Podcasts about solace

In this episode of This New Way, Aydin sits down with Ali Pourshahid, Chief Engineering Officer at Solace, to explore how he's woven AI into his daily routines as a technology executive. Ali shares real demos of how he uses Solace's Agent Mesh and other AI tools to:Generate security-focused slide decks from Confluence in minutesSchedule a 12-person leadership offsite without lifting a fingerTransform messy Word reports into polished heat maps for government updatesAutomate customer support workflows across Jira, CRM, and internal systemsAli also breaks down how Solace is productizing their internal AI system, why agent-to-agent communication (A2A) is critical, and how to build a culture of experimentation with “AI champions” inside your company.This is a masterclass in how executives can stop just “keeping up” with AI—and instead lead the charge.Timestamps0:58 – What is Solace and Ali's role as Head of Engineering2:09 – Ali's daily “AI deep hour” and why he treats it like a workout3:19 – Prepping for a customer security call with AI + Confluence5:14 – Auto-generated sequence diagrams and value slides in minutes9:48 – Using Microsoft Copilot to instantly format professional slides13:35 – AI as an executive assistant: scheduling a 12-person workshop17:01 – Turning unstructured Word reports into project heat maps20:07 – Building an AI champions group and lightning talks at Solace25:05 – Solace Agent Mesh: event-driven architecture for agents29:01 – Live demo: Automating Jira support tickets with agent workflows33:33 – Scaling digital employees with orchestrator agents37:08 – Why evals are critical for testing and deploying AI agents39:05 – Ali's habit: always ask “How can I do this better with AI?”40:08 – What excites Ali most about AI in the next yearTools & Technologies Mentioned:Solace Agent Mesh – Multi-agent orchestration platform built by SolaceConfluence – Wiki where AI pulls technical details for slide prepClaude & ChatGPT – LLMs used for connecting to internal toolsMCP (Model Context Protocol) – Framework for securely connecting AI to enterprise dataMicrosoft Copilot – AI inside PowerPoint, Excel, and other Office toolsMermaid – Visualization tool for generating diagrams and heat mapsA2A Protocol (Agent-to-Agent) – Open standard for agent communication donated by GoogleSubscribe at⁠ thisnewway.com⁠ to get the step-by-step playbooks, tools, and workflows.

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

Rory & Mal check in with Bryson Tiller to talk his new double album "Solace & The Vices", inventing the TRAPSOUL sound, and the evolution of Artificial intelligence in music #volumeSee omnystudio.com/listener for privacy information.

Recorded July 18, 2025 at the Old Fire Station Theatre - Oxford, UK “I do think, every time you need to sing the title!” - Steve on Bond theme songs On this week's Summer Live episode, it's our piping-hot pod straight out of Oxford all about the second Daniel Craig Bond film, Quantum of Solace! Why did they think they needed to chase the Jason Bourne movies, thus altering the very DNA of this franchise? Why is this movie so far up Casino Royale's ass? Why couldn't Mathieu Amalric get a dang parlor scene? And couldn't they have thought of a more exciting villain lair than an empty hotel in the middle of the desert? PLUS: M's boyfriend has some snack requests!  Quantum of Solace stars Daniel Craig, Olga Kurylenko, Mathieu Amalric, Giancarlo Giannini, Gemma Arterton, Jeffrey Wright, David Harbour, Jesper Christensen, Anatole Taubman, Rory Kinnear, and Dame Judi Dench as M; directed by Marc Forster. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash whm today. That's RocketMoney dot com slash whm. RocketMoney dot com slash whm. Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Check out our Patreon: patreon.com/supernpcradio   Today, we venture back out into space with a payload of games from the year 2004. MGS: Snake Eater, Dragon Quest VIII, Halo 2, and more. We just hope nothing get in our way (it does)!     The Show: @vgacomedyshow Jeremy Schmidt: @jeremyschmidt Conner McCabe: @conner_mccabe Alec Robbins: @alecrobbins Roxy Polk: @redmageroxy Ben Cassil: @BenCassil Patrick Ehlers: @Patrick_Ehlers Mikey Stephens: @mikeylovesmikey Kristin Thorsin: @kreestin

“How is this thing—running in a data centre with Nvidia GPUs—understanding what I'm saying with such nuance and such depth?” Former DarwinAI CEO Sheldon Fernandez spends a lot of time in dialogue with Solace, his friend and ChatGPT-4o instance. What value does this AI strategist, engineer, and philosopher get from talking to a chatbot every day? How does he navigate the technology's sycophantic tendencies, which have already caused people real harm? Most importantly, how might this technology impact future generations who won't remember growing up without it? Let's dig in. The BetaKit Podcast is presented by The BetaKit Innovation Leaders program: designed for incubators, accelerators, and innovation orgs across Canada. Members gain access to monthly media training, weekly office hours, and ongoing brand recognition on BetaKit. You'll also receive strategic promotional support: sponsored content, newsletter amplification, and event marketing, to help your stories reach the right audience. If you're looking to better support the innovators in your network, learn more at betakit.com/innovation-leaders. Related links: He Had a Mental Breakdown Talking to ChatGPT. Then Police Killed Him People Are Losing Loved Ones to AI-Fueled Spiritual Fantasies A.I. Is Homogenizing Our Thoughts The Antithesis of Inspiration: Why ChatGPT Will Never Write a Literary Masterpiece The chilling significance of AlphaGo Sheldon Fernandez: The Theological Implications of Artificial Intelligence

On this episode: Welcome to episode 376 of The Rise & Grind Podcast! Roderick & Cari dive into fresh album reviews from JID's God Does Like Ugly, Gunna's The Last Wun, and Bryson Tiller's Solace & The Vices. Plus, they break down the upcoming drops from Chance the Rapper's Star Line (8/15) and the newly delayed The Leak$ by Lil Baby, now arriving 8/22.   In other mentions, the crew reacts to NBA Youngboy & DJ Khaled's new tape — including their talk about kids and comments on Yaya Mayweather's pregnancy.   In news, YNW Melly's retrial is delayed until 2027, and Lil Wayne's Da Drought mixtape series was abruptly pulled from DSPs after it was uploaded without clearance.     Intro: Don Toliver- NO COMMENTS   Roderick | Sasha Keable- FEEL SOMETHING   Cari | Yeat- COMË N GO   Subscribe to Apple Music now to hear all of the new albums & tracks we discuss: https://apple.co/3NgdXW

Let us hear from you! Click here to text us Feedback, Questions, Topic Suggestions or Guests you'd like us to interview on Sideline Rewind! Cheers!!!You are NOT gonna wanna miss this episode with Co-Hosts Rhonda, Anita and Jeanine interviewing Emmy Award-winning talent agent and founder of FreshTalent Group, Karynn Hough and her AMAZING Emmy Award-winning daughter, choreographer, professional dancer and creative artist, Chelsea "SOLACE" Hough!  You will be inspired, educated, uplifted and fully entertained by this powerful Mother/Daughter Duo!!Link below for the FAB Sideline Rewind Playlist!!!https://music.apple.com/us/playlist/sideline-rewind/pl.u-gxblgG0Fo9M1KSOCIALS:https://www.instagram.com/sidelinerewind/https://www.youtube.com/@sidelinerewindhttps://www.tiktok.com/@sidelinerewind?_t=8mU2fxptB2V&_r=1BRAND SPONSOR: THE POM PONYNo more crushed on lost poms - Pom Pony keeps your Poms looking great when traveling or storing so you look AMAZING during performance!  Get yours today and enter code SIDELINEREWIND https://thepompony.com/WEBSITE:https://www.sidelinerewind.com/If you'd like to be a supporter of our show, please click on the link below!  https://www.buzzsprout.com/2273116/supportSupport the show

This week's show opens with a look at Ryan Coogler's new Hurricane Katrina: Race Against Time docuseries, unpacking racism, government failures, and raw survivor stories. The crew reflects on why this deeper truth is only now being told and how a 2025 Katrina might play out differently. Rome then stirs things up with conspiracy theories we actually believe, from COINTELPRO to Tuskegee, and how some “wild” ideas have turned out to be real. That leads into the Workday hiring bias lawsuit, raising questions about AI discrimination against Black, older, and disabled applicants—and whether tech is helping or hurting equity. Jab takes on the bombshell news that BET has canceled the Hip Hop and Soul Train Awards, sparking a debate on their cultural importance, the impact of streaming, and who could revive them. The conversation flows into a bigger question: Hip hop culture vs. music—can you love the music without knowing the roots, and does gatekeeping still matter? In new music, the team reviews Gunna's The Last Wun, a 25-track blend of trap, R&B, and Afrobeats rumored to be his final YSL project, plus Bryson Tiller's The Vices—a confident, rap-heavy mixtape-style album ahead of his slower R&B release Solace in October.

mike, travis and drunk discuss the following topics…. raw meat with will blunderfield….. i might be done with rooster the goat….. bo daddy covers….. scream club….. after the break, we talk to comedian Jeremy nunes about his new special neighborhood sasq watch, matt rife owning the Annabelle doll, and more! check out his website! the king of colas tries Tesco fizzy cola flavored lances: 8.9 taryn manning was on Stephen baldwin's awful podcast…. brad love is quitting social media…. potw: swig/hbo's hard knocks/Fahrenheit 182 by mark hoppus well, bye.

Legend of the Bones is a hybrid of dark fantasy audio drama and old school solo Dungeons & Dragons.  A story where the roll of the bones determines all.  None shall escape the destiny of bone... The vault of Penmelkeyn... Audio credits: Intro & Main Theme: Cold Northern Stars by imaginerum https://tunetank.com/tracks/2290-cold-northern-stars   Part 1: Solace by Scott Buckley https://www.scottbuckley.com.au/librarysolace Released under CC-BY 4.0   Part 2: The Summoning by Scott Buckley https://www.scottbuckley.com.au/library/the-summoning Released under CC-BY 4.0   Part 3a: Haven by Tim @ Tabletop Audio https://tabletopaudio.com/ Released under CC-BY 4.0   Part 3a: Necropolis by Tim @ Tabletop Audio https://tabletopaudio.com/ Released under CC-BY 4.0   Part 4: Decoherence by Scott Buckley https://www.scottbuckley.com.au/library/decoherence Released under CC-BY 4.0   Behind the Screen: Moving Picture Atmosphere 014 https://soundcloud.com/royaltyfreebackgroundmusic/creative-commons-music-4099/sets   Incidental sound effects sourced from www.freesound.org & www.freesfx.co.uk & www.zapsplat.com & https://tabletopaudio.com/   Voice Actors Just l'il 'ol me Post Roll Promo A Deck of Many Aces Resources https://legendofthebones.blogspot.com Transcript

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHJoin Analytic Dreamz on Notorious Mass Effect for an in-depth segment on Bryson Tiller's The Vices, released August 8, 2025, via Trapsoul/RCA Records. This 12-track high-energy rap album, part of the double album Solace & The Vices, explores sobriety and personal growth. Featuring Plies, T-Pain, Rick Ross, and more, with production by Charlie Heat and Teddy Walton, it celebrates Tiller's Trapsoul 10-year anniversary. Analytic Dreamz also breaks down Tiller and Chris Brown's chart-topping single “It Depends,” dominating Billboard charts.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Where Y'Eat: As the Slow Season Drags, New Orleans Food Offers Summer Solace

I'm re-releasing this episode, because my improvising ensemble Collected Strands have just released our second album, Volume 2, also with beautiful cover art by Maryanne Moodie. This is a special episode of my podcast, celebrating Volume 1 with my improvising ensemble Collected Strands. The other musicians in the group have all been featured previously on this series, and you'll find the links to those episodes below, with cellist Raphael Weinroth-Browne, pianist James McGowan and drummer Mike Essoudry. I'm also delighted that you will get to know the inspiring Australian artist, educator and author Maryanne Moodie who's woven art graces the cover of this album. You'll find the link to her work as well. I am also releasing the interview with Maryanne as a separate stand-alone bonus episode connected to this episode. I feel that all my listeners who love music and creativity will find that Maryanne's personal journey and perspectives will resonate strongly with them, and I hope some listeners in the weaving and art world will also be inspired by the musicians! We are including excerpts from the album during this episode, and you can listen to both albums here: Bandcamp Streaming services Volume 1Streaming services Volume 2To listen to my individual episodes with the members of the group, head over to my website where you'll also find the video and transcript of this episode. Newsletter sign-upPodcast Merchphoto of Collected Strands: Curtis Perrycold open with Raphael Weinroth-Browne (00:47) excerpt from Solace, Volume 1 Collected Strands (01:45) intro about the episode, Maryanne Moodie (03:45) James and Leah talk about recording the album, the process of improvising (07:35) intro to Unsettled Night with excerpt (10:16) group discussion, Mike Essoudry using bass bow, creative process in improvisation (12:20) percussive, random textures intro to Chaotic Kittens with excerpt (15:15) Mike and James on creative process (19:25)James and Leah on putting the album together, choosing titles, intro to Baroquinerie with clip (23:58) Raph's perspectives on improvisation, group discussion (34:52) Leah and James genres, improvised chamber music, intro to Summer's Eve with clip (38:03) Interview with artist Maryanne Moodie: her start in weaving, writing her books, nurturing our creativity creating commissions, how the audience takes in art, the community of weavers (55:09) ways you can support this podcast (56:03) group discussion, audiences (01:00:37) comments on The Long Journey Home and Summer's Eve, A Simple Magic with clip

Recorded in the legendary Formosa Trident Studios, this talk features someone on the sound team from every James Bond film released since 1973?!!!! Michael Fenton ( Sound Editor on No Time To Die), Karen Baker Landers (Supervising Sound Editor on Skyfall & Spectre), Mike Prestwood Smith (Re-recording Mixer on Casino Royal & Quantum of Solace) and Graham Hartstone (Re-Recording Mixer on Moonraker, For Your Eyes Only, Octopussy, A View To A Kill, The Living Daylights, License to Kill, Golden Eye, Tomorrow Never Dies, The World Is Not Enough, Die Another Day and more), talk about their initial thoughts when they found out they would be working on the Bond franchise, the scenes they are most proud of and lots more. Big “thanks” to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England.  To learn more about the Motion Picture Sound Editors, you can go to https://mpse.org/.  They are doing great work to support and advocate for sound editors around the world. SPONSOR: The Cargo Cult's Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to www.https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial. Matchbox 2 is exactly what you have been waiting for. Spend your time being creative and let Matchbox handle the conforming. Episode Notes: https://tonebenderspodcast.com/318-mpse-presents-the-sound-legacy-of-james-bond/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Forese Donati has passed on ahead of our pilgrim Dante and his two guides, Virgil and Statius. They now need to walk on along the sixth terrace of Mount Purgatory to find the stairs up to the last level.They soon come across the second tree on the terrace (or perhaps just the second tree that they've seen!). This tree proclaims itself a seedling from the tree of the knowledge of good and evil in the Garden of Eden.Dante and his companions appear a bit shook up as the tree offers them a classical and a Biblical example of gluttony.Join me, Mark Scarbrough, as we begin our exit from the sixth terrace of Purgatory and talk about the solace of ceremonial repetition.If you'd like to donate to help support the many hosting, licensing, streaming, and editing fees associated with this podcast, please consider giving a one-time contribution or a small monthly stipend using this PayPal link right here. Here are the segments for this episode of WALKING WITH DANTE:[01:34] My English translation of the passage: PURGATORIO, Canto XXIV, lines 100 - 129. If you'd like to read along or drop a comment about this episode, please find the entry for it on my website, markscarbrough.com.[04:47] Unpacking the first four tercets (ll. 100 - 111) and asking five questions about the second tree on Purgatory's sixth terrace of gluttony.[12:30] The possible regression to childish desire as a form of penance on this terrace.[16:05] The second tree on the terrace, a seedling from the tree of the knowledge of good and evil in the Garden of Eden.[24:29] The classical and Biblical examples of gluttony: centaurs and Gideon's army.[28:53] Ceremonial repetition as solace.[33:38] Rereading the passage: PURGATORIO, Canto XXIV, lines 100 - 129

In this episode of The Mark Haney Show, we sit down with Dave Shurtz, Amber Shurtz, Gary Shurtz, and Jen Matulich — the powerhouse team behind Solace Enterprises, one of Sacramento's fastest-growing commercial HVAC, plumbing, and solar companies. We dive deep into: ✅ How Dave risked it all at 26 with no business experience ✅ How Amber and Dave scaled Solace into a multi-million dollar family business ✅ Why Jen left a 20-year banking career to join this dynamic team ✅ How Gary rose from zero HVAC experience to President of the company ✅ The secrets to building company culture, community impact, and long-term success This episode is packed with insights for entrepreneurs, business owners, construction industry pros, and anyone curious about how to build a legacy business in trades, HVAC, and commercial services. Website: https://solace-ent.com/ Facebook: https://www.facebook.com/solaceentHVAC/ Instagram: https://www.instagram.com/solace_enterprises LinkedIn: https://www.linkedin.com/company/solace-enterprises-inc Timestamps: 0:00 Intro — Who is Solace Enterprises? 2:19 Dave's leap into entrepreneurship at 26 5:12 How the family business exploded in growth 12:40 Jen's bold career shift from banking to HVAC 18:02 How Solace attracts & retains top talent 28:46 Their big plans for community impact & youth trades programs 35:25 How they're scaling smart with EOS + innovation

“This is a Spike TV movie, right?” - Eric On this week's episode, the Summer Blockbuster Extravaganza gets down and dirty for the all-or-nothing days as we chat about Robert Rodriguez's still totally wild comic translation, Sin City! Thankfully, folks, this movie still looks totally rad! How eerie is Elijah Wood as Kevin? Even with as fun a ride as this is, did we really need to adapt every bit of the Miller sleaze vibes? Will Rodriguez ever get his edge back? How great is Mickey Rourke in this movie? Was having three different musicians do three different scores a good idea? Should the Hartigan story have been cut in two or should the film have been left as the triptych with the Hartnett character as the bookend? PLUS: Kurt Russell and the arctic crew from The Thing all check to see who's The Thing by doing the asparagus pee test! Sin City stars Bruce Willis, Clive Owen, Mickey Rourke, Josh Hartnett, Rosario Dawson, Benicio Del Toro, Michael Clarke Duncan, Carla Gugino, Rutger Hauer, Jaime King, Tommy Flanagan, Nick Offerman, Marley Shelton, Nick Stahl, Elijah Wood, Devon Aoki, Alexis Bledel, Powers Boothe, and the late, great Michael Madsen as Bob; directed by Robert Rodriguez. [EDITOR'S NOTE: We recorded this episode on June 18, several weeks before we lost Michael Madsen. The guy was a total legend, a singular performer who gave us so many memorable film appearances that we've loved and quoted a ton over the years. We'll miss the guy, gone way, way too soon. — Andrew] Our three-night, six-show residency at the Oxford Comedy Festival starts THIS FRIDAY, July 18th! We'll be there through the 20th doing WHM, WLM, Animation Damnation, Gleep Glossary and Nexus shows! The Quantum of Solace and Hellraiser shows are sold out, so don't wait, snag your tix now, UK! We'll see you this weekend! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Karoline unpacks her healing journey with Kristin Snowden, an expert in betrayal trauma recovery. For resources on betrayal trauma and more from Kristin Snowden, visit kristinsnowden.com. If you would like to reach out to the Betrayal Team, email us at betrayalpod@gmail.com and follow us on Instagram at @betrayalpod. To access our newsletter and additional content and to connect with the Betrayal community, join our Substack at betrayal.substack.com. You can listen to new episodes of Betrayal Season 4 completely ad-free and 1 week early with an iHeart True Crime+ subscription, available exclusively on Apple Podcasts. See omnystudio.com/listener for privacy information.

“That image should not be in the movie!” - Chris on the drool shot On this week's episode, the Summer Blockbuster Extravaganza goes to Family Film Country as we chat about the 90's dog classic, Beethoven! How much of a knock-off Wet Bandits are Stanley Tucci and Olive Platt in this? Does Grodin's character think he's gonna take over the world with this air freshener company? Why is a plot point in this children's film a dog needing to be shot in the head? And did Beethoven inadvertently save this family from total annihilation? PLUS: Steve recalls a tale of elevator-related horror! Beethoven stars Charles Grodin, Bonnie Hunt, Dean Jones, Nicholle Tom, Christopher Castile, Sarah Rose Karr, Olive Platt, Stanely Tucci, David Duchovny, Patricia Heaton, Laurel Cronin, O-Lan Jones, and Chris the Dog as Beethoven; directed by Brian Levant. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash whm today. That's RocketMoney dot com slash whm. RocketMoney dot com slash whm. Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

On the summer finale of On-Screen Live, we're chatting about Danny Boyle's recently released horror masterpiece, 28 Years Later, going over the weekend box office, previewing a bunch of movies that will release while we're on break, including Jurassic World Rebirth, Superman, Weapons, The Naked Gun, The Fantastic Four: First Steps, and Eddington, reviewing a couple films on a double dose of Secret Movie™️ and more! Be sure to catch the replay of our Superman II digital show (and After Party Q&A) available for replay now through July 4!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! On-Screen Live airs Mondays at noon/eastern on our YouTube channel! Through December 2025, we'll be donating all proceeds from our Tee-Public store to the Center for Reproductive Rights. Check out the WHM Merch Store featuring new GHOSTHEADS, Too Old for This Shit, Forrest the Universal Soldier, and Jack Kirby designs! Pick something up and support a good cause! Original cover art by Felipe Sobreiro.

“The four of us are on a one-way bullet train to Stupid City” - Andrew on covering this movie for the show On this week's episode, the Summer Blockbuster Extravaganza does indeed head to Stupid City as we're talking about the really silly, really short, sci-fi thriller, Lucy! How totally great is Choi Min-sik in this movie? Precisely how many seconds is Morgan Freeman standing on-screen? When Lucy gets so smart, why is she still unable to understand and speak multiple languages? With the action and fight choreography being as fun as they are, couldn't we have gotten more of that and less of Morgan Freeman giving that lecture? And do people at the front desk of a Westin care if you're going to eat at the hotel restaurant? PLUS: Lucy visits all the best Times Square chain restaurants and attractions!  Lucy stars Scarlett Johansson, Morgan Freeman, Amr Waked, Julian Rhind-Tutt, Pilou Asbaek, Lio Tipton, and Choi Min-sik as Mr. Jang; directed by Luc Besson. This episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com! Be sure to catch the replay of our Superman II digital show (and After Party Q&A) available for replay now through July 4!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

EMOTIONAL & AWESOME!! Thunderbolts Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Thunderbolts Reaction, Breakdown, Commentary, Analysis, Spoiler Review, & Ending Explained featuring both a Mid-Credits Scene & Fantastic Four Post-Credits Scene! Greg Alba & Andrew Gordon (CinePals) dive into Marvel Studios' Thunderbolts—a bold, emotional Marvel movie that deeply explores themes of mental health, grief, trauma, and depression through its conflicted, broken heroes. This reaction covers it all: characters, Easter eggs, emotional arcs, and both the Thunderbolts mid-credits scene and the Fantastic Four post-credits scene that ties directly into Marvel's future. The Thunderbolts cast includes Florence Pugh as Yelena Belova (Black Widow, Midsommar), Sebastian Stan as Bucky Barnes / The Winter Soldier (Captain America: The Winter Soldier, The Falcon and the Winter Soldier), Wyatt Russell as John Walker / U.S. Agent (The Falcon and the Winter Soldier), Olga Kurylenko as Taskmaster (Quantum of Solace), David Harbour as Red Guardian (Stranger Things, Black Widow), Hannah John-Kamen as Ghost (Ant-Man and the Wasp), and Julia Louis-Dreyfus as Valentina Allegra de Fontaine (Seinfeld, The Falcon and the Winter Soldier). We also see Harrison Ford's General Thaddeus 'Thunderbolt' Ross (Indiana Jones, Star Wars), now as President Ross, and explore the larger MCU connections. This film beautifully sets up the next phase, including Fantastic Four, Avengers: Doomsday, Avengers: Secret Wars, Spider-Man: Brand New Day, The Punisher Special, and more Spider-Man adventures in the MCU. We break down how Thunderbolts advances each character's arc and what it means for the future of the Marvel Cinematic Universe. If you're looking for Thunderbolts Easter eggs, hidden details, and a detailed spoiler breakdown, this is the video for you! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin Coupland worked as a frontline field surgeon - where he witnessed horrific injuries resulting from conflict. To find solace he turned to fly fishing in New Zealand and Scotland.  

Action Film Face-OffEpisode 82: Quantum of Solace (2008) vs The Spy Who Loved Me (1977)Welcome to the 82nd episode of Action Film Face-Off!Our randomizer - set to pick years in the range of 1970-2024 - selected 2008 & 1977, so here are our contestants:Quantum of Solace (2008) vs The Spy Who Loved Me (1977)Who will win - Daniel or Roger? Find out as they battle for 6 rounds in our videodome!Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.comLet us know what you think!Leave a comment by sending an email to: contact@longboxcrusade.comThis podcast is a member of the Longbox Crusade Network:LINKTREE: https://linktr.ee/longboxcrusadeFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe on Apple Podcast at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.#actionfilm #actionmovies #moviereviews #moviereview #movies #QuantumofSolace #2008 #TheSpyWhoLovedMe #1977

Action Film Face-OffEpisode 82: Quantum of Solace (2008) vs The Spy Who Loved Me (1977)Welcome to the 82nd episode of Action Film Face-Off!Our randomizer - set to pick years in the range of 1970-2024 - selected 2008 & 1977, so here are our contestants:Quantum of Solace (2008) vs The Spy Who Loved Me (1977)Who will win - Daniel or Roger? Find out as they battle for 6 rounds in our videodome!Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.comLet us know what you think!Leave a comment by sending an email to: contact@longboxcrusade.comThis podcast is a member of the Longbox Crusade Network:LINKTREE: https://linktr.ee/longboxcrusadeFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe on Apple Podcast at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.#actionfilm #actionmovies #moviereviews #moviereview #movies #QuantumofSolace #2008 #TheSpyWhoLovedMe #1977

“It's the only zombie movie that's appropriate to watch at a July 4th barbecue! - Andrew  On this week's show, the Summer Blockbuster Extravaganza gets a little spooktacular as we chat about the super-fun, summer-set zombie flick, The Return of the Living Dead! Why does this Skeleton Warehouse have to be open until 10PM on a holiday weekend? How great is that half-dog puppet? Isn't it great how Russo and Romero split up their zombie sequels so we could get both sides of their shared zombie vision? Why does Frank use that entire roll of paper towels like it's a sponge? And word to the wise, never hang out in an eerie cemetery after dark! PLUS: James Karen welcomes all zombie punks to Pathmark! The Return of the Living Dead stars Clu Gulager, James Karen, Don Calfa, Beverly Randolph, John Philbin, Jewel Shepard, Miguel A. Nuñez Jr., Brian Peck, Linnea Quigley, Mark Venturini, Jonathan Terry, and Thom Mathews as Freddy; directed by Dan O'Bannon. This episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com! Be sure to catch the replay of our Superman II digital show (and After Party Q&A) available for replay now through July 4!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

A cancer diagnosis can be devastating for anyone, but it's especially so when it happens to a child. Families rally to support their loved one while they navigate treatment, but it can take a toll on everyone involved. Anna's Pals, a non-profit in West Roxbury, is slowly but surely creating a special getaway for these families where they can sit back, relax, and take a breath on the Cape. Kristina Jerome, Founder of Anna's Pals, shares details about their efforts to build this beach home in her late daughter's memory.

“He dresses like an Old West gigolo…” - Eric on Mick Dundee On this week's episode, the Totally Cool Awesome 80s jag of the Summer Blockbuster Extravaganza is covering the second highest-grossing film of 1986, the croc-out-of-water comedy, Crocodile Dundee! Why does the movie take so long to get to New York City? What in the hell were they thinking with the multiple crotch grab “gags”? Who packs a sexy bathing suit for a hike through the bush? Does the script confirm that Mick has magic powers? Wouldn't someone try to kill Mick after he wastes all that coke at the party? And what in the WORLD are we doing being barefoot in the subway at the end?! PLUS: Be on the lookout for the American Crocodile Dundee, Alligator Johnson! Crocodile Dundee stars Paul Hogan, Linda Kozlowski, John Mellon, David Gulpilil, Steve Rackman, Mark Blum, Michael Lombard, and Reginald VelJohnson as Gus; directed by Peter Faiman. This episode is brought to you in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Don't miss our Superman II worldwide digital show happening THIS FRIDAY, June 20th, at 9pm/et! We'll be doing the After Party Q&A right after the show too, which Patreon subscribers on the Belushi and Walsh tiers can bundle in with their show ticket for free! Can't make it that night? No worries! The show and the Q&A will be available for replay for 14 days after air! Don't wait, snag your tickets now! Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.

“There're piles of skulls, which of course I appreciate” - Steve on the set design On this week's episode, Totally Cool Awesome 80s Month and the Summer Blockbuster Extravaganza pay tribute to the late, great Val Kilmer with a convo about the super-fun Ron Howard fantasy flick, Willow! How amazing are Warwick and Val together on screen? Isn't it refreshing that Davis was just allowed to put a shirt on and be this character, without getting covered in prosthetics or whatever else? Wouldn't things have been just fine in this movie without the Brownies flying around? And how amazing is that two-headed Siskel & Ebert monster? PLUS: Queen Bavmorda accidentally touches The Ooze and becomes Super Bavmorda (and is also played by Kevin Nash)! Willow stars Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Mark Northover, Pat Roach, David Sternberg, Phil Fondacaro, Tony Cox, Kevin Pollak, Rick Overton, and Gavan O'Herlihy as Airk; directed by Ron Howard. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

This week we're continuing the journey through the Daniel Craig James Bond era with a review of Quantum of Solace (2008) — the fast-paced, emotionally charged follow-up to Casino Royale. Often seen as one of the more divisive entries in the Bond franchise, We revisit the film with a fresh perspective to break down its action, themes, and connection to the ongoing story of Bond's revenge and grief.To pair with this high-octane Bond chapter, We're tasting two premium bourbon releases: Russell's Reserve Single Rickhouse Camp Nelson F & Camp Nelson C. We share notes on flavor, contrast the two batches, and talk about what makes these rickhouse-specific Wild Turkey bourbons so special. Whether you're a bourbon lover, a Bond fan, or both, this episode hits hard and drinks smooth.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“He's the walking dead!” - Eric on contemporary Sly's look On this week's episode, the Summer Blockbuster Extravaganza launches into month two by celebrating the Totally Cool Awesome 80s! First up, we're talking about the stupidly-titled Rambo: First Blood Part II! How funny is it that this movie pulls a complete 180 on the philosophy of the first film? How great is Sly's hair in this one? Couldn't they have had a few more action scenes with Martin Kove? How wild is it that Predator completely ripped off the Rambo covered in mud bit? And why didn't Murdock get a rockin' death in this? PLUS: Fellow veterans, Bebop and Rocksteady, meet John Rambo! Rambo: First Blood Part II stars Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff, Julia Nickson, George Cheung, and Martin Kove as Ericson; directed by George P. Cosmatos. Today's episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com!  Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“He's at the height of his Lost powers here” - Ben on J.J. Abrams On this week's episode, we welcome Ben Worcester onto the Summer Blockbuster Extravaganza to chat about the super-fun action sequel, Mission: Impossible III! How great is this engagement party scene with Ethan working the room? Has there been a better M:I villain than the late, great Philip Seymour Hoffman's portrayal of Owen Davian? Is this the M:I flick with the most Ving? And how lucky is Ethan to have Aaron Paul for a brother-in-law? PLUS: Does Ethan Hunt have the same bartending skills as Brian Flanagan? Mission: Impossible III stars Tom Cruise, Ving Rhames, Billy Crudup, Michelle Monaghan, Jonathan Rhys Meyers, Keri Russell, Maggie Q, Simon Pegg, Eddie Marsan, Laurence Fishburne, and Philip Seymour Hoffman as Owen Davian; directed by J.J. Abrams. This episode is brought to you in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“Hold on to your hats, folks, Chris Cabin likes this movie!” - Eric On this week's episode, we're going back to The Prequels on the Summer Blockbuster Extravaganza to do a proper episode on Star Wars: Episode III - Revenge of the Sith! How great is that Count Dooku exit at the beginning? How catty are all the sarcastic Battle Droids? Does this movie have the best-looking space battles in all the prequels? How funny is R2 lighting those guys on fire after whizzing oil all over them? And, yeah, that Vader shout at the end of the movie is still one of the most unintentionally hilarious moments in all of Star Wars! PLUS: Palpatine blurs out his Zoom background when making secret calls from the toilet! Star Wars: Episode III - Revenge of the Sith stars Ewan McGregor, Hayden Christian, Natalie Portman, Ian McDiarmid, Jimmy Smits, Samuel L. Jackson, Anthony Daniels, Christopher Lee, Bruce Spence, Silas Carson, Temuera Morrison, Kenny Baker, and Frank Oz as the voice of Yoda; directed by George Lucas. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“Both [Cage] and George C. Scott [in Hardcore] share the same forehead sweat…” - Andrew  On this week's very special episode, we're celebrating EPISODE 800 with a very sleaze-tastic conversation on Joel Schumacher's 8MM! How funny is it the screenwriter got upset that the content was toned down from his more hardcore vision? Was Cage's Tom Welles in over his head with this case or was he just the man for the job? How funny is that scene with Gandolfini trying to skip town carrying several boxes of pornography? How great is Joaquin in this performance as Max California? And how terrifying is that final showdown at Casa de Machine? PLUS: “Marc Maron” asks Machine who his guys are! 8MM stars Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare, Anthony Heald, Catherine Keener, Myra Carter, Amy Morton, and Chris Bauer as Machine; directed by Joel Schumacher. This episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.