Podcasts about liverpool up

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Jane-Marie Collins's book Emancipatory Narratives & Enslaved Motherhood: Bahia, Brazil, 1830-1888 (Liverpool UP, 2023) examines three major currents in the historiography of Brazilian slavery: manumission, miscegenation, and creolisation. It revisits themes central to the history of slavery and race relations in Brazil, updates the research about them, and revises interpretations of the role of gender and reproduction within them. First, about the preponderance of women and children in manumission; second, about the association of black female mobility with intimate inter-racial relations; third, about the racialised and gendered routes to freed status; and fourth, about the legacies of West African female socio-economic behaviours for modalities of family and freedom in nineteenth-century Salvador da Bahia, Brazil. The central concern within the book is how African and African descendant women navigated enslaved motherhood and negotiated the divide between enslavement and freedom for themselves and their children. The book is, therefore, organised around the subject position of the enslaved mother and the reproduction of her children in enslavement, while the condition of enslaved motherhood is examined through overlapping historical praxis evidenced in nineteenth-century Bahia: contested freedom, racialised mothering, and competing maternal interests - biological, ritual, surrogate. The point at which these interests converged historically was, it is argued, a conflict over black female reproductive rights. Learn more about your ad choices. Visit megaphone.fm/adchoices

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development. The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces. In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development. Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development. The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces. In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development. Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development. The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces. In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development. Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development. The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces. In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development. Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Counter-Cartographies: Reading Singapore Otherwise (Liverpool UP, 2024) draws from a body of Anglophone and multilingual cultural texts created in contemporary Singapore and in its diasporic communities. From banned documentaries to award-winning graphic novels, flash fiction collections to conceptual art, there is a vibrant, growing body of transmedial, multi-genre resistance to an overmapped, hyper-planned, and ecologically destructive postcolonial development. The author proposes methods of cultural analysis and close reading that are “counter-cartographical” --- reading in resistance to and yet pressed up against the regulations of a (post)colonial map. To excavate, wayfind, circumvent, and confabulate in these spaces enables us to understand the contours and pressures of authoritarian governance and reveal the insidious aspects of biopolitical power in the (post)colonial city. These four spatial and theoretical movements deliberately enmesh the space of everyday life in a complex awareness of time: in historical contexts, in ongoing social relations, in contemporary political realities, and the imagined possibilities of literary spaces. In a global political context that is increasingly marked by a return to authoritarianism, cultural production from Singapore provides an intense, microcosmic view of the conditions of art-making an overdetermined urban space, under duress and censorship. It further lays bare the ecological and human costs of unbridled postcolonial extraction and development. Joanne Leow is an Associate Professor of English and Canada Research Chair at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the wake of the Good Friday Agreement, the redevelopment of the former Girdwood Army Barracks in North Belfast was hailed as a ‘symbol of hope' for Northern Ireland. It was a major investment in a former conflict zone and an internationally significant peacebuilding project. Instead of adhering to the tenets of the Agreement, sectarianism dominated the regeneration agenda. Throughout the process, politicians, community groups and paramilitaries wrangled over the site's future, and territorial contest won out over housing need. After eleven years of negotiation and £11.7 million, the EU-funded Girdwood Community Hub opened its doors to the public in 2016, but its impact has been underwhelming. The Hub's redevelopment is a microcosm of the peace process itself, and the ways in which post-Agreement politics have failed to deliver a ‘shared future' for the people of Northern Ireland, twenty-five years on. Elizabeth DeYoung's book Power, Politics and Territory in the ‘New Northern Ireland' (Liverpool UP, 2023) provides a lively account of Girdwood's redevelopment and a wry critique of the fractious political context around it. Through flânerie and encounter, the author brings us across peace walls, into community meetings and behind the scenes of decision-making in Northern Ireland. Girdwood's story also sheds light on how power, politics and territory intersect in divided cities globally. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the wake of the Good Friday Agreement, the redevelopment of the former Girdwood Army Barracks in North Belfast was hailed as a ‘symbol of hope' for Northern Ireland. It was a major investment in a former conflict zone and an internationally significant peacebuilding project. Instead of adhering to the tenets of the Agreement, sectarianism dominated the regeneration agenda. Throughout the process, politicians, community groups and paramilitaries wrangled over the site's future, and territorial contest won out over housing need. After eleven years of negotiation and £11.7 million, the EU-funded Girdwood Community Hub opened its doors to the public in 2016, but its impact has been underwhelming. The Hub's redevelopment is a microcosm of the peace process itself, and the ways in which post-Agreement politics have failed to deliver a ‘shared future' for the people of Northern Ireland, twenty-five years on. Elizabeth DeYoung's book Power, Politics and Territory in the ‘New Northern Ireland' (Liverpool UP, 2023) provides a lively account of Girdwood's redevelopment and a wry critique of the fractious political context around it. Through flânerie and encounter, the author brings us across peace walls, into community meetings and behind the scenes of decision-making in Northern Ireland. Girdwood's story also sheds light on how power, politics and territory intersect in divided cities globally. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the wake of the Good Friday Agreement, the redevelopment of the former Girdwood Army Barracks in North Belfast was hailed as a ‘symbol of hope' for Northern Ireland. It was a major investment in a former conflict zone and an internationally significant peacebuilding project. Instead of adhering to the tenets of the Agreement, sectarianism dominated the regeneration agenda. Throughout the process, politicians, community groups and paramilitaries wrangled over the site's future, and territorial contest won out over housing need. After eleven years of negotiation and £11.7 million, the EU-funded Girdwood Community Hub opened its doors to the public in 2016, but its impact has been underwhelming. The Hub's redevelopment is a microcosm of the peace process itself, and the ways in which post-Agreement politics have failed to deliver a ‘shared future' for the people of Northern Ireland, twenty-five years on. Elizabeth DeYoung's book Power, Politics and Territory in the ‘New Northern Ireland' (Liverpool UP, 2023) provides a lively account of Girdwood's redevelopment and a wry critique of the fractious political context around it. Through flânerie and encounter, the author brings us across peace walls, into community meetings and behind the scenes of decision-making in Northern Ireland. Girdwood's story also sheds light on how power, politics and territory intersect in divided cities globally. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the wake of the Good Friday Agreement, the redevelopment of the former Girdwood Army Barracks in North Belfast was hailed as a ‘symbol of hope' for Northern Ireland. It was a major investment in a former conflict zone and an internationally significant peacebuilding project. Instead of adhering to the tenets of the Agreement, sectarianism dominated the regeneration agenda. Throughout the process, politicians, community groups and paramilitaries wrangled over the site's future, and territorial contest won out over housing need. After eleven years of negotiation and £11.7 million, the EU-funded Girdwood Community Hub opened its doors to the public in 2016, but its impact has been underwhelming. The Hub's redevelopment is a microcosm of the peace process itself, and the ways in which post-Agreement politics have failed to deliver a ‘shared future' for the people of Northern Ireland, twenty-five years on. Elizabeth DeYoung's book Power, Politics and Territory in the ‘New Northern Ireland' (Liverpool UP, 2023) provides a lively account of Girdwood's redevelopment and a wry critique of the fractious political context around it. Through flânerie and encounter, the author brings us across peace walls, into community meetings and behind the scenes of decision-making in Northern Ireland. Girdwood's story also sheds light on how power, politics and territory intersect in divided cities globally. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

On the 16th October 2023, I met with Claire Launchbury and Charles Forsdick to discuss the recent publication of Transnational French Studies (Liverpool UP, 2023), a collection of essays that draws attention to the diverse objects of study and methodologies that can be brought to bear on French cultural production. This is the latest in the “Transnational Modern Languages” series published by Liverpool University press. The series furnishes frameworks and concrete examples of how to study languages and cultures through their interactions, rather than as isolated national traditions. It is especially of note that Transnational French Studies has been conceived as a handbook for students of French (at both undergraduate and postgraduate levels). The key objective of the volume is to define the core set of skills and methodologies that constitute the study of French culture as a transnational, transcultural and translingual phenomenon. Written by leading scholars within the field, chapters demonstrate the type of inquiry that can be pursued into the transnational realities - both material and non-material - that are integral to what is referred to as French culture. The book is divided into four sections: Languages, Spaces, Temporalities and Subjectivities. These follow a detailed introduction written by the editors that comprehensively explains and situates “transnationalism” and its reception within contemporary French Studies. The collection moves smoothly from literature to sociolinguistics to videogames and comics. In addition to its diverse subject matter, the edition makes a major contribution to French Studies by drawing attention to the complex ways that monolingualism can become conflated with monoculturalism in our discipline. Forsdick and Launchbury in their introduction stress that the “nation is a keyword that all students of France must interrogate in its historic and semantic complexity”. The collection's historical breadth expands social scientific definitions of “transnationalism” and historicizes both “Frenchness” and the French language's (and cultures') evolutions. Individual essays explore histories of migration, flows of ideas and goods to demonstrate that “transnationalism” is not a contemporary phenomenon but a cultural disposition that extends back centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the 16th October 2023, I met with Claire Launchbury and Charles Forsdick to discuss the recent publication of Transnational French Studies (Liverpool UP, 2023), a collection of essays that draws attention to the diverse objects of study and methodologies that can be brought to bear on French cultural production. This is the latest in the “Transnational Modern Languages” series published by Liverpool University press. The series furnishes frameworks and concrete examples of how to study languages and cultures through their interactions, rather than as isolated national traditions. It is especially of note that Transnational French Studies has been conceived as a handbook for students of French (at both undergraduate and postgraduate levels). The key objective of the volume is to define the core set of skills and methodologies that constitute the study of French culture as a transnational, transcultural and translingual phenomenon. Written by leading scholars within the field, chapters demonstrate the type of inquiry that can be pursued into the transnational realities - both material and non-material - that are integral to what is referred to as French culture. The book is divided into four sections: Languages, Spaces, Temporalities and Subjectivities. These follow a detailed introduction written by the editors that comprehensively explains and situates “transnationalism” and its reception within contemporary French Studies. The collection moves smoothly from literature to sociolinguistics to videogames and comics. In addition to its diverse subject matter, the edition makes a major contribution to French Studies by drawing attention to the complex ways that monolingualism can become conflated with monoculturalism in our discipline. Forsdick and Launchbury in their introduction stress that the “nation is a keyword that all students of France must interrogate in its historic and semantic complexity”. The collection's historical breadth expands social scientific definitions of “transnationalism” and historicizes both “Frenchness” and the French language's (and cultures') evolutions. Individual essays explore histories of migration, flows of ideas and goods to demonstrate that “transnationalism” is not a contemporary phenomenon but a cultural disposition that extends back centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

On the 16th October 2023, I met with Claire Launchbury and Charles Forsdick to discuss the recent publication of Transnational French Studies (Liverpool UP, 2023), a collection of essays that draws attention to the diverse objects of study and methodologies that can be brought to bear on French cultural production. This is the latest in the “Transnational Modern Languages” series published by Liverpool University press. The series furnishes frameworks and concrete examples of how to study languages and cultures through their interactions, rather than as isolated national traditions. It is especially of note that Transnational French Studies has been conceived as a handbook for students of French (at both undergraduate and postgraduate levels). The key objective of the volume is to define the core set of skills and methodologies that constitute the study of French culture as a transnational, transcultural and translingual phenomenon. Written by leading scholars within the field, chapters demonstrate the type of inquiry that can be pursued into the transnational realities - both material and non-material - that are integral to what is referred to as French culture. The book is divided into four sections: Languages, Spaces, Temporalities and Subjectivities. These follow a detailed introduction written by the editors that comprehensively explains and situates “transnationalism” and its reception within contemporary French Studies. The collection moves smoothly from literature to sociolinguistics to videogames and comics. In addition to its diverse subject matter, the edition makes a major contribution to French Studies by drawing attention to the complex ways that monolingualism can become conflated with monoculturalism in our discipline. Forsdick and Launchbury in their introduction stress that the “nation is a keyword that all students of France must interrogate in its historic and semantic complexity”. The collection's historical breadth expands social scientific definitions of “transnationalism” and historicizes both “Frenchness” and the French language's (and cultures') evolutions. Individual essays explore histories of migration, flows of ideas and goods to demonstrate that “transnationalism” is not a contemporary phenomenon but a cultural disposition that extends back centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

On the 16th October 2023, I met with Claire Launchbury and Charles Forsdick to discuss the recent publication of Transnational French Studies (Liverpool UP, 2023), a collection of essays that draws attention to the diverse objects of study and methodologies that can be brought to bear on French cultural production. This is the latest in the “Transnational Modern Languages” series published by Liverpool University press. The series furnishes frameworks and concrete examples of how to study languages and cultures through their interactions, rather than as isolated national traditions. It is especially of note that Transnational French Studies has been conceived as a handbook for students of French (at both undergraduate and postgraduate levels). The key objective of the volume is to define the core set of skills and methodologies that constitute the study of French culture as a transnational, transcultural and translingual phenomenon. Written by leading scholars within the field, chapters demonstrate the type of inquiry that can be pursued into the transnational realities - both material and non-material - that are integral to what is referred to as French culture. The book is divided into four sections: Languages, Spaces, Temporalities and Subjectivities. These follow a detailed introduction written by the editors that comprehensively explains and situates “transnationalism” and its reception within contemporary French Studies. The collection moves smoothly from literature to sociolinguistics to videogames and comics. In addition to its diverse subject matter, the edition makes a major contribution to French Studies by drawing attention to the complex ways that monolingualism can become conflated with monoculturalism in our discipline. Forsdick and Launchbury in their introduction stress that the “nation is a keyword that all students of France must interrogate in its historic and semantic complexity”. The collection's historical breadth expands social scientific definitions of “transnationalism” and historicizes both “Frenchness” and the French language's (and cultures') evolutions. Individual essays explore histories of migration, flows of ideas and goods to demonstrate that “transnationalism” is not a contemporary phenomenon but a cultural disposition that extends back centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly. In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys' love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third' Space: The Counterculture of Chinese Boys' Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi'an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia. About NIAS: http://www.nias.ku.dk/ Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast

Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity (Liverpool UP, 2022) by Dr. Ross Clare introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader's understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters, structured by medium, principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature, and culture. An abundance of case studies from literature, film, television, and videogames—including Star Trek, Battlestar Galactica, Bill and  Ted's Excellent Adventure, and Fallout: New Vegas—show how classical antiquity is reused, encountered, and re-encountered by creators and consumers of the present. Clare shows how we bounce off images of this history, and it bounces off us, a reciprocation that creates new visions of Greece and of Rome. In addition to this book, Ross Clare is the author of Ancient Greece and Rome in Videogames, with Bloomsbury Academic Press, as well as having written some short stories, and video game scripts. He used to teach at the University of Liverpool. Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Redmen TV Podcast is powered by Who Knows Wins. Join at redmen.whoknowswins.com and play along with us! #ad #begambleawareChris, Dan and Ste P are here for the podcast this week where they'll be talking about FSG putting Liverpool up for sale and the story so far on the news...Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

Gab Marcotti and Julien Laurens discuss Liverpool's potential sale, and ask who would be likely to buy the club. The guys also discuss Real Madrid's surprise defeat against Rayo Vallecano, three defeats in four for Graham Potter's Chelsea, and praise Napoli after moving eight points clear in Serie A. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Devine, JJ Bull, and Jon Mackenzie are here to talk about some football. The show was recorded as news broke that FSG were looking to sell Liverpool.  Southampton have sacked Ralph Hasenhüttl. A special guest gives us a brief summary of their thoughts… We look back on the group stages of this year's Champions League as the last 16 draw is made. And react LIVE to the mouthwatering prospect of Manchester United and Barcelona facing off in the Europa League. Plus Arsenal won again to further enhance their credentials as title contenders. The Tifo football podcast is presented by Joe Devine and produced by Steve Hankey. Learn more about your ad choices. Visit megaphone.fm/adchoices