Podcast appearances and mentions of Caroline Shaw

Ook vandaag drie werken van Caroline Shaw, Ritornello, Three Essays en The Evergeen. Het eerste is een deconstructie van een ritornello uit Monteverdi's Orfeo. Het tweede bestaat uit een drietal oefeningen in vormen communicatie en miscommunicatie. En het derde is een eerbetoon aan een specifiek type boom, de Evergreen. In elk van de werken laat […]

What we need is an "are we sure we know what we are doing before we rush into this" catalogue or guide. The EV story might turn out to be one of the world's, and certainly the transportation industry's, biggest headaches as company after company admit they leapt in way too quick to electric, bought into all the Government-led madness on climate and invested, God-knows how much to transfer to a mode of movement the world wasn't ready for, or wanted. EVs were sold as way more than they ever were. Now even the scientists are waking up. There's a good piece of reading from Dr Caroline Shaw published in the Journal of Epidemiology and Community Health, whereby they do what we really should have done at the start and look at the EV in totality. It said don't get all hyped and hooked up on emissions. Yes, emissions in an EV vs petrol debate do drop. But what about the rest of it? They looked at all sorts of things like the extra weight, therefore the extra wear and tear, the weight and therefore the potential for injury, the cheapness of driving, therefore you drive more, therefore our fitness drops as we drive and don't walk. They looked at a myriad of things that should have been thought about and scoped out on day one and weighed up. Because here is the end result: when you add all that stuff up, the good, the bad and the ugly, electrifying cars would lie somewhere between harmful and neutral. Are you serious? Going electric could be harmful? Would it have not been useful to crunch a few of those ideas to understand this at the start of the obsession that drove the thinking? Or, like so much ideology, do the details not matter as long as we can leap on the old bandwagon, take a small piece of the bigger picture and then milk it for all its worth, knowing that we can leave the reality and the clean-up for another day? This by the way is not anti-EV. It's the realisation that like most things, what was the answer, and the obsession, and the next new thing, actually turns out to be just another piece in a way bigger, more complex, picture than the obsessives ever care to learn about. See omnystudio.com/listener for privacy information.

durée : 01:13:58 - Été Classique Matin du mardi 01 juillet 2025 - par : Judith Chaine - Un matin d'été, on passe de la brume à la lumière en se laissant porter par la musique de Fauré à Michel Legrand, en passant par Bach, Arvo Pärt, Caroline Shaw, Bach, Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

New York-based musician Caroline Shaw is a singer, violinist, composer, and producer who performs in solo and collaborative projects. Growing up in Greenville, NC, her introduction to music came through her mother -- a Suzuki music teacher -- and by listening to her local public radio station! The multi-faceted musician is an innovator whose creative outlets include commissions for a variety of performers and ensembles, singing with the vocal band Roomful of Teeth, and composing for TV, film and stage projects such as the Ken Burns/PBS documentary Leonardo Da Vinci and the FX/Hulu show Fleishman is in Trouble. She has earned 5 Grammy awards, and in 2013 – at age 30 -- she became the youngest recipient of the Pulitzer Prize for Music for her composition, PARTITA FOR 8 VOICES. Suzanne spoke with Caroline Shaw about her life in music.

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: www.actionatadistance.ca Dancing On The Edge Festival 2025: https://www.dancingontheedge.org/ Company 605:  https://company605.ca/ Morrow: https://oddmeridian.ca/morrow.html About Vanessa: Vanessa Goodman acknowledges that she lives, works, and creates on the ancestral and unceded territories of the Coast Salish peoples, including the Sḵwx̱wú7mesh (Squamish), Stó:lō, Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) Nations. She holds a Bachelor of Fine Arts from Simon Fraser University and is the artistic director of Action at a Distance Dance Society. She is drawn to art that carries meaning beyond aesthetics, using choreography as a means to explore liminal expressions within the human condition. Her choreographic practice weaves together generative movement and sonic embodiment to create immersive performative environments. Through her work, she seeks to cultivate intimacy between the body and its surroundings, challenging conventional forms of performative hierarchy through collaborative approaches. She has received several awards and honours, including The Iris Garland Emerging Choreographer Award (2013), The Yulanda M. Faris Scholarship (2017/18), The Chrystal Dance Prize (2019 & 2024), the Schultz Endowment from the Banff Centre for Arts and Creativity (2019), The Isadora Award (2025) and participation in the "Space to Fail" program (2019/20) through Hyde Productions (NZ), Critical Path (AU), and The Dance Centre (CA). Longstanding collaborations include "Graveyards and Gardens" with Caroline Shaw, "BLOT" with Simona Deaconsecu, and multiple works with Loscil (Scott Morgan), Brady Marks, and James Proudfoot. Her work has toured Canada, the United States, Europe, and South America. www.actionatadistance.ca About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.  

We all know e-bikes are increasingly popular - but they're not cheap. Research shows it's financially well-off households which lead the way in e-bike sales. But three pilot programmes have just wrapped up - looking at how to get more communities charged up and onto a bike. Dr Caroline Shaw is Associate Professor in the Department of Public Health at the University of Otago in Wellington. She joins Jesse to talk about the pilots and economics of it all.

Caroline Shaw ist eine der spannendsten Komponistinnen ihrer Generation: jung, vielfach ausgezeichnet, voller Neugier. Ihre Musik bewegt sich zwischen barocken Tanzformen, zeitgenössischem A-cappella-Gesang, elektronischen Klängen und Pop – ohne stilistische Scheuklappen. Caroline Shaw (*1982) ist Sängerin, Geigerin, Komponistin, Produzentin. 2013 wurde sie für ihre «Partita for 8 Voices» als jüngste Pulitzer-Preisträgerin bekannt. Die US-Amerikanerin denkt Musik vom Klang aus, nicht vom Notenpapier. Sie arbeitete mit Rap-Star Kanye West, schrieb Film-, Orchester- und Kammermusik für Stars wie Renée Fleming und den Cellisten Yo-Yo Ma, komponierte für die Indie-Rockband The National. Ihre Musik erkundet Natur, Erinnerung und emotionale Tiefe – verspielt, genreübergreifend und stets offen für Unerwartetes. Ein Einblick in ihre Klangwelt.

Die Bratsche steht in Sachen Virtuosität hinter der Geige nicht zurück. Das beweist Timothy Ridout mit seinem neuen Solo-Album: Britten und Caroline Shaw neben Telemann und Bach.

An opportunity for the euro? Time to buy gold? Or the advantages of cash in a crisis where interest rates aren’t already at zero. The opportunities and risks of a period of profound volatility on markets dominate the latest Fidelity Answers podcast with multi asset fund managers Talib Sheikh and Caroline Shaw joining hosts Rosie McMellin and Ben Moshinsky. And hear why Fidelity’s analysts think tariffs will be more punitive for America than Asia, with Ben Traynor. (This discussion was recorded on April 9th).See omnystudio.com/listener for privacy information.

Washburn University (KS) Percussion Professor, Composer, and Performer Von Hansen stops by to talk about his recent album Mortal Coil (03:15), his Percussion and Composition job at Washburn (16:05), growing up in Topeka and the wide array of musical experiences of his early life (25:30), going to Washburn for undergrad and studying with Tom Morgan (36:20), his masters years at the University of Central Michigan and his doctorate from the University of Kansas (52:20), the challenges of his career during his first job at Friends University (KS) (01:05:40), and finishes with the Random Ass Questions, including discussions of percussion repertoire choices, classic horror films, Kurt Vonnegut books, Caroline Shaw, and local artists (01:15:50).Finishing with a Rave on the 2023 film Robot Dreams (01:40:00).Von Hansen links:Von Hansen's websiteVon Hansen's Washburn University page“Mortal Coil” - Von Hansen“Ad Astra” - Von Hansen“Lenses” - Von Hansen“Anything Worthwhile is Perishable” - Von Hansen“Gr@wLix” - Von HansenPrevious Podcast Guests mentionedMatthew Lau in 2021Marco Schirripa in 2022Hannah Weaver in 2021Jamie Whitmarsh in 2021Andrew Richardson in 2023Alexis C. Lamb in 2021Rebecca Kite in 2018Other Links:Ji Hye JungAndrew SpencerTommy DobbsJosh TurnerRyan PearsonCaroline RobinsonNathan BusheyJason DegenhardtDaniel AlbertsonTheo MusickRay Dillard“Nagoya Marimbas” - Steve ReichTom MorganThe Jazz Drummer's Reading Workbook - Tom MorganCoe PercussionQuey Percussion DuoAnya PogorelovaReading Mallet Percussion Music - Rebecca KitePhantom RegimentDavid GillinghamSusan Powell“Third Construction” - John CageChopped“Velocities” - Joseph SchwantnerPulp Fiction trailerDashing Through the Snow trailerSheik Yerbouti - Frank ZappaThe Gate trailerHellraiser trailerThe Silence of the Lambs trailerSlaughterhouse-Five - Kurt VonnegutSlapstick - Kurt VonnegutChoke - Chuck PalahniukWhat We Do in the Shadows TV ShowDavid LynchPartita for Eight Voices - Caroline ShawGordon ShermanRaves:Robot Dreams trailer

The two-time Grammy Award-winning Attacca Quartet has seen stratospheric success in recent years across new and popular music collaborations. Hattie Butterworth meets the group as their debut album with Platoon of Ravel's String Quartet is released.   Music clips: Ravel String Quartet – Platoon PLAT26294 Entr'acte by Caroline Shaw from Orange – Nonesuch 7559792609

In deze aflevering ontvangt Teddy Tops Componist der Nederlanden Anne-Maartje (http://www.annemaartjelemereis.com/) Lemereis (http://www.annemaartjelemereis.com/). Anne-Maartje componeert momenteel een nieuw muziekstuk dat op 23 april in het Concertgebouw (https://www.concertgebouw.nl/concerten/5144209-harpist-joost-willemze-van-bach-tot-tournier)wordt uitgevoerd.  De tips van Anne-Maartje:  Boek: Diepdiepblauw (https://www.debezigebij.nl/boek/diepdiepblauw/?srsltid=AfmBOops_VqK45d72f7vLZfWF84ejQMpMyoElRByYyCP1Px8suy63k8x) Podcast: Bob (https://www.vpro.nl/dorst/producties/bob.html) Opera: Boris Godunov (https://www.operaballet.nl/de-nationale-opera/2024-2025/boris-godoenov) Ballet: In c (https://www.operaballet.nl/en/dutch-national-ballet/2024-2025/c) Museum: Museum More (https://www.museummore.nl/) Openbare kunst: Eden (https://www.ramkatzir.com/works/eden/) Recent album: How to fold the wind (https://open.spotify.com/album/6YllC5heIjgTVb3LEDl55S?si=SpKromu8Qq29nwwqB4ZiBg&nd=1&dlsi=7f0476319eb6496e) Recent liedje: Increases (https://open.spotify.com/track/0Foucxmkd3wyZ9VcvMuWin?si=c66751baed4a4ab6&nd=1&dlsi=964b29cc91244744) Aankomend concert: Caroline Shaw (https://www.tivolivredenburg.nl/agenda/97392985/caroline-shaw-ragazze-quartet-x-ringdown-18-03-2025) Festival: Big Bang (https://www.bigbangfestival.eu/nl), Wonderfeel (https://www.google.com/url?sa=D&q=https://wonderfeel.nl/&ust=1741496940000000&usg=AOvVaw3p_X5e92RpjM5cvJq2ibVP&hl=nl&source=gmail) Nu in de bioscoop: Straatcoaches vs Aliens (https://www.imdb.com/title/tt31452296/) Serie: Taskmaster (https://taskmaster.tv/) Docu: Microcosmos (https://www.imdb.com/title/tt0117040/) Kindercultuur: Oranjewoud Festival (https://www.oranjewoudfestival.nl/) Gratis: Studenten van conservatorium in De Dom (https://www.hku.nl/agenda/de-matthaus-binnenstebuiten!-8-maart-2025) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl

Orchestra Iowa performs their second concert in as many weeks, with “A Lyrical Journey,” featuring one of Tim's favorite symphonies, Brahms 4, special guest pianist Lorraine Min performing Saint-Saëns, and a piece by composer Caroline Shaw, whose music is also featured in a new documentary on Leonardo de Vinci. March 1, 7:30pm at Paramount Theatre … Continue reading

 De Caetano Veloso a Caroline Shaw!– Caetano Veloso – Tudo Tudo Tudo Tudo– Paula Matthusen -  On the Imagined Relations of Night Sounds (And Silent Darkness) com Andy Kozar– Saharah-Bib & Juan Ángel Italiano - fraternum t´um - caracatatúmbalala -– Caroline Shaw - The Isle- II Ariel com Roomful of Teeth– Caroline Shaw - The Isle – III Caliban com Roomful of TeethProdução, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg 

Na de wolf en de leeuw muzikaal te introduceren transformeren zij in 2 muzikale grootheden: Julia Wolfe en Reinbert de Leeuw. En dan volgt een haast onmogelijke keuze: naar welk concert neem jij je date mee op Valentijnsdag: het eerbetoon aan Reinbert de Leeuw of Steel Hammer van Julia Wolfe?  Ter onderbreking van deze keuzestress duiken we even de Children's Corner in waar we de KinderComponist des Vaderlands, Lize Bastiaens, aan het woord horen over muziek van kersverse Grammy winnares Caroline Shaw. En we drijven de nacht in met een herinnering aan Chick Corea, die vandaag 4 jaar geleden overleed. 

durée : 00:59:19 - No Shame - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

The band yMusic formed as a contemporary classical chamber music ensemble, but you're more likely to have heard them playing with people like Paul Simon, Bruce Hornsby, Emily King, and John Legend. They're also the sextet of choice for classical composers like Caroline Shaw and Missy Mazzoli. For 16 years they've been gleefully obscuring the line between classical and popular music, and their latest collaboration with choreographer Kyle Abraham, the new multimedia piece called “Dear Lord Make Me Beautiful” saw the group writing and performing their own music. They play some of these originals, in-studio.  Set list: 1.Running 2. Mystique 3. Zebras

durée : 00:15:10 - Journal de la création du dimanche 17 novembre 2024 - par : Laurent Vilarem - Un comme le centenaire de Claude Ballif, deux comme le duo Olivarès/Lechat à l'Opéra de Bordeaux, trois comme la nouvelle saison de La Trinité à Lyon et huit comme les voix de la Partita de Caroline Shaw ! Le dramaturge Aleksi Barrière évoque enfin l'œuvre unique d'Heiner Goebbels. - réalisé par : Céline Parfenoff

Poéticas dos Estados Unidos, Brasil e Itália– Caroline Shaw & Attacca Quartet - And So– Livio Tragtenberg - Papa-Bolinha Cineo– Enzo Minarelli - Regina– Adriano Spatola - Pagine gialleProdução, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg

Legendary documentary filmmaker Ken Burns is famous for his deep dives into topics of American history, ranging from the American Revolution, Benjamin Franklin, the Civil War, and the history of baseball, to name just a few.  Now Burns is delving into the fascinating life of 15th century genius Leonardo da Vinci, examining his life and his numerous roles as a draftsman, painter, and scientist. This venture marks the first time the director has tackled a subject that is not American. The film, which is divided into two, two-hour segments was co-written by his daughter Sarah Burns along with Dave McMahon, and was directed and produced by all three. Leonardo's many notable achievements are explored via close examination and analysis of his prolific personal notebooks alongside accounts of his life and on-camera interviews with leading scholars, contemporary artists, engineers, and some famous fans like biographer Walter Isaacson and filmmaker Guillermo del Toro.  Leonardo da Vinci also marks a departure from Burns's traditional filmmaking style, in which a pan or zoom added in post-production across a still image gives the illusion of movement.  That style of filmmaking has become so closely associated with his material that it has garnered his own filter in iMovie software as what else? "The Ken Burns effect," of course. However, here, the filmmakers use split screens with images, videos, and sound effects from a range of time periods to highlight da Vinci's many achievements through his artistic and scientific explorations, along with the original music commission from celebrated composer Caroline Shaw. It creates a compelling effect and new stylistic approach for the iconic documentarian. This week, Burns joins Senior Market Editor Eileen Kinsella to discuss the endlessly revelatory and fascinating life of Leonardo.

The emerging Fourth Wall Ensemble, founded in 2023, has made a splash in its first year with a double album release, including Awake, with music by Samuel Siskind; and Ad Manus, with vocal selections by Caroline Shaw, Dietrich Buxtehude, Jeff Beal, Eric Whitacre, Morten Lauridsen, and Reena Esmail. Christopher Allen, the ensemble's artistic and creative director, speaks with Mary Claire Murphy and highlights some of Fourth Wall Ensemble's recent live performances, especially their appearance on the Death of Classical series that's held in crypts and cemeteries in New York City.

Legendary documentary filmmaker Ken Burns is famous for his deep dives into topics of American history, ranging from the American Revolution, Benjamin Franklin, the Civil War, and the history of baseball, to name just a few.  Now Burns is delving into the fascinating life of 15th century genius Leonardo da Vinci, examining his life and his numerous roles as a draftsman, painter, and scientist. This venture marks the first time the director has tackled a subject that is not American. The film, which is divided into two, two-hour segments was co-written by his daughter Sarah Burns along with Dave McMahon, and was directed and produced by all three. Leonardo's many notable achievements are explored via close examination and analysis of his prolific personal notebooks alongside accounts of his life and on-camera interviews with leading scholars, contemporary artists, engineers, and some famous fans like biographer Walter Isaacson and filmmaker Guillermo del Toro.  Leonardo da Vinci also marks a departure from Burns's traditional filmmaking style, in which a pan or zoom added in post-production across a still image gives the illusion of movement.  That style of filmmaking has become so closely associated with his material that it has garnered his own filter in iMovie software as what else? "The Ken Burns effect," of course. However, here, the filmmakers use split screens with images, videos, and sound effects from a range of time periods to highlight da Vinci's many achievements through his artistic and scientific explorations, along with the original music commission from celebrated composer Caroline Shaw. It creates a compelling effect and new stylistic approach for the iconic documentarian. This week, Burns joins Senior Market Editor Eileen Kinsella to discuss the endlessly revelatory and fascinating life of Leonardo.

Caroline Shaw is one of the most fascinating, innovative, and brilliant composers of our time. Since winning the Pulitzer Prize in 2013, she rocketed onto the scene and has stayed there ever since, writing music that has captivated audiences around the world. In this conversation, which dates back to 2020(so there is a bit of pandemic talk at the beginning), we talked about her musical upbringing, the shock and surprise of her Pulitzer win, her compositional process, and much much more. This was a really fun and edifying conversation and I hope you enjoy it as much as I did! 

Hot off a '100% Fresh' (!) rating on Rotten Tomatoes and the announcement that his film is Belgium's official submission for the 2025 Oscars, director Leonardo Van Dijl enters the loft for an in-depth conversation about his already acclaimed debut  'Julie Keeps Quiet'. Together with Dominique, he dives into his time at Vice and film school, his provocative award-winning short 'Get Ripped', the importance of the queer gaze and the anxieties & breakthroughs that come with the honest search for your voice.  Leonardo opens up about the elaborate process of securing funding for and the making of 'Julie Keeps Quiet' as well ashis choice of collaborators like his cinematographer - and Dominique's favourite - Nicolas Karakatsanis and the acclaimed music composer Caroline Shaw.  The filmmaker also discusses the importance of boundaries on set and the movie's stylish easter eggs that will undoubtedly tickle fashion connoisseurs.  Follow 'Julie Keeps Quiet' HERE.  'Julie Keeps Quiet' is out in EU / UK cinemas now.  Follow The Most: On Instagram. On Facebook.

We zijn in de laatste weken van de Amerikaanse verkiezingscampagne en dus duiken we in deze aflevering in de Amerikaanse verkiezingen met Amerika-journalist Laila Frank! Wat blijft er nog over van de VS als ‘politieman van de wereld?' Sinds de Tweede Wereldoorlog voerde Amerika overal en nergens interventies uit, maar die tijd lijkt voorbij. Want niet alleen Trump belooft een isolationistisch Amerika, ook onder Amerikanen zelf heerst het gevoel dat het eerst de problemen in eigen land moet oplossen. Wat betekent dat voor ons in Europa? En voor de rest van de wereld? Daarnaast behandelen we uitgebreid de Europese top deze week, waar migratie bovenaan de agenda zal staan. En we hebben ook nog eens een hele bijzondere platenbak met Jet Berkhout, presentatrice bij NPO Klassiek! Shownotes: Poland's Donald Tusk rekindles EU migration debate (https://www.ft.com/content/b59183cc-1d6e-4459-9910-31b536f1e208) Welkom in Washington | Laila Frank in Amerika (https://www.nporadio1.nl/podcasts/welkom-in-washington) Intentions of the mind - Caroline Shaw (https://open.spotify.com/track/1XmgFo2rs1rhbtFmu41VF3?si=aac18dfea46f43bf) China Gates - John Adams, Daniil Trifonov (https://open.spotify.com/track/7FnjVWzL3cLgrPYGCbQO33?si=59a292bf38474c72) ZRI - Rondo alla Turca (https://open.spotify.com/track/5Q2yqKJ6kJAP7KUdhzwA26?si=f7e25035ccef4c28) Weinen, Klagen, Sorgen, Zagen - Bach - Vikingur Ólafsson (https://open.spotify.com/track/0IUVON8lQaZRkbqoX63tmb?si=c75f62147ef74589)

This week on the Wire... For our weekly catch up with Te Pāti Māori, News and Editorial Director and Monday Wire Host, Joel, spoke to Mariameno Kapa-Kingi about updates regarding the Treaty Principles Bill, as well as Te Pāti Māori MP, Hana-Rawhiti Maipa-Clarke, being a recipient of the One Young World Politician of the year award. For our weekly catch up, Producer Evie spoke to the ACT Party's Simon Court about a government directive to create a public service that delivers on ‘need not race', and the draft treaty principals bill being tabled at cabinet for the first time. Producer Evie also spoke to the Public Service Association's Janice Panoho about what the government has labelled ‘a colourblind public service', and some of the concerns that come with us. Host Joel spoke to Associate Professor in the Department of Public Health at the University of Otago, Caroline Shaw, regarding a new study showing that ‘decarbonising' transport would have a signficant impact on health; mental and physical. Producer Evie spoke to the University of Auckland's Associate Professor in the Faculty of Law Treasa Dunworth about her request for an inquiry to be made into whether New Zealand is sharing intelligence to aid Israel in its war on Gaza. And finally, Host Joel spoke to the National Secretary for Retail and Finance at First Union, Rudd Hughes, about the Woolworths strikes that took place last week, with extra walkouts being planned for the 17th of September. Whakarongo mai!

Mit einem Gastspiel des Streichquartetts „Novo Quartet“ in Diemarden geht das Festival „Kultur im Kreis“ am 4. August an den Start. Nicht nur für die musikalische Begegnung mit Werken von Joseph Haydn, Ludwig van Beethoven und Caroline Shaw in der St. Michaelis-Kirche ist am Wochenende ein Ausflug nach Diemarden fällig. Dort organisiert nämlich der Heimatverein Diemarden nicht nur ein abwechslungsreiches Konzertprogramm, sondern auch Erzählcafés, historische Exkursionen und jede ...

Growing numbers of investors are turning to active ETFs. What's behind this boom, and what role can they play in portfolios? Ben Moshinsky is joined by Stefan Kuhn, Fidelity International's Head of ETF Distribution for Europe, Caroline Shaw, multi asset Portfolio Manager, and Andrew Craswell, Head of Client Relationship Management at Brown Brothers Harriman to discuss what makes an active ETF active, and how they're reshaping the investment landscape. With additional contributions from Portfolio Manager Ilia Chelomianski.See omnystudio.com/listener for privacy information.

Artist Album Track Label Year Time Korekyojinn Tundra Vanishing Point Magaibutsu 2011 6:11 Laswell Björkenheim Agren Blixt Tools Cuneiform 2011 5:23 Caroline Shaw, Sō Percussion Rectangles and Circumstance The Parting Glass Nonesuch 2024 5:45 Le Grand Sbam Vaisseau Monde Dins o sbam Dur et Doux 2019 6:33 Lankum Live in Dublin Go Dig My Grave […]

Sample collaborative music by Pulitzer Prize-winning vocalist/composer Caroline Shaw and the versatile quartet Sō Percussion from their latest release, Rectangles and Circumstance, as played in-studio. Composer/vocalist/violinist Caroline Shaw, who has produced for Kanye West and Nas, won a Pulitzer Prize in 2013 for her Partita for 8 Voices, which was written for and performed with the vocal ensemble Roomful of Teeth; she also teaches at NYU. Brooklyn-based Sō Percussion (Eric Cha-Beach, Adam Sliwinski, Josh Quillen, Jason Treuting) is a force of music and noise-making comprised of composer/percussionists/instrument builders/finders who beat, shake, bow, immerse, and rip all kinds of things – home goods and instruments - both acoustic and electric; they also compose.  The members of Sō have worked with Shaw as a composer (Narrow Sea), and collaboratively as a band as on the latest, Rectangles and Circumstance. They've described their groups songwriting as lyrics via adaptations of poetry, or by a band member - and music which can morph - whether added to and/or sliced up; it's a process where everyone contributes equally. Sō describes percussion as an ethos – a willingness to make any and all sounds as requested, by whatever means necessary - whether that is a keyboard, a crotale dipped in water, or ripping a roll of duct tape in time. Despite everything being counted off in four, there are “beats of deceit”, where the music surfs on the edge of some meter, and it carries you, (-Caroline Shaw.) Listen to some of these songs with contributions by Caroline Shaw, and with her band Ringdown, together with Sō Percussion, as played live, in-studio. - Caryn Havlik Set list: 1. Sing On 2. Slow Motion 3. The Parting Glass

The duo called Ringdown makes what they refer to as electronic cinematic pop from Portland, Oregon. But there are also elements of folk and classical music in their songs, which makes sense given who they are. Ringdown is Caroline Shaw, Pulitzer Prize-winning composer and musician, and Danni Lee Parpan, folk-rock singer and songwriter. Together, they have a handful of Grammys, and a "Best Drum Major" Award  - and they have begun releasing songs about love, and heartbreak, and dancing. They present a preview of new music - using synths, violin, keyboard, voices, and processing - from their forthcoming EP, in-studio. Ringdown headlines the closing night celebration of ChamberQUEER 2024: Constellation, in Brooklyn on Sunday, June 16.  Set list: 1. Reckoning 2. Thirst 3. Two-Step

What are the big themes that will shape the investment world in the years ahead? For this final episode of the current series of Rich Pickings, Richard Edgar is joined by Fidelity's Head of Equities for Europe Ilga Haubelt, and Portfolio Managers Kris Atkinson and Caroline Shaw to discuss long-term trends and how investors are grappling with them. With additional contributions from Global Co-CIO Andrew McCaffery.See omnystudio.com/listener for privacy information.

What are the big themes that will shape the investment world in the years ahead? For this final episode of Rich Pickings, Editor in Chief Richard Edgar is joined by Fidelity's Head of Equities for Europe Ilga Haubelt, and Portfolio Managers Kris Atkinson and Caroline Shaw to discuss long-term trends and how investors are grappling with them. With additional contributions from Global Co-CIO Andrew McCaffery. See omnystudio.com/listener for privacy information.

Today we discuss media production with founder of Four/Ten Media, Evan Chapman.   Based in Philadelphia, Evan Chapman is a percussionist, composer, and filmmaker who has built a prolific and unique career by seamlessly blending multimedia and contemporary music. Chapman is a founding member of contemporary-classical percussion trio/rock band Square Peg Round Hole, whose original compositions have been dubbed a “creative adventure” by Bob Boilen (NPR) and have received further acclaim from Modern Drummer Magazine, Paste Magazine, and Mental Floss, among others.   FOUR/TEN MEDIA is a production company born from the partnership between filmmakers/percussionists Kevin Eikenberg and Evan Chapman. Kevin and Evan's unique background as classically trained percussionists has allowed the duo to create fresh and musically authentic visual representations of works in the contemporary classical and pop worlds. Four/Ten's client list includes internationally-acclaimed artists such as the New York Philharmonic, Steve Reich, Caroline Shaw, the Bang on a Can All-Stars, Sō Percussion, David Lang, Son Lux, Alarm Will Sound, The Crossing Choir, Third Coast Percussion, and many more. Their work has been featured by major press outlets including The New York Times, Alternative Press, NPR, Mental Floss, Paste Magazine, Q2 Music, and I Care if You Listen, among others.   Evan is sponsored by Zildjian Cymbals, Vic Firth Drumsticks, Evans Drumheads, and SJC Custom Drums.   https://fourtenmedia.net/ https://www.evanmchapman.com/ https://www.instagram.com/evanmchapman/?hl=en https://youtube.com/evanmchapman Four/Ten Media (2024 Reel) Music for Wood and Strings  

Paulien was twee dagen in Nederland en vond de terugreis langer voelen dan de heenreis. Wat 'an sich' vreemd is, want bij een vakantie is dat precies andersom.Wiek droomde voor het eerst in het Engels, maar wist in zijn droom het woord voor karton niet .De studenten hadden aan hun podcast minutenverhaaltjes gewerkt. En je hoort er drie in deze uitzending.Chris bezocht de Bowling Club. Hij is door de ballotage, want er blijkt helemaal geen ballotage te zijn.Daarnaast waren vrienden Marijtje en Wouter op bezoek. Ze gingen met Chris naar een concert waarin vier moderne klassieke stukken gespeeld werden. En dat bleek nogal een uitdaging.Paulien breekt, terecht, ook nog een lans voor moderne muziek. Haar tip is: Partitia for 8 voices van Caroline Shaw, en dat kun je hier beluisteren.Dit is het Instagram-account van Man met de microfoon.Wil je lid worden of een eenmalige donatie doen via petjeaf.com dan kan dat: hierEenmalig overmaken kan ook naar: NL37 INGB 0006 8785 94 van Stichting Man met de microfoon te Amsterdam.Reacties: manmetdemicrofoon@gmail.comWil je adverteren, dan kun je een mailtje sturen naar: adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Jess's guest this week is the composer Kate Whitley.Kate is an award-winning composer and pianist, who also runs the Multi-Story Orchestra. The orchestra was born in a multi-story car park in Peckham, and perform in car parks around the country, as they wanted to take classical music out of formal concert halls. They also create hugely powerful musical projects like the RPS Award-winning The Endz that involve the local community and young people in their music making.Kate and Jess settle in for a listening party of the music they love including a beautiful work by Caroline Shaw and Bjork, the biggest of brass by Mussorgsky, bluegrass courtesy of the Goat Rodeo and a contender for greatest ever cover version by the Pet Shop Boys.Playlist:CAROLINE SHAW – Partita for 8 Singers: 2. Sarabande [Roomful of Teeth] MUSSORGSKY – Night on Bald Mountain [Philadelphia Orchestra, Riccardo Muti (conductor)] BJORK: Pneumonia GOAT RODEO - Attaboy [Stuart Duncan, Edgar Meyer, Chris Thile, Yo Yo Ma] VIVALDI – La Folia [Apollo's Fire, Jeannette Sorell] SON LUX - This is a Life [Mitski, David Byrne] GABRIELE MIRABASSI – Girotondo [Gabriele Mirabassi [clarinet), Luciano Biondini (accordion)] PET SHOP BOYS: Always on My Mind

Kate Molleson talks to Pulitzer Prize winning composer, Caroline Shaw At the age of just 30, in 2013 American composer Caroline Shaw made the headlines when she became the youngest person to win a Pulitzer Prize for her vocal work "Partita for Eight Voices". It's a mind blowing, joyous celebration of every sound and technique the human voice can achieve. The unexpectedly gained Pulitzer could have pigeon-holed Shaw's future career, as a "composer", but central to her identity as a creator is the fact that Shaw regards herself as musician. She's a violinist, a vocalist, producer, and a composer and it's the sum of all these parts that make up the creative impetus for her music. Blending performance with composition, blurring the lines between different musical genres, Shaw has avoided categorisation in the multiplicity of her enthusiasms. She's worked with rappers Kanye West and Nas, and soprano Renée Fleming, and mezzo-soprano Anne Sofie von Otter. Her more than one hundred works encompass classical works, film scores, vocal music, and performing and working collaboratively she continues to engage in a diverse range of multi-media projects.Shaw's passion for music formed early. Born in North Carolina in 1982, Shaw was taught the Suzuki method of violin by her mother from the age of 2. Her father, a specialist in respiratory disease, was a keen amateur pianist. Shaw grew up in a culture of community music-making, singing in the church choir and summer camp. Formal studies followed at Rice in performance and Yale in composition, after which she undertook a doctoral programme in composition at Princeton.Plan and Elevation (IV: The Orangery) And So Partita for 8 Singers (IV: Passacaglia) Gustave Le Gray Entr'acte (version for String Orchestra) Valencia Limestone and Felt Punctum Boris Kerner Thousandth Orange for violin, viola, cello, piano Fleishman is in Trouble (Beef Lo Mein) And the Swallow Partita for 8 Singers (I: Allemande) To the Hands (Seven Responses project) (excerpt) Narrow Sea (excerpt) Its motion keeps “The Listeners” (excerpt) Plan and Elevation (V: The Beech Tree) Three Essays (III: Ruby) The Isle (excerpt) Taxidermy Blueprint for String Quartet To the Sky Partita for 8 Singers (II: Sarabande) Fleishman is in Trouble (excerpts) Ritornello 2.sq.2.j.a for string quartetPresented by Kate Molleson Produced by Johannah Smith for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for A Vaughan Williams Christmas https://www.bbc.co.uk/programmes/m001trhsAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Our guest today, Michael Brofman, was seriously injured during undergraduate school. He tried various teachers and received much medical advice - some of which included chain smoking! That's not a typo. Stay tuned for that outrageous story.Michael came across Taubman Approach expert Robert Durso. Through lessons with Robert Durso, Michael experienced physical healing and a level of artistic freedom that was almost unimaginable during his academic study.  Today's episode is a story of healing and freedom through the Taubman Approach. www.golandskyinsitute.org Pianist Michael Brofman has earned a reputation as one of the finest vocal accompanists of his generation. He has performed over one thousand songs, from Schubert's earliest lieder to premieres of new songs by today's most-recognized composers. He was hailed by the New York Times as an “excellent pianist” and Feast of Music recently praised his “elegant and refined playing… exhibiting excellent touch and clean technique.”  Parterre Box Blog called Mr. Brofman a “master communicator at the piano,” and Voix des Arts praised his “finesse and flexibility.”  Seen and Heard International recently wrote “Brofman got to the core of each song…delving into their emotional depths.”  Opera News stated “Michael Brofman provided exquisite piano accompaniment.”Highlights from Mr. Brofman's 2023-2024 season include performances of Arnold Schoenberg's Das Buch der Hängenden Gärten with Kate Maroney, Poulenc's Tel Jour, Telle Nuit with Michael Kelly, and repeat or premiere performances of works written for him by Daniel Felsenfeld, Libby Larsen, Jessica Meyer, and Reinaldo Moya.  Mr. Brofman also performs works by Benjamin Britten, Johannes Brahms, Michael Djupstrom, Shawn E. Okempolo, Caroline Shaw, Clara Schumann, Anton Webern, Kurt  Weill, and Hugo Wolf.Mr. Brofman has championed new works and has fostered relationships with many living composers, including Katherine Balch, Lembit Beecher, Tom Cipullo, Michael Djupstrom, Daniel Felsenfeld, Herschel Garfein, Mikhail Johnson, Daron Hagen, Jake Heggie, James Kallembach, Libby Larsen, Lowell Liebermann, David Ludwig, James Matheson, Reinaldo Moya, Harold Meltzer, Russell Platt, Kurt Rohde, Glen Roven, Andrew Staniland, Carlos Simon, and Scott Wheeler. In all, he has premiered over 100 songs, many of them dedicated to him. Mr. Brofman is the founder and artistic director of the Brooklyn Art Song Society, an organization dedicated to the vast repertoire of poetry set to music now in its 14th  season. His first CD New Voices on Roven Records includes four world-premiere recordings and was number one on Amazon's new releases for Opera/Vocal and debuted in the top 10 of the Traditional Classical Billboard Chart.  Since then he has recorded world premiere recordings of Kurt Rohde on Albany Records and Herschel Garfein for Acis Records. An eloquent and passionate advocate for art song, Mr. Brofman has been interviewed by Russell Platt for Opera News, for Caught In the Act on Brooklyn Public Television, on the WQXR radio show Soundcheck, on Seattle KING FM 98.1, and for the Linked Music blog. He also hosts his own internet show Song and Wine.  Mr. Brofman has a reputation as a gifted educator and has presented masterclasses at the University of Chicago, Cornell, Ithaca College, the University of Notre Dame and University of South Carolina. Mr. Brofman holds a bachelor of Music from Northwestern University where he studied with James Giles. There he was awarded the Frida A. Pick Award for Piano and featured on Chicago's classical radio station. Mr. Brofman spent several summers at the Aspen Music Festival as a student of Rita Sloan and continues his studies with Robert Durso. He resides in Windsor Terrace, Brooklyn with his wife

Jess Gillam meets jazz singer Cécile McLorin Salvant to swap some of their favourite music. Cécile is a 3 time Grammy Award-winning jazz singer and her music shows off her passion for storytelling and finding the connections between vaudeville, blues, jazz, baroque and folkloric music. She spoke to Jess ahead of her show at London Jazz Festival 2023 and picked some of her favourite voices from Maria Callas singing Puccini to flamenco star Camarón de la Isla and an air de cour by Gabriel Bataille.Jess brought along a string quartet by Caroline Shaw, a Hollywood inflected Concerto by Korngold and the most beautiful of songs by Aretha FranklinPLAYLIST:GABRIEL BATAILLE: Sortés soupirs témoins de mon mártire [Les Musiciens de Saint-Julien, Annie Dufresne (soprano)] CAROLINE SHAW: Plan & Elevation – v. The Beech Tree [Attacca Quartet] WANDA JACKSON: Funnel of Love KORNGOLD: Violin Concerto, op.35 – 1st mvt [James Ehnes (violin), Vancouver Symphony Orchestra, Bramwell Tovey (cond)] ARETHA FRANKLIN: Ain't No Way PUCCINI: La bohème, Act 4 “Sono andati” [Maria Callas (soprano), Giuseppe di Stefano (tenor), La Scala Milan Chorus & Orchestra, Antonino Votto (cond)] POULENC: Stabat Mater – i. Stabat Mater dolorosa [Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National SO, Daniel Reuss (cond)] CAMARON DE LA ISLA: Yo vivo enamorao (Tangos) [Camaron De La Isla (singer), Paco De Lucía (guitar)]

A favourite voice on some of her favourite things, as vocalist and composer, Caroline Shaw marks selects some watching, listening, reading, tasting and smelling

Angélica Negrón joins Jocelyn to talk about the value of play, collaboration, and how classicism shows up in education. Hear the full conversation by becoming a Patreon subscriber.  Companion playlists: Youtube, Spotify Support us: Subscribe on Patreon Follow us: @composelikeagirl on Instagram and Facebook Learn more: Compose Like a Girl   Transcript PDF   Relevant Links:   Angélica Negrón   2022 Hermitage Greenfield Prize  New York Philharmonic Education    Chorus of the Forest Performance   The Blue Hour - (Rachel Grimes, Angélica Negrón, Caroline Shaw, Sarah Kirkland Snider, Shara Nova) The Blue Hour: No. 3, A Black Map A Far Cry Carolyn Forché (Blue Hour) The Blue Hour is available for hire at WiseMusicClassical.com.   Balún - Angélica Negrón, José A. Olivares, Raúl Reymundi, Noraliz Ruiz, with guest performers Prisma Tropical - La Nueva Ciudad   Sarah Kirkland Snider's Penelope (shared as an anecdote) Additional music by Blue Dot Sessions

Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

As I head into a three-month book leave, I wanted to take some time to address a wide array of listeners' questions. My column editor, Aaron Retica, joins me for a conversation that ranges from the content of my forthcoming book and President Biden's climate record to the simulation hypothesis and legalized psychedelic therapy.We also discuss what the I-95 collapse — and remarkably quick repairs — tell us about government's ability to build quickly, the problems with everything-bagel liberalism, what it would mean to treat climate change like the emergency that it is, why I dislike analogies between Biden and Franklin Roosevelt, why health care reform has receded from the center of American political debate, whether liberals are being too soft on Hunter Biden, why I am staunchly against term limits for Congress, what kinds of work are most undervalued in American society, why I've become less pessimistic about artificial intelligence disinformation, why I left Twitter but have been enjoying Threads, the challenges of keeping a Sabbath practice and more.This episode contains strong language.Note: Starting next week, “The Ezra Klein Show” will be releasing episodes only once per week, every Tuesday, until Ezra returns from his book leave in early November. These episodes will be hosted by a range of guest hosts.Mentioned:“The Problem With Everything-Bagel Liberalism” by Ezra Klein“The Book I Wish Every Policymaker Would Read” by The Ezra Klein Show, with Jennifer Pahlka“Two Theories of What I'm Getting Wrong” by Ezra Klein“The Greens' Dilemma” by J. B. Ruhl and James E. Salzman“Not Everyone Should Have a Say” by Jerusalem DemsasWe've Got You Covered by Liran Einav and Amy Finkelstein“This Is Your Brain on ‘Deep Reading.' It's Pretty Magnificent.” by The Ezra Klein Show, with Maryanne Wolf“Elon Musk Got Twitter Because He Gets Twitter” by Ezra Klein“Sabbath and the Art of Rest” by The Ezra Klein Show, with Judith ShulevitzMusic Recommendations:“Orange” by Caroline Shaw and Attacca QuartetFred again..: Tiny Desk Concert on NPR Music“USB” by Fred again..“Midas” by Maribou StateThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact checking by Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld. Our senior editor is Rogé Karma. The show's production team also includes Emefa Agawu, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero.

Christy Dignam RIP, Tom Dunne, Jerry Fish & Pat Carty - Black Mirror, Writer Charlie Brooker and executive producer Jessica Rhoades - Sunlight director Claire Dix (*This film is about assisted dying, euthanasia) - Caroline Shaw at Louth Contemporary Music Society's Festival.

Music from Salem's Spring Concert will take place this Saturday, April 22 at 4 p.m. at Hubbard Hall in Cambridge, New York. The program will include Wolfgang Amadeus Mozart's String Quintet in G Minor, Caroline Shaw's Schisma for string quartet, and Felix Mendelssohn's String Quintet in B flat Major.We welcome Music from Salem Artistic Director Lila Brown and the members of The Julius Quartet - Helen Lee, John Bachelor, David Do, and Sebastian Kozub.

This week on Beethoven Walks into a Bar, Mike and Stephanie are joined by mezzo-soprano Sasha Cooke who is town to sing Hindemith's When Lilacs Last in the Dooryard Bloom'd with the Kansas City Symphony and Chorus. We talk about Sasha's work with former podcast guests Caroline Shaw, Gabe Kahane, Nico Muhly and Joel Thompson on her Grammy award winning album "How do I Find you?" and discuss exploring "new music" vs. "new to you" music. Sasha also shares how finding a good coffee shop can make her feel at home no matter where she is in the world. We also reveal our Top 5 works for solo voice and orchestra. Listen now for all of this and more, this week on Beethoven Walks into a Bar.Episode 705 PlaylistALBUM: Sasha Cooke: "How Do I Find You?"

Bob Prillaman, former executive of Caraustar Industries and philanthropist, passed away at the age of 90. Prillaman made an indelible impact on Cobb County through his philanthropy and activism. He played a key role in the growth of Wellstar Health System in the region and in the partnership between Wellstar and Kennesaw State University. Prillaman also wrote about healthcare issues for his community in a November MDJ guest column, encouraging collaboration among local hospitals, government, and community members. Prillaman was born into poverty in Bassett, Virginia, and worked his way up the ranks in the paper industry. He will be remembered for his kindness, thoughtfulness, and loyalty as a friend. A motorcyclist named Felix Witt was injured in a crash in east Cobb on Monday night. The incident took place around 6:10 pm when Witt's black 2022 KTR 390 motorcycle collided with a white 2017 Mazda CX5 driven by Sandra Craine. Craine attempted a U-turn at the intersection, in front of the motorcycle, which led to the collision. Witt was ejected from his motorcycle and was taken to Wellstar Kennestone Hospital for non-life-threatening injuries. Craine, who is 76 years old, was not hurt. The investigation is ongoing, and anyone with information is urged to contact Cobb police. Georgia Governor Brian Kemp spoke to the Cobb Chamber of Commerce, touting the state's economy and fiscal conservatism. Kemp pointed to the state's low unemployment rate, economic development successes, and balanced budget. With a budget surplus of over $6 billion, the state returned funds to taxpayers through state income tax rebates and property tax relief. Kemp highlighted the state's record of being named the best state to do business for nine years in a row and announced roughly 150,000 new jobs and $60 billion of new investment since he took office. The governor also mentioned legislative measures passed, such as the Safe School Act, teacher pay raises, and combating human trafficking. The Kennesaw Downtown Development Authority and the Kennesaw Downtown Merchants Association have announced the third annual First Friday Concert Series in downtown Kennesaw. The series will run from May to October, with no concert in July. The community is invited to stroll through the historic downtown area and enjoy an evening of shopping, dining, and live music from 7 to 9:30 p.m. at the Pedestrian Underpass/Tunnel Plaza off Main Street. VIP Tables are available for reservation, which include a six-foot table with a tablecloth, centerpiece, and special gift, and can seat six individuals. The lineup includes bands such as 293 Band, The GlowBand- an Ealges tribute, Run Katie Run, Brotherhood-a Doobie Brothers tribute, and Emerald Empire Band. Two high school basketball teams from Cobb County finished in the top 25 of the final national polls. Wheeler, the Class 7A state champion, ranked 24th in ESPN's final top 25. Kell, the Class 5A state champion, ranked 20th in USA Today's poll. Wheeler went 27-7 and defeated opponents by an average of 14 points. Kell went 28-2 and won their games by an average of 34 points in the final 15 games of the season. Both teams played a national schedule and won their state championships, while featuring rosters full of future college stars. Kennesaw State has found their new basketball coach, and he's coming from an SEC power.   The five newest graduates of the Cobb County Drug Treatment Court were recently celebrated by judges, elected officials, community members, court staff, attorneys, family members, and friends. The program, which lasts 18-24 months, provides an alternative to incarceration for individuals with substance use disorders. The program combines close supervision, evidence-based treatment, and recovery support to teach offenders to be productive members of the community. The graduates shared their success stories and expressed hope and excitement for their future. The program is presided over by Superior Court Judge Kimberly A. Childs, and attended by other elected officials, including the District Attorney, Commissioner, and Clerk of Superior Court. The Harrison girls' soccer team won their eighth straight game with a 4-0 victory over South Gwinnett in the Class AAAAAAAA state playoffs. Caroline Shaw had a goal and an assist, and Addie Watt, Courtney Cangialosi, and Sydney Snow all scored. In other Cobb County action, Walton won 3-0 against West Forsyth, Kennesaw Mountain lost 3-0 to Denmark, and Brookwood beat Hillgrove 1-0. Harrison (13-3-1) will face the winner of Camden County and East Coweta in Round 2 on Monday, and Walton will host the winner of Meadowcreek and Buford on Monday. Lia McGrath from Ingles Markets answers our questions about Fasting. Community reporter Matt Goldin joins us again with our Dayco Systems Community Event Calendar.   #CobbCounty #Georgia #LocalNews      -            -            -            -            -            The Marietta Daily Journal Podcast is local news for Marietta, Kennesaw, Smyrna, and all of Cobb County.             Subscribe today, so you don't miss an episode! MDJOnline            Register Here for your essential digital news.            https://www.chattahoocheetech.edu/  https://cuofga.org/ https://www.esogrepair.com/ https://www.drakerealty.com/           Find additional episodes of the MDJ Podcast here.             This Podcast was produced and published for the Marietta Daily Journal and MDJ Online by BG Ad Group   For more information be sure to visit https://www.bgpodcastnetwork.com          See omnystudio.com/listener for privacy information.

Dan Golding is here to discuss minutes 106-110 of The Empire Strikes Back! We talk about Ben Burtt's frustrations, intense pedal points, a nasal brass canon, free fanfares, Empire being an "editor's film," and how the music is "meanwhile" (sounds strange, but it'll make sense when you listen to the episode).

Teddy Abrams makes his second appearance on Beethoven Walks into a Bar this week, joining Mike and guest hosts Joe LeFevre (tuba) and Jessica Nance (viola). Teddy recently led the orchestra in a program including former podcast guest Caroline Shaw's The Observatory, Holst's The Planets, and Missy Mazzoli's Violin Concerto featuring the dazzling Jenny Koh. Hear how it went, this week on Beethoven Walks into a Bar!

Peter Matthew Bauer made his name as a member of The Walkmen, whose nervy, guitar-driven rock lives in the DNA of Bauer's new album, Flowers. Beth Orton has an even longer recorded legacy that stretches back to her 1996 debut, Trailer Park. Orton's new record, Weather Alive, finds the singer taking control of her own sound — and driving it in new, warmly organic directions. We've also got a new album by Vieux Farka Touré and Khruangbin, who collaborate on interpretations of work by Touré's legendary late father, Ali Farka Touré. Pulitzer Prize-winning composer Caroline Shaw headlines another album-length collaboration, this one with the versatile strings of Attacca Quartet. And, speaking of versatility, jazz drummer Makaya McCraven rounds out this week's lineup with the help of a small army of players; his new album is titled In These Times. Featured Albums: 1. Peter Matthew Bauer — Flowers Featured Songs: "Chiyoda, Arkansas, Manila," "Flowers" 2. Beth Orton — Weather Alive Featured Songs: "Lonely," "Fractals" 3. Vieux Farka Touré & Khruangbin — Ali Featured Songs: "Mahine Me," "Savanne" 4. Caroline Shaw & Attacca Quartet — Evergreen Featured Songs: "Other Song," "The Evergreen Stem" 5. Makaya McCraven — In These Times Featured Songs: "Dream Another," "The Title" Lightning Round: The Comet Is Coming — Hyper-Dimensional Expansion Beam Young RJ — World Tour Angelica Sanchez Trio — Sparkle Beings Alex G — God Save the Animals Nils Frahm — Music for Animals