Podcasts about Dorothea Lange

Shula Tas in gesprek met Hanneke Mantel, Hoofd Tentoonstellingen en Collectie bij Fenix en curator van de tentoonstelling The Family of Migrants. Fenix, het nieuwe kunstmuseum over migratie in Rotterdam opent deze weken haar deuren met de tentoonstelling The Family of Migrants. De tentoonstelling laat bijna 200 foto's rondom het thema migratie zien, gemaakt door 136 fotografen in 55 landen. Wereldberoemde foto's van onder meer Steve McCurry en Dorothea Lange worden naast minder bekend en nooit eerder getoond beeld gepresenteerd. De fototentoonstelling is geïnspireerd op de tentoonstelling The Family of Man van Edward Steichen, die in 1955 te zien was in het Museum of Modern Art in New York. Deze tentoonstelling vertelde het universele verhaal van de mens. The Family of Migrants doet dat ook, maar dan met een focus op migratie.  

Dorothea Lange sagte einmal: *„Die Kamera ist ein Instrument, das Menschen lehrt, ohne Kamera zu sehen.“* Doch was bedeutet das für uns als Fotografen? Beeinflusst das Fotografieren unsere Wahrnehmung? Nehmen wir Details bewusster wahr? In dieser Episode gehen wir diesen Fragen nach und erkunden, wie sich unser Blick durch die Fotografie verändert – oder vielleicht auch nicht.

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto   Lee Marks (Lee Marks Fine Art) was a founding member of AIPAD and was President from 1991 until 1995. Established in 1981, LMFA represents a small stable of international photographers and presents bi-monthly, online exhibitions by theme or represented artists. She also advises collectors on other photography acquisitions as well as insurance appraisals. - Lee Marks Fine Art official website https://www.leemarksfineart.com/ - Membership page on AIPAD https://www.aipad.com/member/lee-marks-fine-art - Follow Lee Marks on instagram - https://www.instagram.com/lee.marks.9809/   Robert Klein (Robert Klein Gallery) was an early member of AIPAD and was President from 1995 until 2008. Robert Klein Gallery was established in 1980 and maintains an extensive and ever-changing inventory of 19th-century, 20th-century, and contemporary fine art photography. During his tenure, Robert engineered the 2006 expansion of The AIPAD Photography Show New York to the Park Avenue Armory, firmly establishing it as one of the leading photographic fairs in the world. - Robert Klein Gallery official website https://www.robertkleingallery.com/ - Membership page on AIPAD https://www.aipad.com/member/robert-klein-gallery - Follow Robert Klein Gallery on instagram https://www.instagram.com/robertkleingallery/   Stephen Bulger (Stephen Bulger Gallery) served on the Board beginning in 2001 and became First Vice President in 2003. He was President from 2009 until 2012. Stephen Bulger Gallery, Toronto, opened in 1995, and offers an active exhibition schedule of 19th century, 20th century and contemporary international photographers. He has published numerous catalogues and books, and has curated over 120 exhibitions. Stephen is also co-founder and a member of the Board of CONTACT, Toronto's photography festival. He is a graduate of the School of Image Arts at Ryerson University, Toronto, where he was the founding Manager of the Ryerson Gallery.  - Stephen Bulger Gallery official website https://www.bulgergallery.com/ - Membership page on AIPAD https://www.aipad.com/member/stephen-bulger-gallery - Follow Stephen Bulger on instagram https://www.instagram.com/stephen.bulger/ and his gallery https://www.instagram.com/stephenbulgergallery/   Richard Moore (Richard Moore Photographs) served on the AIPAD Board of Directors for 12 years and was President from 2017 until 2021. RICHARD MOORE PHOTOGRAPHS, founded in 2000, is a private dealer of photographs, primarily vintage works by 19th and 20th century American photographers. Specialties include California photography, The Photo-Secession, Group f/64, Dorothea Lange,  Farm Security Administration (FSA) photographers, Social Documentary photography and Photo-journalism. - Richard Moore Photographs official website https://www.richardmoorephoto.com/ - Membership page on AIPAD https://www.aipad.com/member/richard-moore-photographs - Follow Richard Moore Photographs on instagram https://www.instagram.com/richardmoorephoto/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 21. March 2025 between Perth (AU), Toronto (CA), Shelbyville, IL, Oakland, CA, and Boston, MA (US).

Our cohosts had slightly different experiences solving today's crossword ... Jean found it to be a tricky but straightforward Friday, Mike found solving it more akin to climbing the Hoover Dam one-handed: doable, but only with a lot of patience (and possibly a temporary repeal of the law of gravity). Deets inside, as well as a fine Fun Fact for Fun Fact Friday™️ (and the promise of a future bit of listener mail).Show note imagery: a photo by Dorothea LANGE (pronunciation TBD), documenter of the Great Depression.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

I dagens avsnitt berättar vi om Dorothea Langes ikoniska fotografi “Migrant Mother” från 1936. Modern i det berömda fotografiet har blivit den stora depressionens (1929-1939) ansikte. Men vad är det egentligen vi ser i fotografiet? Det finns två olika versioner av historien, den ena av fotografen Dorothea Lange och den andra av den avbildade kvinnan Florence Thompson och hennes barn.Dorothea Lange var en av många fotografer som arbetade för Farm Security Administration, kort FSA, en statlig organisation som skapade en omfattande bildsamling över det amerikanska samhället mellan 1935 och 1944. Lange berättade om det gigantiska migrantläger hon hittade i Nipomo, Kalifornien, där 2500-3000 personer hade slagit upp tillfälliga hem för att få arbete inom ärtskörden som hade utlovats i tidningsannonser. Men på grund av det exceptionellt kalla vädret och vårstormar hade ärtskörden frusit sönder och det fanns inga arbeten för de desperata och utsatta människorna, som nu var strandsatta på det leriga fältet. I fältanteckningarna som Lange lämnade in tillsammans med de sex fotografierna som hon tog av familjen beskriver hon: "Sju hungriga barn. Fadern är infödd i Kalifornien. Utblottade i ärtplockarläger ... på grund av den misslyckade ärtskörden. Dessa människor hade precis sålt sina däck för att köpa mat." Men denna berättelse dementerades av modern Florence Thompson, när hon valde att träda fram 1978, efter att Lange hade gått bort. Florence Thompson berättade om sitt Cherokee-ursprung och att hon inte alls hörde till de stora skarorna av migranter som hade lämnat Oklahoma för att söka sin lycka i Kalifornien. Denna marsdag 1936 hade bilens kylare gått sönder och barnen hade tagit den till närmaste stad för att få den reparerad, medan hon och de andra barnen väntade. Lange hade också skickat bilderna till redaktören för San Francisco News, där några av fotografierna trycktes redan några dagar efter hennes besök i lägret, under rubriken: "Ragged, Hungry, Broke, Harvest Workers Live in Squalor.", vilket gick emot det hon hade lovat Thompson. Långt senare skulle många FSA-fotografer kritiseras och anklagas för att de hade riktat sina linser mot "perfekta offer" som de, delvis arrangerat, visade i sina fotografier. Ändå måste FSA-fotografernas viktiga roll för statens hjälpinsatser poängteras. Langes bilder på Florence Thompson och hennes barn fick omedelbar uppmärksamhet av Resettlement Administration i Washington och 9000 kg mat skickades till ärtplockarlägret i Nipomo.Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

I could not put this away. Once I saw what happened here: the orange Tug River from the strip mines…the strip mining, the desecration, the poverty. I owed it to the world to tell what happened. William Trent Pancoast has worked as a construction laborer, gas station attendant, railroad section hand and brakeman, factory laborer, commercial laundry foreman, and machinist. He's been an English teacher and a journeyman die-maker. In 1986 The Wall Street Journal dubbed Pancoast a "Blue collar writer" and that's just fine with him, as he told the Journal, "The reason I write about work is that that's just about damn near all I've ever done." His working-class-flavored short stories and essays have appeared in many Midwestern and international magazines and newspapers. Pancoast's novel Crashing was published in 1983. In 1986, his United Auto Worker's union history was published. Pancoast spent the next twenty years as the editor of a monthly union newspaper-the Union Forum-while continuing to publish his fiction, essays, and editorials not only in the Union Forum but also in the UAW's 1.2 million circulation Solidarity magazine. A revised version of his novel The Road to Matewan has just been published and yesterday Bill Pancoast drove down from his home in Ohio to give a reading and talk at the West Virginia Mine Wars Museum so I figured the least I could do was make the 7-hour drive down – my own 300-mile Road to Matewan – to record it for you. By the way, as you'll hear, the train still runs through town right across from the museum. On this week's Labor History in Two: the year was 1965; that was the day acclaimed photojournalist Dorothea Lange died. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. @WarsWV #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

After a weeklong strike, Molson Coors repair workers with Machinists Lodge 66 in Milwaukee ratify a new contract. The immigrant-founded workers co-op Los Volcanoes launches in Madison, Tennessee factory workers are ordered to their death during Appalachian storms, a UAW striker is killed on a Michigan picket line, Boeing management talks tough as the West Coast Machinists strike ends its first month, South Central Federation of Labor AFL-CIO president Kevin Gundlach explains the SCFL electoral endorsement process, a Malaysian contractor of the multinational Kimberly-Clark is found to use forced labor, a Kansa City tenants union has called a strike, and photographer Dorothea Lange is remembered on the anniversary of her death.

Die erfolgreichste Fotoausstellung aller Zeiten ist nicht in New York, Paris oder Peking zu sehen, sondern in einem Tal der luxemburgischen Ardennen. Dort beherbergt das Städtchen Clervaux in seiner mittelalterlichen Burg die Ausstellung „The Family of Man“. Rund 500 Bilder von vielen wichtigen Fotografen des 20. Jahrhunderts - Robert Capa, Henri Cartier-Bresson, August Sander oder Dorothea Lange -, aber auch von unbekannten Amateuren. Auftraggeber dieses Projektes waren die UN, mehr als zehn Millionen Menschen haben die Ausstellung von 1955 bis heute gesehen. In Clervaux ist die letzte erhaltene Version zu sehen – weil ihr aus Luxemburg stammender Kurator Edward Steichen sie seiner alten Heimat schenkte.

This month marks the 70th anniversary of the renowned American photographer Dorothea Lange's visit to Clare. In September 1954, she came to Clare, with the aim of capturing rural life in Ireland. Her month spent exploring the towns, villages and farms of the Banner County resulted in 2,400 remarkable photos. To discuss this further, Alan Morrissey was joined by Gerry Mullins, who produced both a book and documentary on Dorothea Lange's visit to Clare. Photo (c): https://pallantbookshop.com/product/dorothea-langes-ireland/

Fotografske podobe nas spremljajo vsak dan, živimo v družbi preplavljeni s podobami. In te podobe nam zavestno in nezavedno oblikujejo misli, občutja, tudi življenjske nazore in izbire. Večina te vizualne, fotografske hiperprodukcije je brez globljega smisla, brez refleksije, brez neke dodane vrednosti, ki bi osmišljala humanistično držo pri posamezniku. In družbi. A vendarle obstajajo podobe, ikonične fotografije, ki s svojo sporočilnostjo in močjo sežejo dlje in globlje in lahko spreminjajo zavest družbe in celo preusmerijo tok zgodovine. Katere so, te ikonične fotografije, imajo tudi v tem hektičnem in desenzibiliziranem času, ki ga živimo, še moč dramila? O tem se je avtorica in voditeljica Liana Buršič pogovarjala z gostoma v tokratni Intelekti, pa tudi o meji, cenzuri in etosu, ko fotografiramo ljudi in dogodke, o družbeno angažirani fotografiji in o tem, kaj s fotografijo sploh želimo sporočiti soljudem in svetu ter manku senzibilnosti ob gledanju. Fotografija priča o življenju, daljnem in bližnjem, vsekakor je močno orodje, prav tako kot tisti, ki gleda skozi to tretje oko – fotograf. Ali kot je rekla znamenita ameriška fotografinja, Dorothea Lange, ki je zaslovela s svojo serijo fotogafij migrantske matere, posnete v času velike gospodarske krize – fotoaparat je orodje, ki uči ljudi, kako gledati, videti tudi brez fotoaparata. Gosta: - Manca Juvan, mednarodno priznana fotografinja, zaposlena na ZRC SAZU-ju, Znanstvenoraziskovalnem centru Slovenske akademije znanosti in umetnosti, na oddelku za multimedijo - Dr. Uroš Hočevar, fotograf, docent na VIST-u, Fakulteti za aplikativne vede, na oddelku za fotografijo, tudi ustanovitelj Inštituta kolektiff Foto: "Čakajoč na popis", Matic Zorman, World Press Photo 2016, 1. nagrada, portret (izsek objavljen z dovoljenjem avtorja)

La fotografía Madre Emigrante 1936: La Obra Maestra de Dorothea Lange es una de las imágenes más icónicas de la Gran Depresión. Capturada por la talentosa fotógrafa Dorothea Lange, esta imagen ha dejado una huella indeleble en la historia de la fotografía y el periodismo visual. En este video, exploramos el contexto histórico de la fotografía, la vida de la madre inmigrante retratada, y el impacto duradero de esta poderosa imagen. Descubre cómo Lange logró capturar la esencia de una era con su cámara y cómo esta foto ha influido en generaciones de fotógrafos y artistas. Únete a nosotros mientras desentrañamos los secretos detrás de esta fotografía que ha definido una época y sigue siendo relevante hoy en día. #FotografíaHistórica#DorotheaLange#MadreEmigrante1936

This week the award-winning Cinematographer, Shana Hagan, ASC. In the words of fellow cinematographer Gretchen Warthen: “Shana is the biggest documentary female DP/Operator in the world… and one of the kindest DPs I have ever worked with on set. You would never know who she is in the cinematography world without looking her up.” Her work includes DPing the 1997 Oscar-winning Documentary Short BREATHING LESSONS: THE LIFE & WORK OF MARK O'BRIEN and shooting additional cinematography for the 2014 Oscar-winning Best Documentary Feature: 20 FEET FROM STARDOM.  She worked on the Oscar nominated 2010 Documentary FOOD, INC., and DP'd the 2020 Oscar nominated Documentary Short: WALK RUN CHA-CHA as well as the 2005 Sundance Film Festival Award Special Jury Prize Winner - AFTER INNOCENCE and the 2012 Sundance Film Festival Award Grand Jury Prize nominee - THE QUEEN OF VERSAILLES. Shana has firmly embedded herself in the industry. Born in Phoenix, Arizona, to parents Robert Hagan, MD and Peggy Hagan, a Girl Scout Camp Director and Troop Leader, Shana is the middle of three children. Her parents instilled many important values in her which have helped her throughout her life and career. As a schoolgirl, she became a competitive swimmer at the age of five through to her Freshman year at Loyola Marymount University in Los Angeles where she attended film school. It was a natural career path for the enthusiastic young photographer who had already developed a keen eye for filmmaking. Shana was the ‘official' family videographer with a curious mind, appetite for storytelling and a passion that grew as she established the foundation for her craft, opening doors and creating opportunities right out of school. Shana was the first woman to shoot on the hit reality series SURVIVOR and was nominated for an Emmy for her work on SURVIVOR: CHINA. She shot four seasons on NBC's PARKS AND RECREATION, was the 2nd Unit DP on Netflix's ARRESTED DEVELOPMENT and has shot commercial spots for Disney, Electronic Arts, Kohl's, the US Army, Kodak, Verizon and others. Shana's current scripted work includes the critically acclaimed, Peabody Award-winning series SOMEBODY SOMEWHERE for HBO and Fox's half hour docu-comedy WELCOME TO FLATCH. She lives in Los Angeles with her husband Peter, daughter Iris, two dogs and two cats. https://www.shanahagan.com/ https://www.imdb.com/name/nm0353248/Instagram: @shanahaganaschttps://www.instagram.com/shanahaganasc/Shana's Playlist:"I love classical: “Appalachian Spring” by Aaron Copland – so cinematic and nostalgic for summers on Grandma and Grandpa's farm in Oklahoma.Saint-Saens' “Carnival of the Animals: 7 / Aquarium”Vivaldi – “Four Seasons / Spring”I love world music:Ali Farka Toure  “Kaira”Cesaria Evora  “Sodade”Buena Vista Social Club  “Chan Chan”The Chieftains  “The Wind That Shakes the Barley / The Reel With the Beryle”More random faves and some new stuff too:Dave Brubeck's  “Take Five”Bill Withers  “Lovely Day”U2  “Beautiful Day” Coldplay  “A Sky Full of Stars”Bonobo  “Recurring”Khruangbin   “Texas Sun”Lord Huron  “The Night We Met”Radiohead  “Big Sleep”Black Pumas  “Colors”Some favorite female artists in visual arts:"I absolutely love Dorothea Lange's photography.  Her work during the depression is some of the best documentary photography there is.  See “Migrant Mother” and it'll rip your heart out.  also love Georgia O'Keeffe – did a doc about her years ago and was just in love with her story, her passion for her work, her friends (Steiglitz, Ansel Adams, etc).  Would love to have a drink with her."______ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the award-winning Cinematographer, Shana Hagan, ASC. In the words of fellow cinematographer Gretchen Warthen: “Shana is the biggest documentary female DP/Operator in the world… and one of the kindest DPs I have ever worked with on set. You would never know who she is in the cinematography world without looking her up.” Her work includes DPing the 1997 Oscar-winning Documentary Short BREATHING LESSONS: THE LIFE & WORK OF MARK O'BRIEN and shooting additional cinematography for the 2014 Oscar-winning Best Documentary Feature: 20 FEET FROM STARDOM.  She worked on the Oscar nominated 2010 Documentary FOOD, INC., and DP'd the 2020 Oscar nominated Documentary Short: WALK RUN CHA-CHA as well as the 2005 Sundance Film Festival Award Special Jury Prize Winner - AFTER INNOCENCE and the 2012 Sundance Film Festival Award Grand Jury Prize nominee - THE QUEEN OF VERSAILLES. Shana has firmly embedded herself in the industry. Born in Phoenix, Arizona, to parents Robert Hagan, MD and Peggy Hagan, a Girl Scout Camp Director and Troop Leader, Shana is the middle of three children. Her parents instilled many important values in her which have helped her throughout her life and career. As a schoolgirl, she became a competitive swimmer at the age of five through to her Freshman year at Loyola Marymount University in Los Angeles where she attended film school. It was a natural career path for the enthusiastic young photographer who had already developed a keen eye for filmmaking. Shana was the ‘official' family videographer with a curious mind, appetite for storytelling and a passion that grew as she established the foundation for her craft, opening doors and creating opportunities right out of school. Shana was the first woman to shoot on the hit reality series SURVIVOR and was nominated for an Emmy for her work on SURVIVOR: CHINA. She shot four seasons on NBC's PARKS AND RECREATION, was the 2nd Unit DP on Netflix's ARRESTED DEVELOPMENT and has shot commercial spots for Disney, Electronic Arts, Kohl's, the US Army, Kodak, Verizon and others. Shana's current scripted work includes the critically acclaimed, Peabody Award-winning series SOMEBODY SOMEWHERE for HBO and Fox's half hour docu-comedy WELCOME TO FLATCH. She lives in Los Angeles with her husband Peter, daughter Iris, two dogs and two cats. https://www.shanahagan.com/ https://www.imdb.com/name/nm0353248/Instagram: @shanahaganaschttps://www.instagram.com/shanahaganasc/Shana's Playlist:"I love classical: “Appalachian Spring” by Aaron Copland – so cinematic and nostalgic for summers on Grandma and Grandpa's farm in Oklahoma.Saint-Saens' “Carnival of the Animals: 7 / Aquarium”Vivaldi – “Four Seasons / Spring”I love world music:Ali Farka Toure  “Kaira”Cesaria Evora  “Sodade”Buena Vista Social Club  “Chan Chan”The Chieftains  “The Wind That Shakes the Barley / The Reel With the Beryle”More random faves and some new stuff too:Dave Brubeck's  “Take Five”Bill Withers  “Lovely Day”U2  “Beautiful Day” Coldplay  “A Sky Full of Stars”Bonobo  “Recurring”Khruangbin   “Texas Sun”Lord Huron  “The Night We Met”Radiohead  “Big Sleep”Black Pumas  “Colors”Some favorite female artists in visual arts:"I absolutely love Dorothea Lange's photography.  Her work during the depression is some of the best documentary photography there is.  See “Migrant Mother” and it'll rip your heart out.  also love Georgia O'Keeffe – did a doc about her years ago and was just in love with her story, her passion for her work, her friends (Steiglitz, Ansel Adams, etc).  Would love to have a drink with her." Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Emily Inouye Huey's father was born in a prison camp during World War II. His parents were imprisoned simply for the color of their skin and suffered terrible injustices. Still, Huey's father and other ancestors chose to move forward following the war, refusing to harbor resentment or bitterness—passing on to their children and grandchildren the hope of a much brighter future. Today, Emily is an author who wants to make sure their victory over the atrocities of war is known and that their legacy lives on. 1:40- Family's Experience During World War II 3:55- Dorothea Lange 11:28- Wat Misaka 13:28- Why Representation Matter 17:29- A Need To Create 20:36- Rid of Resentment 25:52- Belief in People 29:07- Finding the Gospel 33:24- What Does It Mean To Be All In the Gospel of Jesus Christ? “The way that they survived, the way that they came out of it still able to love this country and this world, all those things to me are a victory.” Links: Wat Kept Playing Beneath the Wide Silk Sky Emily discussing literature and representation: Celebrating Canyons Culture Through Picture Books and Young Adult BooksCSDtv Canyons District•42 views•1 month ago Dorothea Lange Photo- https://emilyhuey.com/novels/

In this episode of the TILT Parenting Podcast, I'm excited to share with you a conversation I recently had with filmmaker Tom Ropelewski. Tom is the director of the highly acclaimed documentary 2e: Twice Exceptional, which came out in 2015, and he's currently wrapping up post-production on a follow-up film, called 2e2: Teaching the Twice Exceptional. Tom's films center around Bridges Academy, a school for twice-exceptional kids in Studio City, CA that seems to have figured out the best way to meet the educational needs of these unique learners. In our conversation, Tom shares his story and personal why behind making these films, talks about the educational model at Bridges, describes how his films are helping to bring awareness of 2e kids' into the mainstream, and gives us a sneak peek at his new film coming out later this year.   About Tom: Thomas Ropelewski has written and directed for both film and television. He wrote and made his feature directorial debut with the Orion Pictures comedy MADHOUSE, starring John Larroquette and Kirstie Alley. Other film credits include LOVERBOY, THE KISS, LOOK WHO'S TALKING NOW and THE NEXT BEST THING. His television work includes serving as writer/executive producer for three seasons of Paramount TV's action/sci-­‐fi series SEVEN DAYS. Recently, Ropelewski produced and directed the documentary, CHILD OF GIANTS: My Journey with Maynard Dixon and Dorothea Lange. The film has been screened at film festivals, colleges and museums around the world. It has also aired on KCET/San Francisco's “Truly CA” documentary series. He currently resides in Berkeley, CA and is married to screenwriter Leslie Dixon (MRS. DOUBTFIRE, HAIRSPRAY, THE THOMAS CROWN AFFAIR, LIMITLESS).   Things You'll Learn From This Episode: Tom's personal why for creating documentaries How Bridges Academy successfully supports 2e kids The story behind Tom's film, 2e: Twice Exceptional The focus of Tom's follow-up documentary, coming in 2018: 2e2: Teaching the Twice Exceptional How Tom's documentary helped to expand general awareness of 2e / twice-exceptional Why it's critical to use a strengths-based approach when educating 2e kids Get Exclusive NordVPN deal here → https://nordvpn.com/tilt - It's risk-free with Nord's 30-day money-back guarantee! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Nerdy Photographer Podcast, we delve into the captivating world of street photography, where the pulse of a city beats through every frame. Join us as we explore the art of capturing the essence of a city—the rhythm of its streets, the diversity of its people, and the stories etched into its sidewalks and skylines. Our guest, Phil Penman, shares his insights into the nuances of capturing the soul of a city. From bustling metropolises to sleepy neighborhoods, we discuss the magic of street photography as a means of documenting the ever-evolving tapestry of urban life. Phil also shares his tips and techniques for consistently finding interesting images to capture. Street photography serves as a powerful lens through which to explore the complex layers of urban culture. By capturing fleeting moments of beauty, chaos, and humanity, photographers offer us a glimpse into the heart and soul of a city. From the iconic landmarks that define its skyline to the hidden alleyways that pulse with life, each image tells a story—a snapshot of the city's past, present, and future. Join us as we celebrate the art of street photography. Episode Promos Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Pixifi CRM software - https://nerdyphotographer.com/recommends/pixifi/  Nerdy Photographer contract templates - https://nerdyphotographer.com/product-category/contracts/  Siteground Web Hosting - https://www.siteground.com/go/nerdy  Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Already subscribed? Leave a review! Tell your friends about the podcast - even tell your enemies! Subscribe to the newsletter - https://nerdyphotographer.com/newsletter/  Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer swag and be the coolest photographer around - https://www.teepublic.com/stores/nerdy-photographer Buy Casey a drink by going to our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest The British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City's streets for more than 25 years. In his career as a news and magazine photographer, with a large body of work in such publications as The Guardian, The Independent, The New York Review of Books, among others, he has photographed major public figures and historical events. In particular, his report-age following the September 11, 2001 terrorist attack on the World Trade Center has been featured on NBC's Today show, as well as on the BBC, History Channel, and Al Jazeera, and his images have been included in the 9/11 Memorial and Museum's archives. His work covering the pandemic lockdown in New York City has been acquired by the U.S. Library of Congress, whose collection holds work by such great Depression-era documentarians as Walker Evans and Dorothea Lange. Besides showing at Leica galleries in New York, Washington, D.C., Boston, and London, Penman's signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching workshops on photography for Leica Akademie. He was recently named among the “52 Most Influential Street Photographers,” alongside such legends as Henri Cartier-Bresson, Sebastião Salgado, Diane Arbus, and Garry Winogrand. Penman's book, “Street” , published in 2019, became a best-seller and was featured at the Museum of Modern Art in New York. His most recent book “ New York Street Diaries” launched as the number one selling Street Photography book worldwide on Amazon. Website - https://philpenman.com Instagram - https://instagram.com/philpenman Street: Photographs on Amazon - https://amzn.to/3UgKJNO New York Street Diaries on Amazon - https://amzn.to/3vP0F0i  What Did You Think About This Episode? Are you a street photographer or interested in becoming one? Let us know your thoughts at our contact page - https://nerdyphotographer.com/contact - or leave a comment / send a DM on social media. We would also love to hear your photography related questions or topics you might like to hear on an upcoming episode About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com 

In this episode, we discuss our experiences at a local Femdom event.Episode Art: No Title, Dorothea Lange, 1939,  Yale/Library of CongressSupport the show

HT1827 - Beyond the Headline Heroes, Part 2 For some reason, I always seem to prefer the lesser known photographers rather than the headline heroes. I prefer the landscapes of Wynn Bullock over Ansel Adams, the portraits of Paul Strand over those of Annie Leibovitz, the daily life photographs of Josef Sudek over those of Dorothea Lange, and the reportage of Josef Koudelka over that of Henri Cartier-Bresson.

Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.Monica Poggi"Robert Capa, Gerda Taro"La fotografia, l'amore, la guerraCamera Torino, fino al 2 giugno 2024Un'altra grande mostra - dopo le personali dedicate a Eve Arnold, Dorothea Lange e André Kertész - che racconta con oltre 120 fotografie uno dei momenti cruciali della storia della fotografia del XX secolo, il rapporto professionale e affettivo fra Robert Capa e Gerda Taro, tragicamente interrottosi con la morte della fotografa in Spagna nel 1937.Fuggita dalla Germania nazista lei, emigrato dall'Ungheria lui, Gerta Pohorylle ed Endre – poi francesizzato André – Friedmann (questi i loro veri nomi) si incontrano a Parigi nel 1934, e l'anno successivo si innamorano, stringendo un sodalizio artistico e sentimentale che li porta a frequentare i cafè del Quartiere Latino ma anche ad impegnarsi nella fotografia e nella lotta politica. In una Parigi in grande fermento, invasa da intellettuali e artisti da tutta Europa, trovare committenze è però sempre più difficile. Per cercare di allettare gli editori, è Gerta a inventarsi il personaggio di Robert Capa, un ricco e famoso fotografo americano arrivato da poco nel continente, alter ego con il quale André si identificherà per il resto della sua vita. Anche lei cambia nome e assume quello di Gerda Taro. L'anno decisivo per entrambi è il 1936: in agosto si muovono verso la Spagna, per documentare la guerra civile in corso tra i repubblicani e fascisti; il mese dopo Robert Capa realizzerà il leggendario scatto del Miliziano colpito a morte, mentre Gerda Taro scatta la sua immagine più iconica, una miliziana in addestramento, pistola puntata e scarpe con i tacchi, in un punto di vista inedito della guerra fatta e rappresentata da donne. Insieme a queste due icone, i fotografi realizzano tanti altri scatti, che testimoniano di una partecipazione intensa all'evento, sia dal punto di vista del reportage di guerra, sia da quello della vita quotidiana dei soldati, delle soldatesse e della popolazione drammaticamente vittima del conflitto. La Spagna è, infatti, in quegli anni una terra che attira molti intellettuali, scrittori e registi da tutto il mondo come Ernest Hemingway, immortalato in uno scatto di Capa, che racconterà l'esperienza della guerra civile spagnola nel suo capolavoro “Per chi suona la campana” oppure George Orwell che ne parlerà in “Omaggio alla Catalogna”. Le loro fotografie vengono pubblicate sui maggiori giornali del tempo, da “Vu” a “Regards” a “Life”, conferendo alla coppia – che spesso firma con un'unica sigla, senza distinguere l'autore o l'autrice dello scatto – una solida fama e molte richieste di lavoro. Nel corso del 1936 e del 1937 i due si spostano tra Parigi e la Spagna, documentando ad esempio gli scioperi nella capitale francese e le elezioni del 1937, conclusesi con la vittoria del raggruppamento antifascista del Fronte Popolare. Ma anche il Convegno Internazionale degli Scrittori Antifascisti a Valencia, dove Taro fotografa personaggi come André Malraux, Ilya Ehrenburg, Tristan Tzara, Anna Seghers. Proprio poco dopo la vittoria del Fronte Popolare, però, durante la battaglia di Brunete, in Spagna, il 24 luglio del 1937, Gerda Taro viene involontariamente investita da un carro armato e muore, chiudendo così tragicamente la vita della prima reporter di guerra. L'anno successivo, Robert Capa darà alla luce l'epocale volume Death in the Making, dedicato alla compagna, nel quale si trovano molte delle immagini visibili in mostra, di entrambi i fotografi. L'intensa stagione di fotografia, guerra e amore di questi due straordinari personaggi è narrata nella mostra di CAMERA - curata da Walter Guadagnini e Monica Poggi - attraverso le fotografie di Gerda Taro e quelle di Robert Capa, nonché dalla riproduzione di alcuni provini della celebre “valigia messicana”, contenente 4.500 negativi scattati in Spagna dai due protagonisti della mostra e dal loro amico e sodale David Seymour, detto “Chim”. La valigia, di cui si sono perse le tracce nel 1939 - quando Capa l'ha affidata a un amico per evitare che i materiali venissero requisiti e distrutti dalletruppe tedesche - è stata ritrovata solamente a fine anni Novanta a Mexico City, permettendo di attribuire correttamente una serie di immagini di cui fino ad allora non era chiaro l'autore o l'autrice. La mostra si apre con una sala che introduce le figure di questi straordinari autori anche grazie a due documentari, The Mexican Suitcase (2011) di Trisha Ziff e Searching for Gerda Taro (2021) di Camille Ménager, di cui sono mostrati degli estratti particolarmente utili a fornire delle lenti di lettura utilizzate anche nella scelta delle opere esposte poi nelle sale successive. Dopo le immagini realizzate da Capa a Parigi, il percorso esplora la documentazione della guerra attraverso gli spostamenti e i focus dati da Capa e Taro, concludendosi con la pagina più straziante, quella della distruzione e della morte causata dal conflitto.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it

Travel expert and PBS host Rick Steves stops by for “ATL Up and Away.” Plus, we hear about the new exhibition at the Booth Museum of Western Art, “Dorothea Lange and Pirkle Jones: Death of a Valley,” and find out about Atlanta Contemporary's new executive director. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Great Depression wasn't something we talked much about in my family. I do know it's what made my grandfather quit school in the eighth grade to go work in his father's grocery store. When we think of this time in international history, which lasted roughly from the Stock Market crash in 1929 until the lead-up to World War 2, we often think of the photographs of Dorothea Lange and the New Deal which funded large public works proejcts like the TVA and Hoover Dam. But quilt historian Janneken Smucker has uncovered a softer side the New Deal, one that until now, has received scant attention: the role of quilts as a of domestic stream of income.In this conversation, Janneken and I explore: ① how the New Deal may have changed quilting for a generation ② how quilts can be containers of hope and resilience ③ how quilts were used as American propagandaI hope you enjoy HOW TO SOFTEN HARD TIMES with my good friend, Janneken SmuckerHELPFUL RESOURCES⤷ New Deal for Quilts by Janneken Smucker⤷ International Quilt Museum exhibit website⤷ Farm Security Administration Photo Archives⤷ Soft Covers for Hard Times by Merikay Waldvogel⤷ Always There: The African-American Presence in American Quilts by Cuesta BenberrySEAMSIDE host Zak foster co-explores the inner work of textiles with various textile artists. In each episode, we seek to understand how working with cloth makes us more human.⤷ Looking for a supportive textile community online? Check out the NOOK!⤷ I also send weekly email goodies⤷ New to SEAMSIDE? Check out THE TOP TEN FAN FAVORITE EPISODES ⤷ Here's my website with lots of pretty quilts⤷ And of course you can see more on Instagram⤷ Enter here for your chance to win a FREE YEAR on the NOOK!

This week's guest is Director of Photography and Cinematographer Hannah Epstein has been with National Football League (NFL) since 2012 and is the first female camera operator on the staff. Hannah was born in Pennington, NJ in 1990 to Terri, a writer and artist, and Jonathan, a lawyer. She has a brother Harrison who works in finance. In her youth, Hannah was a keen sportswoman and played on lacrosse and basketball teams. She became fascinated with cameras at any early age, vigorously studying the fine art of still photography, which provided the foundation for film. She attended Middlebury College in Vermont, which had a film and media culture and where she also enjoyed cinema studies. Hannah also spent a semester in Ireland where she produced music videos. In 2005, Hannah volunteered for the Israel Lacrosse organization, coaching kids and filming the program's U19 women's team. Back in the US, Hannah interned in the camera department of the NFL, which led to her current position as Staff Cinematographer. She was DP for HBO's “Hard Knocks Training Camp, and DP on the TV series Earnin' It and Abby's Places, and camera operator on 30 for 30. When she is not on the road with NFL Films, Hannah is working with her parent's dog Winnie in agility training or taking still photos for fun. She lives in Haddon Heights, NJ.Hannah on Instagram @hannah.k.epsteinHannah's IMDB - https://www.imdb.com/name/nm13357021/Playlist: Wavelength - VanceJoy Sunrise - Norah JonesIvy - Taylor SwiftCrash Into Me - Dave Matthews BandBroken Halos - Chris StapletonKeep It Loose, Keep it Tight - Amos LeeLeon Bridges - Brown Skin GirlIf I Ain't Got You - Alicia KeysBeatles "Rubber Soul" Album Women visual artists I admire:Lynsey Addario (photojournalist, conflict photographer)Sophie Darlington (wildlife cinematographer)Dorothea Lange (documentary photographer)Krystle Wright (Nat Geo / Adventure photographer)Rachel Morrison (cinematographer/director of Photography) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

This week's guest is Director of Photography and Cinematographer Hannah Epstein has been with National Football League (NFL) since 2012 and is the first female camera operator on the staff. Hannah was born in Pennington, NJ in 1990 to Terri, a writer and artist, and Jonathan, a lawyer. She has a brother Harrison who works in finance. In her youth, Hannah was a keen sportswoman and played on lacrosse and basketball teams. She became fascinated with cameras at any early age, vigorously studying the fine art of still photography, which provided the foundation for film. She attended Middlebury College in Vermont, which had a film and media culture and where she also enjoyed cinema studies. Hannah also spent a semester in Ireland where she produced music videos. In 2005, Hannah volunteered for the Israel Lacrosse organization, coaching kids and filming the program's U19 women's team. Back in the US, Hannah interned in the camera department of the NFL, which led to her current position as Staff Cinematographer. She was DP for HBO's “Hard Knocks Training Camp, and DP on the TV series Earnin' It and Abby's Places, and camera operator on 30 for 30. When she is not on the road with NFL Films, Hannah is working with her parent's dog Winnie in agility training or taking still photos for fun. She lives in Haddon Heights, NJ. Hannah on Instagram @hannah.k.epsteinHannah's IMDB - https://www.imdb.com/name/nm13357021/Playlist: Wavelength - VanceJoy Sunrise - Norah JonesIvy - Taylor SwiftCrash Into Me - Dave Matthews BandBroken Halos - Chris StapletonKeep It Loose, Keep it Tight - Amos LeeLeon Bridges - Brown Skin GirlIf I Ain't Got You - Alicia KeysBeatles "Rubber Soul" Album Women visual artists I admire:Lynsey Addario (photojournalist, conflict photographer)Sophie Darlington (wildlife cinematographer)Dorothea Lange (documentary photographer)Krystle Wright (Nat Geo / Adventure photographer)Rachel Morrison (cinematographer/director of Photography) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

Episode No. 632 of The Modern Art Notes Podcast features curators Philip Brookman and Julian Brooks. Brookman is the curator of "Dorothea Lange: Seeing People," at the National Gallery of Art, Washington. The exhibition presents Lange's decades-long portraiture practice in over 100 photographs, pictures that range from the Great Depression through the 1960s. "Seeing People" is on view through March 31, 2024. The exhibition catalogue was published by the NGA in association with Yale University Press. Amazon and Bookshop offer it for $43-51. With Edina Adam, Brooks is the co-curator of "William Blake: Visionary," at the J. Paul Getty Museum, Los Angeles. Blake was a printmaker and painter who built an unconventional, fantastical, often narrative world view that he presented across both poetry and art. The presentation includes a colored copy of Blake's illuminated book America a Prophecy, a mindfully careful telling of the story of the American Revolution. "Blake" is at the Getty through January 14, 2024. The Getty-published exhibition catalogue is available from Bookshop and Amazon for $29-33.

Tess Taylor shares the fascinating story behind her latest anthology, "Leaning Toward Light: Poems for Gardens and the Hands That Tend Them." Tess's work serves as a beacon, urging humanity towards diversity, unity, and restorative hope. In this episode, we delve into gardening from the perspective of food justice and community building.  Whether you're a gardening enthusiast, a fan of poetry, or someone seeking to make a difference in the world, this episode will inspire you to get your hands in the soil.The anthology is available anywhere books are sold  BUT If you'd like a signed copy, contact Pegasus Books in Berkeley,  California (on Solano Street). Tess has generously offered to come into the store to personalize your copy. About Tess Taylor:Tess Taylor lives in El Cerrito, California, where she raises artichokes on the sidewalk median strip, has four chickens in the backyard, and is working to restore a community orchard. Her work as a writer deals with place, ecology, memory, and cultural reckoning.  She published five celebrated poetry collections: The Misremembered World, The Forage House,  Last West: Roadsongs for Dorothea Lange, Work & Days, and Rift Zone.  She has also been the on-air poetry reviewer for NPR's All Things Considered for over a decade. Her work as a cultural critic appears in Harpers Magazine, The Atlantic, The Kenyon Review, Poetry, Tin House, The Times Literary Supplement, CNN, and The New York Times.  She is currently at work on two plays, one of which is a stage adaptation of her book of poems about American photographer Dorothea Lange, and later this fall, she'll release a podcast called Intimate Addresses, about six extraordinary twentieth-century artists letters, with Anna Deveare Smith, and Getty. Her latest work, Leaning Toward Light: Poems for Gardens and the Hands that Tend Them, is a collection of contemporary gardening poems, for an era of climate crisis, which includes poems by some of the most luminary poets writing today. The word anthology means “bouquet or gathering of flowers,” and this bouquet does gather many incredible offerings of poetry. www.tesstaylor.comClick here for the free How to Eat Less Water CONDIMENT STORAGE TABLE. It is a printable list of popular condiments that belong in the pantry and those in the refrigerator that can be hung in your kitchen for easy reference.Download the TEN TIPS to EAT LESS WATER SUMMER PARTY PLANNING GUIDE for all the tips, steps, and info on celebrating like a kitchen activist with your friends and family. Find gifts designed to serve well-being at the Eat Less Water Shop. Get a copy of the EAT LESS WATER book.Reach me at info@eatlesswater.com

As global political leaders, key figures in the tech industry and academics meet at Bletchley Park in the UK for a two-day summit on artificial intelligence— discussing in particular the risks of these new technologies and how they could be mitigated—we look at a project that reflects AI's extraordinary potential. The Vesuvius Challenge aims to use AI to unlock the texts in the papyrus scrolls that were carbonised when the Roman city of Herculaneum was covered in ash and pumice after the eruption of the Vesuvius volcano in 79 AD. Brent Seales, the computer scientist behind the project, discusses the technologies involved and his optimism for a positive outcome. Then, Andrew Wallace-Hadrill, director of research and honorary professor of Roman Studies at Sidney Sussex College, Cambridge, tells us about Herculaneum and the Villa of the Papyri where the scrolls were recovered, and considers what the papyri might contain. In modern-day Italy, the country's culture minister has designated Pietrangelo Buttafuoco—a right-wing journalist and author whose books include a literary portrait of the notorious former Italian prime minister Silvio Berlusconi—as the next president of the Venice Biennale. It is the latest in a series of appointments that opposition politicians describe as “chilling”. We talk to The Art Newspaper's correspondent in Italy, James Imam. And this episode's Work of the Week is Dorothea Lange's photograph Maynard and Dan Dixon (1930). Philip Brookman, the curator of a new exhibition dedicated to Lange's portraiture at the National Gallery of Art in Washington, DC, tells us more.Vesuvius Challenge, visit scrollprize.orgDorothea Lange: Seeing People, National Gallery of Art, Washington, DC, 5 November-31 March 2024 Hosted on Acast. See acast.com/privacy for more information.

In episode Twenty-four, Dr. Benjamin Cawthra sits down with graduate students, Natalie Vandercook, Angelica Smith, and Kayla Ratliff, to discuss their work on the Great Park Gallery's new exhibit, Dorothea Lange's California: 1935-1942. The students talk about the process of researching and mounting an exhibition, and reflect on the impact of Lange's photography and its continued relevance today.

As we move toward October, the first a few intermittent episodes reminding us of the artistry behind our plant and garden love, the artistry underpinning mother nature herself. This week we're in conversation with artist Libby Ellis – photographer who sees the fullness of creation in the many faces of the flowers who delight us. Libby Ellis is a fine art photographer based on the island now known as Martha's Vineyard homeland of the Wampanoag people and nation who named the beautiful island Noepe. Monochromoatic and often single focused Ellis' work lands in my heart in a similar way as a Georgia O'Keeffe painting or a Dorothea Lange portrait – all of them capturing the essence of one subject while contributing insight into the workings of life itself – nature, plus the workings of humanity and its perceptions. In the case of Libby Ellis – the focal point include everyday flowers from Cosmos to musk roses, hibiscus to magnolia. And her work has been featured from various locations on Martha's Vineyard including the Featherstone Center for the Arts and the Carnegie Museum to London's Saatchi Gallery for the Royal Horticultural Society's 2022 Botanical Art and Photography exhibit, from the Harvard Divinity School to large scale projection against a high rise building in Denver, CO. Libby joins us from her studio in Edgartown MA (on the to share more about her photographic eye and gardener's heart.

¿Necesitas la mayor calidad en tu equipo? Normalmente, fotógrafos y videógrafas, siempre estamos mirando qué quipo comprar para mejorar la calidad de nuestros trabajos. Pero luego alucinamos con trabajos que sin saberlo están realizados con equipo antiguo. Y hablando de evitar errores, que mejor con agendar una consultoría de marketing o de técnica fotográfica con nosotros. Y así evitarte perder el tiempo. La primera mujer nominada al Oscar a mejor fotografía Y para abordar este tema hemos escogido la maravillosa y cruda Moodbound del 2017, dirigida por la estadounidense Dee Rees y fotografiada por la nominada Rachel Morrison con la que entro en la historia al ser la primera mujer en llevarse esta nominación. Moodbound es perfecta, para este episodio por dos cosas. Obviamente por su trabajo de fotografía, que tiene bebe mucho del trabajo de Dorothea Lange y por el equipo que uso para rodar toda la película. Y es que escogió ópticas antiguas por los "defectos" que tenían. Esto tendría que dar mucho que pensar. Y es justo lo que queremos fomentar en este episodio veraniego del podcast. ¿Te lo vas a perder? Gracias por suscribirte a los cursos, por tus valoraciones en Apple Podcasts, comentarios y me gusta en Ivoox, por escucharnos y seguirnos en Spotify. Un saludo y hasta el próximo lunes a las 07:00.

durée : 00:59:03 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Dans quelle mesure les photographies de Dorothea Lange constituent-elles un témoignage de l'Amérique en crise des années 1930 ? - invités : Emmanuel Didier Sociologue, directeur de recherche au CNRS et enseignant à l'ENS; Pia Viewing Commissaire-chercheuse au Musée du Jeu de Paume

Rachel Eliza Griffiths is smart, she's funny and she's kind. She's a beautiful poet and a photographer, whose black-and-white images evoke for me, Dorothea Lange. Her latest book, Promise, tells the story of two Black sisters growing up in New England during the Civil Rights movement, the story of food at the table and food in the kitchen. For food is important to Eliza. Today in The River Cafe, we will talk together about friendship, memory, writing and love.Please rate & review the podcast on Apple podcasts, Spotify, IHeart Radio app or wherever you get your podcasts. For more information, recipes, and ingredients, go to: Web: https://rivercafe.co.uk/Instagram: www.instagram.com/ruthiestable4Facebook: https://en-gb.facebook.com/therivercafelondon/ For any podcast enquires please contact: willem.olenski@atomizedstudios.tv For more podcasts from iHeartRadio, visit the iheartradio app, apple podcasts, or wherever you listen to your favourite shows.See omnystudio.com/listener for privacy information.

El video "Dorothea Lange: Una mirada a la historia a través de la fotografía" es un recorrido por la vida y obra de una de las fotógrafas documentales más influyentes de la historia, Dorothea Lange. A través de anécdotas divertidas y cercanas, el video cuenta su infancia, sus inicios en la fotografía y sus logros como fotógrafa profesional. Se destaca su estilo y sus influencias, y se explora cómo su trabajo refleja su compromiso con la justicia social y la representación de las personas marginadas. También se profundiza en su legado y reconocimiento, y cómo su obra sigue siendo una inspiración para fotógrafos y artistas en todo el mundo. Este video es una oportunidad única para descubrir la historia y cultura visual de la Gran Depresión a través de la lente de una artista icónica --- Send in a voice message: https://podcasters.spotify.com/pod/show/john-vargas-foto/message

Elizabeth Partridge and Lauren Tamaki share Seen and Unseen, an important work of nonfiction featuring powerful images of the Japanese American incarceration captured by three photographers--Dorothea Lange, Toyo Miyatake, and Ansel Adams--along with firsthand accounts of this grave moment in history.   BOOK DESCRIPTION: Seen and Unseen: What Dorothea Lange, Toyo Miyatake, and Ansel Adams's Photographs Reveal about the Japanese American Incarceration by Elizabeth Partridge and Lauren Tamaki Page Length: 132 pages Ages 10 to 14, Grades 5 to 9 This important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographers--Dorothea Lange, Toyo Miyatake, and Ansel Adams--along with firsthand accounts of this grave moment in history. Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers--all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain. Three photographers set out to document life at Manzanar, an incarceration camp in the California desert: Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration. Toyo Miyatake was a Japanese-born, Los Angeles-based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp. Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps. In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration. NOTABLE QUOTES: (7:50) “There was a kid in my class named Paul Yanamora who said in front of the whole class that his family had not been allowed to buy a house in our neighborhood after the war because they were Japanese American. And I was absolutely shocked. That's when it totally hit me that something really bad had happened in our country that I did not understand.” (8:44) I didn't know my grandparents' involvement until working on this book, how their families were involved. And it, it was just something that… “Oh, we left. We got over it. We left it behind. Look how successful we are. We don't have to talk about it.” (12:30) “The two of us got to work together in a collaboration that's almost never allowed in doing a book together, which is usually the writer writes their bit and then they pull out and then the illustrator gets to work. But there was too many overlaps. I mean, I had the photos and then Lauren had these ideas and then she was like, “Well, if you could do this photo, I could do this illustration.” I'm like, “Huh! That's a fantastic idea. Let's swap photos.” So we just really shifted things around and it ended up letting both of us go so much deeper than we would've individually.” (19:55) “Because you can talk in these grand kind of monolithic ways about an experience and about a people, but when you personalize it, that's when you can touch people.”  (25:33) “There was so much of myself in this book.” (25:42) “It's never too late to discover parts of yourself, like, these big parts of yourself.” (26:47) “Today, everybody has a cell phone and there's a camera in the cell phone. So we have a very powerful tool for social justice in our back pocket. And I just wanna encourage people when you see something that just doesn't feel right, you can bear witness to that by taking a photograph.”  (27:45) “You can't let fear make the decisions for you.” ADDITIONAL LINKS: Elizabeth Partridge website - elizabethpartridge.com.  Lauren Tamaki website - laurentamaki.com Purchase the Book - Seen and Unseen: What Dorothea Lange, Toyo Miyatake, and Ansel Adams's Photographs Reveal about the Japanese American Incarceration TALK ABOUT THE EPISODE: What is an event that took place in history that you learned about recently? What was it like for you to learn this information? If able to make the connection, how do these historic events connect with our world today? Look up photos by one of the three photographers mentioned in this podcast episode: Dorothea Lange, Toyo Miyatake, or Ansel Adams. How would you describe the moment captured in the photograph? What does it make you feel? What do you think the photographer was communicating through this photograph? Talk with a grownup about the Japanese American incarceration. What (if anything) do they remember about this event? When did they learn about the incarceration? If able to recall, what did they feel when they first learned about the incarceration? And how do they feel about the incarceration now? Share your own reflections with the grownup. CREDITS: This podcast episode of The Children's Book Podcast was written, edited, and produced by Matthew Winner. For a full transcript of this episode, visit matthewcwinner.com.  Write to me or send me a message at matthewmakespods@gmail.com.  Our podcast logo was created by Duke Stebbins (https://stebs.design/).  Our music is by Podington Bear.  Podcast hosting by Libsyn.  You can support the show and buy me a coffee at www.matthewcwinner.com. We are a proud member of Kids Listen, the best place to discover the best in kids podcasts. Learn more at kidslisten.org. Fellow teachers and librarians, want a way to explore building a stronger culture of reading in our communities? In The Reading Culture podcast, Beanstack co-founder Jordan Bookey hosts conversations that dive into beloved authors' personal journeys and insights into motivating young people to read. And I am a big fan! Check out the Reading Culture Podcast with Jordan Bookey, from Beanstack. Available wherever podcasts are found. DISCLAIMER: Bookshop.org affiliate links provided for any book titles mentioned in the episode. Bookshop.org support independent bookstores and also shares a small percentage of any sales made through this podcast back to me, which helps to fund production of this show.

Have you ever wanted to grow your own native plants? Where can you get California native seeds? Should you sow them directly in the ground or start them in pots? Is there anything you should do to the seeds before planting them? What time of year should they be planted? How should the soil be prepared? What are some common mistakes to avoid? What are some good plants to start with? Is this the end of the lawn as we know it? Join me and restoration ecologist Dr. Julia Michaels as we explore Hedgerow Farms, which grows native wildflower and grass seed for ecological restoration projects. In the first half of the episode, learn how native seed is produced on a large scale at the farm, and in the second half, find out how you can use native seeds to grow thriving native plants and increase the biodiversity of your own backyard. Special thanks to Alejandro Garcia, Jeff Quiter, and Manolo Sanchez for taking the time to show me around the farm! Links: Hedgerow Farms: So much California native seed! Bloom California: Find a local native plant nursery. Calscape: California native plant landscaping tool. Calflora: Database providing information on California native plants in the wild. Research on wild seeds becoming domesticated over time. Lost Beneath Lake Berryessa: More information on the Monticello Dam and the town of Monticello! Also photos by Dorothea Lange. My website is www.goldenstatenaturalist.com You can find me on Instagram and TikTok @goldenstatenaturalist. Patreon support helps a ton! Check out the perks here: www.patreon.com/michellefullner The theme song is called "i dunno" by grapes, and you can find it here.

The sisters conclude their death and spectacle series with further thoughts on the dead deprived of commemoration.  From the repository of graves on New York City's Hart Island to the erasure of historic Black cemeteries in the American South, they explore the ways in which human remains are stratified, relegated and discarded in ways that lay bare the injustice of life.Or, in the case of Body Worlds, forever plastinated and displayed for public view—without their owners' consent—in what Edward Rothstein described as an act of “aestheticized grotesqueness.”  What makes certain land and bodies sacred (or literally, saintly) while rendering others disposable? What can the living learn from the politics of remembering and forgetting remains? Sources cited include Joan Didion's South and West, Zora Neale Hurston's Their Eyes Were Watching God, Eliza Franklin's Lost Legacy Project for the UCLA Urban Humanities Initiative, Susan Sontag's "On Photography," the Equal Justice Initiative's Community Remembrance Project, Jacqueline Goldsby's A Spectacular Secret, Dorothea Lange's 1956 photographs of California's Berryessa Valley, Marita Sturkin's “The Aesthetics of Absence,” Seth Freed Wessler's 2022 ProPublica investigation “How Authorities Erased a Historical Black Cemetery in Virginia,” Robert McFarlane's 2019 New Yorker piece “The Invisible City Beneath Paris,” Melinda Hunt's Hart Island Project (www.hartisland.net), Nina Bernstein's 2016 New York Times piece “Unearthing the Secrets of New York's Mass Graves,” “Young Ruin” from 99% Invisible, and NPR's 2006 reporting on ethical concerns over Body Worlds.Cover photo of Hart Island's common trench burials is by Jacob Riis, 1890.

durée : 00:58:53 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny - Dans quelle mesure les photographies de Dorothea Lange constituent-elles un témoignage de l'Amérique en crise des années 1930 ? - invités : Emmanuel Didier Sociologue, directeur de recherche au CNRS et enseignant à l'ENS; Pia Viewing Commissaire-chercheuse au Musée du Jeu de Paume

Gary Pageau of the Dead Pixels Society talks with Darcy Reed, author of the new book for children, "Extraordinary Women with Cameras: 35 Photographers Who Changed How We See the World." The book, featuring illustrations by Vanessa Perez, captures the stories of iconic female photographers, including Dorothea Lange's haunting portraits of American history, Margaret Bourke- White's bravery as the first female war correspondent in WWII, Florestine Perrault Collins' influential images depicting Black life in the 1920s, and Anne Geddes' joyful and elaborately-staged portraits of adorable babies.Reed is a writer, editor, and actor. Her books include The College Bucket List, Disney: Ninety Years of Mickey Mouse, Wonder Woman Trivia Deck, The Photography Trivia Deck, Captain Marvel: The Tiny Book of Earth's Mightiest Hero, Extraordinary Women With Cameras, and Shakespeare: Famous Last Words.Mediaclip Mediaclip strives to continuously enhance the user experience while dramatically increasing revenue.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSign up for the Dead Pixels Society newsletter at http://bit.ly/DeadPixelsSignUp.Visit our LinkedIn group, Photo/Digital Imaging Network, and our Facebook group, The Dead Pixels Society. Interested in being a guest? Click here for ...

In this episode, we talk with Elise Hooper, best-selling author of historical fiction novels based on the lives of real women who have been frequently overlooked in history books: May Alcott, Dorothea Lange, Betty Robinson, Helen Stephens, Louise Stokes, and the Angels of Bataan. Telling the stories of these remarkable women help us better understand the past and draw important connections to our own times. Whether you're an author or front-line leader (or both!), we all need to focus on our work/life priorities, self-care time, and the importance of building your work community. Be inspired as you listen to the stories of the fearless women Elise writes about, and take away how you can be the author of your story. A native New Englander, Elise spent several years writing for television and online news outlets before getting a MA and teaching high-school literature and history. She now lives in Seattle with her husband and two daughters. What to Listen For Writing about inspirational women - 3.28 Remarkable women are everywhere - 9.58 The business of being an author - 10.20 Work/Life balance – 12.15 You need Me time! - 13.45 Building your community - 15.35 Just Ask! - 18.00 These remarkable women - 20.14 What's happening now - 26.30 Resources mentioned in the podcastElise Hooper – website https://www.elisehooper.com/ Books by Elise: Angels of the Pacific Fast Girls: A Novel of the 1936 Women's Olympic Team Learning to See: A Novel of Dorothea Lange, the Woman who Revealed the Real America The Other Alcott Check-in with Sweet but Fearless Website - www.sweetbutfearless.com Facebook - https://www.facebook.com/groups/successfulwomensnetwork LinkedIn - https://www.linkedin.com/comhttps://www.linkedin.com/company/successfulwomensnetwork?trk=public_profile_topcard-current-company

durée : 00:55:41 - Autant en emporte l'Histoire - par : Stéphanie Duncan - Pionnière d'une photographie à la fois sociale et intime, Dorothea Lange est aussi celle qui en 1942 est embauchée par l'armée américaine pour photographier l'internement de plus de 100 000 citoyens américains d'origine japonaise. - réalisé par : Anne WEINFELD

Date: November 29, 2021 (Season 3, Episode 14: 102 minutes long). Click Here to see the SYP webpage page which includes art from the book, photos of the co-authors, recommended readings and a site plan for Intermountain Indian School, circa 1980s. Are you interested in other episodes of Speak Your Piece? Click here.Podcast Content: This episode is about literary and creative expressions--works of poetry, essays, art and journalism--produced by Diné or Navajo junior high and high school students, and older students ages 18 to 24, who returned to complete their high school years at IIS. For nine months of each year, most of the school's student body boarded chartered buses that took them to and from Brigham City's Intermountain Indian School (IIS: 1950-1983). Living hundreds of miles from their families and communities, these children, some as young as five years of age, lived in dormitories and attended school on a sprawling and somewhat isolated north Utah campus. Our guests for this episode: Farina King (Diné, historian, Univ. of Oklahoma), Mike Taylor (English and Native American Studies, BYU) and James Swensen (photographic/art historian, BYU). Each read their favorite poems and excerpts, shared personal insights and discoveries, and expressed their awe and wonder, at the youthful creative output covering relationships, youthful love, protest, homelands and family, and above all else, their affirmations of Indiginous knowledge and identity.The IIS campus, which was managed by the Bureau of Indian Affairs, remains partially standing, located just below the incline to Sardine Canyon on US Route 89. Tens of thousands of Navajo students attended what was for its time, the largest Indian boarding school in the USA. During the school's last ten years the school became Inter-tribal facility, inviting both Navajo and students from other tribal nations.      This richly illustrated book describes, interpretes, and amassing hundreds of Diné student works into one volume. This book expands the known canon of mid 20th century Indigious art, literature and journalism. King, Taylor and Swensen's analysis, and their gathering of youthful Diné creative works, are both nationally and regionally significant, for Indigious Studies, American history, and our nation's interest in seeking out, and making publically available, more inclusive works in the Humanities and in the arts. Bios : Dr. Farina King--a citizen of the Navajo Nation--is the Horizon Chair of Native American Ecology & Culture, and an Associate Professor of Native American Studies at the Univ. of Oklahoma. King specializes in twentieth-century Native American Studies.  Besides this book she is the author of The Earth Memory Compass: Diné Landscapes and Education in the Twentieth Century.  Dr. Michael P. Taylor is Assistant Professor of English and Associate Director of American Indian Studies at BYU. He is a coauthor of Returning Home (the book in discussion). His research engages Indigenous archives to expand Indigenous literary histories and support community-centered initiatives of Indigenous resurgence. Dr. James R. Swensen is an associate professor of art history and the history of photography at BYU. He is the author of Picturing Migrants: The Grapes of Wrath and New Deal Documentary Photography (Univ. of Oklahoma Press, 2015), In a Rugged Land: Ansel Adams, Dorothea Lange, and the Three Mormon Towns Collaboration, 1953-1954  (Univ. of Utah Press, 2018) and co-author of Returning Home  (the book in discussion).

Remember Bailey the Buffalo? Best celebrity photoshoot for People Magazine ever, and Dale Roth was behind the lens. Dorothea Lange once said, “The visual life is an enormous undertaking, practically unattainable”. Photographer, Artist, and Capturer of Experiences, Dale has chosen this undertaking, and blazed his entrepreneurial path for decades. He started with Photography because he was good at it and has stayed because he loves it! He is an expert at shining light on people and curiosities that have never been SEEN before. This is evident in a series of beautiful Art Books featuring artisans of the Salish Sea: First - Woodworkers, Second - Metalworkers and Third – yet to be released Ceramic & Glassworkers. You will want to hear what Dale reveals about beauty, reality, inspiration, and the FUN job of taking pictures!Dale's Favourite album: Rumors by Fleetwood MacWebsite: https://www.rothandramberg.com/Instagram: https://www.instagram.com/rothandramberg/Business: Roth and Ramberg PhotographyContact: mail@rothandramberg.com

Listen to Sarah and Erin reflect on their conversation with Deb Hans. Deb's son, Isaac, joins them for the conversation.    Deb Hans Reflection Show Notes  The Colson Center  Strong Women Mug  Koombobber  Middle March by George Elliot  Wonderfully Made by John W. Kleinig  Dorothea Lange  Join Strong Women on Social Media: https://linktr.ee/strongwomencc   Erin and her husband, Brett, run Maven which “exists to help the next generation know truth, pursue goodness, and create beauty, all for the cause of Christ.” Check out more about Maven here: https://maventruth.com/    The Strong Women Podcast is a product of the Colson Center which equips Christians to live out their faith with clarity, confidence, and courage in this cultural moment. Through commentaries, podcasts, videos, and more, we help Christians better understand what's happening in the world, and champion what is true and good wherever God has called them.  Learn more about the Colson Center here: https://www.colsoncenter.org/    Visit our website and sign up for our email list so that you can stay up to date on what we are doing here and also receive our monthly book list: https://www.colsoncenter.org/strong-women       

On May 26, 1895, the photographer Dorothea Lange is born. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today is the birthday of photographer Dorothea Lange, 1895, whose photo “Migrant Mother” is one of the most iconic images of the Great Depression.

The Dust Bowl: the ecological disaster within the larger disaster of the Great Depression. It's a story that generations of Americans have come to know through John Steinbeck's classic novel, The Grapes of Wrath and Dorothea Lange's unforgettable photos of migrant families struggling on the road to make a living in Depression-torn California.  In this episode, Adam talks to two prize-winning historians, Linda Gordon, author of a biography of Dorothea Lange, and Sarah Phillips, an expert on the environment and politics in the twentieth century and asks what the dust bowl tells us about the American Dream. 

HT1161 - Understanding a Photograph To really understand a photograph means to understand the context of the content. Consider Migrant Mother by Dorothea Lange. We understand that photograph in the context of the dust bowl migrations and economic privations of the times. This is one reason why abstracts are so difficult to understand; they lack context.

Kate Divoll is leaving Key West for greener pastures and this is her exit interview. We discuss the Asheville migration, playing well with others, get me that Dorothea Lange money, nice vs kind, Canal Fish opening, Insta thirst traps, hanging with Captain Outrageous, least favorite things, cowboy nights, nose breaks, how do you pull over a self driving car, bad vibes at the bar and more.@www.keyscoffee.co @www.22andco.com@www.pokeintherear.com@www.generalhorseplay.com @www.davesnotheremankeywest.com

On this episode we are talking to Serbest Salih of the Sirkhane Mobile Darkroom along the Turkey Syrian border. We'll also be presenting the second part of our story on Imogen Cunningham. Before that, there's a couple of photographically-related songs that we'd like to tell you about. There's also the answering machine, zine reviews and quite a bit more.   Serbest Salih from Sirkhane Darkroom Serbest Salih is a film photographer living in Mardin, Turkey. He runs the Sirkhane darkroom – a mobile darkroom project servicing refugee and local children on the Turkish and Syrian border. The mobile darkroom also a branch in Iraq. Here are all the links you need to help: IG: @sirkhanedarkroom Web: https://heryerdesanat.org/darkroom Buy their book: I Saw the Air Fly: https://www.mackbooks.us/products/i-saw-the-air-fly-br-sirkhane-darkroom Serbest Salih's IG: @servestsalih_ Here are some of the images from I Saw the Air Fly:   And here are some recent images from the Sirkhane Darkroom IG feed:   Imogen Cunningham, Part 2 We're back to conclude our Imogen feature. When last we left Imogene Cunningham, she had just divorced Roi and was about to photograph the Unemployed Exchange Association sawmill with Dorothea Lange! It was 1934, the Great Depression was in full swing, and Imogene was ready to begin the rest of her life. Imogen on Carson: https://www.sfmoma.org/watch/imogen-cunningham-on-the-tonight-show-with-johnny-carson/ Portrait of Imogen (Imogen discussing many of her photos – this is the film they played at the Imogen Cunningham Exhibit): https://archive.org/details/SCV23 Imogen Cunningham, A Portrait by John Korty: https://archive.org/details/imogencunninghamphotographer Here are most of the photos we referenced in the episode:   Songs About Photography We also looked at two songs that had something to do with photography. Eric chose Guy Clark's “My Favorite Picture of You”   Vania chose Spoon's “Turn My Camera On”   Zine Reviews Eric reviewed Sidewalks by Garon Kiesel @grain_or_die as well as the new monthly offering from Themselves Press! PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits Tiffen: IG All Through a Lens: IG, Website, Patreon, Spotify Playlists  

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

"Whatever I do, quite often I say– Is this good for my work? Should I go here? Should I do that? When I had my initial debut, I became known for a book called The Somnambulist. I took 24 of those pictures in one weekend and then I worked for three years on the next 24."Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info