened next to the D-Lander shop. The new location offers bath products that look like yummy snacks. Examples are soap that looks like ice cream cones, cupcakes, and tropical beverages. There is also a first-of-its-kind customization bar where guests can create their own bath soaks and soaps. – https://www.micechat.com/419510-disneyland-update-tomorrowland-fantastic-4-halloween-earl-of-sandwich/ SnackChat: Halloween Foodie Guide – https://disneyparksblog.com/dlr/disney-eats-disneyland-halloween-foodie-guide-2025/ Discussion Topic: Pacific Northwest Mouse Meet

Glenn reflects on Charlie Chaplin's birthday, linking his resilient "Tramp" character to Americans' hope. Was the "free trade" we were promised under NAFTA a lie? Glenn breaks it down, along with how insane the EU's tariffs and VAT taxes really are. Center for American Liberty CEO Mark Trammell shares the story of a mom in California who's fighting for her parental rights against a school that tried to hide her kid's gender transition. Learn more about your ad choices. Visit megaphone.fm/adchoices

CBS News host Gayle King compares herself to legendary astronauts after her rocket "ride" to space. Glenn is shocked to learn Jeff Bezos' real goals with Blue Origin and space. Glenn reflects on Charlie Chaplin's birthday, linking his resilient "Tramp" character to Americans' hope. Was the "free trade" we were promised under NAFTA a lie? Glenn breaks it down, along with how insane the EU's tariffs and VAT taxes really are. Center for American Liberty CEO Mark Trammell shares the story of a mom in California who's fighting for her parental rights against a school that tried to hide her kid's gender transition. Glenn separates facts from rumors as the media hides the truth about "wrongfully deported Maryland man" Kilmar Abrego Garcia, who's really an illegal immigrant from El Salvador with alleged ties to MS-13. Why are Democrats so insistent on bringing him back?! Rapper Topher discusses his hit song “Insurgent,” featuring Glenn's voice. Learn more about your ad choices. Visit megaphone.fm/adchoices