Podcasts about All Quiet on the Western Front

We complete our second round of 1930 on Studios Year by Year with Universal. This time around we've got two auteur entries, Lewis Milestone's All Quiet on the Western Front, and a much deeper cut, Tod Browning's eccentric crime drama Outside the Law. We discuss All Quiet as emblematic of the Laemmele Jr. era before turning to Browning's tense, messy melodrama, with a powerhouse performance by the scandal-plagued Mary Nolan. A fine finale to another trip through 1930 with the Hollywood Studios!  Time Codes: 0h 00m 25s: Universal Recap 0h 15m 58s: ALL QUIET ON THE WESTERN FRONT [dir. Lewis Milestone] 0h 53m 51s: OUTSIDE THE LAW [dir. Tod Browning] +++ Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer              +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

SEASON 2 - EPISODE 133 - Lisy Christl - Costume Designer In this episode of the Team Deakins Podcast, we speak with costume designer Lisy Christl (CONCLAVE, ALL QUIET ON THE WESTERN FRONT, FUNNY GAMES). Originally from Bavaria, Lisy did just about everything she could do to avoid the film industry, and she shares several moments from her career when other filmmakers would not take her “no” as an answer. Lisy later reflects on her 10-year-long collaboration with director Michael Haneke, and she reveals the inspiration for the all-white outfits of the two men in FUNNY GAMES. We also discuss Lisy's work on CONCLAVE, and she reveals what inspired her to adjust the typical garb worn by the cardinals. During our discussion of her work in TIME OF THE WOLF, Lisy shares the costuming decision she made to bring the audience to the present in a scene that recalled a scenario out of the Middle Ages, and she reveals the lengths she and her team went to design silent puffy jackets out of consideration for the sound department. We also discuss Lisy's work in ALL QUIET ON THE WESTERN FRONT, and she describes how and why she empowered herself to make choices that may not have been exactly period appropriate. - This episode is sponsored by Aputure

We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory We hope you sign up and enjoy the fun we're having over there. This week we're going back to WW1 but looking at things from the German side! This wee' we're on the road and talking about 2022's All Quiet On The Western Front. All Quiet On The Western From was directed by Edward Berger and stars Felix Kammerer. LIKE AND SUBSCRIBE PLEASE! Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #worldwar1 #germany #allquietonthewesternfront #war #france #netlfix #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

There are very few extra-special films in the history of cinema that not only stand the test of time, they really changed the way we look at history in general ... fictional films that make us see real life in a truly different manner.  Lewis Milestone's All Quiet on the Western Front did just that. It took our perspective of war and turned it on its head by having us see the world of the enemy soldiers.  This film is so technically brilliant and the acting is first-rate. This is a remarkable piece of filmmaking. However, was this Best Picture winner, in retrospect, still deserving of the honor of best film of 1929/30?Listen to film critic Jack Ferdman's take on it as he analyzes everything about All Quiet on the Western Front, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1929/30.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

Hello, and welcome to an all-new episode of Films for the Void! In this episode, Landon and Eric kick it over to their patrons for another dose of fan-recommended films: Edward Berger's 2024 film CONCLAVE, Don Bluth's 1986 film AN AMERICAN TAIL, and SJ Clarkson's 2024 film MADAME WEB–all on the latest episode of Films for the Void!TIME STAMPS:00:02:13 Conclave00:21:40 An American Tail00:42:54 Madame Web01:02:17 Eric's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

Oscar-winning composer Volker Bertelmann (CONCLAVE, ALL QUIET ON THE WESTERN FRONT) explains his unique approach to creating analog textures, themes, and layered complexity. How a church piano led him to a breakout hip hop album in Germany, and then into his own musical experimentation with “prepared piano” — including albums and live performances with ping pong balls in pianos. How his prepared piano techniques create sounds many believe are synths, but are actually recorded sounds carefully crafted. How his collaboration with director Edward Berger has led to a new exploration of sound. And why you should always prepare (even for an Oscars speech!) but be ready to go with the flow of the moment as a musician. Special thanks to Nate Gold and Soundbite Studios in Los Angeles. Interview by Kenny Holmes and Matt Schrader. For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X. Check out Vienna Symphonic Library's collection of innovating libraries and samples at http://vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out the free sample player, freebie libraries and demos at http://vsl.co.at To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Our latest episode of Soundtracking sees a return to the podcast for director Edward Berger and composer Volker Bertelmann to discuss their new film, Conclave. Stariing Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini, the story sees a Cardinal organize a papal to elect the next pop and finds himself investigating secrets and scandals about each candidate. As we'll hear, Edward and Volker struggled more with this score than the Oscar winning one for their previous collaboration, All Quiet On The Western Front. But they got there in the end

Screenwriter Stuart Wright talks with screenwriter Peter Straughan about the adaptation of CONCLAVE to the big screen and "3 Films That Have Impacted Everything In Your Adult Life" CONCLAVE is out in UK cinemas from Friday 29 NovemberDirected by ALL QUIET ON THE WESTERN FRONT director Edward BergerStarring Ralph Fiennes, Stanley Tucci, John Lithgow and Isabella RosselliniCOOL HAND LUKE (1967)BARRY LYNDON (1975)FARGO (1996)"3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week we review Edward Berger's Conclave, a papal conspiracy thriller in the guise of a serious business, hiding a goofed-up B-movie underneath. We talk about its twists and turns, its murderers' row of a cast, and its absolutely preposterous ending. Will this make our best-of-the-year lists? Tune in and find out!

Sympathize with a nazi? No thanks! The Reader left us puzzled about what the film makers wanted us to feel. The movie has powerhouse performances all around, and we enjoyed the non-linear timeline, but we couldn't necessarily get behind feeling bad for someone who became a nazi because they couldn't read? They seduced a child because they couldn't read? Like we said, no thanks. What did you think of The Reader? Let us know on Twitter and Instagram! Listen to the score Read the script Listen to our other episodes we talked about - An Education, Call Me By Your Name, All Quiet On The Western Front, Game of Thrones, Moonlight, War Horse, Anatomy Of A Fall Check out the Innocence Project Hugh Jackman's opening number at the Oscars Listen to Craig Ferguson's podcast Theme music by RomanBelov    #TheReader #BestPicture #BestDirector #BestActress #BestAdaptedScreenplay #BestCinematography #StephenDaldry #KateWinslet #Oscars2009 #2009Oscars #AcademyAwards #Oscars 

For this week's main podcast review, I am joined by Sara Clements, Josh Parham, Alyssa Christian, Dan Bayer & Tom O'Brien to review and discuss Edward Berger's latest film "Conclave," starring Ralph Fiennes, Stanley Tucci, John Lithgow, Lucian Msamati, Carlos Diehz, Sergio Castellitto & Isabella Rossellini. Following up his Academy Award-winning film, "All Quiet On The Western Front," Edward Berger takes us behind the closed doors of the Vatican into the election process for a new Pope in this tight, dramatic thriller with all kinds of twists and turns with one hell of a memorable final reveal. What did we think of it? Please tune in as we discuss the writing, performances, direction, score, cinematography, awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 118: Volker Bertelmann aka Hauschka is an international acclaimed pianist, composer and experimental musician. In 2023 he was honored with an Academy Award and a BAFTA in the Best Score category for his work on All Quiet on the Western Front (directed by Edward Berger). His score to Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, was nominated for multiple awards: Oscar for Best Original Score, Golden Globe for Best Original Score, Best Score at the Critics' Choice Awards, and for Best Film Music at the BAFTAs. Bertelmann has provided music for several leading films and television series. He composed the score for Patrick Melrose, The Old Guard, Stowaway, the episode “Red Book” from Black Mirror, and Life After Life for BBC. He also composed film scores for Adrift, the 2018 romantic drama directed by Baltasa Kormákur, and, again in collaboration with O'Halloran, for Ammonite, which was short-listed for The Academy Awards in 2020. In 2022, he scored War Sailor, which was an official selection at the Toronto International Film Festival. Volker Bertelmann has just worked with Oscar-winning director Edward Berger again on the film Conclave, which was presented at the Toronto Film Festival in 2024. Bertelmann, who in his solo work goes by the name Hauschka, is a uniquely innovative pianist; he is renowned both for his trademark sound, which he achieves by preparing the piano with various small objects, and his ability to improvise entire performances. His output is prodigious: he tours extensively, and has produced over twenty albums and EPs, both solo and in collaboration with others. He has worked, among many others, with the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, with Múm, the Icelandic experimental musical group, and with the Grammy-winning violinist Hilary Hahn. hauschka-net.deContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Well well well, we find ourselves here again at the end of the road. We've been gazing back at this strange group of nominees and sometimes it's hard to see the Oscars we know today in the nominations of the past. The 2010 Best Picture winner, The Hurt Locker, was explosive-pun intended. A woman finally won for Best Director and it took home a lot of other awards that night, however, almost 15 years later we found ourselves asking why? Listen as we wrap up this part of the season and share our final rankings. Also, stay tuned for a special surprise at the end of today's episode! See y'all later when we do the 2009 Oscars! *Correction - Kathryn Bigelow directed Detroit after Zero Dark Thirty* What did you think of The Hurt Locker? Let us know on Twitter and Instagram! Listen to the score Listen to our other episodes - American Sniper, All Quiet On The Western Front, Zero Dark Thirty Watch Saving Private Ryan, The Passion of the Christ, A Single Man, Ramy, the Ernest Movies, Hawkeye I Could Do This All Daaay!! Follow Reel Foley Sound on TikTok Watch and listen to Diana: The Musical Listen to Hedwig and the Angry Inch Theme music by RomanBelov    #TheHurtLocker #BestPicture #BestDirector #BestActor #BestOriginalScreenplay #BestOriginalScore #BestSoundEditing #BestSoundMixing #BestCinematography #BestFilmEditing #KathrynBigelow #JeremyRenner #Oscars2010 #2010Oscars #AcademyAwards #Oscars 

Milena's recent television work includes: Oh Hell, The Empress, The Swarm, and One Trillion Dollars. Milena's film work includes: In The Aisles, Someday We'll Tell Each Other Everything, I'm Your Man, All Quiet On The Western Front, and Club Zero, and Wim Wenders' Pina, Anselm, and Perfect Days. 

Danny talks about making sure not to jump up before you are ready, All Quiet On The Western Front, Tar, Your Honor, and a whole lot more. Danny's IMDB Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert We'd like to thank Knuckle Puck Camera for sponsoring today's episode. If you'd like to sponsor a future episode, contact us at www.theop.io.  

When most people think of World War I on the Western Front, they probably think of trenches. Trench systems were present along most of the 475 miles from the English Channel to the Swiss Alps. It wasn't just one straight continuous line, however. The system had many layers that supported the daily life and movement of millions of soldiers. If laid end to end, the trench systems would have stretched an estimated 35,000 miles. Trenches play a prominent role in most WWI movies. They are often depicted as sites of suffering, terror, and boredom. But what was day to day life really like in the trenches? How do the movies get this right or wrong? To explore this topic, the World War I Podcast welcomed Andrew Robertshaw, a historian, archaeologist, and a film advisor, to the podcast.  Follow us: Twitter: @MacArthur1880 Amanda Williams on Twitter: @AEWilliamsClark Facebook/Instagram: @MacArthurMemorial www.macarthurmemorial.org

0:18:45 - Box Office and upcoming releases. 0:23:00 *** What's Streaming  *** NETFLIX FURY, Dir. David Ayer – Shia LaBeouf, Logan Lerman, Brad Pitt, Michael Pena, Jon Bernthal, Jason Isaacs, 2014. ALL QUIET ON THE WESTERN FRONT, Dir. Edward Berger – Felix Kammerer, Albrecht Schuch, Aaron Hilmer, Daniel Bruhl, 2022. BRAWL IN CELL BLOCK 99, Dir. S. Craig Zahler – Vince Vaughn, Jennifer Carpenter, Don Johnson, Feature. 0:32:00 - Trailers:  MONKEY MAN – Dev Patel, Sharlto Copley, Feature. THE MINISTRY OF UNGENTLEMANLY WARFARE – Alan Ritchson, Henry Cavill, Eiza Gonzalez, Hero Fiennes Tiffin, Cary Elwes, Alex Pettyfer, Henry Golding, Feature. GHOSTBUSTERS: FROZEN EMPIRE – Carrie Coon, Mckenna Grace, Annie Potts, Paul Rudd, Finn Wolfhard, Bill Murray, Kumail Nanjiani, Patton Oswalt, Celest O'Connor, Dan Aykroyd, Ernie Hudson, Feature.   0:44:00 - THE HOLDOVERS, Dir. Alexander Payne ( Grayson 10 / Roger 10 / Chris 9.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Guess appearance by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Another unusual visit with pals on the Flipside. In today's podcast we have folks who've been to visit us before, but had more to say. One is the Oscar nominated dog Hira, owned by the screenwriter director Robert Towne. Hira's been to visit us before, transcripts are in the book "Backstage Pass to the Flipside." David Crosby stopped by again - after talking to us about what it was like to return to the flipside, and in this case, he wanted to talk further about his semi jaded, snarking observations.  Here's a link to the official story of how Graham Nash met David Crosby, but in this account, he recalls a lifetime in Victorian England where he knew Graham. (Be interesting to see if Graham has any memories of that era.) But in terms of Hira - I walked him for a number of years when Robert was at Warner Bros, and later in the Marina.  And was with Hira when he passed - a wild car ride to rush him to the animal hospital to try to save him.  That's another story for another time, but Hira stops by to tell the audience that we are always connected to our pets. He talks about the "contract" of our connection. Then David Crosby takes the spotlight - we didn't ask for him to stop by, but he did a few weeks back, and had more to say about his adventure. (David knew our moderator on the flipside Luana Anders, so it's not hard for me to see how she'd put him at the top of the list of guests.) Prince stopped by - sorry I didn't ask him any direct questions, but David talked a bit about creating music on the flipside.   Then I did ask a direct question to Carl Laemmle about the film "All Quiet on the Western Front" - a film he bought for his son to produce when he was the head of Universal pictures, which one lots of Oscars.  I mention the amazing story of the triathlete who purchased the rights, knowing that it would win her an Oscar (which she hasn't won yet.) Carl predicts the film will win three Oscars.   A bit about predictions - and why I never do them. Because the future is not set. Carl doesn't know for sure if the film will win three Oscars, but has a "better view" and is more apt to be correct. However, anything could happen - and it sometimes does.  People ask mediums like Jennifer all the time to predict the future, and as I like to point out - it's not set, however a good medium has a better opportunity to get the "likely outcome" as opposed to lottery numbers.  "It's likely" that the remake of ALL QUIET ON THE WESTERN FRONT will win three oscars, so if one is a betting person, perhaps dial up one's bookie. But don't blame me if it doesn't - blame Carl Laemmle. He's the one who said it. Than back to Hira - who had a message for Robert Towne, my old boss, which I will pass along. Always fun to hear from a pet on the flipside, if only to remind us they still exist.

With the announcement of the 96th annual Oscar nominees, we're revisiting our conversation with Volker Bertelmann, who won the Academy Award for Best Original Score last year for All Quiet On The Western Front.

For the first time in a long time, all 4 Tonebenders hosts get together to hang out and do a draft of our favorite genres to do sound design for. Tim, René, Teresa and Mark take turns picking the types of movies we have always wanted to tackle in our own work. We each have to pick one genre from each of the following subsets: 1 - Talkies: Mystery (Knives Out, Memento, Twin Peaks) War Film (1917, All Quiet On The Western Front, Saving Private Ryan) Historical Drama (The Revenant, The Favourite, 12 Years A Slave) Oscar Bait (Tar, The King's Speech, House Of Gucci) 2 - Guns and Punches: Police/Gangster (The Departed, Serpico, Goodfellas) Action/Adventure (Raiders of The Lost Ark, Fast And Furious, Bourne films) Martial Arts (Kill Bill, Crouching Tiger, Drunken Master) Western (Hateful 8, True Grit, Power of the Dog) 3 - Scary Stuff: Zombie (The Last of Us, World War Z, Dawn of the Dead) Slasher (Scream, Child's Play, Elm Street) Thriller (Fatel Attraction, Get Out, American Psycho) Paranormal (The Ring, The Conjuring, Exorcist) 4 - Out of This World: SciFi (Alien, 5th Element, Nope) Fantasy (Lord Of The Rings, Harry Potter, The Witcher) Superhero (Ironman, The Batman, Guardians of The Galaxy) Monster Movie (Godzilla, Pacific Rim, Cloverfield) 5 - Real Life: Doc (March of the Penguins, Kid Stays in the PIcture, They Shall Not Grow Old) Music Doc/Concert Film (Moonage Daydream, Get Back, Woodstock) Bio Pic (King Richard, Social Network, Ferrari) Sports Film (Rocky, Friday Night Lights, Iron Claw) 6 - Lighter Fair: Comedy (Bridesmaids, Zoolander, Rushmore) Family Animation (Puss In Boots, The Bad Guys, Toy Story) RomCom (Harry Met Sally, Always Be My Maybe, Red White & Royal Blue) Musical (LaLa Land, West Side Story, Tick Tick Boom) Show Notes: https://tonebenderspodcast.com/243---year-end-hang-out--genre-draft/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Hosts This Episode: Timothy Muirhead, René Coronado, Teresa Morrow, Mark Kilborn

The Lobby:Ari Aster is mad on how BEAU IS AFRAID was received as well as everyone not finding the Easter eggs in the film.Adam McKay shelving his film AVERAGE HEIGHT, AVERAGE BUILD to focus on a movie about climate change.Kevin says Iron Man will stay dead New Bourne movie in development with ALL QUIET ON THE WESTERN FRONT director What Have You Watched Lately?Trailer Talk: GODZILLA x KONG: THE NEW EMPIRE FURIOSA Main:Brandon solo:GODZILLA MINUS ONE SILENT NIGHT&nbs [...]

A pioneer in New Classical music, Hauschka, whose score won him an Oscar for All Quiet On The Western Front this year, doesn't restrict his solo experimental work to the confines of piano keys, but rather plays within its frame and strings. You can hear how playful yet heady his sound is on “Invention” from his recently-released album Philanthropy.  

Episode 45: ALL QUIET ON THE WESTERN FRONT (1930) This week, we discuss the oldest movie remaining: the Best Picture winner from the third Academy Awards (TM) ceremony covering the years 1929-1930. All Quiet on the Western Front is an early sound film based on Erich Maria Remarque's 1929 German novel. The film follows very young men who eagerly sign up for service in World War I. They soon come face to face with the horrors of war. Lewis Milestone directed this classic antiwar film. All Quiet on the Western Front ranks #25 on our countdown.* Join us next week as we jump ahead to 2003 for the fantasy epic The Lord of the Rings: Return of the King. Spoiler Alert: We talk about the movie in its entirety, so if you haven't yet seen it, check it out. Or not. That ball is in your court. *What is this list? We explain it in more detail in our Trailer and its Description, but as a high-level answer: we aggregated several different lists that rank the ninety-four winners of the Best Picture Academy Award in a rough attempt to get a consensus. It is not intended to be rigorous or definitive. It's just a framework to guide our journey through cinema history.

Season 3 Ep. 30: Two movie reviews with my buddy JB - Paths of Glory and All Quiet On The Western Front. A review if not comparison of two movies depicting life in the trenches of the first world war. The entire thing is a spoiler alert, you have been forewarned.  0:00 - Intro 1:46 - Act One: A Movie Review, or Better yet Two Movies Reviewed - Paths of Glory and All Quiet On the Western Front 56:35 - Epilogue 

Part 1: Zach and Andrew talk about movies they saw this week, including: Asteroid City and Close Encounters of the Third Kind.Part 2 (35:10): The group begins their Young Critics Watch Old Movies series with 1927's The Jazz Singer.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

Frank Petzold is an internationally acclaimed Director and VFX Supervisor, and he's been working in film for over 25 years. Whether working in film or television, Frank creates cutting edge visuals. Before stepping into the world of directing, this award-winning VFX Supervisor enjoyed a successful career in Germany as a Director of Photography, specializing in shoots with visual effects components. In the early 90s, Frank joined the Tippett Studio in California to supervise and direct VFX work for major Hollywood films. Starting with the cult classic STARSHIP TROOPERS, he quickly moved from one blockbuster to the next, including ARMAGEDDON, THE MATRIX, HOLLOW MAN, THE RING, GOLDEN COMPASS and many others. Working closely with Directors such as Steven Spielberg, Paul Verhoven, Frank Oz, Gore Verbinsky, Ivan Reitman, Frank learned how to bring story to life. With that extensive experience, he began directing complex commercials for the international market. When ALL QUIET ON THE WESTERN FRONT Director Edward Berger called Franks, with whom he worked on the AMC Series THE TERROR, the idea of working on such an iconic literary IP made Frank intimidated and inspired at the same time. Based on Erich Maria Remarque's best-selling 1929 novel of the same name, the film follows an idealistic young German soldier in WWI who soon learns the harrowing reality of war. Because of the intimate perspective and to capture the verisimilitude of life in the trenches, Petzold's goal was to ground the visual effects in photorealistic reference points. In other words, in this case, less is more. In 2023, the film won 4 Academy Awards. Frank has been a member of VES since 1999. In this Podcast, Allan McKay talks to the VFX Supervisor and Director Frank Petzold about his start in VFX at the legendary Tippett Studio; his work on STARSHIP TROOPERS, HOLLOW MAN, ARMAGEDDON, as well as the 2023 Academy Award Winning film ALL QUIET ON THE WESTERN FRONT. For more show notes, visit www.allanmckay.com/407.  

@PhilTheFilipino & @MrEricAlmighty have had an interest to explore foreign shows and films more than ever before. So for that reason, we will occasionally highlight international gems, and for this episode, we watched a film called All Quiet On The Western Front. We keep our thoughts spoiler-free for the full duration of the episode.IMDb Synopsis: A young German soldier's terrifying experiences and distress on the western front during World War I.

Show Sponsor AnyQuestion - https://link.anyquestion.com/Greg-Bennett   Support the show at https://www.patreon.com/user?u=26936856 "The Greg Bennett Show"     In this episode of The Greg Bennett Show, Greg is joined by Lesley Paterson.   Lesley Paterson is a true inspiration and a powerhouse in every sense of the word.   Lesley is a five-time world Triathlon champion, author, and an award-winning filmmaker having just taken home four Oscars for her film All Quiet on the Western Front.   Lesley's career as an athlete is nothing short of remarkable having won the XTERRA Triathlon World Championships in 2011, 2012, and 2018 and the World Triathlon Cross Championships in 2012 and 2018.   Her film career is astonishing. She co-wrote and was the executive producer for the critically acclaimed film adaptation of the anti-war novel - All Quiet on the Western Front, which took home, as mentioned, Four Oscars from 9 nominations and won the 2022 BAFTA Award for Best film.   Lesley has authored the book, “The Brave Athlete,” with her husband, Dr. Simon Marshall PhD. The book offers so much practical advice and inspiration for anyone looking to improve their mental and physical performance.   Lesley's talent and versatility as an athlete, writer, and filmmaker are truly awe-inspiring.   Timestamps 3:27 - Greg and Lesley discuss the movie All Quiet On The Western Front and understanding the sensibilities in the German culture towards war. Then working with their German Director and co-writer who brought the story to the screen through his own personal knowledge of his heritage. watch the trailer here In Germany there can be no heros in their war films 5:47 - Lesley describes how as a child she read the book in school, and then the 16 year journey from her first decision to create a modern adaptation, to finally seeing it on the big screen. 11:03 - Greg & Lesley chat about the award season in Hollywood and Lesley's experience and memories from what has been a whirlwind journey these past few years, culminating in 4 Oscars. You get to the top by being absolutely obsessed in your craft 14:45 - After the Oscars Lesley was so disappointed with not receiving the award for Best Adapted Film. She describes her feelings and emotions and how she has channelled them into her other current projects. You have your pity party, then you get angry, then you're like ... right, this is what I've got to do! 21:25 - Greg & Lesley rewind the clock and discuss her back ground through professional sport and how it led to her film career. I liked to be the little devious one 25:37 - At what point did Lesley Paterson realise that she was pretty good at this triathlon sport, and at what point did she go full-in? I was used to winning at a young age 41:34 - From focussing on her professional triathlon career, to focussing on her screen writing career, Lesley and Greg discuss the highs and lows within her career and how her persistence and hunger to improve has driven her towards the success she is now experiencing. I had my pity party, but I had to do better 46:11 - The structure and stability of her sport and spending hours and hours and hours training for triathlon, allowed Lesley to focus and fund her dream of creating a modern movie adaptation of All Quiet On The Western Front. 48:15 - Just when Netflix approved the concept, COVID hit. After 16 years of dreaming and creating the concept, the script, connecting the team ... Lesley wasn't even allowed on the closed set due to Netflix crew protocols. You've just got to be grateful - I mean, who gets a filmn made right? 53:45 - Greg asks Lesley for her 3 favourite movies of all time. 55:01 - What would Lesley tell her 18 year old self now that she has had all these life experiences? 55:31 - 3 people you would want to have dinner with (nonfamily, living or dead)? 58:57 - Greg & Lesley finish with some rapid fire Q&A.   You can change the course of somebody's life by making a film First job? Out of 10, how cool are you? Who would you want to play a movie of your life? Which decade of music is the best? 1:00:40 - Interview concludes.   Links Be sure and check out bennettendurance.com Find Greg on social media: Twitter @GregBennett1 Instagram @GregBennettWorld   And follow Lesley Paterson Instagram: instagram.com/lesleydoestri Website: http://www.lesleypaterson.com/lesley-paterson/ Twitter: twitter.com/lesleydoestri

Sam and Ian give you everything you need to know about the historic 95th Academy Awards. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

On this edition of On-Screen Live!, the guys re-cap all the ins, outs and what-have-yous from this year's Oscars ceremony, including Everything Everywhere All at Once and All Quiet on the Western Front running away with the night, Kimmel's hits and misses, Garage Rock Lady Gaga, and, mostly importantly, who got FARINA'd! PLUS: On top of recapping Hollywood's Biggest Night, the guys also give their thoughts on the fun-as-hell Scream VI and run the rest of the weekend box office numbers!  This is of course the audio-only edition of On-Screen Live!, if you want the full experience, check out the show on our YouTube channel. Watch live Mondays at 12pm/et or catch the replay whenever. While you're there, be sure to like this episode and subscribe to the channel! Set up notifications so you don't miss a moment of new content from us! Unlock Exclusive Content!: http://www.patreon.com/wehatemoviesSee omnystudio.com/listener for privacy information.

Today's episode is from another Thought Bubble Audio show, Academy Rewind, in which Tim, Palmer, and two guests break down the 2023 Oscars and Best Picture nominees. Beers of the Week Special Guest: Palmer.

At this year's Oscars, Everything Everywhere All At Once won seven awards, including best picture and best director. The film's actors Jamie Lee Curtis, Ke Huy Quan, and Michelle Yeoh also won Oscars. Yeoh's win was historic — she's the first Asian woman to win a lead actress Oscar. Brendan Fraser and All Quiet On The Western Front also won awards.

That's right folks, the Oscars still suck! While they managed to bring back all of the categories they disrespected last year and will present them live again on this year's broadcast, the Academy's Music Branch, on the other hand, I think has clearly lost its mind. Not only are the nominees for best original score this year incredibly lacklustre, but they also took it one step further by nominating one of the most excruciating, annoying, utterly distracting film scores I've ever heard, ALL QUIET ON THE WESTERN FRONT by Volker Bertelmann. Not since Hans Zimmer's DUNKIRK have I experienced a score so repulsive that I nearly walked out of the theatre because of the music. One of Bertelmann's first instructions from director Edward Berger was to "please do something that is destroying the pictures that is not, you know, underlining what we already see." And then there was further instruction to literally make the score sound as bad as possible by "want(ing) to have a snare drum that is played by somebody who can't play the snare drum" Seriously?! And that ladies and gentlemen is something that seemed to really tickle the music branch in all the right places. Remember folks, different = good! Forget about the story, or complementing the picture, elevating the drama... Nah, just make some noise that sounds like a three-year-old played it! So, with that, I once again am boycotting the Academy Awards this time because of the Music Branches' tin ears. By the way, not all of the music branch members feel this way, and some of them have really good taste in good film music, but the majority of them are, in my opinion, always out to lunch! So since we are spending another year trying hard to ignore the Oscars (I guess I'm failing to do so by doing this show), I thought I'd highlight the people who I feel genuinely, and honestly do some of the best work celebrating film music, THE INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION (IFMCA). Just to be as transparent as possible, I am a proud member of the IFMCA and I genuinely do think we at the IFMCA do the best in curating the best scores of the year in our annual awards. That might be an arrogant, egotistical statement, but that's what I believe. In an effort to prove that the IFMCA, more than any other awards organisation, presents the most accurate depiction of the year's top film scores, I will be comparing it to the Oscars and their historical list of nominees and winners from 1998-2022 to the IFMCA's nominees and winners over that same time. The show is a long one, almost as long as an Oscar telecast. I hope you enjoy and please let me know if you agree or disagree with my assessment of the Oscars and the IFMCA in the comments below. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Potent —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The 95th Academy Awards is upon us! It's been another great year in film. “Top Gun: Maverick,” one of the Best Picture nominees, has been credited as the blockbuster that brought audiences back to theaters post pandemic. This year also saw the long awaited sequel to James Cameron's technical achievement “Avatar” with “Avatar: The Way Of Water.” But possibly the biggest film of the year was small indie movie “Everything Everywhere All at Once,” which has maintained a dedicated fanbase of everyday movie-goers and critics alike since its premiere in March 2022, and has dominated the award circuit leading up to this year's Oscar ceremony as the projected winner for Best Picture, Best Director, and Best Actress among other categories. Other Best Picture nominees in addition to those three films: “The Banshees Of Inisherin,” “Women Talking,” “Triangle Of Sadness,” “The Fabelmans,” “All Quiet On The Western Front,” “Tár,” and “Elvis.” Other categories covered include Best Animated Feature, Best Documentary Feature, Best Supporting Actress, and more! There's so much to talk about! Larry Mantle and LAist film critics are live at the Orpheum Theater in DownTown Los Angeles to discuss the 95th Academy Award nominations from Best Screenplay to Best Picture. We'll hear which films are the critics' favorites and which ones they think will take home the top prizes. You can find the full list of nominees here. Our critics for the 21th annual Film Week Academy Awards Preview are: Justin Chang – Los Angeles Times and NPR's Fresh Air Tim Cogshell – Alt-Film Guide and CineGods.com Andy Klein – LAist & AV Club Christy Lemire – Roger Ebert.com & Breakfast All Day podcast Lael Loewenstein – LAist                                                            Wade Major – CineGods.com                                       Amy Nicholson – New York Times film writer & podcast Unspooled Claudia Puig – President/LA Film Critics Association   Peter Rainer – Christian Science Monitor Charles Solomon – Animation Scoop and Animation.com   Round One (0:15) Best Animated Feature: Guillermo Del Toro's Pinocchio – Directed by Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley Marcel The Shell With Shoes On – Directed by Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey Puss In Boots: The Last Wish – Directed by Joel Crawford and Mark Swift The Sea Beast – Directed by Chris Williams and Jed Schlanger Turning Red – Directed by Domee Shi and Lindsey Collins   Best Documentary Feature: All That Breathes – Directed by Shaunak Sen, Aman Mann and Teddy Leifer All The Beauty And The Bloodshed – Directed by Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov Fire Of Love – Directed by Sara Dosa, Shane Boris and Ina Fichman A House Made Of Splinters – Directed by Simon Lereng Wilmont and Monica Hellström Navalny – Directed by Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris   Round Two (15:45) Best Supporting Actress: Angela Bassett – Black Panther: Wakanda Forever Hong Chau – The Whale Kerry Condon – The Banshees Of Inisherin Jamie Lee Curtis – Everything Everywhere All At Once Stephanie Hsu – Everything Everywhere All At Once   Best Adapted Screenplay: All Quiet On The Western Front – Screenplay - Edward Berger, Lesley Paterson & Ian Stokell Glass Onion: A Knives Out Mystery – Written by Rian Johnson Living – Written by Kazuo Ishiguro Top Gun: Maverick – Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks Women Talking – Screenplay by Sarah Polley   Best Original Screenplay: The Banshees Of Inisherin – Written by Martin McDonagh Everything Everywhere All At Once – Written by Daniel Kwan & Daniel Scheinert The Fabelmans – Written by Steven Spielberg & Tony Kushner Tár – Written by Todd Field Triangle Of Sadness – Written by Ruben Östlund   Best Supporting Actor: Brendan Gleeson – The Banshees of Inisherin Brian Tyree Henry – Causeway Judd Hirsch – The Fabelmans Barry Keoghan – The Banshees of Inisherin Ke Huy Quan – Everything Everywhere All at Once   Best Actress: Cate Blanchett – Tár Ana De Armas – Blonde Andrea Riseborough – To Leslie Michelle Williams – The Fabelmans Michelle Yeoh – Everything Everywhere All at Once   Round 3 (34:47) Best Actor: Austin Butler – Elvis Colin Farrell – The Banshees of Inisherin Brendan Fraser – The Whale Paul Mescal – Aftersun Bill Nighy – Living   Best Directing: The Banshees Of Inisherin – Directed by Martin McDonagh Everything Everywhere All At Once – Directed by Daniel Kwan and Daniel Scheinert The Fabelmans – Directed by Steven Spielberg Tár – Directed by Todd Field Triangle Of Sadness – Direcetd by Ruben Östlund   Best Picture: All Quiet On The Western Front Avatar: The Way Of Water The Banshees Of Inisherin Elvis Everything Everywhere All At Once The Fabelmans Tár Top Gun: Maverick Triangle Of Sadness Women Talking  

Sam and Ian give you everything you need to know going in to Sunday night's ceremony. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

ALL QUIET ON THE WESTERN FRONT has earned 9 Academy Award nominations, including one for screenwriter Ian Stokell. He co-wrote the screenplay with Lesley Paterson, and they are nominated for Best Adapted Screenplay. Ian joins Mase and Sue to talk about the 16 years it took to make this movie, director Edward Berger's vision for the film, and what it will be like to walk the red carpet at this year's Oscars.

Edward Berger's "All Quiet On The Western Front" is nominated for 9 Academy Awards, including Best Picture, Best International Feature, and Best Adapted Screenplay. The Netflix WWI film recently won 7 BAFTA awards, including Best Film, and has been a critical success since its world premiere at the Toronto International Film Festival. We've been fortunate to interview many of the Film's cast and crew members this awards season, but for this time, we wanted to spotlight some of the below-the-line talents who are all nominated at this year's Oscars. First, we have Will Mavity'sinterviews with the BAFTA-winning cinematographer James Friend, then the BAFTA-winning sound designer Markus Stemler, followed by production designer Christian M. Goldbeck. Then to end things, we have Dan Bayer's interview with makeup artist Heike Merker. We hope you enjoy this behind-the-scenes look at one of the most technically well-crafted films of 2022. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Larry Mantle and LAist film critics Tim Cogshell and Andy Klein review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘Creed III,' ‘Operation Fortune: Ruse De Guerre,' ‘Transfusion' and More (0:15) “Creed III,” Wide Release “Operation Fortune: Ruse De Guerre,” Wide Release “What We Do Next,” Laemmle Monica Film Center[Santa Monica], Regal Foothill Ranch Theater & AMC Burbank Theater “A Little White Lie,” Lumiere Music Hall [Beverly Hills] & Harkins Theater At The Grove; On digital & on Demand “Pacifiction,” Laemmle Royal “Hunt Her, Kill Her,” In Select Theaters “Blueback,” In Select Theaters “Unseen,” Available on Digital & on Demand March 7 “Transfusion,” Laemmle Glendale “Children Of The Corn,” In Select Theaters; Available on Demand & Digital March 21 “Casablanca,” In Select Theaters March 5 & March 8 Only   Larry Mantle And The FilmWeek Critics Discuss The Best International Feature Category (31:48) In preparation for the 95th Academy Awards, our FilmWeek critics discuss the Oscar nominees for Best International Feature Film which include ‘All Quiet On The Western Front,' ‘Argentina 1985,' ‘Close,' ‘EO,' and ‘The Quiet Girl.' Joining Larry to discuss the prospective winners and share their favorite international film of the year are critics Tim Cogshell, Andy Klein, Wade Major, Peter Rainer, Amy Nicholson and Lael Loewenstein. You can see all our critics live Sunday, March 5th at the Orpheum Theatre in Downtown Los Angeles as we break down the major Oscar categories and relive the best of 2022 in film. Tickets are on sale now at LAist.com/events. We hope to see you there!

Beijing says it won't be dictated to over its relationship with Moscow. Also: Burkina Faso marks the official end of the French military operation there amid speculation it could turn to Moscow for support for its fight against Islamist insurgents, and why it was a big night for the German language film All Quiet On The Western Front at the BAFTAS.

After a string of lush, star-filled productions in the ‘50s, Alfred Hitchcock went small(er) and sinister with Psycho, which went on to become Hitchcock's best-known film and one of the most influential films of the last sixty years. For this Sacred Cow deep dive (2:04)—reviewed in anticipation of the upcoming Best of the '60s edition of Filmspotting Madness—Filmspotting considers a picture that remains unnerving and full of mystery even after a half-century of critical analysis. Plus, listeners weigh in on M. Night Shyamalan's hit-and-miss career (52:33), and Adam and Josh turn in their Oscars homework (1:02:08) with thoughts on ALL QUIET ON THE WESTERN FRONT, Andrea Riseborough in TO LESLIE, and Best Documentary Feature nominee NAVALNY. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode of the Empire Podcast sees the team swap Kings Place, where we recorded last week's triumphant 550th episode, for the podbooth once more... and quickly yearn for air conditioning. Inbetween melting down (in the case of our equipment, quite literally), Chris Hewitt, Helen O'Hara, James Dyer and Sophie Butcher discuss franchises that went on too long, have a crack at the week's movie news, and review Women Talking, Magic Mike's Last Dance, Blue Jean, and Your Place Or Mine. Frankly, if your place has working air con, we're in. On the guest front, Amon Warmann chats to M. Night Shyamalan, director of Knock At The Cabin, about twists and basketball, and Ian Freer sits down with Felix Kammerer, the Austrian actor who is the star of the 14-times BAFTA-nominated German sensation, All Quiet On The Western Front. The road to episode 600 starts here, folks. Enjoy!

Today, this is what's important: The way-o origins, Jersey Shore, Indonesia, shows about start ups, world wars, audio dubbing, movie remakes, The Oscars, and more.See omnystudio.com/listener for privacy information.

This week, Dana, Julia, and Stephen start by talking about Natasha Lyonne's modern take on Columbo, aka the new Peacock series Poker Face. Then they discuss Netflix's Oscar-nominated All Quiet On The Western Front. Finally, the chat about the changed aesthetics of shopping, inspired by this Grub Street article.  In Slate Plus, the panel talks about the sleepover panic.    Email us at culturefest@slate.com. Endorsements:  Dana: Kiss Me Petruchio is an hour long documentary about the 1981 Shakespeare in the Park production of The Taming of the Shrew starring a young Meryl Streep and a young Raul Julia.  Julia: The third episode of HBO's The Last of Us featuring Murray Bartlett and Nick Offerman.  Stephen: I couldn't let the death of Tom Verlaine go unremarked. The albums Adventure and Marquee Moon that he made with his band Television are both absolute stone cold masterpieces.  And a discovery: Skeeter Davis, anybody?  Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Stone Cookies" by Dusty Decks. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

ED BERGER AND JAMES FRIEND - Director and Cinematographer Team On this episode of The Team Deakins Podcast, we connect with a talented filmmaking duo for a fabulous conversation. Director Edward Berger and cinematographer James Friend (YOUR HONOR, ALL QUIET ON THE WESTERN FRONT) tell us how they like to make their films using only a single camera. They explain how using one camera allows them a level of precision that isn't possible on a multiple camera shoot. We also discuss the importance of understanding the perspective of the film that's being made. For them, that perspective dictates where the camera is placed for every shot, and how the sequences are edited. Edward and James were wonderful guests, be sure not to miss it! Available now!

This week, Dana, Julia, and Stephen start by talking about Natasha Lyonne's modern take on Columbo, aka the new Peacock series Poker Face. Then they discuss Netflix's Oscar-nominated All Quiet On The Western Front. Finally, the chat about the changed aesthetics of shopping, inspired by this Grub Street article.  In Slate Plus, the panel talks about the sleepover panic.    Email us at culturefest@slate.com. Endorsements:  Dana: Kiss Me Petruchio is an hour long documentary about the 1981 Shakespeare in the Park production of The Taming of the Shrew starring a young Meryl Streep and a young Raul Julia.  Julia: The third episode of HBO's The Last of Us featuring Murray Bartlett and Nick Offerman.  Stephen: I couldn't let the death of Tom Verlaine go unremarked. The albums Adventure and Marquee Moon that he made with his band Television are both absolute stone cold masterpieces.  And a discovery: Skeeter Davis, anybody?  Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Stone Cookies" by Dusty Decks. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nominations for this year's Oscars dropped today, and it's a big year for Everything Everywhere All At Once, The Banshees Of Inisherin, and All Quiet On The Western Front. We run down the nominees in the major categories, plus talk about some surprises and snubs. Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour

Ep 292: Allison (@allisonkilkenny) anti-recs Bardo and The Whale and Lukewarm Recs White Noise and All Quiet On The Western Front, Allison and Meredith (@meredithlclark) rec: The Menu and Glass Onion, and Meredith recs Party Girl.   Follow Allison and Meredith on Letterboxd!   https://letterboxd.com/allisonkilkenny/ https://letterboxd.com/meredithlclark/   Light Treason news is a 100% listener-supported show! If you're a fan of what we do and want to keep us going, donate at lighttreason.news or patron.com/allisonkilk

We move from covering the historical events in Westeros to something more grounded in our own history and reality this week. John and Len have both seen the 1st World War epic, All Quiet On The Western Front. They are here to tell you why you should watch this film right now! They get pretty deep, but they also let you know what Pikachu would sound like if voiced by Christian Bale...yeah, listen and it'll make sense...I think.We want your feedback too, let us know your thoughts and theories by emailing us at fancriticalpodcast@gmail.comPlease do subscribe and spread the word of Fan Critical. You can sponsor us on Patreon at www.patreon.com/fancritical and receive access to bonus content. Thank you!Subscribe here: https://podcasts.apple.com/podcast/fan-critical-a-tv-and-film-podcast/id1294904510?mt=2Email: fancriticalpodcast@gmail.comPatreon: www.patreon.com/fancriticalFacebook: https://www.facebook.com/FanCriticalTwitter: @fancriticalpodInstagram: @fan_criticalSupport this podcast at — https://redcircle.com/fan-critical-a-tv-and-film-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week's episode of the Empire Podcast sees Daniel Radcliffe make his second pod-appearance of the year, as he tells Chris Hewitt all about playing Weird Al Yankovic in the riotous faux-biopic, Weird. They also talk about accents, living in New York, and what Radcliffe's own biopic would be called. And names are on the agenda with Jennifer Lawrence too, as the Oscar-winning actress returns with her contemplative drama, Causeway, the first movie to be produced by her company, Excellent Cadaver. In our interview, she and director Lila Neugebauer tell Chris all about the how and why of the movie's name change from Red, White & Water, about working in a heated swimming pool, and more. Then, in the podbooth, Chris is joined by Helen O'Hara, James Dyer, and John Nugent to discuss the week's movie news, being replaced by Liam Hemsworth, review EVERY FILM IN THE WORLD including Enola Holmes 2, Living, Weird, Causeway, All Quiet On The Western Front, and Something In The Dirt, and tackle the thorny issue of which comedy movie directors they'd put on their personal Mount Rushmore. If your favourite director isn't mentioned, rest assured they were mentioned, but were cut out. Probably. Enjoy!

Welcome to Episode 443! In this episode we are joined by Wayne from Podcast Championship Wrestling podcast (PCW). In Good Pop Bad Pop this week for MOVIES we discuss the new Netflix World War I drama ALL QUIET ON THE WESTERN FRONT. And a new horror/thriller dropped on Prime Video with RUN SWEETHEART RUN. We'll let you know if this is one to check out. And Apple TV+ dropped a new movie starring Ethan Hawke and Ewan McGregor in RAYMOND AND RAY. In TV we talk about the new Chloë Grace Moretz science fictions series on Prime Video THE PERIPHERAL. In anime we review CHAINSAW MAN on Hulu and Crunchyroll. Netflix has a new series based on a true story from Ryan Murphy with THE WATCHER. THE SURREAL LIFE is back on VH1 with new houseguests like Dennis Rodman, Frankie Muniz and more. Halloween is a day away and Netflix dropped GUILLERMO DEL TORO'S CABINET OF CURIOSITIES an anthology of horror stories. Showtime has a new vampire drama LET THE RIGHT ONE IN. In news this week it looks like Henry Cavill is stepping away from THE WITCHER for Season 4. We talk AVATAR 2's insanely long runtime. And it looks like CREED III might be a huge hit if the rumors about the test screening reactions are true. In Marvel News we've got a ton of rumors to get to. Sounds like we're getting a new Disney+ series about Vision titled VISION QUEST and a SILVER SURFER Special Presentation. We finally know who Emilia Clarke is going to play in SECRET INVASION. Who's all coming back for AVENGERS SECRET WARS??? So much to get into here. In DC News we talk Cavill's return to Superman and James Gunn is going to Co-Lead DC Studios. And in Star Wars News it looks like Damon Lindeloff is getting a crack at a Star Wars movie. No new episode next week. Learn more about your ad choices. Visit podcastchoices.com/adchoices