Podcasts about cincinnati symphony

Play Episode Listen Later Mar 12, 2024 2:00

SynopsisOn today's date in 1943, at the height of World War II, Aaron Copland's Fanfare for the Common Man had its premiere performance in Cincinnati. The Cincinnati Symphony's conductor in those days, British-born Eugene Goosens, had commissioned 18 fanfares for brass and percussion. “It is my idea,” he wrote, “to make these fanfares stirring and significant contributions to the war effort.”Besides Copland, composers commissioned included Henry Cowell, Paul Creston, Morton Gould, Howard Hanson, William Grant Still and Virgil Thomson.Most of the composers dedicated their fanfares to a unit of the U.S. military or one of its wartime allies. But Copland's fanfare stood out, both musically and by virtue of its title.Among the titles Copland considered — and rejected — were Fanfare for the Spirit of Democracy and Fanfare for Four Freedoms, the latter in reference to President Franklin Roosevelt's 1941 State of the Union Address that called for the freedom of speech and religion, and from want and fear. He settled on Fanfare for the Common Man.“It was the common man, after all, who was doing all the dirty work in the war and the army,” Copland recalled. “He deserved a fanfare.”Music Played in Today's ProgramAaron Copland (1900-1990): ‘Fanfare for the Common Man'; San Francisco Symphony; Michael Tilson Thomas, cond. RCA/BMG 63888

Gene Gutche

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Play Episode Listen Later Jul 29, 2023 2:00

SynopsisOn today's date in 1962, the Symphony No. 5 for strings, by the German-born American composer Gene Gutchë, received its premiere performance at Chatauqua, New York.Romeo Maximilian Eugene Ludwig Gutchë was born in Berlin in 1907. His father, a well-to-do European businessman, was not amused by the notion of his son “wasting” his time on music, even though the famous Berlin-based composer-pianist Ferruccio Busoni confirmed the young man's talent. So “Gene” Gutchë ran away from home, abandoning any hope of a sizeable inheritance in the process, and came to America. He studied at the Universities of Minnesota and Iowa, and, in 1950, at age 43, produced his first symphony. Gutchë would go on to compose six symphonies in all, plus an hour-long symphonic work for chorus and orchestra titled “Akhenaten,” premiered by Leonard Slatkin and the St. Louis Symphony in 1983. For most of his life, despite fellowships and commissions, Gutchë lived modestly with his wife, Marion, in a cottage in White Bear Lake, Minnesota.Gutchë died in the fall of 2001—one year after this Cincinnati Symphony recording of his Fifth Symphony was reissued on compact disc. Music Played in Today's ProgramGene Gutchë (1907 - 2001) Symphony No. 5, Op. 34 Cincinnati Symphony; Max Rudolf, conductor. CRI 825

"A String of Success" - An Interview with Cincinnati Symphony Cellist Nicholas Mariscal.

The Cello Sherpa Podcast

Play Episode Listen Later Jul 28, 2023 35:02

The Cello Sherpa Podcast Host, Joel Dallow, interviews Cincinnati Symphony Cellist Nicholas Mariscal. They talk about his experience growing up first as a visual artist, then transitioning to a pianist, composer and cellist. Nick also shares his audition strategy, that contributed to his recent winning streak of orchestra auditions. To check out Nick's recordings on Spotify: https://open.spotify.com/artist/5Zw4CLYSGiaIAak7f0pOuB?si=A13VwdiORaahF_Err7wGAwYou can find Nick on Facebook and Instagram @Mariscal_celloFor more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram @theCelloSherpa

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Dvorak's New World Symphony in Context with Douglas Shadle

One Symphony with Devin Patrick Hughes

Play Episode Listen Later Jul 18, 2023 60:33

As an advocate of historically marginalized composers, musicologist Douglas Shadle is a leading voice in public discussions about the role of symphony orchestras and orchestral music in American life. His first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford, 2016), explores the volatile relationships between composers, performers, critics, and audiences throughout the 19th century and demonstrates why American composers rarely find a home on concert programs today. Shadle is also a highly-regarded expert on fellow Little Rock native Florence Price, the first African American woman to win international acclaim as a composer. His research on Price has been featured in The New Yorker, New York Times, and NewMusicBox. Shadle's second book recontextualizes Antonín Dvořák's iconic New World Symphony within the complex landscape of American culture at the end of the nineteenth century. Shadle's publications have won two ASCAP Deems/Taylor Virgil Thomson Awards, the Society for American Music Irving Lowens Article Award, the inaugural American Musicological Society H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor's Award for Research. Shadle joined the Blair School faculty in 2014 and has served as the chair of the Department of Musicology and Ethnomusicology since 2019. Thank you for joining us on One Symphony. Thanks to Douglas Shadle for sharing his knowledge and insights, you can find Antonin Dvorak's New World Symphony where you get your books. Works on the show today included Dvorak's American String Quartet performed by the Prague Quartet and his Ninth Symphony with Charles Mackerras and the London Philharmonic, Myun-Wun Chung and the Vienna Philharmonic, and Paavo Jarvi and the Cincinnati Symphony. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.pricefest.org/about/douglas-shadle https://devinpatrickhughes.com onesymphony.org

We Are On the Same Team: Management and Musicians with Jessica Phillips and Ted Nelson

The Offstage Mic

Play Episode Listen Later Jul 18, 2023 59:02 Transcription Available

Musicians and management: we know in this field these relationships can be challenging and can be adversarial. But the narrative is changing here, and Season 2 closes with two people who have proven that labor relations can be positive and successful.Cellist Ted Nelson served as chair of the players committee at the Cincinnati Symphony, and Jessica Phillips served as players committee chair at the Metropolitan Opera Orchestra. Both worked toward collaborative and create agreements, and in this final episode of the season, they share first-hand about their experience—what works and what doesn't at the bargaining table, what needs to happen before negotiations ever begin, how training musicians serving in these important roles is critical, and their thoughts on streaming contracts going forward so together we can make the pie bigger for all of us.See you again this fall for Season 3!

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Violinist, conductor and composer Eugene Ysaye

Play Episode Listen Later Jul 16, 2023 2:00

SynopsisToday we note the birthday of a remarkable composer, conductor and virtuoso violinist: Eugéne Ysaÿe, born in Liége, Belgium, on today's date in 1858. After studies with two famous violin composers of his day, Henyrk Wieniawski of Poland and his Belgian compatriot, Henri Vieuxtemps, Ysaÿe soon was touring Europe and Russia as a star performer himself.In 1886, when the 28-year old Ysaÿe married, the great Belgian composer Cesar Franck presented the young couple with a Violin Sonata as a wedding present. That same year, Ysaÿe founded a famous string quartet, and in 1893 it was the Ysaÿe Quartet that gave the premiere performance of Claude Debussy's String Quartet, a work its composer dedicated to the ensemble in admiration.In 1918, Ysaye made his American debut as a conductor with the Cincinnati Symphony, and made such a great impression there that he remained as music director of the Cincinnati Symphony from 1918 to 1922.As a composer, Ysaye wrote eight concertos and a famous set of six solo sonatas for the violin. He died at the age of 72, in 1931, and in 1937, Queen Elizabeth of Belgium inaugurated the annual Eugene Ysaÿe International Prize for promising young violinists.Music Played in Today's ProgramCesar Franck (1822 - 1890) Violin Sonata in A Itzhak Perlman, violin; Martha Argerich, piano EMI 56815Eugène Ysaÿe (1858 - 1931) Chant d'hiver Aaron Rosand, violin; Radio Luxembourg Orchestra; Louis de Froment, cond. Vox Box 5102

Dett's "The Ordering of Moses"

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Play Episode Listen Later May 7, 2023 2:00

Synopsis On today's date in 1937, the NBC radio network was carrying a live broadcast from the Cincinnati May Festival of a new oratorio entitled The Ordering of Moses, inspired by the Biblical Book of Exodus. The music was by a 54-year old Canadian- born American composer, organist, pianist, and music professor named Robert Nathaniel Dett. Curiously, about 40 minutes into the live broadcast, which should have lasted a full hour, the NBC announcer broke in, stating, “We are sorry indeed, ladies and gentlemen, but due to previous commitments, we are unable to remain for the closing moments of this excellent performance." A live recording of the broadcast, preserved on scratchy acetate discs, documents that moment for posterity. No one knows for certain why the broadcast was cut short, but some have speculated that angry calls to NBC's Southern affiliate stations might have been the reason, because Dett was African-American. 77 years later, in 2014, the American conductor James Conlon led the Cincinnati May Festival Chorus in another live, broadcast performance of Dett's oratorio, this time complete and uninterrupted from the stage of Carnegie Hall in New York City. That live performance was also recorded, this time digitally, and made available for posterity on a commercial release. Music Played in Today's Program R. Nathaniel Dett (1882 -1943) The Ordering of Moses Solosts; Cincinnati May Festival Chorus; Cincinnati Symphony; James Conlon, conductor. Bridge CD 9462

The "Naqoyqatsi" Cello Concerto by Philip Glass

THE EMBC NETWORK featuring: ihealthradio and worldwide podcasts

Play Episode Listen Later Mar 30, 2023 2:00

Synopsis In 2002, film director Godfrey Reggio released his latest movie. Entitled Naqoyqatsi – the Hopi word for Life as War – this was Reggio's third and final installment in a trilogy of unusual, non-narrative films, all with Hopi titles, each comprised of visually striking, collage-like visuals set against hypnotic film scores by American composer Philip Glass. Naqoyqatsi may have been a non-narrative film, Reggio described his 2002 film as a symphony in three movements, and even provided descriptive titles: Movement 1 - Language and place gives way to numerical code and virtual reality; Movement 2 - Life becomes a game; Movement 3 - A world that language can no longer describe.Fast forward ten years to 2012, when Glass had been commissioned to turn hisNaqoyqatsi film score into a concert work for cello and orchestra. In the film score, solos played by the famous cellist Yo-Yo Ma featured prominently, so this “repurposing” of film score seemed a logical step. And so, on today's date in 2012, Philip Glass's Cello Concerto No. 2, subtitled Naqoyqatsi, received its premiere performance with the Cincinnati Symphony conducted by Dennis Russell Davies and Matt Haimowitz as the cello soloist. Music Played in Today's Program Philip Glass (b. 1938) Cello Concerto No. 2 (Naqoyqatsi) Matt Haimovitz, cello; Cincinnati Symphony; Dennis Russell Davies, conductor. Orange Mountain Music CD 0087

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Counterparts - Best of 2022 - Kelly Hall Tompkins

Play Episode Listen Later Jan 9, 2023 58:46

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders

Counterparts - Best of 2022 - Kelly Hall Tompkins

THE EMBC NETWORK featuring: ihealthradio and worldwide podcasts

Play Episode Listen Later Jan 9, 2023 58:46

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders

Episode 167 - Shara Nova

Something (rather than nothing)

Play Episode Listen Later Dec 20, 2022 63:26

Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for The Crossing, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, many community choirs, as well as yMusic, Brooklyn Rider, violist Nadia Sirota, Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra and the BBC Concert Orchestra, among others.In 2019, she composed for over 600 community musicians and the Cincinnati Symphony in celebration of their 125th season, a piece entitled "Look Around," with director Mark DeChiazza. Her baroque chamber p'opera “You Us We All” premiered in the US in October 2015 at BAM Next Wave Festival. With co-composer and performer Helga Davis, Nova created a four-screen film entitled “Ocean Body,” along with director Mark DeChiazza, which premiered at The Momentary in August 2021, shortly followed by the premiere of “Infinite Movement,” her baroque masque for 100 musicians, set to text by artist Matthew Ritchie, which premiered at The University of North Texas in November 2021.Ms. Nova is the featured singer on “The Blue Hour” with the string orchestra A Far Cry and co-composers Rachel Grimes, Angélica Negrón, Sarah Kirkland Snider and Caroline Shaw on Nonesuch Records (Sept ‘22). A collection of songs by Nico Muhly with Detroit's acclaimed wind ensemble Akropolis Quintet also features Ms. Nova's voice entitled Hymns for Private Use (Oct ‘22). A number of music composers, including Sarah Kirkland Snider, Bryce and Aaron Dessner, Steve Mackey and David Lang have created works specifically for her voice. She has collaborated with Matthew Barney, The Decemberists, The Blind Boys of Alabama, Sufjan Stevens, David Byrne, Laurie Anderson, and many others.Shara has a couple different branches to her life:Singer and Composer Branch: https://shara-nova.com/Pop Music Branch: https://www.mybrightestdiamond.com/Instagram: @mybrightestdiamondTwitter: @MyBrightestDmndWriting on Substack: https://substack.com/profile/91251132-shara-nova

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Dr. Don Greene Recap: Train Your Own Hero

Lead on Purpose with James Laughlin

Play Episode Listen Later Nov 22, 2022 12:31

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally. Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

Train Your Own Hero with Dr. Don Greene

Lead on Purpose with James Laughlin

Play Episode Listen Later Nov 18, 2022 78:26 Transcription Available

Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally. Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog

EP 97 - Barry Green (Principal Bassist/Educator/Author)

The Bass Shed Podcast

Play Episode Listen Later Nov 17, 2022 67:14

Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize. Barry Green served as principal bassist of the Cincinnati Symphony for 28 years, the principal bassist of the California Symphony and Sun Valley Idaho Summer Symphony. As former executive director of the International Society of Bassists, he taught at the University of California–Santa Cruz for 22 years before moving back to Cincinnati in spring 2018. Green joined the Ohio State School of Music faculty in autumn 2018. The following year Green was named International touring artist to tour all the state capitals of Australia sponsored by the Australian String Teachers Association. In summer 2021, Green was awarded the Special Merit honor from the International Society of Bassists. In autumn 2021, Barry organized the Bass Club Cincinnati, sponsoring several clinics for bassists of all levels including an international public concert series. Green is currently teaching bass and his inspirational courses on the mind-body and spirit at The Ohio State University School of Music.The Bass Shed on IG / The Bass Shed on Twitter / View More Episodes

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EP 97 - Barry Green (Principal Bassist/Educator/Author)

The Bass Shed Podcast

Play Episode Listen Later Nov 17, 2022 67:14

Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize. Barry Green served as principal bassist of the Cincinnati Symphony for 28 years, the principal bassist of the California Symphony and Sun Valley Idaho Summer Symphony. As former executive director of the International Society of Bassists, he taught at the University of California–Santa Cruz for 22 years before moving back to Cincinnati in spring 2018. Green joined the Ohio State School of Music faculty in autumn 2018. The following year Green was named International touring artist to tour all the state capitals of Australia sponsored by the Australian String Teachers Association. In summer 2021, Green was awarded the Special Merit honor from the International Society of Bassists. In autumn 2021, Barry organized the Bass Club Cincinnati, sponsoring several clinics for bassists of all levels including an international public concert series. Green is currently teaching bass and his inspirational courses on the mind-body and spirit at The Ohio State University School of Music.The Bass Shed on IG / The Bass Shed on Twitter / View More Episodes

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Travis Maril, Violympic Champion

Play Episode Listen Later Nov 11, 2022 59:52

I'm joined in the backyard this week by Violympian and VMC participant Travis Maril, as well as his fellow USC alum and my Director of Operations, Kate Reddish. Our wide-ranging conversation includes no small measure of pedagogical geekery, as well as such diverse topics as Tae Kwon Do bribery and Michael Jordan's private Space Jam gym. Violist Travis Maril is String Coordinator and Viola Faculty at San Diego State University (SDSU), where he has taught since 2007. At SDSU he also serves as Co-Director of the Community Music School's String Academy, a pre-college program for young musicians, which he co-founded in 2012. As violist with the Hyperion Quartet, Travis was a prizewinner at the Fischoff National Chamber Music Competition. Over the years he has collaborated in chamber music projects with principal players of the LA Philharmonic, Cleveland Orchestra, Cincinnati Symphony, San Diego Symphony, and members of the Chamber Music Society of Lincoln Center, Miró Quartet, and Brooklyn Rider, among others. Locally he performs frequently with Camarada, Art of Elan, and with the San Diego Symphony. Inspired by the Violympics in 2021, Travis started String Gym, his own online program for violinists and violists. Through String Gym, Travis works with players across the US, Australia, Germany and Taiwan. From time to time he also writes about music-related topics on his blog, String Theory. You can also follow Travis on Instagram. If you're interested in joining us for the fifth iteration of VMC, starting in 2023, you can find out more information here, and apply here.

Travis Maril, Violympic Champion

Play Episode Listen Later Nov 11, 2022 59:52

I'm joined in the backyard this week by Violympian and VMC participant Travis Maril, as well as his fellow USC alum and my Director of Operations, Kate Reddish. Our wide-ranging conversation includes no small measure of pedagogical geekery, as well as such diverse topics as Tae Kwon Do bribery and Michael Jordan's private Space Jam gym. Violist Travis Maril is String Coordinator and Viola Faculty at San Diego State University (SDSU), where he has taught since 2007. At SDSU he also serves as Co-Director of the Community Music School's String Academy, a pre-college program for young musicians, which he co-founded in 2012. As violist with the Hyperion Quartet, Travis was a prizewinner at the Fischoff National Chamber Music Competition. Over the years he has collaborated in chamber music projects with principal players of the LA Philharmonic, Cleveland Orchestra, Cincinnati Symphony, San Diego Symphony, and members of the Chamber Music Society of Lincoln Center, Miró Quartet, and Brooklyn Rider, among others. Locally he performs frequently with Camarada, Art of Elan, and with the San Diego Symphony. Inspired by the Violympics in 2021, Travis started String Gym, his own online program for violinists and violists. Through String Gym, Travis works with players across the US, Australia, Germany and Taiwan. From time to time he also writes about music-related topics on his blog, String Theory. You can also follow Travis on Instagram. If you're interested in joining us for the fifth iteration of VMC, starting in 2023, you can find out more information here, and apply here.

Interview with bass-baritone Davóne Tines

MTR Podcasts

Play Episode Listen Later Nov 3, 2022 41:09

Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

america music new york black los angeles france voice truth european home artist girls african americans human created baltimore sermon voices excellence tears concerts sing mass adams harvard university louisville crossing bass freude asian americans hughes civil rights anthem residence bach breonna taylor ludwig van beethoven time magazine los angeles times santa barbara anthony davis la times handel notable malcolm x performing arts bam lisbon maya angelou emt vigil carnegie hall black america james baldwin feldman vocalists browne john adams saint louis lincoln center eastman schumann hollywood bowl langston hughes jaap juilliard school armory tulsa race massacre koh stravinsky dav symphony no zweden strange fruit new york philharmonic orchestre chorale native son aci philadelphia orchestra baritone los angeles philharmonic heralded tines galatea terence blanchard brooklyn academy san francisco symphony cleveland orchestra kasi lemmons rob lee oedipus rex das paradies warrenton aucoin new world symphony san francisco opera next generation leaders dieudonn caroline shaw la opera teatro nacional michael tilson thomas dmitri shostakovich bbc symphony orchestra yannick n opera theatre esa pekka salonen kaija saariaho peter sellars concerto no golden west ninth symphony creative partner morton feldman american repertory theater tyshawn sorey truefire were you there julius eastman diane paulus george crumb polifemo national sawdust park avenue armory soundbox louisville orchestra cincinnati symphony upsupport musical america mahogany l john adam hans werner henze matthew passion rothko chapel mccarter theatre vladimir jurowski jennifer koh international contemporary ensemble tulsa opera teddy abrams fire across lift ev moses hogan celebrity series next wave festival olari elts teatro real madrid

Higdon welcomes Autumn

Play Episode Listen Later Sep 22, 2022 2:00

Synopsis As the season begins, we offer you this “Autumn Music” — a woodwind quintet by American composer Jennifer Higdon. Higdon says she wanted to write a companion piece to another famous woodwind quintet titled “Summer Music” by Samuel Barber. Higdon's “Autumn Music” was commissioned by Pi Kappa Lambda, the national music honorary society, and premiered at their 1994 national convention in Pittsburgh. “Autumn Music,” says Higdon, “is a sonic picture of the season of brilliant colors. The music of the first part represents the explosion of leaves and the crispness of the air of fall. As the music progresses, it becomes more spare and introspective, moving into a more melancholy and resigned feeling.” Jennifer Higdon was born in Brooklyn in 1962, and teaches at the Curtis Institute of Music in Philadelphia. Her chamber and orchestral pieces have been performed by ensembles coast to coast. She's also active as a performer and, as she explains, as an enthusiastic member of the audience: “I love exploring new works — my own pieces and the music of others — in a general audience setting, just to feel a communal reaction to new sounds. Music speaks to all age levels and all kinds of experiences in our lives. I think it can express anything and everything.” Music Played in Today's Program Jennifer Higdon (b. 1962): Autumn Music –Moran Woodwind Quintet (Crystal 754) On This Day Births 1875 - Lithuanian composer Mikolajus Ciurlionis, in Varena (then the Kaunas province of the Russian Empire; Julian date: Sept. 10); 1933 - Spanish composer Leonardo Balada, in Barcelona; 1961 - American composer Michael Torke, in Milwaukee, Wisc.; Deaths 1989 - American song composer Irving Berlin, age 101, in New York City; Premieres 1869 - Wagner: opera, "Das Rheingold," in Munich at the Hoftheater, Franz Wüllner conducting; The opera was performed at the Bavarian emperor Ludwig II's request, but against the composer's wishes; 1938 - Webern: String Quartet, Op. 28, at South Mountain, Pittsfield, Mass., during the Berkshire Chamber Music Festival; This work was commissioned for $750 by the American music patron, Elizabeth Sprague Coolidge; 1964 - Jerry Bock: musical "Fiddler On the Roof" opens on Broadway: It would run for 3,242 performances before closing; 1971 - Barber: "The Lovers" for solo voice and chorus (after a poem by Pablo Neruda), in Philadelphia; 1989 - Bernstein: "Arias and Barcarolles" (orchestrated version prepared by Bright Sheng), at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; The first version of this work, for soloists and piano four-hands, premiered on May 9, 1988, at Equitable Center Auditorium in New York City; 1990 - James MacMillan: "The Beserking" (Piano Concerto), at Henry Wood Hall in Glasgow by pianist Peter Donohoue and the Royal Scottish Orchestra, Matthias Bamert conducting; 1990 - Christopher Rouse: "Jagannath" for orchestra, by the Houston Symphony Orchestra, Christoph Eschenbach conducting; 2000 - Philip Glass: “Tirol Concerto” for piano and orchestra, by Dennis Russell Davies (piano and conductor) with the Stuttgart Chamber Orchestra, at the 7th annual Klangspuren Festival in Schwaz, Tirol (Austria); 2000 - Zwilich: "Millennium Fantasy" for piano and orchestra, by the Cincinnati Symphony, Jesús Lopez-Cobos conducting with soloist Jeffrey Biegel; Others 1937 - During the Spanish Civil War, Mexican composer Silvestre Revueltas conducts his 1935 composition “Homage to Federico Garcia Lorca” in Madrid while the city was under siege by Spanish fascist forces; The Spanish poet Lorca had been killed by the Falangists; Links and Resources On Jennifer Higdon On Barber's "Summer Music"

John Rommel, Part 1: American Classical Trumpet Player and Professor of Trumpet at the Indiana University Jacobs School of Music

Anthony Plog on Music

Play Episode Listen Later Sep 2, 2022 39:24

John Rommel is Professor of Trumpet at the Jacobs School of Music at Indiana University. Early in his playing career he was a member of the Nashville Symphony and principal trumpet of the Louisville Orchestra, and recently he has performed with both the Cleveland Orchestra and the Cincinnati Symphony. He is also known as one of the premier teachers in the U.S., and it was a pleasure to speak with him in depth about his philosophy on teaching.We begin our conversation with my asking John to talk about how both students and also his teaching have changed over the 30 years he has been at the Jacobs School of Music. Drawing on a wide variety of influences, from his lessons with Bill Adam to an interview with Hall of Fame football player Walter Peyton to John Wooden and his Pyramid of Success, John discusses the problems facing music students in universities today, and how a student can strive to move forward in spite of difficulties and struggles.

Ellington honored -- finally!

world war ii fanfare common man aaron copland cincinnati symphony

Play Episode Listen Later Jul 30, 2022 2:00

Synopsis On today's date in 1965, the New York Philharmonic gave the premiere performance of an orchestral work by Duke Ellington, titled “The Golden Broom and the Golden Apples,” with the composer conducting. On the same program, Lukas Foss conducted the very belated, posthumous premiere of “From the Steeples and the Mountains,” by the Pulitzer Prize-winning American composer Charles Ives. In 1965, Duke Ellington, too, had been nominated for the Pulitzer, but didn't get it. The Pulitzer jury did, however, recommend that Ellington receive a Special Citation in honor of “the vitality and originality of his total productivity.” That recommendation was rejected, and when word leaked out, a scandal ensued. The 66-year old Ellington remained unflappable, and said, with just a tiny hint of irony, “Fate doesn't want me to be too famous too young.” “I work and I write,” said Ellington. “My reward is hearing what I've done. I'm hardly surprised that my kind of music is still without official honor at home. Most Americans will take it for granted that European music – classical music, if you will – is the only really respectable kind. Jazz is like the kind of man you wouldn't want your daughter to associate with.” In 1999, the Pulitzer Committee made amends, and Ellington was awarded a Special Citation – belatedly and posthumously – to commemorate the centennial year of his birth. Music Played in Today's Program Edward Kennedy ("Duke") Ellington (1899-1974) – The Golden Broom and the Green Apple (Duke Ellington, piano; Cincinnati Symphony; Erich Kunzel, cond.) MCA 42318

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Aaron Copland 4: What's in a Name

Classics For Kids

Play Episode Listen Later Jul 23, 2022 6:00

In 1942, Eugene Goossens, music director of the Cincinnati Symphony, invited two dozen or so composers to write fanfares honoring those serving in World War II. Hear some more of those fanfares, and take a guess why Aaron Copland's Fanfare for the Common Man is the only one that's still regularly performed.

Cross-State Music Directing, Traveling, and Family with Sarah Ioannides

The Conductor's Podcast

Play Episode Listen Later Jun 16, 2022 48:21

Sometimes, being a woman means having to handle a lot of things on your plate. For conductor Sarah Ioannides, these responsibilities prove that she can conquer so many mountains while being able to express herself in music and art. In this week's episode of The Conductor's Podcast, Sarah talks about the art of being ready, the essence of leadership, and the wonders of being a mom. Currently Music Director of Symphony Tacoma, Ioannides has also led orchestras extensively in the United States including the Buffalo Philharmonic, Charleston Symphony, Hawai'i Symphony, Louisville Orchestra, North Carolina Symphony, Rochester Philharmonic, Toledo Symphony and the Cincinnati Symphony, where she was the first woman appointed to a full-time conducting position. Passionate about education, Ioannides continues to coach orchestras at high-level conservatories such as Yale University and the Curtis Institute. She is Founding Artistic Director of Cascade Masterclass for conductors and composers.Born in Australia, of Greek and Scottish descent, she was raised in England, studied at Oxford University and The Juilliard School, earning Master's degrees at both. Ioannides came to the USA as a Fulbright Scholar and graduated from The Curtis Institute of Music, a protégé of the late Otto-Werner Mueller. Married to Scott Hartman, renowned trombonist, they have three children, including twins, Elsa and Karl, and Audrey. An avid long-distance runner, she was first overall woman in the 30k The Defiance in 2021.

N'Kenge

Take Notice: Amplifying Black Stories

Play Episode Play 51 sec Highlight Listen Later Jun 14, 2022 59:23

Tuesday, June 14Take Notice: Amplifying Black StoriesSeason 2, Episode 18: N'KengeIn this episode we talk with Grammy and Emmy-nominated artist, singer, producer, and creator, N'Kenge. Hear about N'Kenge's climb to success from growing up in New York to working in her mother's business while performing on the road to blossoming as a performer while attending graduate school at Julliard. We also discuss a bit about opera, music business, and stereotypes she encountered in casting while auditioning for parts. N'Kenge has performed as a soloist at world-renowned illustrious performance venues such as Carnegie Hall, Lincoln Center's Alice Tully Hall, Madison Square Garden and has headlined Pop and Opera concerts with Seattle Symphony, Jacksonville Symphony, Cincinnati Symphony, Indianapolis Symphony, and Cleveland Orchestra, to name a few.A proud alumni of both The Juilliard School and Manhattan School of Music, N'Kenge made her Broadway debut in Sondheim on Sondheim and most recently was on Broadway in the revival of Caroline, or Change. This energetic, well-rounded singer has performed with jazz greats like Ornette Coleman and Wynton Marsalis and was nominated for Outstanding Lead Actress in a Musical for her portrayal of the leading roles in both the Elton John/Tim Rice Musical Aida and in Marion Caffey's 3 Mo' Divas by the Helen Hayes Awards and the Arizoni Theater Awards.In addition to her performances, N'Kenge is also a producer and is currently developing a Broadway-bound musical celebrating Dorothy Dandridge's life and music. She is also developing a new TV musical dramedy, Black Butterfly, with TV producer Gina Goff.Mentioned:N'Kenge Website TwitterInstagram FacebookTake Notice WebsiteTake Notice InstagramTake Notice Facebook

906: 12 tips to ACTUALLY get better at double bass

europe china army opera artistic directors julie andrews inland eastern washington wayne brady chris isaak wynonna judd ino northern idaho pam tillis wolski boston symphony national symphony london symphony cincinnati symphony

Play Episode Listen Later May 26, 2022 15:54

Today's deep-dive is a “highlight reel” from our recent conversation with Luis Celis, the awesome new bassist in the Cincinnati Symphony, sharing tips for improving that will help anyone. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial of Dorico 4 visit steinberg.net/dorico. theme music by Eric Hochberg

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Counterparts Kelly Hall Tompkins - May 24th 2022

JAF Project Podcast

Play Episode Listen Later May 25, 2022 57:45

We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/index.html Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as a soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany, and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire www.counterpartsshow.com

Ep. 46: Dawn Wolski, Inland NW Opera General and Artistic Director

Ali & Callie Artcast

Play Episode Listen Later Apr 29, 2022 49:53

Dawn Wolski has served as the General and Artistic Director of Inland Northwest Opera (INO) since 2017, leading the organization during its rebranding from Opera Coeur d'Alene to Inland Northwest Opera, broadening its reach of professional opera across Eastern Washington and Northern Idaho. Dawn joined INO on the heels of a successful international singing career, performing two dozen opera roles, multiple concert works and appeared on television programs in Europe, China, and the U.S. Dawn served two enlistments in U.S. Army where she performed with the London Symphony, Boston Symphony, National Symphony, and the Cincinnati Symphony. She has shared the stage with a variety of performers such as Julie Andrews, Wayne Brady, Wynonna Judd, Pam Tillis, Chris Isaak, as well as several U.S. presidents. For more information about what is next for Inland NW Opera, visit inlandnwopera.com For more information about Dawn visit dawnwolski.com

Daugherty's bassoon gang

Sticky Notes: The Classical Music Podcast

Play Episode Listen Later Mar 23, 2022 2:00

Synopsis When your instrument is nicknamed “the burping bedpost,” it's hard to get respect in refined circles. So it's understandable that the bassoon section of, say, a major London orchestra might indulge in a bit of day-dreaming in which a gang of hot-rodding motorcycling bassoonists blow into town and take over a concert hall. And guess what? That is EXACTLY the scenario of a piece written for Britain's Philharmonia Orchestra by the American composer Michael Daughtery. “Hell's Angels” is a concerto for bassoon quartet that received its premiere in London on today's date in 1999, with Daughtery commenting: “I find the bassoon to be an instrument with great expressive and timbral possibilities, ranging from low and raucous rumbling to plaintive high intensity.” Daugherty often takes inspiration from icons of American pop culture, so it's not surprising that he should choose “Hell's Angels” for inspiration. After all, he writes: “the bassoon is similar in size and shape to the drag pipes found on Harley Davidson motorcycles … When the noise-curbing mufflers are illegally removed from the drag pipes, they create a deafening roar. I have removed the traditional mufflers on the bassoon repertoire in order to compose [my] concerto for bassoon quartet and orchestra. Music Played in Today's Program Michael Daugherty (b. 1954) — Hell's Angels (Oregon Symphony; James DePreist, cond.) Delos 3291 On This Day Births 1834 - German composer, pianist and organist Julius Ruebke, in Hausneindorf, near Quedlinburg; 1878 - Austrian composer Franz Schrecker, in Monaco; 1895 - French-born American composer, painter and mystical philosopher Dane Rudhyar, in Paris; Premieres 1731 - Bach: "St. Mark Passion" (S. 247, now lost) performed in Leipzig at Vespers on Good Friday; 1748 - Handel: oratorio "Alexander Balus" in London at the Covent Garden Theater; The event possibly included the premiere of Handel's "Concerto a due cori" No. 1 as well (Gregorian date: April 3); 1783 - Mozart: Piano Concerto No. 13 and final version of Symphony No. 35 ("Haffner"), at the Vienna Burgtheater, with composer as piano soloist and conductor; An earlier version of the symphony was performed in Salzburg at private concerts arranged by the wealthy Haffner family in the summer of 1782; 1792 - Haydn: Symphony No. 94 ("Surprise"), conducted by the composer, at the Hanover-Square Concert Rooms in London; 1828 - Beethoven: String Quartet in F, Op. 135 (posthumously, and almost one year to the day after the composer's death on March 26, 1827), in Vienna, by the Schuppanzigh Quartet; 1886 - Tchaikovsky: "Manfred" Symphony (after Byron), in Moscow (Julian date: Mar. 11); 1912 - Gliere: Symphony No. 3 ("Ilya Murometz") in Moscow (Julian date: Mar. 10); 1917 - Bloch: "Trois poèmes juifs" (Three Jewish Poems), in Boston, with the composer conducting; 1923 - de Falla: opera "El retrablo de maese Pedro" (Master Peter's Puppet Show) (concert version), in Seville at the Teatro San Fernando; 1935 - Barber: "Music for a Scene from Shelley," by the New York Philharmonic; 1939 - Bartók: Violin Concerto No. 2, by the Amsterdam Concertgebouw Orchestra, Willem Mengelberg conducting and Zoltán Székely as the soloist; A live recording of this premiere performance has been issued on both LP and CD; 1944 - Cowell: "Hymn and Fuguing Tune" No. 2 for strings, in New York on a WEAF radio broadcast featuring Henri Nosco and his Concert Orchestra; The first concert hall performance took place at Town Hall in New York on October 8, 1944, with the Daniel Saidenburg Little Symphony; 1945 - Copland (and 9 other composers): "Variations on a Theme by Eugene Goosens," by the Cincinnati Symphony; 1946 - Marc Blitzstein: "Airbourne Symphony," in New York City; 1962 - Irving Fine: "Symphony 1962" by the Boston Symphony, Charles Munch conducting; 1969 - Gene Gutchë: "Genghis Khan," by American Symphony Orchestra, Leopold Stokowski conducting; 1999 - James MacMillan: "Cumnock Fair" for piano and strings, at Cumnock Academy by members of the Scottish Chamber Orchestra; Others 1703 - Antonio Vivaldi becomes a Roman Catholic priest at age 25; 1721 - Handel completes the composition of Act 3 of "Muzio Scevola," as part of a "competition" arranged by the directors of the Royal Academy of Music to settle the rivalry between their three house composers (Filippo Amadei composed Act 1, Giovanni Bononcinni Act 2, and Handel Act 3); Handel was deemed the victor in this "contest" (Gregorian date: April 3); 1729 - J.S. Bach visits Coethen to perform funeral music for his former employer, Prince Leopold; 1743 - London premiere of what is billed as "A New Sacred Oratorio" by Handel(Gregorian date: April 3); This was his "Messiah" which had its first performance in Dublin the previous year; Links and Resources On Michael Daugherty

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R. Nathaniel Dett: The Ordering of Moses

Play Episode Listen Later Jan 27, 2022 57:31

In May of 1937, R. Nathaniel Dett's oratorio “The Ordering of Moses” was premiered by the Cincinnati Symphony. The performance was carried live on national radio by NBC, but about 3/4's of the way through the piece, the broadcast was halted due to unspecified scheduling conflicts, the origins of which remain mysterious and highly speculated on. And since its premiere, The Ordering of Moses has been performed only a handful of times, and never, as far as I can tell, outside of the United States. Well, that is going to change this February, as I'll be conducting the UK premiere of the Oratorio with the City of Birmingham Symphony Orchestra and Chorus and soloists Rodrick Dixon, Chrystal Williams, and Eric Greene. Today on the show I'm going to tell you all about Dett's remarkable story, his passionate advocacy for black folk music and spirituals, and the profoundly moving music that runs all the way through The Ordering of Moses. You won't regret jumping into this rarely heard and rarely talked about gem of a piece, so come join us!

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Tracy Cox, or: If the Fat Lady Sings... Listen

Dreading The Boards

Play Episode Listen Later Jan 19, 2022 56:29

Hailed by LA Weekly as a “force of nature”, soprano and Fat Politics artist-activist Tracy Cox is a performer whose talent has been recognized across the industry, garnering her a Sullivan Foundation Award, the Birgit Nilsson Prize at Operalia, the Kirsten Flagstad Award from the George London Foundation, a Sarah Tucker Study Grant, and the top prize from the Marilyn Horne Song Competition. She has sung with orchestras around the world, including the MÁV Symphony of Budapest, the Philadelphia Orchestra, the Cincinnati Symphony, Los Angeles Opera, and at the Galina Vishnevskaya Opera Center in Moscow. Tracy has been interviewed by the New York Times on Fat Politics and restaurant accessibility, and currently has over 20,000 followers on her Instagram @sparklejams where she centers fat liberation, fat vanity, and fat talent in the performing arts. Tracy is a highly sought-after speaker and consultant on the topic of body justice in the performing arts and has been presented by numerous opera companies and arts organizations including Long Beach Opera, Wolf Trap Opera, Opera NexGen, Sigma Alpha Iota, River City Opera, and the M Institute for the Arts in Washington D.C. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dreadingtheboards/message

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Baring It Slightly: Lisa Howard: Broadway, Actress, Singer, Mother, Christmas, Weight Loss, Feinstein's/54 Below Concert

Baring It All with Call Me Adam

Play Episode Listen Later Dec 2, 2021 9:52

Christmas is the most wonderful time of year. It means different things to different people. In this short-form interview, Broadway leading lady, Lisa Howard (It Shoulda Been You, 25th Annual Putnam County Spelling Bee, Escape to Margaritaville) is Baring It Slightly about what Christmas means to her, weight loss and so much more! Lisa Howard brings her brand-new holiday show What Christmas Means To Me to Feinstein's/54 Below on Sunday, December 12 at 7pm! Click here for tickets! P.S. Lisa's new holiday album, The Most Wonderful Time of the Year, is available to stream and download! Connect with Lisa: Website Facebook Twitter Instagram Connect with Feinstein's 54 Below: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Lisa: Lisa Howard was last seen on Broadway as "Tammy" in the new musical Escape To Margaritaville. Before that, she was a Drama Desk Nominee for her starring role of "Jenny Steinberg" in the musical comedy It Shoulda Been You directed by David Hyde Pierce. Other Broadway roles include "Diva 1" in Priscilla, Queen Of The Desert, "Missy Hart" in the new musical 9 TO 5, "Head Nurse" in Lincoln Center's revival of South Pacific and "Rona Lisa Peretti" in the 25th Annual Putnam County Spelling Bee, for which she won a Drama Desk Award for Outstanding Ensemble Performance. She has toured with the national company of Les Miserables and performed around the country at such prominent regional theaters as St. Louis MUNY, Olney Theater Center, Goodspeed Opera House, Barrington Stage and Kansas City Starlight. In the concert scene, Lisa performed her solo show at Feinstein's/54Below and has made many appearances at the famed Town Hall in NYC as a part of Broadway By The Year & Broadway Unplugged concert series. She has also sung with the Cincinnati Symphony and with Peter Nero and the Philly Pops. Lisa made her feature film debut as "Siobahn" in the Twilight Saga, Breaking Dawn Part 2, and can also be seen in the indie psychological thriller, Decay. TV credits include: Ugly Betty, Power, Madame Secretary and The Good Fight. Her solo CD, Songs of Innocence and Experience is available on iTunes. Lisa is a graduate of the Cincinnati College Conservatory of Music. Learn more about your ad choices. Visit megaphone.fm/adchoices

111 Ralph Skiano: Preparing Your Next Audition

That's Not Spit, It's Condensation!

Play Episode Listen Later Nov 5, 2021 48:23

I'm really excited to bring you this conversation with Ralph Skiano, principal clarinetist of the Detroit Symphony Orchestra. Though this conversation was our first time meeting, our views on practice and mindfulness couldn't be more aligned. I hope you thoroughly enjoy this episode! Before joining the Detroit symphony, Ralph served as principal clarinetist with the Cincinnati Symphony, the Richmond Symphony, and the Des Moines Metro Opera. He's also appeared as guest principal clarinetist of the Seattle Symphony and the Cleveland Orchestra and as a soloist with ensembles throughout the United States, France, Germany, and Switzerland. In addition to his soloist and orchestral work, he is an active presenter and clinician, presenting masterclasses and workshops at universities all across the United States. Take a look at the links below to learn more about the books Ralph has written as well as other resources for musicians. In our conversation, Ralph shares with us fantastic tips and tricks on how to practice mindfully, develop a solid process to prepare for auditions, nurturing mental strength, and so much more! He elaborates on... How his artistic path began, and how it has unfolded (3:28) The importance of music education and its availability in public schools (5:17) How to make your practice more effective by having fun and finding creative solutions to your audition problems (6:48) The game-changing effect mindful clarity and preparation has on your musicianship, and how to turn doubts into helpful stories (13:14) His summary of the most important parts of the audition process, and how your practice regimine can shift with time and experience (19:34) Thoughts on trusting in your work and overcoming self-doubt (29:06) What his career looks like now, and what he has found surprising (32:52) Habits that contributed to his success, advice for young musicians, and his latest practice-related interests (34:20) Finally, Ralph shares some of the resources he has created for musicians (see the “Links” section for more information) (40:42) LINKS: Website: https://www.ralphskiano.com/ “Little Scores for Audition Success” by Ralph Skiano “Behind the Screen: A Winner's Guide to Preparing Your Next Audition” by Ralph Skiano Instagram: @DetroitClarinet PRACTICING FOR PEAK PERFORMANCE: I'm excited to tell you that Practicing for Peak Performance is now available for download! Go to MindOverFinger.com for access to all the tools that will help you transform your practice, gain confidence in your process, and start performing at your best. With the purchase of PPP, you gain: Access to all recorded content - over 7 hours of instruction Guidance in effective high-performance systems Detailed handouts For a limited time only, a free 30-minute consultation with me. PPP alumnus Karmen Palusoo has this to say about it: “For a long time I have had this belief that learning an instrument is difficult and hard work or that it has to be, and there is no other way. Only a few weeks after PPP, I am starting to feel that change! My everyday practice sessions are now filled with freedom and ease!” THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme. Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction! You can find out more about Kelly and her creative work by visiting louisekelly.com. MIND OVER FINGER: As we head into this new season, I encourage you to visit MindOverFinger.com for a plethora of resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome! www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/

S3, Episode 10: Owen Lee

Detours in Music

Play Episode Listen Later Oct 18, 2021 31:12

Interview with Adjunct Associate Professor of Double Bass at the University of Cincinnati College- Conservatory of Music, and Principal Bass of the Cincinnati Symphony, Owen Lee. "You should really want the job when you're preparing for it, but on the day of the audition you shouldn't want the job at all." - Lee "Music is a miracle." - Lee instagram - @detoursinmusicpodcast Facebook - Detours in Music Podcast YouTube - Detours in Music Podcast website - www.detoursinmusicpodcast.com email - detoursinmusicpodcast@gmail.com Podcast artwork - Ana Hart Podcast music - Jack Yagerline --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/detoursinmusic/support

music university interview adjunct associate professor double bass cincinnati college conservatory cincinnati symphony principal bass

"The Ultimate Audition Arsenal" - An Interview with Eric Kim, Professor of Cello at the Indiana University Jacobs School of Music

The Cello Sherpa Podcast

Play Episode Listen Later Aug 6, 2021 30:20

The Cello Sherpa Podcast Host, Joel Dallow, interviews Eric Kim, Professor of Cello at the Indiana University Jacobs School of Music. He offers advice on how to prepare for orchestra auditions and shares his wealth of experience as principal cellist of the Cincinnati Symphony, the San Diego Symphony, and the Denver Symphony. If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on twitter @theCello Sherpa

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#122: Scott Belck

Play Episode Listen Later Jul 28, 2021 94:58

Our sponsor: Houghton Hornswww.houghtonhorns.comThe GOLD Method App - Use code "GOLD21" when subscribing for your first month free!www.ryanbeachtrumpet.com/gold-method-appScott Belck's websitewww.scottbelck.comDr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet.He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding the Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet.He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera.He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions.He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur.He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters.Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.Support the show (https://thatsnotspit.com/support/)

ceo music director university canada professor ohio broadway flight cincinnati grammy awards cds dominican republic founding temptations aretha franklin artistic directors wes anderson brass olivia newton john donna summer john lithgow linda ronstadt comdr frankie valli coasters bootsy collins imperials lou rawls christian mcbride jazz studies manhattan transfer neil sedaka national symphony orchestra randy brecker ben vereen frankie avalon gerry mulligan john riley michael feinstein fred hersch ink spots kenny garrett hal leonard phil woods little anthony jimmy heath doc severinsen glenn miller orchestra john pizzarelli bobby watson regina carter tommy tune tom harrell diane schuur college conservatory air force band rich perry cincinnati symphony steve turre tito puente jr gerald wilson indianapolis symphony maureen mcgovern adam nussbaum john hollenbeck artistic director emeritus four freshmen cincinnati pops music ccm louis symphony tim hagans john fedchock ed soph columbus symphony orchestra lexington philharmonic claudio roditi bob belden

Jorge Casco - CoOwner & Executive Director of FLY DANCE COMPANY

You Booked It - How to create a successful entertainment career!

Play Episode Listen Later Jul 13, 2021 34:28

Jorge Casco is the current co-owner and executive director for FLY Dance Company: The Gentlemen of Hip-Hop. At age 14 he saw FLY perform at his school, by age 17 he was touring with the group. FLY is a world-renowned dance company with over 25 years of experience working with schools, communities, non-profits, and corporations that also tours and performs all around the globe. They are also one of the few theatrical hip-hop dance companies that performs with Symphonies such as the Baltimore Symphony, Cleveland Pops, Cincinnati Symphony, and many more across the U.S.. FLY's style is "Theatrical Hip-hop". They blend acting, unusual props, colorful costumes, and street dance to give the audience something new! Jorge is also the host of the M.A.D Discussions podcast where they discuss music, art, dance and other life topics. He also wrote, “Henry the Hip Hop Hippo” a children's book that teaches kids to be who they were created to be... themselves. @flydancecompany https://www.flydancecompany.com JOIN THE YOU BOOKED IT COMMUNITY Chat and Connect with Broadway Performers, Past Podcasts Guests, and People just like you navigating the entertainment industry!

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Episode 83: "Do What Scares You..." with Dr. Don Greene

All Over Voiceover with Kiff VH

Play Episode Listen Later Jun 4, 2021 60:10

This week, Kiff is joined by Dr. Don Greene, a peak performance psychologist. Dr. Greene has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. You can study with Don or find out more about his approach and classes at www.winningonstage.com

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Episode 84: "Do What Scares You..." with Dr. Don Greene

All Over Voiceover with Kiff VH

Play Episode Listen Later Jun 4, 2021 60:11

This week, Kiff is joined by Dr. Don Greene, a peak performance psychologist. Dr. Greene has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. You can study with Don or find out more about his approach and classes at www.winningonstage.com

Barry Green "The Renaissance Man!"

The Hump With Katie Thiroux

Play Episode Listen Later May 26, 2021 64:06

The Hump is thrilled to welcome our guest this week! Bassist, educator and all around creative human, Barry Green! Tune in to find out why this episode is called, "The Renaissance Man!"

Rautavaara's Fifth

Play Episode Listen Later May 14, 2021 2:00

Synopsis In the 1980s, the Finnish Broadcasting Company had come up with the idea of commissioning a whole evening’s worth of orchestral pieces by native composer Einojuhanni Rautavaara, which, when taken together, would form a conventional concert program of overture, concerto and symphony. These three works have come to be called the “Angel Trilogy,” since each of them has a title with the word “Angel” in it. Rautavaara’s Fifth Symphony, with the working title “Monologue with Angels,” premiered on today’s date in 1986, was originally to be the symphonic conclusion of this triple commission. But Rautavaara dropped the title, and his Symphony No. 7, subtitled “Angel of Light,” ended up being the third part of the “Angel Trilogy,” alongside an overture entitled “Angels and Visitations” and a double-bass concerto entitled “Angel of Dusk.” If you asked the mystical Rautavaara why he changed his mind, he would probably have said it really wasn’t HIS idea at all. Rautavaara believed that his compositions already existed in ‘another reality,’ as he said, and his job was just to bring it into our world in one piece. "I firmly believe that compositions have a will of their own,” he said, “even though some people smile at the concept.” Music Played in Today's Program Einojuhani Rautavaara (1928 - 2016) Symphony No. 5 Leipzig Radio Symphony; Max Pommer, cond. BMG 62671 On This Day Births 1885 - German conductor and composer, Otto Klemperer, in Breslau; 1917 - American composer Lou Harrison, in Portland, Ore.; Deaths 1847 - German composer Fanny Mendelssohn Hensel, age 41, in Berlin; She was the sister of Felix Mendelssohn; Premieres 1723 - Handel: opera "Flavio, re de' Langobardi" (Flavio, King of the Langobards), in London at the King's Theater in the Haymarket (Gregorian date: May 25); 1832 - Mendelssohn: "Hebrides" Overture ("Fingal's Cave"), in London, conducted by the composer; 1914 - R. Strauss: ballet "Josephslegende," in Paris; 1919 - Debussy: Saxophone Rhapsody (orchestral version by Roger-Ducasse), at a Société Nationale de Musique concert conducted by André Caplet at the Salle Gaveau in Paris; 1923 - Holst: "The Perfect Fool," in London at Covent Garden Opera House; 1941 - Cage: "Third Construction" for four percussionists, in San Francisco; 1942 - Copland: "Lincoln Portrait," by the Cincinnati Symphony conducted by André Kostelanetz, with William Adams the narrator; 1953 - American premiere of Stravinsky's opera, "The Rake's Progress," at the Metropolitan Opera in New York, with the composer conducting; The world premiere performance occurred on September 11, 1951, in Venice, again with the composer conducting; 1966 - Ginastera: "Concerto per Corde," by the Philadelphia Orchestra, Eugene Ormandy conducting; 1986 - Rautavaara: Symphony No. 5, in Helsinki, by Finnish Radio Symphony, Esa-Pekka Salonen conducting; 1987 - Alvin Singleton: "Shadows" for orchestra. By the Atlanta Symphony, Robert Shaw conducting; 1992 - James MacMillan: "Sinfonietta" at Queen Elizabeth Hall in London, by the London Sinfonietta, Martyn Brabbins conducting; 1993 - Philip Glass: opera "Orphée" (based on the Jean Cocteau film), by the American Repertory Theater in Cambridge, Mass.; Others 1719 - Handel is commanded by the Lord Chamberlain (Thomas Holles, Duke of Newcastle), to hire singers for the recently established Royal Academy of Music's productions of Italian operas (Gregorian date: May 25); 1974 - Final London concert performance by conductor Leopold Stokowski, age 92 conducting the New Philharmonia Orchestra at Royal Albert Hall: The program was Symphony No. 4 by Brahms, the "Fantasia on a Theme by Thomas Tallis" by Vaughan Williams, the "Merry Waltz" by Otto Klemperer, and the "Rapsodie espagnole" by Ravel; This was not Stokowski's "final" concert appearance, however; He was on the podium again in Venice in July of that year, and continued to make studio recordings; He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England; Links and Resources On Rautavaara Rautavaara NYTimes obit

music american new york england san francisco italian berlin theater angels progress portland mass shadows cambridge caves newcastle venice cage soci musique helsinki fantasia strauss nationale dusk monologue hampshire concerto rake ore royal academy brahms overture flavio gregorian philip glass ravel holst metropolitan opera stravinsky symphony no mendelssohn copland robert shaw visitations jean cocteau philadelphia orchestra felix mendelssohn corde breslau hebrides vaughan williams orph fingal thomas tallis esa pekka salonen sinfonietta william adams leopold stokowski fifth symphony american repertory theater james macmillan stokowski queen elizabeth hall music played ginastera london sinfonietta cincinnati symphony atlanta symphony lou harrison rautavaara eugene ormandy fanny mendelssohn hensel otto klemperer martyn brabbins salle gaveau

Rautavaara's Fifth

Play Episode Listen Later May 14, 2021 2:00

Synopsis In the 1980s, the Finnish Broadcasting Company had come up with the idea of commissioning a whole evening’s worth of orchestral pieces by native composer Einojuhanni Rautavaara, which, when taken together, would form a conventional concert program of overture, concerto and symphony. These three works have come to be called the “Angel Trilogy,” since each of them has a title with the word “Angel” in it. Rautavaara’s Fifth Symphony, with the working title “Monologue with Angels,” premiered on today’s date in 1986, was originally to be the symphonic conclusion of this triple commission. But Rautavaara dropped the title, and his Symphony No. 7, subtitled “Angel of Light,” ended up being the third part of the “Angel Trilogy,” alongside an overture entitled “Angels and Visitations” and a double-bass concerto entitled “Angel of Dusk.” If you asked the mystical Rautavaara why he changed his mind, he would probably have said it really wasn’t HIS idea at all. Rautavaara believed that his compositions already existed in ‘another reality,’ as he said, and his job was just to bring it into our world in one piece. "I firmly believe that compositions have a will of their own,” he said, “even though some people smile at the concept.” Music Played in Today's Program Einojuhani Rautavaara (1928 - 2016) Symphony No. 5 Leipzig Radio Symphony; Max Pommer, cond. BMG 62671 On This Day Births 1885 - German conductor and composer, Otto Klemperer, in Breslau; 1917 - American composer Lou Harrison, in Portland, Ore.; Deaths 1847 - German composer Fanny Mendelssohn Hensel, age 41, in Berlin; She was the sister of Felix Mendelssohn; Premieres 1723 - Handel: opera "Flavio, re de' Langobardi" (Flavio, King of the Langobards), in London at the King's Theater in the Haymarket (Gregorian date: May 25); 1832 - Mendelssohn: "Hebrides" Overture ("Fingal's Cave"), in London, conducted by the composer; 1914 - R. Strauss: ballet "Josephslegende," in Paris; 1919 - Debussy: Saxophone Rhapsody (orchestral version by Roger-Ducasse), at a Société Nationale de Musique concert conducted by André Caplet at the Salle Gaveau in Paris; 1923 - Holst: "The Perfect Fool," in London at Covent Garden Opera House; 1941 - Cage: "Third Construction" for four percussionists, in San Francisco; 1942 - Copland: "Lincoln Portrait," by the Cincinnati Symphony conducted by André Kostelanetz, with William Adams the narrator; 1953 - American premiere of Stravinsky's opera, "The Rake's Progress," at the Metropolitan Opera in New York, with the composer conducting; The world premiere performance occurred on September 11, 1951, in Venice, again with the composer conducting; 1966 - Ginastera: "Concerto per Corde," by the Philadelphia Orchestra, Eugene Ormandy conducting; 1986 - Rautavaara: Symphony No. 5, in Helsinki, by Finnish Radio Symphony, Esa-Pekka Salonen conducting; 1987 - Alvin Singleton: "Shadows" for orchestra. By the Atlanta Symphony, Robert Shaw conducting; 1992 - James MacMillan: "Sinfonietta" at Queen Elizabeth Hall in London, by the London Sinfonietta, Martyn Brabbins conducting; 1993 - Philip Glass: opera "Orphée" (based on the Jean Cocteau film), by the American Repertory Theater in Cambridge, Mass.; Others 1719 - Handel is commanded by the Lord Chamberlain (Thomas Holles, Duke of Newcastle), to hire singers for the recently established Royal Academy of Music's productions of Italian operas (Gregorian date: May 25); 1974 - Final London concert performance by conductor Leopold Stokowski, age 92 conducting the New Philharmonia Orchestra at Royal Albert Hall: The program was Symphony No. 4 by Brahms, the "Fantasia on a Theme by Thomas Tallis" by Vaughan Williams, the "Merry Waltz" by Otto Klemperer, and the "Rapsodie espagnole" by Ravel; This was not Stokowski's "final" concert appearance, however; He was on the podium again in Venice in July of that year, and continued to make studio recordings; He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England; Links and Resources On Rautavaara Rautavaara NYTimes obit

music american new york england san francisco italian berlin theater angels progress portland mass shadows cambridge caves newcastle venice cage soci musique helsinki fantasia strauss nationale dusk monologue hampshire concerto rake ore royal academy brahms overture flavio gregorian philip glass ravel holst metropolitan opera stravinsky symphony no mendelssohn copland robert shaw visitations jean cocteau philadelphia orchestra felix mendelssohn corde breslau hebrides vaughan williams orph fingal thomas tallis esa pekka salonen sinfonietta william adams leopold stokowski fifth symphony american repertory theater james macmillan stokowski queen elizabeth hall music played ginastera london sinfonietta cincinnati symphony atlanta symphony lou harrison rautavaara eugene ormandy fanny mendelssohn hensel otto klemperer martyn brabbins salle gaveau

Sondheim at the Forum?

Play Episode Listen Later May 8, 2021 2:00

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

god music american new york time new york city church europe los angeles washington france passion british new york times society washington dc philadelphia new orleans broadway medium picture beach sing cincinnati pacific milwaukee swedish columbia university forum pulitzer prize bach ludwig van beethoven zodiac handel naples new yorkers audiences fisherman burlesque frank zappa mannheim concerto potsdam tony awards bohemian andrew lloyd webber earliest dorian gray wis sondheim allentown stravinsky symphony no music hall new york philharmonic ve day woking his wife keith jarrett best musical falun metamorphoses aaron copland menotti allied forces nadia boulanger honegger appalachian spring baltimore symphony alice tully hall music played cincinnati symphony plautus matthew passion gunther schuller royal fireworks haydn society louis moreau gottschalk washington hall mauro giuliani hugo alfv lowell liebermann rochberg

Sondheim at the Forum?

Play Episode Listen Later May 8, 2021 2:00

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

god music american new york time new york city church europe los angeles washington france passion british new york times society washington dc philadelphia new orleans broadway medium picture beach sing cincinnati pacific milwaukee swedish columbia university forum pulitzer prize bach ludwig van beethoven zodiac handel naples new yorkers audiences fisherman burlesque frank zappa mannheim concerto potsdam tony awards bohemian andrew lloyd webber earliest dorian gray wis sondheim allentown stravinsky symphony no music hall new york philharmonic ve day woking his wife keith jarrett best musical falun metamorphoses aaron copland menotti allied forces nadia boulanger honegger appalachian spring baltimore symphony alice tully hall music played cincinnati symphony plautus matthew passion gunther schuller royal fireworks haydn society louis moreau gottschalk washington hall mauro giuliani hugo alfv lowell liebermann rochberg

Copland's fanfare for America's "Greatest Generation?"

Play Episode Listen Later Mar 12, 2021 2:00

On today’s date in 1943, at the height of World War II, Aaron Copland’s “Fanfare for the Common Man” had its premiere performance in Cincinnati. The Cincinnati Symphony’s conductor in those days, the British-born Eugene Goosens, had commissioned 18 fanfares for brass and percussion. “It is my idea,” he wrote, “to make these fanfares stirring and significant contributions to the war effort.” Besides Copland, the 18 composers commissioned included Henry Cowell, Paul Creston, Morton Gould, Howard Hanson, William Grant Still, and Virgil Thomson. Most of the 18 composers dedicated their fanfares to either a unit of U.S. military or one of its wartime allies, Copland’s fanfare stood out, both musically and by virtue of its title. Among the titles Copland considered — and rejected — were “Fanfare for the Spirit of Democracy” and “Fanfare for Four Freedoms,” the latter in reference to President Roosevelt’s 1941 State of the Union Address that called for the freedom of speech and religion, and from want and fear. He settled on “Fanfare for the Common Man,” because, as Copland recalled, “it was the common man, after all, who was doing all the dirty work in the war and the army. He deserved a fanfare.”

spirit british world war ii cincinnati democracy freedom of speech roosevelt greatest generation fanfare state of the union address copland common man aaron copland four freedoms william grant still cincinnati symphony henry cowell virgil thomson howard hanson

Copland's fanfare for America's "Greatest Generation?"

Dance Colleges and Careers

Play Episode Listen Later Mar 12, 2021 2:00

On today’s date in 1943, at the height of World War II, Aaron Copland’s “Fanfare for the Common Man” had its premiere performance in Cincinnati. The Cincinnati Symphony’s conductor in those days, the British-born Eugene Goosens, had commissioned 18 fanfares for brass and percussion. “It is my idea,” he wrote, “to make these fanfares stirring and significant contributions to the war effort.” Besides Copland, the 18 composers commissioned included Henry Cowell, Paul Creston, Morton Gould, Howard Hanson, William Grant Still, and Virgil Thomson. Most of the 18 composers dedicated their fanfares to either a unit of U.S. military or one of its wartime allies, Copland’s fanfare stood out, both musically and by virtue of its title. Among the titles Copland considered — and rejected — were “Fanfare for the Spirit of Democracy” and “Fanfare for Four Freedoms,” the latter in reference to President Roosevelt’s 1941 State of the Union Address that called for the freedom of speech and religion, and from want and fear. He settled on “Fanfare for the Common Man,” because, as Copland recalled, “it was the common man, after all, who was doing all the dirty work in the war and the army. He deserved a fanfare.”

spirit british world war ii cincinnati democracy freedom of speech roosevelt greatest generation fanfare state of the union address copland common man aaron copland four freedoms william grant still cincinnati symphony henry cowell virgil thomson howard hanson

Oklahoma City University with Jo Rowan & Dean Mel

Play Episode Listen Later Jan 27, 2021 46:56

Please welcome Jo Rowan and Associate Dean Melanie Shelley from my Alma Mater!Both inspirations to me and my growth as a dancer, I am excited to share their expertise and values at OCU. Jo is the head of the dance department and has been since 1981. Dean Melanie attended school their shortly after and they have been a team ever since. Melanie Shelley, Associate Dean and Professor of Arts Management, has served the Ann Lacy School of American Dance and Arts Management in many capacities over three decades. She enjoys working with dance and entertainment business students as the Student Success Coordinator and preparing students for professional careers. Dean Shelley serves as Costume Consultant, choreographer, company manager, and professor at OCU. Her choreography has been performed both in the United States and internationally, in Beijing and Taipei, China and her costume designs have been included in the New York City Toy Show. Dean Shelley has been named to Who’s Who Among America’s Teachers for multiple years, was named Oklahoma City University’s Exemplary Teacher of the Year for 2000, and served as Faculty Fellow and Interim Chair of the Center for Excellence in Teaching and Learning for Oklahoma City University’s Academic Affairs Office in 2006-2007.-------------------------------------------Jo Rowan is a nationally known master ballet teacher and performer and is professor of dance and chairman of the Dance Department within Oklahoma City University’s Ann Lacy School of American Dance and Entertainment.Rowan, who was trained at the School of American Ballet and the Bolshoi Ballet in Moscow, holds degrees in design and dance from University of Cincinnati and has performed with Cincinnati Ballet, Dallas Ballet, Garden State Ballet, Metropolitan Opera Ballet, Dallas Opera, Philadelphia Opera, Tulsa Opera, Cincinnati Opera, and as a soloist at Radio City Music Hall. She has been a guest artist with the Baltimore Symphony, Kansas City Philharmonic, and Cincinnati Symphony orchestras. A member of Actors’ Equity Association, Rowan has appeared in more than 60 musicals. She has performed in New York City, as well as at Actors Theatre in Louisville, Maine State Theatre, Playhouse in the Park, Kansas City Civic Center, and Kansas City Starlight Theatre, to name a few. She has also appeared in numerous television commercials and was a regular on the PBS TV show, Consumer Survival Kit. Rowan performed at Lyric Theatre in Grand Hotel as ballerina Grushinskaya and recently choreographed the Dream Ballet in Lyric’s production of Oklahoma!. She was the chief researcher for How To Make It In Musicals, Michael Allen’s authoritative book on developing a successful career as a musical theatre performer.Formerly ballet mistress of Dallas Ballet, Rowan has taught for all major dance organizations in the United States and has been invited to serve as an Artist-in-Residence for Oklahoma. She has conducted master classes at the St. Louis and Detroit Tap Festivals, has toured America as a ballerina with Dance Olympus, has taught for Dance America and Boston Ballet, and has adjudicated for the North American Ballet Festival Competition in Boston and the State of Tennessee’s Individual Artist Fellowship Award in Dance-Choreography.In both 2018 and 2019 Rowan was selected as one of the Journal Record's 50 Making a Difference during "The Woman of the Year" event. In April of this year, Rowan received The Governor's Arts Award in recognition of her longtime leadership and significant contributions to the arts across Oklahoma.Support the show (https://www.instadancecoach.com/thank-you-for-supporting-my-podcast-colleges-and-careers/)

Digital Clarinet Academy with Ixi Chen

The Candid Clarinetist

Play Episode Listen Later Dec 1, 2020 56:49

Episode 23: Ixi Chen of the Cincinnati Symphony and Digital Clarinet Academy joins Sam today to discuss the varied and relevant programing that the DCA has provided to students during the Coronavirus Pandemic. Entrepreneurship and other topics are also covered on this episode. Be sure to check out the Digital Clarinet Academy at https://www.digitalclarinetacademy.com/

digital entrepreneurship academy chen coronavirus pandemic dca clarinet cincinnati symphony

1921: Best of Series: Lynne Brodie: How to Use Intuition to Solve World Problems

Conscious Millionaire Show

Play Episode Listen Later Nov 25, 2020 27:32

Welcome to the Conscious Millionaire Show for entrepreneurs who want to build a high-profit business that makes an impact! Make Your First Million, with your Host, JV Crum III… Lynne Brodie: How to Use Intuition to Solve World Problems Lynne Brodie is a world-renowned Strategic Visionary, Business Intuitive, and Professional Alchemist. She unlocks your full brain access in as little as 60 minutes and without mind altering substances or psychoactive drugs. She combines decades of ancient wisdom with proprietary energy techniques, spiritual awareness, neuroscience, quantum physics, and modern intellect. Her proprietary process activates personal ‘flow' and puts you ‘in the zone.' Tapping into full brain access allows you to lead from within and increase your triple bottom line by reconnecting with the deepest wisdom of your soul. She holds a BA in psychology, is an ICF credentialed Coach and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. Like this Podcast? Get every episode delivered to you free! Subscribe in iTunes And, download your free gift today... Born to Make Millions Empowerment Audio - Click Here! Please help spread the word. Subscribing and leaving a review helps other entrepreneurs and business owners find our podcast… grow a high-profit business that makes an impact. Conscious Millionaire Network has over 2,000 episodes and millions of listeners in 190 countries. Our original Conscious Millionaire Podcast was named in Inc Magazine as one of the Top 13 Business Podcasts!

1921: Best of Series: Lynne Brodie: How to Use Intuition to Solve World Problems

Conscious Millionaire J V Crum III ~ Business Coaching Now 6 Days a Week

Play Episode Listen Later Nov 25, 2020 27:32

Welcome to the Conscious Millionaire Show for entrepreneurs who want to build a high-profit business that makes an impact! Make Your First Million, with your Host, JV Crum III… Lynne Brodie: How to Use Intuition to Solve World Problems Lynne Brodie is a world-renowned Strategic Visionary, Business Intuitive, and Professional Alchemist. She unlocks your full brain access in as little as 60 minutes and without mind altering substances or psychoactive drugs. She combines decades of ancient wisdom with proprietary energy techniques, spiritual awareness, neuroscience, quantum physics, and modern intellect. Her proprietary process activates personal ‘flow’ and puts you ‘in the zone.’ Tapping into full brain access allows you to lead from within and increase your triple bottom line by reconnecting with the deepest wisdom of your soul. She holds a BA in psychology, is an ICF credentialed Coach and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. Like this Podcast? Get every episode delivered to you free! Subscribe in iTunes And, download your free gift today... Born to Make Millions Empowerment Audio - Click Here! Please help spread the word. Subscribing and leaving a review helps other entrepreneurs and business owners find our podcast… grow a high-profit business that makes an impact. Conscious Millionaire Network has over 2,000 episodes and millions of listeners in 190 countries. Our original Conscious Millionaire Podcast was named in Inc Magazine as one of the Top 13 Business Podcasts!

Episode 4: Margaret Tung

The Horn Call Podcast

Play Episode Listen Later Nov 15, 2020 44:33

Join me in Episode 4 of The Horn Call Podcast for a conversation with Dr. Margaret Tung, Visiting Assistant Professor of Horn at the University of Kentucky. Episode Highlights Benefits of having a university horn ensemble as a class Balancing personal and professional life Interviewing for a college teaching job and playing a recital while nine months pregnant. Shoutout to Elizabeth Freimuth, Principal Horn of the Cincinnati Symphony! “Quality over Quantity” IHS Social Media strategy Shoutout to Julia Burtscher, IHS Executive Director! Mentoring that happens in a horn ensemble. IHS Online Music Sales!

university kentucky shoutouts mentoring horn tung visiting assistant professor cincinnati symphony principal horn

076 Alisa Weilerstein: Artistry & Interpretative Depth

Play Episode Listen Later Sep 25, 2020 27:02

In this episode, I have the great pleasure of speaking about all things mindful practice with international cello soloist Alisa Weilerstein. Alisa has attracted widespread attention for her playing that combines natural virtuosity and technical precision with impassioned musicianship. In this episode, Alisa shares insight on: How her parents nurtured a natural unfolding and healthy progression of her career Practicing: focusing efficient practice, intentional breaks and time off management (so important for long term sustainability + physical and mental health!) Her approach to learning a piece The importance of keeping musicality part of the technical work (as she said “Keeping everything married”) How practicing mindfully is the key for her to get rid of nerves and feel comfortable in performance How she plays mock performance for friends How to develop a natural rubato using the metronome … and much more! It's an information and inspiration packed episode and I hope you enjoy and find value in our discussion! MORE ABOUT ALISA WEILERSTEIN alisaweilerstein.com twitter.com/aweilerstein facebook.com/AlisaWeilerstein instagram.com/alisaweilerstein/ Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur “genius grant” Fellowship in 2011. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts, and concerto collaborations with all the preeminent conductors and orchestras worldwide. “Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composer's wishes, she inhabits a piece fully and turns it to her own ends,” marvels the New York Times. “Weilerstein's cello is her id. She doesn't give the impression that making music involves will at all. She and the cello seem simply to be one and the same,” agrees the Los Angeles Times. As the UK's Telegraph put it, “Weilerstein is truly a phenomenon.” Bach's six suites for unaccompanied cello figure prominently in Weilerstein's current programming. Over the past two seasons, she has given rapturously received live accounts of the complete set on three continents, with recitals in New York, Washington DC, Boston, Los Angeles, Berkeley and San Diego; at Aspen and Caramoor; in Tokyo, Osaka, Guangzhou, Shenzhen, London, Manchester, Aldeburgh, Paris and Barcelona; and for a full-capacity audience at Hamburg's iconic new Elbphilharmonie. During the global pandemic, she has further cemented her status as one of the suites' leading exponents. Released in April 2020, her Pentatone recording of the complete set became a Billboard bestseller and was named “Album of the Week” by the UK's Sunday Times. As captured in Vox's YouTube series, her insights into Bach's first G-major prelude have been viewed almost 1.5 million times. During the first weeks of the lockdown, she chronicled her developing engagement with the suites on social media, fostering an even closer connection with her online audience by streaming a new movement each day in her innovative #36DaysOfBach project. As the New York Times observed in a dedicated feature, by presenting these more intimate accounts alongside her new studio recording, Weilerstein gave listeners the rare opportunity to learn whether “the pressures of a pandemic [can] change the very sound a musician makes, or help her see a beloved piece in a new way.” Earlier in the 2019-20 season, as Artistic Partner of the Trondheim Soloists, Weilerstein joined the Norwegian orchestra in London, Munich and Bergen for performances including Haydn's two cello concertos, as featured on their acclaimed 2018 release, Transfigured Night. She also performed ten more concertos by Schumann, Saint-Saëns, Elgar, Strauss, Shostakovich, Britten, Barber, Bloch, Matthias Pintscher and Thomas Larcher, with the London Symphony Orchestra, Zurich's Tonhalle Orchestra, Frankfurt Radio Symphony, Gürzenich Orchestra Cologne, Tokyo's NHK Symphony, the New York Philharmonic, and the Houston, Detroit and San Diego symphonies. In recital, besides making solo Bach appearances, she reunited with her frequent duo partner, Inon Barnatan, for Brahms and Shostakovich at London's Wigmore Hall, Milan's Sala Verdi and Amsterdam's Concertgebouw. To celebrate Beethoven's 250th anniversary, she and the Israeli pianist performed the composer's five cello sonatas in Cincinnati and Scottsdale, and joined Guy Braunstein and the Dresden Philharmonic for Beethoven's Triple Concerto, as heard on the duo's 2019 Pentatone recording with Stefan Jackiw, Alan Gilbert and the Academy of St. Martin in the Fields. Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has premiered two important new concertos, giving Pascal Dusapin's Outscape “the kind of debut most composers can only dream of” (Chicago Tribune) with the co-commissioning Chicago Symphony in 2016 and proving herself “the perfect guide” (Boston Globe) to Matthias Pintscher's cello concerto un despertar with the co-commissioning Boston Symphony the following year. She has since reprised Dusapin's concerto with the Stuttgart and Paris Opera Orchestras and Pintscher's with the Gürzenich Orchestra Cologne and with the Danish Radio Symphony and Cincinnati Symphony, both under the composer's leadership. It was also under Pintscher's direction that she gave the New York premiere of his Reflections on Narcissus at the New York Philharmonic's inaugural 2014 Biennial, before reuniting with him to revisit the work at London's BBC Proms. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Since then she has played the work with orchestras around the world, besides frequently programming his Omaramor for solo cello. Grammy nominee Joseph Hallman has written multiple compositions for her, including a cello concerto that she premiered with the St. Petersburg Philharmonic and a trio that she premiered on tour with Barnatan and clarinetist Anthony McGill. At the 2008 Caramoor festival, she premiered Lera Auerbach's 24 Preludes for Violoncello and Piano with the composer at the keyboard, and the two subsequently reprised the work at the Schleswig-Holstein Festival, Washington's Kennedy Center and for San Francisco Performances. Weilerstein's recent Bach and Transfigured Night recordings expand her already celebrated discography. Earlier releases include the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin, named “Recording of the Year 2013” by BBC Music, which made her the face of its May 2014 issue. Her next album, on which she played Dvořák's Cello Concerto with the Czech Philharmonic, topped the U.S. classical chart, and her 2016 recording of Shostakovich's cello concertos with the Bavarian Radio Symphony and Pablo Heras-Casado proved “powerful and even mesmerizing” (San Francisco Chronicle). She and Barnatan made their duo album debut with sonatas by Chopin and Rachmaninoff in 2015, a year after she released Solo, a compilation of unaccompanied 20th-century cello music that was hailed as an “uncompromising and pertinent portrait of the cello repertoire of our time” (ResMusica, France). Solo's centerpiece is Kodály's Sonata for Solo Cello, a signature work that Weilerstein revisits on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz in which the cellist makes a cameo appearance as herself. Weilerstein has appeared with all the major orchestras of the United States, Europe and Asia, collaborating with conductors including Marin Alsop, Daniel Barenboim, Jiří Bělohlávek, Semyon Bychkov, Thomas Dausgaard, Sir Andrew Davis, Gustavo Dudamel, Sir Mark Elder, Alan Gilbert, Giancarlo Guerrero, Bernard Haitink, Pablo Heras-Casado, Marek Janowski, Paavo Järvi, Lorin Maazel, Cristian Măcelaru, Zubin Mehta, Ludovic Morlot, Yannick Nézet-Séguin, Peter Oundjian, Rafael Payare, Donald Runnicles, Yuri Temirkanov, Michael Tilson Thomas, Osmo Vänskä, Joshua Weilerstein, Simone Young and David Zinman. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high-profile classical music event at the White House, featuring student workshops hosted by the First Lady and performances in front of an audience that included President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Dudamel, since when she has made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program. Born in 1982, Alisa Weilerstein discovered her love for the cello at just two and a half, when she had chicken pox and her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn't produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in 1995, she made her professional concert debut, playing Tchaikovsky's “Rococo” Variations with the Cleveland Orchestra, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, Weilerstein also holds a degree in history from Columbia University. She was diagnosed with type 1 diabetes (T1D) at nine years old, and is a staunch advocate for the T1D community, serving as a consultant for the biotechnology company eGenesis and as a Celebrity Advocate for JDRF, the world leader in T1D research. Born into a musical family, she is the daughter of violinist Donald Weilerstein and pianist Vivian Hornik Weilerstein, and the sister of conductor Joshua Weilerstein. She is married to Venezuelan conductor Rafael Payare, with whom she has a young child. Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday! Find it here: www.mindoverfinger.com/resources! And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

united states music new york europe israel uk los angeles washington france new york times washington dc solo barack obama san diego detroit reflections white house academy grammy tokyo barcelona amsterdam fellowship cincinnati manchester venezuela recording released practicing columbia university israelis depth berkeley fields hamburg committed piano barbers sim billboard norwegian munich bach michelle obama ludwig van beethoven los angeles times first lady trumpets vox bergen stuttgart boston globe scottsdale azul zurich chicago tribune venezuelan telegraph osaka sunday times bol carnegie hall strauss artistry san francisco chronicle chopin el sistema kennedy center macarthur concerto brio schumann shenzhen brahms allegro tchaikovsky sonata haydn first family kod bloch guangzhou britten narcissus symphony orchestras dvo new york philharmonic london symphony orchestra elgar rachmaninoff shostakovich t1d jdrf elbphilharmonie biennial bbc proms saint sa rice krispies daniel barenboim chlo grace moretz cleveland orchestra gustavo dudamel concertgebouw cleveland institute marin alsop michael tilson thomas chicago symphony dudamel cello concerto zubin mehta yannick n wigmore hall violoncello boston symphony paavo j bernard haitink if i stay lorin maazel cincinnati symphony aldeburgh anthony mcgill bbc music elliott carter alan gilbert pablo heras casado dusapin alisa weilerstein simone young triple concerto solo cello interpretative osvaldo golijov semyon bychkov sir andrew davis staatskapelle berlin pentatone osmo v pascal dusapin sir mark elder new york youth symphony rafael payare giancarlo guerrero mostly mozart festival lera auerbach joshua weilerstein inon barnatan richard weiss donald runnicles marek janowski thomas dausgaard peter oundjian ludovic morlot weilerstein sala verdi donald weilerstein bella kelly

Gene Gutche

america music american new york european german minnesota berlin iowa universities symphony no akhenaten white bear lake fifth symphony leonard slatkin cincinnati symphony

Play Episode Listen Later Jul 29, 2020 2:00

On today's date in 1962, the Symphony No. 5 for strings, by the German-born American composer Gene Gutchë, received its premiere performance at Chatauqua, New York. Romeo Maximilian Eugene Ludwig Gutchë was born in Berlin in 1907. His father, a well-to-do European businessman, was not amused by the notion of his son "wasting" his time on music, even though the famous Berlin-based composer-pianist Ferrucio Busoni confirmed the young man's talent. So "Gene" Gutchë ran away from home, abandoning any hope of a sizeable inheritance in the process, and came to America. He studied at the Universities of Minnesota and Iowa, and, in 1950, at age 43 produced his first symphony. Gutchë would go on to compose six symphonies in all, plus an hour-long symphonic work for chorus and orchestra titled "Akhenaten," premiered by Leonard Slatkin and the St. Louis Symphony in 1983. For most of his life, despite fellowships and commissions, Gutchë lived modestly with his wife, Marion, in a cottage in White Bear Lake, Minnesota. "I like to think in each of us a greatness resides," wrote Gutchë. "Music is a reflection of what we are. Every artist is compelled to egomania—a delusion of grandeur—which hypnotizes him to express his ideas in the grand manner." Gutchë died in the fall of 2001—one year after this Cincinnati Symphony recording of his Fifth Symphony was reissued on compact disc.

Violinist, conductor and composer Eugene Ysaye

Voices of Excellence from Arts and Sciences

Play Episode Listen Later Jul 16, 2020 2:00

Today we note the birthday of a remarkable composer, conductor and virtuoso violinist: Eugéne Ysaÿe, who was born in Liége, Belgium, on today's date in 1858. After studies with two of the most famous violin composers of his day, Henyrk Wieniawski of Poland and his Belgian compatriot, Henri Vieuxtemps, Ysaÿe soon was touring Europe and Russia as a star performer himself. In 1886, when the 28-year old Ysaÿe married, the great Belgian composer Cesar Franck presented the young couple with his Violin Sonata in A Major as a wedding present. That same year, Ysaÿe founded a famous string quartet, and in 1893 it was the Ysaÿe Quartet that gave the premiere performance of Claude Debussy's String Quartet, a work its composer dedicated to the ensemble in admiration. In 1918, Ysaye made his American debut as a conductor with the Cincinnati Symphony, and made such a great impression there that he remained as music director of the Cincinnati Symphony from 1918 to 1922. As a composer, Ysaye wrote eight concertos and a set of six solo sonatas for the violin. In 1928, at the age of 70, the patriotic Belgian began work on an opera titled "Peter the Miner" to a libretto in his native Walloon language, and was at work on a second opera when he died at the age of 72, in 1931. In 1937, Queen Elizabeth of Belgium inaugurated the annual Eugene Ysaÿe International Prize for promising young violinists.

Engines of Our Ingenuity 3237: Copland’s Fanfare

Engines of Our Ingenuity

Play Episode Listen Later Jul 14, 2020 3:42

Episode: 3237 Aaron Copland composes an uncommonly fine fanfare. Today, an uncommonly fine fanfare.

brass engines ingenuity fanfare copland aaron copland cincinnati symphony howard hanson deems taylor

Barry Green invites you to join the Inner Game of Music

Play Episode Listen Later Jun 17, 2020 34:55

The School of Music's Barry Green has served as the principal bassist for both the Cincinnati Symphony and the California Symphony and Sun Valley Idaho Summer Symphony. His book The Inner Game of Music, has sold over a quarter of a million copies . He shares his thoughts on music, musicianship, and how to drown out the negative thoughts in your head so you can play better music with David Staley on this week's Voices of Excellence on Soundcloud

music school voices excellence soundcloud invites inner game cincinnati symphony barry green

070 Jennifer Higdon: A Creative Force

Play Episode Listen Later Apr 24, 2020 30:19

It's hard to believe it, but we've reached the end of Season 2 of The Mind Over Finger Podcast!!! To celebrate, I have a great treat for you. I'm speaking with one of the most acclaimed and frequently performed composers working today: Jennifer Higdon! It was an incredible honor to have the chance to sit with Jennifer and to soak up her wisdom and this wonderful energy that she's got! Among many other things, you'll get to hear about her unusual path to a career as a composer, how she approaches the compositional process, her view on the classical music world today, and she tells us about the habit that has contributed to her success. Mindful efficient practice can completely transform the way you perform and feel about-music making! If you think this would change your life…… then this is for YOU! Dr. Renée-Paule Gauthier invites you to join : THE MUSIC MASTERY EXPERIENCE A TRANSFORMATIONAL JOURNEY TO LOVING THE PRACTICE ROOM, ROCKING THE STAGE, WINNING THE JOB, AND TAKING YOUR CAREER TO NEW HEIGHTS A 3-month experience for all musicians, starting June 1st, 2020 BOOK A CALL AND LET'S SEE HOW WE CAN GET YOU RESULTS! MORE ABOUT JENNIFER HIGDON: Website: http://jenniferhigdon.com/ YouTube: https://www.youtube.com/results?search_query=jennifer+higdon Facebook: https://www.facebook.com/Jennifer-Higdon-127096427366514/ Instagram: https://www.instagram.com/p/BwFJrDGB2sZ/ Pulitzer Prize and three-time Grammy-winner Jennifer Higdon taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having "the distinction of being at once complex, sophisticated but readily accessible emotionally", with the Times of London citing it as "…traditionally rooted, yet imbued with integrity and freshness." The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President's Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award's history. Performances of Cold Mountain sold out its premiere run in Santa Fe, North Carolina, and Philadelphia (becoming the third highest selling opera in Opera Philadelphia's history). Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations' 50th anniversary. Higdon received the 2010 Pulitzer Prize in Music for her Violin Concerto, with the committee citing the work as "a deeply engaging piece that combines flowing lyricism with dazzling virtuosity." She has also received awards from the Guggenheim Foundation, the American Academy of Arts & Letters, the Koussevitzky Foundation, the Pew Fellowship in the Arts, The Independence Foundation, the NEA, and ASCAP. As winner of the Van Cliburn Piano Competition's American Composers Invitational, Higdon's Secret & Glass Gardens was performed by the semi-finalists during the competition. Higdon has been a featured composer at many festivals including Aspen, Tanglewood, Vail, Norfolk, Grand Teton, and Cabrillo. She has served as Composer-in-Residence with several orchestras, including the Pittsburgh Symphony Orchestra, the Philadelphia Orchestra, and the Fort Worth Symphony. She was honored to serve as the Creative Director of the Boundless Series for the Cincinnati Symphony's 2012-13 season. During the 2016-17 and 2017-18 academic years Higdon served as the prestigious Barr Laureate Scholar at the University of Missouri Kansas City. Most recently, Higdon received the prestigious Nemmers Prize from Northwestern University which is awarded to contemporary classical composers of exceptional achievement who have significantly influenced the field of composition. Beginning in 2018, Higdon will complete two residences at the Bienen School of Music as the Nemmers Prize recipient. Also in the 2018-19 season, Higdon will be in residence at University of Texas, Austin, as part of the Eddie Medora King Award. Higdon enjoys more than 200 performances a year of her works. Her orchestral work, blue cathedral, is one of the most performed contemporary orchestral works in the repertoire, more than 600 performances since its premiere in 2000. Her works have been recorded on over 60 CDs. Higdon has thrice won the Grammy for Best Contemporary Classical Composition: first for her Percussion Concerto in 2010 and in 2018 for her Viola Concerto. Dr. Higdon received a Bachelor's Degree in Music from Bowling Green State University, an Artist Diploma from The Curtis Institute of Music, and an M.A. and Ph.D. from the University of Pennsylvania. She has been awarded honorary doctorates from the Hartt School and Bowling Green State University. Dr. Higdon currently holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia. Her music is published exclusively by Lawdon Press. Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday! Find it here: www.mindoverfinger.com/resources! And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

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Performing Your Best Under Pressure with Dr. Don Greene

Inspired Money

Play Episode Listen Later Feb 4, 2020 54:28

Episode 128: Lessons from peak performance psychologist Dr. Don Greene on how to perform better under pressure and how mindset can impact your money. Guest Biography Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 25 million views across Facebook and YouTube. In this episode, you'll learn: What happens to our bodies when we get nervous causing us to underperform, choke, or have a meltdown Tactics for centering yourself and learning to get your left and right brain to working together How sports psychology can apply to your money through a prosperity mindset. Show notes: http://www.inspiredmoney.fm/128 Find more from our guest: winningonstage.com winninginsports.com facebook Twitter Instagram LinkedIn Books: Fight Your Fear and Win: Seven Skills for Performing Your Best Under Pressure--At Work, In Sports, On Stage by Don Greene Performance Success: Performing Your Best Under Pressure (Theatre Arts) by Don Greene Audition Success (A Theatre Arts Book) by Don Greene Mentioned in this episode: TED-Ed: How to practice effectively...for just about anything - Annie Bosler and Don Greene Paul Casey Merrill Lynch All Things Considered: Juilliard Students Learn to Avoid Stage Fright Greg Norman Chuck Knoblauch Michele Mitchell (diver) Thought Leaders Business Lab Podcast Audio Clips: PGA Tour: Moment No. 17 from the SHO: Paul Casey's 2009 victory Golf Focus: Greatest Golf Collapses and Chokes of All Time (Part I) Tin Cup - Give me Another Ball.. (1996) Runnymede Money Tip of the Week Get yourself ahead of the averages with your 401(k) contributions Stanford Center on Longevity Thanks for Listening! To share your thoughts: Leave a note in the comment section below. Share this show on Twitter or Facebook. Join us at the Inspired Money Makers groups at facebook and LinkedIn To help out the show: Leave an honest review on Apple Podcasts. Your ratings and reviews really help, and I read each one. Email me your address, and I'll mail you an autographed copy of Kimo West and Ken Emerson's CD, Slackers in Paradise. Subscribe on Apple Podcasts. Special thanks to Jim Kimo West for the music.

056 Hans Jørgen Jensen: Musical Mind

That's Not Spit, It's Condensation!

Play Episode Listen Later Jan 17, 2020 38:59

I'm beyond excited to begin 2020 with a brilliant pedagogical mind and someone that I respect tremendously, cellist and pedagogue Hans Jørgen Jensen! Professor Jensen shares incredible insight on how to approach practicing and performing! Among several topics, he talks to us about: His journey from growing up in Denmark to today Why he quit his solo and chamber music career to dedicate himself to teaching How being a performer made him a better teacher and what being a teacher taught him about performing The habits that help his students be successful Why we must develop great discipline and practicing habits in order to maximize our progress How we can expand our musicianship His wonderful books: CelloMind and ViolinMind Focus in the practice room The new book he's working on, which is about practicing (I know I'll be buying that!) The importance of setting short goals and the mindset to adopt when practicing The power of focusing on the *result* of a movement (the sound/the music you hear in your mind) rather than the movement itself Why he likes “block practice” Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday! Find it here: www.mindoverfinger.com/resources! And join the Mind Over Finger Book Club in the Tribe! We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey! Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!! MORE ABOUT PROFESSOR JENSEN: CelloMind: Have you ever doubted your intonation? Have you experienced the need to place pitches differently from one piece to another, or even from one measure to another? If so, you are not alone. Trying to decipher intonation is often frustrating and undermines the confidence of some of the most accomplished and talented musicians. CelloMind is a two-part, pedagogical method book that has been written to help musicians understand HOW intonation works and, more importantly, WHY it works the way it does. Purchase of the book includes exclusive access to an online resource portal with supplemental videos and audio. ViolinMind: ViolinMind is a pedagogical method book that has been written to help musicians understand HOW intonation works and, more importantly, WHY it works the way it does. It is an adaptation of the acclaimed book CelloMind. Facebook: https://www.facebook.com/CelloMindBook Instagram: https://www.instagram.com/cellomindbook/ YouTube: https://www.youtube.com/results?search_query=cellomind Hans Jørgen Jensen is professor of cello at the Bienen School of Music at Northwestern University. From 1979 to 1987 he was professor of cello at the Moore's School of Music at the University of Houston. During the summer, he is a faculty member at The Meadowmount School of Music and The Young Artist Program at the National Arts Center in Ottawa Canada under the direction of Pinchas Zukerman. He has been a guest professor at the Thornton School of Music at the University of Southern California, The Oberlin College Conservatory, The Eastman School of Music, The Academy of Music in Sydney, The Royal Academy of Music in Copenhagen, the Tokyo College of Music and the Musashino Academy of Music in Japan, the Festival de Musica de Santa Catarina in Brazil, The Jerusalem Music Center, and the PyeongChang International festival and School in Korea. Mr. Jensen has performed as a soloist in the United States, Canada, Europe, and Japan including solo appearances with the Danish Radio Orchestra, the Basel Symphony Orchestra, the Copenhagen Symphony, and the Irish Radio Orchestra under the baton of conductors such as: Simon Rattle, Mistislav Rostropovich and Carlo Zecchi. He has given numerous workshops and master classes across the United States, Canada, Europe, Japan, Brazil, Korea, Australia, and Israel. His former students have been and are members of major orchestras including The New York Philharmonic, the Chicago Symphony, the Saint Louis Symphony Orchestra, the Cincinnati Symphony, the Detroit Symphony, the Kansas City Symphony, the Colorado Symphony, the Gulbenkian Orchestra in Portugal, the Graz Philharmonic in Austria and the Montreal Symphony. Mr. Jensen's former students are currently the principal cellists in the Toronto Symphony, the Detroit Symphony, the Kansas City Symphony, the Copenhagen Philharmonic Orchestra, and the Symphony Nova Scotia. His former students hold teaching positions at Northwestern University, the University of California at Berkeley, the Cleveland Institute of Music, the San Francisco Conservatory, the Cincinnati College Conservatory, the Royal Academy of Music in Copenhagen, the Desautels Faculty of Music at the university of Manitoba and numerous other music schools. Hans Jørgen Jensen's students have been first prize winners in competitions such as the 2017 Klein Competition, the 2017 Sphinx Competition, the Casado International Competition in Japan, the Johansen International Competition, the MTNA National Competition, the ASTA National Competition, the Stulberg International Competition, the Chicago Symphony Young Performers Competition, the WAMSO Young Artist Competition, and numerous other competitions. His students have also been prizewinners in the 2017 Queen Elisabeth Inaugural Cello Competition, the Naumburg International Competition, the Lutoslawski Cello Competition, and the Klein Competition. Mr. Jensen was awarded the prestigious 2010 Artist Teacher Award from the American String Teachers Association (ASTA), as well as the Copenhagen Music Critics Prize, the Jacob Gades Prize, the Danish Ministry of Cultural Affairs Grant for Musicians, the Northwestern Charles Deering McCormick Professor of Teaching Excellence award, and the U.S. Presidential Scholar Teacher Recognition Award by the U.S. Department of Education. He was named the outstanding studio teacher of the year by Illinois ASTA. He was also the winner of the Artist International Competition that resulted in three New York Recitals. E.C. Shirmer, Boston, published his transcription of the Galamian Scale System for Cello Volume I and II and Shar Products Company published his cello method book, Fun in Thumb Position. A new pedagogy book “CelloMind” was published in November 2017 by OvationPress. Jensen studied at the royal Academy of Music in Denmark with Asger Lund Christiansen at the Juilliard School with Leonard Rose and Channing Robbins and pursued private studies with Pierre Fournier, also appearing in his master classes. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

united states music university california canada australia europe israel school education japan fun festival brazil academy musical portugal southern california golf korea denmark austria tribe berkeley musicians northwestern university copenhagen musica trumpets manitoba concerto brio royal academy allegro santa catarina hans j inner game juilliard school new york philharmonic teaching excellence eastman school ottawa canada cleveland institute san francisco conservatory chicago symphony simon rattle cincinnati college conservatory thornton school detroit symphony colorado symphony cincinnati symphony desautels faculty kansas city symphony pinchas zukerman pierre fournier toronto symphony danish ministry saint louis symphony orchestra leonard rose oberlin college conservatory gulbenkian orchestra bella kelly

#41: Winning The Job: Haley Bangs

Play Episode Listen Later Jan 8, 2020 37:06

Haley Bangs, a native of Colorado Springs, Colorado, is the Second Flute of the Cincinnati Symphony Orchestra. She previously served as Assistant Principal/Second Flute of the Omaha Symphony, and Principal Flute of the United States Navy Band in Washington, D.C. She has also performed with the Chicago Symphony Orchestra, Milwaukee Symphony Orchestra, Rochester Philharmonic Orchestra, Annapolis Symphony, Evansville Philharmonic, New World Symphony Orchestra, and the Colorado and Breckenridge Music Festival Orchestras.In addition to her performing career, Haley is a passionate educator. Her teaching career began as a flute instructor for Holland Music Studios in Rochester, NY in 2008. She also served as a group flute and oboe instructor for the Eastman School of Music’s New Horizons Band. During the summer of 2009, she was a teaching assistant for the Seattle Youth Symphony’s summer music program, the Marrowstone Summer Music Festival. From 2015-2017, Haley was the teaching assistant for the flute studio of Bonita Boyd at the Eastman School of Music, where she taught flute lessons and led studio classes for students of both the Eastman School of Music and University of Rochester. During her doctoral residency at the Eastman School of Music, Haley was a flute instructor for the Eastman Community Music School. She has also served as a teaching artist for the Very Young Composers’ Seminar, an educational program founded by the New York Philharmonic Orchestra.Haley is a doctoral candidate at the Eastman School of Music where she earned her Bachelor of Music Degree in 2009. While performing in the U.S. Navy Band from 2009-2015, she was able to continue her graduate studies at the Catholic University of America and received her Master of Music Degree in 2015. During her free time, Haley can be found taking care of her two dogs, Annie and Daisy, and enjoying the outdoors as much as she can. She is also an avid skier and scuba diver.Support the show (https://thatsnotspit.com/support/)

america music university master washington colorado winning ny bachelor rochester colorado springs flute catholic university bangs eastman school chicago symphony orchestra music degree cincinnati symphony cincinnati symphony orchestra navy band new york philharmonic orchestra milwaukee symphony orchestra united states navy band omaha symphony principal flute

Trysteropod | Episode 5 - Working 9 to 5 (What a way to make a living)

Trysteropod

Play Episode Listen Later Nov 19, 2019 63:06

Dorian and David talk about music and politics. "It's a rich man's game/No matter what they call it/And you spend your life/Putting money in his wallet"Show Notes:Avaloch Farm Music Institutehttps://avalochfarmmusic.org/Christopher Rousehttp://www.christopherrouse.com/Road Trip: Cincinnati Symphony premieres Rouse workhttps://clevelandclassical.com/road-trip-cincinnati-symphony-premieres-rouse-work-oct-1/?fbclid=IwAR2UF2LUMn9qaHJjtezDpIY6nqpws0qIYAARd0od3swR7put8HNQUFGTmFkRouse - Symphony No. 6 - Program Noteshttp://www.christopherrouse.com/sym6press.htmlConcert in Cincinnatihttps://www.cincinnatisymphony.org/tickets-and-events/buy-tickets/cso/1920-cso-season/unlimited-color-bolero-plus-rouse-premiere/Phil Robertshttp://www.philliprobertsmusic.com/Brianna Matzkehttps://www.briannamatzke.com/Working class white Americans are now dying in middle age at faster rates than minority groupshttps://www.brookings.edu/blog/brookings-now/2017/03/23/working-class-white-americans-are-now-dying-in-middle-age-at-faster-rates-than-minority-groups/David Kulma Ballotpediahttps://ballotpedia.org/David_KulmaKulma's campaign running hard towards Tuesdayhttps://www.gp.org/kulma_s_campaign_running_hard_towards_tuesdayDolly Parton’s “9 to 5”https://www.youtube.com/watch?v=UbxUSsFXYo4Lyricshttps://genius.com/Dolly-parton-9-to-5-lyricsWhy I'm a libertarian (........SOCIALIST)https://www.youtube.com/watch?v=7QQdnOVvM5oMeaningful Workhttps://www.psychologytoday.com/us/blog/the-meaning-in-life/200906/meaningful-workStar Trek Voyagerhttps://en.m.wikipedia.org/wiki/Star_Trek:_VoyagerEugenics Warshttps://memory-alpha.fandom.com/wiki/Eugenics_WarsLeft–right political spectrumhttps://en.wikipedia.org/wiki/Left%E2%80%93right_political_spectrumThe Rojava Revolution In Perilhttps://www.wnycstudios.org/podcasts/otm/segments/rojava-revolution-on-the-mediaDemocratic confederalismhttps://en.wikipedia.org/wiki/Abdullah_%C3%96calan#Democratic_confederalismRojava

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Interview with Daniel Perry

corpSonore - sound, body, wellness

Play Episode Listen Later Nov 14, 2019 46:39

Daniel has been a bassist in the Winnipeg Symphony Orchestra since 2014. Very much an orchestral player, he studied at Indiana University and has performed with the Trondheim Symphony, Cincinnati Symphony, Verbier Festival, and the New York String Seminar. In addition to performing, he is an avid adventure cyclist, volunteer, and teaches with the local El Sistema program. Every summer Daniel makes a trip out west to play in the Oregon Coast Music Festival, visiting friends, family, and parks along the way. We recorded this in July during our time at the Oregon Coast Music Festival. Show notes: Welcome Baby Finn! He will (I'm sure) be making his vocal debut on one of our upcoming episodes. Please ignore the extraneous background noise in this episode. We recorded this at Daniel's host house in Oregon and he is a delightful and friendly chap. The insane race Daniel mentioned is Actif Epica https://actifepi.ca Bike Jam, the other cool cycling event mentioned https://www.rainbowtroutmusicfestival.com/ His diet now includes more healthy fats like nuts and avocados, oatmeal for breakfast, and less bad sugars The co-op he volunteers at is the WRENCH Book recommendation: The Golden Spruce by John Vaillant

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050 Barry Green: The Inner Game of Music

The Brass Junkies Podcast - Pedal Note Media

Play Episode Listen Later Nov 8, 2019 69:16

In today's episode, I wanted to celebrate 50 episodes in style by bringing someone who's work has had a profound impact on generations of musicians: bass player and author of The Inner Game of Music, Barry Green. I'm very happy and honored that Barry accepted to be on the show to have this very, very important conversation with me because his authentic approach to music-making has inspired and influenced thousands of musicians and redefined careers throughout the years. In today's conversation, Barry talks about some principles of the Inner Game, including what we should focus on, why we need to “Turn Up the Music” and how this simple act can transform our playing and change our life, how we can reach a state of relaxed concentration, how effective experience-lead learning is, and how to set effective goals. He expands further on: How “When you are playing the inner game, the quality of your experience becomes just as important as your actual success.” How the only game we have control over is doing what we do best How putting our focus on the things that we can control means that we can experience what we're doing fully How we can reach the state of relaxed concentration using: Awareness techniques (what we see, hear, feel, etc.) Commitment techniques (how well we prepare) Trust skills (physical memory and advanced preparation) Experience-lead learning: “Do” instructions VS “Awareness” instructions Having more fun and accomplishing more while practicing Setting productive and effective goals It was a true honor to have Barry on the show and I hope you enjoy his wisdom as much as I did and walk away inspired and motivated! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!!! GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com MORE ABOUT BARRY: Website: https://www.innergameofmusic.com/ YouTube videos featuring Barry and Inner Game principles: HERE Barry Green, a native Californian, served as Principal Bassist of the Cincinnati Symphony for 28 years, and more recently Principal Bassist of the California Symphony and ‘Sun Valley, Idaho Summer Symphony. As former Executive Director of the International Society of Bassists, he is currently living in San Diego while teaching at the U. of Calif. Santa Cruz and active as a bass soloist, clinician and motivational speaker. Examples of his lectures can be found on his website at: www.innergameofmusic.com. Green was the first bass soloist ever to solo with the Cincinnati Symphony in 1970 when he commissioned Frank Proto to write the Concerto for Bass and Orchestra conducted by Erich Kunzel. He has since twice appeared with the Cincinnati Symphony under the late Maestro Thomas Schippers who personally commissioned the Frank Proto Violin and Double Bass Concerto (with Ruggiero Ricci). In 1993 Green performed Jon Deak's concerto Jack and the Beanstalk conducted by Jesus Lopez-Cobos. He most recently performed the Deak concerto in February 2005 with the US Air Force Band in Washington DC, Constitution Hall and Duluth Symphony. Barry is known for his creative and eclectic ‘Green Machine' and “Green Man” concerts including the bass in jazz, folk, rock, funk, hip-hop contemporary and world music in combination with, dance, voice, art and theater. Green has written three books on the ‘mind-body and spirit' of performing musicians. He is author of the Doubleday book The Inner Game of Music, with W. Timothy Gallwey, and DVD (1986) which deals with musicians reaching their potential in performance and learning which has sold over 250,000 copies worldwide. He has written seven Inner Game of Music Workbooks published by GIA Music for keyboard, voice, instruments and ensembles. Green's 2nd book, The Mastery of Music, Ten Pathways to True Artistry was published by Broadway/Doubleday in May 2003. The Mastery of Music is based on interviews with over 120 world famous musicians on topics of courage, passion, creativity, discipline, humility etc. It deals with qualities of greatness from the human spirit that transcend all professions. Jazz and classical artists interviewed include Dave Brubeck, Bobby McFerrin, Joshua Bell, Frederica von Stade, Christopher Parkening, Evelyn Glennie, Gary Karr, Jeffrey Kahane and many more. Green's most recent book (and DVD) is called Bringing Music to Life and was published by GIA Music. The book is exploring three techniques of breath, pulse and movement that allow the musician to channel expression through their bodies. This work is based on exploring creativity and inspiration through collaboration with the great improvisation cellist David Darling and his organization called Music for People. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

TBJ121: Trumpeter Wayne du Maine on working with Bernstein and Prince, but not at the same time.

Play Episode Listen Later Oct 1, 2019 57:28

***We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies!*** Sign up by 10/31 for a chance for you and a friend to chat with The Brass Junkies! TBJ121: Trumpeter Wayne du Maine on working with Bernstein and Prince, but not at the same time. He is one of the busiest and most successful musicians working today and he shares how he balances it all with a smile on his face. From his bio: A native of St. Louis, Wayne J. du Maine currently performs with the Metropolitan Opera Orchestra, Orpheus Chamber Orchestra, American Composers Orchestra, New York City Opera, Rodney Mack Philadelphia Big Brass, Chamber Music Society of Lincoln Center and with contemporary music ensembles such as Speculum Musicae, Sospeso, and ST-X Xenakis. Mr. du Maine is a member of the Manhattan Brass and with Mercury and the Brooklyn Philharmonic Brass Quintets, he is dedicated to performing and introducing live music to thousands of school children in the NYC area, NJ and PA. Wayne has worked with a broad spectrum of artists ranging from Leonard Bernstein and Leonard Slatkin to Hank Jones, Wynton and Branford Marsalis, Patti Lupone and Audra MacDonald. He has been a soloist with the orchestras of St. Louis, Cincinnati and Pittsburgh. He can be heard on recordings with the New York Philharmonic, Met Opera Orchestra, numerous commercials, motion pictures and with Prince on his New Power Soul recording. Mr. du Maine is on the faculty of Columbia and Princeton Universities as well as Bar Harbor Brass Week. At the Juilliard School, Wayne teaches trumpet in the Music Advancement Program and serves as a teaching assistant in the Instrumental Music Program. He is also on the conducting faculty of the Elisabeth Morrow Summer Strings and now is Music Director of the Concert Band and Jazz Ensemble at the Elisabeth Morrow School. Recently, Wayne made his Brooklyn Philharmonic conducting debut to critical acclaim and will make his Westchester Philharmonic debut in Spring, 2011. Mr. du Maine has performed at music festivals in Aspen, Spoleto, Tanglewood, Vermont Mozart, Bowdoin, Marlboro, Berkshire Choral, and the Manchester (VT) Music Festival. Wayne just completed a two year run of Fiddler on the Roof where he was associate conductor. He is currently a member of the show How The Grinch Stole Christmas and has served as associate conductor at the hit revival of South Pacific at Lincoln Center. Highlights of recent performances include the Boys Choir of Harlem, Take 6, Martha's Vineyard Chamber Music Society, Absolute Ensemble, soloist with the Cincinnati Symphony, Peter, Paul and Mary, and the rock band Jesus H. Christ, where he plays keyboards. A member of two softball leagues in Central Park, Wayne resides in New Jersey with his wife, Sharon and daughter Sequoia. In this fun and lively discussion, we cover: Stanley Cup/St. Louis Blues NYU brass program Learning the ropes as an administrator Recruiting and fundraising Negotiating and the art of pricing 1990 Tanglewood performance of Copland's Third Symphony under Bernstein Conducting Scotch and cigarettes Prioritization and scheduling Playing in the stage bands at The Met Mark Gould Portfolio career/freelancing Looking 7-9 months ahead to manage uneven income Playing on Broadway while still in school The importance of sightreading How he guides his students Wayne du Maine's Beer Course With Trumpet Recording with Prince Links: NYU Steinhardt Brass page Manhattan Brass Westchester Philharmonic NY Times article Wayne du Maine's Beer Course With Trumpet Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

281: Lynne Brodie: Innovate New Products Using Your Flow Zone

Leaders Of Transformation | Leadership Development | Conscious Business | Global Transformation

Play Episode Listen Later Sep 26, 2019 28:44

World-renowned Strategic Visionary, Business Intuitive and Professional Alchemist, Lynne Brodie unlocks your full brain access in as little as 60 minutes and without mind altering substances or psychoactive drugs. Lynne combines decades of ancient wisdom with proprietary energy techniques, spiritual awareness, neuroscience, quantum physics, and modern intellect. Her proprietary process activates personal ‘flow’ and puts you ‘in the zone’. Tapping into full brain access allows you to lead from within and increase your triple bottom line by reconnecting with the deepest wisdom of your soul. Lynne holds a BA in psychology, is an ICF credentialed Coach and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. In today’s conversation with us, Lynne shares how she helps clients get into the flow zone, some of the barriers to getting into flow, and how she uses this progressive technology to guide entrepreneurs and corporations to invent new products and services that simultaneously serve their clients, support their employees, and solve world problems. Key Takeaways In your conscious processing you have access to 120 bits of information. You use 60 to speak and 60 to listen when you’re in conversation. In your subconscious, you have access to billions of bits of information. It’s where you multiply your intelligence, your creativity, and innovation. Conscious capitalism is the balanced approach between capitalism and socialism. It is business that is doing good and having social impact while making a profit. Your flow zone is the level beyond skills that you need to work on if you really want to catapult forward. Most people who engage in personal development work do not address clearing the energetic body and that’s where they are still stuck. Mindfulness is your most progressive technology. Resources https://lynnebrodie.com/blog Connect With Lynne Brodie Website: LynneBrodie.com Facebook: https://www.facebook.com/Coach.LynneBrodie Twitter: https://twitter.com/coachlynneB LinkedIn: https://www.linkedin.com/in/lynnebrodie

Keitaro Harada Returns to Georgia As New Savannah Philharmonic Music Director

On Second Thought

Play Episode Listen Later Sep 10, 2019 10:48

The Savannah Philharmonic Orchestra's new season begins this Saturday, Sept. 14, with a new music director: Keitaro "Kei" Harada. Harada grew up in Tokyo, but he's no stranger to Georgia. He studied at Mercer University in Macon, where he was assistant conductor of the Macon Symphony. After that, he picked up the baton for four seasons as associate conductor of the Cincinnati Symphony.

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#27: Winning the Job: Mark Maliniak and Jaclyn Rainey

That's Not Spit, It's Condensation!

Play Episode Listen Later Sep 8, 2019 45:12

Mark Maliniak joined the Atlanta Symphony Orchestra as Fourth/Utility Trumpet in September 2018. Mr. Maliniak has toured both nationally and internationally with The Cleveland Orchestra, The Philadelphia Orchestra, San Francisco Symphony, Indianapolis Symphony, and Buffalo Philharmonic. He has appeared regularly as guest principal trumpet with the Detroit Symphony, Jacksonville Symphony, Malaysian Philharmonic, and Tucson Symphony, where he was also a featured soloist. Mr. Maliniak has also performed with the Kansas City Symphony, New World Symphony, Pittsburgh Symphony, Rochester Philharmonic, and Utah Symphony and has recorded with the Buffalo Philharmonic, Detroit Symphony and Utah Symphony.A native of Cleveland, Ohio, Mr. Maliniak received a Bachelor of Music degree from the Baldwin-Wallace University Conservatory of Music as a student of Jack Sutte and a Master of Music degree from the Cleveland Institute of Music as a student of Michael Sachs. He has had additional studies with Jack Brndiar, Michael Miller, and Lyle Steelman. Mr. Maliniak has attended the Music Academy of the West, Pacific Music Festival, Verbier Festival and Tanglewood Music Center, where he was the recipient of the Roger Voisin Trumpet Award. Mark Maliniak is a Conn-Selmer Performing Artist.Jaclyn Rainey was appointed Associate Principal horn of the Los Angeles Philharmonic in 2018. Prior to her appointment Ms. Rainey served as Third horn with the Atlanta Symphony for four seasons, Acting Principal horn with the Naples Philharmonic as well as Associate Principal horn with the Louisiana Philharmonic. Rainey, a Louisville, KY native, has performed with the Boston Symphony Orchestra, Buffalo Philharmonic, Cincinnati Symphony, Kansas City Symphony, Louisville Orchestra, Milwaukee Symphony, San Antonio Symphony, Sarasota Orchestra and spent two summers as a fellow at the Tanglewood Music Center. Rainey was a winner of the MTNA Senior Brass Solo Competition. During the summer of 2015 Ms. Rainey joined the Boston Symphony Orchestra in Carnegie Hall and on their European Tour. Ms. Rainey has also served on the faculties of Georgia State University and Emory University.She received her undergraduate degree in horn performance from the Eastman School of Music, followed by a masters degree at the New England Conservatory of Music. She has studied with W. Peter Kurau, Richard Sebring and James Sommerville.Support the show (https://thatsnotspit.com/support/)

1536: Lynne Brodie: How to Use Intuition to Solve World Problems

Conscious Millionaire Show

Play Episode Listen Later Sep 3, 2019 27:40

Click here for your Discovery Analysis from Cogent Analytics or call 833-4MyProfit (833) 469-7763 Welcome to the Conscious Millionaire Show for entrepreneurs who want to Make Your First Million, with your Host, JV Crum III… Lynne Brodie: How to Use Intuition to Solve World Problems Lynne Brodie is a world-renowned Strategic Visionary, Business Intuitive, and Professional Alchemist. She unlocks your full brain access in as little as 60 minutes and without mind altering substances or psychoactive drugs. She combines decades of ancient wisdom with proprietary energy techniques, spiritual awareness, neuroscience, quantum physics, and modern intellect. Her proprietary process activates personal ‘flow' and puts you ‘in the zone.' Tapping into full brain access allows you to lead from within and increase your triple bottom line by reconnecting with the deepest wisdom of your soul. She holds a BA in psychology, is an ICF credentialed Coach and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. Like this Podcast? Get every episode delivered to you free! Subscribe in iTunes And, download your free gift today... Get the High Performer Formula to Make Millions – Click Here! Please help spread the word. Subscribing and leaving a review helps other entrepreneurs and business owners find our podcast… and turn their big impact into their First Million. They will thank you for it. Conscious Millionaire Network has over 1,800 episodes and 12 Million Listeners in 190 countries. Our original Conscious Millionaire Podcast was named in Inc Magazine as one of the Top 13 Business Podcasts!

1536: Lynne Brodie: How to Use Intuition to Solve World Problems

Conscious Millionaire J V Crum III ~ Business Coaching Now 6 Days a Week

Play Episode Listen Later Sep 3, 2019 27:40

Click here for your Discovery Analysis from Cogent Analytics or call 833-4MyProfit (833) 469-7763 Welcome to the Conscious Millionaire Show for entrepreneurs who want to Make Your First Million, with your Host, JV Crum III… Lynne Brodie: How to Use Intuition to Solve World Problems Lynne Brodie is a world-renowned Strategic Visionary, Business Intuitive, and Professional Alchemist. She unlocks your full brain access in as little as 60 minutes and without mind altering substances or psychoactive drugs. She combines decades of ancient wisdom with proprietary energy techniques, spiritual awareness, neuroscience, quantum physics, and modern intellect. Her proprietary process activates personal ‘flow’ and puts you ‘in the zone.’ Tapping into full brain access allows you to lead from within and increase your triple bottom line by reconnecting with the deepest wisdom of your soul. She holds a BA in psychology, is an ICF credentialed Coach and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. Like this Podcast? Get every episode delivered to you free! Subscribe in iTunes And, download your free gift today... Get the High Performer Formula to Make Millions – Click Here! Please help spread the word. Subscribing and leaving a review helps other entrepreneurs and business owners find our podcast… and turn their big impact into their First Million. They will thank you for it. Conscious Millionaire Network has over 1,800 episodes and 12 Million Listeners in 190 countries. Our original Conscious Millionaire Podcast was named in Inc Magazine as one of the Top 13 Business Podcasts!

Lynne Brodie, advocate for Conscious Capitalism

Soul of Business with Blaine Bartlett

Play Episode Listen Later Jul 22, 2019 33:31

Discover what multi-million dollar companies know that helps multiply intelligence, dramatically increases productivity, and opens channels of innovation to grow your triple bottom line. World-renowned Business Intuitive, Professional Alchemist and Conscious Capitalist advocate, Lynne Brodie believes that mindfulness is your most progressive technology. Increasing leadership skills and employee engagement is a direct benefit and is at the heart and soul of business. Lynne holds a BA in psychology and has three decades of corporate experience working for Fortune 500 companies. She has worked with thousands of clients worldwide on 6 continents, including industry leaders from companies like Johnson & Johnson, AT&T, SAP America, IBM, Verizon, Re-MAX, IBM, National Public Radio, Boston University, Cincinnati Symphony, EarthLink, NFL Player Benefits, and countless others. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Romeo y Julieta de Gounod bajo la batuta de Ramón Tebar triunfa en la Cincinnati Opera

Lorena Today

Play Episode Listen Later Jun 30, 2019 19:09

La Cincinnati Opera presenta la ópera de Gounod "Romeo y Julieta" con la Cincinnati Symphony Orchestra bajo la batuta del maestro Ramón Tebar. Entrevistamos al Maestro Ramón Tebar en el 2008, 2009, 2014 y en el 2015. En nuestras entrevistas aprendimos sobre los sueños de un joven que con tan solo 15 años era el director asistente de la orquesta juvenil de su ciudad natal de Valencia, España y ser el primer director de orquesta español en ser nombrado Director Musical de una compañía de ópera estadounidense, la Gran Ópera de Florida (FGO). El Maestro Tebar ha sido invitado por Cincinnati Opera y ha dirigido la Cincinnati Symphony en las óperas: Ainadamar, Turando y Madame Butterfly y la ópera de Charles Gounod "Romeo y Juliet".

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015 Don Greene: Winning on Stage with Peak Performance Tools

Play Episode Listen Later Dec 14, 2018 56:05

In this episode, I'm very excited to be talking to someone who's had a tremendous impact on my performance abilities: none other than Dr. Don Greene. If you don't know who Dr. Greene is (or you do but you've never checked out his work), this episode might just change everything about the way you prepare for concerts and auditions! He is THE authority on performance success for musicians! This is a value packed episode from the best of the best, and I'm sure you'll enjoy it! In this episode, we discuss about: The performance preparation process Why it's important to mentally center before a performance Recovery strategies in performance ALL ABOUT DR. DON GREENE: Dr. Greene's website: Winning on Stage The MUST HAVE book by Dr. Don Greene (my personal favorite book EVER about audition and performance preparation!): Performance Success: Performing Your Best Under Pressure Other books by Dr. Greene: Fight Your Fear and Win: Seven Skills for Performing Your Best Under Pressure--At Work, In Sports, On Stage Audition Success His viral TED Ed talk: How to practice effectively...for just about anything - Annie Bosler and Dr. Don Greene Contrabass Conversations #340: Dr. Don Greene on peak performance Sarah's Horn Hangouts : Mastering Performance Skills with Dr. Greene About Dr. Greene. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 25 million views across Facebook and YouTube. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/ Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast. Thank you for your support.)

Charles Parsons: A Retrospective

Inside Opera

Play Episode Listen Later Jul 23, 2018 55:27

Show notes:Giuseppe Verdi’s OtelloAida, Madama Butterfly, The Barber of Seville were featured in the 1952 seasonParsons references Samson et Delilah with Claramae Turner & Kurt BaumParsons tells a legend involving Kurt Baum in a Metropolitan Opera production of Il TrovatoreParsons references Act II of Tosca (“Quanto?”)Fausto Cleva was the conductor of Cincinnati Summer Opera for 29 years at the ZooLucia di Lammermoor was performed in Cincinnati Opera’s 1954 seasonParsons mentions The Medium by Gian Carlo MenottiAlms Hotel is a historic Cincinnati hotel (and now a residential apartment building)Parsons mentions the Vienna State Opera Ballet performing Bartok’s The Miraculous Mandarin with the Cincinnati Symphony during the Opera’s season at the Cincinnati ZooSherrill Milnes, baritoneThe tenor Parsons criticizes is named Eddy RuhlSea Thorn by Henry Humphreys is based on the story of PhaedraParson quotes a section from George Santayana’s A Sense of BeautyNell Rankin, mezzo-sopranoAnthony Stivenelo provided costumes for many Opera productions in the Zoo daysThe Magic Flute at the Zoo featured sets from Indiana UniversityL'amore dei tre re ("The Love of the Three Kings") is an opera by Italo MontemezziParsons’ recommended operas:Best opera to start: CarmenBest opera for its simplicity: Madama ButterflyBest opera to portray everyday life: La BohèmeParsons is currently rereading the complete works of T.S. EliotParsons enjoys watching the National Geographic, SyFy and Food Network channelsParsons enjoys Thanksgiving at The Golden Lamb in Lebanon, OHCleo Laine’s recording of “Send in the Clowns”Parsons enjoyed learning Gregorian chant at CCM (University of Cincinnati, College-Conservatory of Music)

009: Nate Farrington, on stage and on-screen in Hollywood

Play Episode Listen Later Apr 25, 2018 50:11

Summary What would you do if you showed up to an audition and heard, “OK, when I give you the signal, play something intense. Then on the next signal, more intensity!” Well, that's exactly what happened to double bassist Nate Farrington. Except he was auditioning for a national Honda TV spot, and the mysterious voice belonged to the director! Nate is one of those friends who's always up for a project: he's the guy I'd call if I needed to paint a fence, set up a gas grill, or transport a big piece of furniture. Come to think of it, isn't that last one a big part of the double bassist's life? But Nate is also the guy I'd call if I needed to whip up a duo program in two hours' time. Or if I needed a pair of expert ears to hear an audition list. He's always ready to go, and he has a broad array of musical and extra-musical skills that makes him the perfect fit out here in Hollywood. So even though he spends much of his time playing in symphonies (he's the new principal bass of the LA Opera Orchestra), his interests range far and wide, and he's equally at home creating music as he is re-creating it. He's a frequent collaborator with Rocket Jump Studios, and as you'll discover, he's already spent some time on camera out here as well. Nate and I talk about how to win those juicy commercial roles, as well as the (also juicy?) orchestra auditions. Here's a hint: they both involve lots of preparation and then a letting-go of control! We also get into the differences between some of the big symphony orchestras. Nate has played with just about all of them over the years. He's a real inspiration for finding your own musical voice, or deciding where you fit in the ever-expanding musical universe. Transcript Nathan: [00:00:01] Hi, and welcome back to Stand Partners for Life. Along with my wife Akiko Tarumoto, I am Nathan Cole and we are stand partners for life. But today I'm here instead with Nate Farrington, a good friend ever since I moved to L.A. five years ago. So Nate, thanks for being with us today. Nate: [00:00:39] It's my pleasure. Nathan: [00:00:39] Thanks for being with me today. It's not the “royal we” here. Nate is a bass player extraordinaire, and although we went to the same school the Curtis Institute we weren't there at the same time. We met only five years ago when I moved out here to L.A. Nate: [00:00:54] But I felt I'd known you since I was in school… you were, you know, the Nate before me at Curtis that everyone talked about. So it was interesting to connect, you know, to put a face with the name–that's my name. Nathan: [00:01:06] Back then everybody it seemed like all the adults called me Nate and everybody my age called me Nathan. So I sort of hedge my bets I go by Nathan but my website is natesviolin.com. So there's the confusion but you're always Nate. Nate: [00:01:19] I am. Nathan: [00:01:20] Now, you play bass and you play so much of the time in symphony orchestras as I do and a lot of the time with the Los Angeles Philharmonic. But you're a traveling musician. You live in L.A. but you're really all over the place. Tell me a little about how that works. Nate: [00:01:37] In the past five years I've played with Seattle, San Francisco, Los Angeles, Columbus, Philadelphia, New York Chicago, Cleveland. I've done concerts in the past with Boston and National and Baltimore and so it's been a pretty interesting ride to me. The Cincinnati Symphony as well and I was slated to play with the San Diego Symphony but but wasn't able to make it that week. It's an incredible variety of music making that happens all over the country. And you know the basic skill set is always the same. The same thing I've been doing since we were little children. But it's interesting to go from spot to spot and see what drives each group differently and how they make their sound the way they do it. It all becomes evident pretty quickly once you start playing with a new group. Nathan: [00:02:24] Now me,

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009: Nate Farrington, on stage and on-screen in Hollywood

Musique – Frédéric Hutman

Play Episode Listen Later Apr 25, 2018 50:11

Summary What would you do if you showed up to an audition and heard, “OK, when I give you the signal, play something intense. Then on the next signal, more intensity!” Well, that’s exactly what happened to double bassist Nate Farrington. Except he was auditioning for a national Honda TV spot, and the mysterious voice belonged to the director! Nate is one of those friends who’s always up for a project: he’s the guy I’d call if I needed to paint a fence, set up a gas grill, or transport a big piece of furniture. Come to think of it, isn’t that last one a big part of the double bassist’s life? But Nate is also the guy I’d call if I needed to whip up a duo program in two hours’ time. Or if I needed a pair of expert ears to hear an audition list. He’s always ready to go, and he has a broad array of musical and extra-musical skills that makes him the perfect fit out here in Hollywood. So even though he spends much of his time playing in symphonies (he’s the new principal bass of the LA Opera Orchestra), his interests range far and wide, and he’s equally at home creating music as he is re-creating it. He’s a frequent collaborator with Rocket Jump Studios, and as you’ll discover, he’s already spent some time on camera out here as well. Nate and I talk about how to win those juicy commercial roles, as well as the (also juicy?) orchestra auditions. Here’s a hint: they both involve lots of preparation and then a letting-go of control! We also get into the differences between some of the big symphony orchestras. Nate has played with just about all of them over the years. He’s a real inspiration for finding your own musical voice, or deciding where you fit in the ever-expanding musical universe. Transcript Nathan: [00:00:01] Hi, and welcome back to Stand Partners for Life. Along with my wife Akiko Tarumoto, I am Nathan Cole and we are stand partners for life. But today I’m here instead with Nate Farrington, a good friend ever since I moved to L.A. five years ago. So Nate, thanks for being with us today. Nate: [00:00:39] It’s my pleasure. Nathan: [00:00:39] Thanks for being with me today. It’s not the “royal we” here. Nate is a bass player extraordinaire, and although we went to the same school the Curtis Institute we weren’t there at the same time. We met only five years ago when I moved out here to L.A. Nate: [00:00:54] But I felt I’d known you since I was in school… you were, you know, the Nate before me at Curtis that everyone talked about. So it was interesting to connect, you know, to put a face with the name–that’s my name. Nathan: [00:01:06] Back then everybody it seemed like all the adults called me Nate and everybody my age called me Nathan. So I sort of hedge my bets I go by Nathan but my website is natesviolin.com. So there’s the confusion but you’re always Nate. Nate: [00:01:19] I am. Nathan: [00:01:20] Now, you play bass and you play so much of the time in symphony orchestras as I do and a lot of the time with the Los Angeles Philharmonic. But you’re a traveling musician. You live in L.A. but you’re really all over the place. Tell me a little about how that works. Nate: [00:01:37] In the past five years I’ve played with Seattle, San Francisco, Los Angeles, Columbus, Philadelphia, New York Chicago, Cleveland. I’ve done concerts in the past with Boston and National and Baltimore and so it’s been a pretty interesting ride to me. The Cincinnati Symphony as well and I was slated to play with the San Diego Symphony but but wasn’t able to make it that week. It’s an incredible variety of music making that happens all over the country. And you know the basic skill set is always the same. The same thing I’ve been doing since we were little children. But it’s interesting to go from spot to spot and see what drives each group differently and how they make their sound the way they do it. It all becomes evident pretty quickly once you start playing with a new group. Nathan: [00:02:24] Now me,

hollywood los angeles san francisco philadelphia seattle national stage cleveland baltimore columbus screen farrington los angeles philharmonic sonate curtis institute san diego symphony cincinnati symphony nathan cole stand partners

Ensemble de chambre du Cincinnati Symphony Orchestra au Mahj

Play Episode Listen Later Sep 4, 2017

ensemble chambre cincinnati symphony mahj

Episode 52: "Keep the phrase going" - a conversation with Charles Daval

Trumpet Teacher Talk

Play Episode Listen Later May 19, 2017 59:21

Episode 52: "Keep the phrase going" - a conversation with Charles Daval Trumpet player Charles Daval has held positions in some of North America’s most prestigious orchestras including the Boston Symphony, the Cincinnati Symphony and the Seattle Symphony. His principal appointments have included the Boston Pops and the Solo Trumpet position of the Montreal Symphony Orchestra. In 1993, Mr. Daval was appointed Professor of Trumpet at the University of Michigan. Mr. Daval moved to Pittsburgh in 1998 to enable his wife to accept the Principal Second Violin position in the Pittsburgh Symphony Orchestra. Since the move he has been appointed Principal Trumpet of the Pittsburgh Opera and Pittsburgh Ballet Theater Orchestras and continues to maintain an active teaching and performing schedule. In the spring of 2008, Mr. Daval fulfilled a lifelong dream when he received the degree of Juris Doctor (Cum Laude) from the Duquesne University Law School, where he enrolled in the fall semester 2004. As a law student, Mr. Daval worked to secure benefits for Veterans and their families through his participation in the Duquesne University Veteran’s Benefits Clinic in 2006-07, and he participated in the Civil Rights Litigation Clinic at Duquesne University’s Center for the Bill of Rights. After passing the bar examination in the summer of 2008, Mr. Daval was admitted by the State Supreme Court to the bar of the Commonwealth of Pennsylvania. In the winter of 2009 he passed bar exams in Colorado and Wyoming, and is admitted to the bars of both states. Highlights from his performing career include appearances on PBS broadcasts of “Evening at Pops” with conductor – composer John Williams and the Boston Pops from 1984 to 1988. In 1986, he was featured on Maryland Public Television’s “Live from Wolftrap” as cornet soloist with Keith Brion’s “New Sousa Band.” Additional appearances as soloist include concerts with the Boston Pops, the Cincinnati Pops, the Toronto Symphony, the Rochester Philharmonic, the Detroit Symphony, the Indianapolis Symphony, the Naples Philharmonic, the Seattle Symphony, and the Carmel Bach Festival. After receiving a Bachelor of Arts degree from San Jose State University, Mr. Daval went on to study with Vincent Cichowicz at Northwestern University where he earned his Masters Degree and was elected to the Pi Kappa Lambda music honor society. While in Chicago, he also performed with the Chicago Civic Orchestra and studied with Principal Trumpet of the Chicago Symphony, Adolph Herseth. The trumpet playing of Charles Daval has been met with much critical acclaim. The San Francisco Chronicle called him “downright sensational”, and the Seattle Post-Intelligencer praised his “musical finesse and technical polish”. His performances on the piccolo trumpet at the Carmel Bach Festival hailed this response from the Monterey Peninsula Herald; “Daval’s sound is all that can be asked of the Baroque trumpeter: He is polished, accurate, and articulate.” And the San Francisco Examiner says; “He made every note a personal treasure.” Email: cdaval@illinois.edu

340: Dr. Don Greene on peak performance

Play Episode Listen Later May 4, 2017 54:12

Dr. Don Greene is a sports psychologist and performance coach who has who has taught at The Juilliard School, New World Symphony, and The Colburn School. In 2016, Dr. Greene's students won positions with the San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Virginia Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem. At the 2016 Olympic Games in Rio, his clients won 14 medals including 5 gold. We cover topics like: Don’s journey from the world of sports psychology into working with performing artists the latest research in muscle memory and myelination negative reinforcement and how it’s baked into much of classical music training mental rehearsal and visualization the five pillars of centering My longtime collaborator John Grillo and I chat with Don in this wide-ranging and fascinating conversation. Links to check out: Peak Performance Training School Don’s TED-Ed video (over 1.3 million views) Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings! Thank you also to the Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! This episode is also brought to you by Rosin Saver, a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. Rosin Saver is used by members of the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, and many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com. Subscribe to the podcast to get these interviews delivered to you automatically!

255: Frank Proto on jazz influences, bebop violin, and deadlines

history new york times weddings ring court proposal engaged symphony palm salazar tonic orchids quaker decemberists cincinnati symphony

Play Episode Listen Later Oct 3, 2016 63:15

Jazz is Frank Proto's native language. Growing up in Brooklyn, Frank spent his days studying with Fred Zimmermann and his nights hanging out at Birdland. I love hearing Frank describe what it was like studying with Fred. In fact, Frank's lesson slot was right after Charles Mingus. Talk about being a part of jazz history! Frank's journey from the jazz clubs of New York City to the Cincinnati Symphony is remarkable...and that's putting it mildly! Here are just a few of his many career highlights: Bassist and composer-in-residence for the Cincinnati Symphony Orchestra Over 20 large-scale works premiered by CSO Countless shorter works and arrangements premiered by CSO Over 400 performances of Carmen Fantasy for Trumpet and Orchestra Over 500 performances of Casey at the Bat Composed music for Dave Brubeck, Eddie Daniels, Duke Ellington, Cleo Laine, Benjamin Luxon, Sherill Milnes, Gerry Mulligan, Roberta Peters, François Rabbath, Ruggerio Ricci, Doc Severinsen, Richard Stoltzman and Lucero Tena I could go on and on. Frank has impacted the world of the double bass immensely. But he has gone way beyond that. Best of all, he hasn't slowed down. In fact, he is continuing to explore new ideas and unexpected collaborations. I can't wait to see what he does next. Links to check out: Frank Proto on Wikipedia Liben Music (Frank’s publishing company) Brandeis Jazz Festival - Fred Zimmermann, Charles Mingus, Gunther Schuller, George Russell Brandeis Jazz Festival (YouTube) All About Rosie (YouTube) Harry Lookofsky: Stringsville ‘Round Midnight - Harry Lakoofsky performance (YouTube) Music featured in this episode (all written by Frank) Sonata No. 2 - with Catalin Rotaru Sonata No. 3 - with Szymon Marciniak Sketches of Gershwin - with Eddie Daniels String Quartet No. 1 Duo for Viola and Double Bass My Name is Citizen Soldier Variations on Dixie Ghost in Machine Thanks to our sponsor! This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings!

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Aaron Copland 4: What's in a Name

Classics For Kids

Play Episode Listen Later Jul 23, 2016 6:00

In 1942, Eugene Goossens, music director of the Cincinnati Symphony, invited two dozen or so composers to write fanfares honoring those serving in World War II. Hear some more of those fanfares, and take a guess why Aaron Copland's Fanfare for the Common Man is the only one that's still regularly performed.

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Episode #163: The Charlie Tonic Hour - The Biggest Announcement In Tonic History

The Charlie Tonic Hour

Play Episode Listen Later Feb 5, 2015 85:32

It's time for the biggest announcement in Charlie Tonic history on this week's episode. Ginny and Charlie finally share their news with the world and along the way they stop by Salazar OTR, the Cincinnati Symphony, and a very special spot in the woods. They also discuss the "To Fall in Love With Anyone Do This" article in the New York Times, as well as trying some Jack Daniels Single Barrel and checking out the latest from the Decemberists. And it all starts as soon as you listen.

147: Barry Green Interview

Play Episode Listen Later Dec 23, 2009 71:16

We’re featuring double bassist Barry Green on Contrabass Conversations this week. In addition to being an influential bassist and teacher (he served as Principal Bass for the Cincinnati Symphony for 28 years, has written many method books, and currently teaches in the San Francisco Bay Area), Barry is the well-known author of The Inner Game of Music, The Mastery of Music, and Bringing Music to Life.

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66: Owen Lee Interview part 2

Play Episode Listen Later Feb 22, 2008 45:42

We’re continuing our chat with Cincinnati Symphony principal bassist Owen Lee today on Contrabass Conversations. Check out the first segment of this conversation on episode 55 of the program. Owen played for the New World Symphony and the Houston Symphony prior to his appointment with the Cincinnati Symphony, and it was a real pleasure to do this interview along with Contrabass Conversations regular collaborator John Grillo. John, Owen, and I chat about Owen’s experiences recording his solo CD, key selection for the Bach Suites and his use of solo tuning for the recording, his performances of the less popular but extremely engaging Bottesini Concerto No. 1, performing the Tubin Concerto with orchestra, the Harbison Bass Concerto project (which Owen performed with the Cincinnati Symphony), and his practicing habits and exercises. We also feature the first movement from the Cello Suite No. 5 by Johann Sebastian Bach from Owen’s Boston Records CD, plus listener feedback, bass news, and a link of the week. Find Owen Lee on Twitter here. Enjoy! About Owen: Described as “a true virtuoso” by legendary pianist Gary Graffman and praised by The New York Times for his “deft and virtuosic solo performance” at his New York debut at Alice Tully Hall, double bassist Owen Lee has earned acclaim as a soloist, chamber musician and since 1996, at the age of 26, as Principal Bass of the Cincinnati Symphony Orchestra. Mr. Lee is heard regularly as a soloist with orchestras including the Cincinnati Symphony Orchestra under the direction of Paavo Järvi and Jesús López-Cobos, the Scottish Chamber Orchestra under John Harbison, and the New World Symphony under Michael Tilson-Thomas in Miami and on tour to New York’s Lincoln Center. During the 2006-07 season, Mr. Lee and the Cincinnati Symphony Orchestra, along with a consortium of other soloists and orchestras, will present the world premiere of John Harbison’s Concerto for Bass Viol and Orchestra. Mr. Lee’s prizes in competitions include First Prize at the 1995 International Society of Bassists Competition and Fourth Prize at the 1992 Irving M. Klein International String Competition in San Francisco. He has been presented in recitals throughout the United States, and in Geneva. For the Boston Records label, he has recorded the Misek Sonata No. 2 and Bach Unaccompanied Suites No. 3 and No. 5. American Record Guide praised this disc for its “tasteful phrasing, polish and verve” while The Strad wrote “Owen Lee is a fine player with strong musical ideas. A dark and austere sound is produced for Suite No. 5 and the architecture of each suite is carefully considered and shaped. I look forward to his next recording.” Mr. Lee’s extensive international chamber music experience includes three summers as the bassist of the Marlboro Festival. While there, he performed extensively with such artists as Richard Stoltzman, Midori, Nobuko Imai, Bruno Canino, Pierre-Laurent Aimard, and members of the Beaux Arts Trio, Guarneri Quartet and Juilliard Quartet. He also collaborated with composers Gyorgy Kurtag, Leon Kirchner and Richard Danielpour preparing performances of those composers’ works. Mr. Lee has also performed with the Tokyo String Quartet on tour to Mexico, John Browning, Anne-Marie McDermott, Jaime Laredo, Ida Kavafian, Steven Tenenbom, Peter Wiley, Eugenia Zukerman, the Bravo! Vail Valley Music Festival, San Diego’s Mainly Mozart Festival, Ojai California Festival, Chamber Music L.A. Festival, Tanglewood Festival, Texas Music Festival, and on tour throughout China. With the Rossetti String Quartet he performed the world premiere of Melinda Wagner’s Concertino at the 2005 Bravo! Vail Festival. Mr. Lee was born in Berkeley, California in 1969 to Chinese parents. He began playing bass at age 15 after previous study of the piano. A graduate of the University of Southern California, Mr. Lee’s principal teachers were Dennis Trembly, Edwin Barker and Paul Ellison. Prior to his appointment in Cincinnati, Mr. Lee was a member of the Houston Symphony under Christoph Eschenbach. In addition to his position with the Cincinnati Symphony Orchestra, Mr. Lee serves as Principal Bass of the Shanghai Festival Orchestra. Owen is married to CiCi Lee. He enjoys bicycling, snowboarding, cigars, auto repair and playing drums and writing songs with his rock band Toe (Eric Bates, CSO 2nd Assistant Concertmaster is Toe’s guitarist and lead singer, and Ted Nelson, CSO cellist is Toe’s bassist).

united states new york university california china mexico san francisco new york times miami chinese festival san diego southern california cd cincinnati berkeley bravo orchestras international society cso lincoln center concerto toe johann sebastian bach midori cobos first prize new world symphony michael tilson thomas suite no houston symphony strad paavo j concertino cello suite no alice tully hall christoph eschenbach cincinnati symphony cincinnati symphony orchestra pierre laurent aimard ted nelson john browning scottish chamber orchestra richard danielpour john harbison beaux arts trio contrabass conversations principal bass richard stoltzman ida kavafian texas music festival jaime laredo tokyo string quartet nobuko imai bruno canino john grillo melinda wagner leon kirchner

55: Owen Lee Interview