Podcasts about solace

“He dresses like an Old West gigolo…” - Eric on Mick Dundee On this week's episode, the Totally Cool Awesome 80s jag of the Summer Blockbuster Extravaganza is covering the second highest-grossing film of 1986, the croc-out-of-water comedy, Crocodile Dundee! Why does the movie take so long to get to New York City? What in the hell were they thinking with the multiple crotch grab “gags”? Who packs a sexy bathing suit for a hike through the bush? Does the script confirm that Mick has magic powers? Wouldn't someone try to kill Mick after he wastes all that coke at the party? And what in the WORLD are we doing being barefoot in the subway at the end?! PLUS: Be on the lookout for the American Crocodile Dundee, Alligator Johnson! Crocodile Dundee stars Paul Hogan, Linda Kozlowski, John Mellon, David Gulpilil, Steve Rackman, Mark Blum, Michael Lombard, and Reginald VelJohnson as Gus; directed by Peter Faiman. This episode is brought to you in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Don't miss our Superman II worldwide digital show happening THIS FRIDAY, June 20th, at 9pm/et! We'll be doing the After Party Q&A right after the show too, which Patreon subscribers on the Belushi and Walsh tiers can bundle in with their show ticket for free! Can't make it that night? No worries! The show and the Q&A will be available for replay for 14 days after air! Don't wait, snag your tickets now! Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Having met his poetic rival, Forese Donati, Dante the pilgrim must make sense of the clear and present pain he sees in friend's face.This passage is a curious example of felix culpa, the fortunate fall, in which suffering must be reinterpreted for the greater good. Except the pain doesn't stop being the pain. Suffering remains the central metaphysical question of the human condition, the experiential crux underneath our high-minded notions of ontology.Join me, Mark Scarbrough, as we work through this conversation between two poetic rivals on the sixth terrace of Mount Purgatory among the emaciated gluttons.Here are the segments for this episode of WALKING WITH DANTE:[01:42] My English translation of the passage: PURGATORIO, Canto XXIII, lines 49 - 75. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:08] Best friends, still perhaps vain, still perhaps rivals.[10:39] A power in the water and the tree--and an intense interpretive knot.[14:56] The problem of hunger and thirst among disembodied souls.[18:50] The interpretation of suffering as the crux of being human.[26:15] Rereading the passage: PURGATORIO, Canto XXIII, lines 49 - 75.

“There're piles of skulls, which of course I appreciate” - Steve on the set design On this week's episode, Totally Cool Awesome 80s Month and the Summer Blockbuster Extravaganza pay tribute to the late, great Val Kilmer with a convo about the super-fun Ron Howard fantasy flick, Willow! How amazing are Warwick and Val together on screen? Isn't it refreshing that Davis was just allowed to put a shirt on and be this character, without getting covered in prosthetics or whatever else? Wouldn't things have been just fine in this movie without the Brownies flying around? And how amazing is that two-headed Siskel & Ebert monster? PLUS: Queen Bavmorda accidentally touches The Ooze and becomes Super Bavmorda (and is also played by Kevin Nash)! Willow stars Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Mark Northover, Pat Roach, David Sternberg, Phil Fondacaro, Tony Cox, Kevin Pollak, Rick Overton, and Gavan O'Herlihy as Airk; directed by Ron Howard. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

This week we're continuing the journey through the Daniel Craig James Bond era with a review of Quantum of Solace (2008) — the fast-paced, emotionally charged follow-up to Casino Royale. Often seen as one of the more divisive entries in the Bond franchise, We revisit the film with a fresh perspective to break down its action, themes, and connection to the ongoing story of Bond's revenge and grief.To pair with this high-octane Bond chapter, We're tasting two premium bourbon releases: Russell's Reserve Single Rickhouse Camp Nelson F & Camp Nelson C. We share notes on flavor, contrast the two batches, and talk about what makes these rickhouse-specific Wild Turkey bourbons so special. Whether you're a bourbon lover, a Bond fan, or both, this episode hits hard and drinks smooth.

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

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Focus: Finding comfort and feeling soothed. Find a moment to reconnect in less than 10 minutes. Just lie back and listen. The words and music will carry you the rest of the way and have you ready to face your world again. Looking for a little comfort? This is just what you need. Two songs will embrace you in a comforting and soothing session of warmth. 

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“He's the walking dead!” - Eric on contemporary Sly's look On this week's episode, the Summer Blockbuster Extravaganza launches into month two by celebrating the Totally Cool Awesome 80s! First up, we're talking about the stupidly-titled Rambo: First Blood Part II! How funny is it that this movie pulls a complete 180 on the philosophy of the first film? How great is Sly's hair in this one? Couldn't they have had a few more action scenes with Martin Kove? How wild is it that Predator completely ripped off the Rambo covered in mud bit? And why didn't Murdock get a rockin' death in this? PLUS: Fellow veterans, Bebop and Rocksteady, meet John Rambo! Rambo: First Blood Part II stars Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff, Julia Nickson, George Cheung, and Martin Kove as Ericson; directed by George P. Cosmatos. Today's episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com!  Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Come, Holy Spirit, come!And from your celestial homeShed a ray of light divine!Come, Father of the poor!Come, source of all our store!Come, within our bosoms shine.You, of comforters the best;You, the soul's most welcome guest;Sweet refreshment here below;In our labor, rest most sweet;Grateful coolness in the heat;Solace in the midst of woe.O most blessed Light divine,Shine within these hearts of yours,And our inmost being fill!Where you are not, we have naught,Nothing good in deed or thought,Nothing free from taint of ill.Heal our wounds, our strength renew;On our dryness pour your dew;Wash the stains of guilt away:Bend the stubborn heart and will;Melt the frozen, warm the chill;Guide the steps that go astray.On the faithful, who adoreAnd confess you, evermoreIn your sevenfold gift descend:Give them virtue's sure reward;Give them your salvation, Lord;Give them joys that never end.Copied From: https://www.vaticannews.va/en/prayers/come--holy-spirit.html

“He's at the height of his Lost powers here” - Ben on J.J. Abrams On this week's episode, we welcome Ben Worcester onto the Summer Blockbuster Extravaganza to chat about the super-fun action sequel, Mission: Impossible III! How great is this engagement party scene with Ethan working the room? Has there been a better M:I villain than the late, great Philip Seymour Hoffman's portrayal of Owen Davian? Is this the M:I flick with the most Ving? And how lucky is Ethan to have Aaron Paul for a brother-in-law? PLUS: Does Ethan Hunt have the same bartending skills as Brian Flanagan? Mission: Impossible III stars Tom Cruise, Ving Rhames, Billy Crudup, Michelle Monaghan, Jonathan Rhys Meyers, Keri Russell, Maggie Q, Simon Pegg, Eddie Marsan, Laurence Fishburne, and Philip Seymour Hoffman as Owen Davian; directed by J.J. Abrams. This episode is brought to you in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

On this edition of the Mother's Justice Show, Sylvia Feliciano of Solace Mind fills in for Harriett and welcomes a special guest: Danielle Hughes is a U.S. Marine Corps veteran and a Licensed Professional Counselor based in Colorado. With over a decade of experience, Danielle specializes in trauma and PTSD, relationship issues, and ketamine-assisted psychotherapy. She is trained in EMDR, PACT (Psychobiological Approach to Couples Therapy), and Relational Life Therapy. Danielle brings both clinical expertise and lived experience to her work, supporting clients in navigating healing, connection, and personal growth. On this special Memorial Day episode, we pause to honor those who gave their lives in service to this country, and we discuss understanding ketamine-assisted therapy and medications that can unexpectedly affect mental well-being.

Gary and I discuss how to work with a dolly grip who doesn't only speaks Thai, what to do as a B camera operator, Good Morning Vietnam, Quantam of Solace, and much much more. Gary's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert  

“Hold on to your hats, folks, Chris Cabin likes this movie!” - Eric On this week's episode, we're going back to The Prequels on the Summer Blockbuster Extravaganza to do a proper episode on Star Wars: Episode III - Revenge of the Sith! How great is that Count Dooku exit at the beginning? How catty are all the sarcastic Battle Droids? Does this movie have the best-looking space battles in all the prequels? How funny is R2 lighting those guys on fire after whizzing oil all over them? And, yeah, that Vader shout at the end of the movie is still one of the most unintentionally hilarious moments in all of Star Wars! PLUS: Palpatine blurs out his Zoom background when making secret calls from the toilet! Star Wars: Episode III - Revenge of the Sith stars Ewan McGregor, Hayden Christian, Natalie Portman, Ian McDiarmid, Jimmy Smits, Samuel L. Jackson, Anthony Daniels, Christopher Lee, Bruce Spence, Silas Carson, Temuera Morrison, Kenny Baker, and Frank Oz as the voice of Yoda; directed by George Lucas. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Check out our Patreon: patreon.com/supernpcradio   After eight whole years of docking and undocking and docking and undocking- we are finally taking all the Nintendo Switch titles on the road and INTO SPACE. We are transporting every single Switch title to an outpost on the outer rim of the Milky Way. God help us should anything come between us and our mission.   The Show: @vgacomedyshow Jeremy Schmidt: @jeremyschmidt Conner McCabe: @mccabe_conner July Diaz: @julydiaz Kristin Thorsin: @kreestin Janet Garcia: @Gameonysus Patrick Ehlers: @Patrick_Ehlers Mark Mitchell: @mkemitchell 

ARE WE AN EFFECTIVE TEAM?!? Oblivion Full Reaction Watch Along:   / thereelrejects   Check Out Our Reject Apparel! https://www.rejectnationshop.com/ With Mission: Impossible - The Final Reckoning dropping soon & Joseph Kosinski returning with the highly-anticipated F1, Tara & Aaron give their Oblivion Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Tara Erickson & Aaron Alexander as they journey into Joseph Kosinski's visually stunning 2013 sci-fi epic Oblivion. Tom Cruise (Edge of Tomorrow, Mission: Impossible – Fallout) stars as Jack Harper, one of the last drone repair technicians on an Earth ravaged by war, whose meticulously ordered life alongside partner Victoria (Andrea Riseborough, Birdman, Prometheus) unravels when he rescues Julia (Olga Kurylenko, Quantum of Solace, Centurion) from a downed spacecraft. Nikolaj Coster-Waldau (Game of Thrones, The Other Woman) commands the mission as Sykes, while Oscar-winner Melissa Leo (The Fighter, Frozen River) lends her voice to the omnipresent AI “Sally” and stunt legend Zoë Bell (Kill Bill, Death Proof) turns up as a fierce survivor. Don't miss our breakdown of the film's most memorable moments—from the gravity-defying drone dogfights and the haunting hydro-rig panoramas to the mind-bending final twist that redefines everything Jack thought he knew about his mission and himself. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

“Sunshine, Storms, Solace: Ministering to MKs” by Michele Phoenix.   The post Sunshine, Storms, Solace: Ministering to MKs appeared first on PLEASANT HILL COMMUNITY CHURCH.

Navigating Sleepless Nights with Spiritual Solace In this episode of "Have Faith, Let It Begin," host Angel Santana reflects on the transformative experience of finally getting a restful night's sleep. He shares personal insights and relates them to deeper spiritual questions about faith and the human condition. Angel explores how worries—whether about daily life or profound spiritual events like the crucifixion—can interrupt our peace and sleep. Drawing from his faith, he offers calming practices, including listening to "Amazing Grace" and reciting the Lord's Prayer, to find solace during restless nights. The episode emphasizes the enduring presence of God in our lives and encourages listeners to lean on their faith to overcome life's challenges. Join Angel and his family every weekday as they explore topics that inspire and motivate.

“Both [Cage] and George C. Scott [in Hardcore] share the same forehead sweat…” - Andrew  On this week's very special episode, we're celebrating EPISODE 800 with a very sleaze-tastic conversation on Joel Schumacher's 8MM! How funny is it the screenwriter got upset that the content was toned down from his more hardcore vision? Was Cage's Tom Welles in over his head with this case or was he just the man for the job? How funny is that scene with Gandolfini trying to skip town carrying several boxes of pornography? How great is Joaquin in this performance as Max California? And how terrifying is that final showdown at Casa de Machine? PLUS: “Marc Maron” asks Machine who his guys are! 8MM stars Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare, Anthony Heald, Catherine Keener, Myra Carter, Amy Morton, and Chris Bauer as Machine; directed by Joel Schumacher. This episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

The World of Eora is a news & lore podcast about the fantasy setting created by Obsidian Entertainment for their cRPG series, Pillars of Eternity, and their action RPG: Avowed.This week's episode looks at a six-part set of in-game tomes aptly titled "Maxims of the Pargrunen". In there we see a direct change of Pargrunen-ness that the dwarves in Avowed have compared to their brethren elsewhere in the world. worldofeora@gmail.com@worldofeorako-fi.com/worldofeora

Warning: this podcast contains references to suicide and suicidal thoughts throughout. This week we welcome the wonderful Samantha Southern from onto Over The Influence! Sam felt like she needed to stop drinking alcohol, but it wasn't because of what it was doing to her; it was the reasons that she was drinking that worried her. As you'll hear in this episode, she has suffered some tragic bereavements and she felt that she was drinking to avoid confronting those feelings head on.  Samantha is now turning her experience into a force for good and she is now coordinating The Solace Suicide Prevention and Support Project which is a new initiative by Empowerment Charity, in collaboration with Public Health Blackpool. Thanks so much to Sam for coming onto the podcast to share your story and we encourage anyone who is has been affected by what we have talked about in this episode to please reach out to Samaritans who you can reach via their website or you can call 116 123 in the UK for free. --- Get In Touch: Of course, you can always get in touch with us (publicly or privately) on our socials - @alcoholfreepod on Instagram, or search for "Over The Influence" on Facebook. We'd love to hear your story - please get in touch with us directly at otihq@overtheinfluence.co.uk or go to our website, www.overtheinfluence.co.uk --- The Premium Podcast: If you love OTI and you'd like to hear behind the curtain, subscribe to the OTI Premium Podcast now! --- Links: For links to alcohol-related support services, please visit our website. --- Disclaimer: All views expressed in this podcast are of the participants themselves, and not necessarily those of Over The Influence (OTI) Ltd. The information, opinions, and recommendations presented in this podcast are for general information only and any reliance on the information provided in this podcast is done at your own risk. We are not medical professionals but normal people giving their own experiences of removing alcohol from their lives, and as such this podcast should not be considered professional advice. If you are dependent on alcohol, or think you may be, we strongly recommend that you seek professional medical advice. --- Helpful Hashtags: We found hashtags and sober social media accounts really helpful in our early days alcohol free, as following them can help to reinforce that you are not alone! These are some of the hashtags we've followed: #alcoholfree #stopdrinking #healthandwellnessjourney #zeroalcohol #idontdrink #sobercurious #healthydrinking #alcoholfreelife #soberaf #alcoholfreeliving #sobermotivation #podcast #healthpodcast #noalcohol #nobooze #sober #sobercurious #soberlofe #soberliving #sobercommunity #afcommunity #soberwomen #sobermom #sobermomtribe #sobersisters #sobriety #soberuk #soberjourney #sobrietyrocks #overtheinfluence #oti --- Get In Touch: Of course, you can always get in touch with us (publicly or privately) on our socials - @alcoholfreepod on Instagram, or search for "Over The Influence" on Facebook. We'd love to hear your story - please get in touch with us directly at otihq@overtheinfluence.co.uk or go to our website, www.overtheinfluence.co.uk --- The Premium Podcast: If you love OTI and you'd like to hear behind the curtain, subscribe to the OTI Premium Podcast now! --- Links: For links to alcohol-related support services, please visit our website. --- Disclaimer: All views expressed in this podcast are of the participants themselves, and not necessarily those of Over The Influence (OTI) Ltd. The information, opinions, and recommendations presented in this podcast are for general information only and any reliance on the information provided in this podcast is done at your own risk. We are not medical professionals but normal people giving their own experiences of removing alcohol from their lives, and as such this podcast should not be considered professional advice. If you are dependent on alcohol, or think you may be, we strongly recommend that you seek professional medical advice. --- Helpful Hashtags: We found hashtags and sober social media accounts really helpful in our early days alcohol free, as following them can help to reinforce that you are not alone! These are some of the hashtags we've followed: #alcoholfree #stopdrinking #healthandwellnessjourney #zeroalcohol #idontdrink #sobercurious #healthydrinking #alcoholfreelife #soberaf #alcoholfreeliving #sobermotivation #podcast #healthpodcast #noalcohol #nobooze #sober #sobercurious #soberlofe #soberliving #sobercommunity #afcommunity #soberwomen #sobermom #sobermomtribe #sobersisters #sobriety #soberuk #soberjourney #sobrietyrocks #overtheinfluence #oti 

Encore: Welcome to Indigenous in Music with Larry K, this week, in our Spotlight Interview, we welcome the talented Sara Kae! An Ojibwe and Cree artist from Thunder Bay and a member of the Lake Helen First Nation, Sara has been captivating audiences with her powerful storytelling and soulful sound. She's here to introduce us to her brand-new album, Maadaadizi. Get ready for an inspiring conversation and some incredible music. Sara if featured in our current issue of the SAY Magazine, read all about her at our place at www.indigenousinmusicandarts.org/past-shows/sara-kae Enjoy music from Sara Kae, Susan Aglukark, Shauna Seeteenak, Aasiva, The Band Blackbird, Quiltman, The Melawmen Collective, Def -i, Ariano, Aterciopelados, Anyi, Teagan Littlechief, Solace, Nicole Gatti, Hit La Rosa, Novalima, Sabastian Gaskin, HAVS, Iceis Rain, Jaun Luis Guerra, Dan-George Mckenzie, Mike Paul Kuekuatsheu, Sukay, XIT, Blue Mountain Tribe, Gary Small, Santana, Jim Boyd, Sherman Alexie, J. Pablo, Scott-Pien Picard and Esther Pennell. Visit our home page and www.indigenousinmusicandarts.org and check into our Two Buffalo Studios, our SAY Magazine Library and our new Indigenous in the News archives to find out all about our Artists and Entrepreneurs.

Today on Art of the Cut we're speaking with Oscar-nominee Richard Pearson, ACE, about editing The Accountant 2. Richard's been on Art of the Cut several times in the past for the original The Accountant film, also for Wonder Woman 1984, and Kong: Skull Island. Richard's also worked on Men in Black 2, and the Bond movie, Quantum of Solace. He was nominated for an Oscar and an ACE Eddie and won a BAFTA for United 93. He was also nominated for an ACE Eddie and an Emmy for From the Earth to the Moon.This discussion includes the use of invisible split-screens to craft pacing, developing montages, and the keys to editing a good action scene - of which, this movie has plenty of great examples.If you'd like to see images and clips and trailers from the movie and from the editor, please check out the BorisFX blog:borisfx.com/blog/aotc

EPISODE 195: 2008's Box Office Countdown (10–6) – Iron, Espionage, Penguins, and Robots (ft. Robert Yaniz Jr. & DW Lundberg) Episode Description: The countdown continues! Jason is joined by returning guests Robert Yaniz Jr. and DW Lundberg to tackle the back half of 2008's top-grossing movies—where talking animals, malfunctioning robots, and emotionally exhausted spies battled it out for box office supremacy. This batch has it all: MCU beginnings, Pixar magic, Bond reboot blues, and a certain talking lion who just can't catch a break. Films Discussed: Madagascar: Escape 2 Africa (6) – The animals are back and... still trying to get home. Quantum of Solace (7) – Bond is brooding, brutal, and possibly bored. Iron Man (8) – The movie that launched a universe (and Robert Downey Jr. into legend). WALL·E (9) – A near-silent ode to love, loneliness, and environmental collapse. The Chronicles of Narnia: Prince Caspian (10) – Slightly darker, slightly edgier, but did anyone notice? IN THIS EPISODE: Was Quantum of Solace an artistic casualty of the 2008 writers' strike? How Iron Man became a bigger gamble than anyone remembers. Why WALL·E might be Pixar's boldest and most bittersweet gamble. Robert, DW, and Jason try to answer the eternal question: "Who actually watched Prince Caspian?" From Armored Avengers to existential robots, the back half of 2008's top 10 is more influential than you might think.

The Two Bobs episode 280 for Monday, April 28, 2025: What are The Bobs drinking? Rob enjoyed a Barrel Aged Behemoth from Three Floyds. https://untp.beer/lgnar Robert nursed a Juice Head Double IPA from Solace. https://untp.beer/myp80 Follow us on Untapped at @RobFromTTB and @lowercaserobert or we'll poop in your beer fridge. This week's CRAZY NEWS was drafted before Shedeur Sanders. A drunken Florida Man® wearing a pink wig, fake breasts and a pink thong was busted outside an Applebee's while attempting to get into the wrong car. http://www.thesmokinggun.com/buster/applebees/thong-man-275830 A Pennsylvania woman was busted after shitting in a liquor store's beer cave. https://www.thesmokinggun.com/documents/revolting/beer-cave-horror-708941 A man in Louisiana rode a horse through a Walmart claiming it was his emotional support animal. https://www.dailymail.co.uk/news/article-14599535/man-rode-horse-walmart-excuse-Louisiana.html College students in Canada were held hostage by a gaggle of Canada Geese outside their home. https://www.cbc.ca/news/canada/kitchener-waterloo/aggressive-canada-geese-waterloo-tiktok-videos-chasing-students-1.7506039 Financial experts (not including Rob) are recommending that investors diversify portfolios into several harebrained schemes. https://theonion.com/financial-experts-recommend-diversifying-portfolio-with-multiple-harebrained-schemes/ Please share the show with your friends, and don't forget to subscribe! Visit www.thetwobobs.com for our contact information. Thanks for listening! Leave us a message or text us at 530-882-BOBS (530-882-2627) Join us on all the social things: Follow us on Blue Sky Follow us on Twitter Check out our Instagram Find us on YouTube Follow Rob on Untappd Follow Robert on Untappd The Two Bobs Podcast is © The Two Bobs.  For more information, see our Who are The Two Bobs? page, or check our Contact page.  Words, views, and opinions are our own and do not represent those of our friends, family, or our employers unless otherwise noted.  Music for The Two Bobs was provided by JewelBeat.

{Enter The Multiverse} [The Festival Project™] THE FESTIVAL PROJECT COPYRIGHT 2015-2025 ALL RIGHTS RESERVED Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019 ™ All Rights Reserved. -Ū.

Send us a textIn this episode of Friday Night Beers, Tom & Vince drink Solace, a black lager. This beer comes from Old Nation Brewing Co in Williamston, Michigan. They drink it and somehow compare it to things like The Quantum of Solace, misguided pop culture moments, The White Lotus, music moods and more. At the end, they rate this beer on a unique 1-5 scale. VINCE: 4.5 / 5 VincesTOM: 4.5 / 5 TomsInstagram: @friday.night.beersTwitter: @fnb_pod Threads: https://www.threads.net/@friday.night.beersEmail: friday.night.beerspodcast@gmail.com Theme music by Billy Hansa. Subscribe, rate and review the podcast on Apple, Spotify or wherever you find your podcasts!

Former Hollywood actress and producer Nicole Abisinio shares her radical conversion to Christ—and why she left the entertainment industry to fight for souls through film. Nicole reveals the dark spiritual forces behind mainstream media, the devastating link between pornography and human trafficking, and how her hit series The Advocate blends mysticism, faith, and real-world rescue. She and John-Henry expose how impurity and demonic influence flood today's content—and why Catholic families can no longer afford to look the other way. Nicole also introduces Solace, her brand-new streaming platform built for families hungry for beauty, truth, and uncompromising Catholic media. This is more than testimony—it's a call to arms for Christians to reclaim the arts.U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ ****Download the all-new LSNTV App now, available on iPhone and Android!LSNTV Apple Store: https://apps.apple.com/us/app/lsntv/id6469105564 LSNTV Google Play: https://play.google.com/store/apps/details?id=com.lifesitenews.app +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenews John-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

In this episode of Spoodcast, Laena (@mfspood) gets to hang out with Izzy Arden (@izzyardennn), a bad ass musician and spider enthusiast. They discuss Izzy's journey into keeping spiders (a jumping spider and a tarantula!) and how they helped her to find solace when dealing with anxiety. The conversation also touches on balancing a music career with spider care, AND the east coast delicacy known as water ice. :) Izzy also lets us know about her upcoming album!

In a year wracked by violence, I remember the crucifixion to find comfort.

Míle buíochas, mo laoch! Many thanks, my hero. Dian weaves together her experience and research from an illustrious career in Nonviolent Communication (NVC) & Transformative Coaching, an academic vocation focused on Classical Rhetoric, Applied Linguistics and Critical/Narrative Theory, and a lifelong passion for Irish Studies. Dian's Master of Philosophy degree at Trinity College, Dublin was in Anglo-Irish Literature in Cultural-Historical Contexts. Her PhD culminated in research on The Nation's Other: The Construction of Irish National Identity in the Context of British Colonialism and Emigration. Dian has been an NVC trainer for 20 years, working with organisations such as Americorp, Cornell University, and the U.N. Development program. She co/wrote two popular NVC books, including Connecting across Differences and Urban Empathy: True Life Adventures of Compassion on the Streets of New York. She is also an award-winning writer, musician, and singer-songwriter who loves visual art and has a great talent for photography, drawing and print-making.The Irish language continues to surprise, inspire and delight Dian. Join Dian and her growing, visionary community at The Gaelic Effect where she exploresLanguage and how it impacts how we see and relate to the worldBeauty and draíocht (magic, wonder and awe)Solace, inspiration and companionship) in these liminal, uncertain timesHope for what's possible: what we are truly capable of as human beings—at our bestFind The Gaelic Effect: How the Irish language can save the world, and the GaelStack here: https://diankillian.substack.com/Enjoy the conversation! Beir bua! (Grab victory)

In this episode, Jessica sits down with Bob from Vinos Unidos at the historic Charleston in downtown Fullerton—a former 1920s speakeasy with beautiful exposed brick walls and vintage ambiance. Episode Highlights: Bob shares exciting news about Vinos Unidos' new wine releases, including several that haven't even hit the market yet Tasting and discussion of four distinctive wines: Amistad Sauvignon Blanc: A fruity wine with guava notes that Bob describes as a perfect "porch pounder" for summer gatherings with friends Anhelo Chardonnay: A 2023 release with balanced butterscotch notes and brightness from partial stainless steel aging Jauregui Merlot: A Dry Creek (Sonoma) Merlot that Jessica champions as underrated and delicious Teberdot: A Russian River red that impressed Jessica with its perfect dry finish Bob discusses Vinos Unidos' winemaking philosophy of letting the fruit shine without over-oaking News about their partnership with Escalon Cellars in Napa for appointment-only tastings Announcement of a new tasting opportunity coming to Solace in Old Town Orange in about six weeks, where they'll offer tastings plus wine by the glass and bottle Insights into limited production (just 50 cases of some wines) and their approach of creating small batches of many different wines Wine Pairing Suggestions: Amistad Sauvignon Blanc with Oaxaca cheese, queso fresco dishes, and green sauce enchiladas The reds would pair beautifully with smoked meats like tri-tip Coming Soon: New rosé bottling on March 27 Possible Pinot Reserve release More information about their Orange County tasting room to be announced For more information visit www.vinosunidos.com

This week, Jane finds an unusual peace in nothingness.

Fluent Fiction - Catalan: From Solitude to Solace: An Artist's Epiphany at Sagrada Família Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-03-29-22-34-02-ca Story Transcript:Ca: Amb el sol de primavera banyant la ciutat de Barcelona, Júlia es trobava davant les majestuoses torres de la Sagrada Família.En: With the spring sun bathing the city of Barcelona, Júlia found herself in front of the majestic towers of the Sagrada Família.Ca: Els vitralls acolorits reflectien llums en formes màgiques sobre els visitants.En: The colorful stained glass reflected lights in magical shapes upon the visitors.Ca: Com a estudiant d'art, Júlia esperava amb il·lusió fer esbossos dels arcs i detalls arquitectònics de Gaudí durant la seva visita a la basílica.En: As an art student, Júlia eagerly anticipated sketching the arches and architectural details of Gaudí during her visit to the basilica.Ca: La Júlia era independent i acostumava a resoldre els seus problemes ella sola.En: Júlia was independent and used to solving her problems on her own.Ca: Però sovint li costava demanar ajuda.En: However, she often found it difficult to ask for help.Ca: La seva meta del dia era clara: gaudir de la bellesa de la Sagrada Família i capturar-la amb el seu llapis i el seu quadern.En: Her goal for the day was clear: to enjoy the beauty of the Sagrada Família and capture it with her pencil and notebook.Ca: Tanmateix, a mida que s'endinsava en l'interior, un mareig sobtat la va sorprendre.En: Nonetheless, as she ventured inside, a sudden dizziness surprised her.Ca: Les parets semblaven moure's lleugerament i els seus esbossos es difuminaven.En: The walls seemed to move slightly, and her sketches blurred.Ca: Sense voler interrompre la seva visita, va decidir anar a la part alta de la basílica.En: Not wanting to interrupt her visit, she decided to go to the top of the basilica.Ca: Des d'allí, es podien veure les vistes de tota la ciutat.En: From there, one could see the views of the entire city.Ca: Mentre pujava les escales, la sensació de vertigen va augmentar.En: As she climbed the stairs, the feeling of vertigo increased.Ca: Júlia va respirar profundament, intentant estabilitzar-se.En: Júlia took a deep breath, trying to steady herself.Ca: A prop, Oriol, un turista que també gaudia de les vistes, va notar el seu malestar.En: Nearby, Oriol, a tourist also enjoying the views, noticed her discomfort.Ca: Mireia, una altra turista curiosa, es va apropar i, amb un somriure amable, va preguntar si necessitava ajuda.En: Mireia, another curious tourist, approached and, with a kind smile, asked if she needed help.Ca: Però Júlia, decidida a gestionar-ho sola, va sacsejar el cap.En: But Júlia, determined to handle it on her own, shook her head.Ca: Però a mesura que el mareig empitjorava, la seva voluntat comença a flaquejar.En: Yet as the dizziness worsened, her resolve began to waver.Ca: Finalment, va superar la seva reticència.En: Finally, she overcame her reluctance.Ca: "Perdona," va dir a Oriol, la veu tremolosa.En: "Sorry," she said to Oriol, her voice trembling.Ca: "Em podries ajudar?En: "Could you help me?Ca: No em trobo bé.En: I don't feel well."Ca: " Oriol va assentir de seguida, guiant-la amb cura cap a una zona més segura i apartada de la multitud.En: Oriol nodded immediately, carefully guiding her to a safer area away from the crowd.Ca: Un cop a redós, Júlia va recuperar-se lentament.En: Once in shelter, Júlia recovered slowly.Ca: Mentre reposava, Oriol va començar a parlar sobre l'art i l'arquitectura.En: As she rested, Oriol began talking about art and architecture.Ca: La seva passió era palpable, i la Júlia es va sentir tranquil·la.En: His passion was palpable, and Júlia felt at ease.Ca: Van compartir les seves impressions sobre els vitralls i els arcs, i en poc temps, la conversa es va transformar en una amistat incipient.En: They shared their impressions of the stained glass and arches, and soon enough, the conversation turned into a budding friendship.Ca: Aquella tarda, més tard del que havia planejat, Júlia va tornar als seus esbossos amb una nova confiança.En: That afternoon, later than she had planned, Júlia returned to her sketches with newfound confidence.Ca: Havia après que de vegades, permetre que altres t'ajudin pot portar connexions inesperades i valuoses.En: She had learned that sometimes, allowing others to help can lead to unexpected and valuable connections.Ca: La Júlia, ara amb un nou amic al seu costat, va gaudir d'una altra visita per La Sagrada Família, capturant la seva bellesa amb un somriure satisfet.En: Júlia, now with a new friend by her side, enjoyed another visit to the Sagrada Família, capturing its beauty with a satisfied smile. Vocabulary Words:the spring: la primaverathe sun: el solthe tower: la torrethe stained glass: els vitrallsthe shape: la formamagical: màgiquesthe art: l'artthe student: l'estudiantthe arch: l'arcthe detail: el detallthe basilica: la basílicaindependent: independentto solve: resoldrethe dizziness: el mareigthe wall: les paretsto blur: difuminarthe visitor: el visitantthe vertigo: el vertigento breathe: respirarto steady: estabilitzar-sethe tourist: el turistathe discomfort: el malestarcurious: curiosato approach: apropar-seto shake: sacsejarto worsen: empitjorarto waver: flaquejarthe reluctance: la reticènciatrembling: tremolosato guide: guiar

Welcome to Indigenous in Music with Larry K, this week, in our Spotlight Interview, we welcome the talented Sara Kae! An Ojibwe and Cree artist from Thunder Bay and a member of the Lake Helen First Nation, Sara has been captivating audiences with her powerful storytelling and soulful sound. She's here to introduce us to her brand-new album, Maa daa dizi. Get ready for an inspiring conversation and some incredible music. Sara if featured in our current issue of the SAY Magazine, read all about her at our place at www.indigenousinmusicandarts.org/past-shows/sara-kae Enjoy music from Sara Kae, Susan Aglukark, Shauna Seeteenak, Aasiva, The Band Blackbird, Quiltman, The Melawmen Collective, Def -i, Ariano, Aterciopelados, Anyi, Teagan Littlechief, Solace, Nicole Gatti, Hit La Rosa, Novalima, Sabastian Gaskin, HAVS, Iceis Rain, Jaun Luis Guerra, Dan-George Mckenzie, Mike Paul Kuekuatsheu, Sukay, XIT, Blue Mountain Tribe, Gary Small, Santana, Jim Boyd, Sherman Alexie, J. Pablo, Scott-Pien Picard and Esther Pennell. Visit our home page and www.indigenousinmusicandarts.org and check into our Two Buffalo Studios, our SAY Magazine Library and our new Indigenous in the News archives to find out all about our Artists and Entrepreneurs.

Episode #150: Welcome to another engaging episode of "In Studio with Kimberly Lovey," where I guide you through a tapestry of emotions, insights, and stories that are both relatable and enlightening. We kick off with a fresh segment featuring my podcast recommendations for the week. If you're in the mood for laughter, don't miss "Absolutely Not with Heather McMahon." Heather's charming blend of humor and Southern flair makes her storytelling irresistible, perfect for anyone seeking a good chuckle. I also spotlight "Unpacking with Jennifer Sattel," a podcast I produce that offers practical home organization tips from a mom's perspective. Jennifer's genuine approach makes home organizing feel both attainable and inspiring. Listen in as I navigate the poignant journey of coping with the loss of a parent. I share the raw and unfiltered experience of losing my mom and how daily triggers can sometimes feel overwhelming. Through candid storytelling, I reveal how spirituality has become a source of solace, bringing a sense of closeness despite the void. The narrative takes you through moments of vulnerability, as I recount a particularly tough morning, and the strength found through friendship and resilience. This segment is a heartfelt exploration of grief, the daily reminders that accompany it, and the continuous effort to maintain normalcy amidst the emotional upheaval. We wrap up with an honest look at building a creative business and the adventures of parenting. I share the reality behind the scenes of establishing a vibrant podcast studio, detailing the challenges and triumphs of transforming a rundown space into a dynamic creative hub. It's a story of perseverance, dedication, and the passion that fuels the entrepreneurial spirit. On a lighter note, I open up about parenting a nine-year-old with a girlfriend, discussing the mix of emotions and the strategies for guiding young relationships with wisdom and care. This episode is a rich tapestry of laughter, tears, creativity, and parenting insights, designed to resonate and inspire listeners on multiple levels. Chapters: (00:01) Podcast and Show Recommendations for You (12:43) Navigating Grief and Daily Triggers (18:50) Building a Thriving Podcast Business (22:39) Creating a Custom Podcast Studio (27:12) Parenting a Nine-Year-Old With a Girlfriend Follow Kimberly on Instagram and TikTok @kimberlylovi or @iconicnationmedia

Worship Leader Taylor Cummings explains how Mary and Martha each experienced Jesus in unique ways during a time of loss, highlighting that in our moments of sorrow or need, Jesus offers the comfort of His truth or simply His embrace. Her message reminds us that whether we seek answers or solace, Jesus meets us exactly where we are.