Podcasts about dastak

राजिंदर सिंह बेदी ने गरम कोट, निकोलाई गोगोल की कहानी, ओवरकोट से प्रभावित हो कर लिखी, और फिर उसी कहानी को और आगे बढ़ाया जब उन्होंने फिल्म का स्क्रीनप्ले लिखा। जहाँ गोगोल की कहानी मूलतः एक ऐसे आदमी की है जो एक ओवरकोट बनवाने की ख्वाइश रखता है, बेदी की कहानी, गरम कोट बन जाती है एक ऐसी दम्पति की कहानी, जिसे ज़िन्दगी की “सस्ती सी खुशियां” तो मयस्सर नहीं , लेकिन जिनके बीच अनकहा प्यार धड़कता है। ----- Rajinder Singh Bedi adapted Nikolai Gogol's short story, The Overcoat into Garam Coat and then further wrote a screenplay for a film by the same name. In his adaptation, Bedi moved quite far from the original, only taking the coat as a leitmotif. While Gogol's story revolves around a man's desire for a new coat, Garam Coat, the short story is a poignant story of a man who struggles between his own needs and his longing to fulfill his family's desires. The movie version, starring Balraj Sahani goes a few steps further and explores the ups and downs in the protagonist's married life. ----- Rajinder Singh Bedi was a pillar of the Progressive Writers Movement. After the partition he moved to Bombay where he made his mark as a dialogue writer, screenplay writer and director. He wrote dialogues for several of Hindi film classics including Mirza Ghalib, Devdas, Abhiman, Garam Coat, Daag, Anupama etc. He also directed Phagun, Dastak etc. #hindistory #hindikahaniya #rahindersinghbedi #progressivewriters #urdukahaniyan #afsane --- Send in a voice message: https://anchor.fm/storyjam/message

St. Paul poet and performance artist Hawona Sullivan Janzen has loved Ananya Dance Theatre ever since she watched them through a glass window this summer. The dancers performed inside their University Avenue studio but the audience was seated on the sidewalk outside while traffic and light rail trains rushed nearby. She remains moved by the experience. Sullivan Janzen is planning to see Ananya Dance Theatre's new show “Dastak: I Wish You Me” indoors this weekend. The dance performance is a collaboration with playwright Sharon Bridgforth and cellist Spirit McIntyre. Ananya is a contemporary dance theater company focused on global social justice. “Dastak” contemplates migration and loss through “four elemental journeys,” according to the dance company's website. The Farsi term for knockings, dastak refers to the idea that global social injustice prompts a knocking at your door. Ananya Dance Theatre's show “Dastak: I Wish You Me” is Friday at 7:30 p.m. and Saturday at 9 p.m. at The O'Shaughnessy at St. Catherine University in St. Paul. The theater requires masks as well as proof of full vaccination or a negative COVID-19 test within 72 hours of the performance. Teaching artist Maria Asp loves Z Puppets Rosenschnoz's web series, “Say it, Sing it, Play it!”  The three-part series is a hybrid of live-action, puppetry, animation and song, and is in Cherokee. Designed for ages 3 and up, the show follows best friends Turtle and Wabbit as they travel in their spaceship, unlocking clues to help save Grandma Turtle. Asp called it a delightful series whose pacing and repetition make it easy for all ages to learn some words in Cherokee. It was created by Chris Griffith, an enrolled member of the Cherokee Nation, as a way to answer a 2019 state of emergency call to keep the Cherokee language from being lost. The show stars Griffith and Shari Aronson and is directed by Anishinabe artist Julie Boada. The digital show streams through the Ordway Theater's website for the month of November.  Tribal members of any nation, as well as Native American schools or organizations, may sign up to see the show for free. Courtesy of Lisa Bergh "Pasture," from Lisa Bergh's exhibition. Artist Naomi RaMona Schleisman recommends a visit to the Kaddatz Galleries in Fergus Falls to see Lisa Bergh's exhibit, “Dear Diary.” Based in New London, Minn., Bergh has worked with painting and sculptural installations. This new body ventures into textiles, using canvas and heavy plastic combined with embroidery and rivets to create a tension in each piece that invites viewers to look closer. Schleisman loves the vibrant colors of the pieces. “It's like you're having this private conversation that Lisa has created with these forms,” said Schleisman. “Dear Diary” runs through Nov. 18, both in-person and online, with a closing reception on the final evening.

Popular ghazal, featured in the movie Dastak (1970). From the poet famous for "Log saath aate gaye aur kaarwaan banta gaya" --- Support this podcast: https://anchor.fm/urdudaan/support

Minneapolis-St. Paul-based choreographer Ananya Chatterjea, of Ananya Dance Theatre, discusses her work Dastak, a socially distanced, site-specific work about the multiple crises facing the U.S. right now. For Dastak, she collaborated with writer and jazz artist Sharon Bridgeforth, singer and cellist Spirit McIntyre, and composer and musician Dameun Strange. UnSequenced is a podcast in which we discover the stories and emotions behind the movement. Each episode dives deep into the creative process with a choreographer, documenting what compels them as an artist, what drives their artistic decisions for a particular work, and what unexpected things come up along the way.

A lone writer discovers something sinister in his apartment on a cold rainy night. Some whispers and a haunting memory from the past. What is it waiting for him on the other side of the door? Come find out in a brand new Bhay Originals. --- Send in a voice message: https://podcasters.spotify.com/pod/show/bhay-originals/message

Set in post independence and post-partition Punjab, Laajwanti is the story of love lost and regained, but one that is never the same again. Rajinder Singh Bedi was a pillar of the Progressive Writers Movement. After the partition he moved to Bombay where he made his mark as a dialogue writer, screenplay writer and director. He wrote dialogues for several of Hindi film classics including Mirza Ghalib, Devdas, Abhiman, Garam Coat, Daag, Anupama etc. He also directed Phagun, Dastak etc. --- Send in a voice message: https://anchor.fm/storyjam/message

When one talks of ghazals in hindi film music, two names that will always stand out are those of Lata Mangeshkar & Madan Mohan and the music they produced together. There is a timelessness, an almost divine beauty and soulfulness in Madan Mohan Sb's music, the poetry of some of our best lyricists, and in the renditions of those songs by Lataji. The songs featured in this episode are - 1. Yun hasraton ke daagh - Adalat (1958) 2. Aapki nazaron ne samjha - Anpadh (1962) 4. Naghma-o-sher ki saugat kise pesh karoon - Gazal (1964) 4. Lag ja gale se - Woh Kaun Thi(1964) 5. Ham hain mata-e-koocha-o-bazar ki tarah - Dastak(1970) 6. Rasme ulfat ko nibhayein to nibhayein kaise - Dil ki raahen(1973) 7. Jaane kyun, yaadon ka mausam hai - Veer Zaara(2004) You can send feedback on this episode to fivetenhundred@gmail.com

This story is from the audio book 'Unearthly Lores' #episode 1 presented by Chrysanthemum Chronicles. The story has been written by Ananya Mukherjee and its about a young couple deeply in love, on the way to their honeymoon. It's an account of what transpires from the time they leave home to the time when they finally appear at their dream destination. What changes in between? #About the Author Ananya Mukherjee is a former business journalist and an acclaimed writer with more than 1000 publications to her credit. Before moving to Singapore as the editor of HRM Asia, she had amassed years of experience in the Indian print and television media. Her journalistic acumen covers a whole gamut of subjects including politics, lifestyle and business. Ardh-Satya & Other Stories, Ananya's first book, a collection of 20 short stories was published in 2016 and has received raving reviews from Indian and the international media. She is currently working on her second book. Ardh-Satya, an adaptation from the title story was recently staged at Dastak, a Hindi Theatre Festival in Singapore and at the prestigious Kala Ghoda festival in Mumbai, India. Ananya also writes poetry in Hindi and six of her poems were recently published in a literary magazine called Nazariya in India. She is a known figure in the cultural and literary circles in Singapore and India. Ananya also wears a Corporate leadership hat and leads Corporate Affairs in Asia & Europe for a US based multinational company.

Knock! knock! Missed someones knock knock in this lockdown? Listen this.. Hello listeners! hope you enjoy this.. --- Send in a voice message: https://anchor.fm/uns/message

The tale of a mysterious resort. The Horror Stories Urdu Show with Shahzaib Nayani is a show based on terrifying tales of paranormal activities and real-life events - in Urdu, You can listen to these stories here, or you can visit my podcast on YouTube here: https://www.youtube.com/channel/UCVkcShPM0iXKPgcxiJ9_v_Q To get featured, email me your stories at hsurduofficial@gmail.com. You can also send your voice notes here: https://anchor.fm/hsurduofficial/message I'll make sure I make them part of the show. Background Music By https://www.youtube.com/c/VIVEKABHISHEK

Hello And Namaste, A warm welcome to Neem Karoli Baba's miracles of love and compassion. Until now you heard how young Lakshman Das's parents married him off at the tender age of 11. But Lakshman Das had other plans and he left home right after the marriage.. He wandered with mystics and saints throughout India and strengthened his own spiritual practice or sadhana as they say it in Sanskrit. His journey from being Lakshman Das to Neem Karoli Baba is full of awe and heartwarming episodes of care and compassion. But before we get into that, let us try to figure out with our limited understanding how Himalayan mystics and yogis tinker with the fabric of space and time, whenever they want, wherever they want and howsoever they want. Its like kids playing with clay and turning it into different shapes or sizes. Many Indian sadhus and mystics are known to exhibit the spiritual ability to play with events and manifest circumstances at will. This mysterious playful nature of mystics that gives rise to new conditions and situations with a sense of higher and deeper purpose is known as Leela in Sanskrit. Even the universe has its own leelas. From time to time it does some fine-tuning to the dance of life. To the mundane world and the untrained eye, the playful leelas of great masters like Neem karoli Baba seem to defy reality and often sound as myths emerging out of local folklore. But in fact, these leelas or events are just an extension of their own spiritual grace and often a direction for those who need it the most. Let's talk about a leela of Neem Karoli Baba that gave him the name with which we know him today. It is believed that Baba once boarded the first-class compartment of a train without any ticket. The British ticket examiner was furious at discovering a sadhu in the expensive first-class coach. He shouted at him and pulled the emergency brake of the train straight away. After belittling him even more, he threw Baba out of the train near a small village in Central India called Nib Karori. Nib karori as in N.I.B,nib and K.A.R.O.R.I as karori. In Hindi, nib means foundation and Karori means strong. So the village name literally meant a place where one builds a strong foundation. Many believe it was Baba's playful Leela or a premeditated manifestation of events to have chosen Nib Karori as the place of being thrown out because that very place became Baba's first known sanctuary or ashram. Perhaps, Baba wanted everybody to remember that spiritual growth is impossible without a strong foundation of love and acceptance and the village name served as a reminder. After being thrown out of the train, Baba sat under a banyan tree which was just a few metres away. He stuck his pair of tongs into the ground and patiently waited. One must know here that many mystics and sadhus in India carry a pair of tongs with them all the time. It is known as Chimta in Hindi. The tongs or the chimta serves a dual purpose. On one hand it works as a simple musical instrument to play along while singing. And on the othe, it acts like a pair of pincers for picking up hot coal or wood while performing a fire ceremony. Anyway, back to the scene of action. While Baba was waiting under the banyan tree, the guard blew his whistle for the train to leave. The driver of the train started the throttle of the engine. But despite repeated attempts, the train wouldn't budge. Another engine was called in to pull the train away. But even that didn't work. All along Baba was sitting calmly under the tree. Then a local magistrate suggested to the British officials that they should apologize to the sadhu who was thrown out and request him to board the train again. The officials dismissed the suggestion straight away as superstition. However, after waiting for hours and many frustrating attempts they reluctantly agreed to approach him. A few passengers even carried some food and sweets as offerings for him. They requested him humbly to board the train. Baba agreed to consider their request on two conditions. One, the railway officials will build a railway station for the villagers of Neeb Karori. And two, they will treat sadhus with more respect and politeness in future. He wanted them to know that everybody is equal and deserves love and kindness. The British officials promptly promised to do their best. Baba then boarded the train. The impatient officials pleaded him to please start the train again. At this Baba replied, What do you think? Since when is it up to a sadhu to start trains? But the engineer of the train pleaded with Baba and sought his blessings. The ever compassionate baba then smiled and said, Go proceed on your journey. Within seconds, the train started rolling again. Baba stayed back where he was thrown out. He made Nib Karori village his home and meditated there for many years. He even made a hanuman temple there. There are numerous documented accounts with recorded evidence of his miracles or leela in Nib Karori village. As his fame spread far and wide, people started addressing him as Neem Karoli baba in colloquial Hindi Perhaps, because it was easier to pronounce Neem Karoli than Nib Karori in the local dialect. Baba also graciously accepted the name given to him out of love. Eventually, the British government also kept its promise and constructed a railway station for the village. In December 2019, the station master of the Nib Karori railway station, Chander Shekhar Shukla, was interviewed by one of India's most respected biographers of Neem Karoli Baba and the editor in chief of Dastak media, Vinod Shukla. In the interview, the station master confirmed that the Banyan tree under whose shade Baba rested, was still standing there, just a few metres away from the railway station. Many sincere devotees of Neem Karoli Baba visit that spot just to experience a unique calmness and solace by sitting under the same banyan tree, where Baba once carried out one of his many mystical miracles or leelas. For those interested in seeing the tree in its current form, we have pasted Dastak Media's Youtube link of the interview with Nib Karori Railway station's station master in the description of this episode. That was it for today. In the next episode, we will tell you about the numerous miracles of love and magical leelas conducted by Neem Karoli Baba as long as he stayed in the Nib Karori village If you have any specific requests or questions, you can send your emails to loveneemkaroli@gmail.com or connect with us on Instagram by following our profile, neemancipation I am your narrator Sourav Roy and I hope you enjoyed this episode of Neem Karoli Baba's miracles of love and compassion with me. Thank You and Ram Ram. https://www.youtube.com/watch?v=o65ZcC2Pq70

Story written and narrated by Dr S Naqvi Shaadi Dastak شادی دستک  For feedback or questions email urduadabpodcast@gmail.com You can also follow us on https://www.facebook.com/UrduAdabPodcast/

Here’s Rajesh Thakur talking about Life Journey of Sanjeev Kumar on his Tune India Radio’s classic show. Sanjeev Kumar (born Harihar Jethalal Jariwala; (9 July 1938 – 6 November 1985) was an Indian film actor. He won several major awards including two National Film Awards for Best Actor for his performances in the movies Dastak (1970) and Koshish (1972). He acted in genres ranging from romantic dramas to thrillers. Kumar did not mind playing roles that were non-glamorous, such as characters well beyond his age. Movies such as Arjun Pandit, Sholay and Trishul, along with the remakes of Tamil films into Hindi such as Khilona, Yehi Hai Zindagi, Naya Din Nai Raat, Devata, Itni Si Baat and Ram Tere Kitne Naam exemplify his talents. He also did suspense-thriller films such as Qatl, Shikar, Uljhan and Trishna. Kumar also proved his ability to do comedy in films such as Manchali, Pati Patni Aur Woh, Angoor, Biwi-O-Biwi and Hero. He is well remembered for his versatility and genuine portrayal of his characters. His double role in the film Angoor was listed among the 25 best acting performances of Indian cinema by Forbes India on the occasion of celebrating 100 years of Indian Cinema. Tune India Radio Sydney Australia

 भोजपुरी फिल्म इंडस्ट्री में अब कुछ नए चेहरे दस्तक दे रहे है.किशन राय और प्राची सिंह की जोड़ी एक साथ फिल्म लेकर आ रहे है.देखिये वीडियो में पूरी खबर.

अरविन्द अकेला कल्लू और यामिनी सिंह की फिल्म 'छलिया ' रिलीज़ को है तैयार देखिये इस फिल्म के शूटिंग फोटोज.

  Here’s Rajesh Thakur talking about Life Journey of Sanjeev Kumar on his Tune India Radio’s classic show. Sanjeev Kumar (born Harihar Jethalal Jariwala; 9 July 1938 – 6 November 1985) was an Indian film actor. He won several major awards including two National Film Awards for Best Actor for his performances in the movies Dastak (1971) and Koshish (1973). He acted in genres ranging from romantic dramas to thrillers. Kumar did not mind playing roles that were non-glamorous, such as characters well beyond his age. Movies such as Arjun Pandit, Sholay and Trishul, along with the remakes of Tamil films into Hindi such as Khilona, Yehi Hai Zindagi, Naya Din Nai Raat, Devata, Itni Si Baat and Ram Tere Kitne Naam exemplify his talents. He also did suspense-thriller films such as Qatl, Shikar, Uljhan and Trishna. Kumar also proved his ability to do comedy in films such as Manchali, Pati Patni Aur Woh, Angoor, Biwi-O-Biwi and Hero. He is well remembered for his versatility and genuine portrayal of his characters. His double role in the film Angoor was listed among the 25 best acting performances of Indian cinema by Forbes India on the occasion of celebrating 100 years of Indian Cinema. Tune India Radio Sydney Australia

Dastak is a 1996 feature film directed by Mahesh Bhatt. The movie features Sushmita Sen, Mukul Dev, Sharad S. Kapoor, Bhavna Datta in the main lead. Here's an on-location shoot of the movie.Miss the days gone by? Subscribe to Lehren Retro today and enjoy one video every day on your