Podcasts about Eastwood

Beyond The Outer Realm welcomes special Guest, Luke Eastwood Host: Michelle Desrochers Date: April 8th, 2025 Episode: 546 Discussion : Luke will be discussing his new book " Scotia: The Lost Sister of Tutankhamun" From Luke's Press Release: - This is the latest book from author, folklorist and amateur historian Luke Eastwood, who has previously had success with titles such as “Kerry Folk Tales”, “Dingle Folk Tales” and “The Druid's Primer”. It also features an introduction from best-selling UK author and acclaimed archaeologist Lorraine Evans. A nation under threat and a dynasty facing collapse under a much hated, heretic king. Tracing the Amarna Egyptian royal family, from Akhenaten through to Tutankhamun and the final Pharaoh Horemheb, a picture emerges of a dynasty caught up in a religious controversy and the unfolding of an unstoppable drama. This book explores the mysterious deaths of this dynasty's pharaohs and the flight of one of its last queens, an older sister of the ill-fated Tutankhamun. Why did she flee Egypt and how? Why did she go to Spain and then Scotland? How did she come to meet her death in the West of Ireland? Contact for the show - theouterrealmcontact@gmail.com Rumble: TheOuterRealm X - MicheleDerocher Website: www.theouterrealmradio.com Please support us by Liking, Subscribing, Sharing and Commenting. Thank you all !!! About Luke: I have been involved in the arts in some shape or form since I was a teenager. I was born in Aberdeen, Scotland but spent most of my childhood and all my teenage years in Kent and Surrey, England. At 19 I moved to London to study at university and this was the beginning of my development into a semi-professional or professional artist, designer, musician, photographer and writer. In 1990, at university, I discovered the Apple MacIntosh computer which I immediately fell in love with, leading to my interest in digital art and Graphic Design (which became my career), following a stint in Mitre House Publishing for my degree industrial placement and writing for the university magazine Cityscape. I began writing poetry at the age of 15, pretty badly I might add. Over time I developed my own style of both poetry and prose. My first article was published in 1991 but a year after leaving university I left journalism aside for other activities (mainly music) until the early 2000s when I began to write more frequently. For most of the 1990s I concentrated on my band Children Of Dub and released several albums and singles during that time. A multitude of my articles in magazines and websites have been appearing in recent years, which you can find on my articles page. In 2005 my first book, on spiritual wisdom, "The Journey" was published under the pseudonym Joseph Dawton. In 2006 I was editor of a collection of poetry entitled "Where The Hazel Falls", featuring some of my poems, as well as eight other authors in Ireland.

Luke 19:28-40 - Daniel Gillespie - Easter - Palm SundayWant to learn more about Eastwood? Visit https://eastwood.church

This week's show was packed with the freshest sounds from UK producers making waves in the club scene, including Decimal, Brizzy Beats, Mad One, Timbawolf, Eastwood, Scottie Dee, Charles Caliber, Maestro uk, and many more. And let's not overlook our amazing host, Afronarki, who consistently brings the heat with his fire bars. This mix is your ticket to an unforgettable musical journey—so buckle up, enjoy the ride, and vibe with us! #Afro House #Tribal #Amapiano SA #Uk AmapianoTune into the powerhouse show every Friday from 10PM. - 12AM non-stop house music, insightful interviews, & guest mixes. Whether you're a seasoned clubgoer or discovering the genre, the powerhouse show is the ultimate destination for all things house. Don't miss it! @dejavufmdejavufm.com

In 1984 a trusted production executive desperately tried to convince Clint Eastwood to pass on “The Cut-Whore Killing,” stressing that the screenplay was not worth his time. Eastwood placed it in a drawer, but not because of the material; only during the latter phase of his career did he feel he could earn the right to properly deconstruct the western genre. Released in 1992, “Unforgiven” would go on to win Oscars for Best Picture, Director (Eastwood), Editing, and Supporting Actor for the late Gene Hackman. Jason Thompson and Dennis roll into Big Whiskey, open a bottle and celebrate Eastwood's masterpiece. Deserve's got nothing to do with it. Hosted on Acast. See acast.com/privacy for more information.

This week, hosts Tom Zalatnai (@tomzalatnai) and Teffer Adjemian (@tefferbear) bring you the FINALE of Munch Madness 2025 with special guest judges Bailey Eastwood, Julian McKenzie, Miriam Zeira, Andrew Henderson, and Chris Walker! Corn vs. Beef! Will we have another victory by a staple grain,, or will we have our first ever meat champ?! The Chris Johnston Show! https://sdpn.ca/cjshow/ Debate This! https://www.debatethiscast.com/blog/2024/7/16/episode-149-the-sweet-release-of-physical-violence-ft-tom-zalatnai Three of Cups Tea! https://www.etsy.com/ca/shop/3ofCupsTeas Subscribe to Teffer's Substack! https://substack.com/@tefferadjemian Support the show on Patreon! patreon.com/nobadfoodpod Contact us and keep up with everything we're doing over on Instagram @nobadfoodpod! Check out The Depot! www.depotmtl.org Want to be on the show? Tell us why! https://forms.gle/w2bfwcKSgDqJ2Dmy6 MERCH! podcavern.myspreadshop.ca Our logo is by David Flamm! Check out his work (and buy something from his shop!) at http://www.davidflammart.com/ Our theme music is "It Takes A Little Time" by Zack Ingles! You can (and should!) buy his music here: https://zackingles.bandcamp.com/ www.podcavern.com

John 19:28-30 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

My Story  Talk 13 Ministry at Colchester (1962-68) Part 1 Our time at Colchester saw the arrival of our first two children, Deborah in 1964 and Sarah, fifteen months later in 1965. Apart from the birth of the girls, the most significant aspects of our time in Colchester were the growth of the church, my ministry beyond the local church, and the lessons the experience taught me.  In this talk I'll be dealing mainly with the growth of the church, but first a word about practical things like employment, housing, holidays, and transport.   Employment, housing, holidays, and transport Before we were married, Eileen had been working in the Dagenham education office, and on moving to Colchester she found an excellent job in the education office there, which was within walking distance of our new home. She was soon promoted to a highly responsible administrative position which she held until shortly before Debbie was born.   As for me, although the church was contributing £5 a week towards the rent of our bungalow, it was essential that, for the time being at least, I find full-time secular employment. For the first year, the nearest RE (Religious Education) teaching post available was in Braintree which necessitated a thirty-mile round trip every day.   However, a year later a post became available in Colchester at the Alderman Blaxill Secondary School, a little over a mile from our church and a similar distance from our home. In those days the RE syllabus was based almost entirely on the Bible, so lesson preparation was not difficult, and I became very much aware that teaching 300 children every week was an important part of my ministry. I will say more later about how the Lord remarkably blessed that work, but how in 1966 the Lord called me to give up the teaching job and give myself full-time to the work of the church.   The rent for the bungalow we were living in was about £28 a month, which sounds ridiculously low by today's prices, but it didn't seem so then bearing in mind that my monthly salary as a teacher was only £60!  However, we soon discovered that some new houses were being built nearer to our church and that as a schoolteacher I could get a 100% mortgage to buy one. The monthly repayments would be just £18, £10 less than we were already paying in rent.   The only problem was that the builders required a £20 deposit to secure the plot. Eileen had £20 saved up to buy a hoover, which we desperately needed, and we were wondering what to do, when my mother, not knowing anything about our plans to buy a new property, phoned to say that she was buying a new hoover and asked if we would we like her old one, which was in perfectly good condition. We saw this as a clear sign that the Lord was prompting us to make the move, and we paid the £20 deposit and moved into our new home in August, 1963.   My parents also moved in 1963. They had been living in Hornchurch since before I was born, and now I was married they decided to move to a new bungalow in Eastwood, not far from Southend-on-Sea. So when the children came along we were grateful for our holidays to be visits to our parents who were equally pleased to have an opportunity to spend time with their grandchildren. Eileen's parents were still living in Hornchurch, and it was always good to see them, but my parents' home in Eastwood, with its proximity to the sea and the beautiful view of open countryside to the rear of the property was especially inviting. We usually travelled there on a Monday and returned on the Saturday so as not to leave the church unattended on Sundays.   But that brings me to the subject of transport. During the course of my ministry, I have owned or had the use of some fifty different vehicles, ranging from my first car, a Ford Prefect, which I bought during my final term at Oxford, to my recently acquired nine-year-old Mercedes E-Class saloon. The Ford Prefect broke down in the cold winter of 1963 when the snow lay on the ground throughout January, February and most of March.   I was on my way to school in Braintree when it happened, and I quickly decided that I needed something more reliable. That was when we bought our fourth Lambretta scooter, reliable because it was new, but extremely uncomfortable and at times difficult to control in that freezing weather. So it wasn't long before I was back in a car again.   In the summer I borrowed an old Bradbury van from the father of some of the children coming to our meetings. He said we could have it for the day to take them to the seaside. Unfortunately, it broke down on the way home and I was left with about a dozen kids on the roadside. As I was wondering and praying what to do, a man came by in a Humber Hawk and asked if he could help. It was a large car and somehow he bundled all the kids on to the back seat and, with me beside him in the front, kindly drove us all back home.   But that gave me an idea. Maybe I should get a Humber and use it for children's work! I looked in the local paper and saw an ad for a Humber Super Snipe, even larger than the Hawk. It was over ten years old, but I had read somewhere that if you're buying a second-hand car it might be wise to get a big one. It might cost a bit more in fuel, but the engine was more likely to be reliable! Which has been my excuse for buying big cars ever since!   So I bought it for £80 and discovered that it did 11 to the gallon in town and, if you were lucky, 19 on a run! But it did the job, and I remember on one occasion squeezing eighteen kids into it to get them to Sunday School! It was only a short distance, and I realise now how potentially dangerous that was. But in those days ‘risk assessment' had not been invented and there was no requirement to wear a seatbelt. In fact, there were no seatbelts. Piling people into the back of a van or lorry was quite common, but of course there was far less traffic on the roads back then. And if it did enter our head that something might be risky, we just trusted the Lord to take care of us!   But it soon became obvious that we needed something more suited to the task, and I traded in my Humber for a 12-seater minibus. And before long we were running four minibuses to bring people to the meetings as one person after another, following my example, exchanged their car for one. Everything we have belongs to the Lord, and if changing our car for a minibus will lead to more people coming to Christ, we should surely be prepared to do so. The commitment of such people was undoubtedly one of the reasons for the growth of the church while we were there, and that's where we turn to next.   The growth of the church The Full Gospel Mission, Straight Road, Lexden, was nothing more than a tin hut with the potential to seat at most eighty people. When Eileen and I arrived, there were only twelve regular attenders, and that included a family of four who emigrated to Australia not long after our arrival, leaving us with a congregation of eight. By the time we left, the church was packed every Sunday with eighty regular attenders, which, in the 1960s was considered rapid growth, and my main purpose in this section is to explore the reasons why. But first, a word about the church programme.   Church programme When we arrived in Colchester we inherited what was a typical programme for AoG churches in those days. On Sunday mornings there was the Breaking of Bread service, otherwise known as Communion. There was a Sunday School for the children in the afternoon, and on Sunday evenings there was the Gospel Service where all the hymns and the sermon were designed to bring people to Christ, and after which there would be laying on of hands and prayer for the sick.   Midweek on Tuesday evenings there was a Children's Meeting from six to seven followed by a Prayer Meeting at nine, and on Thursday evenings there was Bible Study. There was no meeting for young people until we started one on a Friday, but more of that later.   The attendance at these meetings was far from encouraging. In fact, during our first year at Colchester, the Sunday School and Children's Meeting were attended by only a handful of children, and the midweek meetings for adults were hardly better. On Sundays, if we had visitors, numbers might rise to fifteen. I faithfully preached the gospel every Sunday evening, but in that year we saw not one single decision for Christ, largely because most Sundays everyone present was already a Christian.   Apart from the weekly programme, there was the church's Annual Convention when a guest speaker would be invited for the weekend and friends from surrounding Pentecostal churches would come for the two meetings held on the Saturday. It was good to see the building full and to hear some of the pioneers of the Pentecostal Movement like Howard and John Carter. But while these occasions were a real encouragement, they hardly made up for the weeks throughout the year when so few were attending. So what made the difference in the remaining years where we saw our numbers multiply significantly?   Reasons for growth It is the Lord who builds his church, and in my view, the major reason for the growth of the church was, without a doubt, the fact that he strategically placed me as an RE teacher in a local school where I was free to teach the young people about Jesus. That, combined with the fact that he sent me key people to help me start a Youth Meeting on a Friday night, resulted in dozens of decisions for Christ, many of whom started to come on Sundays.   It all started when I received an invitation to preach at the Youth Meeting in the Colchester Elim Church. After the meeting a couple of people in their early twenties asked me if we had a Youth Meeting at our church, and I said that I'd like to start one but that I had no musician. To which they responded by offering to help me. David Fletcher was an able guitarist and John Ward an excellent accordion player. Together with their fiancées, Jean and Sandra, who were good singers, they made a great group for leading worship and were, quite literally, a Godsend.   All this, in the providence of God, coincided with my starting teaching in the local school and with a girl called Corinne, one of the children from a family in our church, starting there too. She provided the link between my RE lessons and the local church. I told the children about Jesus, and she told her friends where they could find out more.   So we launched our new Youth Meeting by hiring a couple of coaches to provide transport to the church from just outside the school gates. My new friends from Elim provided the music and I preached. In school I had been able to tell them about Jesus, but I couldn't make a gospel appeal in RE lessons! Now, in church, I had complete freedom, and on the very first night, when I made the appeal forty-one children made a decision for Christ.   And when a number of them started coming on Sundays, on one occasion eleven of them being baptised in the Holy Spirit, there was a new sense of expectancy among the older members. They were thrilled to see young people in their meetings, and that began to attract people from other churches too, including David and Jean, John and Sandra, who decided to join us because of their work with the youth.   Of course, our attempts to reach people with the gospel were not limited to the young people. I produced a quarterly newsletter which we called The Full Gospel Mission VOICE. We distributed thousands of these to the homes in the area, using my minibus on a Saturday morning to transport ten or so young people to deliver them street by street throughout the area. I can think of only one person who came to Christ through that ministry, but at least we knew that people had had an opportunity to read the gospel even if they never came to church.   After I had given up my teaching job, I also conducted two evangelistic missions in our church. Each mission lasted from a Saturday through to the following Sunday. We leafleted far and wide, each leaflet containing a message about healing as well as salvation, and, of course, details of the meetings. The meetings were well attended, but mainly by Christians who wanted prayer for healing, and although there were a few decisions for Christ and some healings, I have no memory of anyone being added to our church as a result.   And an SPF mission we conducted in Wivenhoe, a village near Colchester next to which the new University of Essex was about to be built, fared little better. It was a great experience for the students who participated, but there were very few local people who attended. Apart, that is, from Ian and Janet Balfour, a couple from a Strict Baptist background, who came to support us, got to know us, were baptised in the Spirit as a result, and decided to move to a house less than five minutes' walk from our church. They had four children all under the age of five, one of whom was Glenn, later to come as a student to Mattersey Hall, and, for a time after my principalship, its principal. The Lord clearly had a purpose in our going to Wivenhoe, even if, at the time, we felt rather disappointed with the results.   And Ian and Janet were not the only people added to our church as a result of receiving the baptism in the Spirit. Alan Coe, who was a work colleague of John Ward and had recently become a Christian, came along to our meetings, received the baptism, and joined our church. He proved a very faithful member, and when I was in contact with him recently was still attending regularly. David Littlewood, a former Methodist, later to become an AoG minister and a member of Mattersey's Board of Governors, was also baptised in the Spirit in our church while he was a student at the University of Essex.   But the ministry the Lord had given me of praying for people to be filled with the Spirit was not limited to those who would become members of our church. I had the privilege of laying hands on Reginald East, the vicar of West Mersea, and on Mike Eavery, the minister of the local Congregational Church and seeing them both baptised in the Spirit in their homes.   So the Lord was blessing us in ways that perhaps we had not expected, and if the results of the evangelistic missions we conducted were rather disappointing, he was showing us that the key to growth was to follow the supernatural leading of the Holy Spirit. Miracles happen as he determines, and I was certainly not expecting what happened one Saturday evening.   But I'll tell you about that next time.  

Send us a textAMERICAN SNIPERThe once distant end of Season 14's curated rewatched flicks is now in our sights as the TGTPTU crew pulls the trigger on their final movie of the eight enlisted pairs mustering their Redux Season, taking aim at Clint Eastwood's highest grossing film: AMERICAN SNIPER (2014).  Originally covered early in the pod's first season (S1, E5 in Year 2020) and chosen by host Thomas who'd never seen, this American Sniper revisit offers new insight into the film the original hosting duo of Ken and Jack ranked as the worst of any Eastwood-starring or -directed picture in their Season 3 final rankings episode that concluded the Eastwood run of the show. Frequent guest Erik Van Der Wolf provides the episode's cold open; bookworm and host Thomas read almost half the Chris Kyle's titular book; host Ken takes aim with some advice to filmmakers regarding a pre-shooting watch of Garth Marenghi's Darkplace; former host Jack, aka last episode's Judas, sticks to his guns; and host Ryan joins Thomas to geek out about a Buffy the Vampire connection. Listen to the end of the episode for season rankings of the eight films re-covered to see if American Sniper maintains its title as the worst Eastwood for Ken and Jack and for new hosts Ryan and Thomas as well as for the surprise announcement of the season's four-film extension.  Next ep: The start of the one-offs. Well done, fellas and Liz. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

The Mikes are being held hostage by a charming yet murderous Kevin Costner, but it's okay, because Clint Eastwood is on his trail! But does "A Perfect World"(1993) fully come together, or does it feel just a little… incomplete?This week on Forgotten Cinema, the Mike Field and Mike Butler are discussing "A Perfect World" (1993). Listen in as they take a look at this underrated crime drama starring Kevin Costner as an escaped convict who forms an unlikely bond with a kidnapped boy, all while being pursued by Clint Eastwood's Texas Ranger. Both Field and Butler like this film, but they do have a few issues with it which Butler supposes may have been inadvertently due to a request by Costner. Oh, and did you know Costner actually got called out by Eastwood on set? They'll tell you what happened and what it says about these two Hollywood legends.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. What's your favorite Costner or Eastwood film? Let us know in the comments!

John 19:23-27 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

Send us a textWHITE HUNTER, BLACK HEART Episode 7, and you can feel the excitement of the hunt this episode, the first of TGTPTU's final paired rewatches of the Redux Season (Season 14) and another double Eastwood starting with a bang with WHITE HUNTER, BLACK HEART (1990, originally covered by TGTPTU during Season 3, Episode 9).   As flick curator extraordinaire Ken's second rewatch pick, the o.g. host hopes to sway opinion his way, believing this adaptation by Peter Viertel of his autobiographical roman à clef dramatizing his work and consternation with John Huston during preproduction on The African Queen to be a masterpiece, approaching Unforgiven in its use of Eastwood's (playing director John Wilson, a thinly veiled Huston) Hollywood persona. And Ken might just have an adherent in new host Ryan, who has a take(s) about Eastwood and the 1990's cinema scene and auteur theory and potential deeper meanings of this film. And Thomas offers insight into his own autobiography's veracity in the chapters that have him inventing snowboarding and fighting ninjas. Meanwhile, host Jack read was able to read 0% of the book to prepare for the ep and takes the brunt of Ken's anger upon relistening to the original episode.   On that episode nearly a half-decade ago, Jack had opined the film mid. Fellow Gen Z'er Thomas who'd guested on that original episode with Ken and Jack also found the movie somewhere between. But a rewatch with new pairings and fresh eyes outside the marathon of covering every Eastwood film during the first three seasons has surprises in store! Someone is called a Judas, and someone sticks to his elephant guns. Listen to find out who.  And if you ever wondered why the voice in the recent seasons' intro songs is “not supposed to fight with the guests, Mr. Wilson,” then you might just understand after listening, you yellow bastard.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Nathan and Ryan lock and load for the third entry in the Dirty Harry series, The Enforcer (1976). Clint Eastwood returns as the iconic Inspector Harry Callahan, this time taking on a terrorist group with the help of a new partner. The hosts discuss the action, Eastwood's legendary performance, and how this film stacks up against the rest of the franchise.

John 19:17-22 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

Send us a textThe 15:17 to ParisEpisode 6, all aboard! TGTPTU rides the Season 14 train to the end of the line of this third pairing of the season. Another rewatch of an Eastwood-directed film, this car was originally hitched to Season 1, Episode 3's engine and nearly derailed the podcast as it left the station back in the Year 2020, and that movie running again on time and Ken's first flick pick to redux is THE 15:17 TO PARIS (2018).  For a fuller recap of the plot and production of this film that stars comedic actors cast in serious roles and the three friends and heroes who aborted the mass shooting cast as themselves, listen to the original episode. But if you want to change tracks and discover the original cohosts Ken and Jack's sense of how the film has held up over time and for the two new-timers Ryan and Thomas's reactions of their first watch, along with re-imaginings of the film with Roseanne Barr and/or a Bob Dylan needle drop, this is your ep. Jack throws shade Tom Cruise's way at the top of the show while Thomas compares the movie to the book upon which it is based and which he'd recently read. Ryan has things to say about Christian rock and how to watch this film. Ken finds both relief in not having his fellow cohosts wrestle him to the ground and hogtie him for his pick and his shirt in the bathroom, which he puts back on.  While the shortest runtime of Eastwood's directorial oeuvre, the boys find the experience of watching this film warps time and space, perhaps even transcending the realm of movie, as Ryan and Jack claim, to a spiritual plane for motion pictures.  Next week, Tom and Ken's final rewatch picks are announced and paired. Spoiler: Both are Eastwoods with, like the third pairing, Eastwood directing and starring in a book adaptation for Ken's pick while the latter pick of Tom's also an adaption of book's true events. Wink-wink, nudge-nudge, bang-bang. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Alex Forsyth presents political debate from Downpatrick in Northern Ireland.

Tis a sad fact that we all must face at some point - our Hollywood legends have begun to fall.  It was easy to take the deaths of Cary Grant or Bing Crosby or Natalie Wood as we barely knew them as celebrities, only the movies they gave us to entertain us.   But it is a sad fact that time is undefeated, and names like Hoffman, Eastwood, Pacino, Streep, Hanks, DeNiro, those celebrities we've watched in their primes and beyond, will become names of the past... thus, Gene Hackman has moved to that hallowed ground. With reverence and love, Mikey, d$, and #XLessDrEarl take a look at the entire filmography of one Mr Hackman, and listing off their own personal favorite roles - all to come up with a definitive Top 10 of Gene's movies. Along the way, they try to define the generation of movie stars in the 70s and 80s (New Hollywood?), plus give quick reviews of new films "Novocaine" and "Black Bag".

John 19:1-16 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

Send us a textHONKYTONK MAN TGTPTU continues to play its old hits with Episode 5 of Season 14, its redux series season celebrating five years and don't you worry about us, hoss, we'll get through this pairing of Eastwood flicks starting with HONKYTONK MAN (1982).  Originally discussed toward the end of the epic run covering all of Clint Eastwood's filmography (Season 3, Episode 12), founding cohosts Ken and Jack invite the show's newer hosts Ryan and Thomas in to session with fresh ears and silver tongues on this adaptation of the Dust Bowl era, vaguely veiled retelling of the final years of country wester legend Jimmie Rodgers novel by Clancy Carlile adapted by him and Eastwood into a semi-comedic bildungsroman road trip movie.  Two years prior to the creation of the PG-13 rating by the MPA (né MPAA), this Eastwood-directed and starring flick brings in Eastwood's own son Kyle, roughly 14 years of age at the time, to play the nephew of a singer/songwriter who gets into all kinds of trouble with his honkytonk uncle man, from underage driving to poultry theft to jailbreaking and whoring (procured, not proffered) and contact marijuana highs and hit song composing between f-bombs and s-words and statutory rape.  Original ep guest Patrick drops in with some words of encouragement before the gents figure out on mic that this movie was Ryan's other rewatch flick pick and the show gets on the road with recently promoted host Ryan having things to say about the music scoring; Thomas checking facts like a hockey enforcer checks bodies on the ice; Ken having a spell during which he actively hallucinates Eastwood wearing his hat backwards and suppresses coughs; and Jack, staying mostly awake for this retirement home movie that borders on a “lead paint flick” designation, brings the low energy by the bushel. Also of interest, pod fav Tracey Walter appears “right chair” in the movie and “black pill” is the word of the day.  Find out what these four have to say now that the dust has settled and chickens come home to roost and learn why this Depression Era coming-of-age and one final hurrah adult-teen road trip movie with musical act interludes might be one of the least watched of Clint Eastwood's films.   CONTENT WARNING: The hosts say the titular “h word” a lot. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Bob, Cory, and Todd rant and rave about Eastwood and Statham, liquor store high rollers, and juvenile violence at a German soccer match.   00:00:00 - Housekeeping 00:39:39 - 90-second Sports 00:53:08 - Existential Question of the Week   Send your comments and existential questions to Schnozzcast@gmail.com! Follow us on YouTube, Instagram, Threads, and Facebook @Schnozzcast! And don't forget to rate, review, and subscribe on Apple Podcasts, Spotify, PodBean, Audible, Amazon Music, or wherever you get your favorite podcasts!   Special thanks to Jack Moran for the intro and outro music. Follow him on Instagram @ thejackmoran.

In Pale Rider, Clint Eastwood delivers one of his most iconic Western performances as a mysterious, ghostly gunslinger known only as "Preacher." Set during the California Gold Rush, the film follows a group of struggling prospectors being terrorized by a ruthless mining tycoon, Coy LaHood (Richard Dysart), who wants to force them off their land. Just as hope seems lost, a lone rider appears—a quiet but deadly figure in a preacher's collar, who takes it upon himself to protect the settlers and stand against LaHood's hired guns.As Preacher's past comes to light, his true nature remains a mystery. Is he merely a man with unfinished business, or is he something more—a supernatural force of vengeance?Blending classic Western themes with a touch of mysticism, Pale Rider is a gripping tale of justice, redemption, and retribution. Featuring stunning cinematography, a haunting score by Lennie Niehaus, and a legendary performance from Eastwood, the film stands as one of the greatest Westerns of its time.If you are new to the podcast then please consider following us on the platform that you love, we can be found most anywhere that you listen to your favorite podcasts. Please leave us a rating and review if you listen on iTunes and a 5 star rating if you listen on Spotify. If you like what you hear then please share the show with your friends and family. If you would like to help support the podcast by donating a small amount or any custom amount you choose then please visit the following link:https://retrolife4u.com/supportThis is not a membership or anything just a way for you to help support us without paying a reoccurring monthly fee when you feel like you are able to help. If you have any questions, comments, suggestions for shows or you have a question you would like us to read on air then email us at retrolife4you@gmail.com You can find us on social media at the following places:FacebookInstagramTik TokYouTubeRetro Life 4 You Website

TVC 681.1: Music journalist A. Scott Galloway joins Ed as TV Confidential remembers the life and legacy of Grammy Award-winning recording artist Roberta Flack. Scott interviewed Flack in 1988 for her comeback album, Oasis, plus he wrote a very eloquent essay on his Facebook page that captures why the news of her death struck a chord with music lovers around the world, particularly those of us who grew up listening to her songs playing on the radio throughout the 1970s. Roberta Flack passed away Monday, Feb. 24 at the age of eighty-eight. Topics this segment include how Flack was a “full, 360-degree” artist; her tireless activism on behalf of gay rights, women's rights, people's rights, and liberty as an American human being; how Clint Eastwood changed the trajectory of Flack's life and career by integrating “First Time Ever I Saw Face” in the pivotal love sequence between Eastwood and Donna Mills in Play Misty for Me; and how the success of Oasis was a “buoyant, wonderful surprise.”  

John 18:33-40 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

“Leary, to me, does not seem like a man of the people…” - Chris On this month's W❤️M, Listener Request Month brings us a conversation on one of the all-time great Ass Magnet Movies, Wolfgang Peterson's In the Line of Fire! How fantastic is John Malkovich in this movie? Why did we need the romance angle, especially with the cheap ice cream of it all? How hilarious is all this bad photoshop of Eastwood in the—hold it right there, punk! This episode is for subscribers only! To access the full show, along with hours of exclusive shows you can't get anywhere else, head over to our Patreon and sign up now. You'll instantly unlock this edition of We ❤️ Movies, along with a whole smorgasbord of extra shows like our Star Wars Gleep Glossary and our 1990's primetime flashback show, MELR0210!

In this episode Chris and Neil dive into the streaming world. First, after an intro, thje guys talk the Michael Keaton starring movie- Goodrich. Then, after a lengthy news segerment, they talk Clint Eastwood's Juror #2 starrn Nicolas Hoult, Toni Colette and JK Simmons. Should you fire up your streaming machine and jam these in your eyeholes? Jam this in your earholes to find out. Oh yeah, if you want a 100% free sticker (we even pay postage) send us a message! www.moviesthatdontsuck.net https://w2mnet.com/category/podcasts/movies-that-dont-suck-and-some-that-do www.patreon.com/moviesthatdontsuck https://www.bonfire.com/movies-that-dont-suck-and-some-that-do-logo/ FB: facebook.com/moviesthatdontsuckpodcast Bluesky: @moviesthatdontsuck.bsky.social https://www.youtube.com/@moviesthatdontsuckpodcas

John 18:28-32 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

Send us a textPIGSeason 14 continues serving up second helpings of movies previously covered on TGTPTU with PIG (2021). Jack's flick picked this week pulls from his, Ken's, and then recently added host Thomas's post-Eastwood season CAGE UNCAGED (S4, air date 7/23/21). As established in the original episode, the Nicolas Cage movie is set and shot in Portland, Oregon prior to it burning to the ground just shortly after shooting wrapped; while the city remains in rubble, the movie is remembered by the original hosts (Ken, Jack, Thomas) fondly as a film they returned to theaters post-C19 to watch in-person and honor the memory of the city that was, a place of underground restro markets and fight clubs. Now, nearly 3-1/2 years later, the hosts reconsider their predictions for Cage's career and their responses to the film after watching again at-home.  Enjoy Ken, doubled-up NyQuil, and his takes on the flick, including recasting as a Charles Bronson movie, and his quoting Twin Peaks Season 3 (Lynch - rest in power); listen as Jack Letterboxd-checks Ryan about where he was the Summer of 2021; hear for the first time what Portland-area transplant TGTPTU's new and increasingly provisional host Ryan thought of the quiet film; and celebrate with Thomas finding the secret snore-track on the DVD from Multnomah County Library. Bon Appétit. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

A star-studded episode for sure. Thanks to everyone for the support. Please keep spreading the word and sharing. We need to continue to build the audience.

Join Ben and Turtle as they dive into a conversations about their favorite actors. From McConaughey to Eastwood who makes their list? Find out in this episode you don't want to miss it!

Psalm 4 - Matthew SpiveyWant to learn more about Eastwood? Visit https://eastwood.church

FFF joins me again (not in a numbered episode...because it's just TOO GOOD) for another entry in our ongoing Reel Politik Audio Commentary Series on the movies that made us the foul & debased creatures we are today. This time it's Clint Eastwood's GRAN TORINO (2008), a film about a man and his car, the changing face of the American city, and How Guys Talk To One Another. With a length forty-minute introduction in which we go through pretty much every Clint movie since 2003's MYSTIC RIVER (AKA this free preview) join us as Eastwood novice FFF is introduced to some of the greatest work of a man truly after his own heart. LISTEN TO THE FULL COMMENTARY HERE ON THE PATREON: https://www.patreon.com/posts/clint-eastwoods-122854401 VIDEO VERSION OF COMMENTARY ALSO AVAILABLE: https://www.patreon.com/posts/clint-eastwoods-122857426

Música de cine con grabaciones de Kyle Eastwood para sus discos 'Cinematic' ('Pink panther theme', 'Per le antiche scale', 'Charade') y 'Eastwood symphonic' homenaje a su padre Clint Eastwood ('Unforgiven', 'The bridges of Madison'); de Richard Baratta para el disco 'Music in film: The sequel' ('Soul bossa nova', 'Last tango in Paris', 'You´ve got a friend in me') y de Dave Stryker para 'Stryker strings goes to the movies' ('Taxi driver', 'You only live twice').Escuchar audio

John 18:12-27 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

Send us a textHigh Plains Drifter (1973)TRIGGER WARNING: HPD features sexual assault as a plot point. Season 14, a new season with a hefty helping of old, comes to town as the TGTPTU hosts return to movies they undervalued and/or missed over the thirteen seasons, beginning with Jack's pick to rewatch HIGH PLAINS DRIFTER (1973). In that original episode released as S2, E6 in 2020, then hosts Ken and Jack were joined by a special guest, and now ongoing host, Thomas.   High Plains Drifter, Eastwood's second directed film, left a bad taste in Jack's mouth five years ago when the Eastwood character appears celebrated early in the film during a rape scene, one of arguably multiple instances of sexual violence in the film. As TPTPTU-celebrated director Alex Cox shares in a commentary track on the HPD Blu-ray, while such things were common in and to be judged as of their time, “It is hard to discuss these scenes in an enthusiastic way.”   Now five years older and perhaps some the wiser, Jack returns as a guest to weigh in on his rewatch and is joined by new and ever-so-provisional host Ryan who contractually has to relate any and all films shot in the early 70s to ‘Nam. This one is no exception.   Hear the frustration as Jack gets his head stuck in plastic bag and how half a decade can change one's take on a movie.  Season 8 guest Maggie Thatcher also drops in to offer her two pence. So paint the town red and get the pigshit outta your ears: it's time to go full Western gothic with Malpaso Productions' giants Eastwood, Geoffrey Lewis, and Buddy Van Horn.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Hope you've packed plenty beans, bacon, whiskey and lard because we are headed WEST! Hitch your wagon train to three nefarious-looking desperadoes by the names of Rattlesnake Steve, Doc Cooperday and The 8-Bit Kid because for this first episode of our Wild Wild Westerns theme, we cover some of our favorite Western MOVIES! From Wayne to Eastwood, Russell & Kilmer to...SCOTT GLENN?? We cover a wide breadth of this expansive genre that once ruled the silver screen! Stick around to hear your answers for this week's Octoponder This and an rip roarin' edition of Compose Yo-self by our not so little buddy, the 8-bit Kid! And tune in in two weeks as we continue the fun, talking all about westerns in other media! Yeehaww!!! ----------------------------------------Retro Ridoctopus is:• Parasite Steve (read)• 8-Bit Alchemy (listen) • Coopster Gold (join) • Nintenjoe (subscribe)----------------------------------------All original heavy metal music by Enchanted Exile #tombstone #silverado #shanghainoon #RioBravo #outlawjoseywales #cityslickers #redsun #palerider #whitebuffalo #westernmovies #westerns

2月8日周六下午，在悉尼西北区Eastwood举办的农历新年庆祝活动中，澳大利亚总理阿尔巴尼斯、反对党代表以及各级议员和各界人士向社区拜年。随着今年联邦大选的到来，工党和自由党都在活动现场展开宣传（点击播客，收听详情）。

John 18:1-10 - Daniel Gillespie - JohnWant to learn more about Eastwood? Visit https://eastwood.church

004, 009 & Lucy Galore travel back to a time when the world was a simpler place. Unlike today, you may have been happy to take a bullet for the President.... unless you're Clint Eastwood who is still a bit upset about dodging the seering kiss of death destined for JFK on a fateful Dallas morning in.In the Line of Fire is a 90's thriller featuring 004's spirit animal, Clint Eastwood, portraying Frank Horrigan, a man who annoys women and would-be-assassins in equal measure. Side note: There is a drinking game in this one if you take a shot every time Tim says he loves something.... but we hope you don't have to drive the next day.Lucy is unimpressed with a few (read: all) of Frank Horrigans comments to fellow agent and love interest Lili while 009 offers a philosophical question or two.Please note we swear more than usual in this episode just in case you have kids in the car.Keep your Negligent Discharge coming to Licence to Podcast on Facebook, Instagram and X or email hello@licencetopodcast.com

2 Corinthians 1:1-11 - Trevor LoveWant to learn more about Eastwood? Visit https://eastwood.church

Dirty Harry (1971) is a film that not only redefined the crime thriller genre but also cemented Clint Eastwood's place as one of cinema's most iconic leading men. In this week's episode of Born to Watch, Whitey and Gow are joined by special guest Will the Worky to discuss this gritty masterpiece that follows the relentless pursuit of justice by Inspector Harry Callahan. With its unforgettable storytelling, striking cinematography, and the moral dilemmas it raises, Dirty Harry is more than just a film—it's a cultural landmark. In this Dirty Harry Movie Review, we'll break down why this movie remains a genre-defining classic.A Plot as Sharp as Harry's MagnumThe plot of Dirty Harry grips you from the very first frame. San Francisco is under siege by the Scorpio Killer, a psychopathic sniper terrorising the city with seemingly random acts of violence. From the chilling opening, where a woman is gunned down while swimming in a rooftop pool, to Scorpio's taunting letters to the police, the film wastes no time establishing the stakes. Harry Callahan is assigned to the case, and the audience is quickly introduced to his no-nonsense approach to law enforcement.The tension escalates as Scorpio's crimes become more horrifying, including a demand for ransom and threats to kill schoolchildren. As Harry tracks the killer, the film raises moral questions about justice. Harry's unorthodox and often brutal tactics contrast sharply with the red tape and legal technicalities that allow Scorpio to evade justice. This moral grey area forms the backbone of the film, making every decision Harry makes feel weighty and consequential.Clint Eastwood as Harry CallahanClint Eastwood's magnetic performance as Inspector Harry Callahan is at the heart of the film. Already a star thanks to his roles in Sergio Leone's Westerns, Eastwood brings a rugged charisma to Harry, a man hardened by years of dealing with San Francisco's worst criminals. Harry's disdain for bureaucracy and willingness to cross ethical boundaries make him a fascinating antihero.Eastwood's portrayal balances toughness with a quiet vulnerability. Harry isn't a superhero; he's a man doing what he believes is necessary to protect the innocent, even if it means operating outside the boundaries of the law. His stoic demeanour and undeniable screen presence make Harry Callahan one of cinema's most enduring characters.A Villain Who Gets Under Your SkinA great hero needs a formidable villain, and Dirty Harry delivers one of the most unsettling antagonists in film history with the Scorpio Killer, played by Andrew Robinson. Inspired by the real-life Zodiac Killer, Scorpio is a sadistic predator who revels in chaos and fear. Robinson's performance is chilling, blending moments of eerie calm with outbursts of unhinged violence.Scorpio's unpredictability keeps the audience on edge, and his ability to manipulate the legal system adds another layer of tension. This isn't a villain Harry can overpower; he must outwit him while navigating the constraints of the justice system. The dynamic between Harry and Scorpio elevates the film, making their battle a thrilling game of cat-and-mouse.Cinematography and the Gritty Streets of San FranciscoOne of Dirty Harry's standout features is its use of San Francisco as a backdrop. The city becomes a character in its own right, with its steep hills, foggy streets, and iconic landmarks providing a rich, atmospheric setting for the story. The cinematography by Bruce Surtees captures the grittiness of urban life in the 1970s, grounding the film in a harsh reality that feels both timeless and authentic.Surtees uses natural light and shadow to great effect, particularly in the nighttime sequences, which heighten the tension and give the film a noir-like quality. The action scenes, from the tense stakeouts to the thrilling final showdown, are shot with a rawness that makes them feel immediate and visceral. The result is a film that immerses viewers in its world, making the stakes feel all the more real.Action and Suspense Done RightDirty Harry masterfully balances moments of quiet suspense with bursts of intense action. The pacing is deliberate, building tension as Harry gets closer to catching Scorpio. When the action erupts, it's brutal and unrelenting, reflecting the story's high stakes. The film's most memorable sequences, including Harry's iconic “Do I feel lucky?” confrontation and the climactic chase through a quarry, are perfectly executed, blending taut direction with Eastwood's commanding screen presence.Dirty Harry's grounding in the story sets the action apart. Every gunshot, every punch, every chase serves a narrative purpose, heightening the stakes and revealing more about Harry's character. The action is never gratuitous; it's a natural extension of the film's themes and conflicts.A Soundtrack That Sets the ToneThe film's score, composed by Lalo Schifrin, is another standout element. The music combines jazz and orchestral elements with avant-garde sounds, creating a sense of unease that mirrors the tension onscreen. Schifrin's unconventional rhythms and eerie melodies enhance the film's atmosphere, making the viewer feel the menace of Scorpio's presence and the relentless drive of Harry's pursuit.Themes of Justice and MoralityOne of the reasons Dirty Harry remains so compelling is its exploration of justice and morality. The film asks difficult questions about the balance between individual freedoms and the need for public safety. Harry's methods are controversial, often skirting the line between heroism and vigilantism. He's a character who doesn't fit neatly into the role of a traditional hero, which makes him all the more fascinating.The film also critiques the bureaucracy of law enforcement, highlighting how red tape and legal loopholes can prevent justice from being served. This theme resonated deeply in the 1970s, a time of social unrest and disillusionment with authority, and it remains relevant today.A Legacy That EnduresMore than 50 years after its release, Dirty Harry continues influencing the crime thriller genre. Its impact can be seen in countless films and TV shows, from Lethal Weapon to Breaking Bad. Harry Callahan's uncompromising attitude and moral complexity have become archetypes for antiheroes, and the film's gritty realism set a new standard for action cinema.Dirty Harry also launched a successful franchise, with Eastwood reprising the role in four sequels. While the later films vary in quality, the original remains a benchmark for the genre—a film that challenges, thrills and entertains in equal measure.Dirty Harry is more than just a movie; it's a cultural phenomenon that redefined what a crime thriller could be. With its sharp storytelling, unforgettable characters, and moral complexity, the film has earned its place as a timeless classic. Whether you're a first-time viewer or a longtime fan, Dirty Harry remains a must-watch for anyone who loves cinema.This week on Born to Watch, Whitey, Gow, and special guest Will the Worky explore why this 1971 masterpiece still resonates with audiences today. Tune in to the latest episode to dive deeper into the legacy of Harry Callahan and the world of Dirty Harry.Please follow the Podcast and join our community at 

Clint Eastwood's Juror No. 2 hooks audiences with a premise so compelling that crafting a conventional ending might seem impossible. Instead, the film leaves us with a satisfying cliffhanger that feels both deliberate and impactful. This masterful entry into the courtroom drama genre showcases Eastwood's deft storytelling and his unique ability to keep viewers on edge. In this episode of The Film Buff Podcast, we explore Juror No. 2 in detail, examining its narrative intricacies and how it fits into Eastwood's extensive and celebrated filmography. Those who brought us Juror No. 2 Cast: Nicholas Hoult as Justin Kemp, a juror with a moral dilemma. Toni Collette as Faith Killebrew, the prosecuting attorney. J.K. Simmons as Harold Chicowski, a juror and former homicide detective. Gabriel Basso as James Michael Sythe, the murder suspect. Zoey Deutch as Ally Kemp, Justin's pregnant wife. Kiefer Sutherland as Larry Lasker, Justin's Alcoholics Anonymous sponsor. Francesca Eastwood as Kendall Carter, the murder victim. Leslie Bibb, Cedric Yarbrough, Amy Aquino, and others in supporting roles as jurors and court personnel. Crew: Director: Clint Eastwood Screenwriter: Jonathan Abrams Producers: Clint Eastwood, Adam Goodman, Jessica Meier, Tim Moore, and Matt Skiena Production Company: Malpaso Productions Music Composer: Mark Mancina Distributor: Warner Bros. Pictures

In this episode of The Clean Slate Podcast, we step into the courtroom with Juror #2, Clint Eastwood's swan song as a director. Does this tense legal thriller, starring Nicholas Hoult and Toni Collette, deliver justice on screen? We dive into Eastwood's storytelling approach, the moral dilemmas at play, and the performances that drive the film. Tune in as we discuss how this final bow from a Hollywood legend stacks up against his iconic legacy.

The review of 2024 films are in full swing, but first there is the annual look back at the movies seen last year that were NOT FROM last year. Its the NOT 2024 Top Ten, where we highlight films worthy of a second discussion because they just impacted us so much.     And for the 3rd year running on this particular episode, Dave, Mikey, and #TwitterlessDrEarl welcome in Friend of the Show, streaming live from the freezing metropolis somewhere in Bainbridge, Wyoming, that is one Jacob "Roth from Wyoming."   Together, the foursome discuss their top ten faves of the year from all over the place, as far back as the early 20s and 30s to all the way through the 60s and 70s and in 2010s and 2020s... assigned movies come into play as films others were asked to watch appear in various Top Tens, while Burgess recommended movies keep coming up as well.  Mikey is loving some old Gena Rowland and Walter Matthau as an action star, while #XLessDrEarl digs into more music docs, Dave revisits a Hallmark fave, and Roth finally sets sail on the ship of dreams. Plus, why did Green Book get so much hate, Eastwood represents (even if he is a d-bag of a romantic partner) and Powers Boothe makes another list. Also... Garrison makes a random appearance with lots of Chucky Grodin love.  Movies discussed, and where to find them at time of recording:   Atlantics (Netflix) Bob Dylan: Don't Look Back (MAX; Criterion Channel) The Boys Next Door (Hallmark Movie Now) A Brighter Summer Day (Criterion Channel) Dirty Harry (for rental) Duck Soup (rental) Extreme Prejudice (rental) A Few Good Men (AMC+; rental) Frankenstein (rental) French Connection (rental) Gimme Shelter (MAX; Criterion Channel) Green Book (FXNow) Hang 'Em High (MGM+; TubiTV) Hearts of Darkness: A Filmmakers Apocalypse (rental) Into the Wild (Hoopla; rental) The Last of the Mohicans (rental) Magnolia (rental) Margin Call (Amazon Prime; TubiTV) Minari (rental) Modern Romance (rental) The Outlaw Josey Wales (rental) Priscilla (MAX) Safety Last (MAX) Seven Samurai (MAX; Criterion Channel) The Shawshank Redemption (AMC+) The Sunset Limited (MAX) State and Main (Amazon Prime) Stop Making Sense (rental) Suicide Kings (Amazon Prime; TubiTV) Taking of Pelham 1-2-3 (Hoopla; TubiTV; MGM+) Targets (Hoopla; rental) The Thing (Shudder; rental) The Three Musketeers (Plex; rental) Titanic (Paramount+) Tremors (Paramount+ on AppleTV; rental) Twelve Monkeys (rental) 2010: The Year We Make Contact (rental) While We're Young (rental) While You Were Sleeping (Disney+) Woman Under the Influence (MAX; The Criterion Channel)

Welcome to today's episode! Our guest is Rand Eastwood, a seasoned real estate broker with over 30 years of experience specializing in high-end vacation rentals and investment properties in Hawaii. He owns Ola Properties, managing over 150 properties in West O'ahu, and shares insights into navigating Hawaii's competitive real estate market.  We discuss strategies for successful investments and how to identify promising opportunities in challenging environments. Key Discussion Points: Vacation Rentals: Luxury condos in Ko Olina Resort with nightly rates from $600 to $1,500. Investment Strategy: Cash purchases and value-add improvements boost rental income. Investor Relations: Focus on building trust and transparency with investors. Market Opportunities: Targeting distressed multifamily properties for stable investments.   More about Rand: Rand has an intrinsic passion for land development, exquisite homes and the resort & hospitality built-environment. He has established himself as an expert in marketing, real estate as investment and real estate syndication.   Skilled in Negotiation, Capital Raising, Investor Relations, Asset Management, Management, and Hospitality Site Selection. Strong business development professional graduated from the University of Washington with a Master of Business Administration (MBA).   Over twenty years of helping clients build wealth and live exceptional lives.   Connect with Rand: OlaProperties.com   Useful links and resources: https://findmoreinvestors.com/apply Yakov Smart's new book 'Attracting Investors' on Amazon   Join our new capital raising community group here: https://www.facebook.com/groups/capitalraisingtalkwithcapitalraisingprosgroup   Free Trainings on “How To Raise More Capital & Find High Net-Worth Investors on Auto-Pilot”: http://findmoreinvestors.com/capital   Enter our monthly raffle by leaving a 5-star review and emailing a screenshot to: reviews@findmoreinvestors.com   Connect with Yakov: https://www.linkedin.com/in/yakovsavitskiy/ https://www.facebook.com/yakov.smart3   The following music was used for this media project: Music: Positive Fat Bass Intro Loop by WinnieTheMoog Free download: https://filmmusic.io/song/6093-positive-fat-bass-intro-loop License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://linktr.ee/taigasoundprod   The following music was used for this media project: Music: Just Keep Going (Loopable) by chilledmusic Free download: https://filmmusic.io/song/7245-just-keep-going-loopable License (CC BY 4.0): https://filmmusic.io/standard-license   The following music was used for this media project: Music: Business Of Dreams by MusicLFiles Free download: https://filmmusic.io/song/9392-business-of-dreams License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles  

Welcome back, Cromrades! This week, we take on two combat sports movies that damage us right where it hurts - the emotions! We're talking Million Dollar Baby directed by Clint Eastwood, and starring Eastwood, Hilary Swank, and Morgan Freeman. Then, we enter the squared circle to face off against the Von Erich family in The Iron Claw, directed by Sean Durkin and starring Zac Efron, Jeremy Allen White, Harris Dickinson, , Maura Tierney, Stanley Simons, Holt McCallany, and Lily James.  We're talking raw emotional damage, folks.  Would Robert E. Howard have found something to like about this double feature? Let us know!            One Things Jon: Peaceful Neighbor: Discovering the Counter Cultural Mr. Rogers by Michael Long Josh: On Boxing by Joyce Carol Oates Luke: Surprise, Kill, Vanish: The Secret History of CIA Paramilitary Armies, Operators, and Assassins by Annie Jacobsen Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Subscribe to our feed on FeedBurner! Or, check us out on iTunes! We're also on Stitcher Radio and Google Play! Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ Themes by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: Tom Sawyer by Rush! Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work!   

Do you have the patience to make the right choice? That question was asked of both films this week, Juror #2 (2024) and 12 Angry Men (1957). Both casts were asked to decide the fate of another individual, and only by analyzing all of the information and possibilities, could they come to a unified decision. How would you respond if placed in their position?Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com

At 94-years young, Clint Eastwood is still going strong with his latest meat-and-potatoes legal thriller, Juror #2. Featuring a murderers' row of actors and a premise to die for, is Eastwood's latest just a redux of your dad's favorite movie from the mid 90s? Or is there something more than meets the eye?

In this episode, we explore the complexities of Clint Eastwood's film "Juror No. 2," delving into its narrative structure and character development. We discuss the rapid progression of the legal drama, noting Eastwood's distinct directing style and the portrayal of the protagonist—a recovering alcoholic navigating a morally ambiguous landscape. Our analysis critiques the film's tendency to evoke sympathy for flawed characters and raises questions about the possibility of genuine change. We highlight the lack of emotional resonance and character evolution, ultimately expressing frustration with the film's conclusion and philosophical shortcomings. Through our conversation, we invite listeners to reflect on the importance of depth and authenticity in cinematic storytelling.GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022