Brought to you by the ADU (Assistant Directors Union Germany), "Meet the ADs" will take you on a ride behind the scenes of some of the biggest films and tv shows - from the perspective of Assistant Directors - often times the most important crew members behind every show. Each episode the two hosts Julia and Tim will have an interesting conversation with a different AD-team from all over the world. For the first time ever a spotlight is put on the careers and achievements of ADs. Enjoy the journey with us and the access to a whole new way of sharing knowledge about this profession!
Julia Eiber, Tim Schaer (ADU Germany)
This episode features two Assistant Directors who might as well be legends already: 1st AD Sarah Lucas and 3rd AD Ash Spall. Sarah and Ash will be telling us how the hell they pulled off Netflix's latest hit miniseries, Adolescence.The show got so much love from within the industry because of its sheer technical ambition. The show uses these long, unbroken one-shots that only work when every single department is perfectly in sync – camera, lighting, sound and of course the ADs and the background action. It's so rare to see our craft so clearly reflected on screen. And honestly? It's a bit of a love letter to what we do. So we couldn't be happier to speak with Sarah and Ash today about how you plan a shoot when you can´t do it with a regular shooting schedule. So let´s dive and hear about their work which is nothing short of a masterclass in AD-ing. Enjoy!As always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: podcast@ad-union.orgFollow us & stay updated:Podcast: @meettheads_podcastJulia & Tim: @juliaeiber @tim.schaerPost Production Audio: Fabian Simon (@fabian_a_simon)Music: Daniel Herget (www.blacktriaudio.de)Logo Design: Benjamin Probst (www.benjamin-probst.de)Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
We´re back! This episode features the 1st Assistant Director of "Anora": Liza Mann. "Anora" has won five Oscars this year, including best picture, best director for Sean Baker and best actress for Mikey Madison. Today we are be talking to 1st AD Liza Mann who also won this years DGA award as part of the directorial team of Anora. She is taking us behind the scenes – showing us what real indie filmmaking looks like, and how you can create truly great cinema on a not so Hollywood like budget. We'll also hear about shooting in a real strip club, why the location manager was Lisas hero and how they managed to pull off a 30-minute house invasion sequence. Plus, why first the weather and then the police almost ruined the film's final scene. And Liza will share how her side job working for famous magician David Blaine actually makes her a better AD. There's a lot to unpack – so let's get into it!As always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: podcast@ad-union.orgFollow us & stay updated:Podcast: @meettheads_podcastJulia & Tim: @juliaeiber @tim.schaerPost Production Audio: Fabian Simon (@fabian_a_simon)Music: Daniel Herget (www.blacktriaudio.de)Logo Design: Benjamin Probst (www.benjamin-probst.de)Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features Australian Art Director Bryce Tibbey. Bryce has over 25 years experience in the Art Department. His most famous jobs that he will also talk about include „All Quiet on the Western Front“, „Anonymous“, „Mad Max: Fury Road“, „Tribes of Europe“ and „James Bond: Spectre“. Learn more about the perks of his job and why having Bryce on can save productions a lot of money on this episode. Enjoy! And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
Episode 11 features two industry legends who we spoke to about one of the most anticipated films of 2024: "Joker: Folie A Deux" directed by Todd Phillips. 1st Assistant Director David Webb and 2nd Assistant Director Trevor Tavares will be telling us about the logistics and challenges the musical aspect brought to the shoot, achieving impressive one shots, building the prison yard set, working with Joaquin Phoenix and Lady Gaga and Todd Phillip directorial style which they call "advanced filmmaking“. And in the end, a trip down memory lane will tell us how to convince Martin Scorcese to shoot in a typhoon. So stay tuned! And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features ‘The Apprentice' - a film about young Donald Trump building his business in the '70s and '80s in America as he was mentored by the famously ruthless lawyer Roy Cohn. Canadian 1st Assistant Director Joel Hay takes us behind the scenes of this brilliant film. It is not a conversation about political views, controversies or accusations. It is about how this very important film was made. We are talking not only about the incredible acting performances by Sebastian Stan and Jeremy Strong, their wigs and the genius prosthetics work by the hair and makeup team but also about the directors unique style of working and filming a hair transplant as well as a difficult rape scene. On top of that we are touching the subject of finishing days too early, finding locations that exist in real life to recreate in Canada without a Location Manager and doing all of this in a little over 30 days. Have lovely Christmas holidays and enjoy the last episode of this year. And as always, if you have any thoughts, ideas or guest requests for the future, we are happy to hear from you. DM us on Instagram or write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features the American Apple TV sports comedy series "Ted Lasso" developed by Jason Sudeikis who also plays the lead role of Ted. We are talking to the three British 1st ADs James Blackwell, Sophie Worger and Jim Imber about the art of "letting go" as an AD, scheduling an entire series on beat sheets and not on scripts. But also about working with guest directors like Zach Braff, bringing real life football clubs to the big screen and why the American and British way of spending a film budget is quite different. Would you have guessed that the locker room scenes were the most difficult to shoot? Find out why on this episode. Sit back and enjoy this very fun conversation with James, Sophie and Jim! As always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features the industry legend Michael Lerman. 1st AD Michael worked on the biggest pictures possible such as the Bond movies "Quantum of Solace", "Skyfall" and "Spectre". But also on "1917", "Jurassic World", "Doctor Strange", "Man in Black" or "Garden State". We are talking about firsting the world's biggest franchise not once, not twice but three times. And we are getting an insight on when you get to say no to DoP Sir Roger Deakins. From PA to 1st AD we are learning about Michaels impressive career, his experience in shooting in multiple countries with thousands of extras and about the biggest challenges he ever faced on set. Sit back and enjoy this very inspiring conversation with Michael Lerman - someone we learned to admire in so many ways possible and wanna thank again that he took the time to talk to us. Enjoy! As always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features the Oscar winning feature by Giorgos Lanthimos "Poor Things" starring Emma Stone and Mark Ruffalo. We are talking to 1st Assistant Director Hayley Williams and Key 2nd Assistant Director Edoardo Petti about the director´s very unique style of filming and the perks of dressing as well as lighting every set 360 degrees. But we are also taking a closer look at working with an Intimacy Coordinator, full nudity and closed sets as well as creating an environment that gives everyone including crew and cast space and safety for intimate scenes. Enjoy! As always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
Episode 6 features the 2022 drama "Tár" written and directed by Todd Field. Cate Blanchett stars as Lydia Tár, a world-renowned conductor facing accusations of misconduct. We're talking to 1st AD Sebastian Fahr-Brix, Key 2nd AD Maria Mehnert and Crowd 2nd AD Ann Sophie Heier about their journey on this film. The topics are limited prep-time, impressive one shots, prepping cast for numerous difficult tasks such as conducting and working with a real life orchestra in an actual philharmonic hall. Enjoy! Als always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode features two Assistant Directors of the British hit series THE CROWN who have worked on a variety of episodes across all 6 seasons. THE CROWN is a historical TV series about the British monarchy, specifically the rein of Queen Elizabeth II principally written by Peter Morgan for Netflix. We're so happy to talk to 1st AD Finn and Key 2nd AD Lynsey about the experience of working on a show for so many years, having constantly changing directors, staying on top of a schedule for hundreds of days with changing ADs, jumping through almost six decades on screen and their most fun memories of the shoot. Enjoy! Als always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
Episode four features the multilingual German hit series "1899" created by Baran Bo Odar and Jantje Friese for Netflix who previously created "Dark". We're talking to 1st AD Rickie-Lee Roberts, Key 2nd AD Georgina Foley and Crowd 2nd AD David Wunderlich about how they managed over 100 shooting days without going crazy. Besides that, we're speaking about their experience shooting in the 360 degree LED studio "the Volume" as the "1899" crew was only the second crew after "The Mandalorian" to use than technology. Enjoy! Als always, if you have any thoughts, ideas or guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
In unserer ersten Deutschen Folge, hatten wir die große Freude, mit Produzent und Regisseur Christopher Doll zu sprechen. Chris ist Mitbegründer und Geschäftsführer der Hellinger/Doll Filmproduktion und den meisten Filmschaffenden in Deutschland seit Jahren ein bekannter Begriff; z.B. als Produzent von Filmen wie "Traumfrauen", "SMS für Dich", "4 gegen die Bank" oder "Wunderschön". Vor seiner Produzenten-Karriere, hat Chris jedoch als 1. Regieassistent und 1st AD Filme wie "Krabat", "Im Winter ein Jahr", "Buddy", "Wickie", "3096 Tage" oder "Anonymus" von Roland Emmerich geprägt. Wir sprechen über Chris Lebensweg, seine Liebe zum Kino und zur großen Leinwand, wichtige Momente in seiner Karriere, aber auch die 4-Tage-Woche beim Film, das Miteinander am Set, Respekt für die Crew und die Bedeutung der ADs am Set. Schlussendlich geht es aber natürlich auch um sein Regiedebüt "Eine Million Minuten". Ein großartiger, bewegender Kinofilm mit Karoline Herfurth und Tom Schilling in den Hauptrollen. Themen-Wünsche, Fragen und Anregungen nehmen wir jederzeit gerne entgegen! Schreibt uns einfach an: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
Episode two features the core AD team of Edward Bergers epic German anti-war film "All Quiet On The Western Front" from 2022, also called "Im Westen nichts Neues" in German. It was a pleasure speaking with 1st AD Benedict Hoermann and Crowd 2nd AD Valerie Adamer about their their achievements, challenges and most fun memories of the shoot. We dig deep behind the scenes of the winner of nine Academy Awards last year. During the first half we´ll be talking about cranes, gimbals, meaning camera shots and technical equipment as well as storyboarding and rehearsing thoroughly. In the second half it's more about crowd, burning stunts people and the psychological impact of "playing war" but also about frozen sandbags and being a first time guest at the Oscars as an Assistant Director. Enjoy! And if you have any thoughts, ideas or even guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
Our first episode features the core Assistant Director (AD) team of the British hit TV show "Peaky Blinders" Season 5 and 6. It was an honour speaking with 1st AD Jon Midlane, Key 2nd AD Arizona Eastwood and 3rd AD Mike King about their careers as well as their achievements, challenges and most fun memories of the shoot. We dig deep behind the scenes of one of the UK‘s biggest shows, hear the touching story of losing a beloved cast member during the shoot, get amazed by the fact that some actors who play a married couple on "Peaky Blinders" were never in the same room together and cannot stop laughing about the ridiculous things one has to do as a 1st AD - like in Jon's case: playing a dead body and at the same time calling "action". Enjoy! And if you have any thoughts, ideas or even guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
This episode is the best way to get started if you are interested in our podcast. Who are the two full-time ADs and part-time podcast hosts Julia and Tim? What is the Assistant Directors Union Germany? And what do the first AD Awards have to do with the creation of this podcast? What is this podcast about anyways? This brief introduction episode will answer all of these questions. And if you haven't had enough after all, we recommend listening to episode 1 straight away. Enjoy! And if you have any thoughts, ideas or even guest requests for the future, we are always happy to hear from you. Write to us: podcast@ad-union.org INSTAGRAM: Podcast: @meettheads_podcast Julia: @juliaeiber Tim: @tim.schaer Music: Daniel Herget (www.blacktriaudio.de) Logo Design: Benjamin Probst (www.benjamin-probst.de) Powered by the ADU (Assistant Directors Union) Germany: @adu_germany
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