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3 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
2 episodes with Park Avenue Armory
Spring art week just wrapped in New York City. Known for its extravagant floral displays and signature oysters and champagne, TEFAF is the fair with a vibe. This year, 91 exhibitors from 13 countries presented everything from antiquities to modern and contemporary art and design at the stately Park Avenue Armory. There's a real sense of passion here— dealers are eager to share the stories behind their works. Which brings us to today's episode, recorded live at the Thrill of the Chase panel with three very different cultural omnivores who personify Tefaf's ethos which span centuries and styles. Jeanne Greenberg Rohatyn‘s gallery Salon 94, has long blurred the lines between art and design. Housed in a Beaux-Arts townhouse on the Upper East Side she has presented everything from Rick Owens furniture to the recent Kennedy Yanko solo exhibitions. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, brings a sweeping vision to interiors, furniture, architecture, and opera sets. He also curates, most recently Glass Subjects at R & Company which is currently on view. Alexandra Cunningham Cameron, Curator of Contemporary Design at the Cooper Hewitt, began her career in literature before turning to storytelling through objects. Her work explores symbolism, inclusion, and cultural memory. Together, they explore what makes an object irresistible. Is it beauty, rarity—or the story it tells? In this conversation, Artnet Studio's William Van Meter dig into the thrill of discovery, the elusive “X factor,” and how great objects help shape layered narratives.
Spring art week just wrapped in New York City. Known for its extravagant floral displays and signature oysters and champagne, TEFAF is the fair with a vibe. This year, 91 exhibitors from 13 countries presented everything from antiquities to modern and contemporary art and design at the stately Park Avenue Armory. There's a real sense of passion here— dealers are eager to share the stories behind their works. Which brings us to today's episode, recorded live at the Thrill of the Chase panel with three very different cultural omnivores who personify Tefaf's ethos which span centuries and styles. Jeanne Greenberg Rohatyn‘s gallery Salon 94, has long blurred the lines between art and design. Housed in a Beaux-Arts townhouse on the Upper East Side she has presented everything from Rick Owens furniture to the recent Kennedy Yanko solo exhibitions. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, brings a sweeping vision to interiors, furniture, architecture, and opera sets. He also curates, most recently Glass Subjects at R & Company which is currently on view. Alexandra Cunningham Cameron, Curator of Contemporary Design at the Cooper Hewitt, began her career in literature before turning to storytelling through objects. Her work explores symbolism, inclusion, and cultural memory. Together, they explore what makes an object irresistible. Is it beauty, rarity—or the story it tells? In this conversation, Artnet Studio's William Van Meter dig into the thrill of discovery, the elusive “X factor,” and how great objects help shape layered narratives.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Established in 2001, the Bruce Silverstein Gallery's principal focus is the representation of an international roster of contemporary artists as well as established artists of great influence. The gallery is committed to discovering, examining, and contextualising known and unknown artworks by modern masters as well as innovative artists of today. The gallery strives to provide a venue for dialogue across all art forms, while specialising in modern and contemporary photography. - Bruce Silverstein Gallery official website https://brucesilverstein.com/ - Member page on AIPAD https://www.aipad.com/member/bruce-silverstein-gallery - Follow Bruce Silverstein Gallery on Instagram https://www.instagram.com/brucesilverstein/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 11. April 2025 between Perth (AU) and New York (US) with Riverside.
These days, photographer Dona Ann McAdams lives on a goat farm in Vermont. But a new exhibit of her work incorporates five decades of her photography from around the world. "Dona Ann McAdams: 'Black | Box'" is on view at the Pratt Manhattan Gallery through June 7. She discusses her practice, explains how her childhood growing up in Ronkonkoma on Long Island informed her interest in photography, and shares stories from her adventures in California and New York, including her gig as the longtime staff photographer of Performance Space 122. Dona will be at Park Avenue Armory on Friday April 25 at 3 pm for a photography show event, and will also be in conversation with poet Eileen Myles at the Pratt Manhattan Gallery on Thursday May 15 at 6:30 pm.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography. She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037 Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto The Michael Hoppen Gallery opened in 1992 and is founded on a passion for photography. As a gallery we are renowned for nurturing the careers of new and interesting artists and exhibiting them alongside acknowledged nineteenth, twentieth and twenty-first century photographic masters. We are passionate about the photograph and all that concerns this extraordinary art form. - Michael Hoppen Gallery official website https://www.michaelhoppengallery.com/ - Michael Hoppen Gallery on Instagram https://www.instagram.com/michaelhoppengallery/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 15. April 2025 between Perth (AU) and London (UK) with Riverside.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Douglas Marshall (Marshall Gallery) Founded in 2018, the Marshall Gallery works to promote the work of contemporary photo-based artists with an emphasis on experimental processes, printmaking craftsmanship and conceptual innovation. After working in many roles across emerging, established, and blue chip galleries, owner Douglas Marshall opened the Gallery's first Venice Beach space in January 2021 amid the pandemic before moving to Santa Monica's Bergamot Station in December 2021 where the gallery now resides. - Marshall Gallery official website https://marshallgallery.art/ - Membership page on AIPAD https://www.aipad.com/member/marshall-gallery - Follow Marshall Gallery on instagram https://www.instagram.com/marshall.gallery/ Michael Hulett (The Hulett Collection) The Hulett Collection is a fine art gallery specializing in classic 20th century and contemporary photographic works. Native to Tulsa, Oklahoma, Michael Hulett started in the fine arts world more than 15 years ago in Los Angeles and spent the majority of his career as the Director of the world-renowned Peter Fetterman Gallery in Santa Monica. He has curated more than 100 exhibitions across Chicago, London, Los Angeles, New York, Paris and San Francisco. Michael brings his more than 20 years of knowledge of the medium's history and its foremost photographers to The Hulett Collection. - The Hulett Collection official website https://thehulettcollection.com/ - Membership page on AIPAD https://www.aipad.com/member/the-hulett-collection1 - Follow The Hulett Collection on instagram https://www.instagram.com/thehulettcollection/ and owner Michael Hulett here https://www.instagram.com/mikehulett/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 11. April 2025 between Perth (AU), Tulsa OK, and Santa Monica CA, with Riverside.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Adelie de Ipanema (POLKA Galerie) Established in 2007 by Adélie de Ipanema and her brother, Edouard Genestar, Polka Galerie is located in the heart of the Marais district in Paris. The gallery represents over thirty photographers. Each year, within its 300 sq. meters divided into two spaces, the gallery organises ten exhibitions, which question the different forms of the Document within modern and contemporary practices. - POLKA Galerie official website https://www.polkagalerie.com/en/home.htm - Membership page on AIPAD https://www.aipad.com/member/polka-galerie - Follow POLKA Galerie on instagram https://www.instagram.com/polkagalerie/ Arnika Dawkins (Arnika Dawkins Gallery) Arnika Dawkins Gallery is devoted to presenting fine art from both emerging and established photographers, specialising in images by African Americans and of African Americans. The gallerist is passionate about connecting collectors to artwork that is significant, inspiring and provocative. As a fine art photographer and avid collector herself, she is a valuable resource to collectors and artists alike. The gallery's objective is to provide an educational platform that supports this burgeoning community of talented artists. - Arnika Dawkins Gallery official website https://adawkinsgallery.com/ - Membership page on AIPAD https://www.aipad.com/member/arnika-dawkins-gallery - Follow Arnika Dawkins Gallery on instagram https://www.instagram.com/arnikadawkinsgallery Anna Walker Skillman (Jackson Fine Art) Jackson Fine Art is a world-renowned contemporary gallery, specializing in photography with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. - Jackson Fine Art official website https://www.jacksonfineart.com/ - Membership page on AIPAD https://www.aipad.com/member/jackson-fine-art - Follow Jackson Fine Art on instagram https://www.instagram.com/jacksonfineart/ Yancey Richardson (Yancey Richardson Gallery) Founded in 1995, Yancey Richardson represents artists working in photography, film, and lens-based media. The gallery is committed to working with museums, private institutions, leading art collectors, and other galleries to advance the careers of the artists we represent. Our current program includes emerging photographers as well as critically recognized, mid-career artists such as John Divola, Mitch Epstein, Ori Gersht, Anthony Hernandez, Laura Letinsky, Andrew Moore, Zanele Muholi, Mickalene Thomas and Hellen van Meene. Additionally, the gallery has presented exhibitions of historically significant figures such as Lewis Baltz, William Eggleston, Ed Ruscha, August Sander, and Larry Sultan. - Yancey Richardson Gallery official website https://www.yanceyrichardson.com/ - Membership page on AIPAD https://www.aipad.com/member/yancey-richardson-gallery - Follow Yancey Richardson Gallery on instagram https://www.instagram.com/yanceyrichardsongallery/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 25. March 2025 between Perth (AU), Paris (FR), Atlanta GA, and New York (US) with Riverside.
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Formerly a photographer and founder of The Center for Photography in Woodstock in 1977, Howard Greenberg has been one of a small group of gallerists, curators and historians responsible for the creation and development of the modern market for photography. Howard Greenberg Gallery—founded in 1981 and originally known as Photofind—was the first to consistently exhibit photojournalism and 'street' photography, now accepted as important components of photographic art. - Howard Greenberg Gallery official website https://www.howardgreenberg.com/ - Howard Greenberg Gallery on Instagram https://www.instagram.com/howardgreenberggallery/ - The Center for Photography Woodstock https://cpw.org/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 27. March 2025 between Perth (AU) and Berlin (DE) with Riverside. Portrait of Howard Greenberg by Bastiaan Woudt
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Lee Marks (Lee Marks Fine Art) was a founding member of AIPAD and was President from 1991 until 1995. Established in 1981, LMFA represents a small stable of international photographers and presents bi-monthly, online exhibitions by theme or represented artists. She also advises collectors on other photography acquisitions as well as insurance appraisals. - Lee Marks Fine Art official website https://www.leemarksfineart.com/ - Membership page on AIPAD https://www.aipad.com/member/lee-marks-fine-art - Follow Lee Marks on instagram - https://www.instagram.com/lee.marks.9809/ Robert Klein (Robert Klein Gallery) was an early member of AIPAD and was President from 1995 until 2008. Robert Klein Gallery was established in 1980 and maintains an extensive and ever-changing inventory of 19th-century, 20th-century, and contemporary fine art photography. During his tenure, Robert engineered the 2006 expansion of The AIPAD Photography Show New York to the Park Avenue Armory, firmly establishing it as one of the leading photographic fairs in the world. - Robert Klein Gallery official website https://www.robertkleingallery.com/ - Membership page on AIPAD https://www.aipad.com/member/robert-klein-gallery - Follow Robert Klein Gallery on instagram https://www.instagram.com/robertkleingallery/ Stephen Bulger (Stephen Bulger Gallery) served on the Board beginning in 2001 and became First Vice President in 2003. He was President from 2009 until 2012. Stephen Bulger Gallery, Toronto, opened in 1995, and offers an active exhibition schedule of 19th century, 20th century and contemporary international photographers. He has published numerous catalogues and books, and has curated over 120 exhibitions. Stephen is also co-founder and a member of the Board of CONTACT, Toronto's photography festival. He is a graduate of the School of Image Arts at Ryerson University, Toronto, where he was the founding Manager of the Ryerson Gallery. - Stephen Bulger Gallery official website https://www.bulgergallery.com/ - Membership page on AIPAD https://www.aipad.com/member/stephen-bulger-gallery - Follow Stephen Bulger on instagram https://www.instagram.com/stephen.bulger/ and his gallery https://www.instagram.com/stephenbulgergallery/ Richard Moore (Richard Moore Photographs) served on the AIPAD Board of Directors for 12 years and was President from 2017 until 2021. RICHARD MOORE PHOTOGRAPHS, founded in 2000, is a private dealer of photographs, primarily vintage works by 19th and 20th century American photographers. Specialties include California photography, The Photo-Secession, Group f/64, Dorothea Lange, Farm Security Administration (FSA) photographers, Social Documentary photography and Photo-journalism. - Richard Moore Photographs official website https://www.richardmoorephoto.com/ - Membership page on AIPAD https://www.aipad.com/member/richard-moore-photographs - Follow Richard Moore Photographs on instagram https://www.instagram.com/richardmoorephoto/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 21. March 2025 between Perth (AU), Toronto (CA), Shelbyville, IL, Oakland, CA, and Boston, MA (US).
This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit. The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto Lydia Melamed Johnson is the Executive Director of The Association of International Photography Art Dealers (AIPAD) and has been in this role since autumn 2023. She first joined AIPAD in late 2021 in the role of Show Director for The Photography Show presented by AIPAD. Prior to this Lydia was in charge of Corporate Partnerships and the VIP Officer of Paris Photo New York. Earlier still she founded October Art Week while serving as Director of Robert Simon Fine Art in New York. Lydia is also a member of the Board of the Art History Department at the University of Wisconsin-Madison. - Follow Lydia on Instgram https://www.instagram.com/lydiamelamedjohnson/ Martijn van Pieterson is the President of The Association of International Photography Art Dealers (AIPAD) and has been in this role since spring 2023. He is the co-founder of IBASHO Gallery which he opened in 2015 together with his wife Annemarie Zethof. IBASHO means "a place where you can be yourself" in Japanese, and the gallery specialises in Japanese photography. The gallery has been an AIPAD member since 2018; Martijn joined the board in 2019 and the executive board in 2021. Born in Holland and based in Belgium, Martijn is the first European President of AIPAD. - IBASHO Gallery official website https://ibashogallery.com/ - Follow IBASHO Gallery on Instagram https://www.instagram.com/ibasho___gallery/ Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 14. March 2025 between Perth (AU), Antwerp (BE), and New York City (US).
As the Co-Artistic Director of Streb Extreme Action she ziplined across the Park Avenue Armory, scaled the walls of the Bergdorf building and danced on the spokes of the London Eye. Cassandre was born and raised in Brooklyn, New York. Her investigation in movement began at the age of four with the sport of gymnastics. Over a span of twenty years as a competitive gymnast, she earned several state and regional titles. She graduated from Cornell University with a B.A. in English Literature and studied journalism at Temple University's graduate communications program. She joined STREB in 2007 as an instructor and company member. In September 2017, Cassandre Joseph was appointed Associate Artistic Director of STREB Extreme Action, and also oversees SLAM's education program. Cassandre has been the Creative Director of the STREB Kid Company since 2010 for which she has choreographed and self-produced three evening length works: Heroes (2015), Momentum (2016) and Navigation (2017). She is a strong believer in the transformative power of movement and is passionate about empowering young people to push boundaries and expand their notions of what is possible. When she is not seen in a rehearsal, teaching classes or creating action events at SLAM, she can be found training her daughter Nia to be a mini-action hero.
Beacon artist sculpts twists and turns John Procario, 34, is the modest designer of "sculptural luminaries" - pretzel-like wood creations that double as lighting fixtures. Private clients come calling from all over the world; one work now under construction is headed to Indonesia. Procario is represented by Todd Merrill Studio in Manhattan and through Monday (Nov. 11), his work will be displayed at the Salon Art + Design show at the Park Avenue Armory. His woodwork is "intended to look seamless," he says. "The flex creates a closed loop that guides the eyes and lets them get lost looking around. It's easy to find new ways to view it." At his 5,000-square-foot Beacon studio, Procario's sculptures stand on the floor or hang from ceilings and walls. A child can hold his smaller works; others take four people to move around. Procario and three assistants laminate and manipulate strips of ash, poplar, white oak and other species while rap, rock, funk, jazz, Latin jazz and whatever else they fancy blasts through a speaker outfitted with lights that change color every few bars. To roughly replicate his design, Procario relies on templates created by snaking pieces over, around and through wooden posts that are bolted onto waist-high benches in pre-arranged configurations. Procario also uses dumbbells to weigh down strategic portions that keep the shape quasi-uniform. No two items are the same because so much hand-sculpting goes into each finished product. Replicating the bending step precisely is nearly impossible, even with a machine. The raw material is thin strips of wood in various sizes and widths laminated with epoxy applied by tiny paint rollers. The slats are enclosed in a fitted plastic container with a nozzle for the VacuPress machine to suck out all the oxygen, which applies pressure to sandwich the plies that dry for 24 hours. Basin Bowl (2022) Freeform Lounge (2021) Freeform XL (2022) Freeform XLI (2023) Terraqueous II (2022) Vertical Freeform III (2023) Vertical Freeform Wall Sculpture III (2023) The crew bends the bagged slats around the posts and adds layers of laminate to the works, some of which resemble a huge knot in suspended animation that will never be pulled tight. Assistants Dylan Cronk and John Menzie help with bending, glue work and maneuvering the studio's 1,000 or so clamps. Sal Yanittelli, who previously worked at his uncle's wine store in Cold Spring, manages the sander and handles some of the other shaping duties. Once the clamps are removed, the team rounds the rough edges with an angle grinder. Then, the sanding begins, which brings out the wood's grain. After staining, a strip of LED lights is affixed to the underside and covered with custom-fit cotton linens. In the workshop, just about everything is in its place. "That's for creativity's sake," Procario explains. "When inspiration hits, you don't want to have to look for something." The sculptor, who grew up in Cold Spring and moved to Beacon eight years ago, began bending wood in 2012, "but I had no representation and selling myself took up too much time." He joined Todd Merrill Studio in 2016. Beyond the artsy lamps that are his calling card, Procario designed a stool, bench and lounge chair. When the gallery asked him to make sculptural sofas, he figured another functional work would be fun. The studio constructs the honeycomb frame and sends it to a custom upholsterer. One white creation looks like a snail, another an abstract sports car. "I like that people interact with my work," Procario says. "It's intimate when someone flips the light switch and maybe looks up to linger on the design. But it's even more so when someone sits on your art." For more, see johnprocario.com. The Salon Art + Design show will be open from 3 to 8 p.m. today (Nov. 8), 11 a.m. to 7 p.m. on Saturday and Sunday and 11 a.m. to 4 p.m. on Monday at the Park Avenue Armory, 643 Park Ave. between 66th and 67th streets in New York City. See thesalonny.com for tickets, whi...
Vocalist and composer Meredith Monk is a multi-disciplinary artist, whose work involves music, dance, film, theatre, and now: biology meets anthropology. In her recent large-scale work, Cellular Songs, musical forms evoke biological processes as layering, replication, division, and mutation in a “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times). Through this work, Monk takes the microscopic unit of the cell, then projects and expands it as a proposal for “an alternative possibility of human behavior, where the values are cooperation, interdependence and kindness,” (much like how a cell functions, minus the kindness part.) Using their voices-as-instruments, Meredith Monk & Vocal Ensemble perform some of these Cellular Songs, along with violin, piano and keyboard, in-studio. [From the Archives, 2018.] -Caryn Havlik Meredith Monk & Vocal Ensemble perform "Indra's Net" at the Park Avenue Armory, Sept. 23-Oct. 6 Watch the session via YouTube:
What is a connoisseur? Who can be one? What role do they play in shaping tastes of the art market and the large expanse of art history? There's perhaps no better place to ask these kind of questions than at TEFAF, the many splendored Dutch fair where art, antiquities, and antiques take center stage. Each spring, the event returns to New York City and a swath of visitors—international and local, new and returning, celebrity and, well, not—flock to the storied Park Avenue Armory. Last week amid those festivities, as dealers sold every kind of treasure from ancient Roman sculptures to contemporary Korean paintings, Artnet and TEFAF hosted a panel featuring three experts discussing the state of connoisseurship today, and how a new generation of collectors is approaching that field. This week, listen to a recorded version of that lively conversation moderated by Artnet Pro Editor Andrew Russeth, joined by Adam Charlap Hyman, Principal at Charlap Hyman & Herrero; Eleanor Cayre, Art Advisor, Cayre Art Group; and Ebony L. Haynes, Senior Director, David Zwirner & Director, 52 Walker.
What is a connoisseur? Who can be one? What role do they play in shaping tastes of the art market and the large expanse of art history? There's perhaps no better place to ask these kind of questions than at TEFAF, the many splendored Dutch fair where art, antiquities, and antiques take center stage. Each spring, the event returns to New York City and a swath of visitors—international and local, new and returning, celebrity and, well, not—flock to the storied Park Avenue Armory. Last week amid those festivities, as dealers sold every kind of treasure from ancient Roman sculptures to contemporary Korean paintings, Artnet and TEFAF hosted a panel featuring three experts discussing the state of connoisseurship today, and how a new generation of collectors is approaching that field. This week, listen to a recorded version of that lively conversation moderated by Artnet Pro Editor Andrew Russeth, joined by Adam Charlap Hyman, Principal at Charlap Hyman & Herrero; Eleanor Cayre, Art Advisor, Cayre Art Group; and Ebony L. Haynes, Senior Director, David Zwirner & Director, 52 Walker.
Sufjan Stevens' 2005 concept album “Illinois” enjoys cult status for its lush orchestrations and inventive lyrics. Tony Award-winner and Resident Choreographer of the New York City Ballet, Justin Peck, has transformed the album, with Pulitzer Prize-winning playwright of 2018's “Fairview” Jackie Sibblies Drury, into a full-length theatrical performance that blends dance, theater, live music and storytelling into a breathtakingly emotional coming-of-age journey. “Illinoise” was presented at the Bard Fisher Center in summer of 2023 as a SummerScape commission. The Bard staging and the off-Broadway production at Park Avenue Armory earlier this year were sold out, highly praised, and “Illinoise” transferred to the St. James Theatre on Broadway this month. Opening night was April 24 and the limited engagement is scheduled to end on August 10. This morning, it was announced that “Illinoise” has been nominated for 4 Tony Awards.
Welcome to Season 5 of The Art Career where we sit down with Sienna Fekete at The Lower East Side Girls Club. Sienna Fekete is a Curator and Educator based in New York City with a background in radio, podcasting, and music. She is currently the Senior Arts Manager at The Lower Eastside Girls Club. Additionally, she is the curator of The Community Cookbook project volumes 1-3, was the 2021–2022 Curatorial Fellow at The Kitchen, was the host of the Points of View podcast via Cultured Magazine, and and was a Co-founder of Chroma, a cultural agency and creative studio centering on the work and perspectives of women of color. She looks forward to creating more women of color-led initiatives, producing audio projects, spearheading public programming and educational opportunities, growing her practice as a curator, and building collectively with her community. She has worked with BBC Radio 1 and 1Xtra, On Air Fest, Red Bull Arts, NTS, The Lot Radio, StoryCorps, Top Rank Magazine, Domino Sound, SiriusXM, Adidas, Nike, CultureHub, AnOther Magazine, BOMB Magazine, Dazed Magazine, Awake NY, Knockdown Center, Abrons Art Center, Glossier, The Standard, Calvin, Klein, Silica Magazine, Sky High Farm, Ethel's Club, Buffalo Zine, 8 Ball Community, Documenting the Nameplate, POWRPLNT, TXTbooks, Park Avenue Armory, The New Museum, The Public Art Fund, The Studio Museum in Harlem, MoMa, MoMA PS1, Printed Matter, The Community Paris, The Guggenheim, and The Museum of Contemporary Art, Los Angeles. theartcareer.com Sienna Fekete: @sii_sii The Lower Eastside Girls Club @girlsclubny Follow us: @theartcareer Podcast host: @emilymcelwreath_art Editing: @benjamin.galloway
In this week's episode of the ArtTactic Podcast, we chat with Lydia Melamed Johnson, executive director of AIPAD and director of The Photography Show, occurring April 25 - 28, 2024 at the Park Avenue Armory. First, Lydia shares details about the history of The Photography Show and how it differs from other art fairs. Then, she identifies some of the new trends we are witnessing from emerging photographers. Also, Lydia reveals to what extent the proliferation of social media and the iPhone is impacting the photography market. Lastly, she addresses how photography dealers are promoting photographers to mainstream contemporary collectors.
"Illinoise" is a new dance adaptation of the seminal Sufjan Stevens album, with a story by Tony-winning choreographer Justin Peck and Pulitzer Prize-winning playwright Jackie Sibblies Drury. The show runs at Park Avenue Armory through March 26, then transfers to Broadway starting April 24. Drury and Peck, who also directed and choreographed the production, join us.
Director-choreographer Justin Peck and Pulitzer winning playwright Jackie Sibblies Drury talk about making a nontraditional dance musical based on Sufjan Stevens' “genre-defying” album “Illinois.” The show is now having its world premiere at Chicago Shakespeare Theater and will run at the Park Avenue Armory in Manhattan in March. Learn more about your ad choices. Visit megaphone.fm/adchoices
Award-winning vocalist, composer, and educator Kavita Shah's latest album, Cape Verdean Blues, is the culmination of a diasporic quest to find a spiritual home. The carefully curated album of traditional Cape Verdean music is also a tribute to the charismatic and unapologetically individual artist Cesária Évora, and a love letter to her breathtaking archipelago and its welcoming people. On Cape Verdean Blues, Shah's ethnographic research on the island of São Vicente, and her bold self-possession have enabled her to achieve a rare feat: creating a world music album that feels like home. At the heart of the 12-song album is “sodade,” an idiomatic word that doesn't have a strict English definition, but connotes a melancholy sense of transience that permeates Cape Verde, its music, and its free-spirited island population. “In this paradise in the middle of the Atlantic Ocean, I found a sense of home that has eluded me for much of my 37 years,” Shah says. She continues: “When I look back, I realize that upon hearing Cesária's voice nearly a decade ago, she was summoning me down a path I must continue walking in search of sodade.” Shah is a global citizen and cultural interlocutor whose work involves deep engagement with the jazz tradition, while also addressing and advancing its global sensibilities. She is a lifelong New Yorker of Indian origin hailed for possessing an “amazing dexterity for musical languages” (NPR). Shah speaks 9 languages—she is fluent in Spanish, Portuguese, and French—and incorporates ethnographic research into original music. She has researched traditional music practices in Brazil, West Africa, East Africa, Turkey, and India. To support her work, Shah has earned grants from the Jerome Foundation, Chamber Music America, Asian Cultural Council, and New Music USA. Shah holds a B.A. in Latin American Studies from Harvard, and a Master's in Jazz Voice from Manhattan School of Music. To date, Shah's projects include Visions (2014), co-produced by Lionel Loueke; Folk Songs of Naboréa, which premiered at the Park Avenue Armory in 2017; and Interplay in duo with François Moutin, which was nominated in 2018 for France's Victoires de la Musique for Jazz Album of the Year. Shah regularly performs her music at major concert halls, festivals, and clubs on six continents. 乐团 whose 2020 album “The Adventures of Pie Boy” won Best Instrumental Album, Best Instrumental Recording and Best Arrangement (Bittersweet) at the 32nd Annual Golden Melody Awards and serves as music director for Tia Ray 袁婭維. He has recorded, produced, performed and arranged for dozens of artists across Greater China, including David Tao陶喆, Li Ronghao 李榮浩， Matzka馬斯卡, Leah Dou竇靖童, Maobuyi 毛不易， Karen Mok莫文蔚， A-Lin, Kevin Sun and more. He graduated from Oberlin College and Conservatory, where he studied Jazz performance with Robin Eubanks. Hsieh plays Denis Wick mouthpieces and the Adams F5 Flugelhorn. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Eccentric billionaire Rudolph Deutsch wants someone to figure out what (or who's) been haunting the old Belasco mansion, the “Mt Everest of haunted houses.” Apparently the house has something to do with the secret to life after death, so Deutsch enlists a team of potential rivals to get to the bottom of it: physicist and sometime paranormal investigator Barrett and his wife Ann; mental medium Florence Tanner; and physical medium Ben Fischer, the sole survivor of the last attempt to exorcise the old home. Almost from the jump, something's off – no one trusts each other, science butts heads with pseudoscience, and when the actual haunting comes, no one really wants to discuss it. No one, that is, except for Florence and Ben, who've seen enough in their time to recognize the dangers that lie within Belasco House. And by the time the possessions begin, furniture starts shaking, and chandeliers start tumbling, it's too late to turn back. The team must see this through, and get to the bottom of what's been driving Hell House's off-the-charts psychic energy. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-30:32Honor Roll and Detention (spoiler-heavy): 30:33-1:04:30Superlatives (spoiler-heavier): 1:04:31-1:20:20 Director John HoughScreenplay Richard Matheson, based on his novel Hell HouseFeaturing Peter Bowles, Roland Culver, Pamela Franklin, Michael Gough, Gayle Hunnicutt, Roddy McDowall, Clive Revill Christopher Shinn is a playwright and screenwriter who lives in New York. Several of his plays have premiered at the Royal Court Theatre: Four, Other People, Where Do We Live (Obie Award), Dying City (Pulitzer Prize finalist) and Now or Later, which was shortlisted for the Evening Standard Theatre Award for Best Play. His other plays include The Narcissist (Chichester Festival Theatre), Teddy Ferrara (Goodman Theatre and Donmar Warehouse), An Opening in Time (Hartford Stage), Picked (Vineyard Theatre), What Didn't Happen (Playwrights Horizons), On the Mountain (South Coast Rep), The Coming World (Soho Theatre), and Against (Almeida Theatre). His adaptation of Hedda Gabler premiered on Broadway in 2009 and his adaptation of Judgment Day premiered at Park Avenue Armory in 2019 and was nominated for a Drama Desk Award for Outstanding Adaptation. His awards and grants include a Guggenheim Fellowship in Playwriting, a grant from the NEA/TCG Residency Program, and the Robert Chesley Award. He was a Radcliffe Fellow at Harvard in 2019-2020, a Cullman Fellow at New York Public Library in 2020-2021, and a MacDowell Fellow in 2023. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. For more information on this film (including why the Professor chose it, on Our Blog), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Today Elaine and Louise chat with director and designer of UGLY! A Cinderella Story which is on now until the 30th December at Cumbernauld Theatre. The show it was written by Gary McNair with original songs by Brian James O'Sullivan. We chat being women in theatre, breaking out of the box you've been placed in. Dismantling the outdated gender norms while bring everyone with us and glitter. A brilliant episode with brilliant humans UGLY! A Cinderella Story – Tickets Here https://lanternhousearts.org/events/ugly-a-cinderella-story/ - dates An Afternoon of Palestinian Short Films – Tickets Here https://www.ticketsource.co.uk/whats-on/glasgow/glasgow-film-theatre/an-afternoon-of-palestinian-short-films/e-pgomab Jo Rush Jo is co-artistic director of new writing company Braw Fox Theatre. As a director she has premiered new work at the Edinburgh Fringe including Ivory Wings (Coreth Arts), Mary the Last Farewell (Cutting Edge Theatre), The Society of Ethical Cat Burglars (Foolproof Theatre), and Hide & Seek, based on the short stories of Carol Ann Duffy. With Braw Fox she is currently developing a new play about fire supported by the University of Edinburgh.As an associate director she has most recently worked on My Friend Selma by Terra Incognita, The Cheviot, the Stag and the Black, Black Oil with National Theatre of Scotland, and the premiere and tour of Fringe First Award winning production Stand By with Utter Theatre Company. As an assistant director she has worked at Dundee Rep on Death of a Salesman, at the Traverse Theatre on Bloody Trams and The Arthur Conan Doyle Appreciation Society, and at the Royal Lyceum on Dark Road. Jo has a BA Hons degree in Drama and Theatre Arts at the University of Birmingham. Natasha Jenkins Natasha studied Film Theatre and Television at the University of Glasgow. She was the first generation and the first woman in her family to study, gaining her MA in 2006. After a time working for Purni Morell as an assistant producer in Scotland Natasha moved to London and worked as a stage manager to support herself as she retrained, assisting directors and designers for several years before making her own work. She is a regular artistic collaborator of Alexander Zeldin, Joy Wilkinson and Amir Reza Khoonestani and works regularly within the UK, Europe and Internationally. Natasha was nominated for 2023 Drama Desk Award for Best Scenic Design for LOVE at Park Avenue Armory, New York. Natasha is an associate artist at Live Theatre Newcastle. Natasha is a founding member of Scene/Change. Her first feature 7 Keys (dir. Joy Wilkinson) is currently in post production for Jeva Films. OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Support In The Room - https://www.crowdfunder.co.uk/p/in-the-room Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: https://join.backstage.com/persistentnasty-uk-12m-free/
Karla Knight in her studio Andrew Edlin Gallery is pleased to announce Universal Remote, a solo exhibition of new work for artist Karla Knight, running from November 3 – December 22, 2023. A solo display of Knight's work will be held concurrently at The Art Show (ADAA) at the Park Avenue Armory from November 1–5. Over the past four decades, Knight has executed her idiosyncratic visons of UFO related imagery with the stubborn persistence of an artist unbeholden to the dictates of art world trends, although contemporary interest in spiritualist art has certainly offered a favorable context. Knight's relationship with what might be broadly termed “the occult” is rooted in her upbringing; her father authored publications on, among other subjects, UFOs and ghosts, and her grandfather, also a writer, penned a book about afterlife communication. Her solo exhibition at the Aldrich Museum in 2021-22 expanded Knight's recognition markedly and came at the same time she was beginning to experiment with weathered feedbags from the 1940s and '50s, attracted to their creamy color and the traces they bore of past lives. She calls these works “tapestries,” as she embroiders the fabric and embellishes it with a combination of acrylic paint pens, vinyl paint, colored pencil, and graphite. Her new Universal Remote series of drawings and tapestries riffs on the notion of channels with central motifs inspired by anachronistic television sets that hail from the early decades of the Cold War; a time when the frequency of UFO sightings was a source of great national anxiety. The tapestry Universal Remote 1, 2022, is painted with a boxy television-like form—or “receiver,” a word the artist relishes—bearing her cryptic characters along with circles that suggest various dials and buttons: channel selectors, speakers, fine tuners, picture expanders. A large, rounded shape marked with blue crosshatching and abstract designs, some of which resemble yellow eyes with slivered pupils, overtakes the “screen.” At the mandala's heart is Knight's returning volumetric orb, here coronated with concentric circles. This celestial sphere's significance denoted by its centrality to the composition, becomes a kind of universal picture, open to an endlessly expanding universe of possible readings. Karla Knight's work is currently featured in the group exhibition, Sightings, at the Sun Valley Museum of Art (ID), and is represented in the collections of the Museum of Modern Art (New York), the Brooklyn Museum of Art, and the Walker Art Center (Minneapolis), among others. A second edition of her Aldrich Museum exhibition catalogue, Navigator, with added images of recent works and a new essay by Cassie Packard will be available on November 1, 2023. Karla Knight (b. 1958) Big Night Vision, 2023 Flashe, acrylic marker, pencil, and embroidery on cotton 46 x 73 inches Karla Knight (b. 1958) Delphi 3, 2023 Flashe, acrylic marker, pencil, and embroidery on cotton 33.5 x 30 inches Karla Knight (b. 1958) Universal Remote 1, 2022 Flashe, acrylic marker, pencil, and embroidery on cotton 68 x 49 inches.
ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop performance experiments. Ethan Philbrick is interviewed by Nicki Miller (SLC'24)and Frank Barret (SLC'25)and produced by Julia Duffy (SLC'23) Ethan Philbrick is a cellist, artist, and writer. His book, Group Works: Art, Politics, and Collective Ambivalence, was recently published by Fordham University Press (April 2023). Recent projects include Slow Dances (with Anh Vo, Tess Dworman, Niall Jones, Tara Aisha Willis, nibia pastrana santiago, and Moriah Evans) at The Kitchen Video Viewing Room (2020) and Montez Press Radio (2022), DAYS (with Ned Riseley), Mutual Aid Among Animals at the Park Avenue Armory (2022), Song in an Expanding Field at The Poetry Project (2022), Case at Rashid Johnson and Creative Time's Red Stage (2021), The Gay Divorcees (with Robbie Acklen, Lauren Bakst, Lauren Denitzio, Paul Legault, Joshua Thomas Lieberman, Ita Segev, and Julia Steinmetz) (2021), March is for Marches (with Morgan Bassichis) at Triple Canopy (2019), Disordo Virtutum at Museum of Art and Design (2020), 10 Meditations in an Emergency at The Poetry Project and Berkeley Art Museum and Pacific Film Archive (2019/2020), Choral Marx at NYU Skirball (2018), and Suite for Solo For Cello and Audience at Grey Art Gallery (2016). He holds a PhD in performance studies from New York University and has taught at Pratt Institute, Muhlenberg College, and New York University.
In this episode of Broken Boxes Podcast we hear from Tsedaye Makonnen, a multidisciplinary artist, curator, researcher and cultural producer. Tsedaye's practice is driven by Black feminist theory, firsthand site-specific research, and ethical social practice techniques, which become solo and collaborative site sensitive performances, objects, installations, and films. In our conversation Tsedaye shares with us about her experiences in building and sustaining her art practice which focuses primarily on intersectional feminism, reproductive health and migration. She shares how her personal history as a mother, the daughter of Ethiopian refugees, a doula and a sanctuary builder nourish and guide her creative expression. “I am Building worlds that have not existed yet, for myself and for others. I want to be as expansive and imaginative as possible - to me that is freedom.” - Tsedaye Makonnen Music: Tew Ante Sew by GIGI Broken Boxes opening song by India Sky Artist Website: https://www.tsedaye.com Photograph of Tsedaye Makonnen taken by performance artist Ayana Evan Tsedaye Makonnen is a multidisciplinary artist, curator, researcher and cultural producer. Tsedaye's practice is driven by Black feminist theory, firsthand site-specific research, and ethical social practice techniques, which become solo and collaborative site sensitive performances, objects, installations, and films. Her studio primarily focuses on intersectional feminism, reproductive health and migration. Tsedaye's personal history is as a mother, the daughter of Ethiopian refugees, a doula and a sanctuary builder. In 2019 she was the recipient of a Smithsonian Artist Research Fellowship. In 2021 her light sculptures were acquired by the Smithsonian NMAFA for their permanent collection, she has also exhibited these light sculptures at the National Gallery of Art and UNTITLED Art Fair. In 2023, she will be showing these light installations in traveling exhibitions at the Metropolitan Museum of Art, Bard Graduate Center and the Walters Art Museum. She is the current recipient of the large-scale Landmark Public Art Commission for Providence, RI where she will create a permanent installation of her renowned light sculptures. In the Fall 2022 she performed at the Venice Biennale for Simone Leigh's ‘Loophole of Retreat' and was the Clark Art Institute's Futures Fellow. In 2021 she published a book with Washington Project for the Arts titled ‘Black Women as/and the Living Archive' based on Alisha B. Wormsley's ‘Children of Nan'. In 2021, she exhibited at Photoville & NYU's Tisch, the Walters Art Museum as a Sondheim Prize Finalist, CFHill gallery in Stockholm, Sweden and 1:54 in London. In 2022 she exhibited at Artspace New Haven in CT and The Mattress Factory and much more. Other exhibitions include Park Avenue Armory, National Museum of Women in the Arts, Art Dubai, and more. She has performed at the Venice Biennale, Art Basel Miami, Art on the Vine (Martha's Vineyard), Chale Wote Street Art Festival (Ghana), El Museo del Barrio, Fendika Cultural Center (Ethiopia), Festival International d'Art Performance (Martinique), Queens Museum, the Smithsonian's, The Momentary and more. Her work has been featured in Artsy, NYTimes, Vogue, BOMB, Hyperallergic, American Quarterly, Gagosian Quarterly and Transition Magazine. She is represented by Addis Fine Art and currently lives between DC and London.
Darren Appiagyei is a wood turner and founder of inthegrain. The Camberwell College of Arts graduate made his name with vessels fashioned from the Banksia nut. Subsequently, he has gone on to create pieces from waste wood he finds on a local farm not far from his studio in London's Deptford. He believes his work is ‘about embracing the intrinsic beauty of the wood; be it a crack, texture, knots or lack of symmetry', adding that ‘it's about allowing the wood to speak for itself and enabling the inner beauty of the wood to shine'.His pieces have been included in shows such as 300 Objects during London Craft Week in 2020, Salon Art + Design at Park Avenue Armory in New York, and he had his first solo show at the Garden Museum in 2021. He will also be exhibiting with The New Craftsmen at this year's Collect fair which runs at Somerset House from 3-5 March 2023. Darren is definitely one to watch. In this episode we talk about: how table tennis played a vital role in his career; learning to turn as a student; discovering the Banksia nut by chance; how he ‘collaborates' with wood; his Ghanaian heritage; dealing with his mother's mental health issues as a child; why wood became a form of therapy; and writing his memoir.Support the show
Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★
Sue de Beer's work spans the diverse disciplines of film and installation, sculpture and photography. She received her BFA from Parsons and her MFA from Columbia University. Solo exhibitions include the Kunst Werke, Berlin, the Whitney Museum of American Art at Altria, The Park Avenue Armory, and the High Line, New York, as well as Marianne Boesky Gallery in New York, where she is represented. Her work has been included in group exhibitions in such venues as the New Museum, the Whitney Museum, PS1/MOMA, the Brooklyn Museum, the Reina Sofia in Madrid, a, the Deste Foundation in Greece, the Museum of Modern Art, Busan,in South Korea amongst others. Sue's work is included in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the New Museum for Contemporary Art, the Brooklyn Museum, the Deste Foundation, the Goetz Collection, and others. She is a recipient of an American Academy in Berlin Fellowship (2002), a John Simon Guggenheim Memorial Fellowship (2016), and a Pollock-Krasner Foundation Grant (2019).
Designer, developer, and educator, Alex Coulombe is the CEO of Heavenue, a new high-fidelity cloud platform to connect performers with audiences across the metaverse. He also runs Agile Lens: Immersive Design, the award winning XR creative studio. Alex has always had a passion for purposing emerging technology for creative visions. In 2010 he graduated from Syracuse University with a B. Arch (and Drama minor!) and after working for several architecture firms, when the Oculus DK1 hit the market, immersive tech became his focus. In 2013 while at the theatre planning consultancy Fisher Dachs Associates, he pioneered the world's first use of VR for accurately testing sightlines and adjusting room design based on the results. Other early immersive creations include an equipment clearance checker for Hudson Yards' The Shed, a projection mapping tool for Bravo Media and The Late Show with Stephen Colbert, and design mockups for the Park Avenue Armory's production of Kenneth Branagh's Macbeth. His work in highly-custom solutions grew and culminated in the formation of Agile Lens. Recent architecture projects include David Geffen Hall, Brockman Hall for Opera, the Statue of Liberty Museum, and the Yale Schwarzman Center. Recent theatre collaborations include the award-winning ghost speed-dating experience Ghosted AR, the Venice Film Festival live VR performance, Loveseat, and the ongoing OnBoard XR One Act Festival. By early 2021, Alex began to focus in earnest building a platform to serve the needs of performing artists in virtual space, and Heavenue was born. The first use of Heavenue was a collaboration with Actors Theatre of Louisville on Scrooge's Ghost Encounter. The show included actor Ari Tarr performing live in performance capture equipment for audiences around the world engaged in a shared Unreal Engine scene through Meta Quest VR headsets in December 2021. The latest show is a reinterpretation of Chekhov's The Cherry Orchard, The Orchard, which opened June 7. Learn more at https://www.theorchardoffbroadway.com/ A rising thought leader, Alex and his work features in conferences around the world. He taught VR performance at NYU Tisch, Unity3D at the Syracuse University School of Architecture, and currently teaches Unreal Engine as an authorized partner of Epic Games. Alex has helped organize such events as the RealTime Conference, TCG National Conference, and the new 5th Wall Forum. Highlights of the Episode: 0:00 Introduction 2:29 Alex's story 5:32 5 year program 7:24 Transitioning 12:51 Working in different environments 16:24 Development kit skills and programming 20:44 Advice for learning intimidating skills 24:21 Alex's company 29:16 Cloud computing and pixel streaming 34:07 What made Alex excited about Unreal Engine 41:00 VR and ARs in the future 44:01 Implant of hardwares 45:34 Improvements in metahumans 50:50 Types of theater would or wouldnt work 55:46 Alex's podcast 57:42 What is Alex excited about the future 59:28 AI's involvement in art Quotes:“ It's really good to have a goal, to have a particular experience that you want to create. “ - Alex Coulombe “You're gonna find something in that film that really excites you and you're gonna have those deadlines. And by the end of that process, you're gonna probably come out with something that's pretty impressive. And you might not have even thought that you could do that in such a short amount of”- Alex Coulombe “I hear people say like I never wanna be a cyborg and it's like, we're kind of already cyborgs. We rely on devices so much already.”- Alex Coulombe on hardware implants “And I want as many people in the world to be able to have art affect them in that kind of way. And a lot of that accessibility and a lot of that democratization will come from having the technology, get to a point where it's ubiquitous and cheap and fast enough and frictionless enough that you can do something like put on sunglasses and instantly feel like you are having an experience like that.”- Alex Coulombe Connecting with the Guest: Twitter: https://twitter.com/heavenuexr LinkedIn: https://www.linkedin.com/in/alexcoulombe/Website: https://www.agilelens.com/ The (Unofficial) Unreal Engine Podcast: https://rss.com/podcasts/uepodcast/ https://www.youtube.com/watch?v=OAq1Tl1Upr0 Connecting with CG Pro: Facebook: https://www.facebook.com/groups/becomecgpro Instagram: https://www.instagram.com/becomecgpro/ Website: https://www.becomecgpro.com/ Twitter: https://twitter.com/becomecgpro RSVP here for upcoming CG Pro Podcasts: https://www.eventbrite.com/o/cg-pro-39748423833 #virtualproduction #ImmersiveExperiences #UnrealEngine
Hamlet' Review: 21st-Century Danish Modern Shakespeare_At the Park Avenue Armory, Robert Icke stages a starkly contemporary ‘Hamlet,' starring youthful Alex Lawther in the title role.
SEUSSICAL COMPOSER: Stephen Flaherty LYRICIST: Lynn Ahrens BOOK: Lynn Ahrens and Stephen Flaherty SOURCE: The stories of Dr. Seuss (c. 1950s) DIRECTOR: Rob Marshall CHOREOGRAPHER: Kathleen Marshall PRINCIPLE CAST: Kevin Chamberlain (Horton), Janine LaManna (Gertrude), David Shiner (The Cat in the Hat) OPENING DATE: Nov 30, 2000 CLOSING DATE: May 20, 2001 PERFORMANCES: 198 SYNOPSIS: The wild world of Dr. Seuss comes to life as Seuss' various characters come together to tell the story of Horton, a lonely elephant, and Gertrude McFuzz, a shy bird, as they fall in love with one another. Nathan Brewer argues for Lynn Ahrens and Stephen Flaherty's Seussical as a significant show that, despite lackluster reviews and box office sales, went on to find financial success as a staple within community theatre and educational institutions, especially through the work of director Marcia Milgrom Dodge. Seussical's ability to redefine theatrical financial success, and public exposure, after its failure on Broadway, offered shows that were not commercially viable to become regionally successful such as Little Women, The Addams Family, and Be More Chill. Nathan Brewer is a director of theatre, opera, concerts, film, and events. Directing credits include Lincoln Center, The Kennedy Center, Washington National Opera, Park Avenue Armory, Theatreworks/USA, New York Musical Theatre Festival, numerous symphonic and pops concerts, and televised award shows. Nathan is on the musical theatre faculty at The New Studio on Broadway at NYU/Tisch, and The College of New Jersey. He has previously taught at Penn State and Westminster Choir College. Assisting credits include Aladdin (Broadway), and Relatively Speaking (Broadway). Nathan is the Founder & Artistic Director of Recreational Arts, a performing arts educational organization, with programs in New York, New Jersey, and Pennsylvania. Stephen Flaherty is the composer of the Broadway musicals Ragtime (Tony, Drama Desk, OCC Awards, two Grammy nominations), Seussical (Grammy, Drama Desk nominations), Once on This Island (Tony nomination, Olivier Award, Best Musical) and Rocky. Additional Broadway includes Chita Rivera: The Dancer's Life (original songs) and Neil Simon's Proposals (incidental music). Stephen has also written four musicals at Lincoln Center Theatre: The Glorious Ones (OCC, Drama Desk nominations), Dessa Rose (OCC, Drama Desk nominations), A Man of No Importance (OCC, Best Musical, Drama Desk nomination) and My Favorite Year. Other theater includes In Your Arms (Old Globe), Little Dancer (Kennedy Center), Lucky Stiff (Playwrights Horizons) and Loving Repeating: A Musical of Gertrude Stein (Chicago's Jefferson Award, Best New Musical.) Film includes Anastasia (two Academy Award and two Golden Globe nominations), the documentary After The Storm and Lucky Stiff. Mr. Flaherty's concert music has premiered at the Hollywood Bowl, Boston's Symphony Hall, Carnegie Hall, the Guggenheim Museum and Symphony Space. This year celebrates Stephen's 32-year collaboration with lyricist-librettist Lynn Ahrens. Stephen and Lynn are members of the Dramatists Guild Council and co- founders of the Dramatists Guild Fellows Program. In 2015 they were inducted into the Theater Hall Of Fame. Upcoming: the stage adaptation of Anastasia. AhrensAndFlaherty.com. SOURCES Seussical, Original Cast Recording, Decca Records (2000) Learn more about your ad choices. Visit megaphone.fm/adchoices
CRYING ON THE ISLAND THEY OWN was the winner of BEST FILM at the March 2022 Dance Film Festival. ”Stuck in a bubble, these wealthy patrons know nothing else but this tension.” Joan Dwiartanto is in her fourth and final year as a Dance major at The Juilliard School. She has taken a keen interest in Dance filmmaking and wishes to continue creating movement for film. Other than creating her own short films, Joan has worked closely with principal dancer of American Ballet Theatre James Whiteside in creating his own Ballet film Marilyn's Funeral in 2021. And she has worked on a film as a co-dircector alongside director Maggie Scranton representing Juilliard in the Park Avenue Armory's virtual film event 100 Years | 100 women. Film also playing at the WILDsound TV app next month. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
Sienna Fekete is a producer and curator based in New York City with a background in radio, podcasting, and music. She is a co-founder of Chroma, a cultural agency & creative studio centering the work and perspectives of womxn of color. She has worked exclusively with BBC Radio 1 & 1Xtra, On Air Fest, Red Bull Arts, NTS, The Lot Radio, StoryCorps, Top Rank Magazine, Domino Sound, Playground Radio and SiriusXM. She looks forward to creating more initiatives with Chroma, producing and programming more audio projects, growing her practice as a curator and archivist, and building collectively with her community.She's currently curatorial fellow at The Kitchen and she hosts "Point Of View" podcast by Cultured Magazine.She has worked with: Adidas, Nike, CultureHub, AnOther Magazine, Awake NY, Knockdown Center, The Standard, Calvin, Klein, Silica Magazine, Ethel's Club, 8 Ball Community, POWRPLNT, Park Avenue Armory, The Public Art Fund, and The Museum of Contemporary Art, Los Angeles. Links mentioned:E. Jane's Show at The KitchenNTS show by SiennaCommunity CookbookPoints Of View Podcast--------------Website: siennafekete.comIG: @siii_siiiCommunity CookbookChromaSoundcloudPoints of View PodcastThe Kitchen--------------Access Daily Opportunities via PUTF's IG:https://pickuptheflow.orgSupport this podcast by:leaving a nice review on Apple Podcast
Maxim Ibadov (he/they/fab) is a Brooklyn- born, Moscow-raised, Jewish-American who's not afraid of living their life authentically. They're an event-organizer, podcast host/ producer, theater director, activist, and arts educator at Park Avenue Armory. The Brooklyn-born testifies to their experience of growing up as a queer person in Russia, and what moving to America meant for them. More importantly, Maxim speaks out against the war taking place in Ukraine. As a member of a WE Together, a collective aimed to unite and celebrate the Caucasus, Eastern Europe and Central Asia (CEECA) LGBTQIA+ community, Maxim works to create spaces where every queer person from the post-Soviet region gets to find their tribe because no one deserves to go it (???) alone. You can find Maxim on Instagram @maxim_fab. How you can support those affected by the war in Ukraine: https://www.gofundme.com/f/Support-Black-people-fleeing-Ukraine?utm_campaign=p_cp+share-sheet&utm_medium=sms&utm_source=customer (Fundraiser by Tokunbo Koiki : Support Black people fleeing Ukraine (gofundme.com)) https://campaigns.allout.org/ukraine-fundraiser (All Out - Here is how you can help LGBT+ Ukrainians now!) info@kyivpride.org ngo.cohort@gmail.com Queer Late Night is edited by Pretty Easy Podcasts https://prettyeasypodcasts.com (Get all the production help you need to make podcasting fun and easy at prettyeasypodcasts.com!)
Welker and Miriam attend live theater for the first time since the pandemic lockdown and afterward relish their discussion of Enemy of the People commissioned by Park Avenue Armory.
Photo by Anastasia Blackman Sébastien Léon is a French Los Angeles-based creative director, designer, and multi-media artist who has shown internationally with cultural institutions (Palais de Tokyo, the Park Avenue Armory, the New Museum, the Palazzo della Triennale, UCCA), and developed ambitious artistic projects with brands (Audemars Piguet, Krug, Samsung, Audi). Sébastien Léon's work brings to life ethereal physical environments and sculptures that are at once tangible, familiar, and yet unmistakably abstract. His designs, typically relying on tubular metallic structures, are strongly influenced by his immediate environment. His decade in New York translates into collections inspired by the world of construction sites, and his move to California morphs into designs drawn from insects, rock formations, and the ocean. Léon is the founder of acclaimed experiential studio Formavision, and the recipient of the FGI Rising Star award for his design work for Atelier d'Amis, the furniture company he co-founded in 2015. / www.atelierdamis.com / www.formavision.info / www.sebleon.com Hydrochrom Sulu Golden Horns
NEIL TYRONE PRITCHARD is a Liberian-American, New York-based Actor/Singer/Teaching Artist. His most recent Acting Credits include: Halfway Bitches Go Straight To Heaven (LAByrinth Theater Company/Atlantic Theater Company), There's Always The Hudson (The Goodman Theatre) The Berlin Electric (Park Ave Armory/Trusty Sidekick), The Prizefighter of P.S. 217 (New Victory LabWorks), The Mendelssohn Electric (Park Ave Armory/Trusty Sidekick), The Stowaway (Classic Stage Company/Trusty Sidekick), Clover (La Mama), Queen Latina and Her Power Posse (Cherry Lane Theater), AT BUFFALO (NYMF). He has been a part of workshops and concerts at Sundance TheaterLAB, Manhattan Theater Club, Dorset Theater festival, Joe's Pub, Bowery Poetry Club, Lincoln Center Theater, and Primary Stages. He is currently on staff at the Park Avenue Armory where he brings Arts Education to public schools throughout the five boroughs. A Proud New York City Public School Kid and A Member of LAByrinth Theater Company and Actors Equity.
To experience one of Ann Hamilton's installations is to be transported into a world of invention unlike any other. Recognized for her large-scale public projects and performance collaborations, Ann uses space as her canvas and fills it with a sense of mystery and drama that is as inviting as it is provocative. Though much of her work is, by nature, transitory, its impact and ideas endure. To get a sense of the experiential texture of her work, look no further than her extraordinary 2012 installation, the event of a thread, at New York's Park Avenue Armory. The hauntingly beautiful piece filled the large space with billowing white fabric panels and an array of swings inviting participants to experience a joy and weightlessness too often relegated to childhood. In this timely and incisive Change Lab interview, conducted the day before the 20th anniversary of 911, Hamilton explored the ideas animating CHORUS, her public art installation at the World Trade Center Cortland subway station. The piece, visible from the platform and passing trains, consists of a field of marble mosaic weaving the texts of the Declaration of Independence and the United Nations Universal Declaration of Human Rights onto a wall beneath the spot where the towers once stood. Change Lab listeners will recognize her ideas connecting making and exploration as core to the themes explored throughout this show. It's hard to imagine how anyone could more artfully illuminate the creative power and exhilaration that comes from braving uncertainty and lingering in the mysterious “I-don't-know.” Learn more about your ad choices. Visit megaphone.fm/adchoices
"We're struggling. Our generation is trying to cope. Life is crazy." On this final episode of Helga: The Armory Conversations, I look to this next generation of artists. Three participants in Park Avenue Armory's Youth Corps program, playwright Wilson Castro, visual artist Raven Garcia, and photographer Biviana Sanchez, sat down with me and as we made a space together, we experienced what it means to be vulnerable with oneself and with each other. The Youth Corps Program immerses students in the art and creative processes of the Armory's artists through paid, mentored, project-oriented internships. Starting in high school, the Youth Corps provides a test audience to the Armory Artist Corps during the lesson design process, offering feedback from a student perspective, serves as Front of House staff for all Armory events, assists in administrative projects in all departments, and completes and presents a term project. Building on this foundation and responding directly to student needs, the program also includes a post-secondary phase, including strategies to promote college persistence, professional development, and student leadership.
From politics to pride, this episode was a real podcaster party! Although Nick is currently MIA (Midwesterning In Action), we had an amazing chat with two fabulous guests: Marco Dreijer and Maxim Ibadov! Marco Dreijer is a Dutch arts and culture influencer and body positivity activist and is also the host of two podcasts: Ding-a-Dong, a Eurovision podcast, and Pruikentijd, a Drag Race podcast. Maxim Ibadov is a Brooklyn-based multimedia artist and fashionista, and hosts the political/pop culture podcast Let's Tawk! We discuss virtual queer spaces, Holland Pride, and the latest episodes of Holland and All Stars!On the pod this week: Drag Race Holland, season 2, episode 1, “Who's That Queen?” The judging panel has gotten so much better! Why we were immediately worried for Juicy Kutoure. Does Roem need a comeback? Vanessa Van Cartier gave off major Whispering Huntys energy at the talent show! Is pole dancing the new splits? The queens can actually dance this season! Can we have a Eurovision song on the show please? Did Love Masisi deserve to win? Rupaul's Drag Race All Stars, season 6, episode 8, “Snatch Game of Love” Ginger Minj slayed the snatch game! Why Whitney Houston was a bad choice for Trinity K. Bonet (period). Ra'Jah O'Hara is serving so much love and positivity this season! We're missing that Pandora realness :( Will Kylie Sonique Love be in the finale? Can this “Game Within a Game” hurry up please? The pop art runway had so much potential About our guests:Marco Dreijer is an Amsterdam-based arts and culture influencer and intersectional body positivity activist who focuses on the queer male identifying body experience. He vlogs about the newest exhibitions, writes reviews about new theater shows and movies, and highlights new and upcoming artists and creators. His mission is to make art and culture as a whole less elitist and more accessible to a larger and more inclusive audience so that more young people and a more bicultural audience can appreciate theaters and/or museums.As a body positivity activist, he tries to combat fatphobia in the queer community, and, with the #DatMeenJeNiet (You got to be kidding me) project, he fights discrimination and racism on online platforms. Next to that, he also is the producer and host of two podcasts; one about Eurovision Song contest (and soon about the American song contest) - Ding-a-Dong podcast and the other one about Rupaul's Drag Race - Pruikentijd (Wigtime).Maxim Ibadov is a Brooklyn-born and based multimedia artist and fashionista, who does Education at Park Avenue Armory, as well as freelance PR and Theatre work. Maxim, who grew up in a politically turmoiled Russia, turned their passion for social justice into a political/pop-culture podcast Let's Tawk!, where they and a different guest each week dissect prominent current events. FOLLOW MARCO:Instagram: @marcodreijer Twitter: @marcodreijer Website: https://www.decultuurvlogger.com/Youtube: https://youtube.com/channel/UCrnGnTnGHjepJWwIXpTJOyQLinktree: https://linktr.ee/marcodreijerFOLLOW MAXIM:Instagram: @maxim_fab, @letstawk_podcastTwitter: @lets_tawkkFOLLOW NICKInstagram: neprobst and grow_withnickTwitter: neprobst FOLLOW MIJONInstagram:majorzu FOLLOW THE HUNTYSInstagram: whisperinghuntysFacebook: whisperinghuntysTiktok: whisperinghuntysTwitter: huntywhisperingWhispering Huntys Website Whispering Huntys is an Apocalypse Podcast Network Podcast. Sign up to our Listserv: http://eepurl.com/hfnySr
On this episode of Next with Novo, I sit down with Tom Sachs, native New Yorker, artist, & NFT newbie. For those not familiar, Tom is on a mission to revolutionize the art industry by creating his version of “outer space” and challenging our perception of reality. His “Space Program” exhibition first reimagined the moon landing at the Gagosian Gallery in LA, then took on colonization of Mars at the Park Avenue Armory in NYC. Tom also has an ongoing partnership with Nike, where he designed high-performing, space-themed equipment. In this episode, Tom tells us all about his next project – his first entry into the NFT space – called Rocket Factory, which will consist of 3,000 unique, digital rocket components that can be combined to form 1,000 completed rockets. If desired, those with completed rockets can choose to have a physical rocket created and actually launched towards the atmosphere. As an out-of-the-box thinker, Tom explains how he's taking his creative expertise into NFTs, as well as growing & developing the NFT space in the process. This is definitely an episode you won't want to miss – be sure to tune in to learn more. Make sure to subscribe to my YouTube and Apple Podcasts channels so you don't miss out on future episodes, and follow me: Twitter: https://twitter.com/novogratz YouTube: www.youtube.com/c/mikenovo/ Spotify: https://spoti.fi/3sdPneD Next with Novo is the go-to resource for what's new and what's next. In this series, Mike Novogratz, influential investor, Wall Street Veteran, and CEO at Galaxy Digital, invites viewers to learn with him from the brightest minds behind disruptive businesses, prolific social movements, and technologies powering permissionless innovation. This podcast was recorded on July 20, 2021. The Next with Novo podcast is for informational purposes only. Nothing in this podcast constitutes an offer to buy or sell, or a solicitation of an offer to buy or sell, any securities. The information in the podcast does not constitute investment, legal, or tax advice. The host is an affiliate of Galaxy Digital (host and Galaxy Digital together, the “Parties”), and the podcast represents the opinions of the host and/or guest and not necessarily that of Galaxy Digital. The Parties do not make any representation or warranty, express or implied, as to the accuracy or completeness of any of the information therein. Each of the Parties expressly disclaims any and all liability relating to or resulting from the use of this information. Certain information in the podcast may have been obtained from published and non-published sources and has not been independently verified. The Parties may buy, sell or hold investments in some of the companies, digital assets or protocols discussed in this podcast. Except where otherwise indicated, the information in this video is based on matters as they exist as of the date of preparation and will not be updated.
"I'm curious about how we work. Why we're here. What we're doing to each other, with each other. And I know on a fundamental level that I am so much more capable than I can imagine." Actress & Disability Advocate Marilee Talkington sat down with Helga Davis to talk about her journey towards a life in theater, how she continues to innovate in that space as a low vision actress, and how important it is to be a resource and voice for her community. Marilee Talkington is a professional actor, writer, director, and filmmaker. She is also an activist and thought leader in the Disability Justice and Arts movement and is the Founder and Executive Director of Access Acting Academy, which is a 1st-of-its-kind professional actor training studio for blind and low vision actors. She is one of the 1st legally blind women in the United States to earn an M.F.A. in Acting (American Conservatory Theater) and has originated over 80 characters on stage and screen with leading roles at Tony Award winning theaters under the direction of Broadway directors. She has also recurred and guest starred on multiple television shows on NBC, CBS, CW, and Apple TV+. Marilee is a MacDowell Fellow, California Center for Cultural Innovation Grantee, Winner of the A.C.T. Carol Channing Trouper Award for dedication and excellence, a recipient of the 2020 Dr. Jacob Bolotin Award, one of Park Armory's Artist/Activist 100 years / 100 women, and most recently the voice at the Guggenheim museum that describes the approach to the architectural masterpiece. www.marileetalkington.com | www.accessacting.com | imdb.me/marileetalkington | @anartistwarrior Marilee Talkington is a commissioned artist of Park Avenue Armory's collaborative project 100 Years |100 Women.
Artist, performer and host Helga Davis brings a soulful curiosity and love of people to the podcast Helga: The Armory Conversations. This season, in partnership with Park Avenue Armory, she continues to draw the listener into her profound and intimate conversations with creative people, famous and lesser known. Artists, scholars, and cultural change-makers join her to share the steps they've taken along their paths. Where they started, where they are and where they're going next. These inspiring conversations expand our world and our imaginations as we explore what we think we know about each other.
I'm very exciting to have international violin soloist Leila Josefowicz on the show for the second time. Leila shares incredible wisdom in our conversation, including: Her outlook for how things are going to be like in the coming months How her recent incredible project at The Metropolitan Museum of Art unfolded, from where it originated to the vision coming to reality The significance of her performing Bach, and how she sees Bach as the music of infinite possibilities What she calls the performance headspace Thoughts about performance preparation and performance anxiety What having fun in performance means to her And many other wonderful musings ! This discussion is a window on the way artists like Leila approach a project - the power of the intention and the thoughtfulness they put behind each decision. How each aspect is carefully evaluated, weighed, and curated, and very angle crafted with care and love. Partita for Leila Josefowicz Unseen in the field a sapling trembled naked. You touched its slim trunk with flayed fingertips, tenderly and hard, and it gave forth a cry, oh. Sun ran like water on line upon line of buds. Bare, you stood, electric, head in this world, feet planted. We heard what we never knew before. _________ Natania Rosenfeld Writer Independent Scholar Professor Emerita of English, Knox College Frustrated with your playing? Unsatisfied with you career? Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help. Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be! THE MUSIC MASTERY EXPERIENCE will be back in June 2021! This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses! MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ YouTube: https://www.youtube.com/results?search_query=Leila+Josefowicz Facebook: https://www.facebook.com/LeilaBJo Leila Josefowicz at the The Metropolitan Museum of Art: The Condo Concerts: Fred Sherry String Quartet: In Performance: Leila Josefowicz at Hauser & Wirth Leila's first conversation on the Mind Over Finger Podcast: Episode 82 - The Art of Authentic Music Making Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams. A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer. Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome. This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider! I genuinely appreciate your support! THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction! You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
After being completely shut down since the pandemic began one year ago, live music venues are on the cusp of re-opening. John Schaefer, host of WNYC's New Sounds and Gig Alerts, talks about which local venues are reopening soon, how they're doing it safely and what the summer music scene might look like. Venues expected to reopen, in some form, in April: Barbès Brooklyn City Winery The Shed Park Avenue Armory Lincoln Center
Erin Rogers is a saxophonist and composer based in New York City. Named a “rising star” (Broadway World), her music has been described as “whimsical, theatrical” (Brooklyn Vegan), “a wild ride” (An Earful), and “so complex, it’s primitive.” (Pittsburgh Post-Gazette). She is co-artistic director of thingNY, Popebama, New Thread Saxophone Quartet, and Hypercube, and has performed with the International Contemporary Ensemble, wildUp, and Talea, at Lincoln Center, Carnegie Hall, Kennedy Center Millennium Stage, the Edmonton Fringe Festival, Resonanzraum (Hamburg), Centro Nacional de las Artes Mexico City, and the Park Avenue Armory. Rogers has been featured on the Ecstatic Music Festival, Prototype Festival, MATA Festival, the Elbphilharmonie’s “Unterdeck”, and NYmusikk Bergen, crossing genres from opera-to-theatre-to-installation-to-silence, through collaborations with Orange Theatre, Panoply Performance Lab, wasteLAnd, Harvestworks, yarn|wire, Experiments-in-Opera, Decoder, Contemporaneous, yarn/wire and Music for Contemplation. She can be heard on New Focus Recordings, New World Records, Edition Wandelweiser, and Gold Bolus labels. Her solo album "Dawntreader” is available on Relative Pitch Records. // erinmrogers.com
When faced with a crisis, how do you move forward? Sometimes, you look backward first. It’s March 2020, and legendary choreographer Bill T. Jones is weeks away from a world premiere, when his company is forced into lockdown. All seems lost. But what comes next paves the way for a transcendent performance at the Park Avenue Armory called “Afterwardsness” — one of the only large-scale performances held anywhere during the pandemic. On Spark & Fire, the larger-than-life Bill T. Jones tells this powerful story of creative grit, love of art and reckoning with legacy — in his own fierce, fiery, funny words. He’s joined at times by his Associate Artistic Director, Janet Wong, and together they offer inspiration and ideas to fuel your own creative journey.In 1982, Bill T. Jones co-founded the Bill T. Jones/Arnie Zane Dance Company with his partner Arnie Zane. Jones is the company’s artistic director and choreographer; he’s also won two Tony awards for work on Broadway. He is a 1994 MacArthur Fellow and was awarded the National Medal of Arts in 2013. Follow on Instagram at @billtjonesarniezanecoFollow along (with transcript and amazing photos) at https://sparkandfire.com/billtjones/Subscribe to the Spark & Fire weekly newsletter for images, stories and creative prompts: http://eepurl.com/hkmyMr
Greetings Glocal Citizens! This week we meet another creative mover and shaker, literally. Born in Illinois to immigrants from Rwanda and Uganda, acclaimed vocalist & songwriter, Somi Kakoma has built a career of transatlantic sonicism and storytelling. Her latest album Holy Room - Live at Alte Oper with Frankfurt Radio Big Band (Salon Africana 2020) was recorded in an 18th Century German opera house in May 2019 and is currently nominated for a 2021 Grammy Award for Best Jazz Vocal Album. Her last studio album Petite Afrique (Sony 2017) was written as a song cycle about the African immigrant experience in the midst of Harlem’s gentrification in New York City and won the 2018 NAACP Image Award for Outstanding Jazz Album. Petite Afrique is the highly anticipated follow-up to Somi's major label debut The Lagos Music Salon (Sony 2014) which was inspired by an 18-month creative sabbatical in Lagos, Nigeria and features special guests Angelique Kidjo and Common landed at #1 on US Jazz charts. Both albums were nominated for ECHO Awards in Germany for Best International Jazz Vocalist. Recently venturing into theater, Somi was named a 2019 Sundance Theater Fellow for her original musical, Dreaming Zenzile (http://octopustheatricals.com/somi#:~:text=Dreaming%20Zenzile%20is%20a%20modern,the%20consciousness%20of%20a%20people) about the great South African singer and activist Miriam Makeba (https://en.wikipedia.org/wiki/Miriam_Makeba). The premiere production was shut down days before opening due to COVID-19. Somi is a Soros Equality Fellow, a USA Doris Duke Fellow, a TED Senior Fellow, an inaugural Association of Performing Arts Presenters Fellow, a former Artist-in-Residence at Park Avenue Armory, UCLA's Center for the Art of Performance, The Robert Rauschenberg Foundation and Baryshnikov Arts Center. She is also the founder of Salon Africana, a boutique arts agency and record label that celebrates the very best of contemporary African artists working in the music and literary arts. Also celebrated for her activism, Secretary General Ban Ki-Moon asked Somi to perform at the United Nations’ General Assembly in commemoration of the International Day of Remembrance of the Victims of Slavery and the Transatlantic Slave Trade. She was also invited to perform at Carnegie Hall alongside Hugh Masekela (https://en.wikipedia.org/wiki/Hugh_Masekela), Dave Matthews, and Vusi Mahlesela in celebration of South African democracy. Somi and her band continue to perform at international venues and stages around the world. In her heart of hearts, she is an East African Midwestern girl who loves family, poetry, and freedom. Where to find Somi? www.somimusic.com (https://www.somimusic.com/) On Facebook (http://www.facebook.com/somimusic) On Instagram (http://instagram.com/somimusic) On YouTube (https://www.youtube.com/user/somimusic/featured) On Twitter (https://twitter.com/somimusic) Salon Africana (https://salonafricana.com/) Who is Somi reading? Edwidge Danticat (https://edwidgedanticat.com/) Chimamanda Adichie (https://www.chimamanda.com/) Toni Morrison (https://smile.amazon.com/Toni-Morrison/e/B000APT7NQ?ref=sr_ntt_srch_lnk_2&qid=1610294025&sr=8-2) Rich Dad, Poor Dad (https://read.amazon.com/kp/embed?asin=B08M37LST8&preview=newtab&linkCode=kpe&ref_=cm_sw_r_kb_dp_IjY-FbZHFKSN7&tag=glocalcitizen-20) by Robert T Kiyosaki What’s Somi listening to? Hervé Samb (http://www.hervesamb.com/en/biographie/) Zoë Modiga (https://www.zoemodiga.com/about) Nduduzo Makhathini (http://www.bluenote.com/artist/nduduzo-makhathini/) Julia Sarr (https://www.rfi.fr/en/culture/20190404-Julia-Sarr-breaking-codes-African-song) Other topics of interest- • On Color Energy (http://www.colourenergy.com/html/what-is.html) Special Guest: Somi Kakoma.
www.michellesakhai.com Born in 1983, in Long Island, New York, Michelle Sakhai's extensive world travels began at an early age and her mixed heritage have shaped her as an artist. With both Persian and Japanese roots, her art derives influences from both cultures. She grew up traveling to Japan to visit her family every summer for twenty years. In Japan, Sakhai was inspired by the culture and scenery of her grandparents’ hometown, Kashiwazaki, a tiny village by the sea, surrounded by vast mountains. This special place left an indelible impression that still feeds her imagination. Sakhai’s creative perception and talent was also nurtured by her Persian culture. The exposure to both traditions in her young life has impacted her artistic vision. In 2004, Sakhai received a Bachelor of Arts degree with high honors, majoring in Art History and minoring in Fine Arts from Hofstra University where she currently serves on the advisory board for the College of Liberal Arts and Sciences. She went on to receive her Masters in Fine Arts in 2010 from the Academy of Art University in San Francisco, CA. Before obtaining her Masters, she studied in Venice, Italy, and in Barcelona, Spain, at d'Arts Plastique I Disseny (LLOTJA) with the School of Visual Arts. Sakhai also studied at the Marchutz Academy of Fine Art in Aix en Provence. In 2006, she received a grant to attend the Vermont Studio Center as a resident artist in Johnson, VT. Shortly after receiving her Masters in San Francisco, she taught Fine Art at the University of California, Berkeley. Michelle Sakhai is represented by galleries Internationally and in the U.S. including; Slate Art Contemporary in Oakland, CA, Madelyn Jordon Fine Art in Scarsdale, NY, Corazon Contemporary Gallery in Santa Fe, NM, MiXX Projects in Telluride, CO and Giovanni Rossi Fine Art in Miami, Florida. She continues to exhibit worldwide with a solo show at Palette Gallery in Tokyo, Japan and B12 Gallery in Ibiza, Spain. Her work has been featured at Art Market Hamptons and Context Art Miami and NY by Madelyn Jordon Fine Art. Sakhai actively exhibits on both coasts, in San Francisco and New York City. She was selected to be the artist in residence at The Fairmont San Francisco in January, 2017. Her work has been displayed in New York City at The Art Show through the ADAA at the Park Avenue Armory, LIC Arts Open, and the Lehman Art Gallery in NYC, and at Stanford Art Spaces, MarinMOCA and SOMArts in the San Francisco, Bay Area. In pursuit of her spiritual path, Michelle Sakhai is a Primordial Sound Meditation instructor through the Chopra Center, as well as a certified Reiki Master. She believes and trusts in the energy of the creative spirit as a healing force on the earth. Sakhai conveys this valuable message of healing through her art and all her speaking engagements. She teaches Transformative Art at the Harlem Hospital through the Art Works Foundation in New York City where she currently resides while continuing to travel the world.
I'm very excited to have world-renowned violinist Leila Josefowicz on the show for you today! As you'll hear in our discussion, Leila is a profoundly passionate and dedicated musician who approaches her craft with great depth and she shares incredible wisdom with us. Among many things, Leila elaborates on: The power of memorization What the “practice of violin playing” means to her How exploring new repertoire helped her transition out of her “child prodigy” years Her advice to all musicians suffering from lack of motivation The importance of desire and dedication in the cultivation of talent How our need to feel comfortable while performing is counterproductive Vivid mindful practice This is a particularly powerful conversation, and I know you'll find inspiration and incredible value in this episode. MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ Facebook: https://www.facebook.com/LeilaBJo Find all the details for Leila's World Premiere performance of ‘la linea evocativa. un disegno per violino solo' by Matthias Pintscher HERE. On the occasion of ‘George Condo. Internal Riot' we are honored to host classical violinist Leila Josefowicz in the gallery to perform a new piece of original music in response to ‘George Condo. Internal Riot,' an exhibition of the artist's new paintings and works on paper that runs through 23 January 2021 at Hauser & Wirth New York. ‘Music is such a huge part of my life, without it I don't know if I'd ever have painted anything. There are so many great pieces of music that have inspired me to paint…My favorite thing is to put on a record in the studio and to still be painting without noticing the fact that the music has stopped playing for hours and is just running through my head.'–George Condo The performance comes at an incredibly challenging time for professional musicians. Condo is deeply aware of the adversity they face, and this specially organized event signifies his support for live music and for new ways in which it can reach people. Join us on Friday 20 November 2020 11 am PST / 2 pm EST / 7 pm GMT. Click here to register. The performance will be streaming live from New York City on hauserwirth.com Leila's last Pre-Covid performance in Prague, Performing the Alban Berg Violin Concerto with the Prague Radio Symphony Orchestra: https://prso.czechradio.eu/leila-josefowicz-and-prso-8179758 Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams. A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer. Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome. This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. You can check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday by visiting: www.mindoverfinger.com/resources! And click here for details on how to work with me: https://www.mindoverfinger.com/workwithdrg And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction! You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Lisa and investigative reporter Barry Levine get down to the nitty gritty in their conversation about Barry's new book The Spider: Inside The Criminal Web of Jeffrey Epstein and Ghislaine Maxwell. There are new facts, details and explosive correlations between Epstein, Maxwell, and many high-powered and well-known figures. It's a must listen episode! But all is not lost, there are still the 5 Things that made their lives better this week.Lisa Birnbach’s 5 Things: 1. My Family, 2. My Health, 3. My Old Friends, 4. My New Friends! 5. The Resistance.Barry Levine’s 5 Things: 1.Watching the animated Peanuts Charlie Brown Halloween and Christmas shows with my daughter, 2. Starting every single day, no matter where I am, with a visit to Starbucks for a Trenta black iced tea 3. Drinking dirty martinis at an old writers bar in Manhattan with former newspaper colleagues and telling war stories, 4. Going to the annual antiquarian book fair every spring at the Park Avenue Armory in New York, 5. Pulling out a reporter’s notepad and simply putting pencil to paper in this high-tech world.
Links referenced in/relevant to this episode: -Brian Spitulnik's essay on the potential end of his Broadway career: https://www.dancemagazine.com/broadway-reopening-2648141693.html-New York Times story on larger performance venues hoping to reopen: https://www.nytimes.com/2020/10/12/theater/theater-reopenings-new-york.html-Sydnie L. Mosley's conversation with Dr. Erlanger A. Turner about how Black dancers can protect their mental health: https://www.dancemagazine.com/racism-and-mental-health-2648108358.html-Melanin & Mental Health site: https://www.melaninandmentalhealth.com/-Therapy for Black Girls site: https://therapyforblackgirls.com/-Kathryn Morgan's video on why she left Miami City Ballet: https://www.youtube.com/watch?v=BjdYTvsPpG4-Garnet Henderson's piece about ballet's obsession with thinness: https://www.dancemagazine.com/ballet-body-2646451850.html-New York City Center's Fall For Dance page: https://www.nycitycenter.org/pdps/FallforDance/-Dormeshia's Instagram account: https://www.instagram.com/dormeshia/
Emma and Gil welcome Banana Chan: game writer, larp/RPG designer, board game publisher, horror movie buff, and pop-up museum aficionado. We talk about writing for all kinds of games, how game mechanisms support intense experiences in larp and RPG, the effects of emancipatory bleed, and the effect of moving roleplay online. Content warning: we discuss games with intense themes, like human sacrifice. 4m29s: The Spire RPG 5m59s: The Circle is a reality show in which contestants are isolated in their homes and can only communicate with others via a text-based app. They're free to adopt any persona they wish. You can watch the first episode of the American reboot here. 6m27s: Pork roll vs. Taylor ham (two names for the same kind of processed meat) is a long-running debate in the Garden State. 7m01s: Jean-Paul Sartre's No Exit, a legendary play with a classic twist. 9m03s: The RPGs This Discord Has Ghosts In It and Long Time Listener, Last Time Caller 10m06s: For those of you just joining Ludology, welcome, and we just covered safety tools in Ludology 227 - Respect the X. 11m27s: To make it clear, bleed is a general term to describe a phenomenon (occurring mainly in larp) where a character's emotions and identity start mixing into a player's emotions and identity, and vice versa. It can be extremely intense, and larps usually feature necessary wrap-up sessions where players can talk out feelings that the game brought up. Here is an article with a couple of excellent examples of bleed. Jonaya Kemper, who Banana mentions, has written about emancipatory bleed here. Read more about Kemper and her work here. 11m59s: Here's Albert Kong's tweet about emancipatory bleed. 12m21s: More info about the Baphomet larp. 17m29s: Diplomacy is a game that's long-established for challenging friendships. 18m41s: Banana's new RPG, Jiangshi: Blood in the Banquet Hall, co-designed with Sen-Foong Lim 22m44s: Warp's Edge 24m51s: Angelus Morningstar has a good write-up on cultural appropriation in board games here. (Also, when Gil says "I wish this is something more board games would do," he means "hire cultural sensitivity readers.") 29m07s: They're Onto Me. The Golden Cobra Challenge is a contest for freeform larp. 31m06s: Dads on Mowers, a module for the RPG Kids on Bikes. 31m57s: Cobwebs RPG. 32m19s: Alice is Missing RPG. 32m37s: Banana is talking about an episode of the TV series Masters of Horror. This particular episode (which Gil and Emma will never watch) is called "John Carpenter's Cigarette Burns." 33m53s: Betrayal at Mystery Mansion is a re-implementation of Betrayal at House on the Hill, but with a Scooby-Doo theme. 35m58s: As We Know It. 37m32s: Roll20 is a website that facilitates online RPG play. Discord is an online text/voice chat program for gamers. 38m48s: By "corpse," Gil is referring to the surrealist writing exercise Exquisite Corpse. 41m39s: Banana's dinner party films: The Invitation, Get Out, Coherence. She also mentions Midsommar. 42m28s: Here's the article Gil mentions that describes the benefits of experiencing a horror movie entirely from its Wikipedia page. 43m02s: Here's Avery Alder's body horror RPG, Abnormal. 44m08s: The Park Avenue Armory, one of Gil's favorite places in NYC. Banana discusses The Funhouse in Toronto, which is now closed. 46m05s: The mangaka Junji Ito. 46m58s: Battle of the Boy Bands, a game by Clio Yun-su Davis and Vicci Ho that Banana published under the Game and a Curry label. Enjoy some music from Stray Kids and BTS. 50m05s: Night Witches, by Jason Morningstar. We had Jason on in Ludology 161 What's the Story, Morning Glory? Banana also mentions his game Juggernaut. 50m52s: Avery Alder's Monsterhearts. 51m25s: Here's the moment in the video Gil was mentioning. Alex Roberts, who plays the ghost, is the designer of the award-winning RPG Star Crossed. 52m13: Gil is referring to Ludology 226 - Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo, in which Dr. Mary Flanagan discussed how psychological distance helps people better associate with a subject. 53m39s: If you're interested in Goat-2-Meeting, here are the details. 56m44s: The designers Banana mentions are: Jabari Weathers, Jonaya Kemper (mentioned above), and Fertessa Allyse.
Hello everyone and welcome back to Speaking of the Arts. My guest today is Kristy Edmonds. Kristy currently serves as the Executive and Artistic Director for UCLA’s Center for the Art of Performance https://cap.ucla.edu/ . Prior to this, Edmunds was the Founding Executive and Artistic Director of the Portland Institute for Contemporary Art (PICA)https://www.pica.org/ and the TBA Festival (Time Based Art) in Portland, Oregon https://www.pica.org/tba/ . She was the Artistic Director for the Melbourne International Arts Festival https://2019.festival.melbourne/ from 2005 to 2008, and was the first to serve an unprecedented four-year term. Upon completion she was appointed as the Head of the School of Performing Arts at the Victorian College of the Arts/University of Melbourne, and after one year became the Deputy Dean for the College. Concurrently, Edmunds worked as the inaugural Consulting Artistic Director for the now critically heralded Park Avenue Armory in New York (2009–2012)http://www.armoryonpark.org/ . Our conversation took place during mid May. We talked about the unique relationship between artists, producers, managers and agents and how social distancing has completely changed this dynamic. Kristy also spoke about some of the scenarios she is exploring with her team at CAP UCLA https://cap.ucla.edu/ for future presentations as well as some very important resources that artists can take advantage of right now. These include Americans for the Arts and ArtistsRelief.org https://www.artistrelief.org/ . The latter is a fund which is currently awarding $5,000 grants to artists facing dire financial emergencies due to COVID-19. You can go do ArtistsRelief.org to learn more about this. I am grateful for Kristy’s time and I think you find find this conversation both very honest in terms of where the performing arts are currently at as well as inspiring. Thank you for listening everyone.
As American fashion changes rapidly in real-time, Jacobs shared his thoughts on the state of an industry in flux. Jacobs revisited his last fashion show at the Park Avenue Armory. “I would be very happy if that were my last show,” he said. New York’s role in global fashion is waning, and the future of live fashion shows in the coming months and years remains uncertain. “We don’t know if there will be much of a fashion industry in New York,” said Jacobs. “Will the people that have the skill still be around?” Furthermore, the waste within the industry, and the flawed system of scheduling and orders has put more of an impetus on designers to slow down. “The idea of being forced to create something and tell a story constantly when it has no soul feels so vacant,” said Jacobs, pointing also to the wasted fabrics and unused products that end up in landfills. “The urge to make things and create things hasn’t gone away… I still have stories to tell,” he added. Maybe how that happens will change. Digital collections and online shopping aren’t adequate substitutes. “Ordering online in a pair of grubby sweats is not my idea of living life,” said Jacobs, comparing the experience to looking at art online. “I don’t look at a Rothko online and cry.” Sign up for BoF’s Daily Digest newsletter here. Ready to become a BoF Professional? For a limited time, enjoy 25% discount on an annual membership, exclusively for podcast listeners. Simply, click here, select the Annual Package and use code PODCASTPRO at the checkout. For comments, questions, or speaker ideas, please e-mail: podcast@businessoffashion.com. For all sponsorship enquiries, it’s: advertising@businessoffashion.com.
Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Elizabeth Streb. [Live show recorded: May 12, 2020.] MacArthur “Genius” Award-winner, Elizabeth Streb has dived through glass, allowed a ton of dirt to fall on her head, walked down (the outside of) London’s City Hall, and set herself on fire, among other feats of extreme action. Her popular book, STREB: How to Become an Extreme Action Hero, was made into a hit documentary, Born to Fly directed by Catherine Gund (Aubin Pictures), which premiered at SXSW and received an extended run at The Film Forum in New York City in 2014. Streb founded the STREB Extreme Action Company (https://streb.org/) in 1979. In 2003, she established SLAM, the STREB Lab for Action Mechanics, in Williamsburg, Brooklyn. SLAM’s garage doors are always open: anyone and everyone can come in, watch rehearsals, take classes, and learn to fly. Elizabeth Streb was invited to present a TED Talk (‘My Quest To Defy Gravity and Fly’) at TED 2018: THE AGE OF AMAZEMENT. She has been a featured speaker presenting her keynote lectures at such places as the Rubin Museum of Art (in conversation with Dr. John W. Krakauer), TEDxMET, the Institute for Technology and Education (ISTE), POPTECH, the Institute of Contemporary Art (in conversation with physicist, Brain Greene), The Brooklyn Museum of Art (in conversation with author A.M. Homes), the National Performing Arts Convention, the Association of Performing Arts Presenters (APAP), the Penny Stamps Speaker Series at the University of Michigan, Chorus America, the University of Utah, and as a Caroline Werner Gannett Project speaker in Rochester NY, among others. "Rough and Tumble," Alec Wilkinson’s profile of Elizabeth Streb, appeared in The New Yorker magazine in June, 2015. Streb received the John D. and Catherine T. MacArthur Foundation ‘Genius’ Award in 1997. She holds a Master of Arts in Humanities and Social Thought from New York University, a Bachelor of Science in Modern Dance from SUNY Brockport, and honorary doctorates from SUNY Brockport, Rhode Island College and Otis College of Art and Design. Streb has received numerous other awards and fellowships including the Guggenheim Fellowship in 1987; a Brandeis Creative Arts Award in 1991; two New York Dance and Performance Awards (Bessie Awards), in 1988 and 1999 for her “sustained investigation of movement;” a Doris Duke Artist Award in 2013; and over 30 years of on-going support from the National Endowment for the Arts (NEA). In 2009, Streb was the Danspace Project Honoree. She served on Mayor Bloomberg’s Cultural Affairs Advisory Commission and is a member of the board of the Jerome Foundation. Major commissions for choreography include: Lincoln Center Festival, Jazz at Lincoln Center, MOCA, LA Temporary Contemporary, the Whitney Museum of Art, Wolf Trap National Park for the Performing Arts, the Park Avenue Armory, London 2012, the Cultural Olympiad for the Summer Games, CityLab Paris 2018, the opening of Bloomberg’s new headquarters in London, Musée D’Orsay, the re-opening of the Théâtre du Châtelet, and the Louvre Abu Dhabi. Born to Fly aired on PBS on May 11, 2014 and is currently available on iTunes. OXD, directed by Craig Lowy, which follows STREB at the 2012 London Olympics, premiered at the IFC theater in New York City on February 2, 2016. Streb and her company have also been featured in PopAction by Michael Blackwood, on PBS’s In The Life and Great Performances, The David Letterman Show, BBC World News, CBS Sunday Morning, CBS This Morning, Business Insider, CNN’s Weekend Today, MTV, on the National Public Radio shows Studio 360 and Science Friday, and on Larry King Live.
In our premiere episode of BROADWAY BESTIES we chat with stage favorites Tommy Bracco and Adam Kaplan. From reminiscing about Newsies memories to discussing their joint business called Lion Arts to teaching each other Yiddish and Italian, it’s impossible to not smile from ear to ear listening to this dynamic duo. Tommy Bracco originated the role of Spot Conlon in the Paper Mill Playhouse and Broadway productions of Newsies. In New York City Tommy also appeared in productions of A Chorus Line at City Center and The Hairy Ape at Park Avenue Armory. Reality TV fans know Tommy from his appearance on the hit CBS reality show Big Brother. Adam Kaplan also made his Broadway debut in Newsies where he performed the role of Jack Kelly numerous times. On tour, Adam delighted audiences across the country as Charlie Price in Kinky Boots. Adam was last seen on Broadway in A Bronx Tale where he starred as Calogero. Regionally, Adam starred in productions of Hairspray, How to Succeed in Business Without Really Trying, Fiddler on the Roof, Legally Blonde and more. Connect with our guests! @adamskaplan @tommybracco @lionartsnyc Part of the Broadway Podcast Network. Produced by John Zeitoun and Alan Seales. Edited by Derek Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices
D.W. Young’s elegant and absorbing documentary, THE BOOKSELLERS, is a lively tour of New York’s book world, populated by an assortment of obsessives, intellects, eccentrics and dreamers, past and present: from the Park Avenue Armory’s annual Antiquarian Book Fair, where original editions can fetch hundreds of thousands of dollars; to the Strand and Argosy bookstores, still standing against all odds; to the beautifully crammed apartments of collectors and buyers. The film, executive produced by Parker Posey, features a range of commentators, including Fran Lebowitz, Susan Orlean, Gay Talese, and a community of dedicated book dealers and collectors who strongly believe in the wonder of the object and what it holds within. Director D.W. David Young joins us to talk about his endearing look into a vanishing institution, local bookstores, and the people who love them and the treasures they hold. About the filmmaker - D.W. Young Director and Editor D.W. Young’s films have screened at festivals around the world including SXSW, Vancouver International Film Festival, Maryland Film Festival, Provincetown Film Festival, Sarasota Film Festival and many more. His features A HOLE IN A FENCE and THE HAPPY HOUSE were released by First Run Features. Most recently his short A FAVOR FOR JERRY, filmed on election night 2016, premiered at IFF Boston. For news, screenings and updates go to: booksellersdocumentary.com The Booksellers is being distributed through greenwichentertainment.com Social Media facebook.com/BooksellersMovie twitter.com/BooksellersDoc instagram.com/booksellersdocumentary facebook.com/GreenwichEntertainment twitter.com/GreenwichET instagram.com/greenwichentertainment
Special guests James Boening (James Robinson, Inc.), Ria Murray (Lillian Nassau), and Taylor Thistlethwaite (Thistlethwaite Americana), join hosts Ben and Michael at the Park Avenue Armory during the Winter Show for a lively discussion about a Tiffany favrile glass pig, a silver molinet, a pair of Scottish Highlands pistols, a c. 1770 New York card table, and a fetching portrait miniature from the German school.
A meditation on navigating retreat and residency culture as a Black artist, who's constantly being reminded how risk Black people are, wherever we are, in this country, and abroad. Sound for this episode was recorded at the Black Artists Retreat 2019 at the Park Avenue Armory. Featured voices include Theaster Gates, Nona Hendryx, Toshi Reagon, and Esperanza Spalding. This episode also includes recordings of Joshua Brown and Atatiana Jefferson.
On Day 12 of our New York Film Festival daily podcast, Eugene Hernandez, Film at Lincoln Center's Deputy Director and Co-Publisher of Film Comment, is joined by Dan Stern, Film at Lincoln Center Board President, to discuss Stern's history with the organization and how the festival flourishes in a competitive global cinema landscape. Then we go to yesterday's Q&A following the world premiere of The Booksellers, D.W. Young’s elegant and entertaining documentary. The film takes a lively tour of New York’s book world, past and present, from the Park Avenue Armory’s annual Antiquarian Book Fair; to the Strand and Argosy book stores, still standing against all odds; to the beautifully crammed apartments of collectors and buyers. Young was joined by producers Judith Mizrachy and Dan Wechsler following the screening. The 57th NYFF continues through October 13! See all available tickets at filmlinc.org/nyff This podcast is brought to you by Film at Lincoln Center.
Shownotes As an artist, curator, artistic director and frequent keynote speaker internationally, Kristy Edmunds has a reputation for innovation and depth in the presentation of contemporary performing arts. In collaboration with master artists, she has curated unique platforms that survey the breadth of their artistry, while placing equal emphasis on the support and commissioning of new work by some of today’s leading performance creators across disciplines. Edmunds was the Founding Executive and Artistic Director of the Portland Institute for Contemporary Art (PICA) and the TBA Festival (Time Based Art) in Portland, Oregon. She was the Artistic Director for the Melbourne International Arts Festival from 2005 to 2008, and was the first to serve an unprecedented four-year term. Upon completion she was appointed as the Head of the School of Performing Arts at the Victorian College of the Arts/University of Melbourne, and after one year became the Deputy Dean for the College. Concurrently, Edmunds worked as the inaugural Consulting Artistic Director for the now critically heralded Park Avenue Armory in New York (2009–2012). Curating the initial three years of programming, she established the formative identity of the PAA with commissioned work by artists such as Ann Hamilton, the final performance event of the Merce Cunningham Dance Company; Tom Sachs, Janet Cardiff, STREB, Ryoji Ikeda, and the Tune-In Festival with Philip Glass and many others. Edmunds’ robust career has included work as a visual artist, an independent filmmaker, a playwright, a director and a teacher. She holds a bachelor’s in film direction from Montana State University and a master’s in playwriting and theater direction from Western Washington University. In recognition of her contribution to the arts, Edmunds was bestowed with the honor of Chevalier (Knight) de L’Ordre des Arts et des Lettres by the French Government in 2016. She is married with two sons, and now calls Los Angeles home. She is the Executive and Artistic Director of UCLA’s Center for the Art of Performance, one of the nation’s leading presenting organizations for contemporary performing artists. Buy tickets to individual performances.Subscribe to the 2019-20 season of CAP performances.Become a CAP donor/member. Kristy writes about covidMore about Kristy Kristy Edmunds website Kristy’s mission – “I love building synergies between people. How do we gather around some form of expressive truth that connects us from being strangers to being part of something, part of a common experience, part of a sense of discovery or being illuminated to one another’s plights? Artists are the bridge between a kind of expressive truth that makes us feel more awake to the world, and we can find camaraderie all over the world with people who have a relationship to that artist or to that project or to that art form. It’s literally a way of knitting together a river of culture throughout the world.” Kristy’s one-line message to the world – “Get it together.” The SUE Speaks Blog Post about Kristy Edmunds Talking points from this episode Childhood in a family of artisans and craftspeople. Their dedication for the love of it. Making arty things in childhood and eventually majored in filmmaker to tell stories. Wanted to understand artists so became producer. Thousands of artists she’s worked with. Bringing their work along. Responsibility to deliver their ideas. What this season for CAP will be: dance, jazz, global music, theater international and local, cultural commentators, many different kinds of artisitic literacies. Gives some specific examples. Challenge of time we’re living in to get audience – people on overwhelm. And things like visas, given this administration – challenge of bringing in international work. But she has an eternal optimism. Doesn’t give up. Great triumph founding the Portland Institute for Contemporary Art. Work for the institution or the people?
BEATRICE GLOW is an interdisciplinary artist and multi-sensory storyteller whose work highlights human interconnectivity while amplifying stories lying in the shadows of colonialism, migration and inequality. Her practice comprises of sculptural installations, participatory performances and lectures, olfactory art, experiential technology collaborations and trilingual publishing. She is currently a 2018-19 Smithsonian Artist Research Fellow, 2018-19 Smack Mellon Studio Program Artist and 2017-18 ZERO1 American Art Incubator lead artist to Ecuador in partnership with US Department of State’s Bureau of Education and Cultural Affairs. She has been named 2016-17 Artist-in-Residence at the Asian/Pacific/American Institute at New York University, Honolulu Biennial 2017 artist, Wave Hill Van Lier Visual Art Fellow, Joan Mitchell Foundation Emerging Artist Finalist, Hemispheric Institute Council Member, Franklin Furnace Fund grantee and US Fulbright Scholar. Solo exhibitions include "Beatrice Glow: Spice Routes/Roots," at the Duke House with NYU Institute of Fine Arts (2017); “Aromérica Parfumeur” with Museo Nacional de Bellas Artes de Chile; “Lenapeway” and “The Wayfinding Project” at New York University; “Rhunhattan” at Wave Hill; and “Floating Library” — a pop-up, mobile device-free public space aboard the historic Lilac Museum Steamship —on the Hudson River. She recently participated in group exhibitions at Smack Mellon, Brooklyn; Elizabeth for the Arts Foundation, New York; Shiva Gallery at John Jay College, New York; Park Avenue Armory, New York; Galeri Nasional Indonesia, Jakarta; Momenta Art, Brooklyn; Katzen Art Center at American University, Washington D.C.; Bronx Museum of the Arts, Bronx; Zebrastraat Gallery, Gent; Cavin-Morris Gallery, New York; El Museo del Barrio, New York; and Museo de Arte Contemporaneo de Arequipa, Peru. Glow is the featured artist in the July 2017 issue of Duke University Press’ Cultural Politics, has written for post at MoMA, Art Newspaper and published “Taparaco Myth,” a trilingual artist book (Chinese, English and Spanish). She has presented performance lectures at Asia Contemporary Art Week’s Field Meetings at Asia Society and Venice Biennale 2015. She regularly works with students and has presented artist talks at New York University; Columbia University; Hunter College; Concordia University; and New York Institute of Technology, amongst others. She holds a BFA in Studio Art from NYU. All images and videos courtesy of the artist 00:00 - Introduction 00:39 - Beatrice Glow 02:39 - Now - Florist 05:37 - The Lenape People 08:30 - Rhunhattan 35:20 - For Real Now Not Pretend - Ada Lea 39:53 - Outro 40:10 - Finish
Christopher & Justin Swader are New York-based identical twin scenic designers for theatre, opera, puppetry, site-specific performance and live events. Recent collaborations include designs with Two River Theater, Miami New Drama, The New Victory Theatre, Classical Theatre of Harlem, Big Apple Circus, Sotheby’s, National Geographic, Lincoln Center Education, ArtsEmerson, Emerson String Quartet, IBEX Puppetry, La MaMa, Park Avenue Armory, National Black Theatre, York Theatre Company, Ars Nova, 3LD, HERE Arts Center, Trusty Sidekick, Luna Stage, SpeakEasy Stage Company, Manhattan School of Music, Kitchen Theatre Company, Mason Holdings. Their design for JARRING was exhibited at the 2017 World Stage Design. 2016 American Theatre Wing Henry Hewes Design Award Nomination, 2017 AUDELCO Award, 2018 IRNE Award, Boston. Originally from Indiana, they are graduates of Ball State University. www.cjswaderdesign.com
Tommy Bracco is currently appearing as the scene-stealing Giulio the bell hop in Pretty Woman. His New York stage credits include Newsies on Broadway and The Hairy Ape at The Park Avenue Armory. Bracco has been seen on screen in Newsies The Musical Live, Fourth Man Out and Nurse Jackie. Follow him on social media at @TommyBracco.Hosted by Paul Wontorek, Andy Lefkowitz, Caitlin Moynihan
Tom Sachs is an artist who was born in NYC, grew up in Connecticut and lives and works in New York City . Tom has had exhibitions at the Nasher Sculpture Center in Dallas, The Noguchi Museum in Queens, The Brooklyn Museum, Sperone Westwater, Thaddaeus Ropac in Paris, the Park Avenue Armory, Baldwin Gallery, Gagosian Tomio Koyama in Tokyo and many more. His work is in the collections of The Museum of Modern Art, The Getty, LACMA, the Guggenheim, the Whitney Museum, the Yale Univeristy Art Gallery, the Art Institute of Chicago, the Albright Knox and many more. He is also one fourth of the collective Satan Ceramics with Mary Frey, Pat McCarthy and JJ Peet. Brian stopped by Tom’s downtown Manhattan studio for a chat about music, craft, hand value, school uniforms, the importance of lighting and more. Sound & Vision is sponsored by Golden Artist Colors. Find out more about Golden at goldenpaints.com.
Hello Hello! Shana is calling in from Santa Barbara, and still out on tour. During the week Theresa and Shana share various articles and podcasts with each other, this week Shana sent Theresa a new This American Life podcast episode "But That's What Happened", it peeks into the secret conversations that happen in the Mormon religion between bishops and young women and men around sexuality. Check it out and let us know what you think, it might be cathartic for those of you who have experienced this but never felt like you could talk about it! Theresa shared the article "#MeToo Will Not Survive Unless We Recognize Toxic Femininity". This is a topic we also want to explore more, it calls out women in the #metoo movement to own their own toxic behavior: "Until it (the movement) admits that women can be as manipulative and creepy and generally awful as men, the movement will continue to send a message that we're not really whole people. And why would anyone believe someone like that?" Read it and tell us what YOU think!!! Our first guest, Valeria Gheorghiu is an activist attorney who studied environmental and civil rights law and who is now incorporating restorative justice into her work. You can check out her website is HERE . Since college, she's been working to protect workers right, the earth and Indigenous Peoples rights and culture. She was naturally drawn to this work having learned about Starhawk and the destruction of paganism as a young child, and as an immigrant whose family was forced from their land and community in Romania. She's been cleaning the forests of garbage since age 12 on earth day, and works to live sustainably herself in a cooperative way with the earth and others and helps others do the same through her cooperative law work. Valeria came to Restorative Justice as a natural progression from her indigenous peoples advocacy and cooperative living and working. Restorative Justice empowers communities to resolve their own conflicts in a way where everyone is able transform and society benefits, #wisdomkeepers. Our second guest today is Que Sera. DJ, mother, musician, performer, educator and free thinker! She lives in Brooklyn NY with her husband and collaborator Rahlou. Together they have a project called Streetlight Boutique which we feature in this interview. She shares about home schooling her and Ralou's boys, and working as an educator at the Park Avenue Armoury. Originally from Haiti, she had a very community oriented upbringing, she is worldly and exotic. Such a pleasure interviewing her for this, Shana was truly blown away by the abundant life she has and how she is raising her sons, not to mention the night life she is able to have as a performer, she really has it all! ENJOY! Self Care is COMPLICATED!!! A quote that Shana heard recently on the She's All Fat podcast in their self-care section is "people who struggle with self-care are usually really good at taking care of others, so the key is to see yourself as another person in your life".... how cool is that!? Be your own best friend! Today's show was engineered by Manuel Blas of Radio Kingston, www.radiokingston.org. We heard music from Shana Falana, http://www.shanafalana.com/, Streetlight Boutique, and audio from the film, She's Beautiful When She's Angry, http://www.shesbeautifulwhenshesangry.com ** Please: SUBSCRIBE to our pod and leave a REVIEW wherever you are listening, it helps other users FIND US :) Follow Us: INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/ FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast TWITTER * https://twitter.com/wantwhatshehas
Happy election results! Let's hear it for the rainbow!!! And the women who are a part of that rainbow. It's about time politics looked different. As this NY Times Article explores, the women "marched, they ran, and on Election Day, they won." Way to do it ladies, of both parties! Shana's calling in from the road on her 2018 Fall Tour, and today she and Theresa thanked all of those who volunteered and canvassed and worked so hard against the odds to get their candidates elected. Congratulations to Antonio Delgado, Juan Figueroa, and Jen Metzger with the big wins in our region. We discussed the type of perseverance it takes to run a political campaign. S Our first guest is Donna Costello, choreographer and dance educator at the Park Avenue Armory in NYC. She's been a dancer her whole life, and managed to move quite quickly into her success in NYC. She calls herself a 'process junkie' and she gets into how to create a free and honest atmosphere when working in a group so that there can be a good work flow and creative feedback. She loves teaching but she also loves collaborating, and recently created Jitterbug and the Aftermath, a movement theater duet. This work was presented in 2018 at the Estrogenius Festival in the East Village and at Definitive Figures, A FemFest of Performance, a festival that Donna and Jenny Sargent conceived & produced together in New Orleans holding space for over 10 inspiring femme and female-identifying artists of mixed disciplines. This interview really dives into the world of dance expression and artistry. Our second guest is Reverend Jordan Scruggs, Deacon and Community of Ministries Director at Saint James United Methodist Church in Kingston, NY. In her role at the Church Jordan is broadly focused on the alleviation of poverty which translates into some truly beautiful community building activities like "Waffle Church" and the transformation of a neighboring Church building into a community driven center open to all regardless of faith. . She quotes Martin Luther King Jr., "The Arc of the Moral Universe Is Long, But It Bends Toward Justice," when asked about how we overcome the conflicts we are experiencing politically and spiritually in our country. She hopes that we will learn to celebrate diversity rather than pretend our differences don't exist, and when asked about how she reconciles the role women have historically played or rather not played in religion, she sums it up with her impression that God is your Mother. Amen to that! Today's show was engineered by Manuel Blas of Radio Kingston, www.radiokingston.org. We heard music from Shana Falana, http://www.shanafalana.com/, and audio from the film, She's Beautiful When She's Angry, http://www.shesbeautifulwhenshesangry.com ** Please: SUBSCRIBE to our pod and leave a REVIEW wherever you are listening, it helps other users FIND US :) Follow Us: INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/ FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast TWITTER * https://twitter.com/wantwhatshehas
Lumos Maxima! It's opening weekend for 'Harry Potter and the Cursed Child' on Broadway so we're sitting down with a true lighting wizard, Neil Austin! He's tight lipped about the secrets of the show but he does share with us how it has felt to be working on such a cultural phenomenon and when he realized this was to be no ordinary show. He's also telling us about squeezing light into Christopher Oram's beautiful yet boxed in set for 'Hughie' and how he created both the Sun and the Moon in the Park Avenue Armory for 'Macbeth.' Cory and Neil also spend a great deal of time discussing the design industry in the UK and how social programs like the NHS make it easier for younger designers to develop careers as well as the difference between United Scenic Artists, the Association of Lighting Designers, and British Equity. There's talk about strong British backlight, why good haze is so important, and an important discussion about the #savestagelighting campaign and how the new EU 2020 Lighting Regulations could have a devastating impact on theatrical lighting. Grab a pint of butterbeer and enjoy this brand new episode!
Kaia Gerber takes us behind the scenes at TOM FORD Fall 2018 Women’s show at the Park Avenue Armory, featuring the debut of Shadow Extrême in TFX10 from his new makeup line Tom Ford Extrême. Executive Produced and Directed by Karen Morrison. DP Cameraman Giovanni Sicignano. MODTV film for TOM FORD Beauty.
Connect with Dr. Ashley Jackson here. www.ashleyjacksonharp.com Bio Praised for her rhythmic precision and dynamic performances, harpist Dr. Ashley Jackson enjoys a multifaceted career in New York and beyond. She holds degrees from Juilliard (DMA) and Yale University (BA, MM). As an orchestral harpist, she performs with the New York Philharmonic, Metropolis Ensemble, and NOVUS NY, and has appeared on stages in New York and around the world including Carnegie Hall, Park Avenue Armory, Royal Opera House in Muscat, Oman, and the National Center for the Performing Arts in Beijing, China. A passionate advocate for developing new works across artistic disciplines, she has premiered works by Brad Balliett, Doug Balliett, Courtney Bryan, Danielle Eva Schwob, and Nina Young. She also premiered a mixed-medium immersive performance curated by Roya Sachs titled What Did Freud Dream About, performed at New York Fashion Week, and was featured in the fashion and style blog, Swagger New York. Throughout her academic and professional careers, Dr. Jackson has demonstrated a commitment to diversity and inclusion within the performing arts. Her speaking engagements have included “Representation as Resistance: How an Activist Orchestra Redresses the Push-out of Black Practitioners from Classical Music” (Harvard University) and “The Cultural Citizen: How Classical Music Got Me Woke” (SUNY Purchase). She is on the faculty at Vassar College. Learn more at ashleyjacksonharp.com. Support this podcast
Artist Marina Abramović – the woman famous for staring into a record-breaking number of people's eyes at MoMA, letting an audience point a gun at her head, and convincing the public to take performance art seriously – has some opinions about our phones. Namely: They are distracting us, and we need to stop pretending like they aren't. Her 2015 project was called "Goldberg," and it was a collaboration with celebrated pianist Igor Levit and the Park Avenue Armory. The team says it was designed to help audiences remember what full attention actually feels, looks, and sounds like. Through a performance of J.S. Bach's notoriously difficult Goldberg Variations, they were attempting "a reimagining of the traditional concert experience," in which attendees first trade their tickets for a key. Each key had a corresponding locker, in which they were instructed to put their phone, watch, computer, and any other personal belongings that tell time or receive a signal from outside. Guests arriving at the Armory, putting their distractions behind lock and key. (James Ewing) Once they had locked the doors, they were given a pair of noise-canceling headphones. For the first thirty minutes of the performance, that's it. The entire audience – and also Levit, the performer – sat together in complete silence. The audience sitting in total silence. Yes, total. (James Ewing) Levit then broke the silence by starting to play his version of the Goldberg Variations. Legend has it that Bach originally wrote the Goldberg variations to soothe an insomniac Austrian Count through the night. (James Ewing) On this podcast extra, Abramović explains her "method" for really, truly listening: Marina Abramović: You're taking a taxi, you're concerned you're on time, you're answering [a] last phone call and so on. And you're arriving, and you sit down, and you hear the concert... but you're not ready to hear anything. You're just too busy. So I'm giving this time and space to the public to actually prepare themselves. Manoush Zomorodi: But surely, I mean, we're grown ups right? I'm coming to the concert. Can't we just turn off our phone? Why does it have to be so heavy-handed? Abramović: ...If Igor has enormous discipline to learn by heart the Goldberg variations with 86 minutes, and play [them] in the most incredible magic way, we can have discipline to to honor this. And to just see, to have [a] new experience... the moment you don't have your phone and you don't have the watch to check if you're sitting there for five minutes or ten, it just gives you a completely different state of mind. Zomorodi: I'm concerned that my state of mind won't be one of calm but rather one of agitation. That it's going to be very difficult for me. Abramović: Well this is where you have the real problem then. That you have to address the problem in your life. That is why it is good for you. Listen above or anywhere you get your podcasts. Bonus points if you sit in total silence for 30 minutes first. For more Note to Self, subscribe on iTunes, Stitcher, TuneIn, I Heart Radio, Overcast, Pocket Casts, or anywhere else using our RSS feed. Support Note to Self by becoming a member today at NotetoSelfRadio.org/donate.
The Photography Show 2016 We were delighted to meet Patricia Conde, founder and director of the Patricia Conde Galeria, during this year’s installment of The Photography Show. The Mexico City based gallery was invited to participate in the photography art fair (this is the last year that the fair is held at The Park Avenue Armory […] The post VIDEO: Patricia Conde Galeria at AIPAD 2016 appeared first on galleryIntell.
Artist Marina Abramović – the woman famous for staring into a record-breaking number of people's eyes at the MOMA, letting an audience point a gun at her head, and convincing the public to take performance art seriously – has some opinions about our phones. Namely: They are distracting us, and we need to stop pretending like they aren't. Her latest project is called "Goldberg," and it is a collaboration with celebrated pianist Igor Levit and the Park Avenue Armory. The team says it's designed to help audiences remember what full attention actually feels, looks, and sounds like. Through a performance of J.S. Bach's notoriously difficult Goldberg Variations, they are attempting "a reimagining of the traditional concert experience," in which attendees first trade their tickets for a key. Each key has a corresponding locker, in which they are instructed to put their phone, watch, computer, and any other personal belongings that tell time or receive a signal from outside. Guests arriving at the Armory, putting their distractions behind lock and key. (James Ewing) Once they've locked the doors, they're given a pair of noise-canceling headphones. For the first thirty minutes of the performance, that's it. The entire audience – and also Levit, the performer – will sit together in complete silence. The audience sitting in total silence. Yes, mandatory total silence. (James Ewing) Levit then breaks the silence by starting to play his version of the Goldberg Variations. Legend has it that Bach originally wrote the Goldberg variations to soothe an insomniac Austrian Count through the night. (James Ewing) On this week's show, Abramović explains her "method" for really, truly listening: Marina Abramović: You're taking a taxi, you're concerned you're on time, you're answering [a] last phone call and so on. And you're arriving, and you sit down, and you hear the concert... but you're not ready to hear anything. You're just too busy. So I'm giving this time and space to the public to actually prepare themselves. Manoush Zomorodi: But surely, I mean, we're grown ups right? I'm coming to the concert. Can't we just turn off our phone? Why does it have to be so heavy-handed? Abramović: ...If Igor has enormous discipline to learn by heart the Goldberg variations with 86 minutes, and play [them] in the most incredible magic way, we can have discipline to to honor this. And to just see, to have [a] new experience... the moment you don't have your phone and you don't have the watch to check if you're sitting there for five minutes or ten, it just gives you a completely different state of mind. Zomorodi: I'm concerned that my state of mind won't be one of calm but rather one of agitation. That it's going to be very difficult for me. Abramović: Well this is where you have the real problem then. That you have to address the problem in your life. That is why it is good for you. Listen above or anywhere you get your podcasts. Bonus points if you sit in total silence for 30 minutes first. In this week's episode: "Goldberg" runs from December 7-19 at the Park Avenue Armory. Tickets are available here. Igor Levit, pianist and performer. His newest album is "Bach, Beethoven, Rzewski," and it features the Goldberg Variations you'll hear on today's show. You can purchase on Amazon or iTunes. Alex Poots, Artistic Director of the Park Avenue Armory. Marina Abramović, visual and performance artist. Marina Abramovic on Rhythm 0 (1974) from Marina Abramovic Institute on Vimeo. Subscribe to Note to Self on iTunes, Stitcher, TuneIn, I Heart Radio, or anywhere else using our RSS feed.
Mohammed el Gharani was one of the youngest detainees ever held at Guantanamo Bay. At the age of fourteen he was abducted, imprisoned and subjected to torture – a non person in America's non prison camp. Close to eight years later, never having been charged or tried, he was released. But like all men who've been locked up in Guantanamo, Mohammed el Gharani is barred for life from ever entering the USA. This fall, the artist and thought provoker Laurie Anderson, brought him here anyway. And as significant as that border crossing was for el Gharani, it turned out to be just as important for Americans. For three days this October, Anderson arranged for el Gharani to be beamed in via satellite, from West Africa where he lives with his wife and children, into the huge former Drill Hall of New York's Park Avenue Armory. There he sat, projected onto an enormous white chair almost the size of the Lincoln Memorial. A living, talking, tele-presence. “Many people have told my story… Now I have the opportunity to speak for the first time,” said el Gharani. When he was ordered released, judge Richard J Leon, described the government's case against el Gharani as a“mosaic” of unfounded allegations” including one that he'd been an Al Qaeda operative in London -- at eleven years old. Collaborating with Anderson was el Gharani's first chance to talk with an American who wasn't his interrogator. He then got a chance to meet scores more, as the Drill Hall filled with people who stayed, some for hours, just sitting and lying on the ground, in his company. Every so often, a camera was opened up for el Gharani's New York visitors. Shyly then eagerly, they stepped into the light, to communicate with him back in Africa. Because of the long distance, and a 40 second delay in transmission, talking was impossible and so lots of people waved. Or mouthed I'm sorry. One woman, hand on her chest, lifted up tear-soaked eyes. A dreadlocked young man about el Gharani's age, raised a fist. Forty seconds is a long time for a peace sign to travel half way around the world. The woman with the tears in her eyes had walked away by the time el Gharani brought his fingertips together into a heart. Forty seconds is a long time. But it's not as long as 14 years of justice denied. We need to close Guantanamo and to bring its victims closer. We all, it turns out, have a lot to say. You can watch my interview with Laurie Anderson about Working with former Guantanamo prisoner, Mohammed el Gharani, this this week on The Laura Flanders Show on KCET/LINKtv and TeleSUR and find all my interviews and reports at LauraFlanders.com. To tell me what you think, write to Laura@LauraFlanders.com.
The iconic multimedia artist Laurie Anderson always has two or three projects going at any one time, and aside from her acclaimed new feature film Heart of a Dog, she’s unveiling an installation and performance called Habeas Corpus, which takes place at the cavernous Park Avenue Armory in New York, October 2nd through 4th, 2015. Among Anderson’s collaborators on the show are the great Syrian singer Omar Souleyman, ace multi-instrumentalist Shahzad Ismaily and Anderson’s partner in this Talkhouse Music Podcast, Merrill Garbus from Tune-Yards. Garbus and Anderson actually met through a Talkhouse Music Podcast, and you can hear them hit it off in the course of that conversation. If fact, they hit it off so well that Anderson invited Garbus to develop a musical piece with her for Habeas Corpus. So, on the occasion of their collaboration, we brought these two remarkable artists back together for another chat. They spoke mostly about the show, but when you get two such brilliant, interesting people, the conversation is going to go to some fascinating places, and it sure did — everything from Anderson’s experiences with a psychiatrist to the reason why Garbus wanted to become an artist.
If the witches in Shakespeare's Macbeth need a lot of space to cook up their double helping of toil and trouble, they've got it at the Park Avenue Armory. That’s where the latest New York staging of Macbeth is being presented. The lavish and action-packed production is a joint effort between the Armory and the Manchester International Festival. It is also the New York stage debut of acclaimed actor and director Kenneth Branagh, who takes the title role (he is co-director here, with Rob Ashford). So, with plenty of room for not only prophesying witches but battles, murder and intrigue, how does this Shakespeare production come off? We have a report from New York Times theater critic Charles Isherwood.
The distinctive performance artist Marina Abramović is telling her life story — and attending her own funeral — at the Park Avenue Armory. Be assured, Abramović is very much alive, but she, with the help of the singular director Robert Wilson, is looking backward from the future in The Life and Death of Marina Abramović, a theatrical event made distinct by the sensibilities of these two artists. Theater, opera and visual art intersect in a striking presentation with a cast that includes Abramović, the pop singer Antony, and actor Willem Dafoe. New York Times theater critic Charles Isherwood orients us to the world of this unusual 3-D biography.
With the [Park Avenue] Armory, New York City is finally getting the kind of cultural space that just a handful of other cities have," noted the New York Times in 2011. Like the Arsenale in Venice or the Turbine Hall at Tate Modern in London, the voluminous Upper East Side drill hall can uniquely accomodate large-scale artwork and performances. The ongoing renovation/restoration by Herzog & de Meuron and executive architects Platt Byard Dovell White reveals layers of history within the five-story, 210,000 square-foot regimental building—uncovering work by Louis Comfort Tiffany, Stanford White, Herter Brothers and other key American designers in its collection of 19th century period rooms—while activating the Wade Thompson Drill Hall and interiors for dance, opera, theater, and visual arts presentation curated by the Park Avenue Armory. Moderated by Historic Preservation and Urban Planning Program Associate Director Janet Foster, this conversation with architects Ascan Mergenthaler and Charles Platt, and Park Avenue Armory President and Executive Producer Rebecca Robertson will illuminate the relationship between site and cultural programming, and the way that preservation fosters change.
In honor of its 50th birthday, the Royal Shakespeare Company (RSC) brought together company founder Sir Peter Hall and current Artistic Director Michael Boyd in conversation at the Park Avenue Armory where the RSC is currently in residence. Their talk was guided by company ensemble member (and RSC board member) Noma Dumezweni, but the two men needed little prompting to embark on a combination of reminiscence and philosophical discourse. They discussed the importance of ensemble acting; the role of the director; and — in the most memorable part of the evening — debated the merits of the thrust stage (Hall doubtful; Boyd ardent) by walking about the RSC’s reconstructed theatre and demonstrating how speech sounds from different parts of the house. The evening finished with the presentation of a birthday cake to Hall and Boyd, who issued an impromptu invitation to the audience to join them onstage, and then dispensed slices of cake to all the takers—probably the easiest job he’s had in months. Bon mots: Peter Hall on Shakespeare: "Shakespeare is one of the great, great con artists. He says, 'This is true, but on the other hand, this might be also true, and so might that. Why don’t you just go home and talk it over with your wife?' That’s the Shakespearean creative act." Michael Boyd on Americans and Shakespeare: "One of the ways Americans have taken hold of Shakespeare…is as family drama — is looking at Tennessee Williams or Arthur Miller, and through that prism coming to Shakespeare." Peter Hall on "the theater:" "The important thing about 'the theater' is that a group of people who are alive and who know each other meet together in a space and try to actually catch the tail of this person, who’s written something, which is the record of his dreams." Listen to the complete talk by clicking the link above.
The second of four panel discussions held in conjunction with the Royal Shakespeare Company (RSC) residency at The Park Avenue Armory focused on “Directing Shakespeare." David Farr, the RSC's associate director and director of "King Lear" and "The Winter’s Tale" in the company's New York repertoire was joined by Arin Arbus, Associate Artistic Director of The Theater for a New Audience; Karin Coonrod, the founding director of the Arden Party Theater Company; and Mark Lamos, Artistic Director of the Westport County Playhouse. The panel, moderated by the artistic director of The Shakespeare Society, Michael Sexton, took on each individual's personal approach to directing, acting and speech, and included the admission that sometimes "stealing" from other directors is part of the process. Arin Arbus also echoed the remarks of the season's first two directors, Peter Brook and the RSC's Michael Boyd, in expressing belief in the power of hunches. Bon Mots David Farr on Shakespeare’s language: “His language gives you the psychology when you speak it. To get an actor to trust that is more and more unusual ... You are the words that you say. How can you be anything else?” Mark Lamos on conveying the verse through your body: “It’s not this uggabugga thing. You’ve got this great instrument: two feet, two legs, knees that bend, a butt. Breathe through it all. Let it happen.” Karin Coonrod on sussing out Shakespeare’s language: “...The visceral, the necessity, of speaking. ‘Why did you say that in that moment? Why are you full of contradictions?’ He gets more of the psychic cartography of our landscape than many.” Arin Arbus on initial hunches and notions: “It’s never happened to me where the things you find are in contradiction to what your initial instinct is. I don’t know what I would do in that situation. That would be... unfortunate.”
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