Podcasts about olari elts

Hooaja lõppkontserdile on peadirigent Olari Elts on välja valinud prohvetliku kava, mis räägib meile nii Ameerikast, Venemaast kui ka peamisest — inimese hingest.

Täna õhtul on Klassikaraadios otseülekanne ERSO kontserdilt "Olari Elts ja Theodor Sink".

Tänase ERSO kontserdi peateos on Ludwig van Beethoveni viies sümfoonia.

Kava on inspireeritud kella kõlast ning kirikukellad kaiguvad ka Estonia kontserdisaalis.

Koncert pro klavír a orchestr norského skladatele E. H. Griega patří k nejpopulárnějším dílům klavírního repertoáru. Na březnovém abonentním koncertu ho se Symfonickým orchestrem Českého rozhlasu provedla arménsko-dánská klavíristka Marianna Shirinyan. Provedení řídil estonský dirigent Olari Elts. A právě Marianna Shirinyan a Olari Elts byli hosty předkoncertního setkání v Talichově salónku pražského Rudolfina, které připravuje Jana Trojanová.

Homme toimub Eesti Riikliku Sümfooniaorkestri kontsert "Šoti fantaasia".

Täna kell 19 teeb Klassikaraadio ülekande ERSO kontserdist "Elts ja Randalu", kus kõlab Wolfgang Amadeus Mozarti looming kõrvuti jaapani heliloojate Tōru Takemitsu ning Toshio Hosokawa teostega.

Intervjuu Hiiumaal üles astuva dirigent Olari Eltsiga.

Täna on ERSO hooaja lõppkontsert.

Täna õhtul esietendub Estonia kontserdisaalis "Macbeth".

Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Eesti Riiklik Sümfooniaorkester annab homme hilisõhtul volbriöö kontserdi.

ERSO alustab uut kontserdisarja "Maa laul".

This episode explores the music and creative process of Justė Janulytė. Her award-winning music is an inner journey and recognizable by long, slow expositions, gradual enrichment of textures as if being transported to a completely different time and place. These dimensions emerge from nowhere until you immersed in a special atmosphere while you experience an equally surprising disappearance. This virtual conversation between New York City and Milan, we discuss her many perspectives on the creative process and cultural identity. ​ Tracklist: Podcast intro: Bronius Kutavičius Anno cum tettigonia from Lithuanian Music In Context II. Landscapes of Minimalism (Music Information Centre Lithuania, 2011), Silesian String Quartet: Marek Moś (violin), Arkadiusz Kubica (violin), Łukasz Syrnicki (viola), Piotr Janosik (cello). Compositions by Justė Janulytė: Apnea (2021), Estonian National Symphony Orchestra, conductor - Olari Elts, 2021; Now I'm Nowhere (2019), Estonian National Male Choir (RAM), conductor - Mikk Üleoja, 2019; The Colour of Water from the album Between Music and Ritual (Music Information Centre Lithuania, 2021), Sinfonietta Riga, Arvydas Kazlauskas - saxophone, conductor - Normunds Šnē; Unanime (2020), Manuel Zurria - bass flutes, 2020; Here at the quiet limit... (2018), Estonian National Male Choir and Lithuanian Chamber Orchestra, conductor - Mikk Üleoja, 2018.

ERSO ja Olari Elts koos Tallinna Muusikakeskkooli sümfooniaorkestriga toovad Estonia kontserdisaali lavale Sibeliuse kullaprooviga teosed kõrvuti uute lugudega.

Kell 9.15 on stuudios ERSO peadirigent Olari Elts, kellega räägime uhiuuest kontserdisarjast "Audiospaa", mis pöörab tähelepanu vaimsele tervisele.

Külas Olari Elts. Saatejuht Natalie Mets.

Homme esineb Eesti Riiklik Sümfooniaorkester esimest korda ajaloos Hiiumaal.

ERSO hooaja lõppkontsert "Grand final" võtab suurejooneliselt kokku Beethoveni 250.

Reede õhtul juhatab Eesti Riikliku Sümfooniaorkestri peadirigent Olari Elts ERSO ees kava Arvo Pärdi, Johann Sebastian Bachi, Henry Purcelli ja Anton Weberni loomingust.

Stuudiokülaline on Olari Elts, ERSO peadirigent ja kunstiline juht.

ERSO kontsert "Elts ja Beethoveni seitsmes" on täna õhtul Klassikaraadio eetris.

Täna õhtul on ERSO ees orkestri peadirigent ja kunstiline juht Olari Elts ning aukohal selle hooaja juubilari Ludwig van Beethoveni viies sümfoonia.

Täna toimub Tallinna Kammerorkestri hooaja avakontsert sarjas „Kõrvaring”: „Fööniksi pisarad“, kusmõtiskletakse inimkonna saatuse teemadel.

Täna toimub Tallinna Kammerorkestri hooaja avakontsert sarjas „Kõrvaring”: „Fööniksi pisarad“, kusmõtiskletakse inimkonna saatuse teemadel.

9. oktoobril toimub Estonia Kontserdisaalis kolmas osa Tõnu Kaljuste algatatud Kõrvaringi kontsertide sarjast, pealkiri "FÖÖNIKSI PISARAD". Tallinna Kammerorkestrit juhatab dirigent Olari Elts, kes on tuntud omanäoliste kontsertkavade poolest. Koostööst Tallinna Kammerorkestriga ja Kõrvaringi kontserdist räägib Olari Elts. Saatejuht on Ruth Tiidemann.

9. oktoobril toimub Estonia Kontserdisaalis kolmas osa Tõnu Kaljuste algatatud Kõrvaringi kontsertide sarjast, pealkiri "FÖÖNIKSI PISARAD". Tallinna Kammerorkestrit juhatab dirigent Olari Elts, kes on tuntud omanäoliste kontsertkavade poolest. Koostööst Tallinna Kammerorkestriga ja Kõrvaringi kontserdist räägib Olari Elts. Saatejuht on Ruth Tiidemann.

9. oktoobril toimub Estonia Kontserdisaalis kolmas osa Tõnu Kaljuste algatatud Kõrvaringi kontsertide sarjast, pealkiri “FÖÖNIKSI PISARAD”. Tallinna Kammerorkestrit juhatab dirigent Olari Elts, kes on tuntud omanäoliste kontsertkavade poolest. Koostööst Tallinna Kammerorkestriga ja Kõrvaringi kontserdist räägib Olari Elts. Saatejuht on Ruth Tiidemann.

Eesti Riiklik Sümfooniaorkester ja dirigent Olari Elts toovad publiku ette Steve Reichi uusimad teosed.

Eesti Riiklik Sümfooniaorkester ja dirigent Olari Elts toovad publiku ette Steve Reichi uusimad teosed.

Dirigeerimine on minu kõige suurem unistus lapseeast peale, ütleb Eesti Riikliku Sümfooniaorkesteri uus peadirigent ja kunstiline juht Olari Elts, külalisena juhatanud kümneid suurepäraseid orkestreid Euroopas, Aasias ja Ameerikas.

Dirigeerimine on minu kõige suurem unistus lapseeast peale, ütleb Eesti Riikliku Sümfooniaorkesteri uus peadirigent ja kunstiline juht Olari Elts, külalisena juhatanud kümneid suurepäraseid orkestreid Euroopas, Aasias ja Ameerikas.

Eesti Riiklik Sümfooniaorkester, dirigent Olari Elts ja viiuldaja Baiba Skride on albumile talletanud eesti muusika esimese viiulikontserdi, mille autor on Heino Eller.

Eesti Riiklik Sümfooniaorkester, dirigent Olari Elts ja viiuldaja Baiba Skride on albumile talletanud eesti muusika esimese viiulikontserdi, mille autor on Heino Eller.

Kas heliloojaid on enim inspireerinud hommik, päev või öö?

Kas heliloojaid on enim inspireerinud hommik, päev või öö?

Tokrat v oddaji Glasbeni utrip izpostavljamo koncert z naslovom Ljubezen in sovraštvo – sklepni koncert letošnjega festivala Slowindova pomlad. V nadaljevanju bomo najprej pogledali, kaj se je med 22. in 24. novembrom dogajalo v okviru 19. slovenskih klavirskih dnevov, ki jih prireja Društvo klavirskih pedagogov EPTA, in kaj je v nedeljo ponudila peta izvedba Potujoče muzike v organizaciji Javnega sklada Republike Slovenije za kulturne dejavnosti. Nato se bosta zvrstili oceni četrtega koncerta za Modri abonma, na katerem je Orkester Slovenske filharmonije vodil Olari Elts, kot solistka pa je nastopila violinistka Eldbjorg Hemsing, ter predstave ob odprtju operne sezone v Benetkah. Proti koncu oddaje bomo predstavili še prihajajoči Evroradijski božični koncert, ki bo prihodnjo sredo v cerkvi svetega Frančiška Asiškega v Šiški.

Otselülitus Estonia kontserdisaali, kus äsja allkirjastas lepingu Eesti Riikliku Sümfooniaorkestri järgmine peadirigent Olari Elts.

Otselülitus Estonia kontserdisaali, kus äsja allkirjastas lepingu Eesti Riikliku Sümfooniaorkestri järgmine peadirigent Olari Elts.

Panelen diskuterar violinkonserter av Britten och Hindemith, Beethovens sena pianomusik, Telemanns fantasior för viola da gamba och körmusik av Bernstein och Stravinskij. I veckans panel sitter Camilla Lundberg, Alexander Freudenthal  och Hans Häggström som tillsammans med programledaren Johan Korssell betygsätter följande skivor: BENJAMIN BRITTEN OCH PAUL HINDEMITH Violinkonserter Arabella Steinbacher, violin Berlinradions symfoniorkester Vladimir Jurowski, dirigent Pentatone PTC 5186 625 LATE BEETHOVEN Pianomusik Ishay Shaer, piano Orchid Classics 100076 GEORG PHILIPP TELEMANN Fantasior Paolo Pandolfo, viola da gamba Glossa GCD 920417 SYMPHONIC PSALMS AND PRAYERS Musik av Leonard Bernstein, Arnold Schönberg, Igor Stravinskij och Alexander von Zemlinsky David Allsopp, countertenor Tenebrae, kör BBC Symfoniorkester Nigel Short, dirigent Signum Classics SIGCD492 Måns val: Måns Tengnér guidar oss genom passionsmusik som inte är komponerad av J S Bach. Referensen: Johan jämför kören Tenebraes inspelning av Psalmsymfonin med Stravinskijs egen inspelning från 1963 från Stravinskijeditionen på Sony. Andra i programmet nämnda eller rekommenderade inspelningar: Benjamin Brittens Violinkonsert med Vilde Frang och Frankfurts radiosymfoniker under James Gaffigan på Warner och Hindemiths Violinkonsert med David Oistrach och tonsättaren som leder London Symphony Orchestra på Decca. Sena Beethovensonater med Kempff (DG), Stephen Kovachevich (Warner), Igor Levit (Sony). Svepet: Eldbjörg Hemsin spelar Violinkonserter av Hjalmar Borgström och Dimitrij Sjostakovitj med Wiens symfoniker under Olari Elts på BIS.

Lahkus Kuno Areng (23.07.1929-08.12.2017) - Eesti koorimuusika südametunnistus, hinnatud koorijuht ja pühendunud õppejõud. Luukamber kuulab Kuno Arengu õpilaste mälestusi. Stuudios on dirigendid Olari Elts, Risto Joost, Peeter Perens, Laine Randjärv ja Veronika Portsmuth. Saatejuht Marge-Ly Rookäär.

Lahkus Kuno Areng (23.07.1929-08.12.2017) - Eesti koorimuusika südametunnistus, hinnatud koorijuht ja pühendunud õppejõud. Luukamber kuulab Kuno Arengu õpilaste mälestusi. Stuudios on dirigendid Olari Elts, Risto Joost, Peeter Perens, Laine Randjärv ja Veronika Portsmuth. Saatejuht Marge-Ly Rookäär.