Podcasts about Brooklyn Academy

Show Notes: Tanya Selvaratnam shares her journey from high school to present day. She moved to New York after graduating and worked at Columbia Law School's Center for Chinese Legal Studies. She also assisted Anna Deavere Smith on her show “Twilight: Los Angeles, 1992” about the LA riots. Tanya went back to Harvard for graduate school, studying Chinese language and the history of law. An Adventure in Theatre  After her father passed away, she returned to New York, where she was working on the Beijing Women's Conference. Wandering the streets one day, she came across The Performing Garage with a poster on the wall for a show by the Wooster Group. On a whim, she slipped a note on the door offering to help in any capacity and was taken on as an intern. Before long, she was asked to come to rehearsals, and, despite having no intentions of becoming a performer, this led to her performing with the Wooster Group. She toured all over the world with them and with other companies like the Builders Association. On Becoming a Film Producer Currently, Tanya writes books and makes movies. She also advises various organizations, foundations, and corporations. She recently started advising the Open Future Lab in Vienna, Austria. She has also worked as a producer, which began when she worked at the Ms. Foundation for Women, on what was then called "Take Our Daughters to Work Day" as well as the Gloria awards. She also worked with Jed Weintrob, whom she had met at Harvard when she was in his production of “Dracula.” In the late 90s, Jed asked her to produce a movie he was writing at the time. It went on to premiere at Sundance and then the Berlinale in 2002. This led to more work as a producer, and Tanya is still currently producing.  The Connection between Event Organizer and Film Producer Tanya shares her experiences in organizing events since high school. While at Phillips Academy Andover, she was the head of the South Asian Students Association and served on the divestment committee during apartheid days. She organized events like readings of poetry, essays, and performances to raise awareness about activism and advocacy. After college, she also organized events for the youth tent at the Women's Conference in China, where she performed a piece called "Wet Sari Syndrome," which was a take on Bollywood movies. Tanya learned the craft of producing films directly from her friend and trusted colleague, Jed. She was willing to work hard, focusing on tasks such as finding locations, cleaning up the set, and figuring out what needed to happen to make the film come together. Tanya was able to tap into her resources and connections to make shoots possible and be attentive to Jed's vision. Dealing with Difficult Times The conversation turns to her experience with bullying and harassment, which she has faced in various situations. She deals with this by focusing on her tasks and work. Tanya goes to Portland to write and escape from these situations, as it provides a safe space to escape the pressures of life. She also talks about her two books, The Big Lie: Motherhood, Feminism, and the Reality of the Biological Clock, which grew out of her own struggles with fertility and Assume Nothing: A Story of Intimate Violence. When dealing with fertility issues, Tanya was shocked at the amount of misinformation surrounding fertility awareness. She talks about the problems with sex education in America and how the book changed when she was diagnosed with two types of cancer. In her second book, she shares her experiences of being entrapped in an abusive relationship with former Attorney General Eric Schneiderman. She explains why she was motivated to write the book and why she went into hiding after her story first became public. Working with Cultural Institutions Tanya has also worked on cultural events around the world, such as at the Rubell Museum in Miami, the Women's Conference in China, with Anna Deavere Smith and the Wooster Group. She has collaborated with major institutions and museums, such as the Brooklyn Academy of Music, Barbican in London, and Victoria Theatre in Singapore. She toured to 62 cities all over the world in a space of 12 years. She's also worked with the Sundance Film Festival and the New York Film Festival. She talks about The Federation, an organization that aims to show how art unites people and keeps cultural borders open. She recently worked with Carrie Mae Weems at the Torino book fair in Italy.  Co-directing and Producing a Documentary Short Tanya co-directed and produced a 13-minute documentary short called Love to the Max, which was acquired by the New Yorker magazine and recently nominated for an Emmy Award for Outstanding Documentary Short. The film was inspired by the mother of Max Briggle, who was targeted for loving and supporting her trans kid. Tanya was inspired to make the film after Max Briggle's mother reached out to a women's listserv for help because she'd been approached by child protection services. Tanya has also been working with Catherine Gund for 17 years, producing a film called Paint Me a Road Out of Here, which is about the interconnected journeys of artists Faith Ringgold and Mary Baxter. She is also working on a new book called Love Me and Leave Me, which is about adventures through intimate pleasure and intimacy in many forms. Influential Harvard Professors and Courses Tanya initially thought she would study science at Harvard but found the large classes to be lacking in intimacy. She became interested in Chinese history and legal history, taking classes with visiting scholars and professors like Chang Weijen, William Alford, Professor Kuhn, and Professor Bol; Caroline Reeves, a graduate student, helped her decide what to explore for her thesis. Timestamps: 05:38: Transition to Producing and Social Justice Work  13:22: Challenges and Learning in the Film Industry  20:28: Personal Struggles and Advocacy  34:07: Work with Museums and Cultural Institutions  37:11: Future Projects and Reflections  41:10: Harvard Experiences and Influences  Links: Website: Tanyaturnsup.com LinkedIn: https://www.linkedin.com/in/tanyaauthor/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Olu  Ajilore, class of ‘92, who reports: “The featured nonprofit of this episode of The 92 report is the American Foundation for Suicide Prevention, or AFSP. AFSP is a volunteer organization that supports those affected by suicide through research, education and advocacy. I've worked with our local chapter of AFSP raising funds with their annual out of the darkness walks, and I'm proud to serve on the Scientific Council for AFSP. You can learn more about their work@afsp.org.”   To learn more about their work, visit: afsp.org      

Ron Ramin was born and raised in New York City. He earned his undergraduate degree at Princeton University, where he majored in music and studied privately with composer Milton Babbitt. Upon graduation, he moved to Los Angeles where he composed music for 20 Primetime television series and 30 movies/telefilms. Ron is the recipient of a CableACE Award, a Primetime EMMY nomination, and TV/Film Awards from BMI and ASCAP. In recent years he has shifted his focus to composing for the concert hall. This includes "Golden State of Mind," a symphonic suite depicting the beauty & drama of the California landscape and its cultural diversity. “Greetings!" was given its world premiere performance in 2016 by the Marin Symphony, conducted by Music Director Alasdair Neale. His latest work, SEVENTEEN, is a narrative work for orchestra and six on-stage Gen Z narrators. Days after the 2018 mass school shooting in Parkland, Florida, librettist Portia Kamons and Ron began to work on an artistic response to the relentless plague of gun violence in American schools and communities. Their attention soon focused on the rising generation of young people channeling their grief and anger into deliberate and effective action. They were bringing extraordinary commitment, determination, and energy to multiple challenges of their time. Ron & Portia were also determined to bring classical music audiences together with young people for an orchestral performance and thoughtful discussion. From the beginning they committed to employ verbatim text from the young Americans themselves. SEVENTEEN is their story, told in their own words. The Orlando Philharmonic commissioned it and gave the premiere performance Nov 8, 2024. Eric Jacobsen, their innovative music director, conducted the performance and Jamie Bernstein directed the six young on-stage narrators. The orchestra, to its credit, made this a free community event that included a thoughtful discussion and Q&A following the performance. A former Board member of the Society of Composers and Lyricists, Ron currently resides in Northern California and New York City.   Portia Kamons is a producer and librettist working with newly commissioned pieces in theatre, live events, music and feature film. With composer Ron Ramin, she is the co-creator and librettist for SEVENTEEN, a narrative work for Orchestra that received its world premiere by the Orlando Philharmonic on 8 November 2024. She was the Executive Producer for Virtua Creative on the US WW1 Centennial Commemoration narrated by Kevin Costner, as well as Exec Producer for "Visions of Peace" a special project for the WW1 Centennial with President Jimmy Carter. Portia was the lead producer of Tennyson Bardwell's feature film DORIAN BLUES which won 14 awards at festivals worldwide. She was a founding member and the first General Manager of Primary Stages Theatre in New York City, and a Producer for the NextWave Festival at the Brooklyn Academy of Music. For many years she worked for as a producer with En Garde Arts in New York City, and the London International Festival of Theatre in the UK where she lives. She is a regular consultant to Danish web-based documentary platform, OTHER STORY.     website: www.seventeeninamerica.com Instagram: @seventeen_in_america  Facebook: https://www.facebook.com/profile.php?id=61561439852395 email: hello@seventeeninamerica.com Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!  Thanks for joining me on Crushing Classical!  Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website.   I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

In this episode of the Watchung Booksellers Podcast, authors Anne Berest and Claire Berest discuss their novel, Gabriële, with moderator Violaine Huisman during a partnership event with the Montclair Literary Festival, the Montclair Public Library, and the Montclair Campus of L'Alliance-New York. Anne Berest's first novel to appear in English, The Postcard (Europa, 2023), was a national bestseller, a Library Journal, NPR, and TIME Best Book of the Year, a Vogue Most Anticipated Book of the Year, winner of the Choix Goncourt Prize, and runner-up for the 2024 Dayton Literary Peace Prize. It was described as “stunning” by Leslie Camhi in The New Yorker, as a “powerful literary work” by Julie Orringer in The New York Times Book Review, and as “intimate, profound, essential” in the pages of ELLE magazine. Her new novel, Gabriële (Europa Editions, 2025) is based on the life of Gabriële Buffet, whose extraordinary impact on 20th century avant-garde art and whose remarkable life have largely been obscured. Berest lives in Paris.Claire Berest is the author of the novels Mikado (2009), The Empty Orchestra, Bellevue (2016), Rien n'est noir, winner of the ELLE Readers Grand Prize, and two works of nonfiction, Class Struggle: Why I Resigned from National Education, and Lost Children: An Investigation in the Minors Brigade. Her most recent novel is Artifices. Violaine Huisman was born in Paris in 1979 and has lived and worked in New York for twenty years, where she ran the Brooklyn Academy of Music's literary series and also organized multidisciplinary arts festivals across the city. Originally published by Gallimard under the title Fugitive parce que reine, her debut novel The Book of Mother was awarded multiple literary prizes including the Prix Françoise Sagan and the Prix Marie Claire. Resources:Francis Picabia Marcel Duchamp Paris Museum of Modern Art Albertine BookshopBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

A new show at the Brooklyn Academy of Music explores what it means to be a powerful woman through the lens of Shakespeare's "Macbeth." Writer and performer Whitney White discusses her show "Macbeth in Stride," running now at BAM through April 27. Plus, White discusses directing the Broadway musical "The Last Five Years."

[@2 min] Alright, this week...we narrow our March Madness of Summer Festivals down to the Final Four! Who can challenge Glyndebourne in the UK quarter? [@21 min] Plus, in the "Two Minute Drill"…Opera Theater St Louis is getting an extreme makeover, opera edition, and Brooklyn Academy of Music may be broke, but they've got Barrie Kosky! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

“My hope is not to divide, but to bring people together. Because only when we know about the history, then we can see our present and can learn [from] mistakes and to do better.” So says composer and conductor Huang Ruo on his vision for Angel Island. This bonus is Charlton's full conversation with Huang Ruo recorded in a friend's apartment in New York, during the 2024 Next Wave Festival, co-presented by Brooklyn Academy of Music and Prototype Festival. Follow the evolution of our collaboration from the first time we met, through the dark times of the COVID pandemic, all the way to New York.  Learn more about Huang Ruo's work at HuangRuo.com, including the world premiere of his new opera, The Monkey King, written with David Henry Hwang at San Francisco Opera in November 2025.  Also Mentioned in this Bonus A Dust In Time, written by Huang Ruo & performed by Del Sol Quartet Connect with Del Sol Quartet DelSolQuartet.com Del Sol Quartet on Spotify Facebook Instagram YouTube This episode is a bonus from the "Angel Island" season of Sounds Current. If you haven't already, we encourage you to go back to "Part 1: A Haunting History" and listen to the full 4-part story. Sounds Current is produced and edited by The Creative Impostor Studios and hosted by Charlton Lee.    

Send us a textThis week the Portland-based duo, Wonderly stopped by to discuss their latest album Wolves/ We also talked about the Low Bar Chorale, A new German Opera, and so much more.********Wolves is the culmination of a creative partnership that dates back to 2016. Brunberg and Landsverk debuted Wonderly with a self-titled 2017 collection; the unit continued with the post-pandemic release Story We Tell in 2022 and the covers collection Appropriate 'til Death in 2023. Their film scores have been featured on the soundtracks for the independent films Last Ferry, At the Video Store and other independent features, while their music has been heard as the aforementioned theme song of the New York Times' podcast The Daily and writer Cheryl Strayed's Dear Sugar, as well as on Brunberg's award-winning podcast Roam Schooled.Jim Brunberg was a touring song and dance man for 12 years with the hugely successful rock/harmony/acoustic duo (and sometimes quintet) Box Set, touring with acts ranging from Dave Matthews to Huey Lewis, through the 90s. In 2000, Jim opened a recording studio, turning to the recording and composing world to satisfy his constant hunger for music. He produced and engineered dozens of records for many artists (Storm Large, Kristin Hersh, John Wesley Harding, and countless Portland-based bands) and released a few solo albums before converting the studios into a world-class music venue (Mississippi Studios). This spawned a few larger venues (Revolution Hall and Polaris Hall) where Jim personally built the stages, much of the seating and decor of a family of venues he still co-owns with his business partner Kevin Cradock. Currently, Jim is writing and recording/producing a tragic/comic German Opera, working with some of the classical musicians he has met over the past several years (mostly Oregon Symphony players). The work, "Das Blut" is a satirical, full-fledged production, entirely in German, that takes aim at the rise of a tyrant. It is a nuanced, but completely insurgent take on empathy, power, where our demons come from, and what they eat for dinner. He plans to debut this work, along with a new batch of songs, in 2025.Ben Landsverk is an American composer, singer, and multi-instrumentalist, based in Portland, OR, whose work focuses on social change through music. Hailed as a “prominent Portland composer” (Bloomberg Magazine) and “a unique musical talent” (Willamette Week), he is best known for his work as one half of the duo Wonderly, with musical partner Jim Brunberg. An active session musician, Landsverk has worked with such musical luminaries as Father John Misty, Pink Martini, Smokey Robinson, Van Dyke Parks, Storm Large, and Ruby Friedman Orchestra. From 2003-2015, he was a collaborator and music director with avant-garde performance artist Holcombe Waller and performed at such festivals as Under The Radar (NYC), Festival de Teatro de Curitiba (Brazil), Queer Zagreb (Croatia), Brooklyn Academy of Music (NYC), and Centre Pompidou (Metz and Paris, France).  Landsverk is the founder and director of Portland's Low Bar Chorale and of Voices Unlimited, Portland's flagship choir for people with neurodiversity. He spent over 20 years as a professional choral director and singer, specializing in medieval, renaissance, and baroque music. Landsverk is currently working on his first solo album, scheduled for release in early 2025. *******If you would like to contact the show about being a guest please email us at Dauna@bettertopodcast.comFollow us on SocSupport the show

How learning to apologize can upgrade your life.V (formerly Eve Ensler) is the Tony award-winning playwright, author, and activist. Her play The Vagina Monologues is an Obie award-winning, Olivier-nominated theatrical phenomenon that has been translated into 48 languages and performed in 140 countries. She is the author of numerous books, including the recently released bestseller Reckoning (2023), heralded by the Washington Post as “gutting and gorgeous.” Other best-selling books include The Apology (2019), translated into 20 languages, In the Body of the World, and The New York Times bestseller I Am an Emotional Creature. She starred on Broadway in The Good Body and, most recently Off-Broadway at Manhattan Theatre Club in the critically acclaimed In the Body of the World. She helped create That Kindness: Nurses in Their Own Words, presented by the Brooklyn Academy of Music in collaboration with theaters across the US, as a tribute to nurses during the COVID-19 pandemic. V is currently writing the story and co-writing lyrics for the musical Becoming (formerly WILD), which made its world premiere in December 2021 at The American Repertory Theater. She recently wrote This is Crazy, a play about mental illness commissioned by the National Alliance on Mental Illness. Her film credits include The Vagina Monologues (HBO), What I Want My Words to Do to You (Executive Producer, Winner of the Sundance Film Festival Freedom of Expression Award, PBS), Mad Max: Fury Road (Consultant), and City of Joy documentary (Netflix). She is the founder of V-Day, the 26-year-old global activist movement that has raised over 120 million dollars to end violence against women, gender-expansive people, girls, and the planet—and founder of One Billion Rising, the largest global mass action to end gender-based violence in over 200 countries, as well as a co-founder of the City of Joy, a sanctuary and revolutionary center for women in the Congo who have survived sexual assault. She writes regularly for The Guardian. In this episode we talk about:V's 4-step process for making an apologyWhy she doesn't believe in forgivenessHer concept that the wound is the portalAnd much more. Related Episodes: What To Do When You're Angry | Matthew Brensilver, Vinny Ferraro, Kaira Jewel LingoSign up for Dan's newsletter hereFollow Dan on social: Instagram, TikTokTen Percent Happier online bookstoreSubscribe to our YouTube ChannelOur favorite playlists on: Anxiety, Sleep, Relationships, Most Popular EpisodesFull Shownotes: https://happierapp.com/podcast/tph/v-868See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Studio C in Lisa's apartment, Rocky the cat, Thanksgiving behind us, Dave and Lisa heading back to LA, Are people in LA just like people in NYC?, Similar with different complaints, SNL the Californians, Californians talk about driving while New Yorkers talk about alternate side of the street parking, Lisa selects Baba Israel, Nothing to do with Babka, Rapper/Spoken word artist, Brooklyn Academy of Music Spoken Word Poetry Slam, Baba Israel as host, Max and Milo were shocked and amazed, Max was first being exposed to music outside our control; Milo not quite yet, Attended with other good friends, Lydia, Jeff, Alex, Ben Muchnick, Caroline Fraser, Joel Barkow, Oscar Nobel, Alex Nobel, Did the exposure have an impact on their music appreciation?, Parents expose kids to things and hope they develop their own interests, Milo may have thrown suggestions out to Baba Israel, Lisa corrects Daryl's vocabulary, Share Baba Israel content @milotimepodast, Outro music "Milo" by Joel Barkow and Pass the Poi.  

Ep.222 José Parlá (b.1973) creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá's relationship with mark-making is physical and textural, incorporating the body's gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenge the status quo of visual culture. Parlá was born to Cuban parents in Miami, Florida, and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá's work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Istanbul'74, Istanbul (2019); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Brooklyn Academy of Music (BAM), New York (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large-scale commissions including Far Rockaway Writer's Library, a collaboration between Snøhetta and Parlá, New York (2023); University of Texas, Austin (2018); ONE World Trade Center, New York (2015); A collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Barclays Center, New York (2012); Brooklyn Academy of Music (BAM), New York (2012); Concord City Place, Toronto (2010). Select group exhibitions and biennials include The Culture: Hip Hop & Contemporary Art in the 21st Century, Baltimore Museum of Art, Baltimore (2023); Brooklyn Abstraction, Four Artists, Four Walls, Brooklyn Museum, New York (2022); Reflections, Gana Art, Seoul (2019); Glasstress, Fondazione Berengo Art Space, Venice (2019); Beyond the Streets, New York (2019); Yasiin bey: Negus, Brooklyn Museum, New York (2019); Victors for Art, University of Michigan Museum of Art, Ann Arbor (2017); Post No Bills: Public Walls as Studio and Source, Neuberger Museum of Art, New York (2016); Seeing, Saying, Images and Words, Van Every/Smith Galleries, Davidson College, North Carolina (2016); Wrinkles of the City: Havana Cuba: JR & José Parlá, the Havana Biennial, Havana (2012); amongst others. Parlá's work is in several public collections including the Brooklyn Museum, New York; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; Pérez Art Museum Miami, Florida; The Gordon Parks Foundation, Pleasantville, NY; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana. Parlá serves on the board of National YoungArts Foundation. Parlá has received numerous awards, including the Scholastic Art & Writing Awards, Alumni Achivement Award (2024) Gordon Parks Foundation Fellowship (2023), the Hirshhorn Museum Artist x Artist honoree (Hank Willis Thomas x José Parlá) (2023), National Young Arts Foundation Award (2022), Americans for the Arts National Art Award (2022), Americans for the Arts Public Art Network (2019), Miami Dade College Alumni Hall of Fame Award inductee (2016), Brooklyn Arts Council honoree (2014), Institute of Contemporary Arts(ICA) London – Grand Prize (2013), Heartland Film Festival - Best Documentary Short and Best U.S. Premiere for Wrinkles of the City, Havana (2013) Scholastic Art Award. Photographer James Chororos

One aspect of the Vice-President's background that's relatively overlooked, and yet critical to understanding her, is her membership in the sorority Alpha Kappa Alpha. “In one of the bylaws,” the writer Jazmine Hughes tells David Remnick, “it says that the mission of the organization, among many, is to uplift the social status of the Negro.” Far from a Greek party club, A.K.A. "is an identity” to its members. When Donald Trump insinuated that Kamala Harris had “turned Black,” in his words, for political advantage, “a lot of people pointed to her time at Howard, and her membership in A.K.A., [as] a very specific Black American experience that they did not see from someone like Barack Obama.”  Jazmine Hughes's reporting on “The Tight-Knit World of Kamala Harris's Sorority” was published in the October 21, 2024, issue ofThe New Yorker. Plus, Kai Wright, who hosts WNYC's “Notes from America,” speaks with the choreographer Bill T. Jones. This week, the Brooklyn Academy of Music is re-mounting Jones's work “Still/Here,” which caused a stir when it débuted at BAM, thirty years ago: The New Yorker's own dance critic at the time, Arlene Croce, declared that she wasn't going to review it. Now “Still/Here” is considered a landmark in contemporary dance, and Jones a towering figure. 

WATP Karl comes with Vinny from MTV's Jersey Shore podcast & a Stuttering John update, new Diddy accusations, NFL suspends Jameson Williams, Zach Bryan's messy break up, and more of Kate Cassidy annoying TikToks. Politics: Arnold Palmer's dong is NOT funny according to ABC ABC hates Donald Trump. McDonald's is stuck in political battle with both sides. Kamala is deflecting plagiarism claims… and more claims. John James wants you to vote against “Pedophile Protector” Carl Marlinga. 60 Minutes still won't release the Kamala raw audio. Donald Trump will be doing The Joe Rogan Experience on Friday. Donald Trump doubles down on eating the pets. Sports: Detroit Lions WR Jameson Williams is suspended for two games for taking a banned substance. Tua Tagovailoa's scramble brain is about to return to the NFL without the silly looking protective helmet Travis Henry is broke. Anthony Edwards has baby mama drama. Jameis Winston has Deshaun Watson's back. Rosie O'Donnell's daughter lives in a house of skank. Kate Cassidy is mourning the death of Liam Payne. She's also, like, obviously literally nauseating on TikTok. Karl from WATP drops by to rip Vinny Guadagnino's comedy & Something Went Wrong W/ Vinny, update us on the happenings of Stuttering John Melendez and more. Golden Throat Ted Williams may have ripped Drew off $1,000, but who's counting? Barstool Sports' Brianna LaPaglia (Chickenfry) is upset about her breakup with Zach Bryan. Talk Tuah is trending down. Will Compton was asked why he laughed at a Donald Trump joke. Here is his response. Brooklyn Academy of Music pulled Andrew Schultz's show after he interviewed Donald Trump. The allegations don't stop rolling in on Diddy. He's cooked. There were signs and ‘Professional Athlete A' is a hero. Catfishing is back with Fanatical: The Catfishing of Tegan and Sara on Hulu as well as Sweet Bobby on Netflix. Alex Van Halen is dropping some new music with Eddie on it. RFK Jr lover Olivia Nuzzi has been BLOWN OUT at New York Magazine. Check out Field of Greens and use promo code Drew and visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Episode 123 of the Comedy WRLD Update. This week we are taking a look at the situation with Andrew Schulz and the Brooklyn Academy of Music after BAM canceled the taping of his upcoming Netflix special. We also run down the list of podcast guest appearances from the prior week as well as any new comedy specials. Watch the full episode here: https://youtu.be/BMnPGib0PSgPlease Subscribe & Follow Joke WRLD On:IG - https://www.instagram.com/joke.wrld/Tik Tok - https://vm.tiktok.com/ZMdMus6EG/Second Channel - https://www.youtube.com/channel/UCEiY5-3y6y7Dx1VKNPm2KsgSupport- https://www.patreon.com/jokewrld 

Johnny Mac dives into George Lopez's upcoming retirement  after his next comedy special, with reflections on other retired comedians. Jerry Seinfeld's controversial comments on political correctness and his backtrack on Tom Papa's podcast are discussed. The show also covers Jim Gaffigan's jabs at Kamala Harris and Melania Trump at the Al Smith dinner, and clarifies Trump's non-involvement in joke writing for his events. Continuing with comedy news, Andrew Schultz's censorship claims against the Brooklyn Academy of Music, Jimmy Kimmel and Donald Trump's ongoing feud, and Tony Hinchcliffe's ESPN College Game Day comments are highlighted. Additionally, new comedy specials from Hassan Minhaj and Des Bishop, a gambling scandal with Lee Jin-ho, and Billy Crystal's induction into the Basketball Hall of Fame for Clippers support are featured. 00:25 George Lopez Announces Retirement01:53 Jerry Seinfeld's Controversial Comments05:10 Jim Gaffigan at the Al Smith Dinner06:23 Twitter Reacts to Political Jokes06:30 Melania Trump's Reaction to Jim's Joke07:03 Trump's Comedy Writing Team07:35 Andrew Schultz's Show Cancellation Controversy08:22 Jimmy Kimmel vs. Donald Trump09:32 Seth Meyers' Bet with a Jets Fan10:03 Tony Hinchcliffe's Controversial Comments10:32 New Comedy Specials from Hassan Minhaj and Des Bishop11:55 Lee Jin Ho's Gambling Scandal13:12 Billy Crystal Honored by Basketball Hall of Fame Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get the other shows on the network ad-free!  $4.99, a no brainer. This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! You can also support the show at www.buymeacoffee.com/dailycomedynews Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media ThoughtsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

Kelly connects with Karen Brooks Hopkins, the former president of the Brooklyn Academy of Music (BAM), to discuss her book “BAM…And Then It Hit Me” “In an odd way, there is a kind of nobility in fundraising.”  “The first thing you need to know about fundraising is that it's not brain surgery. It's harder than brain surgery.”  […]

Director Aaron Schimberg takes us under the hood of his fascinating new film, which follows Sebastian Stan as a man with a condition that causes tumors to grow in the skin of his face. The story takes us through black comedy, thriller, and explores the streets of New York in an honest, gritty way we haven't seen since the films of the 70s. And Aaron opened up about his personal relationship to the story and actor Adam Pearson, who has the condition in real life. Around 48:00 we ask Aaron about his screening series at the Brooklyn Academy of Music, and he breaks down how each film inspired "A Different Man." Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Cohen back next week and thereafter, Alana Fishberg, US Open, Donald Viscardi, Please join us on Milo Time, @milotimepodcast, Run in Prospect Park in Milo's honor Sunday, November 10, meet at Milo's tree at 9am sharp, Join us for brunch at our house after you finish, The Conversation at the Brooklyn Academy of Music, 4:40pm, Sunday September 15, Gene Hackman, Robert Duvall, Teri Garr, Harrison Ford, Cindy Williams, John Cazale, Cazale in five movies, all nominated for Best Picture, JetsCast Inspired by Milo Time, Mitch Epner, Please join us on the podcast, Dropping by Wednesday at midnight each week, Plymouth Gin Water, Icy cold water without ice cubes, The Plymouth Gin bottle has been with us for about 12 years, Milo and I must have filled the bottle thousands of times, Milo didn't like having fruit in the water, Milo would often rank the water at a restaurant, Park Slope Diner on 5th Avenue between 8th and 9th Street, Coco Rocco, New Bleu Cafe, Milo's indifference to food, but treating water as important (with his tongue in his cheek), What do we do with the items that were important to Milo?, Invitation to consider Milo while drinking from a repurposed bottle 

We're thrilled to share a mashup of our MSNBC Live: Democracy 2024 event that we recently held at the Brooklyn Academy of Music. The whole day was a celebration of you, our viewers and listeners. It was the first of its kind in-person, interactive experience. We so enjoyed meeting so many of you. But if you couldn't join us in person, you're in luck – we're sharing key conversations in this episode. For more, be sure to check out our TV special airing Saturday, September 14th at 9 p.m. ET. For your reference, here are timecodes for the sessions included here:Claire McCaskill, Jen Psaki, and Andrea Mitchell 0:01:30-0:31:23Chris Hayes & Kate Shaw 0:31:36-0:51:20Andrew Weissmann & Ari Melber 0:51:25-1:12:53Rachel Maddow & Lawrence O'Donnell 1:13:13-1:45:45

We're thrilled to share a mashup of our MSNBC Live: Democracy 2024 event that we recently held at the Brooklyn Academy of Music. The whole day was a celebration of you, our viewers and listeners. It was the first of its kind in-person, interactive experience. We so enjoyed meeting so many of you. But if you couldn't join us in person, you're in luck – we're sharing key conversations in this episode. For more, be sure to check out our TV special airing Saturday, September 14th at 9 p.m. ET. For your reference, here are timecodes for the sessions included here:Claire McCaskill, Jen Psaki, and Andrea Mitchell 0:01:30-0:31:23Chris Hayes & Kate Shaw 0:31:36-0:51:20Andrew Weissmann & Ari Melber 0:51:25-1:12:53Rachel Maddow & Lawrence O'Donnell 1:13:13-1:45:45 

We're thrilled to share a mashup of our MSNBC Live: Democracy 2024 event that we recently held at the Brooklyn Academy of Music. The whole day was a celebration of you, our viewers and listeners. It was the first of its kind in-person, interactive experience. We so enjoyed meeting so many of you. But if you couldn't join us in person, you're in luck – we're sharing key conversations in this episode. For more, be sure to check out our TV special airing Saturday, September 14th at 9 p.m. ET. For your reference, here are timecodes for the sessions included here:Claire McCaskill, Jen Psaki, and Andrea Mitchell 0:01:30-0:31:23Chris Hayes & Kate Shaw 0:31:36-0:51:20Andrew Weissmann & Ari Melber 0:51:25-1:12:53Rachel Maddow & Lawrence O'Donnell 1:13:13-1:45:45 

We're thrilled to share a mashup of our MSNBC Live: Democracy 2024 event that we recently held at the Brooklyn Academy of Music. The whole day was a celebration of you, our viewers and listeners. It was the first of its kind in-person, interactive experience. We so enjoyed meeting so many of you. But if you couldn't join us in person, you're in luck – we're sharing key conversations in this episode. For more, be sure to check out our TV special airing Saturday, September 14th at 9 p.m. ET. For your reference, here are timecodes for the sessions included here:Claire McCaskill, Jen Psaki, and Andrea Mitchell 0:01:30-0:31:23Chris Hayes & Kate Shaw 0:31:36-0:51:20Andrew Weissmann & Ari Melber 0:51:25-1:12:53Rachel Maddow & Lawrence O'Donnell 1:13:13-1:45:45

Last April, Film Comment invited writer Adam Shatz on the Podcast to talk about The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, his new biography of the Martinican writer, psychiatrist, and anti-colonial revolutionary. The Podcast explored Fanon's lasting impression on the world of cinema since his untimely death in 1961—and it became the basis for a four-day series of screenings and talks we presented last weekend, called The Rebel's Cinema—Frantz Fanon on Screen. The series took place at four cinemas across New York City, beginning at Film at Lincoln Center with Michelangelo Antonioni's The Passenger (1975), moving to Maysles Documentary Center in Harlem for Gillo Pontecorvo's Burn!, (1969), winding down to the Brooklyn Academy of Music for Ivan Dixon's The Spook Who Sat by the Door (1973), and finishing up at Anthology Film Archives with Sarah Maldoror's Monangambeee (1969) and Assia Djebar's The Zerda and the Songs of Forgetting (1982). Each screening was followed by a Q&A with special guests, which we're excited to share this week on the Podcast. For our fourth and final episode, Film Comment editor Devika Girish welcomes Adam and filmmaker and artist Madeleine Hunt-Ehrlich to discuss Maldoror's masterful 1969 directorial debut, Monagambeee, about a political prisoner in Portuguese-ruled Angola, as well as The Zerda and the Songs of Forgetting, novelist Djebar's 1982 archival elegy to the Algerian freedom struggle and women's place within it.

Last April, Film Comment invited writer Adam Shatz on the Podcast to talk about The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, his new biography of the Martinican writer, psychiatrist, and anti-colonial revolutionary. The Podcast explored Fanon's lasting impression on the world of cinema since his untimely death in 1961—and it became the basis for a four-day series of screenings and talks we presented last weekend, called The Rebel's Cinema—Frantz Fanon on Screen. The series took place at four cinemas across New York City, beginning at Film at Lincoln Center with Michelangelo Antonioni's The Passenger (1975), moving to Maysles Documentary Center in Harlem for Gillo Pontecorvo's Burn!, (1969), winding down to the Brooklyn Academy of Music for Ivan Dixon's The Spook Who Sat by the Door (1973), and finishing up at Anthology Film Archives with Sarah Maldoror's Monangambeee (1969) and Assia Djebar's The Zerda and the Songs of Forgetting (1982). Each screening was followed by a Q&A with special guests, which we're excited to share this week on the Podcast. On today's episode, Film Comment editor Devika Girish welcomes Adam, writer Clifford Thompson, and editor and organizer Cheryl Rivera about The Spook Who Sat by the Door, Ivan Dixon's explosive 1973 adaptation of the novel by Sam Greenlee about a black CIA agent who uses his specialized training to build a guerrilla revolutionary army.

Last April, Film Comment invited writer Adam Shatz on the Podcast to talk about The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, his new biography of the Martinican writer, psychiatrist, and anti-colonial revolutionary. The Podcast explored Fanon's lasting impression on the world of cinema since his untimely death in 1961—and it became the basis for a four-day series of screenings and talks we presented last weekend, called The Rebel's Cinema—Frantz Fanon on Screen. The series took place at four cinemas across New York City, beginning at Film at Lincoln Center with Michelangelo Antonioni's The Passenger (1975), moving to Maysles Documentary Center in Harlem for Gillo Pontecorvo's Burn!, (1969), winding down to the Brooklyn Academy of Music for Ivan Dixon's The Spook Who Sat by the Door (1973), and finishing up at Anthology Film Archives with Sarah Maldoror's Monangambeee (1969) and Assia Djebar's The Zerda and the Songs of Forgetting (1982). Each screening was followed by a Q&A with special guests, which we're excited to share this week on the Podcast. On today's episode, Film Comment editor Devika Girish welcomes Adam as well as Maysles executive director Kazembe Balagun and scholar and writer Brent Hayes Edwards to talk about the entanglements of race and class, and history and Hollywood in Pontecorvo's period epic Burn!, which stars Marlon Brando as a British agent provocateur who overthrows a Portuguese colony in the Caribbean by fomenting a slave revolt.

Last April, Film Comment invited writer Adam Shatz on the Podcast to talk about The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, his new biography of the Martinican writer, psychiatrist, and anti-colonial revolutionary. The Podcast explored Fanon's lasting impression on the world of cinema since his untimely death in 1961—and it became the basis for a four-day series of screenings and talks we presented last weekend, called The Rebel's Cinema—Frantz Fanon on Screen. The series took place at four cinemas across New York City, beginning at Film at Lincoln Center with Michelangelo Antonioni's The Passenger (1975), moving to Maysles Documentary Center in Harlem for Gillo Pontecorvo's Burn!, (1969), winding down to the Brooklyn Academy of Music for Ivan Dixon's The Spook Who Sat by the Door (1973), and finishing up at Anthology Film Archives with Sarah Maldoror's Monangambeee (1969) and Assia Djebar's The Zerda and the Songs of Forgetting (1982). Each screening was followed by a Q&A with special guests, which we're excited to share this week on the Podcast. On today's episode, Film Comment editors Devika Girish and Clinton Krute welcome Adam as well as critic and film editor Blair McClendon to discuss the Fanonian themes of alienation and objectivity in The Passenger, Antonioni's 1975 epic that stars Jack Nicholson as an American journalist who assumes the identity of a dead gunrunner caught up in a revolutionary conflict in Chad

Dancers and romantic partners Bill T. Jones and Arnie Zane stood out in the modern dance movement of the 1970s and 1980s as they explored a new vocabulary of movement that helped redefine the landscape of dance.  Zane died of AIDS-related complications in 1988, and Jones vowed to continue their work with the company they co-founded.Shortly after, he began convening workshops across America with people who were living with a terminal illness. Jones studied their words, their expressions and their movements, and created a work called “Still/Here,” which debuted on stage in 1994. Journalist Bill Moyers and filmmaker David Grubin produced a documentary about the dance and its making. The stories depicted by the company dancers included inspiration from people with breast cancer, cystic fibrosis, HIV and other diagnoses — and it was both critically acclaimed and controversial.Jones is returning to this work 30 years on, staging it at the Brooklyn Academy of Music (BAM) this fall. In this episode, he talks with host Kai Wright about his reflections of creating such an essential piece of performance art while grieving, what he learned from spending time with the “survivors,” and his response to the criticisms he received. Jones also shares how “Still/Here” has evolved for a new generation of audiences, and discusses his legacy in the world of dance.For more information about the forthcoming performances of “Still/Here” and to purchase tickets, click here. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Co-host of MSNBC's The Weekend and former senior advisor to Vice President Harris Symone Sanders Townsend joins Sam for DNC week! Sam and Symone talk about how as kids they both hosted fake news shows, where she was when she heard President Biden was ending his campaign, why Symone had to make a pro/con list when deciding to leave the White House, being a risk-taker, and why voters like making history—and hopefully will again soon.  MSNBC will host MSNBC Live: Democracy 2024 on September 7, at the Brooklyn Academy of Music. It's MSNBC's inaugural audience-focused, live event featuring more than a dozen of your favorite hosts, including Rachel Maddow, Jen Psaki, Joy Reid, Symone and more. Tickets are available at https://www.msnbc.com/democracy2024. Keep up with Samantha Bee @realsambee on Instagram and X. And stay up to date with us @LemonadaMedia on X, Facebook, and Instagram. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

For Part 2 of our Summer Rep Report, film programmer Jessica Green joins to discuss Passing You By: Impostorism on Film, a new series she's programmed titled at the Brooklyn Academy of Music. The series opens today and runs through August 15 and focuses on movies that all explore the act of passing—be it for another race, gender, class, or nationality.  Film Comment editors Clinton Krute and Devika Girish spoke with Jessica about some of the highlights from the lineup, including Rebecca Hall's Passing (2021), which adapts Nella Larsen's 1920s novel of the same name; Oscar Micheaux's silent-cinema classic, The Symbol of the Unconquered (1920), which was made in response to The Birth of a Nation (1915) and now features a score recorded by Max Roach; Omar (2013), a Palestinian film by director Hany-Abu Assad; as well as some lighter, yet thematically rich fare, like White Chicks (2004) and Coming to America (1988).

On this episode of the Bodybuilding Legends Podcast, guest Jerry Brainum joins John Hansen for a discussion about the History of the Mr. Olympia contest. This year will mark the 60th Mr. Olympia so Jerry and John go all the way back to the first Mr. Olympia contest and talk about the different eras of the biggest bodybuilding contest in the world. In Part One of their discussion, Jerry and John talk about the Bud Parker Era (1965-1969) when the Mr. Olympia was held at the Brooklyn Academy of Music for the first five years. They also discuss the Arnold Era which lasted from 1970-1975 when Arnold Schwarzenegger was the King of Bodybuilding.  Time Stamps: 2:50 - The Podcast is back! 5:25 - The Tampa Pro 6:05 - Emails to the show 11:00 - Start of interview with Jerry Brainum 17:11 - The Bud Parker Era (1965-1969) 18:10 - The 1966 Mr. Olympia 34:36 - Sergio's Mr. Olympia wins 43:32 - The Arnold Era (1970-1975) 44:00 - 1970 Mr. Olympia 46:09 - 1971 Mr. Olympia 49:55 - Arnold vs. Sergio in 1972 56:56 - 1973 Mr. Olympia 59:10 - Arnold's calf implant rumors 1:07:05 - 1974 Mr. Olympia 1:10:16 - 1975 Mr. Olympia in Pretoria, South Africa   Links: Jerry's Newsletter Become a Patreon Sponsor Bodybuilding Legends website John's YouTube Channel John's Nutrition and Workout Coaching Bodybuilding Legends Podcast - Instagram

This week, I take you on a personal journey of self-discovery and reflection. Inspired by an unexpected find in a book about the Brooklyn Academy of Music, I share a powerful story about recognizing your true worth and the lasting impact of your actions.    I explore the importance of being present, practicing gratitude, and acknowledging our unique contributions to the world.    This episode offers valuable insights and practical steps for anyone looking to deepen their self-awareness and appreciate their own value.    In this episode, we'll explore:   The surprising text message I received from a dear friend recently The importance of knowing your worth and being present in the moment Five key steps for acknowledging and appreciating your worth How our present actions can have long-lasting impacts More from Tricia  Unlock your speaking potential inside The Big Talk Academy Explore my content and follow me on YouTube Follow me on Instagram  Connect with me on Facebook  Connect with me on LinkedIn  Visit my website at TriciaBrouk.com 

The word “departure” generally refers to the physical act of leaving a place. However, departure also indicates a deviation from one's traditional course of action or way of thinking.  As we close out this season of Sounds Current, Charlton and esteemed collaborators reflect on their experiences related to the development and subsequent productions of Angel Island. How have the music, the conversations, and their experiences on Angel Island shaped their understanding of the current immigration debate in the US and beyond? How has being a part of the project affected their personal narratives and understanding of family history? And what does the future hold for this project as a whole?  And how is the audience receiving the piece? For the first time in this series, we hear immediate reactions.. Part 4 Features: Matthew Ozawa, Stage Director, New York premiere of Angel Island Andi Wong, Teaching Artist and Arts Advocate Genny Lim, Poet, Playwright, Performer, and Pioneer Casey Dexter-Lee, State Park Interpreter II for Angel Island Susan Moffat, Principal, Future Histories Studio Huang Ruo, Composer, Angel Island Ben Kreith, Del Sol Quartet violinist Kathryn Bates, Del Sol Quartet cellist Hyeyung Sol Yoon, Del Sol Quartet violinist Sidney Chen, Singer, Volti San Francisco Ed Tepporn, Executive Director, Angel Island Immigration Station Foundation And numerous audience members from the Next Wave Festival, co-presented by Brooklyn Academy of Music and Prototype Festival, Produced by Beth Morrison Projects in association with Brooklyn Academy of Music.   Featured Music Provided By: Meilina Tsui Byron Au Yong Theresa Wong Timo Chen Taylor Ho Bynum Erika Oba Juri Seo   Order Huang Ruo's A Dust in Time here, listen in Spotify or your favorite music streaming service. The Angel Island Immigration Station Foundation invites you to Immigrant Voices, a growing archive of personal stories of Pacific Coast immigrants. Explore here.   LEARN MORE: https://www.delsolquartet.com/podcast Del Sol Quartet on Spotify Facebook Instagram YouTube   CREDITS: Hosted by Charlton Lee Produced by Andrea Klunder, The Creative Impostor Studios, Charlton Lee, Kathryn Bates, Hyeyung Sol Yoon, Ben Kreith Story Editor: Andrea Klunder Sound Design: Andrea Klunder Technical Director & Post Production Audio: Edwin R. Ruiz Field Producer & Recording Engineer: Kathryn Bates Field Producer: Verena Lee Podcast Manager: Alex Riegler Show Notes: Lisa Widder Cover Art: Felicia Lee Theme Music: Charlton Lee Executive Producers: Andrea Fellows Fineberg, Don Fineberg Featured music from The Angel Island Oratorio composed by Huang Ruo. Performed by Del Sol Quartet & United States Air Force Band's Singing Sergeants / National Museum of Asian Art, Smithsonian Institution, recording and edited by Suraya Mohamed.  

On Season 5, Episode 8 of The Art Career Podcast, Emily sits down with gallerist, Dominique Clayton. In this episode Dominique shares what it is to be a black woman in the art world. Dominique Clayton is an arts consultant, writer, gallerist born and raised in Los Angeles. Clayton is the founder and director of Dominique Gallery, a store front turned pop-up exhibition and online program which showcases and advises emerging artists with a focus on marginalized artists and artists raising families. In addition to the gallery, Dominique also serves on the curatorial and programming committee of Destination Crenshaw, a forthcoming outdoor art museum and arts program based in the historic Crenshaw community of Los Angeles. Dominique previously worked as Manager of the Founding Director's office at The Broad and later as an interim director at Jeffrey Deitch Gallery. In her arts management role, she has provided logistical, curatorial, and production management for exhibitions and productions for arts organizations and media companies including The Broad, ARRAY, WACO Theater Center and Wearable Art Gala, Venice Family Clinic Art Walk and Auction, Fashion Mamas, Brooklyn Academy of Music, Dance Africa Festival, Black Entertainment Television, Lee Daniels Entertainment, and the Tribeca Film Institute. Clayton was also a 2019-2020 participant in the Creative Capital/Warhol Foundation Art Writer Workshop under the mentorship of the late Maurice Berger. Her arts writing has been featured on several platforms and publications including Cultured Magazine, LALA Magazine, Artsy, Sugarcane Magazine, Blavity, 21Ninety, and her own forthcoming Black Arts Diary. Clayton holds a masters degree in Business Design and Arts Leadership from Savannah College of Art and Design as well as an undergraduate degree from Columbia University. @lookatdominique @dominique.gallery https://www.dominiquegallery.com/ Black owned galleries to support: https://www.artsy.net/article/artsy-editorial-black-owned-galleries-support-united-states

On this week's episode we bring you our exclusive interview with filmmaker Debra Robinson who recently had two of her films, I Be Done Been Was Is and Kiss Grandmama Goodbye restored and screened at the Brooklyn Academy of Music. The movies were restored by the Academy of Motion Picture Arts and Sciences with the help of New York Women in Film and Television and the Women's Film Preservation Fund. Plus an updated on this year's Tribeca Festival including some of the television and streaming series projects as well as talks and performances at this year's festival including: Mastermind, The Walking Dead: Daryl Dixon Book of Carol, Yanqui, Hollywood Black, ESPN's In the Arena: Serena Williams, and the untitled Tim Burton docuseries running June 5th through the 16th. Show theme by Christopher Gillard Created & Hosted by Jason Godbey Sponsored by BlackMagic Design JMR Rentals Show theme & Music By Christopher Gillard Created & Hosted by Jason Godbey --- Support this podcast: https://podcasters.spotify.com/pod/show/no-rest-for-the-weekend/support

Today on the podcast Rain is joined by writer and musician, Kathleen Hanna. Their conversation travels from shared memories of being in bands in the 90’s, Kathleen’s thoughts on feminism today, how anger can motivate and harm creativity, the importance of self care and why it’s best to ditch toxic relationships. Kathleen’s memoir REBEL GIRL is out now. We then hear from the incredibly inspiring writer and filmmaker Naz Riahi, who shares what it was like to work with Kathleen on Rebel Girl, how music found her in Iran as a child, what inspires her, and what’s next for her creatively. Tune in to this power hour of conversation at LaunchLeft.com/podcast.  -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE:  [5:25] How much has feminism changed since the 80s? What is the state of feminism today? [10:54] What is an internal positive belief that has stayed with Kathleen since childhood that she still draws upon?  [12:24] Are all art forms the same or different in the process of creating?  [18:26] Does anger motivate Kathleen when she is writing?  [29:03] What does Kathleen do for self care while on the road?  [37:44] What is Kathleen’s advice for young women?  [41:05] How did music find Kathleen? [43:20] Kathleen introduces Naz Riahi and explains why she tipped her hat to Naz. [49:31] Naz joins the show and shares about what it was like working with Kathleen. [52:52] What about working with Kathleen influenced Naz’s own work or inspired her as a writer? [56:16] How did music find Naz? [58:36] What is next for Naz?   KEY TAKEAWAYS:  [24:47] We’re all creators, we all have the ability. We’re creating every day by being alive, we are creating our reality, we’re creating the future of what we want to be and say and do in the world.  [38:12] If you find yourself in a toxic relationship with someone, whether that be a friend, family or lover, step away. Those toxic people are standing in the way of other people who are waiting for an opportunity to be in your life.  [55:11] Take chances to try new things and allow opportunities into your life, but if you are finding those things take away from your energy to do the things you love, then you know those are not for you.    RESOURCE LINKS:  LaunchLeft Podcast Smart Link Links for Kathleen Hanna: Kathleen Hanna's Website  Kathleen Hanna's Instagram  Kathleen Hanna's TikTok  Bikini Kill Website  Bikini Kill Instagram  Bikini Kill Twitter   Bikini Kill Bandcamp  Bikini Kill YouTube  Le Tigre World Instagram  Le Tigre World Facebook Links for Naz Riahi Naz Riahi's Website  Naz Riahi's Instagram    BIOGRAPHIES:  Katheleen Hanna: Kathleen Hanna is a punk singer, artist, and the front-woman of the influential bands Bikini Kill and Le Tigre. Hanna is a staple in feminist publications, from college curriculums to bestselling books, and a leading voice in the punk feminist movement. She has been named one of the best live performers of our time, earning acclaim from Rolling Stone, The New York Times, NPR, Interview Magazine, V Magazine, Vogue, Entertainment Weekly, BUST Magazine, NYLON and Los Angeles Times, to name a few. Naz Riahi: Naz Riahi (she/her) is a filmmaker, writer and artist. Much of her work explores the spaces, emotions and opportunities and humor of reaching for connection, informed by her experiences as an immigrant from Iran. She was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. Her short film Sincerely, Erik received a Vimeo Staff Pick and won a Vimeo Best of the Year Award and was named a NoBudge Best Film of the Year. It has garnered praise from Brooklyn Academy of Music (BAM), The New York Times T Magazine and Fast Company among numerous publications and cultural institutions. Her essays, journalism and fiction have been published widely in outlets such as Harper’s Bazaar, Oldster, Pipe Wrench, Food & Wine, Los Angeles Review of Books, Longreads, Catapult, The Fader, Guernica and more. Naz has performed original works at MoCA (Museum of Contemporary Art Los Angeles) and at Dynasty Handbag’s Weirdo Night. She was the creator of the dialogical art project, Bitten. In recognition of Bitten, Naz was invited to SXSL at the Obama White House. An essay she wrote about the experience received public praise from President Obama. Her collection of short stories, Vibrations, will be published by Dopamine Press in 2025. Naz holds an MFA from the New School and is the recipient of a NYFA City Artist Corps Grant.

Hailed as “a composer many believe to be the best of his generation” by The New York Times. Mikel Rouse's works include forty records, seven films, and a trilogy of media operas: Failing Kansas, Dennis Cleveland, and The End of Cinematics. He has received commissions from the Brooklyn Academy of Music, the Mary Flagler Cary Charitable Trust, and the Meet the Composer/Reader's Digest Commissioning Program. Rouse's compositions have been performed at Lincoln Center, the New York State Theater, and Alice Tully Hall, and throughout the United States and Europe. We chat with him about his work, a new memoir, and upcoming album! Check out more of his work at www.mikelrouse.com

Pearl Bowser was an early expert in Black cinema, and helped uncover and shed light on the work of early Black filmmakers. A new retrospective at the Brooklyn Academy of Music seeks to honor her legacy. BAM president Gina Duncan joins us to discuss, The Boom Is Really An Echo: Selections from the Pearl Bowser Media Collection, alongside Pearl's daughter, co-curator Gillian Bowser. The retrospective runs from April 19-21.This segment is guest-hosted by Kousha Navidar.

Hosts Howard Megdal and Jackie Powell bring you inside the 2024 WNBA Draft live from Brooklyn Academy of Music

Ann Batchelder joins Let's Talk Memoir for a conversation about using myth as a jumping point for interpreting ourselves, trusting intuition, the idea of mother failure, regret and letting go, addiction and recovery in loved ones, mental health stigma, deciding when to show loved ones the manuscript, and her memoir Craving Spring: A Mother's Quest, a Daughter's Depression, and the Greek Myth that Brought Them Together.   Also in this episode: -how stories save us -Alanon -mother guilt   Books mentioned in this episode: Beautiful Boy by David Sheff Wild by Cheryl Strayed Another Bullshit Night in Suck City by Nick Flynn Glass Castle by Jeannette Walls The Tender Bar by J.R. Moehringer H is for Hawk by Helen Macdonald Eating in the Light of the Moon by Dr. Anita  Johnston Work by Pema Chodron Work by Tara Brach   Ann Batchelder is the author of Craving Spring: A Mother's Quest, a Daughter's Depression, and the Greek Myth that Brought Them Together. She served as Editor of FIBERARTS Magazine, was guest curator for the Asheville Art Museum where she designed and developed three major contemporary art exhibitions featuring artists such as Louise Bourgeois, Ann Hamilton, Sally Mann, Maya Lin, and Laurie Anderson, and was Director of Special Events for the Brooklyn Academy of Music. Ann earned an MSW in psychotherapy and is the mother of two adult children.  Connect with Ann: Website: https://www.annbatchelder.com Facebook: https://facebook.com/ann.batchelder.9 Instagram: https://instagram.com/annbatchelder     — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

The Season 8 Premiere of Meet the Creatives with Michael Beirut, Partner at Pentagram. Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning, graduating summa cum laude in 1980. He worked for ten years at Vignelli Associates before joining Pentagram as a partner in 1990. His clients at Pentagram have included The New York Times, Saks Fifth Avenue, The Robin Hood Foundation, MIT Media Lab, Mastercard, Bobby Flay Bold Foods, Princeton University, the New York Jets, the Brooklyn Academy of Music, and Playwrights Horizons. As a volunteer to Hillary Clinton's communications team, he designed the H logo that was ubiquitous throughout her 2016 presidential campaign. Bierut served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. He also serves on the boards of the Architectural League of New York and the Library of America. Bierut was elected to the Alliance Graphique Internationale in 1989, to the Art Directors Club Hall of Fame in 2003, and was awarded the profession's highest honor, the AIGA Medal, in 2006. He was winner in the Design Mind category at the 2008 Cooper-Hewitt National Design Awards. In 2016, he was the Henry Wolf Resident in Graphic Design at the American Academy in Rome. Bierut is a senior critic in graphic design at the Yale School of Art and a lecturer in the practice of design and management at the Yale School of Management. He is a cofounder of the website Design Observer and is the co-editor of the five-volume series Looking Closer: Critical Writings on Graphic Design published by Allworth Press. Michael's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. A monograph on his work, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world was published in 2015 by Harper Collins. His collection of new essays, Now You See It, was published in fall 2017.

When Ann's world was turned upside down by her daughter's addiction and mental health struggles, she was thrown into a journey that no guidebook on parenting could prepare her for. Her heart-rending tale of seeking therapy and rehabilitation for her daughter and confronting the heavy cloak of self-blame unfolds in this episode with raw honesty. Ann Batchelder served as Editor of FIBERARTS Magazine, was guest curator for the Asheville Art Museum, worked as an account executive at a Manhattan advertising agency, and was Director of Special Events for the Brooklyn Academy of Music. Ann earned an MSW in psychotherapy. Her book Craving Spring -a mother's quest, a daughter's depression, and the Greek myth that brought them togetherTaking a page from the timeless Greek myth of Demeter and Persephone, we weave through the intricate dance of holding on and letting go that every parent must learn. Ann's experience opens a window into storytelling's transformative power in healing and self-discovery, challenging the conventional wisdom of 'how-to' parenting in favour of a journey to self-trust. The conversation also serves as a salient reminder that breaking through the silence on mental health can foster a community rich in compassion and support, one story at a time.As we wrap up the conversation, Anne's insights into navigating the intricacies of mother-daughter communication shine a light on the potential of listening and responding with intention. The wisdom she imparts on guiding children into adulthood, coupled with her journey chronicled in "Craving Spring," offers a touchstone for those grappling with similar tribulations. This episode isn't just a sharing of experiences; it's an invitation to embrace the collective strength of vulnerability and remember that you are not alone in the face of adversity.Ann is the mother of two adult children and lives with her husband in Asheville, NC. She just published her memoir. Let's enjoy her story! To connect with Ann - www.annbatchelder.comSupport the showTo Share - Connect & Relate: Share Your Thoughts and Shape the Show! Tell me what you love about the podcast and what you want to hear more about. Please email me at behas.podcats@gmail.com and be part of the conversation! To be on the show Podmatch Profile Thank you for listening - Hasta Pronto!

Join Alexa Patrick and special guests for a celebration of her debut poetry collection Remedies for Disappearing. This event took place on June 6, 2023. In this beautiful debut from an exciting new poet, Alexa Patrick's Remedies for Disappearing memorializes Blackness in its quiet and unexpected forms, bringing the peripheral into focus. These poems muddy Black life and death, observe lineage and love stories, and question what “disappearing” teaches about Blackness and bodies. Remedies for Disappearing is gritty, sharp, and formally inventive, demonstrating Patrick's imaginative curiosity, lyrical restraint, and confidence in her handling of language. Moments of aphoristic confession are balanced with imagistic precision as the speaker recounts the ways her aunties, sisters, and even herself have disappeared in order to survive. Patrick's poetry is haunting and hopeful, striving to provide readers with the tools and context to acknowledge, define, and honor the complexity of Black girl/womanhood. Remedies for Disappearing connects Black girls and women to each other and to their own histories, and insists that they be fully and wholly seen. Get Remedies for Disappearing from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Alexa Patrick is a poet and vocalist from Connecticut. She is a Cave Canem fellow and Tin House alumna. She has also been cast in the featured role of Unsung in We Shall Not Be Moved, an opera under the direction of Bill T. Jones. You may find Alexa's work published in The Quarry, The Rumpus, CRWN Magazine, and The BreakBeat Poets Vol. 2: Black Girl Magic. Raina León is a teacher, writer, artist, curator, scholar, and speaker. You might know her as a founding editor of The Acentos Review, the lead coordinator for Nomadic Press Philadelphia, the author of black god mother this body, and co-founder of StoryJoy, Inc. with Dr. Norma Thomas. She does lots of things and invites you to dream with her sometime. Jasmine Mans is a Black poet and performance artist from Newark, New Jersey. Jasmine's poetry book, BLACK GIRL, CALL HOME has been named one of Oprah's Most Anticipated LGBTQ Books and a TIME Magazine Must Read, to name a few; and Jasmine herself named as Essence's #1 Contemporary Black Poet to Know. Jasmine most recently collaborated with the Brooklyn Ballet on an original performance piece titled Unnatural Surrounding at the prestigious Brooklyn Academy of Music. Gabriel Ramirez, a Queer Afro-Latinx poet and teaching artist has received fellowships from Palm Beach Poetry Festival, The Watering Hole, The Conversation Literary Arts Festival, CantoMundo, Miami Book Fair, and a participant in the Callaloo Writers Workshops. You can find his work in publications like The Volta, Split This Rock, VINYL, Acentos Review as well as Bettering American Poetry Anthology, What Saves Us: Poems of Empathy and Outrage in the Age of Trump and The Breakbeat Poets Vol. 4: LatiNEXT. Kush Thompson, author of A Church Beneath the Bulldozer (2014), is a Chicago-born poet, painter, archivist, educator, and Cave Canem fellow. Voted runner-up best local poet of 2014 by The Chicago Reader, a 2015 Young Futurist by The Root, and a 2017 Pink Door & Luminarts Creative Writing Fellow, Thompson's contributed over a decade of performances and creative writing workshops, both nationally and internationally. Watch the live event recording: https://youtube.com/live/naG3oOfqw6g Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Actor Adam Driver feels thrilled to be Conan O'Brien's friend.Adam sits down with Conan Live at the Brooklyn Academy of Music to discuss starting his own fight club, learning how to send a telegraph for Lincoln, and portraying Enzo Ferrari in his new film Ferrari. Plus, Conan, Matt, and Sona answer live audience questions about a new couple's compatibility, casting the Chill Chums movie, and teaching college courses.For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847.

Comedy trio Please Don't Destroy feels too young to be Conan O'Brien's friend. Ben, John, and Martin sit down with Conan to discuss bringing their act in front of Lorne Michaels, their unique group dynamic, and playing with the evolution of sketch comedy. Plus, Paul Rudd drops by with a special treat for Conan, and the Chums take audience questions about turning into a chair, Halloween costumes, childhood crushes, and more. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847.

A number of groundbreaking theater, opera and dance performances are on tap for Brooklyn Academy of Music's Next Wave Fest. Last night, avant-garde artist Laurie Anderson kicked off the festival with a performance alongside New York City-based Jazz band Sexmob. BAM's director of archives Sharon Lehner and BAM artistic director Amy Cassello join us to discuss the 40th anniversary of Next Wave Fest and share some memorable moments from previous years.

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People's History of the United States in the 21st Century: Documents of Hope and Resistance.This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People's History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn's classic book, A People's History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People's History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board."We have to create alternative institutions to understand history. And to have conversations about how we can intervene because these conversations are increasingly being criminalized, and librarians are being fired and punished. Teachers are also being fired. Whole colleges are being taken over and certain courses are being labeled as not credit-worthy and being canceled. And while conversations around critical race theory and other topics are being declared illegal, there's a long history of book banning in this country. There's a long history of criminalizing dissent in this country, but I do think we all have to recognize that we're in a much more dangerous moment right now, where a new form of McCarthyism is emboldened and we have to speak out against that."https://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-centurywww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20Photo credit: Francesca Ruggiero and Eric Soucy

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People's History of the United States in the 21st Century: Documents of Hope and Resistance.This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People's History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn's classic book, A People's History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People's History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board."Climate action has become woven into every aspect of our society. I remember that time so clearly. It wasn't just activists and politicians who were building the future. Artists, creatives, storytellers, actors, and athletes began realizing their part in these movements to shape culture and reach the masses. Entrepreneurs, designers, architects, and poets began to reimagine what our society could look like if we used this great time of crisis as humanity's most unifying moment.I remember the shows I played and how we transformed those arenas into places of celebration and unity. The idea of being an activist was left behind. We realized that it is within our power as humanity and identity that belongs to all of us. To change the story and to build the world we've always known was possible. The place the world is in is a result of us striking the balance between technology, innovation, culture, and the ancient wisdom and teachings of the original peoples of this earth. Here we are, 10 years after changing everything to redefine our legacy, carried on in flowers and songs."from Xiuhtezcatl Tonatiuh Martinez's “To Fight for a Just Climate Is to Fight for Everything That We Love” inChapter 8: OUR RESISTANCE MUST BE INTERSECTIONALhttps://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-centurywww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20Photo credit: Francesca Ruggiero and Eric Soucy

Through his abstract paintings, the Miami-born, Brooklyn-based artist José Parlá explores themes ranging from memory, gesture, and layering, to movement, dance, and hip-hop culture, to codes, mapping, and mark-making. Coming up in Miami in the late 1980s and early '90s, Parlá spent his adolescence and young adult years steeped in hip-hop culture and an underground scene that involved break dancing, writing rhymes, and making aerosol art. The art form still manifests, in wholly original ways, in his abstract works, which, while decidedly of the 21st century, extend in meaning and method back to ancient wall writings and cave drawings.On the episode, Parlá talks about his recent near-death experience with Covid-19; his activism with the collective Wide Awakes; and how his large-scale murals at locations including the Brooklyn Academy of Music, Barclays Center, and One World Trade Center trace back to his early days of painting elaborate wall works with aerosol.Special thanks to our Season 7 sponsor, Van Cleef & Arpels.Show notes: [07:37] Rey Parlá[11:45] Ciclos: Blooms of Mold[12:19] Augustin Parlá[13:13] Curtiss School of Aviation[14:05] José Martí[16:20] “Phosphene” series[18:27] “Polarities” series[18:32] “Breathing” series[23:25] Wide Awakes[23:26] For Freedoms[23:29] Hank Willis Thomas[23:31] J.R.[23:35] Wildcat Ebony Brown[24:28] “The Awakening”[32:04] “It's Yours”[34:17] Snøhetta[34:45] Ghetto Gastro[36:50] Craig Dykers[36:55] José Parlá's Studio[38:20] James B. Hunt Jr. Library[38:22] “Nature of Language”[38:47] Far Rockaway Writer's Library[56:56] “Brothers Back to Back”[59:51] “Parlá Frères”[01:00:03] Hurricane Andrew[01:00:12] Savannah College of Art and Design[01:01:32] New World School of the Arts[01:01:51] Mel Alexenberg[01:02:29] “Combine” by Robert Rauschenberg[01:06:29] “Gesture Performing Dance, Dance Performing Gesture” at BAM[01:06:30] Barclays Center mural[01:06:32] “One: Union of the Senses” at One World Trade Center[01:06:33] “Amistad América” at the University of Texas at Austin[01:12:08] Gordon Parks fellowship

This week on Conversations on Dance, we are joined by author, Alice Robb, whose memoir, ‘Don't Think, Dear', chronicles her experiences as a young ballet student. We talk about the creative process for the book, her decision to include far reaching studies on pain tolerance, dancer psychology, and other subjects to give context to a dancer's life and experience, and the book's place in recent high profile conversations that have arisen about whether, or how, problematic ballet's past and present really are. Alice's book is available on Amazon: https://amzn.to/3nZkYEtTHIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Energetiks are a sustainable, Australian Made brand that specialise in creating world class dancewear for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in Energetiks' premium, high performance fabrics. See their entire range online at energetiks.com and for all listeners there's a 20% discount on all Energetiks products using the code COD20 at the checkout [available until the end of September 2023].After a nearly-decade-long hiatus from live performance, ChrisMastersDance returns with Mausoleum, at Brooklyn Academy of Music's Fishman Space, June 2nd to 4th. Reckoning with the dance field's history of systematic exploitation, ChrisMastersDance is building a Mausoleum — a place to acknowledge and remember a past that has been laid to rest —making way for a tomorrow that sets aside unsustainable forms of life and work. Don't miss Mausoleum at BAM this is June 2- 4. Tickets are available at bam.org/Mausoleum or click the link in the show notes.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

As a littler girl, Jen Kober discovered the allure of being a brownie scout… the Girl Scout Cookie. Holding out for Girl Scout Cookie release day was another struggle all together. Performed Live by Jen Kober at the Brooklyn Academy of Music. Music written by Alex Mandel and performed by the Snap Players Alex Mandel, Tim Frick and David Brand Season 14 - Episode 17

Our most ambitious live show ever! We pulled together a massive team of theater pros at the Brooklyn Academy of Music's Opera House—nearly 50 singers, actors, dancers and musicians. The result? Journalism turned into a Broadway musical, into opera. Mike Birbiglia, Sasheer Zamata, Stephin Merritt, Josh Hamilton, Lindsay Mendez, Lin-Manuel Miranda and others.