Podcasts about Penn State University Press

This episode explores the role of protection magic as a historically grounded response to war, oppression, and systemic violence across diverse cultural and temporal contexts.Drawing on peer-reviewed academic sources, it examines how magical practices—rituals, talismans, verbal formulae, and spirit invocations—have been used as forms of spiritual defence and political resistance. From Mesopotamian anti-witchcraft rites and Greco-Roman defensive curses to medieval Christian amulets, Renaissance grimoires, and the Magical Battle of Britain, the lecture situates protection magic within broader religious, social, and cosmological frameworks.Special attention is given to non-Western and postcolonial contexts, including the ritual technologies of Haitian Vodou during the revolution, Obeah in the British Caribbean, Yoruba warrior rites, and Andean protective ceremonies. The discussion also considers contemporary expressions of magical protection, including digital activist magic, Chaos Magic, and the esoteric disciplines of Damien Echols under carceral conditions.CONNECT & SUPPORT

From the battles over Jerusalem to the emergence of the “Holy Land,” from legally mandated ghettos to the Edict of Expulsion, geography has long been a component of Christian-Jewish relations. Attending to world maps drawn by medieval Christian mapmakers, Cartographies of Exclusion: Anti-Semitic Mapping in Medieval England (Penn State University Press, 2024) by Dr. Asa Simon Mittman brings us to the literal drawing board of “Christendom” and shows the creation, in real time, of a mythic state intended to dehumanize the non-Christian people it ultimately sought to displace. In his close analyses of English maps from the twelfth and thirteenth centuries, Asa Simon Mittman makes a valuable contribution to conversations about medieval Christian perceptions of Jews and Judaism. Grounding his arguments in the history of anti-Jewish sentiment and actions rampant in twelfth- and thirteenth-century England, Dr. Mittman shows how English world maps of the period successfully Othered Jewish people by means of four primary strategies: conflating Jews with other groups; spreading libels about Jewish bodies, beliefs, and practices; associating Jews with Satan; and, most importantly, cartographically “mislocating” Jews in time and space. On maps, Jews were banished to locations and historical moments with no actual connection to Jewish populations or histories. Medieval Christian anti-Semitism is the foundation upon which modern anti-Semitism rests, and the medieval mapping of Jews was crucial to that foundation. Dr. Mittman's thinking offers essential insights for any scholar interested in the interface of cartography, politics, and religion in premodern Europe. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

From the battles over Jerusalem to the emergence of the “Holy Land,” from legally mandated ghettos to the Edict of Expulsion, geography has long been a component of Christian-Jewish relations. Attending to world maps drawn by medieval Christian mapmakers, Cartographies of Exclusion: Anti-Semitic Mapping in Medieval England (Penn State University Press, 2024) by Dr. Asa Simon Mittman brings us to the literal drawing board of “Christendom” and shows the creation, in real time, of a mythic state intended to dehumanize the non-Christian people it ultimately sought to displace. In his close analyses of English maps from the twelfth and thirteenth centuries, Asa Simon Mittman makes a valuable contribution to conversations about medieval Christian perceptions of Jews and Judaism. Grounding his arguments in the history of anti-Jewish sentiment and actions rampant in twelfth- and thirteenth-century England, Dr. Mittman shows how English world maps of the period successfully Othered Jewish people by means of four primary strategies: conflating Jews with other groups; spreading libels about Jewish bodies, beliefs, and practices; associating Jews with Satan; and, most importantly, cartographically “mislocating” Jews in time and space. On maps, Jews were banished to locations and historical moments with no actual connection to Jewish populations or histories. Medieval Christian anti-Semitism is the foundation upon which modern anti-Semitism rests, and the medieval mapping of Jews was crucial to that foundation. Dr. Mittman's thinking offers essential insights for any scholar interested in the interface of cartography, politics, and religion in premodern Europe. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the battles over Jerusalem to the emergence of the “Holy Land,” from legally mandated ghettos to the Edict of Expulsion, geography has long been a component of Christian-Jewish relations. Attending to world maps drawn by medieval Christian mapmakers, Cartographies of Exclusion: Anti-Semitic Mapping in Medieval England (Penn State University Press, 2024) by Dr. Asa Simon Mittman brings us to the literal drawing board of “Christendom” and shows the creation, in real time, of a mythic state intended to dehumanize the non-Christian people it ultimately sought to displace. In his close analyses of English maps from the twelfth and thirteenth centuries, Asa Simon Mittman makes a valuable contribution to conversations about medieval Christian perceptions of Jews and Judaism. Grounding his arguments in the history of anti-Jewish sentiment and actions rampant in twelfth- and thirteenth-century England, Dr. Mittman shows how English world maps of the period successfully Othered Jewish people by means of four primary strategies: conflating Jews with other groups; spreading libels about Jewish bodies, beliefs, and practices; associating Jews with Satan; and, most importantly, cartographically “mislocating” Jews in time and space. On maps, Jews were banished to locations and historical moments with no actual connection to Jewish populations or histories. Medieval Christian anti-Semitism is the foundation upon which modern anti-Semitism rests, and the medieval mapping of Jews was crucial to that foundation. Dr. Mittman's thinking offers essential insights for any scholar interested in the interface of cartography, politics, and religion in premodern Europe. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

What did it mean for ordinary believers to live a Christian life in late antiquity? In Christians at Home: John Chrysostom and Domestic Rituals in Fourth-Century Antioch (Penn State University Press, 2024), Blake Leyerle explores this question through the writings, teachings, and reception of John Chrysostom—a priest of Antioch who went on to become the bishop of Constantinople in AD 397. Through elaborate spatial and ritual recommendations, Chrysostom advised listeners to turn their houses into churches. Influenced by New Testament descriptions of the Pauline communities, he preached that prayer and chant, scriptural discussion and hospitality, and even domestic furnishings would have a transformational effect on a home's inhabitants. But as Leyerle shows, Chrysostom's lay listeners had different views. They were focused not on personal ethical change or on the afterlife but on the immediate, tangible needs of their households. They were committed to Christianity and defended the legitimacy of their views, even citing precedents from scripture in support of their practices By reading these perspectives on early Christian life through one another, Leyerle clarifies the points of disagreement between Chrysostom and his lay listeners and, at the same time, highlights their shared understanding. For both the preacher and his congregations, the household formed a vital ritual arena, and lived religion was necessarily rooted in practice. Elegantly written and convincingly argued, this study will appeal to scholars of theology, classics, and the history of Christianity in particular. New Books in Late Antiquity is presented by Ancient Jew Review Blake Leyerle is Professor of Early Christianity at the University of Notre Dame Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What did it mean for ordinary believers to live a Christian life in late antiquity? In Christians at Home: John Chrysostom and Domestic Rituals in Fourth-Century Antioch (Penn State University Press, 2024), Blake Leyerle explores this question through the writings, teachings, and reception of John Chrysostom—a priest of Antioch who went on to become the bishop of Constantinople in AD 397. Through elaborate spatial and ritual recommendations, Chrysostom advised listeners to turn their houses into churches. Influenced by New Testament descriptions of the Pauline communities, he preached that prayer and chant, scriptural discussion and hospitality, and even domestic furnishings would have a transformational effect on a home's inhabitants. But as Leyerle shows, Chrysostom's lay listeners had different views. They were focused not on personal ethical change or on the afterlife but on the immediate, tangible needs of their households. They were committed to Christianity and defended the legitimacy of their views, even citing precedents from scripture in support of their practices By reading these perspectives on early Christian life through one another, Leyerle clarifies the points of disagreement between Chrysostom and his lay listeners and, at the same time, highlights their shared understanding. For both the preacher and his congregations, the household formed a vital ritual arena, and lived religion was necessarily rooted in practice. Elegantly written and convincingly argued, this study will appeal to scholars of theology, classics, and the history of Christianity in particular. New Books in Late Antiquity is presented by Ancient Jew Review Blake Leyerle is Professor of Early Christianity at the University of Notre Dame Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What did it mean for ordinary believers to live a Christian life in late antiquity? In Christians at Home: John Chrysostom and Domestic Rituals in Fourth-Century Antioch (Penn State University Press, 2024), Blake Leyerle explores this question through the writings, teachings, and reception of John Chrysostom—a priest of Antioch who went on to become the bishop of Constantinople in AD 397. Through elaborate spatial and ritual recommendations, Chrysostom advised listeners to turn their houses into churches. Influenced by New Testament descriptions of the Pauline communities, he preached that prayer and chant, scriptural discussion and hospitality, and even domestic furnishings would have a transformational effect on a home's inhabitants. But as Leyerle shows, Chrysostom's lay listeners had different views. They were focused not on personal ethical change or on the afterlife but on the immediate, tangible needs of their households. They were committed to Christianity and defended the legitimacy of their views, even citing precedents from scripture in support of their practices By reading these perspectives on early Christian life through one another, Leyerle clarifies the points of disagreement between Chrysostom and his lay listeners and, at the same time, highlights their shared understanding. For both the preacher and his congregations, the household formed a vital ritual arena, and lived religion was necessarily rooted in practice. Elegantly written and convincingly argued, this study will appeal to scholars of theology, classics, and the history of Christianity in particular. New Books in Late Antiquity is presented by Ancient Jew Review Blake Leyerle is Professor of Early Christianity at the University of Notre Dame Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

What did it mean for ordinary believers to live a Christian life in late antiquity? In Christians at Home: John Chrysostom and Domestic Rituals in Fourth-Century Antioch (Penn State University Press, 2024), Blake Leyerle explores this question through the writings, teachings, and reception of John Chrysostom—a priest of Antioch who went on to become the bishop of Constantinople in AD 397. Through elaborate spatial and ritual recommendations, Chrysostom advised listeners to turn their houses into churches. Influenced by New Testament descriptions of the Pauline communities, he preached that prayer and chant, scriptural discussion and hospitality, and even domestic furnishings would have a transformational effect on a home's inhabitants. But as Leyerle shows, Chrysostom's lay listeners had different views. They were focused not on personal ethical change or on the afterlife but on the immediate, tangible needs of their households. They were committed to Christianity and defended the legitimacy of their views, even citing precedents from scripture in support of their practices By reading these perspectives on early Christian life through one another, Leyerle clarifies the points of disagreement between Chrysostom and his lay listeners and, at the same time, highlights their shared understanding. For both the preacher and his congregations, the household formed a vital ritual arena, and lived religion was necessarily rooted in practice. Elegantly written and convincingly argued, this study will appeal to scholars of theology, classics, and the history of Christianity in particular. New Books in Late Antiquity is presented by Ancient Jew Review Blake Leyerle is Professor of Early Christianity at the University of Notre Dame Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness

What did it mean for ordinary believers to live a Christian life in late antiquity? In Christians at Home: John Chrysostom and Domestic Rituals in Fourth-Century Antioch (Penn State University Press, 2024), Blake Leyerle explores this question through the writings, teachings, and reception of John Chrysostom—a priest of Antioch who went on to become the bishop of Constantinople in AD 397. Through elaborate spatial and ritual recommendations, Chrysostom advised listeners to turn their houses into churches. Influenced by New Testament descriptions of the Pauline communities, he preached that prayer and chant, scriptural discussion and hospitality, and even domestic furnishings would have a transformational effect on a home's inhabitants. But as Leyerle shows, Chrysostom's lay listeners had different views. They were focused not on personal ethical change or on the afterlife but on the immediate, tangible needs of their households. They were committed to Christianity and defended the legitimacy of their views, even citing precedents from scripture in support of their practices By reading these perspectives on early Christian life through one another, Leyerle clarifies the points of disagreement between Chrysostom and his lay listeners and, at the same time, highlights their shared understanding. For both the preacher and his congregations, the household formed a vital ritual arena, and lived religion was necessarily rooted in practice. Elegantly written and convincingly argued, this study will appeal to scholars of theology, classics, and the history of Christianity in particular. New Books in Late Antiquity is presented by Ancient Jew Review Blake Leyerle is Professor of Early Christianity at the University of Notre Dame Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Explore the fascinating and transgressive world of the Munich Handbook of Necromancy (Clm 849), a unique medieval text that unveils the complex interplay between magic, religion, and ritual power in late medieval Europe. This video delves into the handbook's systematic approach to necromantic practices, its reliance on Christian liturgical elements, and its deep roots in clerical culture. Discover how this manuscript reflects the tensions between orthodoxy and heresy, sacred and profane while revealing the medieval worldview's intricate cosmology and its enduring intrigue with the arcane. Join me as we uncover the secrets of this remarkable cultural artefact, offering a window into the clerical underworld and the potent allure of forbidden knowledge. CONNECT & SUPPORT

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States. Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg's Saving Private Ryan, Tom Brokaw's The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda. By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dive into the fascinating history and practices of necromancy in this academic exploration! From its origins in ancient Greece and Mesopotamia to its role in ancestor veneration, divination, and ritual magic, this video traces necromancy's evolution across cultures and its moral and theological implications. Discover its ambiguous standing in history, its portrayal in classical texts, and how modern esoteric traditions reinterpret this enduring practice. Join me as we bridge the worlds of the living and the dead! CONNECT & SUPPORT

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts? Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist. Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, we bring back one of our all-time favorite guests (and emeritus co-Producer / co-Founder of re:verb) Dr. Derek G. Handley to talk about his newly-published book, Struggle for the City: Rhetorics of Citizenship and Resistance in the Black Freedom Movement. This episode is a spiritual successor to our first episode with Derek (all the way back in Episode 6!), which focused on the rhetoric of 20th-century urban renewal policies in Pittsburgh, and African American citizens' resistance to those policies and practices that threatened their homes and businesses.Derek has now expanded his analysis of urban renewal rhetorics - and the modes of citizenship and resistance practiced by African American community members in response to them. His new book, Struggle for the City, focuses on urban renewal policy struggles that played out across three Northern cities in the 1950s and ‘60s: St. Paul Minnesota, Pittsburgh, Pennsylvania, and Milwaukee, Wisconsin. In each of these case studies, Derek deftly traces the rhetorical contours of the master narrative (such as the use of the “blight” metaphor) that shaped how urban renewal policies, including highway and infrastructure development, ultimately uprooted and destabilized African American communities. In turn, his case studies center on the voices of these communities, showing how they responded using a framework he calls “Black Rhetorical Citizenship.” The rhetorical practices inherent within this mode of citizenship - which include deliberation and community decision-making, the circulation of multi-modal counterstories, and a forward-looking focus on public memory - are not only essential touchstones in the less-publicized history of Civil Rights struggles in Northern cities during the 20th century; they also provide an important scaffold for current rhetorical strategies in ongoing Black freedom and justice struggles in the US writ large.In this conversation, Derek also shares some details of his ongoing public scholarship project (co-directed with UW-M Geography Professor Dr. Anne Bonds) Mapping Racism and Resistance in Milwaukee County, which seeks to document restrictive and racist housing covenants in the city of Milwaukee, Wisconsin and its surrounding suburbs, as well as community resistance to these and related practices. Derek's book, Struggle for the City: Rhetorics of Citizenship and Resistance in the Black Freedom Movement, is available via Penn State University Press on September 24, 2024More information on the Mapping Racism and Resistance in Milwaukee County project can be found hereWorks and Concepts Referenced in this EpisodeHandley, D. G. (2019). “The Line Drawn”: Freedom Corner and Rhetorics of Place in Pittsburgh, 1960s-2000s. Rhetoric Review, 38(2), 173-189.Houdek, M., & Phillips, K. R. (2017). Public memory. In Oxford research encyclopedia of communication.Kock, C., & Villadsen, L. (Eds.). (2015). Rhetorical citizenship and public deliberation. Penn State Press.Loyd, J. M., & Bonds, A. (2018). Where do Black lives matter? Race, stigma, and place in Milwaukee, Wisconsin. The Sociological Review, 66(4), 898-918.Mapping Prejudice [University of Minnesota Project on restrictive housing covenants]Musolff, A. (2012). Immigrants and parasites: The history of a bio-social metaphor. In Migrations: Interdisciplinary Perspectives (pp. 249-258). Vienna: Springer Vienna. [on the use of “disease” metaphors in immigration discourse]Nelson, H. L. (2001). Damaged identities, narrative repair. Fordham University. [on the concepts of “master narrative” and “counterstories”]Pittsburgh Courier Archive (from Newspapers.com)Wilson, A. (2007). The August Wilson Century Cycle. Theatre Communications Group.An accessible transcript for this episode can be found here

A vibrant urban settlement from mediaeval times and the royal seat of the Safavid dynasty, the city of Isfahan emerged as a great metropolis during the seventeenth century. Using key sources, Isfahan: Architecture and Urban Experience in Early Modern Iran (Penn State University Press, 2024) reconstructs the spaces and senses of this dynamic city. Focusing on nuances of urban experience, Dr. Farshid Emami expands our understanding of Isfahan in a global context. He takes the reader on an evocative journey through the city's markets, promenades, and coffeehouses, bringing to life the social landscapes that animated the lives of urban dwellers and shaped their perceptions of themselves and the world. In doing so, Emami reveals seventeenth-century Isfahan as more than a cluster of beautiful monuments and gardens. It was a cosmopolitan city, where senses and materials, nature and artifice, and ritual and sociability acted in unison, engendering urban experiences that became paramount across the globe during the early modern period. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Operating on the premise that our failure to recognize our interconnected relationship to the rest of the cosmos is the origin of planetary peril, Ecological Solidarities: Mobilizing Faith and Justice for an Entangled World  (Penn State University Press, 2019) presents academic, activist, and artistic perspectives on how to inspire reflection and motivate action in order to construct alternative frameworks and establish novel solidarities for the sake of our planetary home. The selections in this volume explore ecologies of interdependence as a frame for religious, theological, and philosophical analysis and practice. Contributors examine questions of justice, climate change, race, class, gender, and coloniality and discuss alternative ways of engaging the world in all its biodiversity. Each essay, poem, reflection, and piece of art contributes to and reflects upon how to live out entangled differences toward positive global change. Constructive and practical, global and local, communal and personal, Ecological Solidarities is an innovative contribution to the discourses on relational and liberative thought and practice in religion, philosophy, and theology. It will be welcomed by scholars of World Christianity and theology as well as seminary students, activists, and laity interested in issues of justice and ecology. Krista E. Hughes is Associate Professor of Religion and Director of the Muller Center at Newberry College. Dhawn B. Martin is Executive Director of the Source of Light Center in San Antonio, Texas. Elaine Padilla is Associate Professor of Philosophy and Religion and Latinx/Latin American Studies at the University of La Verne. She is the author of Divine Enjoyment: A Theology of Passion and Exuberance and coeditor of three volumes in the series Christianities of the World. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Plutarch is one of history's most influential authors: his insights were foundational to thinkers ranging from William Shakespeare to Alexander Hamilton, Nietzsche to Montesquieu. Yet, today his writings have fallen out of favor, in part because the genre he pioneered, biography, has fallen out of favor within academia, though it retains popularity among the general public. West Point political scientist Hugh Liebert delves into Plutarch's thought, revealing that Plutarch had profound philosophical insights despite his reputation as a historian. Along the way, he illustrates areas where Plutarch's thought might seem foreign to us versus those where his insights are evergreen, and makes the case for the continued importance of the biographical genre. Hugh Liebert is Professor of Political Science in the Department of Social Sciences at the United States Military Academy in West Point, New York. There, he serves as Director of the West Point Graduate Scholarship Program and Co-Director of the American Foundations minor. He is the author or editor of seven books, including Plutarch's Politics (Cambridge University Press, 2016), recipient of the Delba Winthrop Award for Excellence in Political Science, and Gibbon's Christianity (Penn State University Press, 2022). He is currently at 2023-24 Visiting Fellow here at the James Madison Program. Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Annika Nordquist is the Communications Coordinator of Princeton University's James Madison Program in American Ideals and Institutions and host of the Program's podcast, Madison's Notes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Plutarch is one of history's most influential authors: his insights were foundational to thinkers ranging from William Shakespeare to Alexander Hamilton, Nietzsche to Montesquieu. Yet, today his writings have fallen out of favor, in part because the genre he pioneered, biography, has fallen out of favor within academia, though it retains popularity among the general public. West Point political scientist Hugh Liebert delves into Plutarch's thought, revealing that Plutarch had profound philosophical insights despite his reputation as a historian. Along the way, he illustrates areas where Plutarch's thought might seem foreign to us versus those where his insights are evergreen, and makes the case for the continued importance of the biographical genre. Hugh Liebert is Professor of Political Science in the Department of Social Sciences at the United States Military Academy in West Point, New York. There, he serves as Director of the West Point Graduate Scholarship Program and Co-Director of the American Foundations minor. He is the author or editor of seven books, including Plutarch's Politics (Cambridge University Press, 2016), recipient of the Delba Winthrop Award for Excellence in Political Science, and Gibbon's Christianity (Penn State University Press, 2022). He is currently at 2023-24 Visiting Fellow here at the James Madison Program. Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Annika Nordquist is the Communications Coordinator of Princeton University's James Madison Program in American Ideals and Institutions and host of the Program's podcast, Madison's Notes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Plutarch is one of history's most influential authors: his insights were foundational to thinkers ranging from William Shakespeare to Alexander Hamilton, Nietzsche to Montesquieu. Yet, today his writings have fallen out of favor, in part because the genre he pioneered, biography, has fallen out of favor within academia, though it retains popularity among the general public. West Point political scientist Hugh Liebert delves into Plutarch's thought, revealing that Plutarch had profound philosophical insights despite his reputation as a historian. Along the way, he illustrates areas where Plutarch's thought might seem foreign to us versus those where his insights are evergreen, and makes the case for the continued importance of the biographical genre. Hugh Liebert is Professor of Political Science in the Department of Social Sciences at the United States Military Academy in West Point, New York. There, he serves as Director of the West Point Graduate Scholarship Program and Co-Director of the American Foundations minor. He is the author or editor of seven books, including Plutarch's Politics (Cambridge University Press, 2016), recipient of the Delba Winthrop Award for Excellence in Political Science, and Gibbon's Christianity (Penn State University Press, 2022). He is currently at 2023-24 Visiting Fellow here at the James Madison Program. Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Annika Nordquist is the Communications Coordinator of Princeton University's James Madison Program in American Ideals and Institutions and host of the Program's podcast, Madison's Notes.

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France (Penn State University Press, 2024), Dr. Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period's reconceptualization of art. Drawing on sources ranging from eighteenth-century artists' writings to twenty-first-century laboratory analyses, Dr. Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century's end reimagined as the irreducible essence of art's autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art's meaning and purpose. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

A uniquely powerful marker of ethnic, gender, and class identities, scent can also overwhelm previously constructed boundaries and transform social-sensory realities within contexts of environmental degradation, pathogen outbreaks, and racial politics. Hannah Gould and Gwyn McClelland's edited volume Aromas of Asia: Exchanges, Histories, Threats (Penn State University Press, 2023) critically examines olfaction in Asian societies with the goal of unlocking its full potential as an analytical frame and lived phenomenon. Featuring contributions from international scholars with deep knowledge of the region, this volume conceptualizes Asia and its borders as a dynamic, transnationally connected space of olfactory exchange. Using examples such as trade along the Silk Road; the diffusion of dharmic religious traditions out of South Asia; the waves of invasion, colonization, and forced relocation that shaped the history of the continent; and other “sensory highways” of contact, the contributors break down essentializing olfactory tropes and reveal how scent functions as a category of social and moral boundary-marking and boundary-breaching within, between, and beyond Asian societies. Smell shapes individual, collective, and state-based memory, as well as discourses about heritage and power. As such, it suggests a pervasive and powerful intimacy that contributes to our understanding of the human condition, mobility, and interconnection. In addition to the editors, the contributors to this volume include Khoo Gaik Cheng, Jean Duruz, Qian Jia, Shivani Kapoor, Adam Liebman, Lorenzo Marinucci, Peter Romaskiewicz, Saki Tanada, Aubrey Tang, and Ruth E. Toulson. Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

First published in Venice in 1502, Camillo Leonardi's Speculum Lapidum is an encyclopedic summary of all classical and medieval sources of lithotherapy. Today Jana Byars talks to Liliana Leopardi about her new translation, Speculum Lapidum: A Renaissance Treatise on the Healing Properties of Gemstones (Penn State University Press, 2023). In early modern Europe precious and semiprecious stones were valued not only for their beauty and rarity but also for their medical and magical properties. Lorenzo de' Medici, Philip II of Spain, and Popes Leo X and Clement VII were all treated with expensive potions incorporating ground gems such as rubies, diamonds, and emeralds. Medical and magical/astrological lapidaries, texts describing the stones' occult and medical qualities as well as their abilities to ward off demons and incantations, were essential resources for their use.  In describing the natural, manifest, and occult properties of precious and semiprecious stones as well as their graven images and applications, the Speculum Lapidum provides tremendous insight into the role that medical astrology and astral magic played in the life of an Italian court in the early modern period. Liliana Leopardi's English translation, complete with critical apparatuses, gives unprecedented access to this key text within the magical lapidary genre. A vital addition to the existing canon of lapidaria in translation, Leopardi's work will be of special importance for students and scholars of the history of magic, medicine, religion, and Renaissance humanism, and it will fascinate anyone interested in the occult properties of precious and semiprecious stones. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

First published in Venice in 1502, Camillo Leonardi's Speculum Lapidum is an encyclopedic summary of all classical and medieval sources of lithotherapy. Today Jana Byars talks to Liliana Leopardi about her new translation, Speculum Lapidum: A Renaissance Treatise on the Healing Properties of Gemstones (Penn State University Press, 2023). In early modern Europe precious and semiprecious stones were valued not only for their beauty and rarity but also for their medical and magical properties. Lorenzo de' Medici, Philip II of Spain, and Popes Leo X and Clement VII were all treated with expensive potions incorporating ground gems such as rubies, diamonds, and emeralds. Medical and magical/astrological lapidaries, texts describing the stones' occult and medical qualities as well as their abilities to ward off demons and incantations, were essential resources for their use.  In describing the natural, manifest, and occult properties of precious and semiprecious stones as well as their graven images and applications, the Speculum Lapidum provides tremendous insight into the role that medical astrology and astral magic played in the life of an Italian court in the early modern period. Liliana Leopardi's English translation, complete with critical apparatuses, gives unprecedented access to this key text within the magical lapidary genre. A vital addition to the existing canon of lapidaria in translation, Leopardi's work will be of special importance for students and scholars of the history of magic, medicine, religion, and Renaissance humanism, and it will fascinate anyone interested in the occult properties of precious and semiprecious stones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Simon's book, "The Inconvenient Lonnie Johnson," is new in paperback via Penn State University Press. This book, originally released in late 2022, examines the life and times of New Orleans blues and jazz great Lonnie Johnson through his music, from his first cut, "Mr. Johnson's Blues," on Okeh Record in the mid 20s to his unforgettable ballads and jazz songs in the 1960s. Simon describes the traits that make Johnson inconvenient for scholars and music fans alike in her book and in this interview brings this talented and often misunderstood master of the guitar, violin and voice to life. Visit Julia Simon at California-Davis, and on Facebook.-->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandrunsHooks & Runs - www.hooksandruns.comHooks & Runs on TikTok -  https://www.tiktok.com/@hooksandrunsHooks & Runs on Twitter - https://twitter.com/thehooksandrunsAndrew Eckhoff on Tik TokLink: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Music: "Warrior of Light" by ikolics (Premium Beat)    

Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature's role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz's analysis focuses on Mennonite literature―including Sofia Samatar's short story collection Tender and Miriam Toew's novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany's novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz's arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society. Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature's role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz's analysis focuses on Mennonite literature―including Sofia Samatar's short story collection Tender and Miriam Toew's novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany's novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz's arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society. Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature's role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz's analysis focuses on Mennonite literature―including Sofia Samatar's short story collection Tender and Miriam Toew's novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany's novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz's arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society. Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature (Penn State UP, 2023) is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature's role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times. In this book, Cruz theorizes theapoetics―a feminist reading strategy that reveals the Divine via literature based on lived experiences―and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz's analysis focuses on Mennonite literature―including Sofia Samatar's short story collection Tender and Miriam Toew's novel Women Talking―but also examines a non-Mennonite text, Samuel R. Delany's novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions. Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz's arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society. Daniel Shank Cruz (they/multitudes) is a queer, disabled boricua who grew up in New York City and Lancaster, Pennsylvania. Multitudes is the author of Queering Mennonite Literature: Archives, Activism, and the Search for Community, also published by Penn State University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

On today's show, Alex and Calvin continue to break down the concept of “Manipulation” in rhetoric and political discourse, recapping part one of this series, demonstrating strategies for identifying and critiquing manipulation, and discussing how this kind of large-scale “mind control” is affecting contemporary foreign policy discourse in the US.The term manipulation, as we define it, comes from a school of linguistic and discourse analysis known as Critical Discourse Studies (CDS), which is primarily concerned with the ways language is used to reinforce inequality and power differentials in society. We walk through how the term is defined by CDS scholar Teun van Dijk, from his landmark 2006 article “Discourse and Manipulation.” In it, van Dijk gives us a toolkit for understanding 3 different levels of manipulation: (1) social, which designates the human relationships, power positions, and organizational and political resources required to effect manipulation at scale; (2) cognitive, which designates how manipulative language forms mental models that influence people's thoughts and actions in the world; and (3) discursive, which captures the various linguistic, stylistic, and rhetorical strategies that tend to recur in manipulation.This time, to put this term in context, we analyze an example of discourse manipulation surrounding US foreign policy, specifically as it relates to Israel's ongoing war on Gaza: President Joe Biden's November 18 opinion article in the Washington Post, entitled “The U.S. won't back down from the challenge of Putin and Hamas.” We closely analyze how President Biden uses manipulation strategies straight out of Van Dijk to persuade WaPo-reading liberals to ignore both the US's constant and substantial material support for Israel's war and its own military's history of bloody and destructive imperialism throughout the Middle East, North Africa, and elsewhere in the world. We also note various tactics that the president deploys to naturalize inequality and normalize bigotry, all while touting the US's role as the “essential” peace-loving, freedom-spreading nation. “The U.S. won't back down from the challenge of Putin and Hamas” - Joe BidenLink to Part One of this SeriesWorks and Concepts Cited in this Episode:Azoulay, A., & Ophir, A. (2012). The one-state condition: occupation and democracy in Israel/Palestine. Stanford University Press.Fairclough, N. (2003). Analysing discourse: Textual analysis for social research. Psychology Press.Fifield, A. (19 March 2013). “Contractors reap $138B from Iraq war.” CNN.com. McGee, M. C. (1980). The “ideograph”: A link between rhetoric and ideology. Quarterly journal of speech, 66(1), 1-16. [Our 2018 re:blurb on Ideographs can be found here.]Oddo, J. (2019). The discourse of propaganda: Case studies from the Persian Gulf War and the War on Terror. Penn State University Press. [Our September 2021 episode with CDS scholar John Oddo can be found here.]Perelman, C. & Olbrechts-Tyteca, L. (1969). The New Rhetoric: A Treatise on Argumentation. Trans. John Wilkinson and Purcell Weaver. University of Notre Dame Press.Schneider, T. (8 Oct 2023). “For years, Netanyahu propped up Hamas. Now it's blown up in our faces.” The Times of Israel. Van Dijk, T. A. (2006). Discourse and manipulation. Discourse & society, 17(3), 359-383.An accessible transcript of this episode is available upon request. Please reach out to us via email (reverbcontent[AT]gmail.com), social media, or our website contact form to request a transcript.

On today's show, Alex and Calvin break down the concept of “Manipulation” in rhetoric and political discourse. We outline some key strategies for identifying and critiquing manipulation, and discuss its social and political implications as a form of large-scale “mind control.”The term manipulation, as we define it, comes from a school of linguistic and discourse analysis known as Critical Discourse Studies (CDS), which is primarily concerned with the ways language is used to reinforce inequality and power differentials in society. We walk through how the term is defined by CDS scholar Teun van Dijk, from his landmark 2006 article “Discourse and Manipulation.” In it, van Dijk gives us a toolkit for understanding 3 different levels of manipulation: (1) social, which designates the human relationships, power positions, and organizational and political resources required to effect manipulation at scale; (2) cognitive, which designates how manipulative language forms mental models that influence people's thoughts and actions in the world; and (3) discursive, which captures the various linguistic, stylistic, and rhetorical strategies that tend to recur in manipulation.To put this term in context, we analyze an example of discourse manipulation surrounding student protests against the most recent flare-up in Israel's war on Gaza: Carnegie Mellon University President Farnam Jahanian's email to university students and faculty in response to a recent student vigil where the phrase “from the river to the sea” was chanted. We closely analyze the careful manipulations of emphasis and value that Jahanian creates in his discourse, which subtly demonizes student demonstrators advocating for peace and the cessation of violence between Israel and Hamas, while reaffirming the supposedly apolitical “commitments” of the institution he represents.Full Text Version of Farnam Jahanian EmailWorks and Concepts Cited in this Episode:Fairclough, N. (2003). Analysing discourse: Textual analysis for social research. Psychology Press.McGee, M. C. (1980). The “ideograph”: A link between rhetoric and ideology. Quarterly journal of speech, 66(1), 1-16. [Our 2018 re:blurb on Ideographs can be found here.]Oddo, J. (2019). The discourse of propaganda: Case studies from the Persian Gulf War and the War on Terror. Penn State University Press. [Our September 2021 episode with CDS scholar John Oddo can be found here.]van Dijk, T. A. (2006). Discourse and manipulation. Discourse & society, 17(3), 359-383.An accessible transcript of this episode is available upon request. Please reach out to us via email (reverbcontent@gmail.com), social media, or our website contact form to request a transcript.

BABYLONIAN CHAOS TO A PALISADE WITHIN COSMOS PALISADES “Once more I looked, and this time I saw four chariots emerging from between two mountains of bronze.” ‭‭Zechariah‬ ‭6‬:‭1‬ ‭ Sunday, after a period of waiting the Lord said to me, “Your enemy stole your lightning…go hunt your enemy. I saw many of us under water going to spear a leviathan. Then because I didn't understand, the Lord said to me, Percy Jackson. I then looked this up online and this book came up. I didn't recognize the name of the book until Tom McManus later that evening pointed it out to me, “The Lightning Thief” and I knew then the Lord was really saying, “Our enemy has stolen our lightning” Tom proceeded to show me this. After a period of waiting I experience a strong electrical lightning type shock and transition into: “God comes from Teman, the sovereign one from Mount Paran. See X2M.139 Selah. SEAGER - SEA SPEAR You cause flash floods on the earth's surface. When the mountains see you, they shake. The torrential downpour sweeps through. The great deep shouts out; it lifts its hands high. The sun and moon stand still in their courses; the flash of your arrows drives them away, the bright light of your lightning-quick spear. You furiously stomp on the earth, you angrily trample down the nations. You march out to deliver your people, to deliver your special servant (Davidic king). You strike the leader of the wicked nation, laying him open from the lower body to the neck. Selah. SOURCE MATERIAL From the Rivers of Babylon to the Highlands of Judah: Collected Studies on the Restoration Period Sara Japhet Copyright Date: 2006 Published by: Penn State University Press, Eisenbrauns https://doi.org/10.5325/j.ctv1bxh1r4 Pages: 488 https://www.jstor.org/stable/10.5325/j.ctv1bxh1r4 Exodus Old and New: A Biblical Theology of Redemption Jonah and the Chaos Dragon Podcast Jonah and the Chaos Dragon Transcript JONAH AND LEVIATHAN Inner-Biblical Allusions and the Problem with Dragons The Dragon, the Mountain, and the Nations: An Old Testament Myth, Its Origins, and Its Afterlives Slaying the Dragon From Chaos to Cosmos: Creation to New Creation Leviathan ENTHRONEMENT ON 475 THUNDER MOUNTAIN God ascended his throne. In the context of vv. 3-4, which refer to the conquest of the land under Joshua, v. 5 is best understood as referring to an historical event. When the Lord conquered the land and placed his people in it, he assumed a position of kingship, as predicted by Moses (see Exod 15:17-18, as well as Ps 114:1-2). That event is here described metaphorically in terms of a typical coronation ceremony for an earthly king (see 2 Sam 15:10; 2 Kgs 9:13). Verses 1-2, 8-9 focus on God's continuing kingship, which extends over all nations. “God ascended amid a shout.” The words “his throne” are supplied in the translation for clarification. The Lord's coronation as king is described here (see v. 8). Here the perfect probably has a present perfect function, indicating a completed action with continuing effects. “You will bring them in and plant them in the mountain of your inheritance, in the place you made for your residence, O Lord, the sanctuary, O Lord, that your hands have established.” Exodus‬ ‭15‬:‭17‬ ‭NET‬‬ “As with the thunder of chariots over mountain tops, like the crackling of blazing fire consuming stubble, like the noise of a mighty army being drawn up for battle.” Joel‬ ‭2‬:‭5‬ “And the one seated on it was like jasper and carnelian in appearance, and a rainbow looking like it was made of emerald encircled the throne. From the throne came out flashes of lightning and roaring and crashes of thunder. Seven flaming torches, which are the seven spirits of God, were burning in front of the throne” Revelation‬ ‭4‬:‭3‬, ‭5‬ ‭NET‬ STARCHILD X - PALISADE ORDER & VICTORY IN THE MIDST OF CHAOS Going Boldly Where The Last Man has Gone Before! Decrease time over target:  PayPal or Venmo @clastronaut Cash App $clastronaut

Praying to Portraits: Audience, Identity, and Inquisition in the Early Modern Hispanic World (Penn State University Press, 2023), art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual's relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies. Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

#heka #hekate #hecate Is there any relation between the Greek Hekate and the Egyptian Heka? Let's explore the history, mythology and etymology to find an answer based on academic literature, with Dr Angela Puca. RECOMMENDED BOOKS Magic in Ancient Egypt by Pinch https://amzn.to/3HFmy50 Hekate Soteira by Johnston https://amzn.to/3VEPe3O Hekate in Ancient Greek Religion by Von Rudloff https://amzn.to/3p894s3 Daily Life of the Egyptian Gods https://amzn.to/3LAOU18 Nile into Tiber: Egypt in the Roman World https://amzn.to/42oea1p The Oxford Handbook of Ancient Greek Religion https://amzn.to/426YTSW https://amzn.to/44xW0fQ Egyptian Mythology by Pinch https://amzn.to/418zW8t CONNECT & SUPPORT