Podcast appearances and mentions of Moses Hogan

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of St. Scholastica. The officiant and preacher is the Rev. Canon David Boyd. Choral repertoire includes:Joanna Forbes L'Estrange (b. 1971), Preces & ResponsesAlexander L'Estrange (b. 1974), New College, OxfordAnnabel Rooney (b. 1973), Round me falls the nightSpiritual, arr. Moses Hogan (1949-1996), Abide with me

This week on The Choral Director's Toolbox, host William Baker welcomes Dr. Jamea Sale, Director of the Institute for Healthy Singing and Voice Research, for a special discussion on Prescriptive Choral Training. Learn how this approach moves beyond traditional warm-ups, incorporating voice science, body mapping, and kinetic movement to optimize vocal performance and ensemble cohesion. This week's listener question explores the best devices for recording rehearsals, and today's inspiration features Moses Hogan's powerful spiritual “I'm Gonna Sing Till the Spirit Moves in My Heart” performed by The William Baker Festival Singers. Join us for a thought-provoking and practical episode!

Sunday Worship for May 19, 2024, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen, choral guests from Northwest Repertory Singers Prelude—Chorale prelude SONG 13 (ELW 398, “Holy Spirit, Truth Divine”), Emily Maxson Porter (b. 1942); Chorale prelude on DOWN AMPNEY (ELW 804, “Come Down, O Love Divine”), Walter Pelz (b. 1926) • Introit —Wisdom 1:7, Psalm 68:1 • Gathering Hymn—Come Down, O Love Divine •  First Reading—Acts 2:1-21 • Psalm 104:24-34, 35b • Second Reading—Romans 8:22-27 • Anthem—Set Me as a Seal René Clausen (b. 1953) (Sung by members of NWRS) • Gospel—John 15:26-27; 16:4b-15  • Hymn of the Day—Holy Spirit, Truth Divine, ELW 398 • Hymn after Distribution —Veni Sancte Spiritus (ELW 406) • Anthem —This Little Light of Mine, Moses Hogan (1957–2003) (Sung by members of NWRS) • Sending Hymn— God of Tempest, God of Whirlwind, ELW 400  • Postlude—Toccata in G major, Théodore Dubois (1837–1924) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠go to this link.⁠

This service of Choral Eucharist, sung by the Cathedral Choir, observes the Day of Pentecost. The celebrant and preacher is the Rev. Canon Lauren Holder. Choral repertoire includes: David Briggs (b. 1961), Truro EucharistRoland Martin (b. 1955), WhitsundaySpiritual, arr. Moses Hogan (1957-2003), Every time I feel the Spirit

Illinois Central College Music Department Chair and Professor Dr. Julie Clemens and students Abby Lowe and Mackenzie Santana join The Greg and Dan Show for a conversation on the community college's music and arts programs.  Dr. Clemens notes the wide range of events and exciting programs happening throughout the month of May and the ICC campus. The ICC Concert Choir Spring Performance is on Sunday, May 5 at 7:00 PM featuring a variety of music from composers such as Leonard Bernstein and Moses Hogan. Admission is free and open to the public. See omnystudio.com/listener for privacy information.

Last week we celebrated the 97th birthday of our Ur-Diva, Leontyne Price. And today, continuing my Black History Month 2024 theme of “Forgotten Divas,” I present to you a Verdi soprano of similar repertoire and voice to Miss Price, Annabelle Bernard (1935-2005), whose career, unlike Price's, was centered primarily in Europe, specifically at the Deutsche Oper in Berlin, where she was a member of the company for nearly forty years. Born in New Orleans, she received her early musical training from Earl Hogan (uncle of the famous composer and conductor Moses Hogan) and Sister Mary Elise Sisson, whom Bernard herself credited with being her formative and primary musical inspiration. With the patronage of Edith Rosenwald Stern, an heiress to the Sears-Roebuck fortune, Bernard found early success in Europe, winning second prize in the Munich ARD Competition in 1960, settling in Berlin in 1962. Annabelle Bernard was married to the German tenor Karl-Ernst Mercker (1933-2021), who in addition to appearing alongside her in many performances and productions, was also a fierce advocate for his wife during her tenure in Berlin, when she would encounter racism. The two of them retired to New Orleans in 1998, where Bernard became a voice teacher at Xavier University, her alma mater. This episode includes rare live clips of the soprano in works by Verdi, Mercadante, and Dallapiccola, as well as from her sole commercial recording, excerpts from Porgy and Bess in German alongside the iconic African American baritone Lawrence Winters, released in 1964, the year before Winters's untimely death. Mercker's strong lyric tenor is also featured in a few brief excerpts, but the main focus is on the radiant voice and artistry of Annabelle Bernard. Believe me when I tell you that I remain on the lookout for further recordings of this magnificent artist! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of Martin Luther King, Jr.. The officiant and preacher is the Rev. Canon Julia Mitchener. Choral repertoire includes: Joel Martinson (b. 1960), Preces & ResponsesBryan Kelly (b. 1934) in CSpiritual, arr. Moses Hogan (1957-2003), This little light of mineSpiritual, arr. Larry L. Fleming (b. 1936), Give me Jesus

10:00 a.m. Worship Service Mystery on the Mountain By the Rev. Dr. Agnes W. Norfleet _________________________________ Hymn: Swiftly Pass the Clouds of Glory Text: Thomas H. Troeger, 1985. Music: George Henry Day, 1940. Text: ©1985 Oxford University Press, London. Music: ©1943, 1961, 1985 Church Pension Fund. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: O Nata Lux ©2018 St. James Music Press. Reprinted and streamed with permission by St. James Music Press, license #7158. All rights reserved. Hymn: What Wondrous Love Is This Text: American folk hymn, c. 1811. Music: Walker's Southern Harmony, 1835; harm. Carlton R. Young, 1965. Music Harm: ©1965 Abingdon Press (admin. The Copyright Company). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: For Everyone Born Music: Traditional Spiritual; arr. Moses Hogan (1957-2003). Music: ©2002 Hal Leonard Corporation, Winona, MN. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude: “Sortie” from Triptych for Transfiguration Music: Richard Webster, 2005. Music: ©2005 Augsburg Fortress. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of Absalom Jones. The officiant and preacher is the Rev. Canon Cathy Zappa. Choral repertoire includes:Gerre Hancock (1934-2012), Preces & ResponsesDavid Hurd (b. 1950), Sewanee CanticlesSpiritual, arr. Moses Hogan (1957-2003), This little light of mineSpiritual, arr. Gerre Hancock (1934-2012), Deep River

Pianist Jon Batiste has been pushing the boundaries of classical music since he was a child, fusing jazz and R&B with classical music to create an unforgettable sound. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Heralded as "[one] of the most powerful voices of our time" by the Los Angeles Times, bass-baritone Davóne Tines has come to international attention as a path-breaking artist whose work not only encompasses a diverse repertoire but also explores the social issues of today. As a Black, gay, classically trained performer at the intersection of many histories, cultures, and aesthetics, Tines is engaged in work that blends opera, art song, contemporary classical music, spirituals, gospel, and songs of protest, as a means to tell a deeply personal story of perseverance that connects to all of humanity. Davóne Tines is Musical America's 2022 Vocalist of the Year. During the 2022-23 season, he continues his role as the Philharmonia Baroque Orchestra & Chorale's first-ever Creative Partner and, beginning in January 2023, he will serve as Brooklyn Academy of Music's first Artist in Residence in more than a decade. In addition to strategic planning, programming, and working within the community, this season Tines curates the “Artist as Human” program, exploring how each artist's subjectivity—be it their race, gender, sexuality, etc.—informs performance, and how these perspectives develop throughout their repertoire. In the fall of 2022, Tines makes a number of important debuts at prominent New York institutions, including the Park Avenue Armory, New York Philharmonic, BAM, and Carnegie Hall, continuing to establish a strong presence in the city's classical scene. He opens his season with the New York premiere of Tyshawn Sorey's Monochromatic Light (Afterlife) at the Park Avenue Armory, also doubling as Tines' Armory debut. Inspired by one of Sorey's most important influences, Morton Feldman and his work Rothko Chapel, Monochromatic Light (Afterlife) takes after Feldman's focus on expansive textures and enveloping sounds, aiming to create an all-immersive experience. Tine's solo part was written specifically for him by Sorey, marking a third collaboration between the pair; Sorey previously created arrangements for Tines' Recital No. 1: MASS and Concerto No. 2: ANTHEM. Peter Sellars directs, with whom Davóne collaborated in John Adam's opera Girls of the Golden West and Kaija Saariaho's Only the Sound Remains. Tines' engagements continue with Everything Rises, an original, evening length staged musical work he created with violinist Jennifer Koh, premiering in New York as part of the Brooklyn Academy of Music's Next Wave Festival. Everything Rises tells the story of Tines' and Koh's artistic journeys and family histories through music, projections, and recorded interviews. As a platform, it also centers the need for artists of color to be seen and heard. Everything Rises premiered in Santa Barbara and Los Angeles in April 2022, with the LA Times commenting, “Koh and Tines' stories have made them what they are, but their art needs to be—and is—great enough to tell us who they are.” This season also has Tines making his New York Philharmonic debut performing in Beethoven's Symphony No. 9, led by Jaap van Zweden. Tines returns to the New York Philharmonic in the spring to sing the Vox Christi in Bach's St. Matthew Passion, also under van Zweden. Tines is a musician who takes full agency of his work, devising performances from conception to performance. His Recital No. 1: MASS program reflects this ethos, combining traditional music with pieces by J.S. Bach, Margaret Bonds, Moses Hogan, Julius Eastman, Caroline Shaw, Tyshawn Sorey, and Tines. This season, he makes his Carnegie Hall recital debut performing MASS at Weill Hall, and later brings the program to the McCarter Theatre in Princeton, Baltimore's Shriver Hall, for the Philadelphia Chamber Music Society, and as part of Boston's Celebrity Series. Concerto No. 1: SERMON is a similar artistic endeavor, combining pieces including John Adams' El Niño; Vigil, written by Tines and Igée Dieudonné with orchestration by Matthew Aucoin; “You Want the Truth, but You Don't Want to Know,” from Anthony Davis' X: The Life and Times of Malcolm X; and poems from Langston Hughes, James Baldwin, and Maya Angelou into a concert performance. In May 2021, Tines performed Concerto No. 1: SERMON with Yannick Nézet-Séguin and the Philadelphia Orchestra, and with the BBC Symphony Orchestra. He recently premiered Concerto No. 2: ANTHEM—created by Tines with music by Michael Schachter, Caroline Shaw, Tyshawn Sorey, and text by Mahogany L. Browne—with the Los Angeles Philharmonic at the Hollywood Bowl. Also this season, Tines performs in El Niño with the Cleveland Orchestra, conducted by composer John Adams; a concert performance of Adams' Girls of the Golden West with the Los Angeles Philharmonic also led by Adams; and a chamber music recital with the New World Symphony.Going beyond the concert hall, Davóne Tines also creates short music films that use powerful visuals to accentuate the social and poetic dimensions of the music. In September 2020, Lincoln Center presented his music film VIGIL, which pays tribute to Breonna Taylor, the EMT and aspiring nurse who was shot and killed by police in her Louisville home, and whose tragic death has fueled an international outcry. Created in collaboration with Igée Dieudonné, and Conor Hanick, the work was subsequently arranged for orchestra by Matthew Aucoin and premiered in a live-stream by Tines and the Louisville Orchestra, conducted by Teddy Abrams. Aucoin's orchestration is also currently part of Tines' Concerto No. 1: SERMON. He also co-created Strange Fruit with Jennifer Koh, a film juxtaposing violence against Asian Americans with Ken Ueno's arrangement of “Strange Fruit” — which the duo perform in Everything Rises — directed by dramaturg Kee-Yoon Nahm. The work premiered virtually as part of Carnegie Hall's “Voices of Hope Series.” Additional music films include FREUDE, an acapella “mashup” of Beethoven with African-American hymns that was shot, produced, and edited by Davóne Tines at his hometown church in Warrenton, Virginia and presented virtually by the Philharmonia Baroque Orchestra & Chorale; EASTMAN, a micro-biographical film highlighting the life and work of composer Julius Eastman; and NATIVE SON, in which Tines sings the Black national anthem, “Lift Ev'ry Voice and Sing,” and pays homage to the '60s Civil Rights-era motto “I am a man.” The latter film was created for the fourth annual Native Son Awards, which celebrate Black, gay excellence. Further online highlights include appearances as part of Boston Lyric Opera's new miniseries, desert in, marking his company debut; LA Opera at Home's Living Room Recitals; and the 2020 NEA Human and Civil Rights Awards.Notable performances on the opera stage the world premiere performances of Kaija Saariaho's Only the Sound Remains directed by Peter Sellars at Dutch National Opera, Finnish National Opera, Opéra national de Paris, and Teatro Real (Madrid); the world and European premieres of John Adams and Peter Sellars' Girls of the Golden West at San Francisco Opera and Dutch National Opera, respectively; the title role in a new production of Anthony Davis' X: The Life and Times of Malcolm X with the Detroit Opera (where he was Artist in Residence during the 2021-22 season) and the Boston Modern Opera Project with Odyssey Opera in Boston where it was recorded for future release; the world premiere of Terence Blanchard and Kasi Lemmons' Fire Shut Up In My Bones at Opera Theatre of Saint Louis; the world premiere of Matthew Aucoin's Crossing, directed by Diane Paulus at the Brooklyn Academy of Music; a new production of Stravinsky's Oedipus Rex at Lisbon's Teatro Nacional de São Carlos led by Leo Hussain; and Handel's rarely staged Aci, Galatea, e Polifemo at National Sawdust, presented in a new production by Christopher Alden. As a member of the American Modern Opera Company (AMOC), Tines served as a co-music director of the 2022 Ojai Music Festival, and has performed in Hans Werner Henze's El Cimarrón, John Adams' Nativity Reconsidered, and Were You There in collaboration with composers Matthew Aucoin and Michael Schachter.Davóne Tines is co-creator and co-librettist of The Black Clown, a music theater experience inspired by Langston Hughes' poem of the same name. The work, which was created in collaboration with director Zack Winokur and composer Michael Schachter, expresses a Black man's resilience against America's legacy of oppression—fusing vaudeville, opera, jazz, and spirituals to bring Hughes' verse to life onstage. The world premiere was given by the American Repertory Theater in 2018, and The Black Clown was presented by Lincoln Center in summer 2019.Concert appearances have included John Adams' El Niño with the Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski, Schumann's Das Paradies und die Peri with Louis Langrée and the Cincinnati Symphony, Kaija Saariaho's True Fire with the Orchestre national de France conducted by Olari Elts, Beethoven's Ninth Symphony with Michael Tilson Thomas leading the San Francisco Symphony, Stravinsky's Oedipus Rex with Esa-Pekka Salonen and the Royal Swedish Orchestra, and a program spotlighting music of resistance by George Crumb, Julius Eastman, Dmitri Shostakovich, and Caroline Shaw with conductor Christian Reif and members of the San Francisco Symphony at SoundBox. He also sang works by Caroline Shaw and Kaija Saariaho alongside the Calder Quartet and International Contemporary Ensemble at the Ojai Music Festival. In May 2021, Tines sang in Tulsa Opera's concert Greenwood Overcomes, which honored the resilience of Black Tulsans and Black America one hundred years after the Tulsa Race Massacre. That event featured Tines premiering “There are Many Trails of Tears,” an aria from Anthony Davis' opera-in-progress Fire Across the Tracks: Tulsa 1921.Davóne Tines is a winner of the 2020 Sphinx Medal of Excellence, recognizing extraordinary classical musicians of color who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities. In 2019 he was named as one of Time Magazine's Next Generation Leaders. He is also the recipient of the 2018 Emerging Artists Award given by Lincoln Center for the Performing Arts and is a graduate of The Juilliard School and Harvard University, where he teaches a semester-length course “How to be a Tool: Storytelling Across Disciplines” in collaboration with director Zack Winokur.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Welcome to the Voice by Matt podcast!!  In this episode, Matt and Billy read and analyze a popular choral song “Hear my Prayer” by Moses Hogan. Matt then takes his analysis and tells of how you can apply these ideas into your life.   WHO are you reaching out to? WHAT are you reaching out for? And HOW are you reaching out for it?  

Merciful Savior Lenten Series on Who is Jesus? Sermon by the Rev. Dr. Agnes W. Norfleet, 10:00 a.m., Sanctuary Bulletin: https://www.bmpc.org/sermons/worship-bulletins/1214-sunday-march-13-2022-10-00-a-m-bulletin/file ----------------- Anthem - Give Me Jesus Text: Rev. Jacob Knapp. Music: Arr. Wendell Whalum. ©1978 Lawson-Gould Music Publishers, Inc. All rights reserved. Hymn - For Everyone Born Text: Shirley Elena Murray 1998 - ©1998 Hope Publishing Co. Music: ©2006 Brian Mann (admin. General Board of Global Ministries). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem - Abide with Me Text: Henry Francis Lyte. Music: Arr. Moses Hogan. ©1999 Hal Leonard Corp. All rights reserved.

In this program, you will hear the Fisk Jubilee Singers perform “Way Over in Egypt Land” (arr. John W. Work III), “Run Mourner, Run” (arr. John W. Work III), “Old Time Religion” (arr. Moses Hogan), “There Is a Balm in Gilead” (arr. William L. Dawson), “Poor Man Laz'rus” (arr. Jester Hairston), “Swing Low, Sweet Chariot” (arr. Paul T. Kwami), “Daniel! Daniel! Servant of the Lord” (arr. Undine S. Moore), “Mr. Banjo” (arr. Moses Hogan), “Let the Church Roll On” (arr. John W. Work III), “Jubilee! Jubilee!” (arr. John W. Work III), “My Lord Is So High” (arr. Noah F. Ryder), “There's a Meeting Here Tonight” (arr. R. Nathaniel Dett), “Do Lord Remember Me” (arr. John W. Work III), “Rise, Shine for Thy Light Is A-Comin'” (arr. John W. Work III), and “There's a Great Camp Meeting” (arr. John W. Work III). The Fisk Jubilee Singers are vocal artists and students at Fisk University in Nashville, Tennessee, who sing and travel worldwide. The original Jubilee Singers introduced “slave songs” to the world in 1871 and were instrumental in preserving this unique American musical tradition known today as Negro spirituals. The group broke racial barriers in the United States and abroad in the late nineteenth century and entertained kings and queens in Europe. At the same time, they raised money in support of their beloved university. This concert was held at the National Gallery of Art on Sunday, January 17, 2016.

Angela and Joshua  discuss the short but immensely impactful life of Moses Hogan and his contributions to music through making spirituals a standard part of choral repertoires. Support the show (https://classicalmusicindy.org/support-classical-music-indy/)

Deep River: The Legacy of the Spirituals—a multi-episode series—debuts on the Akron Symphony's Unorchestrated podcast with Crossing to Freedom: The Spirituals Emerge.  Jonathon Turner, the ASO's Gospel Meets Symphony Choirmaster, and Brenda Justice, Coordinator of Choral Programs, join co-hosts Christopher and Tom to discuss the importance of the Negro Spiritual in American history, with a focus on the seminal contributions of the Fisk Jubilee Singers. The episode opens with an excerpt from Elijah Rock, arranged by Moses Hogan, performed by the Gospel Meets Symphony Choir in 2019, and closes with a performance of Harry T. Burleigh's iconic arrangement of Deep River, performed by Jonathon Turner. 

On today's pod-meal, Myq recommends the works, lives, arts, friendships, dreams, and related experiences of/with Adam Busch, Liz Glazer, Ram Dass, Lyssa Mandel, Henry Phillips, Joe List, Maya Angelou, Moses Hogan, Caitlin Durante, Stephen Sondheim, and more! Also discussed are word twins, syllable twins, and all manner of non-twins. A fun romp down these brain hallways. PS WATCH PADDINGTON AND PADDINGTON 2! Alternate Titles: Brain Hallways Songs About No One A Real Deep Archer A NotCast

“Glory, Glory, Glory to the Newborn King” was performed by tenor L. Wayne Ashley and the Houston Chamber Choir at their 2018-2019 season's “Christmas at the Villa” concert and is featured in the album “Behold the Star!” released in 2018. Glory, Glory, Glory to the Newborn King Traditional Spiritual arr. Moses Hogan (1957-2003) What will we call that pretty little baby? Baby born in Bethlehem. What will we call that pretty little baby? Christ the Lord, the newborn King. Where was He born, this pretty little baby? Down in a lowly manger. Where His birth was in a stable. Christ the Lord, the newborn King. Born this night, the Son of Mary. Hail the heav'n-born Prince of peace. Glory to the newborn King. Glory, glory, glory to the newborn King. Go and tell it on the mountain, Lord, over the hills and ev'rywhere. Why don't you go tell it on the mountain, Lord, that Jesus Christ is born. We're singing, All praise to the newborn King, Hail, the newborn King, Glory, glory, glory to the newborn King.

The Rev. Dr. Karen Coleman, Chaplain for Episcopal Ministries preaches a sermon entitled “Clothes Make the Person.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Down by the Riverside” by Moses Hogan and "I saw the Lord" by John Stainer, along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel, preaches a sermon entitled “Liberal Heart.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Bless the Lord, O my soul” by Carson P. Cooman and “Hear my prayer” by Moses Hogan along with service music and hymns.

Today we are celebrating MSE’s 50th episode with special guest, Calesta (Callie) Day!!! In this episode, we discuss growing up as PK’s, her career, challenges she’s had along the way, facts people may not know, and she even sings for us! She is a native of Atlanta, Georgia. She has performed with the Miami University Opera, the Cincinnati Opera, the Bowling Green State Opera, the University of Kentucky Opera and in recent years, a touring member of the American Spiritual Ensemble. She has traveled extensively performing across the nation, and in Europe and Central America. Recently, Callie has taken social media by storm as fans all over the United States have captured her amazing voice in videos that have instantly gone viral! Even before then, many had already witnessed her gifts in churches and schools where she's taught and served, especially in her local Walmart where she was featured as the "Singing Pharmacy Tech" on several commercial videos. In August 2016, Callie released her 1st single, "Hear My Prayer", a Moses Hogan composition arranged by Callie Day, Lan Wilson, G. LeRon Rainey, and Mark Lacy. Her freshman album was released on April 14, 2017 and is available on Apple Music, Itunes, Google Play and Amazon. Callie premiered and debut in PLAY, the first piece created for the Paris Opera Ballet by the Swedish choreographer Alexander Ekman in December 2017 at the Palais Garnier Opera House. Currently, Callie is completing her second year as Artist In Resident in voice at HBCU Kentucky State University in Frankfort, Kentucky. On August 6, 2019, Callie was a contestant on America's Got Talent Season 14 were she made it all the way to the judge cuts with celebrity guest judge; Jay Leno. Callie received the Associates degree from Sinclair Community College in Vocal Performance, the Bachelors degree from Bowling Green State University in Vocal Performance, the Masters degree in Education with a Music Concentration from University of Dayton. Callie is also currently a candidate for the Masters of Fine Arts (Miami University, OH) and Doctor of Music degrees (University of Kentucky). Her doctoral project is "Exploring The Role Of African American Opera Singers In The Establishment Of The Spiritual As A Musicial Art Form From 1900 to 1920.” Visit https://artistecard.com/callieday to support and stay connected with Psalmist Callie Day! Join MSE’s growing podcast community on social media Instagram and Facebook: @msepodcast. Visit bygracenp.com to see more and you can also tune in through the free By Grace Not Perfection mobile app on Apple and Android devices. --- Support this podcast: https://anchor.fm/myse/support

Great Sacred Music Online Thursday 28th May Walk softly Our online Great Sacred Music series, launched in light of St Martin's temporary closure due to the COVID-19 pandemic, is uploaded every Thursday at 1.00pm. Great Sacred Music began in 2013 and has continued on Thursdays at 1.00pm ever since. It's part of the way St Martin's is trying to reimagine faith and outreach. If you'd like to support our work visit smitf.org/give Led by Revd Dr Sam Wells with St Martin's Voices, directed by Andrew Earis Music Walk softly – Bob Chilcott Brother sister let me serve you Wade in the water – arr. Moses Hogan

Brendan Callahan-Fitzgerald (Tenor) singing Give Me Jesus (Arr. by Moses Hogan), with Jens Korndoerfer at the piano

The Holy Trinity Choir sings Moses Hogan's setting of "This little light of mine" at the 2018 Festival of Music for Advent and Christmas.

Derrick Brookins discusses his time working with Moses Hogan as well as his work with TMEA.

Derrick Brookins discusses his time working with Moses Hogan as well as his work with TMEA.

Joel Martinson, Preces and Responses (Mississippi Conference)David Hurd, Sewanee Church Music ConferenceSpiritual, arr. Larry Fleming, Give me JesusSpiritual, arr. Moses Hogan, We shall walk through the valley in peace

The Rev. Soren Hessler, Chapel Associate for Leadership Development preaches a sermon entitled "By Water and the Spirit". Guest choir, In Choro Novo sings "The Last Words of David" by Randall Thompson, and "Elijah Rock" arr. by Moses Hogan along with service music and hymns.

The Rev. Soren Hessler, Chapel Associate for Leadership Development preaches a sermon entitled "By Water and the Spirit". Guest choir, In Choro Novo sings "The Last Words of David" by Randall Thompson, and "Elijah Rock" arr. by Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Words of Welcome". The Marsh Chapel Choir sings "Down by the Riverside" arranged by Moses Hogan and "O clap your hands" by John Rutter along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Words of Welcome". The Marsh Chapel Choir sings "Down by the Riverside" arranged by Moses Hogan and "O clap your hands" by John Rutter along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Spiritual Life in College". The Marsh Chapel Choir sings "Bless the Lord, O my soul" by Carson P. Cooman, "Hear my prayer" by Moses Hogan, and "Venite comedite" by William Byrd along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Spiritual Life in College". The Marsh Chapel Choir sings "Bless the Lord, O my soul" by Carson P. Cooman, "Hear my prayer" by Moses Hogan, and "Venite comedite" by William Byrd along with service music and hymns.

All of us have heard spirituals before – those sometimes jubilant, sometimes sorrowful songs created by African American slaves. But have you really heardthem? As it turns out, these deceptively simple songs sometimes carried hidden messages, signals, and directions. Dr. Jason Oby, artistic director of the Houston Ebony Opera Guild, teaches all about this ingenious and soulful musical invention that was born out of oppression and necessity. He also talks about the spiritual’s connection to classical music, and the music of Roland Carter, who, among many things, arranges spirituals. Music in this episode: “Sometimes I Feel Like a Motherless Child,” feat. Jason Oby and Moses Hogan (piano) “His Eye Is on the Sparrow,” feat. Jessye Norman “Lift Every Voice and Sing,” arranged by James Weldon Johnson and John Rosamond Johnson, feat. Roland Carter “Hold Fast to Dreams,” by Roland Carter Audio production by Todd “Telekinesis” Hulslander with levitation from Dacia Clay and assistance from Mark DiClaudio. To learn more about the Houston Ebony Opera Guild and their performances – including their upcoming Annual African American Music Gala celebrating the work (and birthday!) of Maestro Roland Carter – check out their website.

Stephen Caracciolo, Preces and ResponsesGerald Near, Magnificat and Nunc dimittis on Plainsong ThemesSpiritual, arr. Gerre Hancock, Deep RiverSpiritual, arr. Moses Hogan, This little light of mine

The Rev. Jennifer Quigley preaches a sermon entitled "Your Name Matters, or Wisdome and Theological Imagination". The Marsh Chapel Choir sings "Light Everlasting" by O.C. Christiansen and "We shall walk through the valley in peace" arr. by Moses Hogan along with service music and hymns.

The Rev. Jennifer Quigley preaches a sermon entitled "Your Name Matters, or Wisdome and Theological Imagination". The Marsh Chapel Choir sings "Light Everlasting" by O.C. Christiansen and "We shall walk through the valley in peace" arr. by Moses Hogan along with service music and hymns.

Mr. Christopher A. Edwards, Esq., Office of the Attourney General, State of New Jersey, preaches a sermon entitled "A Radicalized Love". The Marsh Chapel Choir sings "I'm gonna sing 'til the spirit moves in my heart" by Moses Hogan and "Set me as a seal" by René Clausen along with service music and hymns.

Mr. Christopher A. Edwards, Esq., Office of the Attourney General, State of New Jersey, preaches a sermon entitled "A Radicalized Love". The Marsh Chapel Choir sings "I'm gonna sing 'til the spirit moves in my heart" by Moses Hogan and "Set me as a seal" by René Clausen along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Prayerful Leadership". The Marsh Chapel Choir sings "I want Jesus to walk with me" arranged by Moses Hogan and "God be in my head" arranged by John Rutter along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Prayerful Leadership". The Marsh Chapel Choir sings "I want Jesus to walk with me" arranged by Moses Hogan and "God be in my head" arranged by John Rutter along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Senses of Prayer". The Marsh Chapel Choir sings "Os justi" by Anton Bruckner and "Hear my prayer" by Moses Hogan along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Senses of Prayer". The Marsh Chapel Choir sings "Os justi" by Anton Bruckner and "Hear my prayer" by Moses Hogan along with service music and hymns.

Rev. Dr. Regina L. Walton preaches this week's sermon on The Beloved Community. The Marsh Chapel Choir sings "Jesus Christ the apple tree" by Elizabeth Poston and "We shall walk through the valley in peace" arranged by Moses Hogan along with service music and hymns.

Rev. Dr. Regina L. Walton preaches this week's sermon on The Beloved Community. The Marsh Chapel Choir sings "Jesus Christ the apple tree" by Elizabeth Poston and "We shall walk through the valley in peace" arranged by Moses Hogan along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Religious Affections". Guest choir In Choro Novo Choir, conducted by Dr. Thérèse Provenzano, sings "Set me as a seal" by René Clausen and "The Battle of Jericho" arranged by Moses Hogan, along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Religious Affections". Guest choir In Choro Novo Choir, conducted by Dr. Thérèse Provenzano, sings "Set me as a seal" by René Clausen and "The Battle of Jericho" arranged by Moses Hogan, along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Remembering Robert Hamill". The Marsh Chapel Choir sings "Psalm 43: Richte mich, Gott, Op. 78, no. 2" by Felix Mendelssohn and "I'm gonna sing 'til the spirit moves in my heart" by Moses Hogan along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Remembering Robert Hamill". The Marsh Chapel Choir sings "Psalm 43: Richte mich, Gott, Op. 78, no. 2" by Felix Mendelssohn and "I'm gonna sing 'til the spirit moves in my heart" by Moses Hogan along with service music and hymns.

Arr. Moses Hogan (1957-2003)

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Prodigal Thought". In Choro Novo sings "How can I keep from singing" arr. by Z. Randall Stroope and "Good News" arr. by Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Prodigal Thought". In Choro Novo sings "How can I keep from singing" arr. by Z. Randall Stroope and "Good News" arr. by Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill and the Rev. Jen Quigley preach a sermon entitled "A Truer Longing". The Marsh Chapel Choir sings "Jubilate Deo" by Ricahrd Dering, and "We shall walk through the valley in peace" arranged by Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill and the Rev. Jen Quigley preach a sermon entitled "A Truer Longing". The Marsh Chapel Choir sings "Jubilate Deo" by Ricahrd Dering, and "We shall walk through the valley in peace" arranged by Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Christ and the Presence of the Kingdom". In Choro Novo sings "Steal Away" by Moses Hogan and "Cantate Domino" by Vytautas Miskinis along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Christ and the Presence of the Kingdom". In Choro Novo sings "Steal Away" by Moses Hogan and "Cantate Domino" by Vytautas Miskinis along with service music and hymns.

The Reverend Doctor Robert Cummings Neville preaches a sermon entitled "Five Things are Ultimate". The Marsh Chapel Choir sings "We shall walk through the valley in peace" by Moses Hogan and "Blessed are all they that fear the Lord" by Leo Sowerby along with service music and hymns.

The Reverend Doctor Robert Cummings Neville preaches a sermon entitled "Five Things are Ultimate". The Marsh Chapel Choir sings "We shall walk through the valley in peace" by Moses Hogan and "Blessed are all they that fear the Lord" by Leo Sowerby along with service music and hymns.

The Reverend Doctor Robert Cummings Neville preaches a sermon entitled "Five Things are Ultimate". The Marsh Chapel Choir sings "We shall walk through the valley in peace" by Moses Hogan and "Blessed are all they that fear the Lord" by Leo Sowerby along with service music and hymns.

The Reverend Doctor Robert Cummings Neville preaches a sermon entitled "Five Things are Ultimate". The Marsh Chapel Choir sings "We shall walk through the valley in peace" by Moses Hogan and "Blessed are all they that fear the Lord" by Leo Sowerby along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Was King Naive." The Marsh Chapel Choir sings "Ride on, King Jesus" arr. by Moses Hogan and "The Road Home" arr. by Stephen Paulus along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Was King Naive." The Marsh Chapel Choir sings "Ride on, King Jesus" arr. by Moses Hogan and "The Road Home" arr. by Stephen Paulus along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Was King Naive." The Marsh Chapel Choir sings "Ride on, King Jesus" arr. by Moses Hogan and "The Road Home" arr. by Stephen Paulus along with service music and hymns.

The Reverend Dr. Robert Allan Hill preaches a sermon entitled "Was King Naive." The Marsh Chapel Choir sings "Ride on, King Jesus" arr. by Moses Hogan and "The Road Home" arr. by Stephen Paulus along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Knock at the Door." The Marsh Chapel Choir sings "O how glorious" by Basil Harwood and "We shall walk through the valley in peace" arr. Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Knock at the Door." The Marsh Chapel Choir sings "O how glorious" by Basil Harwood and "We shall walk through the valley in peace" arr. Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Knock at the Door." The Marsh Chapel Choir sings "O how glorious" by Basil Harwood and "We shall walk through the valley in peace" arr. Moses Hogan along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Knock at the Door." The Marsh Chapel Choir sings "O how glorious" by Basil Harwood and "We shall walk through the valley in peace" arr. Moses Hogan along with service music and hymns.

This episode features performances by the Stephen F. Austin State University A Capella Choir, under the direction of Dr. Tim King. Musical selections include "Herr, Wie Lange" by Georg Schumann, "Waternight" by Eric Whitacre, and a spiritual "I Can Tell the World" arranged by Moses Hogan. For more information on the SFA School of Music, visit: http://music.sfasu.edu