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Recorded by Rodrigo Toscano for Poem-a-Day, a series produced by the Academy of American Poets. Published on October 3, 2024. www.poets.org
How we live is indelibly intertwined with the care and empathy we give to each other. What if we put care into helping Americans find homes and build dwellings, into keeping their bodies and minds sound, and finding meaningful and well-paid work? In this three part series, "To The Best Of Our Knowledge" and the Economic Hardship Reporting Project bring you real life stories about economic struggle in our time, as well as ideas for solutions.Original Air Date: November 19, 2022Interviews In This Hour: Do they need to know that I'm blind? — The work of care is vital. Why don't we pay like it is? — A sonnet for a lineworker — Barbara Ehrenreich on writing the American labor storyGuests: Andrea Dobynes Wagner, Angela Garbes, Rodrigo Toscano, Barbara EhrenreichNever want to miss an episode? Subscribe to the podcast.Want to hear more from us, including extended interviews and favorites from the archive? Subscribe to our newsletter.
On our first episode of Phantom Power, we ponder those moments when the air remains unmoved. Whether fostered by design or meteorological conditions or technological glitch, the absence of sound sometimes affects us more profoundly than the audible. We begin with author John Biguenet discussing his book Silence (Bloomsbury, 2015) and the relationship between quietude, reading, writing, and the self. Next, we speak to poet and hurricane responder Rodrigo Toscano, who takes us into the foreboding silence in eye of a storm. Finally, our own co-host and poet cris cheek ponders the many contradictory experiences of “dead air” in an age of changing media technologies. Today's episode features music by our own Mack Hagood and by Graeme Gibson, who is currently touring on drums with Michael Nau and the Mighty Thread. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's poem is Happy Campus by Rodrigo Toscano. This episode was originally released on August 3, 2023. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem of self-mocking irony makes the connection between our daily routines and the natural and artificial environments that we navigate—how we negotiate a dissonance that complicates our sense of what's real and what's unreal.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
Poets Bill Lavender, Sean F. Munro, and Rodrigo Toscano talk with Roxi Power about the wildly successful annual April event they organize: The New Orleans Poetry Festival. In the second half of the show, they read their own poems; the political poetics of each poem buzzes with national and global currents. Festival co-founder Bill Lavender reads from his opus-in-progress that he began writing on the day of the January 6 insurrection: City of God, inspired by Augustine of Hippo's book of the same name. Rodrigo Toscano: "We're not impresarios of poetic labor. We're here to build relationships. Atomization is what most Americans are experiencing. Alienation to the hilt. There's no better culture than New Orleans to attack that alienation...through the joyful celebration of the art that we've devoted our lives to: poetry." Find out more at https://www.nolapoetry.com/. Proposals for the April 18-21, 2024 New Orleans Poetry Festival are due December 15. Bill Lavender: https://www.lavenderink.org Sean F. Munro: seanfmunro.com Rodrigo Toscano: https://rodrigotoscano.com/
Today's poem is Happy Campus by Rodrigo Toscano.The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem of self-mocking irony makes the connection between our daily routines and the natural and artificial environments that we navigate—how we negotiate a dissonance that complicates our sense of what's real and what's unreal.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
by Rodrigo Toscano
In this week's episode of The Hive Poetry Collective, Rodrigo Toscano joins Roxi Power to read work from The Charm and the Dread (Fence Books, 2022) and The Cut Point (Counterpath Press, 2023). We hear about his work in the fields of labor organizing, as well as how his work within Latinx, New Orleans, and experimental poetry communities influence his poetics.
In this final part of our series, we're talking about work — about the right to meaningful work, the search for jobs that pay enough to live, and what happens to people who look for work while also having a disability that's invisible to most.Original Air Date: November 19, 2022Guests: Andrea Dobynes Wagner — Angela Garbes — Rodrigo Toscano — Barbara EhrenreichInterviews In This Hour: Do they need to know that I'm blind? — The work of care is vital. Why don't we pay like it is? — A sonnet for a lineworker — Barbara Ehrenreich on writing the American labor storyAbout Going For Broke: The Care EconomyHow we live is indelibly intertwined with the care and empathy we give to each other. What if we put care into helping Americans find homes and build dwellings, into keeping their bodies and minds sound, and finding meaningful and well-paid work? In this three part series, "To The Best Of Our Knowledge" and the Economic Hardship Reporting Project bring you real life stories about economic struggle in our time, as well as ideas for solutions. Rate and review the show on Apple Podcasts.Learn more about the series at ttbook.org/goingforbroke.About the Economic Hardship Reporting ProjectEHRP supports independent journalists so they can create gripping stories, often countering the typical narratives. They then inject this high-quality journalism into the mainstream media, mobilizing readers to change systems perpetuating economic hardship. Learn more about EHRP here.About To The Best Of Our Knowledge”To the Best of Our Knowledge” is a Peabody award-winning national public radio show that explores big ideas and beautiful questions. Deep interviews with philosophers, writers, artists, scientists, historians, and others help listeners find new sources of meaning, purpose, and wonder in daily life. Whether it's about bees, poetry, skin, or psychedelics, every episode is an intimate, sound-rich journey into open-minded, open-hearted conversations. Warm and engaging, TTBOOK helps listeners feel less alone and more connected – to our common humanity and to the world we share. Learn more about the show here.
Warning: This episode might leave you hungry for tacos. This is probably the first time Teresa has ever heard a sonnet described as a meditation, but once you hear what Rodrigo has to say, you might never look at a sonnet the same way again. Rodrigo Toscano is a poet and essayist based in New Orleans. He is the author of ten books of poetry. His newest book is The Charm & The Dread (Fence Books, 2022). His Collapsible Poetics Theater was a National Poetry Series selection. He has appeared in over 20 anthologies, including Best American Poetry and Best American Experimental Poetry (BAX). Toscano has received a New York State Fellowship in Poetry. He won the Edwin Markham 2019 prize for poetry. rodrigotoscano.com @Toscano200
Stuck at the airport? Enjoy this meditative sonnet while you're waiting to see where your personal flight plan will take you. You can find a full transcript of this episode on LatinxLitMag.com starting Saturday, July 16th. Rodrigo Toscano is a poet and essayist based in New Orleans. He is the author of ten books of poetry. His newest book is The Charm & The Dread (Fence Books, 2022). His Collapsible Poetics Theater was a National Poetry Series selection. He has appeared in over 20 anthologies, including Best American Poetry and Best American Experimental Poetry (BAX). Toscano has received a New York State Fellowship in Poetry. He won the Edwin Markham 2019 prize for poetry. rodrigotoscano.com @Toscano200
NP Poetry Spotlight: Roberto Tejada & Rodrigo Toscano: Houston & New Orleans This is a Nuestra Palabra Multi-Platform Broadcast across social media. You can hear us on 90.1 FM KPFT, Houston's Community Station. You can watch us at www.Fox26Houston.com Hosted by Tony Diaz, El Librotraficante Roberto Tejada is the author of poetry collections Why the Assembly Disbanded (2022), Todo en el ahora (2015), Full Foreground (2012), Exposition Park (2010), and Mirrors for Gold (2006), as well as Still Nowhere in an Empty Vastness (2019), a LatinX poetics on colonial settlement and cultural counter-conquest in art and literature of the Americas. His writings on art and media history include the books National Camera: Photography and Mexico's Image Environment (2009) and Celia Alvarez Muñoz (2009), as well as catalog essays in Now Dig This!: Art and Black Los Angeles, 1960-1980 (Hammer Museum, 2011) and Allora & Calzadilla: Specters of Noon (The Menil Collection, 2021). Tejada's writing spans method, discipline, and form to address the political imagination and impurity of time in shared image environments; configurations of art, life, and language inclined to the future. He was awarded The John Simon Guggenheim Memorial Foundation Fellowship in Poetry (2021). Rodrigo Toscano is a poet and essayist based in New Orleans. He is the author of ten books of poetry. His most recent is The Charm & The Dread (Fence Books, 2022). His previous books include In Range, Explosion Rocks Springfield, Deck of Deeds, Collapsible Poetics Theater (a National Poetry Series selection), To Leveling Swerve, Platform, Partisans, and The Disparities. His poetry has appeared in over twenty anthologies, including, Voices Without Borders, Diasporic Avant Gardes, Imagined Theatres, In the Criminal's Cabinet, Earth Bound, and Best American Poetry. Toscano has received a New York State Fellowship in Poetry. He won the Edwin Markham 2019 prize for poetry. His works have been translated into French, Dutch, Italian, German, Portuguese, Norwegian and Catalan. He works for the Labor Institute in conjunction with the United Steelworkers, the National Institute for Environmental Health Science, Communication Workers of America, National Day Laborers Organizing Network, and northwest tribes (Umatilla, Cayuse, Yakima, Nez Perce) working on educational training projects that involve environmental and labor justice, health & safety culture transformation. rodrigotoscano.com @Toscano200 Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer Radame Ortiez, SEO Director Marc-Antony Piñón, Graphics Designer Leti Lopez, Music Director Bryan Parras, co-host and producer emeritus Liana Lopez, co-host and producer emeritus Lupe Mendez, Texas Poet Laureate, co-host, and producer emeritus Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net
Aula da pós graduação com a participação do Prof. Rodrigo Toscano Brito
Aula da pós graduação com a participação do Prof. Rodrigo Toscano Brito
No décimo quinto episódio da segunda temporada do NAECAST, o Núcleo de Apoio ao Estagiário da OAB/PB convidou Rodrigo Toscano, Bacharel em Direito pela Universidade Federal da Paraíba - UFPB; Doutor em Direito pela Pontifícia Universidade Católica de São Paulo - PUC/SP; Professor de Direito Civil na Universidade Federal da Paraíba - UFPB e Advogado especialista em Direito Civil com foco em Contratos, Direito do Consumidor, Direito Imobiliário, Direito de Família, Responsabilidade Civil e por fim, Direito Hereditário. Neste episódio, abordamos sobre: O Direito Civil no âmbito da Pandemia do COVID-19.
O advogado Rodrigo Toscano de Brito e o Tabelião de Notas, Dr. Carlos Ulysses Neto, debateram sobre “Cuidados ao Comprar um Imóvel em Construção”. No Momento Imobiliário, o Presidente do COFECI, João Teodoro, deu uma dica sobre o novo site do Banco Central. O Tambaú é apresentado pelo Corretor e presidente do CRECI /PB, Rômulo Soares Lima. Acesse Economic News Brasil no Facebook, Instagram, LinkedIn, YouTube e no Portal https://www.economicnewsbrasil.com.br
Neste episódio de a equipe da Analytics, Rodrigo Toscano, Douglas, e Gabriela, batem um papo como Leandro para saber como deve ser realizado um reconhecimento de riscos levando em consideração as vias de absorção do organismo. #higieneocupacional #segurançadotrabalho --- Send in a voice message: https://anchor.fm/hofacilemcast/message
Veja nesse episódio uma entrevista realizada pelo Rodrigo Toscano e Gabriela Bárbara, da Analytics Brasil, com o Leandro Magalhães para entender melhor o que é a notação FIV da ACGIH e todas as dúvidas comuns relacionadas a agentes que possuem esta notação. #higieneocupacional #segurançadotrabalho --- Send in a voice message: https://anchor.fm/hofacilemcast/message
Veja nesse episódio a entrevista que a equipe, composta pelo Rodrigo Toscano e Gabriela Bárbara, da Analytics fez com o Leandro Magalhães para entender melhor essas intersessão entre marketing e vendas e como a Analytics aplica o conceito de vendas de valor para seus clientes e não de preços. Nesse episóio houve aparticipação especial da diretora de marketing da Analytics Brasil Fernanda Coelho aonde ela também contribuiiu muito para mostrar nossas estretégias que podem ser aplicadas por todos. --- Send in a voice message: https://anchor.fm/hofacilemcast/message
Neste episódio a equipe da Analytics Brasil, Rodrigo Toscano, Douglas Ribeiro e Gabriela Bárbara, conversará com o Leandro para entender como foi esse processo de transição do Leandro para vendedor, como foi estabelecido o processo de vendas da Analytics que é diferenciado de todo o mercado. Veja como quebrar o mito de que vendas é dom e não processo. --- Send in a voice message: https://anchor.fm/hofacilemcast/message
Esse é o nosso primeiro episódio do Podcast Pausa para respirar - Seu podcast semanal sobre higiene ocupacional. Nesse episódio a equipe da Analytics Brasil, Rodrigo Toscano, Douglas Ribeiro e Gabriela Bárbara, entrevistaram o Leandro Magalhães para entender melhor o começo de tudo e como surgiu a Analytics Brasil e o Leandro Magalhães na área de higiene ocupacional. Não percam os vários insights que serão compartilhados aqui. Nesse podcast vai muito além de HO, você aprenderá muito sobre o modelo que fez a Analytics Brasil dar certo. --- Send in a voice message: https://anchor.fm/hofacilemcast/message
Poet Rodrigo Toscano joins us this week, and though we don't have much of a plan in mind, we have a pretty nice chat about how the New Orleans poetry scene is different from the scene in other places, writing poetry for a non-poet audience, monetizing poetry, poets looking for fame, hapenings, neo-happenings, interactive readings, poetry schools and factions...and Rodrigo reads us some of his new poetry!
New Orleans-based poet Rodrigo Toscano reads from his new manuscript. Originally aired on June 2nd 2018.
On our first episode of Phantom Power, we ponder those moments when the air remains unmoved. Whether fostered by design or meteorological conditions or technological glitch, the absence of sound sometimes affects us more profoundly than the audible. We begin with author John Biguenet discussing his book Silence (Bloomsbury, 2015) and the relationship between quietude, reading, writing, and the self. Next, we speak to poet and hurricane responder Rodrigo Toscano, who takes us into the foreboding silence in eye of a storm. Finally, our own co-host and poet cris cheek ponders the many contradictory experiences of "dead air" in an age of changing media technologies. Today's episode features music by our own Mack Hagood and by Graeme Gibson, who is currently touring on drums with Michael Nau and the Mighty Thread. Transcript [♪ ethereal music playing ♪] [CRIS CHEEK] This… is… Phantom Power. [MACK HAGOOD] Episode One. [CRIS] Dead Air. [RODRIGO TOSCANO] You know, silence… [JOHN BIGUENET] It’s like, uh, it’s like a vacuum… like a walkie-talkie, where you’ve gotta press the button to speak and let it go to hear. [CRIS] The signal drops out. [MACK] Hello, and thanks for joining us on Phantom Power, podcast about sound in the arts and humanities. Over the next six or seven episodes this season, we’ll be investigating how artists and scholars are thinking about sound, writing about sound, and using sound to make things. My name’s Mack Hagood, I’m a media scholar, a writer, and a musician. [CRIS] I’m cris cheek, I’m a poet. Sometimes a sound poet, sometimes an unsound poet. I’ve also done a lot of work with music over the years. And I’m gonna be learning a lot as we make this series in terms of thinking about listening and talking together. Sounds about sound. [MACK] And I don’t, I don’t know if this is ironic or fitting, but we’re starting off this first episode talking about silence. So today we sort of have a three parter. We’re thinking about the roles of silence, uh, in reading and writing, and we’re going to think about the dead air in the eye of a hurricane, this kind of silence that prestiges something terrible. And, um, then we’re going to think about silence as a disruption. You know, an interruption of your regularly scheduled broadcast, or what they call [CRIS] Dead air. [MACK] [laughing] So, cris, a long, long time ago, I was a 19 year old college student in New Orleans, Louisiana, at Loyola University. And I just took this, you know, intro English class with this professor named John Biguenet and he just made a huge impression on me, really started making me think in different ways. And then I went on with my life, and it turned out that this gentleman John Biguenet turned into a well known fiction writer, poet, playwright, um, he has written a collection of short stories called The Torturer’s Apprentice, which is just this sort of spellbinding collection that is a little bit Chekov, a little bit Kafka, a little bit Borges. Um, he’s won the O’Henry Award for Short Fiction, uh, he’s won a Harper’s Magazine Writing Award. He wrote this trilogy of plays about Katrina and the flooding of New Orleans. And now he’s written a book on silence, uh, for this series of short books that have titles like Bread, or, uh, Golf Ball. [laughing] So, just kind of thinking deeply about these quotidian objects in our everyday lives and John chose silence. I read it, it’s a terrific short book, I highly recommend it. And so the last time I was down in New Orleans, I went to his office and we had a terrific conversation. [♪ record crackles, loud bells chiming ♪] [JOHN] We may conjecture that somewhere in the cosmos, beyond the border of all human trace, a zone of silence awaits. [♪ bells chime again ♪] Always receding, of course, before the advance of future explorers. A great sea of stillness unperturbed by the animate. An utterly quiet virgin territory. Our imagination misleads us if we conceive of s...
Wednesday Reading Series Rodrigo Toscano's newest book of poetry, Explosion Rocks Springfield, is due out from Fence Books in the spring. His previous books include Deck of Deeds, Collapsible Poetics Theater, To Leveling Swerve, Platform, Partisans, and The Disparities. His poetry has appeared in numerous anthologies, including Voices Without Borders, Diasporic Avant Gardes, Imagined Theatres, In the Criminal's Cabinet, Earth Bound, and Best American Poetry. Toscano has received a New York State Fellowship in Poetry, and was a National Poetry Series selection. He works for the Labor Institute in conjunction with the United Steelworkers and the National Institute for Environmental Health Science. While in the Greenpoint township of Brooklyn, Toscano ran and wrote articles and interviews for the North Brooklyn Runners. He now lives in the Faubourg Marigny (seventh ward) of New Orleans. Magdalena Zurawski is the author of Companion Animal (Litmus, 2015) and The Bruise (FC2 2008). Her commentary on aesthetics in the age of Ferguson, FEEL BEAUTY SUPPLY, can be found online at Jacket2.org. She teaches literature and creative writing at the University of Georgia and lives in Athens (Georgia).
What is explosion? What does language look like when it mimics a gas leak, a bang, or rubble? What does language look like when it orbits other sounds, mediums, and musicality? How can it then react to and converse with itself? Rodrigo Toscano is a poet who trusts his creative impulse, trusts the place in time, space, and his mind where art is born allows this wave to carry the poet where it will. It is this ceding of will that permits a collection like Explosion Rocks Springfield (Fence Books, 2016) to fully realize itself. How can we better understand how a mid-day, multi-structure gas explosion took no lives? But this is isn’t about the explosion that took no lives. This has everything to do with the explosion that took no lives. And everything to do with dialogue, and the cosmos, and ancient civilizations. Interconnectedness is expressed at its most fundamental level. How can we better understand the philosophical impact of each word, each turn of phrase, each image it conjures, and how this language is language? The text casts you out to the furthest reaches of what could possibly be derived, and then reels you back in to “The Friday Evening Gas Explosion in Springfield Leveled a Strip Club Next To a Day Care.” This refrain, this text is artifice. After it has pulled you back into itself, it intersects: The Liberty Box checked to spec as did the Libidinal Lines at the Thought Crossers. Strange thing was the Gonad Gauge didn’t register the Need Switches. Good Thing the Big O Override tripped the Care Breakers right then. I’m sure that’s what kicked the Ego Ventilator, eventually firing up a Poetic Alarm. The Locked Out/Tagged Out American that’s the working title. Toscano treats the line as sheet music, elevated beyond communication to artifice. Musicality, philosophy, composition. He pulls from everything in his reach: musical composition, philosophy, ancient history, and anthropology. This book needs to be experienced as an entity. Allow it to register on all levels. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is explosion? What does language look like when it mimics a gas leak, a bang, or rubble? What does language look like when it orbits other sounds, mediums, and musicality? How can it then react to and converse with itself? Rodrigo Toscano is a poet who trusts his creative impulse, trusts the place in time, space, and his mind where art is born allows this wave to carry the poet where it will. It is this ceding of will that permits a collection like Explosion Rocks Springfield (Fence Books, 2016) to fully realize itself. How can we better understand how a mid-day, multi-structure gas explosion took no lives? But this is isn’t about the explosion that took no lives. This has everything to do with the explosion that took no lives. And everything to do with dialogue, and the cosmos, and ancient civilizations. Interconnectedness is expressed at its most fundamental level. How can we better understand the philosophical impact of each word, each turn of phrase, each image it conjures, and how this language is language? The text casts you out to the furthest reaches of what could possibly be derived, and then reels you back in to “The Friday Evening Gas Explosion in Springfield Leveled a Strip Club Next To a Day Care.” This refrain, this text is artifice. After it has pulled you back into itself, it intersects: The Liberty Box checked to spec as did the Libidinal Lines at the Thought Crossers. Strange thing was the Gonad Gauge didn’t register the Need Switches. Good Thing the Big O Override tripped the Care Breakers right then. I’m sure that’s what kicked the Ego Ventilator, eventually firing up a Poetic Alarm. The Locked Out/Tagged Out American that’s the working title. Toscano treats the line as sheet music, elevated beyond communication to artifice. Musicality, philosophy, composition. He pulls from everything in his reach: musical composition, philosophy, ancient history, and anthropology. This book needs to be experienced as an entity. Allow it to register on all levels. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is explosion? What does language look like when it mimics a gas leak, a bang, or rubble? What does language look like when it orbits other sounds, mediums, and musicality? How can it then react to and converse with itself? Rodrigo Toscano is a poet who trusts his creative impulse, trusts the place in time, space, and his mind where art is born allows this wave to carry the poet where it will. It is this ceding of will that permits a collection like Explosion Rocks Springfield (Fence Books, 2016) to fully realize itself. How can we better understand how a mid-day, multi-structure gas explosion took no lives? But this is isn’t about the explosion that took no lives. This has everything to do with the explosion that took no lives. And everything to do with dialogue, and the cosmos, and ancient civilizations. Interconnectedness is expressed at its most fundamental level. How can we better understand the philosophical impact of each word, each turn of phrase, each image it conjures, and how this language is language? The text casts you out to the furthest reaches of what could possibly be derived, and then reels you back in to “The Friday Evening Gas Explosion in Springfield Leveled a Strip Club Next To a Day Care.” This refrain, this text is artifice. After it has pulled you back into itself, it intersects: The Liberty Box checked to spec as did the Libidinal Lines at the Thought Crossers. Strange thing was the Gonad Gauge didn’t register the Need Switches. Good Thing the Big O Override tripped the Care Breakers right then. I’m sure that’s what kicked the Ego Ventilator, eventually firing up a Poetic Alarm. The Locked Out/Tagged Out American that’s the working title. Toscano treats the line as sheet music, elevated beyond communication to artifice. Musicality, philosophy, composition. He pulls from everything in his reach: musical composition, philosophy, ancient history, and anthropology. This book needs to be experienced as an entity. Allow it to register on all levels. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hosted by Al Filreis and featuring Michelle Taransky, Laynie Browne, and Rodrigo Toscano.
Michelle Taransky, Laynie Browne, and Rodrigo Toscano join Al Filreis to talk about Rob Fitterman's "Sprawl."
When Xu Lizhi committed suicide on September 30, 2014, he left a substantial body of work for his brief 24 years. In his poetry, he displayed an awareness that haunted him and now haunts us. He was a factory worker for the infamous Foxconn who produces most of the world’s iPhones. The bleak reality and gray landscape that Xu Lizhi inhabited in his work feels other-worldly and rare. But he is not an anomaly. The sad truth is that his poems could have been written by many different workers spread out over many nations. As well as setting his social media to post of “A New Day” after his passing, he leaves us with these final thoughts: I want to take another look at the ocean, behold the vastness of tears from half a lifetime I want to climb another mountain, try to call back the soul that I’ve lost I want to touch the sky, feel that blueness so light But I can’t do any of this, so I’m leaving this world We have entered a time of global awareness and it is coming through in our art. The movement, once again towards Social Realism, is art’s way of having us pay attention to something entering our collective consciousness. In a virtual roundtable, myself, Mark Nowak, Shengqing Wu, and Rodrigo Toscano come together to discuss Xu Lizhi’s poetry, craft, and the life he drew from. We also talk about the state of labor poetry and from where the next surge of poets may be emerging. The terrible question is, if Xi Lizhi had not killed himself, would we even know that this poet and these poems existed? Would they call out so loudly if not from the darkness? Pertinent Links: https://libcom.org/blog/xulizhi-foxconn-suicide-poetry http://www.washingtonpost.com/blogs/worldviews/wp/2014/11/12/the-haunting-poetry-of-a-chinese-factory-worker-who-committed-suicide/ http://www.poetryfoundation.org/harriet/2014/11/xu-lizhi-1990-2014-poet-and-foxconn-worker/ http://www.businessinsider.com/foxconn-factory-workers-suicide-poems-2014-11 Accidental Death of a Poet Xu Lizhi’s “Sina” (Chinese Equivalent to Twitter) http://www.weibo.com/u/1766211094?sudaref=www.google.com.hk Another Chinese Poet to look out for: Sunset by Zheng Xiaoqiong translated by Jonathan Stalling and Xian Liqiang Learn more about your ad choices. Visit megaphone.fm/adchoices
When Xu Lizhi committed suicide on September 30, 2014, he left a substantial body of work for his brief 24 years. In his poetry, he displayed an awareness that haunted him and now haunts us. He was a factory worker for the infamous Foxconn who produces most of the world’s iPhones. The bleak reality and gray landscape that Xu Lizhi inhabited in his work feels other-worldly and rare. But he is not an anomaly. The sad truth is that his poems could have been written by many different workers spread out over many nations. As well as setting his social media to post of “A New Day” after his passing, he leaves us with these final thoughts: I want to take another look at the ocean, behold the vastness of tears from half a lifetime I want to climb another mountain, try to call back the soul that I’ve lost I want to touch the sky, feel that blueness so light But I can’t do any of this, so I’m leaving this world We have entered a time of global awareness and it is coming through in our art. The movement, once again towards Social Realism, is art’s way of having us pay attention to something entering our collective consciousness. In a virtual roundtable, myself, Mark Nowak, Shengqing Wu, and Rodrigo Toscano come together to discuss Xu Lizhi’s poetry, craft, and the life he drew from. We also talk about the state of labor poetry and from where the next surge of poets may be emerging. The terrible question is, if Xi Lizhi had not killed himself, would we even know that this poet and these poems existed? Would they call out so loudly if not from the darkness? Pertinent Links: https://libcom.org/blog/xulizhi-foxconn-suicide-poetry http://www.washingtonpost.com/blogs/worldviews/wp/2014/11/12/the-haunting-poetry-of-a-chinese-factory-worker-who-committed-suicide/ http://www.poetryfoundation.org/harriet/2014/11/xu-lizhi-1990-2014-poet-and-foxconn-worker/ http://www.businessinsider.com/foxconn-factory-workers-suicide-poems-2014-11 Accidental Death of a Poet Xu Lizhi’s “Sina” (Chinese Equivalent to Twitter) http://www.weibo.com/u/1766211094?sudaref=www.google.com.hk Another Chinese Poet to look out for: Sunset by Zheng Xiaoqiong translated by Jonathan Stalling and Xian Liqiang Learn more about your ad choices. Visit megaphone.fm/adchoices
Tom Mandel, Sarah Dowling, Rodrigo Toscano, and Al Filreis discuss Bob Perelman's "The Unruly Child"
Randall Couch, Linh Dinh, Emily Abendroth, and Al Filreis discuss Rodrigo Toscano's poetics
A selection of three readers who have performed on Live at the Writers House, a monthly radio program of the Kelly Writers House, aired on WXPN 88.5 FM Philadelphia. The show began in 1997 and has aired 58 times. Pattie McCarthy and Rodrigo Toscano read poems on 1997 and 1999 shows, respectively; and Lorene Cary reads nonfiction on a 2004 show. Hosted by Al Filreis.