Podcasts about contemporary french

This discussion is with Dr. Devin Bryson and Dr. Molly Enz.  Dr. Bryson is a professor of French and Francophone studies and Gender and Women's studies in the global studies program at Illinois College. He has published work in Research in African Literatures, the Journal of the African Literature Association, Black Camera, and African Studies Review. His research focuses on the cultural, cinematic, and literary practices and products from Francophone Africa, especially Senegal, and how those practices and products circulate locally and globally to reconfigure conceptualizations of African people, spaces, and relations. Dr. Enz is a distinguished professor of French and global studies at South Dakota State University. Her research focuses on Francophone literature and cinema from West Africa and the Caribbean. She has published articles in Black Camera, African Studies Quarterly, the Journal of the African Literature Association, Contemporary French and Francophone Studies, the French Review, and Nineteenth-Century French Studies. In Projections of Dakar: (Re)Imagining Urban Senegal through Cinema, the discussion for this conversation, Dr. Bryson and Dr. Enz illustrate how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city.  In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris' urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do. Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This discussion is with Dr. Étienne Achille and Dr. Oana Panaïté. Dr. Achille is an Associate Professor of French and Francophone Studies at Villanova University. His publications include the monograph Mythologies postcoloniales. Pour une décolonisation du quotidien (2018, co-authored with L. Moudileno;) and the volume Postcolonial Realms of Memory: Sites and Symbols in Modern France (2020, co-edited with C. Forsdick and L. Moudileno). Dr. Panaïté is a Ruth N. Halls Professor of French and Francophone Studies at Indiana University, Bloomington. She is the author of Des littératures-mondes en français. Écritures singulières, poétiques transfrontalières dans la prose contemporaine (2012), The Colonial Fortune in Contemporary Fiction in French (2017), and Necrofiction and the Politics of Literary Memory (2022). In this conversation, we discuss their monograph, Fictions of Race in Contemporary French Literature where they analyze the works of contemporary French novelists and explore the white literary gaze in a contemporary French context. 

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu's study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks: Social Mobility in Contemporary French Literature (U Chicago Press, 2024) speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In today's episode of the podcast, Annie Sargent and Elyse Rivin chat about contemporary french novels they enjoyed in the last few years. Interested in joining the 2024 Bootcamp? Here are the details! Contemporary French Novels: Reliving the Joys of France Through Literature For many travelers who have experienced the allure of France, reading books set in that picturesque country often becomes a way to relive their adventures and memories. There's a unique joy in immersing oneself in a narrative that unfolds in familiar streets, among the charming cafes, or within the historic walls that one may have walked through during their vacations in France. This connection between travel and literature is profound and personal, offering a portal back to those cherished moments.   Table of Contents for this Episode Today on the podcast Supporting the Podcast with Your Purchases Podcast supporters Bootcamp 2024 Annie and Elyse about Favorite French Novels Facebook group moderator Jenny, keeps a list of books set in France or by French authors The only street in Paris, Elaine Sciolino Le Memoires d'Hadrien Elyse's list of Favourite Books set in France or by French Authors Fred Vargas Bernard Minier Martin Walker Tracy Chevalier Historical Novels Kate Mosse Books about World War II Sarah's Key, Tatiana de Ronay All the Light We Cannot See, Anthony Doerr Annie Arnault Marguerite Duras Youcenar L'Élégance du Hérisson Simone Weil Thank you Patrons Monthly meetings with patrons Planning a trip to France? Annie and Patricia: Possible Problems during the Paris Olympics Copyright

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Believed to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region's history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or 'freedom runner.'  Lucy Swanson's book The Zombie in Contemporary French Caribbean Fiction (Liverpool UP, 2023) is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four 'avatars' of the zombie-the slave, the trauma victim, the horde, and the popular zombie-that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes. Annie deSaussure, holds a Ph.D. in French from Yale University. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting was published in the “Podcasting Disruptive Voices” issue of CFC Intersections in July 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

This discussion is with Dr. Isaac Joslin who holds a PhD from the University of Minnesota in Francophone Studies. Currently Assistant Professor of Francophone Studies and Global Futures Scholar at Arizona State University, he has travelled extensively for research in Francophone Africa in Côte d'Ivoire, Senegal, Cameroon, Togo, Burkina Faso, Rwanda, and Burundi. His research interests include Postcolonial Francophone African literatures and cinemas, aesthetics and theories of representation, theories of cultural hybridity, ecocriticism, Afrofuturism and Africanfuturism, as well as pedagogical approaches for teaching African literatures and cultures. He has published scholarly articles on African literature and culture in the International Journal of Francophone Studies, Contemporary French and Francophone Studies, African Literature Today, The French Review, Critical African Studies, Nouvelles Études Francophones, Oeuvres et Critiques, and others. His first monograph from Ohio University Press (April 2023) is entitled, Afrofuturisms: Ecology, Humanity, and Francophone Cultural Expressions.

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France. Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Episodio 682. With Ugo Bellagamba, Sybille Marchetto and Anouk Arnal  (panel in inglese del 16.7.2021). Per l'immagine di copertina: © 2021 Maurizio Manzieri, Eurocon. All rights reserved.Support this podcast at — https://redcircle.com/fantascienticast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Travail, famille, patrie” c'était le slogan du gouvernement de Vichy qui a gouverné la France pendant la Seconde Guerre Mondiale et collaboré avec l'Allemagne nazie. En fait, la majorité de la mission d'un gouvernement repose sur ces 3 piliers: proposer une certaine vision de la famille, réglementer les conditions de travail et de l'économie qui en découle et assurer la sécurité du pays, de la patrie. Cet épisode traite de l'évolution des droits sociaux en 4 moments-clés de l'histoire contemporaine: du Front Populaire centré sur le travail au Mariage pour Tous et la réalisation de l'individu. Points clés De 1936 à l'après-guerre Mai 68 L'arrivée de François Mitterrand au pouvoir Depuis 2000: une nouvelle vision de la famille Transcription disponible : https://francais.mypolyglotlife.com/ Traduction offerte aux membres Patreon: https://www.patreon.com/cathyintro Liens : https://www.ladepeche.fr/article/2014/11/26/1999307-ces-reformes-qui-ont-change-la-societe-francaise.html http://www.slateafrique.com/1993/mitterrand-et-afrique-aventure-ambigue https://www.assistancescolaire.com/eleve/3e/histoire/reviser-une-notion/les-annees-1930-de-la-crise-au-front-populaire-3_his_40 --- Support this podcast: https://anchor.fm/mypolyglotlife/support

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind's great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network's Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The Fascination with Death in Contemporary French Thought: A Longing for the Abyss (Palgrave MacMillan, 2020) analyses a cultural phenomenon that goes to the very roots of Western civilization: the centrality of death in our sense of human existence. It does so through a close reading of seminal works by the most creative authors of modern French thought, such as Maurice Blanchot, Jacques Lacan, and Jacques Derrida. These works encode an entire ethics of postmodernism. Betty Rojtman offers the reader a prism through which to see anew the key issues of the twentieth century: tragedy, finitude, nothingness—but also contestation, liberty, and sovereignty. Little by little we understand that this fascination with death may be just the other side of humankind’s great protest, its thirst for the infinite and its desire to be. Finally, Rojtman tries to offer another view on these fundamental questions by shifting to a parallel cultural reference: Kabbalah. Renee Garfinkel, Ph.D. is a psychologist, writer, Middle East television commentator and host of The New Books Network’s Van Leer Jerusalem Series on Ideas. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes. Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes. Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes. Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes. Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press’ book series ​"Diaeresis​," of which this trilogy is a contribution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the contemporary philosophical landscape, a variety of materialist ontologies have appeared, all wrestling with various political and philosophical questions in light of a post-God ontology. Entering into this discussion is Adrian Johnston, with his 3-volume ​Prolegomena to Any Future Materialism​, an attempt to develop a systematic and thoroughly atheistic material ontology of the subject. The first volume, subtitled ​The Outcome of Contemporary French Philosophy (Northwestern University Press, 2013) looks at three recent French theorists, Jacques Lacan, Alain Badiou and Quentin Meillasoux, arguing that all three ultimately fail to maintain a consistent atheism, regularly relying on various supramaterial elements to hold their systems together. In doing so, the book attempts to clear the ground for a consistently materialist ontology to be pursued in the latter two volumes. Adrian Johnston is chair and distinguished professor of philosophy at the University of New Mexico and a faculty member at the Emory Psychoanalytic Institute. He is the author of close to a dozen books, including among others ​Time Driven: Metapsychology and the Splitting of the Drive (Northwestern 2005) and ​Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers (Edinburgh 2014). He is also a co-editor of Northwestern University Press' book series ​"Diaeresis​," of which this trilogy is a contribution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Contemporary French literature is constantly making its mark on Norwegian public life, with publications which attract attention and arouse debate. But what does the French literary discussion look like from the inside? We have invited Le Monde critic Raphaëlle Leyris to Bergen to give us some insights. Programme: Part one: What’s happening in contemporary French literature? Part two: Tradition and renewal. French literary criticism past and present. Time will be allocated for discussion and questions from the audience. The seminar is organized in collaboration with Institut Francais.

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right... Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity' and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O'Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture. Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms. Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly. In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms. Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly. In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms. Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly. In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathrin Yacavone‘s Benjamin, Barthes, and the Singularity of Photography (Bloomsbury, 2013) is an engaging study that explores connections between two of the most significant thinkers of the twentieth century: Walter Benjamin (1892-1940) and Roland Barthes (1915-1980). Considering Benjamin’s influence on Barthes’ later work on photography, the book also opens up the possibility of thinking of Barthes’ influence on how we think about and understand Benjamin in terms of the medium’s effects and significance in theoretical terms. Divided into two parts, the book situates Benjamin and Barthes in their respective historical and political contexts while pursuing a series of themes through their work on photography: self and other, autobiography, memory, and redemption. It also looks closely at each author’s readings of particular photographs, and even establishes links between these. An intriguing postscript explores the continuing relevance of the ideas of these thinkers into the age of digitization. Listeners will find much in our conversation that illuminates the history and theory of photography, as well as the ideas and oeuvres of both Benjamin and Barthes more broadly. In our interview, Kathrin and I speak about the book and also about her recent work editing a Summer 2014 issue of Nottingham French Studies on “Photography in Contemporary French and Francophone Cultures”. Outlining the themes of the articles included in this recent collection, Kathrin offers some thoughts on the continuing vitality of the medium in present-day France. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Space and Being in Contemporary French Cinema (Manchester University Press, 2013), James S. Williams engages the work of five contemporary filmmakers who are complex creators and interrogators of cinematic space in all its forms: screen, landscape, narrative, soundscape, and the space of spectatorship itself. Grappling simultaneously with film theory, the varieties of cinematic technique, and the social and political fields in which films are made and viewed, the book explores the spaces and places of films by Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. The book’s seven chapters take the reader from the “provincial” films of Dumont, to Guédiguian’s versions of Marseilles, to Cantet’s space of the classroom, Kechiche’s filmic métissage, and Denis’ cinema of diaspora. A theoretically sophisticated study that includes close readings of key films, the book is throughout concerned with the ways that cinema is a crucial site of representations of, and challenges to, French culture and tradition. Contemporary France and some of its most significant auteurs/directors here offer readers opportunities to think through critical concepts, practices, and experiences of and in the cinema. At the same time, the cinema and its spaces are sites of deep feeling, expression, and politics framing, de-framing, and re-framing the investments and fault lines of the wild, urban, exclusionary, multicultural, and postcolonial Republic. Learn more about your ad choices. Visit megaphone.fm/adchoices