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13 episodes with cincinnati symphony
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6 episodes with cincinnati symphony
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4 episodes with cincinnati symphony
2 episodes with cincinnati symphony
2 episodes with cincinnati symphony
2 episodes with cincinnati symphony
2 episodes with cincinnati symphony
Pauline Frechette is a contemporary composer. Her melodies and harmonies take you to unexpected places, emotionally driven yet only 3 or 4 minutes long. Her compositions are gems that spark the 21st century need for private inspiration, sensual beauty or glowing romanticisim. A Frechette miniature fills the need for warm flow, deeper meaning or emotional lift to a higher plane. Pauline composes mostly from the piano. Her neo-classical music has been compared to Schuman, Ravel and Eric Satie. Critics say of Pauline's music: “…absolutely captivating beyond words.” ~ Jeremy Gladstone, Sleeping Bag Studios“…hip and vulnerable, cool and polished all at once.” ~ Jacob Aiden, Jamsphere Radio“… I have never in my life as a professional music critic heard anyone touch my heart the way that she does when I hear her songs.” ~ Jack Saint, Music ReviewsPauline's great-grandfather, Josef Vezina, founded the Quebec Symphony and her father was the organist for the Chicago Black Hawks. From an early age, Pauline played violin in youth orchestras, won piano competitions and was a scholarship student at the American Conservatory of Music. Her musicals have been produced by the Goodspeed Opera House and the La Mirada Performing Arts Center. Her compositions have been performed by the Baltimore Symphony, Hollywood Bowl Orchestra, New West Symphony, Cincinnati Symphony, National Symphony at the Kennedy Center and at Walt Disney Concert Hall.Pauline's last four albums debuted in the Top Ten on Billboard's Classical, Classical Cross-over and Jazz charts. Her music is currently played internationally and has over 30 million streams. Her new album, At the Edge of Everything, features legendary bassist, Stanley Clarke.https://paulinefrechette.cominstagram: paulinefrechettemusicFacebook: Pauline Frechette (aka Raven Kane)Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website. https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there!
Scott talks with Councilmember Anna Albi about her vote to give $8 million to the Cincinnati Symphony. Also attorney Steve Goodin breaks down the Afroman verdict. Finally Ohio Senator Steve Huffman defends the Assembly's decision to end THC drinks.See omnystudio.com/listener for privacy information.
Scott talks with Councilmember Anna Albi about her vote to give $8 million to the Cincinnati Symphony. Also attorney Steve Goodin breaks down the Afroman verdict. Finally Ohio Senator Steve Huffman defends the Assembly's decision to end THC drinks.
Scott talks to councilmember Anna Albi about why she voted to give the Cincinnati Symphony $8 million, when the city is running a deficit and repairs are taking a back seat.See omnystudio.com/listener for privacy information.
Scott talks to councilmember Anna Albi about why she voted to give the Cincinnati Symphony $8 million, when the city is running a deficit and repairs are taking a back seat.
Scott talks to councilmember Anna Albi about why she voted to give the Cincinnati Symphony $8 million, when the city is running a deficit and repairs are taking a back seat.See omnystudio.com/listener for privacy information.
Scott talks with Councilmember Anna Albi about her vote to give $8 million to the Cincinnati Symphony. Also attorney Steve Goodin breaks down the Afroman verdict. Finally Ohio Senator Steve Huffman defends the Assembly's decision to end THC drinks.See omnystudio.com/listener for privacy information.
Scott talks with Councilmember Anna Albi about her vote to give $8 million to the Cincinnati Symphony. Also attorney Steve Goodin breaks down the Afroman verdict. Finally Ohio Senator Steve Huffman defends the Assembly's decision to end THC drinks.
Scott talks to councilmember Anna Albi about why she voted to give the Cincinnati Symphony $8 million, when the city is running a deficit and repairs are taking a back seat.
Samuel Adams (b. 1985) is an American composer. Gramophone Magazine praised Adams as “among the most interesting composers of the millennial generation in his negotiation of the tensions that shape and define his musical narratives: between directness and implication, silence and resonance, emotion and its aftermath.” His work resists the traditional tensions of classical music, blending acoustic and digital sounds in inventive, texturally rich compositions. He has been commissioned by a number of major ensembles, including the San Francisco Symphony, Los Angeles Philharmonic, New World Symphony, Australian Chamber Orchestra, Chicago Symphony, Cincinnati Symphony, Dallas Symphony, Los Angeles Chamber Orchestra, and The Living Earth Show. On the podcast, Adams talks about growing up in the Bay Area, working with the San Francisco Symphony, and the influence of composer Ingram Marshall on his life and work.Music: Études by Samuel Adams, performed by Conor Hanick; Violin Diptych by Samuel Adams, performed by Karen Gomyo and Conor Hanick (Other Minds Records); Shade Studies by Samuel Adams, performed by Sarah Cahill (Irritable Hedgehog)Follow Samuel Adams on Instagram.samuelcarladams.comFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).
This week Dalanie and Katie discuss parts 3-6 of Jazz by Toni Morrison. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Former long-standing Cincinnati Symphony cellist has died https://www.thestrad.com/news/former-long-standing-cincinnati-symphony-cellist-has-died/20045.article London's Royal Opera House Allegedly Bans Performer and Activist https://theviolinchannel.com/londons-royal-opera-house-bans-performer-and-activist/ "Melania: The Opera" Set to Premiere in London in September 2025 https://theviolinchannel.com/melania-the-opera-set-to-premiere-in-london-in-september-2025/ Black Excellence: Norman E. Johns Piece of the Week: Elegy No. 1 in D - Giovanni Bottesini https://www.youtube.com/watch?v=sJLN43M-RGE
This episode of The Other Side of the Bell, featuring trumpet legend and women's trumpet trailblazer Marie Speziale, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Marie Speziale trumpet interview" *Note to listeners and viewers: we're rebalancing our podcast release schedule, to alternate The Other Side of the Bell with our other two podcasts: Trombone Corner and The Horn Signal. Hence the back-to-back episode of TOSOTB this week! If you haven't already, check out our other two shows for more fantastic interviews with horn-playing legends! Trombone Corner The Horn Signal About Marie Speziale: Acknowledged as the first woman trumpeter in a major symphony orchestra, Marie Speziale retired from the Cincinnati Symphony Orchestra in 1996 after having served as Associate Principal Trumpet for thirty-two years (1964-1996). A graduate of the College-Conservatory of Music in Cincinnati (CCM), Ms. Speziale studied with Robert Price, Eugene Blee and Arnold Jacobs. Her tenure with the Cincinnati Symphony Orchestra (CSO) included playing with the Cincinnati Opera, Cincinnati May Festival, Cincinnati Ballet and Cincinnati Pops Orchestras. She performed under the batons of Igor Stravinsky, George Szell, Leonard Bernstein, Aaron Copland, Eugene Ormandy, Eric Leinsdorf, Max Rudolf and so many more. In addition to solo appearances with the Cincinnati Symphony, Cincinnati Pops and Cincinnati Chamber Orchestras, she was featured on NBC's Today Show at age 15, in an impromptu jam session with Duke Ellington shortly after joining the orchestra, and with Dave Brubeck on the Johnny Carson Tonight Show, the CSO European tour, and at the Interlochen Arts Academy. While a student at CCM, she recorded sound tracks for James Brown, whose career was launched by the historic King Records in Cincinnati. Marie served on the CCM faculty, 1964 -1973, on the faculty at Miami University of Ohio, 1973 - 1979, and returned to CCM as Adjunct Associate Professor, 1979 - 2002. She was appointed Professor of Music at Indiana University 1999, serving there until a year after her 2001 appointment as Professor of Trumpet and Brass Department Chair at the prestigious Shepherd School of Music at Rice University. In 1999, Marie was one of six Americans (and the only American woman) to be invited by the Tokyo International Music Festival to perform in its first Super World Orchestra. In addition to the National Trumpet Competitions, she has served as adjudicator for the ITG, IWBC and the prestigious Fischoff National Chamber Music competitions. In 1996, Ms. Speziale performed with the Monarch Brass on its inaugural tour. She conducted the Monarch Brass at the 1997 and 2014 conferences, and played, toured and recorded with Monarch Brass Quintet and Monarch Brass Ensemble until retiring from playing. President of IWBC, 1997 - 2001, Marie hosted the 2000 conference at CCM and served on the Board of Directors. Ms. Speziale has won many awards and honors, including Leading Women in the Arts Award from the Greater Cincinnati Coalition of Women's Organizations, the Outstanding Woman of the Year in Music Award from the Tampa Tribune, the SAI Chapter, Province and National Leadership Awards, the Pioneer Award from the International Women's Brass Conference, the Golden Rose Award from the Women Band Directors International, the Woman of Excellence Award from the Italian Club of Tampa, the Distinguished Alumna Award from CCM and the Outstanding Alumni Award from the University of Cincinnati. In 2018, Marie was inducted into the Cincinnati Jazz Hall of Fame as part of their recognition of the Symphony Jazz Quintet, of which she was a founding member. She was presented with the prestigious Honorary Award from the International Trumpet Guild at their 2018 conference. In 2019, Ms. Speziale was one of 100 women recognized by Cincinnati Arts Wave in their Celebration of Women in the Arts: Power of Her. Marie Speziale retired as Professor Emerita from Rice University in 2013. She currently serves on the Board of Trustees of the American Classical Music Hall of Fame and the Emeritus Board of the IWBC. Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info. Episode Links: International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com Sign up sheet for valve alignments: bobreeves.com/williamadam Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of Marie Speziale Audio Engineer - Ted Cragg
Louis Langree is a celebrated French Conductor. He's been the Musical DIrector of the Orchestre de Picardie, the Opera National de Lyon, the Orchestre Philharmonique de Liege, the Camerata Salzburg and the Theatre National de L'Opera-Comique. In the U.S. he's been the Conductor of the Mostly Mozart Festival and the Cincinnati Symphony. And he was made a Knight of the French Order of Arts and Letters.My featured song is “This Time” from the album Bobby M and the Paisley Parade. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
James Robinson, new General and Artistic Director of Seattle Opera, introduces the 2025/26 season. The Pirates of Penzance promises a musically extraordinary operatic approach to Gilbert & Sullivan; come prepared to laugh and to enjoy some familiar music as you've never heard it before. Daphne In Concert offers a rare opportunity to hear a lush Romantic masterpiece by Richard Strauss, an orchestral tour de force with splendid voices. Fellow Travelers, by Gregory Spears & Greg Pierce, is one of the most successful new American operas of the past decade: a bittersweet gay romance hidden inside a political thriller. And Carmen returns in a powerful production conducted by Seattle's beloved Ludovic Morlot and starring some of our favorite singers. Musical examples include excerpts from a 1959 Glyndebourne Pirates of Penzance, conducted by Malcolm Sargent and starring George Baker, Elsie Morison, and James Milligan; the 1964 Vienna Festival Daphne conducted by Karl Böhm and starring Hilde Gueden, Fritz Wunderlich, and James King; the recording of Fellow Travelers' world premiere, 2016 at Cincinnati Opera and starring Aaron Blake, Joseph Lattanzi, and Devon Guthrie, with the Cincinnati Symphony conducted by Mark Gibson; and Seattle Opera recordings of Carmen from 2019, Les Troyens from 2025, starring J'Nai Bridges and conducted by Ludovic Morlot, and Hansel und Gretel from 2016 starring Sasha Cooke and conducted by Sebastian Lang-Lessing.
Trombone-playing singer-songwriter Aubrey Logan hails from the picturesque surroundings near Seattle, WA. Raised by her two music-educator parents, she began her artistic endeavors as a child singing in theatre and in church, Thoughtful songwriters like Billy Joel & Carole King influenced her early childhood via her singing mother and trumpet-playing father, as well as the soulful musicianship of American horn bands such as Chicago, Earth, Wind, & Fire, Steeley Dan, and more. Things took an intriguing turn when she picked up the trombone at the age of 12, igniting her passion for the jazz tradition. Aubrey possesses a distinct yet truly unique voice, able to take a song from practically any era or genre and really make it her own, through surprising vocal melisma, scatt jazz interludes, and a blissful warm tone that expands over her entire catalog of originals to innovatively-arranged hits. Her accolades are as impressive as they are extensive, from clinching victory in the prestigious Shure Montreux Voice competition in 2009 to securing a full scholarship to Berklee College of Music, where she stands as an alumna. Notably recognized as a top trombone player by Downbeat magazine, Aubrey has graced stages globally, touring alongside renowned artists like Dave Koz & Postmodern Jukebox. For as much success as Aubrey has had in her career, she doesn't take herself too seriously. You'll catch her often making highly entertaining and humorous jabs at her own craft on stage or posts on her social platforms parodying overly serious jazz musicians, overplayed Christmas music, or social media trends. Aubrey attained the #1 Billboard spot for contemporary jazz with the Dave Koz & the Summer Horns album, "From A to Z," alongside the success of her own album "Where the Sunshine is Expensive." Aubrey's musical footprint can be traced from Seattle to Boston to LA, and now Austin, TX, where she continues to captivate audiences with her extraordinary vocals and unmatched Jazz finesse. A seasoned performer, Aubrey Logan has toured extensively with her band across Europe and the US, performing her music to students and fans alike through engaging clinics and performances at various institutions. Her musical prowess has also led her to collaborate with symphonies and orchestras nationwide, with both her original compositions and covers being brought to life by esteemed orchestras like the Seattle Symphony, Boston Pops, and Cincinnati Symphony. In a recent heartwarming ode to motherhood, Aubrey is gearing up to release a single in honor of Mother's Day, reflecting her newest role as a mom. Looking ahead, she is also currently immersed in creating her debut big band album set to be unveiled in late 2024, promising yet another dimension of her artistry to be enjoyed by music enthusiasts worldwide. Exuding lively youthfulness mingled with veteran musical maturity, Aubrey has a voice that seamlessly weaves through her songs with raw and natural elegance.
This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra. His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.
Today's episode features an interview with trombonist/publisher David Vining, recorded at the 2024 ITG Conference in Anaheim, California.David was diagnosed with focal dystonia in 2003. In our interview, he discusses his struggles, eventual recovery through holistic movement therapies such as Feldenkrais, Alexander Technique, and body mapping and exposing the vastly understudied diagnoses and treatment of focal dystonia.Perhaps the biggest misconception about focal dystonia is that it is a physical problem. While the symptoms manifest in the physical realm, it is a distinctly neurological issue which disrupts musicians' fine motor skills.David's diagnosis and eventual recovery inspired him to establish Mountain Peak Music, which offers resources and materials aimed at promoting healthy playing and living habits, as well as taking a preventative approach to issues like dystonia.Episode Highlights:01:25 David Vining's Musical Journey04:37 The Onset of Focal Dystonia05:43 Diagnosis and Initial Struggles09:24 Exploring Treatment Options18:34 Movement Therapies and Recovery25:29 Redefining Embouchure and Global Awareness26:46 Rafael Mendez a Model of Overcoming Adversity27:54 Recovering from Focal Dystonia29:33 Founding Mountain Peak Music30:19 The Breathing Book and Body Mapping32:32 Innovative Learning Materials36:49 Success Stories and Cross Training45:02 Challenges with High Brass Players46:42 Final Thoughts and AdviceResources mentioned:Mountain Peak MusicAbout the Guest:Trombonist David Vining is the founder of Mountain Peak Music, a publishing company devoted to offering innovative, healthy teaching methods for all musicians. Mountain Peak Music represents Mr. Vining's personal mission, combining his extensive performing and teaching background with insights learned through his remarkable recovery from embouchure dystonia. His Mountain Peak Music publications include the Breathing Book series, Flow Studies, Daily Routines, Long Tone Duets, Trombone Intonation Mastery, Dueling Fundamentals for Trombones, Cross Training for Musicians, The Big Book of Sight Reading Duets, Teaching Brass, and Rangesongs.Currently Professor of Trombone at Northern Arizona University in Flagstaff, Arizona, Mr. Vining has also served on the faculties of the University of Cincinnati's College-Conservatory of Music and the University of Kansas. Professor Vining's teaching transcends his trombone specialty, covering a wide range of topics appealing to musicians of every discipline. He is equally at home teaching trombone technique, helping instrumentalists and vocalists become more efficient, and helping musicians cope with injuries, among other topics.Mr. Vining is a dynamic performer who has delivered hundreds of recitals nationwide. As trombonist with the Chestnut Brass Company, he recorded several CD's and toured the United States and Europe performing recitals, masterclasses, and concerts with orchestras. Currently a member of the Flagstaff Symphony, he has performed with the Cincinnati Symphony, Kansas City Symphony and the Philadelphia Orchestra. Mr. Vining has appeared on college campuses coast-to-coast in recital and as a guest soloist with ensembles, and recorded a solo CD, Arrows of Time.Body + Mind + Spirit = Mastery. Now available is a collection of excerpts from some of the most popular...
Scott brings on Victoria Vogelsang from SaveConeyIslanders to discuss the Cincinnati Symphony trying to get public funds after the controversial decision to tear down the Sunlite Pool.
Scott brings on Victoria Vogelsang from SaveConeyIslanders to discuss the Cincinnati Symphony trying to get public funds after the controversial decision to tear down the Sunlite Pool.
It is a privilege to welcome Emmy, Grammy, and Tony-nominated recording artist and actress N'Kenge to The Jake's Take with Jacob Elyachar Podcast. The New York Times praised her as “a classically trained diva that can stretch from Broadway to Pop, Soul and Opera.” N'Kenge trained at the Julliard School and the Manhattan School of Music, has five octave vocal range and can sing in 11 different languages. She made her Broadway debut in Sondheim on Sondheim. She slayed the game on Broadway, originating the role of Mary Wells in Motown: The Musical, which garnered a Grammy nomination for Best Musical Theater Album. Motown founder Berry Gordy described N'Kenge as “the most versatile artist I know.” The New York Post called her performance of Mary Wells “Electrifying.” N'Kenge was also a cast member on Broadway in the revival of the Tony Award-nominated and Olivier Award-winning musical Caroline, Or Change. She portrayed “The Moon,” her first aerial role. The show ran from October 27, 2021, to January 9, 2022, at the legendary Studio 54.As a vocal soloist, N'Kenge performed at world-renowned venues, including Carnegie Hall, the Lincoln Center's Alice Tully Hall, and Madison Square Garden. She headlined pop and opera concerts with the Cincinnati Symphony, the Cleveland Orchestra, and the Seattle Symphony. She also sang for many Presidents and foreign dignitaries, including former US Presidents Bill Clinton and Barack Obama.Currently, N'Kenge is immersed in a variety of projects. She is spearheading the Broadway-bound DANDRIDGE, a production that pays tribute to the life and legacy of Dorothy Dandridge. Additionally, she has created and written Forever Summer – a Tribute to Donna Summer. On top of that, she is in the process of developing a new TV musical series called BLACK BUTTERFLY, a project she co-wrote with award-winning writer Mary McCallum and TV producer Gina Goff. In this edition of The Jake's Take with Jacob Elyachar Podcast, N'Kenge spoke about being mentored by Berry Gordy and receiving high praise from the late Aretha Franklin. She also talked about bringing DANDRIDGE to life.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.
This is a follow-up to Episode 17 from last year, where this podcast introduced 25 pieces of classical music, not necessarily the best or most acclaimed pieces, but 25 that you should know even if classical music is not your genre of focus. Even after 25 more pieces, there are so many that were left out, but this plus the previous episode in this series will give you 50 pieces you should know no matter your genre as a musician. Previous episodes mentioned: Part 1 of this series Listening Approach for Classical vs Non Classical Music This episode uses excerpts from the following pieces in this order: Pieces: Dance of the Sugar Plum Fairy from “The Nutcracker” (Tchaikovsky) - London Philharmonic Concerto for 2 Violins (Bach) - Issac Stern, Itzhak Perlman, New York Philharmonic, Zubin Mehta Music for Stringed Instruments, Percussion, & Celesta (Bartok) - Cleveland Orchestra, Christoph Von Dohnányi Sonata Op. 27, No. 2 “Moonlight” (Beethoven) Daniel Barenboim Suite No. 1 from Carmen (Bizet) Lamoureux Concert Associations Orchestra, Antal Dorati Etudes Op. 12 (Chopin) Vladimir Ashkenazy The Sorceror's Apprentice (Paul Dukas), Cincinnati Symphony, Jesús López-Cobos Pomp and Circumstance No. 1 (Edward Elgar) - English Symphony Orchestra, William Boughton String Quartet Op 76, No. 3 “Emperor” (Haydn) - Kodály Quartet Symphony No. 4 “Italian” (Mendelssohn) - Cleveland Orchestra, George Szell Serenade: Eine Kleine Nachtmusik (Mozart) - I Musici Carmina Burana (Orff) - London Symphony, Andre Previn Canon in D (Pachelbel) - London Baroque Romeo and Juliet (Prokofiev) - London Symphony, Andre Previn William Tell Overture (Rossini) - National Symphony, Riccardo Chailly Carnival of the Animals (Saint-Saens) - George Prêtre Stars and Stripes Forever (Sousa) - US Marine Band On the Beautiful Blue Danube Walzes (J Strauss Jr) - Berlin Philharmonic, Herbert von Karajan The Firebird (Stravinsky) - Phiharmonia, Robert Craft Overture to Romeo and Julet, 1812 Overture (Tchaikovsky) - Russian National, Mikhail Pletnev Why Fumeth in Fight (Tallis) - Chappelle du Roi, Alistair Dixon Fantasia on a Theme by Thomas Tallis (Vaughan Williams) - London Philharmonic, Leonard Slatkin The Four Seasons, Op. 8 mp 1-4, (Vivaldi) - I Musici Ride of the Valkyries (Wagner) - London Philharmonic, Adrian Boult Lohengrin: Prelude to Act 3 and Bridal Chorus - Vienna Philharmonic, Rudolf Kempe Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/. If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
SynopsisOn today's date in 1943, at the height of World War II, Aaron Copland's Fanfare for the Common Man had its premiere performance in Cincinnati. The Cincinnati Symphony's conductor in those days, British-born Eugene Goosens, had commissioned 18 fanfares for brass and percussion. “It is my idea,” he wrote, “to make these fanfares stirring and significant contributions to the war effort.”Besides Copland, composers commissioned included Henry Cowell, Paul Creston, Morton Gould, Howard Hanson, William Grant Still and Virgil Thomson.Most of the composers dedicated their fanfares to a unit of the U.S. military or one of its wartime allies. But Copland's fanfare stood out, both musically and by virtue of its title.Among the titles Copland considered — and rejected — were Fanfare for the Spirit of Democracy and Fanfare for Four Freedoms, the latter in reference to President Franklin Roosevelt's 1941 State of the Union Address that called for the freedom of speech and religion, and from want and fear. He settled on Fanfare for the Common Man.“It was the common man, after all, who was doing all the dirty work in the war and the army,” Copland recalled. “He deserved a fanfare.”Music Played in Today's ProgramAaron Copland (1900-1990): ‘Fanfare for the Common Man'; San Francisco Symphony; Michael Tilson Thomas, cond. RCA/BMG 63888
SynopsisOn today's date in 1962, the Symphony No. 5 for strings, by the German-born American composer Gene Gutchë, received its premiere performance at Chatauqua, New York.Romeo Maximilian Eugene Ludwig Gutchë was born in Berlin in 1907. His father, a well-to-do European businessman, was not amused by the notion of his son “wasting” his time on music, even though the famous Berlin-based composer-pianist Ferruccio Busoni confirmed the young man's talent. So “Gene” Gutchë ran away from home, abandoning any hope of a sizeable inheritance in the process, and came to America. He studied at the Universities of Minnesota and Iowa, and, in 1950, at age 43, produced his first symphony. Gutchë would go on to compose six symphonies in all, plus an hour-long symphonic work for chorus and orchestra titled “Akhenaten,” premiered by Leonard Slatkin and the St. Louis Symphony in 1983. For most of his life, despite fellowships and commissions, Gutchë lived modestly with his wife, Marion, in a cottage in White Bear Lake, Minnesota.Gutchë died in the fall of 2001—one year after this Cincinnati Symphony recording of his Fifth Symphony was reissued on compact disc. Music Played in Today's ProgramGene Gutchë (1907 - 2001) Symphony No. 5, Op. 34 Cincinnati Symphony; Max Rudolf, conductor. CRI 825
The Cello Sherpa Podcast Host, Joel Dallow, interviews Cincinnati Symphony Cellist Nicholas Mariscal. They talk about his experience growing up first as a visual artist, then transitioning to a pianist, composer and cellist. Nick also shares his audition strategy, that contributed to his recent winning streak of orchestra auditions. To check out Nick's recordings on Spotify: https://open.spotify.com/artist/5Zw4CLYSGiaIAak7f0pOuB?si=A13VwdiORaahF_Err7wGAwYou can find Nick on Facebook and Instagram @Mariscal_celloFor more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram @theCelloSherpa
As an advocate of historically marginalized composers, musicologist Douglas Shadle is a leading voice in public discussions about the role of symphony orchestras and orchestral music in American life. His first book, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford, 2016), explores the volatile relationships between composers, performers, critics, and audiences throughout the 19th century and demonstrates why American composers rarely find a home on concert programs today. Shadle is also a highly-regarded expert on fellow Little Rock native Florence Price, the first African American woman to win international acclaim as a composer. His research on Price has been featured in The New Yorker, New York Times, and NewMusicBox. Shadle's second book recontextualizes Antonín Dvořák's iconic New World Symphony within the complex landscape of American culture at the end of the nineteenth century. Shadle's publications have won two ASCAP Deems/Taylor Virgil Thomson Awards, the Society for American Music Irving Lowens Article Award, the inaugural American Musicological Society H. Robert Cohen/RIPM Award, and the Vanderbilt Chancellor's Award for Research. Shadle joined the Blair School faculty in 2014 and has served as the chair of the Department of Musicology and Ethnomusicology since 2019. Thank you for joining us on One Symphony. Thanks to Douglas Shadle for sharing his knowledge and insights, you can find Antonin Dvorak's New World Symphony where you get your books. Works on the show today included Dvorak's American String Quartet performed by the Prague Quartet and his Ninth Symphony with Charles Mackerras and the London Philharmonic, Myun-Wun Chung and the Vienna Philharmonic, and Paavo Jarvi and the Cincinnati Symphony. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.pricefest.org/about/douglas-shadle https://devinpatrickhughes.com onesymphony.org
Musicians and management: we know in this field these relationships can be challenging and can be adversarial. But the narrative is changing here, and Season 2 closes with two people who have proven that labor relations can be positive and successful.Cellist Ted Nelson served as chair of the players committee at the Cincinnati Symphony, and Jessica Phillips served as players committee chair at the Metropolitan Opera Orchestra. Both worked toward collaborative and create agreements, and in this final episode of the season, they share first-hand about their experience—what works and what doesn't at the bargaining table, what needs to happen before negotiations ever begin, how training musicians serving in these important roles is critical, and their thoughts on streaming contracts going forward so together we can make the pie bigger for all of us.See you again this fall for Season 3!
SynopsisToday we note the birthday of a remarkable composer, conductor and virtuoso violinist: Eugéne Ysaÿe, born in Liége, Belgium, on today's date in 1858. After studies with two famous violin composers of his day, Henyrk Wieniawski of Poland and his Belgian compatriot, Henri Vieuxtemps, Ysaÿe soon was touring Europe and Russia as a star performer himself.In 1886, when the 28-year old Ysaÿe married, the great Belgian composer Cesar Franck presented the young couple with a Violin Sonata as a wedding present. That same year, Ysaÿe founded a famous string quartet, and in 1893 it was the Ysaÿe Quartet that gave the premiere performance of Claude Debussy's String Quartet, a work its composer dedicated to the ensemble in admiration.In 1918, Ysaye made his American debut as a conductor with the Cincinnati Symphony, and made such a great impression there that he remained as music director of the Cincinnati Symphony from 1918 to 1922.As a composer, Ysaye wrote eight concertos and a famous set of six solo sonatas for the violin. He died at the age of 72, in 1931, and in 1937, Queen Elizabeth of Belgium inaugurated the annual Eugene Ysaÿe International Prize for promising young violinists.Music Played in Today's ProgramCesar Franck (1822 - 1890) Violin Sonata in A Itzhak Perlman, violin; Martha Argerich, piano EMI 56815Eugène Ysaÿe (1858 - 1931) Chant d'hiver Aaron Rosand, violin; Radio Luxembourg Orchestra; Louis de Froment, cond. Vox Box 5102
Synopsis On today's date in 1937, the NBC radio network was carrying a live broadcast from the Cincinnati May Festival of a new oratorio entitled The Ordering of Moses, inspired by the Biblical Book of Exodus. The music was by a 54-year old Canadian- born American composer, organist, pianist, and music professor named Robert Nathaniel Dett. Curiously, about 40 minutes into the live broadcast, which should have lasted a full hour, the NBC announcer broke in, stating, “We are sorry indeed, ladies and gentlemen, but due to previous commitments, we are unable to remain for the closing moments of this excellent performance." A live recording of the broadcast, preserved on scratchy acetate discs, documents that moment for posterity. No one knows for certain why the broadcast was cut short, but some have speculated that angry calls to NBC's Southern affiliate stations might have been the reason, because Dett was African-American. 77 years later, in 2014, the American conductor James Conlon led the Cincinnati May Festival Chorus in another live, broadcast performance of Dett's oratorio, this time complete and uninterrupted from the stage of Carnegie Hall in New York City. That live performance was also recorded, this time digitally, and made available for posterity on a commercial release. Music Played in Today's Program R. Nathaniel Dett (1882 -1943) The Ordering of Moses Solosts; Cincinnati May Festival Chorus; Cincinnati Symphony; James Conlon, conductor. Bridge CD 9462
Synopsis In 2002, film director Godfrey Reggio released his latest movie. Entitled Naqoyqatsi – the Hopi word for Life as War – this was Reggio's third and final installment in a trilogy of unusual, non-narrative films, all with Hopi titles, each comprised of visually striking, collage-like visuals set against hypnotic film scores by American composer Philip Glass. Naqoyqatsi may have been a non-narrative film, Reggio described his 2002 film as a symphony in three movements, and even provided descriptive titles: Movement 1 - Language and place gives way to numerical code and virtual reality; Movement 2 - Life becomes a game; Movement 3 - A world that language can no longer describe.Fast forward ten years to 2012, when Glass had been commissioned to turn hisNaqoyqatsi film score into a concert work for cello and orchestra. In the film score, solos played by the famous cellist Yo-Yo Ma featured prominently, so this “repurposing” of film score seemed a logical step. And so, on today's date in 2012, Philip Glass's Cello Concerto No. 2, subtitled Naqoyqatsi, received its premiere performance with the Cincinnati Symphony conducted by Dennis Russell Davies and Matt Haimowitz as the cello soloist. Music Played in Today's Program Philip Glass (b. 1938) Cello Concerto No. 2 (Naqoyqatsi) Matt Haimovitz, cello; Cincinnati Symphony; Dennis Russell Davies, conductor. Orange Mountain Music CD 0087
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We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders
THE EMBC NETWORK featuring: ihealthradio and worldwide podcasts
We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/ind... Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire #georgebatista #ascap #leaders
Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for The Crossing, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, many community choirs, as well as yMusic, Brooklyn Rider, violist Nadia Sirota, Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra and the BBC Concert Orchestra, among others.In 2019, she composed for over 600 community musicians and the Cincinnati Symphony in celebration of their 125th season, a piece entitled "Look Around," with director Mark DeChiazza. Her baroque chamber p'opera “You Us We All” premiered in the US in October 2015 at BAM Next Wave Festival. With co-composer and performer Helga Davis, Nova created a four-screen film entitled “Ocean Body,” along with director Mark DeChiazza, which premiered at The Momentary in August 2021, shortly followed by the premiere of “Infinite Movement,” her baroque masque for 100 musicians, set to text by artist Matthew Ritchie, which premiered at The University of North Texas in November 2021.Ms. Nova is the featured singer on “The Blue Hour” with the string orchestra A Far Cry and co-composers Rachel Grimes, Angélica Negrón, Sarah Kirkland Snider and Caroline Shaw on Nonesuch Records (Sept ‘22). A collection of songs by Nico Muhly with Detroit's acclaimed wind ensemble Akropolis Quintet also features Ms. Nova's voice entitled Hymns for Private Use (Oct ‘22). A number of music composers, including Sarah Kirkland Snider, Bryce and Aaron Dessner, Steve Mackey and David Lang have created works specifically for her voice. She has collaborated with Matthew Barney, The Decemberists, The Blind Boys of Alabama, Sufjan Stevens, David Byrne, Laurie Anderson, and many others.Shara has a couple different branches to her life:Singer and Composer Branch: https://shara-nova.com/Pop Music Branch: https://www.mybrightestdiamond.com/Instagram: @mybrightestdiamondTwitter: @MyBrightestDmndWriting on Substack: https://substack.com/profile/91251132-shara-nova
Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally. Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog
Train Your Own Hero with Dr. Don Greene In this episode Dr. Don and I cover all things Shadow, what it is, how to identify it and how to turn it into your biggest ally. Don is the author of a book that inspired me and helped me win multiple world titles - Performance Success. Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. Purchase Train your Own Hero here - https://www.trainyourownhero.comWatch Don's webinars on Shadow Work here - https://www.trainyourownhero.com/webinars----Full Transcript, Quote Cards, and a Show Summary are available here: https://www.jjlaughlin.com/blog
Barry Green is active as a bass soloist, recording artist, author and teacher. He has been directing bass camps and schools for over 44 years, and is founder and director of the Ohio State Bass Camp. Green has studied with the legendary bassist François Rabbath. Barry's most recent project includes a unique exercise program called Stringersize. Barry Green served as principal bassist of the Cincinnati Symphony for 28 years, the principal bassist of the California Symphony and Sun Valley Idaho Summer Symphony. As former executive director of the International Society of Bassists, he taught at the University of California–Santa Cruz for 22 years before moving back to Cincinnati in spring 2018. Green joined the Ohio State School of Music faculty in autumn 2018. The following year Green was named International touring artist to tour all the state capitals of Australia sponsored by the Australian String Teachers Association. In summer 2021, Green was awarded the Special Merit honor from the International Society of Bassists. In autumn 2021, Barry organized the Bass Club Cincinnati, sponsoring several clinics for bassists of all levels including an international public concert series. Green is currently teaching bass and his inspirational courses on the mind-body and spirit at The Ohio State University School of Music.The Bass Shed on IG / The Bass Shed on Twitter / View More Episodes
I'm joined in the backyard this week by Violympian and VMC participant Travis Maril, as well as his fellow USC alum and my Director of Operations, Kate Reddish. Our wide-ranging conversation includes no small measure of pedagogical geekery, as well as such diverse topics as Tae Kwon Do bribery and Michael Jordan's private Space Jam gym. Violist Travis Maril is String Coordinator and Viola Faculty at San Diego State University (SDSU), where he has taught since 2007. At SDSU he also serves as Co-Director of the Community Music School's String Academy, a pre-college program for young musicians, which he co-founded in 2012. As violist with the Hyperion Quartet, Travis was a prizewinner at the Fischoff National Chamber Music Competition. Over the years he has collaborated in chamber music projects with principal players of the LA Philharmonic, Cleveland Orchestra, Cincinnati Symphony, San Diego Symphony, and members of the Chamber Music Society of Lincoln Center, Miró Quartet, and Brooklyn Rider, among others. Locally he performs frequently with Camarada, Art of Elan, and with the San Diego Symphony. Inspired by the Violympics in 2021, Travis started String Gym, his own online program for violinists and violists. Through String Gym, Travis works with players across the US, Australia, Germany and Taiwan. From time to time he also writes about music-related topics on his blog, String Theory. You can also follow Travis on Instagram. If you're interested in joining us for the fifth iteration of VMC, starting in 2023, you can find out more information here, and apply here.
I'm joined in the backyard this week by Violympian and VMC participant Travis Maril, as well as his fellow USC alum and my Director of Operations, Kate Reddish. Our wide-ranging conversation includes no small measure of pedagogical geekery, as well as such diverse topics as Tae Kwon Do bribery and Michael Jordan's private Space Jam gym. Violist Travis Maril is String Coordinator and Viola Faculty at San Diego State University (SDSU), where he has taught since 2007. At SDSU he also serves as Co-Director of the Community Music School's String Academy, a pre-college program for young musicians, which he co-founded in 2012. As violist with the Hyperion Quartet, Travis was a prizewinner at the Fischoff National Chamber Music Competition. Over the years he has collaborated in chamber music projects with principal players of the LA Philharmonic, Cleveland Orchestra, Cincinnati Symphony, San Diego Symphony, and members of the Chamber Music Society of Lincoln Center, Miró Quartet, and Brooklyn Rider, among others. Locally he performs frequently with Camarada, Art of Elan, and with the San Diego Symphony. Inspired by the Violympics in 2021, Travis started String Gym, his own online program for violinists and violists. Through String Gym, Travis works with players across the US, Australia, Germany and Taiwan. From time to time he also writes about music-related topics on his blog, String Theory. You can also follow Travis on Instagram. If you're interested in joining us for the fifth iteration of VMC, starting in 2023, you can find out more information here, and apply here.
Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★
Synopsis As the season begins, we offer you this “Autumn Music” — a woodwind quintet by American composer Jennifer Higdon. Higdon says she wanted to write a companion piece to another famous woodwind quintet titled “Summer Music” by Samuel Barber. Higdon's “Autumn Music” was commissioned by Pi Kappa Lambda, the national music honorary society, and premiered at their 1994 national convention in Pittsburgh. “Autumn Music,” says Higdon, “is a sonic picture of the season of brilliant colors. The music of the first part represents the explosion of leaves and the crispness of the air of fall. As the music progresses, it becomes more spare and introspective, moving into a more melancholy and resigned feeling.” Jennifer Higdon was born in Brooklyn in 1962, and teaches at the Curtis Institute of Music in Philadelphia. Her chamber and orchestral pieces have been performed by ensembles coast to coast. She's also active as a performer and, as she explains, as an enthusiastic member of the audience: “I love exploring new works — my own pieces and the music of others — in a general audience setting, just to feel a communal reaction to new sounds. Music speaks to all age levels and all kinds of experiences in our lives. I think it can express anything and everything.” Music Played in Today's Program Jennifer Higdon (b. 1962): Autumn Music –Moran Woodwind Quintet (Crystal 754) On This Day Births 1875 - Lithuanian composer Mikolajus Ciurlionis, in Varena (then the Kaunas province of the Russian Empire; Julian date: Sept. 10); 1933 - Spanish composer Leonardo Balada, in Barcelona; 1961 - American composer Michael Torke, in Milwaukee, Wisc.; Deaths 1989 - American song composer Irving Berlin, age 101, in New York City; Premieres 1869 - Wagner: opera, "Das Rheingold," in Munich at the Hoftheater, Franz Wüllner conducting; The opera was performed at the Bavarian emperor Ludwig II's request, but against the composer's wishes; 1938 - Webern: String Quartet, Op. 28, at South Mountain, Pittsfield, Mass., during the Berkshire Chamber Music Festival; This work was commissioned for $750 by the American music patron, Elizabeth Sprague Coolidge; 1964 - Jerry Bock: musical "Fiddler On the Roof" opens on Broadway: It would run for 3,242 performances before closing; 1971 - Barber: "The Lovers" for solo voice and chorus (after a poem by Pablo Neruda), in Philadelphia; 1989 - Bernstein: "Arias and Barcarolles" (orchestrated version prepared by Bright Sheng), at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; The first version of this work, for soloists and piano four-hands, premiered on May 9, 1988, at Equitable Center Auditorium in New York City; 1990 - James MacMillan: "The Beserking" (Piano Concerto), at Henry Wood Hall in Glasgow by pianist Peter Donohoue and the Royal Scottish Orchestra, Matthias Bamert conducting; 1990 - Christopher Rouse: "Jagannath" for orchestra, by the Houston Symphony Orchestra, Christoph Eschenbach conducting; 2000 - Philip Glass: “Tirol Concerto” for piano and orchestra, by Dennis Russell Davies (piano and conductor) with the Stuttgart Chamber Orchestra, at the 7th annual Klangspuren Festival in Schwaz, Tirol (Austria); 2000 - Zwilich: "Millennium Fantasy" for piano and orchestra, by the Cincinnati Symphony, Jesús Lopez-Cobos conducting with soloist Jeffrey Biegel; Others 1937 - During the Spanish Civil War, Mexican composer Silvestre Revueltas conducts his 1935 composition “Homage to Federico Garcia Lorca” in Madrid while the city was under siege by Spanish fascist forces; The Spanish poet Lorca had been killed by the Falangists; Links and Resources On Jennifer Higdon On Barber's "Summer Music"
John Rommel is Professor of Trumpet at the Jacobs School of Music at Indiana University. Early in his playing career he was a member of the Nashville Symphony and principal trumpet of the Louisville Orchestra, and recently he has performed with both the Cleveland Orchestra and the Cincinnati Symphony. He is also known as one of the premier teachers in the U.S., and it was a pleasure to speak with him in depth about his philosophy on teaching.We begin our conversation with my asking John to talk about how both students and also his teaching have changed over the 30 years he has been at the Jacobs School of Music. Drawing on a wide variety of influences, from his lessons with Bill Adam to an interview with Hall of Fame football player Walter Peyton to John Wooden and his Pyramid of Success, John discusses the problems facing music students in universities today, and how a student can strive to move forward in spite of difficulties and struggles.
Synopsis On today's date in 1965, the New York Philharmonic gave the premiere performance of an orchestral work by Duke Ellington, titled “The Golden Broom and the Golden Apples,” with the composer conducting. On the same program, Lukas Foss conducted the very belated, posthumous premiere of “From the Steeples and the Mountains,” by the Pulitzer Prize-winning American composer Charles Ives. In 1965, Duke Ellington, too, had been nominated for the Pulitzer, but didn't get it. The Pulitzer jury did, however, recommend that Ellington receive a Special Citation in honor of “the vitality and originality of his total productivity.” That recommendation was rejected, and when word leaked out, a scandal ensued. The 66-year old Ellington remained unflappable, and said, with just a tiny hint of irony, “Fate doesn't want me to be too famous too young.” “I work and I write,” said Ellington. “My reward is hearing what I've done. I'm hardly surprised that my kind of music is still without official honor at home. Most Americans will take it for granted that European music – classical music, if you will – is the only really respectable kind. Jazz is like the kind of man you wouldn't want your daughter to associate with.” In 1999, the Pulitzer Committee made amends, and Ellington was awarded a Special Citation – belatedly and posthumously – to commemorate the centennial year of his birth. Music Played in Today's Program Edward Kennedy ("Duke") Ellington (1899-1974) – The Golden Broom and the Green Apple (Duke Ellington, piano; Cincinnati Symphony; Erich Kunzel, cond.) MCA 42318
In 1942, Eugene Goossens, music director of the Cincinnati Symphony, invited two dozen or so composers to write fanfares honoring those serving in World War II. Hear some more of those fanfares, and take a guess why Aaron Copland's Fanfare for the Common Man is the only one that's still regularly performed.
Sometimes, being a woman means having to handle a lot of things on your plate. For conductor Sarah Ioannides, these responsibilities prove that she can conquer so many mountains while being able to express herself in music and art. In this week's episode of The Conductor's Podcast, Sarah talks about the art of being ready, the essence of leadership, and the wonders of being a mom. Currently Music Director of Symphony Tacoma, Ioannides has also led orchestras extensively in the United States including the Buffalo Philharmonic, Charleston Symphony, Hawai'i Symphony, Louisville Orchestra, North Carolina Symphony, Rochester Philharmonic, Toledo Symphony and the Cincinnati Symphony, where she was the first woman appointed to a full-time conducting position. Passionate about education, Ioannides continues to coach orchestras at high-level conservatories such as Yale University and the Curtis Institute. She is Founding Artistic Director of Cascade Masterclass for conductors and composers.Born in Australia, of Greek and Scottish descent, she was raised in England, studied at Oxford University and The Juilliard School, earning Master's degrees at both. Ioannides came to the USA as a Fulbright Scholar and graduated from The Curtis Institute of Music, a protégé of the late Otto-Werner Mueller. Married to Scott Hartman, renowned trombonist, they have three children, including twins, Elsa and Karl, and Audrey. An avid long-distance runner, she was first overall woman in the 30k The Defiance in 2021.
Tuesday, June 14Take Notice: Amplifying Black StoriesSeason 2, Episode 18: N'KengeIn this episode we talk with Grammy and Emmy-nominated artist, singer, producer, and creator, N'Kenge. Hear about N'Kenge's climb to success from growing up in New York to working in her mother's business while performing on the road to blossoming as a performer while attending graduate school at Julliard. We also discuss a bit about opera, music business, and stereotypes she encountered in casting while auditioning for parts. N'Kenge has performed as a soloist at world-renowned illustrious performance venues such as Carnegie Hall, Lincoln Center's Alice Tully Hall, Madison Square Garden and has headlined Pop and Opera concerts with Seattle Symphony, Jacksonville Symphony, Cincinnati Symphony, Indianapolis Symphony, and Cleveland Orchestra, to name a few.A proud alumni of both The Juilliard School and Manhattan School of Music, N'Kenge made her Broadway debut in Sondheim on Sondheim and most recently was on Broadway in the revival of Caroline, or Change. This energetic, well-rounded singer has performed with jazz greats like Ornette Coleman and Wynton Marsalis and was nominated for Outstanding Lead Actress in a Musical for her portrayal of the leading roles in both the Elton John/Tim Rice Musical Aida and in Marion Caffey's 3 Mo' Divas by the Helen Hayes Awards and the Arizoni Theater Awards.In addition to her performances, N'Kenge is also a producer and is currently developing a Broadway-bound musical celebrating Dorothy Dandridge's life and music. She is also developing a new TV musical dramedy, Black Butterfly, with TV producer Gina Goff.Mentioned:N'Kenge Website TwitterInstagram FacebookTake Notice WebsiteTake Notice InstagramTake Notice Facebook
Today's deep-dive is a “highlight reel” from our recent conversation with Luis Celis, the awesome new bassist in the Cincinnati Symphony, sharing tips for improving that will help anyone. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically! Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists. Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass. Thank you to our sponsors! Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial of Dorico 4 visit steinberg.net/dorico. theme music by Eric Hochberg
We're excited to have Kelly Hall Tompkins on the show!! http://www.kellyhall-tompkins.com/index.html Acclaimed by the New York Times as “the versatile violinist who makes the music come alive” and as a 2017 New York Times “New Yorker of the Year,” for her “tonal mastery” (BBC Music Magazine) and “Groundbreaking” recording projects (STRINGS Magazine), and featured in the Smithsonian Museum of African- American History, violinist Kelly Hall-Tompkins is trailblazing an innovative, creative and entrepreneurial career as a soloist and chamber musician. Winner of a Naumburg International Violin Competition Honorarium Prize, Concert Artists Guild Career Grant, and Sphinx Medal of Excellence, Ms. Hall-Tompkins has appeared as a soloist as the Inaugural Artist in Residence with the Cincinnati Symphony and with orchestras including the Dallas Symphony, Oakland Symphony, Jacksonville Symphony, Tulsa Philharmonic, Greenville Symphony, Chamber Orchestra of New York, Gateways Music Festival, for the Manhattan School Centennial Gala at Carnegie Hall with co-soloist Glenn Dicterow, under the baton of Leonard Slatkin, and a Brevard Festival Orchestra under the baton of Keith Lockhart. Additional concerts and recitals include the cities of Kiev, Ukraine; New York, Washington, Cleveland, Toronto, Chicago, Baltimore, and Greenville, South Carolina, and at festivals in France, Germany, and Italy. For more information on the show, visit our website: www.counterpartsshow.com . . . . #Violinist #musician #broadway #fiddlerontheroof #johnhenrysoto #counterpartsshow #motivational #inspire www.counterpartsshow.com
Dawn Wolski has served as the General and Artistic Director of Inland Northwest Opera (INO) since 2017, leading the organization during its rebranding from Opera Coeur d'Alene to Inland Northwest Opera, broadening its reach of professional opera across Eastern Washington and Northern Idaho. Dawn joined INO on the heels of a successful international singing career, performing two dozen opera roles, multiple concert works and appeared on television programs in Europe, China, and the U.S. Dawn served two enlistments in U.S. Army where she performed with the London Symphony, Boston Symphony, National Symphony, and the Cincinnati Symphony. She has shared the stage with a variety of performers such as Julie Andrews, Wayne Brady, Wynonna Judd, Pam Tillis, Chris Isaak, as well as several U.S. presidents. For more information about what is next for Inland NW Opera, visit inlandnwopera.com For more information about Dawn visit dawnwolski.com
Synopsis When your instrument is nicknamed “the burping bedpost,” it's hard to get respect in refined circles. So it's understandable that the bassoon section of, say, a major London orchestra might indulge in a bit of day-dreaming in which a gang of hot-rodding motorcycling bassoonists blow into town and take over a concert hall. And guess what? That is EXACTLY the scenario of a piece written for Britain's Philharmonia Orchestra by the American composer Michael Daughtery. “Hell's Angels” is a concerto for bassoon quartet that received its premiere in London on today's date in 1999, with Daughtery commenting: “I find the bassoon to be an instrument with great expressive and timbral possibilities, ranging from low and raucous rumbling to plaintive high intensity.” Daugherty often takes inspiration from icons of American pop culture, so it's not surprising that he should choose “Hell's Angels” for inspiration. After all, he writes: “the bassoon is similar in size and shape to the drag pipes found on Harley Davidson motorcycles … When the noise-curbing mufflers are illegally removed from the drag pipes, they create a deafening roar. I have removed the traditional mufflers on the bassoon repertoire in order to compose [my] concerto for bassoon quartet and orchestra. Music Played in Today's Program Michael Daugherty (b. 1954) — Hell's Angels (Oregon Symphony; James DePreist, cond.) Delos 3291 On This Day Births 1834 - German composer, pianist and organist Julius Ruebke, in Hausneindorf, near Quedlinburg; 1878 - Austrian composer Franz Schrecker, in Monaco; 1895 - French-born American composer, painter and mystical philosopher Dane Rudhyar, in Paris; Premieres 1731 - Bach: "St. Mark Passion" (S. 247, now lost) performed in Leipzig at Vespers on Good Friday; 1748 - Handel: oratorio "Alexander Balus" in London at the Covent Garden Theater; The event possibly included the premiere of Handel's "Concerto a due cori" No. 1 as well (Gregorian date: April 3); 1783 - Mozart: Piano Concerto No. 13 and final version of Symphony No. 35 ("Haffner"), at the Vienna Burgtheater, with composer as piano soloist and conductor; An earlier version of the symphony was performed in Salzburg at private concerts arranged by the wealthy Haffner family in the summer of 1782; 1792 - Haydn: Symphony No. 94 ("Surprise"), conducted by the composer, at the Hanover-Square Concert Rooms in London; 1828 - Beethoven: String Quartet in F, Op. 135 (posthumously, and almost one year to the day after the composer's death on March 26, 1827), in Vienna, by the Schuppanzigh Quartet; 1886 - Tchaikovsky: "Manfred" Symphony (after Byron), in Moscow (Julian date: Mar. 11); 1912 - Gliere: Symphony No. 3 ("Ilya Murometz") in Moscow (Julian date: Mar. 10); 1917 - Bloch: "Trois poèmes juifs" (Three Jewish Poems), in Boston, with the composer conducting; 1923 - de Falla: opera "El retrablo de maese Pedro" (Master Peter's Puppet Show) (concert version), in Seville at the Teatro San Fernando; 1935 - Barber: "Music for a Scene from Shelley," by the New York Philharmonic; 1939 - Bartók: Violin Concerto No. 2, by the Amsterdam Concertgebouw Orchestra, Willem Mengelberg conducting and Zoltán Székely as the soloist; A live recording of this premiere performance has been issued on both LP and CD; 1944 - Cowell: "Hymn and Fuguing Tune" No. 2 for strings, in New York on a WEAF radio broadcast featuring Henri Nosco and his Concert Orchestra; The first concert hall performance took place at Town Hall in New York on October 8, 1944, with the Daniel Saidenburg Little Symphony; 1945 - Copland (and 9 other composers): "Variations on a Theme by Eugene Goosens," by the Cincinnati Symphony; 1946 - Marc Blitzstein: "Airbourne Symphony," in New York City; 1962 - Irving Fine: "Symphony 1962" by the Boston Symphony, Charles Munch conducting; 1969 - Gene Gutchë: "Genghis Khan," by American Symphony Orchestra, Leopold Stokowski conducting; 1999 - James MacMillan: "Cumnock Fair" for piano and strings, at Cumnock Academy by members of the Scottish Chamber Orchestra; Others 1703 - Antonio Vivaldi becomes a Roman Catholic priest at age 25; 1721 - Handel completes the composition of Act 3 of "Muzio Scevola," as part of a "competition" arranged by the directors of the Royal Academy of Music to settle the rivalry between their three house composers (Filippo Amadei composed Act 1, Giovanni Bononcinni Act 2, and Handel Act 3); Handel was deemed the victor in this "contest" (Gregorian date: April 3); 1729 - J.S. Bach visits Coethen to perform funeral music for his former employer, Prince Leopold; 1743 - London premiere of what is billed as "A New Sacred Oratorio" by Handel(Gregorian date: April 3); This was his "Messiah" which had its first performance in Dublin the previous year; Links and Resources On Michael Daugherty
Hailed by LA Weekly as a “force of nature”, soprano and Fat Politics artist-activist Tracy Cox is a performer whose talent has been recognized across the industry, garnering her a Sullivan Foundation Award, the Birgit Nilsson Prize at Operalia, the Kirsten Flagstad Award from the George London Foundation, a Sarah Tucker Study Grant, and the top prize from the Marilyn Horne Song Competition. She has sung with orchestras around the world, including the MÁV Symphony of Budapest, the Philadelphia Orchestra, the Cincinnati Symphony, Los Angeles Opera, and at the Galina Vishnevskaya Opera Center in Moscow. Tracy has been interviewed by the New York Times on Fat Politics and restaurant accessibility, and currently has over 20,000 followers on her Instagram @sparklejams where she centers fat liberation, fat vanity, and fat talent in the performing arts. Tracy is a highly sought-after speaker and consultant on the topic of body justice in the performing arts and has been presented by numerous opera companies and arts organizations including Long Beach Opera, Wolf Trap Opera, Opera NexGen, Sigma Alpha Iota, River City Opera, and the M Institute for the Arts in Washington D.C. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dreadingtheboards/message
This week, Kiff is joined by Dr. Don Greene, a peak performance psychologist. Dr. Greene has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube. You can study with Don or find out more about his approach and classes at www.winningonstage.com
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