Podcast appearances and mentions of Todd Phillips

This week on Podcast Like It's the 2000s, Emily and Phil are joined by screenwriter and podcast host Clay Keller (@claykeller) to revisit Todd Phillips' Starsky & Hutch (2004), the action comedy that helped cement early 2000s buddy cop nostalgia.As they continue their deep dive into the films of "The Todd's" Haynes, Phillips, Solondz, and Field they examine how Starsky & Hutch fits into the era's obsession with 70s throwbacks, the comedic chemistry of Ben Stiller and Owen Wilson, and whether Snoop Dogg's Huggy Bear is the most chill informant in cinematic history.Is this just a goofy relic of its time or a lowkey blueprint for the modern comedy franchise? Let's find out.

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 3, featuring the man himself, David Grisman.I chat to David about how the Quintet came together and developed over those early years, how it built on the work he'd already done with The Great American Music Band, how Tony Rice joined the band and what he brought and how, through continuous rehearsal, the Quintet learned to craft and build the arrangements that are such a key part of their sound.This was a fascinating conversation with one of the true legends of modern string band music.For more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out parts 1 and 2 of the series too, featuring Darol Anger, Mike Marshall and Todd Phillips.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

On this episode of Podcast Like It's 2000s, Emily and Phil continue their “Films of the Todds” mini-series spotlighting Haynes, Phillips, Solondz, and Field with a look at Todd Phillips' breakout hit, Old School (2003).Joining them is actor and podcaster Griffin Newman (@grifflightning), who helps examine how Old School shaped 2000s studio comedy, its impact on the careers of its leads, and where it fits in the larger story of the early 21st-century comedy boom. They also discuss how the film reflects a shift in Hollywood's approach to masculinity, adulthood, and rebellion.#PodcastLikeIts2000s #OldSchool #GriffinNewman #ToddPhillips #2000sMovies #ComedyFilms #FilmPodcast #MovieDiscussion #WillFerrell #VinceVaughn #LukeWilson #FilmAnalysis Hosted on Acast. See acast.com/privacy for more information.

We're celebrating 50 years of the David Grisman Quintet with a special set of 3 episodes. This week is part 2, featuring Todd Phillips, who was in the band before it was even a band!We chat about how he got to know David Grisman and how, through taking mandolin lessons from him, they started developing a duet that eventually grew into the Quintet. We also talk about his transition from the mandolin role to playing bass in that band, and subsequently with Tony Rice, both in The Tony Rice Unit and The Bluegrass Album Band (not to mention his own fantastic projects, including Phillips, Grier and Flinner).For more on Todd and his incredible career visit toddphillipsmusic.comFor more on David Grisman, and to buy copies of the Quintet's music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comDon't forget to check out part 1 of the series too, featuring Darol Anger and Mike Marshall. Next week I'll be bringing you a special conversation with David Grisman.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Joker: Folie à Deux is on trial this week. Does it make us cry laughing or does it just make us cry? Dave defends saying that Todd Philips accomplished everything he set out to do in this meta take on super villains that's also got a killer cast. Gav is slightly less enthusiastic, saying that it's hardly a surprise when a film that seems to hate its own audience doesn't do well at the box office. All this with some DC based insults about each other and a quiz all about cinematic chuckles. www.filmsontrial.co.uk/269

2025 marks 50 years since The David Grisman Quintet first got together, an event that changed string band music forever. The DGQ played a huge part in the careers of some incredible musicians, including Tony Rice, Mike Marshall, Darol Anger and Todd Phillips, as well as including collaborations with Stéphane Grappelli. Their first record, The David Grisman Quintet, remains one of the most important records in string band history.To celebrate the early years of the quintet, and the amazing music they created, I've been speaking to some of the people who were right at the heart of it.First up is a wonderful conversation I had with Mike Marshall and Darol Anger. We talk about how they both came to be in that band, how the sound developed, what working with David taught them and what Tony Rice brought to the group.Next week I'll be sharing an interview with Todd Phillips, followed by an interview with the man himself, David Grisman.For more on David, and to buy copies of his music (including the wonderful David Grisman Quintet - First Recordings Live in Dawg's Living Room) visit acousticdisc.comHappy picking!MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Phil & Emily kicks off our brand-new mini-series The Films of The Todds—a deep dive into the cinematic worlds of Todd Haynes, Todd Phillips, Todd Solondz, and Todd Field. First up? Todd Solondz's provocatively layered and deeply uncomfortable 2001 film Storytelling.Joining Phil & Emily is writer and pop culture commentator Rich Monahan to unpack the film's divisive two-part structure ("Fiction" and "Non-Fiction"), its dark satirical tone, and how Solondz pushes buttons in ways that still challenge audiences today. They explore how Storytelling deals with race, exploitation, authorship, and the blurred lines between truth and narrative, all with Solondz's signature deadpan bite.It's a bold and biting start to a series about four very different Todds—tune in for uncomfortable laughs, critical analysis, and one of the weirdest uses of a red box in movie history.

In this episode, we're hitting the road—literally—as we take a wild ride back to the year 2000 with Road Trip, the raunchy college comedy that defined an era of gross-out humor and questionable decisions. Directed by Todd Phillips and starring Breckin Meyer, Seann William Scott, and Amy Smart, this chaotic journey across state lines is packed with bad choices, accidental admissions, and a VHS tape that should've never been mailed.We break down the film's outrageous moments, its place in the early 2000s teen comedy boom, and whether its jokes still land 25 years later. Is it a cult classic or just a time capsule of early-aughts absurdity? Buckle up—it's gonna be a bumpy (and hilarious) ride.

Phil and Emily are kicking off their new mini-series The Films of “The Todds”—a deep dive into the wildly different worlds of Todd Haynes, Todd Phillips, Todd Solondz, and Todd Field. And what better way to start than with one of the most chaotic, irreverent, and painfully 2000s comedies: Road Trip (2000).Joining them for this raunchy, college-era nostalgia fest is film critic David Ehrlich (IndieWire), who helps break down the film's R-rated antics, surprisingly tight script, and why Tom Green is the ultimate agent of chaos. Plus, they're joined by special guest Amy Smart for a bonus interview, where she reflects on her experience making the movie and the 2000s comedy boom.Get ready for gross-out gags, dorm room disasters, and a trip down memory lane with the ultimate party movie that defined a generation.BONUS: Phil sits down with actress Amy Smart to reflect on her early career, from the chaos of Road Trip to the over-the-top antics of Starsky & Hutch. They dive into the wild world of 2000s comedy, the pressure of filming iconic scenes, and the unique challenges of being the “straight person” in movies full of larger-than-life characters like Tom Green and Ben Stiller.Amy shares behind-the-scenes stories about navigating fratty set environments, balancing TV and film work, and the surreal experience of going from indie darling to mainstream star. Plus, she reveals the surprising connection between Todd Phillips and Quentin Tarantino that even die-hard fans might not know.

Send us a textIt's Episode 101 and while we're gearing up to charge full speed ahead, we're going to take a quick look back at the halcyon days of the fall/winter of 2024 when two earth-shattering comic book movie bombs were unleashed on the cinema going public. We're talking Todd Phillips' Joker: Folie a Deux starring Joaquin Phoenix, Lady Gaga, Catherine Keener, Zazie Beets and Brendan Gleeson  up against JC Chandor's – who are we kidding? Marvel/Sony's Kraven the Hunter, starring Aaron Taylor Johnson, Russell Crow, Ariana Debose, Fred Hechinger and Alessandro Nivola. I have assembled my team of elite assassins to pick off and pore over these two fearsome digital age fails, starting with my kid sis and charter member of the Sinatra/Silva Karate dojo Roseanne Caputi, Joe Field  hypnotist, psychologist author and quite the crooner, as well as the larger than life, accept-no-substitutes, KING of the real estate drone photography jungle, Gordon Alex Robertson. Before we commence wrestle with those CGI bears and saucy tripper chicks, the synopses. Joker: Folie á DeuxIn this follow up to the inexplicable 2019 mega-hit, The Joker, Arthur Fleck, barely subsists at Arkham State Hospital as he awaits trial for the five, technically six murders he committed in the last film.  However, he soon gets his zip back when he is allowed to attend a prison music therapy class and is introduced to fellow inmate Harley “Lee” Quinzel. Together, they share a passionate love affair fueled by music, mayhem and delusions of grandeur.Kraven the HunterAfter being  mauled to the point of death by a lion, Sergei Kravinoff, son of notorious Trophy hunter and drug kingpin Nicolai Kravinoff, gains enhanced jungle animal abilities and becomes Kraven The Hunter, a sort of bad guy who fights for the little guy against drug dealers.   On his quest to prove himself as the ultimate predator, he confronts his father and half-brother Demetri aka the shapeshifting Chameleon while also teaming up with Calypso, a voodoo potion wielding lawyer. Also, he goes up against The Rhino. So how BAD can they BE?Find out!Watch the podcast on Youtube:https://youtu.be/jRItWg1TTWg 

In this episode, we break down War Dogs—a wild ride based on a true story. We dive into the real-life events that inspired the film, analyzing how the story was adapted for the big screen. We also highlight the clever use of comedy that elevates the tension and enhances the narrative. Plus, we explore the film's great cinematography and how Todd Phillips crafted a unique tone that balances humor and intensity.Chapters:00:00:00 Intro Convo00:01:08 The true story behind this insanity00:07:49 Why the characters make this story so insane00:15:05 How this movie uses comedy to tell the story00:18:46 Why Jonah Hill HAD to be in this movie00:22:09 More on how the comedy tells a story00:24:25 A funny scene they removed from the script00:25:58 The honest writing of Effraim's character00:28:01 Miles Teller is also perfect for this story00:30:21 A story about Todd Phillips on set of Project X00:32:12 Why the night vision scene is perfect00:35:06 Todd Phillips and Adam McKay have similar careers00:36:54 Jonah Hill had plenty of experience to play Effraim00:38:58 This is exactly what you want out of a movie00:41:11 The great filmmaking techniques this movie uses00:48:13 How the real life Effraim tried to sue Warner Brothers00:49:41 How Jonah Hill found Effraim's laugh00:50:57 A cool metaphor of the war at this time00:55:17 A surprising cut from the script00:59:20 Our ratings01:04:07 Final thoughts: Gray's Race Recap01:08:24 Cue the music

The entirety of DJ & PK for April 4, 2025: HOUR ONE Utah Hockey Club Game Recap Tim LaComb, SEG Media Todd Phillips, UVU Men's Basketball Coach HOUR TWO What is Trending Hot Takes or Toast Transfer portal giveth and taketh HOUR THREE Giannis would dominate in the 1970's NBA?! Andy Bailey, Bleacher Report PK's a pond hockey legend...or not HOUR FOUR Pablo Mastroeni, Real Salt Lake Slacker Radio Headlines Feedback of the Day

Hour one of DJ & PK for April 4, 2025: Utah Hockey Club Game Recap Tim LaComb, SEG Media Todd Phillips, UVU Men's Basketball Coach

Navigating Transformation in an Ever-Changing World Imagine a world where every transition—birth, death, heartbreak, coming of age, leadership, spiritual awakening—was honored with deep intention, belonging, and community. That world is not lost. It lives in the echoes of our ancestors—and in the choices we make today. In this solo episode of The Awaken Podcast, Natasja invites you on a profound exploration of Rites of Passage—timeless ceremonial frameworks that guide us through the liminal spaces of transformation. As modern life accelerates, we are asked to remember: our milestones matter. Whether through ancient initiations or psychedelic journeys, rites of passage offer us mirrors, maps, and meaning.

Hour three of DJ & PK for April 3, 2025: Dallin Hall leaving BYU for transfer portal Todd Phillips, UVU Men's Basketball Coach Transfer Portal and NIL impact is insane

UVU men's basketball coach Todd Phillips joined DJ & PK to talk about the wild transfer portal and NIL market and how he is leading the UVU Wolverines through it.

The entirety of DJ & PK for April 3, 2025: HOUR ONE Utah Jazz Game Recap Steve Cleveland, Former BYU Basketball Coach Lee Cummard, BYU Women's Basketball Coach HOUR TWO What is Trending Hot Takes or Toast RIP Elaine Michaelis HOUR THREE Dallin Hall leaving BYU for transfer portal Todd Phillips, UVU Men's Basketball Coach Transfer Portal and NIL impact is insane HOUR FOUR Cole Bagley, KSL Sports Slacker Radio Headlines Feedback of the Day

JR The Bossman (⁠@JRTheBossman⁠) was joined by Utah Valley Wolverines Basketball Coach, Todd Phillips (⁠@ToddPhillips7⁠). ⁠http://BossmanShow.com⁠ ⁠https://bossmanshow.com/03-08-25-bossman-show-todd-phillips-interview/

Guido Vitiello"Joker scatenato"Il lato oscuro della comicitàGramma Feltrinelliwww.feltrinellieditore.itPer più di mezzo secolo abbiamo considerato il divertimento, la comicità e l'umorismo come strumenti di pacificazione sociale. Nel 1985 un pamphlet del critico americano Neil Postman, Divertirsi da morire, annunciava che grazie alla droga della tv commerciale eravamo ormai entrati in un “mondo nuovo” ilare e rincretinito profetizzato dallo scrittore Aldous Huxley.Poi però è successo qualcosa di imprevisto. La nostra è tuttora una società del divertimento, ma la comicità non è più soltanto un innocuo gas esilarante: è l'arma con cui si combattono duelli politici all'ultimo sangue e guerre culturali ferocissime. Un umorismo cinico e sarcastico si è impadronito del discorso pubblico. Il re e il suo buffone si cambiano continuamente di posto: i leader politici adottano uno stile da stand-up comedy e i comici avviano inopinate carriere politiche. Una frangia della sinistra americana ha scatenato una war on jokes moralizzatrice, e la comicità si va spostando a destra. Dai bassifondi della rete è emersa la troll culture, con il suo sarcasmo nichilistico e sottilmente sociopatico, e ha trovato una consonanza entusiastica con il ritorno trionfale di Donald Trump – battezzato non per caso Troll-in-Chief dalla stampa americana – alla Casa Bianca.Guido Vitiello tenta di decifrare questo carnevale perpetuo rivisitando alcuni passaggi cruciali nella storia sociale dell'umorismo. A fargli da guida in questo inferno sghignazzante è la figura di Joker, l'antieroe della saga di Batman, le cui successive metamorfosi hanno rispecchiato fin dagli anni quaranta le diverse fasi del nostro rapporto con il “lato oscuro della farsa” e con il nesso ineludibile tra comicità e violenza. Nelle sue ultime incarnazioni, dal Cavaliere oscuro di Christopher Nolan al Joker di Todd Phillips, il supervillain ha assunto i tratti sinistramente convergenti del terrorista e dello stand-up comedian. Scappato, dopo decenni, dalla gabbia dorata dell'egemonia televisiva, soporifera ma universalistica, si è mescolato tra le bande identitarie dei social network, che si sbranano a colpi di risate.Guido Vitiello è nato a Napoli ma vive e lavora a Roma. Scrive per “Il Foglio”, curando la rubrica Il Bi e il Ba. Ha collaborato per anni con il “Corriere della Sera” (“La Lettura”) e “Il Sole 24 Ore” (“IL Magazine”). Insegna Teorie del cinema e dell'audiovisivo alla Sapienza di Roma. Ha pubblicato, per Adelphi, Una visita al Bates Motel (2019); per Einaudi, Il lettore sul lettino. Tic, manie e stravaganze di chi ama i libri (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Our new book... STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 Adam is a Jewish-American born in Abington, Pennsylvania who grew up in Bucks County, PA. At age twelve his family relocated to Roseburg, Oregon; a new and unfamiliar small town. As the middle child of three, Adam realized he had to stand out to gain any measure of attention, if he wanted his rightful place at the dinner table. His antics started purely as a way to amuse his family, but quickly blossomed into a desire to entertain a bigger audience. This desire, however, was abated by a nearly crippling case of stage fright that lasted until he joined his high school's drama program as a teenager. Through his teacher and classmates' encouragement, Adam gradually let go and confronted his fear. It seemed to work. After receiving much local acclaim in his first year on stage, his high school named the A-Ward Award after him and it is still given annually to the most outstanding newcomer. It was because of this success Ward pursued his love of film as an undergrad at Hawaii Pacific University where he graduated with a Communications Degree. After graduating from college, Ward made his way to Hollywood! During his first day in town, he used his charm to land a position in post production at Dreamworks. From there, he segued to a gig working for Todd Phillips at Warner Brothers. But pursuing a career made him temporarily lose sight of his dream (dream of what?) It wasn't until Ward bumped into Jimmy Smits at LAX that he was convinced to go back and study acting again. At Smits' recommendation, he began studying at the Joanne Baron DW School of Acting during which he found time to star in eleven short films. The following year ward was a lead in three independent features. But it wasn't until the year 2011 Ward, took his destiny in his own hands and wrote, directed and starred in a tv comedy called, "Three Guys and a Couch" (On Amazon Prime). In 2013 wrote Directed and Starred in "Parole Officers" another tv pilot. (On Amazon Prime). Later in 2014 Ward co-wrote a feature film called, "Wally Got Wasted". MORE VIDEOS WITH ADAM WILLIAM WARD https://bit.ly/2kB1CEF CONNECT WITH ADAM WILLIAM WARD https://www.imdb.com/name/nm3652101 https://www.instagram.com/adamwilliamward https://linktr.ee/adamwilliamward MORE FILM COURAGE FULL INTERVIEWS Quitting A Hollywood Job To Make Movies - https://youtu.be/n4ZMl6_hiNo 10 Things I Wish Someone Told Me Before I Became A Filmmaker - https://youtu.be/1L1EotDa7PY How I Turned A Proof Of Concept Short Film Into A Feature - https://youtu.be/44Ef6XtYdl8 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k *These are affiliate links, by using them you can help support this channel.

WHAT'S THE POINT OF BEING ALIVE? While Joker was one of 2019's most successful films, it was also one of its most divisive. While many clamored for a sequel, others believed this version told its story and needed no further exploration, and anything more would only show how shallow that film was. Turns out, Todd Phillips is in the camp of the latter as he made a whole movie about that very fact. The sequel, ironically, was one of 2024's worst-performing tentpole films, as well as one of the most maligned sequels in recent memory. The reasons for the hatred vary between whether or not you liked the first, and we have a whole lot to say as the camp who didn't. So, come join Brian and Alec as they put themselves through another two hours of suffering with Todd Phillips' JOKER: FOLIE À DEUX!

Tyler and Konnery stave off boredom, sing forgettable standards, and defend themselves with Southern accents as they cover a movie from the twisted mind of Todd Phillips, "Joker: Folie à Deux"! Together they discuss the film's intricacies (or utter lack thereof), praise the tradespeople behind the film, and pine for a Jokerfied A Star Is Born until the film before them sinks in and they begin to question why anyone literally does anything? All this and so much more on this shared madness episode of The Friendchise Podcast!   TikTok Threads Instagram Twitter Bluesky     Have a message for The Friendchise? Send an under-3 minute voice memo to: thefriendchisepodcast@gmail.com What's New: Tyler: Caddo Lake (Max), Gladiator II (Paramount Plus) Kon: Between Two Fires by Christopher Buehlman, We Used To Live Here by Marcus Kliewer

Hour one of DJ & PK for January 31, 2025: Utah Jazz Game Recap Cole Bagley, KSL Sports Todd Phillips, UVU Basketball

The entirety of DJ & PK for January 31, 2025: HOUR ONE Utah Jazz Game Recap Cole Bagley, KSL Sports Todd Phillips, UVU Basketball HOUR TWO What is Trending Hot Takes or Toast Utah HC name changes ballot options HOUR THREE David Locke, SEG Media NBA pondering 10 minute quarters etc. Utah's NHL team new name options HOUR FOUR Kevin Graham talking football Slacker Radio Headlines Feedback of the Day

The entirety of DJ & PK for January 30, 2025: HOUR ONE Jerrod Calhoun, Utah State Basketball Utah Hockey Club Game Recap Andy Bailey, Bleacher Report HOUR TWO What is Trending Hot Takes or Toast Big 12 needs to have compelling teams in 2025 HOUR THREE BYU & Utah win totals this fall are? Todd Phillips, UVU Wolverines The GOAT played their last gig 56 years ago today HOUR FOUR Jason Beck, Utah Utes Cole Bagley, KSL Sports Feedback of the Day

Hour three of DJ & PK for January 30, 2025: BYU & Utah win totals this fall are? Todd Phillips, UVU Wolverines The GOAT played their last gig 56 years ago today

UVU men's basketball coach Todd Phillips joined DJ & PK to talk about the UVU Wolverines' 10-game win streak, their showdown against Grand Canyon on Saturday and what has led to their success this season.

My guest on the podcast this week is Eric Skye, who joins me to celebrate the album 'Phillips, Grier & Flinner'.Released in 1999 on Compass Records, it marks the first collaboration between bassist Todd Phillips, guitarist David Grier, and mandolinist Matt Flinner and features three original tunes from each.We chat about how Eric first discovered the record and why it means so much to him, plus what's so special about these three musicians and this collection of tunes. We also chat about the album's sound and why listening is such an important part of making (and understanding) music.This was a fantastic conversation to get to have and it's always a pleasure talking to Eric.You can buy 'Phillips, Grier and Flinner' on CD or as a digital download in mp3,FLAC or WAV via the Compass Records websiteFor more info on Eric's music and production services, check out ericskye.comThe Chris Thile and David Grier bootleg we discuss in the episode is available via sugarmegs:Part 1Part 2  SetlistHappy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Tyler and Konnery get what they deserve as they are joined by fellow clown horn enthusiast Travis Shannon to delve deep into the psyche of a damaged man ruined by society known as Todd Phillips, the director of "Joker"! Together they clown around to discuss the film's gorgeous look, the director's unclear intentions, contemplate its approach to mental illness,and so much more on this failed standup set episode of The Friendchise Podcast! What's New: Tyler: Titane (Hulu) Konnery: The Penguin (Max) Travis: Crash (Blu-ray stuck in his PS4) THANK YOU to Kyle Riccio for editing this episode! Email us a less than 3 minute voice message @ thefriendchisepodcast@gmail.com and we will play it on our monthly Failed Franchise Friday episode!

Saturday Night (2024, Dir. Jason Reitman, Starring: Gabriel LaBelle, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O'Brien) 109min   Joker: Folie A Deux (2024, Dir. Todd Phillips, Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine... The post Extra Features 340 appeared first on Extra Features.

In 2019, Todd Phillips' Joker, though divisive, received heaps of praise and a box office shattering $1 billion+ take. Joker: Folie à Deux, however, received none of that acclaim or success. That is for good reason. Joker: Folie à Deux is a meandering mess of a film — one that features impromptu musical segments. Those songs, shockingly, are not at all the issue. Instead of carrying on Arthur Fleck's story, Folie à Deux just sort of castrates the character. Certainly, it can be argued that Fleck never intended to become the Joker. But he did. Going back on that in every conceivable way makes for a film with no identity. It honestly feels as if Phillips did not want to make this movie. Their is a palpable disdain that can be felt throughout its trudging two hours. Which begs the question: Why, aside from the potential for a big theatrical haul, was it ever greenlit? The script, like Fleck, is empty. Now, sit back, feed your psychoses with a Psychedelic Rabbit from New Realm Brewing, and stop harassing poor Mr. Puddles! The Thunderous Wizard (@WriterTLK), Chumpzilla, and Bling Blake are gonna build a mountain! This Week's Segments: Introduction/Plot Breakdown – The world is a stage! (0:00) Lingering Questions – What the hell happened? (18:56) The "Mr. Puddles" Trivia Challenge – Chumpzilla challenges the field to trivia about the movie. (35:42) Recommendations – We offer our picks for the week and next up: We kickoff the pod's seventh season with sequels to billion dollar hits that flopped with The Marvels! () And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on all your favorite pod catchers!

In this episode of The Film Situation, we sit down with NYC based cinematographer Matthew Canada to explore his unique journey from studying jazz theory at a music conservatory to crafting breathtaking visuals for narrative films and cinematic commercials. Matthew shares how his diverse life experiences, including earning a degree in marketing, have shaped his artistic approach to cinematography, where art and science seamlessly merge. We dive into his early days filming music videos in New York City, his passion for narrative storytelling, and how he uses framing, lighting, and subtext to enhance story and character. Matthew also opens up about the collaborative nature of filmmaking, discussing his work with directors, production designers, and actors, and how he balances meticulous technical preparation with on-the-spot creative instincts. To wrap things up, we delve into some of Matthew's favorite movie scenes, including Martin Scorsese's iconic GOODFELLAS and Todd Phillips' gripping THE JOKER, unpacking what makes them so visually and emotionally impactful. Hosted by Zef Cota

Cinematographer Lawrence Sher, ASC has a career that spans indie favorites like Garden State to blockbuster hits like the Hangover movies and Joker. But it was the arduous process of creating lookbooks for Garden State that sparked an idea: a comprehensive, searchable database of cinematic images. This idea evolved into ShotDeck, a powerful tool for filmmakers and creatives alike. Larry's initial struggle involved manually grabbing screenshots from DVDs and tapes. Google Images offered some help, but the images lacked the cinematic quality he sought. By 2015, he began working with a computer engineer to build a solution, realizing that if he found such a library valuable, his colleagues would too. After years of beta testing, ShotDeck officially launched as a company in 2020. ShotDeck can also be used beyond pre-production pitch decks. “In my day to day, what I realized was every director I communicated with, across all the other departments, we were constantly in need of communicating creative ideas,” Larry says. “It's difficult to communicate creative ideas with words. Having images that you can point to with a director is the easiest way.” Larry would like ShotDeck to become the "visual IMDb," housing an exhaustive collection of cinematic imagery. Recently, ShotDeck partnered with Canva, integrating its library directly into the design platform. This allows Canva users to seamlessly access and incorporate over 1.5 million high-definition film stills into their projects, streamlining workflows for filmmakers, designers, and content creators. For Joker: Folie à Deux, Larry and director Todd Phillips continued their 15 year collaboration. Certain scenes of the movie were partly influenced by The Sonny and Cher Comedy Hour. Larry had to rely on using screen grabs from the show's DVDs as visual references, since they weren't inputted into ShotDeck yet. Joker: Folie à Deux maintains a visual connection to the first Joker, but expands on the original by embracing more fantastical elements. They scaled up the stages and sets, which provided greater flexibility in lighting and camera movement. Larry was able to use more color and a wider range of lighting techniques during the musical sequences, as Arthur Fleck becomes more and more detached from reality. He sees Joker: Folie à Deux as an operatic tragedy, exploring the internal conflict of a person battling their shadow self and delving into the complexities of love and its potential to drive someone to the edge. Larry defends director Todd Phillips's creative vision for the sequel. “When you make a sequel, you have to have a new approach to the material, otherwise why do a sequel to anything?” he points out. “This idea that Todd just took $200 million and just lit it on fire is absurd. The greatest thing about Todd as a filmmaker is he's at heart a gambler. He's a gambler in the way that the movie business should be a gamble. What are we doing this for if not to continue to express something that isn't simply trying to service the audience? We're giving something that you might not have asked for.” He continues, “The movie we made and the way we approached it, it's exactly what we were trying to do.” Find Lawrence Sher: Instagram @lawrencesherdp Hear our previous interview with Lawrence Sher on Joker: https://www.camnoir.com/ep56/ You can see Joker: Folie a Deux currently streaming on Max. Shotdeck is now available on Canva. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

The American musical is in a state of flux. Today's Broadway offerings are mostly jukebox musicals and blatant I.P. grabs; original ideas are few and far between. Meanwhile, one of the biggest films of the season is Jon M. Chu's earnest (and lengthy) adaptation of “Wicked,” the origin story of the Wicked Witch of the West that first premièred on the Great White Way nearly twenty years ago—and has been a smash hit ever since. On this episode, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss why “Wicked” is resonating with audiences in 2024. They consider it alongside other recent movie musicals, such as “Emilia Pérez,” which centers on the transgender leader of a Mexican cartel, and Todd Phillips's follow-up to “Joker,” the confounding “Joker: Folie à Deux.” Then they step back to trace the evolution of the musical, from the first shows to marry song and story in the nineteen-twenties to the seventies-era innovations of figures like Stephen Sondheim. Amid the massive commercial, technological, and aesthetic shifts of the last century, how has the form changed, and why has it endured? “People who don't like musicals will often criticize their artificiality,” Schwartz says. “Some things in life are so heightened . . . yet they're part of the real. Why not put them to music and have singing be part of it?”This episode originally aired on Critics at Large, December 12, 2024.

The American musical is in a state of flux. Today's Broadway offerings are mostly jukebox musicals and blatant I.P. grabs; original ideas are few and far between. Meanwhile, one of the biggest films of the season is Jon M. Chu's earnest (and lengthy) adaptation of “Wicked,” the origin story of the Wicked Witch of the West that first premièred on the Great White Way nearly twenty years ago—and has been a smash hit ever since. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss why “Wicked” is resonating with audiences in 2024. They consider it alongside other recent movie musicals, such as “Emilia Pérez,” which centers on the transgender leader of a Mexican cartel, and Todd Phillips's follow-up to “Joker,” the confounding “Joker: Folie à Deux.” Then they step back to trace the evolution of the musical, from the first shows to marry song and story in the nineteen-twenties to the seventies-era innovations of figures like Stephen Sondheim. Amid the massive commercial, technological, and aesthetic shifts of the last century, how has the form changed, and why has it endured? “People who don't like musicals will often criticize their artificiality,” Schwartz says. “Some things in life are so heightened . . . yet they're part of the real. Why not put them to music and have singing be part of it?”Read, watch, and listen with the critics:“Wicked” (2024)“The Animals That Made It All Worth It,” by Naomi Fry (The New Yorker)“Ben Shapiro Reviews ‘Wicked' ”“Frozen” (2013)“Emilia Pérez” (2024)“Joker: Folie à Deux” (2024)“ ‘Joker: Folie à Deux' Review: Make 'Em Laugh (and Yawn),” by Manohla Dargis (the New York Times)“Hair” (1979)“The Sound of Music” (1965)“Anything Goes” (1934)“Show Boat” (1927)“Oklahoma” (1943)“Mean Girls” (2017)“Hamilton” (2015)“Wicked” (2003)“A Strange Loop” (2019)“Teeth” (2024)“Kimberly Akimbo” (2021)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Was Harley Quinn really pregnant? Was that meant to be Heath Ledger's Joker at the end? Why did Todd Phillips direct the actors to sing poorly? Find out in this episode! Or don't, because we have zero idea.  Patreon YouTube

Geoffrey D. Calhoun goes live across multiple platforms to break down the divisive Joker: Folie à Deux. In this episode, Geoffrey dives into audience expectations vs. artistic vision, dissecting why the film's genre-blending of courtroom drama and musical numbers created such polarized reactions. He examines both the missteps and the nuanced layers of character development to explore what really worked—and what left fans frustrated.Key Takeaways:Understanding "Folie à Deux": The film's title translates to a “shared delusion,” a concept that plays out between Arthur Fleck (Joker) and his love interest, Harley Quinn (Lee). Geoffrey discusses how this theme might also reflect the relationship between the director's vision and the audience's expectations, which weren't fully aligned.A Shift in Tone: While audiences expected a Taxi Driver-style sequel, director Todd Phillips opted for a lighter approach through courtroom drama, with musical elements that felt unexpected and, for some, mismatched.The Rules of a Musical & Why They Matter:Character Songs: In traditional musicals, songs are a way for characters to reveal their inner emotions to the audience. Instead, Joker: Folie à Deux uses old Dean Martin songs, which detracts from creating an original inner voice for Arthur."Go Big" Moments: Musicals are known for large, engaging numbers, which this film only lightly touches upon, leading to a disconnect. In key scenes, the absence of elaborate choreography and background involvement makes musical moments feel understated.Breaking Musical Conventions: Geoffrey points out that characters acknowledge their singing within the film, an unusual choice for musicals. Lady Gaga's intentionally off-key performance as Harley adds a raw, almost amateurish quality that challenges the typical musical polish, creating a tonal inconsistency.Courtroom Drama & Character Evolution:The film ultimately revolves around a courtroom drama, where Arthur struggles with the question, “Who am I?” Each character in his life, from guards to Harley, projects their version of him, pushing Arthur to reclaim his true self.Geoffrey relates this theme to his own experience writing a courtroom drama, noting the challenge of maintaining tension and pacing.Arthur's Journey: At the core of the film, Arthur's struggle is about identity and self-acceptance. Spoiler alert: Arthur's arc reaches a natural conclusion when he finally accepts himself, leading to his death—a choice that sparked further debate among fans.Audience Reaction:Geoffrey reflects on the tension between audience expectations for Joker's chaos and the director's interest in a character-focused exploration. He poses the question: Should filmmakers deliver what fans expect, or tell the story they feel compelled to share?Final Thoughts:Geoffrey shares his appreciation for the film's deeper character exploration, even if it gets lost amidst the unconventional format. He encourages fans of the podcast to keep exploring new storytelling perspectives and reminds listeners that there's often more than meets the eye in complex films like Joker: Folie à Deux.Call to Action: If you enjoyed this breakdown and have a film you'd like Geoffrey to analyze, send a message! And don't forget to explore past episodes of The Successful Screenwriter Podcast for more insights on screenwriting and storytelling.Listener Q&A: Throughout the live session, Geoffrey answers listener questions and provides advice for aspiring screenwriters. If you'd like to see more live analysis episodes, let him know!Follow Geoffrey on instagram @screenwriterpod#JokerFolieÀDeux, #FilmAnalysis, #Screenwriting, #MovieReview, #CharacterStudy, #IdentityCrisis, #MusicalFilm, #CourtroomDrama, #ToddPhillips, #JoaquinPhoenix, #LadyGaga, #MovieCritique, #Storytelling, #DelusionInFilm, #AudienceExpectations, #SuccessfulScreenwriter, #FilmBreakdown, #StorytellingTechniques, #CharacterDevelopment, #FilmThemes, #JokerAnalysis4o

What if they made a sequel to the Joker movie that was pretty much the finale of Seinfeld but it's also a half-assed jukebox musical, and EVERYONE hated it? What if Michael Keaton had a 35-year-old pregnant daughter, but he also had precocious 9-year-old twins and a Los Angeles art gallery on the verge of financial collapse? Both scenarios lay the groundwork for two of the most “they don't make ‘em like this” films of the year, and BOTH conclude with the same Daniel Johnston song. You can't make this stuff up, folks! Join the crew for a fever dream of an episode that features an all-timer of a Madame Web tangent, Griffin's grand theory of Todd Phillips self-sabotage, and some earnest reflections on the past 499 episodes that have led us to this monumental achievement. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Joker: Folie à Deux is the 2024 follow-up to 2019's Joker. Directed again by Todd Phillips (of The Hangover fame originally), it stars Joaquin Phoenix (reprising the Oscar-winning role as Arthur Fleck), joined by musician-turned-actor Lady Gaga, playing the iconic comic book character Lee Quinzel aka Harley Quinn. All that and discussion of other musical moments in “none-musicals.”What's Good:Alonso - Sally Field gets real.Drea - LA Voterguide 2024Ify - Corn telethon to fight Project 2025 ITIDIC:Airline apologises after R-rated Dakota Johnson film played to all passengersToxic Fandom: How Hollywood Is Battling Fans Who Are ‘Just Out for Blood' — From Social Media Boot Camps to Superfan Focus GroupsDisney's ‘Princess Diaries 3' Gets Royal Treatment, Sets Adele Lim As DirectorStaff Picks:Alonso - Terrifier 3Drea - Casa Bonita Mi AmorIfy - Chicago (2002)Plugs!Purchase Corpses, Fools and MonstersThe History and Future of Transness in Cinema Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

Batman is a huge part of DC and there has been so much talk on how the DCU will handle it considering the Matt Reeves Robert Pattinson The Batman series is still alive and well. There is a new rumor stating the details of the age range of Batman for The Brave and The Bold. We dive into it. There were some more details on the fallout of the Joker 2 and how Todd Phillips shut Gunn and Safran out. The Terrifer could beat Joker 2 in week 2 of box office battle. Arron Pierre talks about being cast as John Stewart. This and more on the show with Kristian and Steph. #dc #dcu #movies #batman #thebatman #braveandthebold #robi #batmanandrobin #jamesgunn #joker #joker2  OUR SPONSORS BILT: http://www.joinbilt.com/BIGTHING AG1: http://www.DRINKag1.com/BIGTHING HELLO TUSHY: 10% off your first bidet order at http://www.HelloTUSHY.com with promo code BIG THING

Between its late-August premiere at the Venice Film Festival (where it won the festival's top prize) and its release in theaters here in the States, Todd Phillips' JOKER provoked every possible response, with some calling it among the best films of the year and others calling it the absolute worst – not to mention the much-discussed fears that the movie was "dangerous." No surprise then that when Adam and Josh finally got around to seeing it, they split – not just on the film itself, but on everything from the film's score to star Joaquin Phoenix's take on the iconic villain. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is this a comic book movie? Is this a musical? Is it a courtroom drama? Who cares, it's the very first episode of X-Ray Vision Xtras! We're bringing you a brand new episode every week, and today we have Jason, Rosie, and Joelle on to talk through Todd Phillips' anticipated sequel, Joker: Folie à Deux! Tune in to more episodes of Xtras every Wednesday, featuring more of the coverage you love from X-Ray Vision! Follow Jason: twitter.com/netw3rk Follow Rosie: IG & Letterboxd  Follow X-Ray Vision on Instagram Join the X-Ray Vision Discord See omnystudio.com/listener for privacy information.

Born This Way Joaquin Phoenix indulges in a Folie A Deux (aka “Madness of Two”) by restaging the Joker sequel as a musical duet with psycho fangirl Lady Gaga. Will the jury in his high-profile murder trial plug their ears once this incarcerated clown starts singing his defense in full makeup?  Or can lawyer Catherine Keener (Get Out) convince them that Arthur Fleck suffers from multiple personality disorder and never wanted to dance with the Devil in the pale moonlight as Gotham City burned?  Listen Now to find out if director Todd Phillips leaves the hosts crying or smiling.

Born This Way Joaquin Phoenix indulges in a Folie A Deux (aka “Madness of Two”) by restaging the Joker sequel as a musical duet with psycho fangirl Lady Gaga. Will the jury in his high-profile murder trial plug their ears once this incarcerated clown starts singing his defense in full makeup?  Or can lawyer Catherine Keener (Get Out) convince them that Arthur Fleck suffers from multiple personality disorder and never wanted to dance with the Devil in the pale moonlight as Gotham City burned?  Listen Now to find out if director Todd Phillips leaves the hosts crying or smiling.

In this episode of The Kristian Harloff Show, Kristian Harloff and John Rocha dive deep into a full spoiler discussion of Joker: Folie à Deux. The highly anticipated sequel, starring Joaquin Phoenix and Lady Gaga, had a lot of buzz, but the box office performance turned out to be a huge disappointment compared to early projections. What went wrong? Why didn't Todd Phillips' follow-up hit the same heights as the first Joker film? We break it all down—Joker 2, the Joker Folie à Deux ending, and everything in between. Is it really as bad as the numbers suggest, or is there more to the story? Join us as we cover all aspects of the movie: Joker 2 reviews, Joker Folie à Deux review, the Joker 2 ending, and what this means for DC's future. Don't miss this in-depth discussion! #Joker2 #JokerFolieADeux #JoaquinPhoenix #LadyGaga #ToddPhillips #JokerFolieADeuxReview #Joker2MovieReview #JokerFolieADeuxEnding #MovieReview #DC #dcu #thepenguin #thejoker #joker2 #review #mcu #marvel #comics OUR SPONSORS BILT: http://www.joinbilt.com/BIGTHING AG1: http://www.DRINKag1.com/BIGTHING HELLO TUSHY: 10% off your first bidet order at http://www.HelloTUSHY.com with promo code BIG THING

Sean is joined by Van Lathan to discuss ‘Joker: Folie à Deux,' the off-putting sequel to Todd Phillips's 2019 ‘Joker,' starring Joaquin Phoenix and Lady Gaga (1:00). They discuss the jukebox musical format's successes and failures, the filmmaking vs. the experience of watching it, and whether they ultimately liked the movie. Then, they zoom out to discuss the state of moviegoing and movie watching (43:00) and explore whether we're in a uniquely strange place with the reception of movies and the conversation social media inspires about divisive films and filmmakers. Finally, Sean is joined by director Greg Jardin to discuss his debut feature ‘It's What's Inside,' an all-in-one-night sci-fi thriller with some unexpected twists (spoilers!) and fresh filmmaking choices (1:05:00). Host: Sean Fennessey Guests: Van Lathan and Greg Jardin Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of The Kristian Harloff Show, Capes and Cowls edition, Kristian dives into the latest news that Joker: Folie à Deux director Todd Phillips is officially done with the DC Universe. After the massive success of the first Joker movie starring Joaquin Phoenix, fans had high hopes for the sequel, but early reviews for Joker 2 have been less than stellar. Could this affect the box office, or will Joker: Folie à Deux still deliver? Kristian also discusses the past buzz around Todd Phillips potentially taking over DC before James Gunn and Peter Safran took the reins, and whether Phillips' departure from DC is a good move. Plus, we dive into the latest rumors surrounding Lady Gaga as Harley Quinn, the newly released Joker: Folie à Deux trailer, and how Arthur Fleck's story could evolve in this musical sequel. Along with updates on DC and Warner Bros, we also touch on other hot topics like the upcoming Agatha spinoff, the ongoing Henry Cavill MCU rumors, and more. Join Kristian, Coy, and Winston as they break down all the latest in the world of DC Comics, WB, and beyond. Don't miss this in-depth discussion on the future of Joker, the DCU, and what's next for the superhero landscape! OUR SPONSORS BILT: http://www.joinbilt.com/BIGTHING LIQUIDIV: GET 20 PERCENT OFF http://www.LiquidIV.com CODE: BIGTHING

Todd Phillips, the director and co-writer of the new musical sequel to Joker, shares what it was like to direct Joaquin Phoenix and Lady Gaga in a singing, dancing, very dark adaptation of the DC character. And actor Uzo Aduba, best-known for her role as "Crazy Eyes" on Orange is the New Black and HBO's In Treatment, has written a new memoir that pays homage to her mother, a Nigerian immigrant who raised her family in a nearly all-white Massachusetts suburb. Also, David Bianculli reviews the new Disney+/Marvel series Agatha All Along, a spinoff of the series WandaVision. Subscribe to Fresh Air's weekly newsletter and get highlights from the show, gems from the archive, and staff recommendations.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

After his 2019 hit Joker, Todd Phillips knew he wanted to do more with the character. Joker: Folie à Deux picks up two years after the original, and features singing by Joaquin Phoenix and Lady Gaga. The director spoke with Terry Gross about his collaboration with Phoenix, how he got into filmmaking, and casting Gaga.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this edition of Sucked Off Into The Sky By A Trendnado, Jack and Miles discuss Twitter getting banned in Brazil, Joker 2 getting mixed reviews (and Todd Phillips not knowing what a musical is), Tim Walz' conservative 2nd cousins, The Economist predicting that a Trump win will be bad for the economy, Peter Navarro's strategy for defeating Kamala Harris, Kamala Harris using wired earbuds like some sort of weirdo and much more!See omnystudio.com/listener for privacy information.