Podcasts about Sony Entertainment

Brain Drain Episode 48 with Toby Batchelor & Forde Brookfield

Today on the podcast we have Michael Lynton, one of America's leading CEOs. Michael led Sony Entertainment as CEO, overseeing Sony's global entertainment businesses during a period of great success. But it also had its challenges - notably when North Korean hackers released private emails and unreleased films. Michael had previously worked for Time Warner as CEO of AOL Europe, and was  Chairman and CEO of Pearson PLC's Penguin Group.But today our focus is on Michael's role as a mentor. He has been arguably one of the most successful startup mentors of all time, discovering and nurturing a young Evan Spiegel - the founder of Snapchat, now Snap. Michael spotted Evan after Michael's wife contacted Snapchat customer support in a moment of serendipity. From that chance encounter, Michael went on to become chairman of Snap, now one of the world's largest social media platforms. On this episode, you find out from Michael what truly great mentorship looks like, what you should look for in a mentor and how this changes as you scale, and what matters most when becoming a great leader.

9-24-24 Tonight we're talking with Frederick Rodriguez, Francisco Olachea and Rob Tyrrson in Mexico. Kevin and I were in Mexico for the Copa Hidromiel Mead Competition a couple weeks ago, and got to check out the meads that these folks produce, and we'll be talking about their methods, meads and plans. And bonus, we are bringing in a new guest host, Raul de la Garza, owner of Freya Meadery in Monterrey, Mexico. Francisco Olachea is a biochemical Engineer, and holds general Certificate in Brewing and Spirits by the IBD, is a Certified BJCP judge, Certified Cicerone®, and a Mead BJCP judge, Cider BJCP judge, Unionbirrai Beer Taster, Master Mezcalier, Cigar Sommelier and Sommelier member of the Mexican Sommeliers Association. He is also an instructor at the Mexican Academy of Sommeliers. Finally, he is CEO at I+D CERVEZA SA de CV since 2011. Frederick Rodriguez is a photographer, producer and director with more than 30 years of experience in the audiovisual industry.  He has produced, photographed and carried out various feature film, short film, video clips, corporate, institutional and documentary projects.  In 2012 he edited and post-produced the documentary series “Hallazgos” of the INAH, Partner and founder of La Valija Industriarte, obtaining the PACMyC award for the development of the documentary “Los paths that van” 2014 as director and photographer, In 2012 with the company Museum he developed a 360º mural for the Museum of Music in Puerto Rico and from 2015 to 2017 he developed an interactive table for the exhibition of the Constitution in the National Palace at the same time he developed 2 video walls for the Museum of Constitutions of the UNAM, since 2022 he documents the “Copa Hidromiel México”, creator of the documentary “Fermentos Ancestrales”  (watch the trailer) in which he focuses on mead and pre-Hispanic ferments of Mexico and he is a mead judge (in process) since 2023. Frederick has also done a 2023 collective exhibition “I Feel Then I Re-sisto” UAM- University of Brighton” video art “Viaje sin Regreso”, 2022 researcher of the script “Tierra barbara” mini series. Currently he is the owner of Phocal Photography where he directs, produces, post produces and photography for different companies such as Lincoln Towncar, Laboratorios Decrha, Intervet Schering Plougth, MSD Salud Animal, Sony Entertainment, Municipality of Lerma, Adidas, Nissan, América Express, Sicario, KRBO Bikes, Del Pacifico Sea Foods, US Meat, Crayola and the guild meadery. Rob Tyrsson is owner of Tyrsson Meadery in Mexico City. Rob started in 2019 in the middle of the COVID era, all starts trying to pay some bills and deal with a few problems he had, his first batch wasn't ready for the first Copa Hidromiel México, and he just sold it pretty cheap, fortunately a few friends told him he was making a pretty good thing, and he sent it to Guatemala at Copa Quetzal and won a gold medal. In 2020 he tried to go professional and sell his mead at festivals.  After that everything is history!     This player will show the most recent show, and when we're live, will play the live feed. If you are calling in, please turn off the player sound, so we don't get feedback.[break] Sponsor: Look no further than Honnibrook Craft Meadery in Castle Rock, Colorado, for your go-to destination for wonderful, light, and refreshing mead! We have 20 meads on tap and four seasonal mead slushees.  Go to honnibrook.com for review our tap list, upcoming events and to order online! If you want to ask your mead making questions, you can call us at 803-443-MEAD (6323) or send us a question via email, or via Twitter @realGotMead and we'll tackle it online! 9PM EDT/6PM PDT Join us on live chat during the show Upcoming Shows October 8 - Dominic Roth - beginning in mead in Australia October 22 - Alberto Leyva - Aliens Kaab Mead November 5 - Kristeva Dowling, Stolen Harvest Meadery

Apple krijgt na Microsoft ook een positie bij de raad van bestuur van OpenAI, zo meldt Bloomberg. Joe van Burik vertelt erover in deze Tech Update. Apple krijgt een rol als 'observer' bij het bestuur van OpenAI. Dat komt in navolging van de aankondiging van Apple Intelligence vorige maand, al is dát vooral AI-technologie van Apple zelf. Daaraan gelinkt is een koppeling met ChatGPT, een integratie die zorgt dat je bepaalde vragen en verzoeken aan die chatbot kan stellen. Een observer mag aanschuiven bij gesprekken en suggesties doen, maar niet echt meebepalen met stemmen. Die krijgt echter dus wel waardevolle inzichten in waar OpenAI mee bezig is. Dat is wat Phil Schiller mag doen, hoofd van Apple's App Store en voormalig marketingbaas, vanaf later dit jaar. De werkelijke bestuursleden zijn onder topman Sam Altman en (al dan niet voormalig) topmensen van Sony Entertainment, Instacart én de Bill and Melinda Gates Foundation. Verder in deze Tech Update: De uitstoot van Google is de afgelopen jaren spectaculair gestegen, meldt het techbedrijf in een eigen rapport Netflix brengt een nieuwe versie van de game Mijnenveger (Minesweeper) uit See omnystudio.com/listener for privacy information.

Two of our biggest stories this week are making the internet collectively ask...Make it make sense. And guess what, I'm joining them. What is Xbox's strategy, and why is it so ever changing lately. Also how did we kill cable, only for it to come back. Plus Nintendo still doesn't want to talk about the Switch 2. Also the Office is coming back, so of course that's what we get in the hellscape of 2024. But I swear its a fun episode...come and take a listen.

PREVIEW: #VEGAS:  In conversation with colleague Jeff Bliss re the plans to construct a 5,000 square feet of an extravgant Hollywood Studio in Clark County -- the county of Las Vegas -- backed by Sony Entertainment, and Howard Hughes Holdings: with entrepreneur actor Mark Wahlberg.  More later. 1955 Desert Inn  

Aussie media executive Craig Green was the International Marketing Director & Advertising Boss during his 20-year career with Sony Entertainment. He then did the same thing at EA Games & EA Sport. Craig now has his own shop, SprtsHQ, creating an all-encompassing digital collectible business model, amplifying leagues, engaging fans, and integrating commercial partners. SprtsHQ won the world-wide race to become official licensee to the FIFA World Cup, and are now surging into both grass roots and elite level sport.  

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: What do we know about the AI knowledge and views, especially about existential risk, of the new OpenAI board members?, published by Zvi on March 11, 2024 on LessWrong. They have announced three new board members in addition to Altman, but we seem to know almost nothing about their views or knowledge on any AI-related subjects? What if anything do we know? From OpenAI: We're announcing three new members to our Board of Directors as a first step towards our commitment to expansion: Dr. Sue Desmond-Hellmann, former CEO of the Bill and Melinda Gates Foundation, Nicole Seligman, former EVP and General Counsel at Sony Corporation and Fidji Simo, CEO and Chair of Instacart. Additionally, Sam Altman, CEO, will rejoin the OpenAI Board of Directors. Sue, Nicole and Fidji have experience in leading global organizations and navigating complex regulatory environments, including backgrounds in technology, nonprofit and board governance. They will work closely with current board members Adam D'Angelo, Larry Summers and Bret Taylor as well as Sam and OpenAI's senior management. Bret Taylor, Chair of the OpenAI board, stated, "I am excited to welcome Sue, Nicole, and Fidji to the OpenAI Board of Directors. Their experience and leadership will enable the Board to oversee OpenAI's growth, and to ensure that we pursue OpenAI's mission of ensuring artificial general intelligence benefits all of humanity." Dr. Sue Desmond-Hellmann is a non-profit leader and physician. Dr. Desmond-Hellmann currently serves on the Boards of Pfizer and the President's Council of Advisors on Science and Technology. She previously was a Director at Proctor and Gamble, Meta (Facebook), and the Bill & Melinda Gates Medical Research institute. She served as the Chief Executive Officer of the Bill & Melinda Gates Foundation from 2014 to 2020. From 2009-2014 she was Professor and Chancellor of the University of California, San Francisco (UCSF), the first woman to hold the position. She also previously served as President of Product Development at Genentech, where she played a leadership role in the development of the first gene-targeted cancer drugs. Nicole Seligman is a globally recognized corporate and civic leader and lawyer. She currently serves on three public company corporate boards - Paramount Global, MeiraGTx Holdings PLC, and Intuitive Machines, Inc. Seligman held several senior leadership positions at Sony entities, including EVP and General Counsel at Sony Corporation, where she oversaw functions including global legal and compliance matters. She also served as President of Sony Entertainment, Inc., and simultaneously served as President of Sony Corporation of America. Seligman also currently holds nonprofit leadership roles at the Schwarzman Animal Medical Center and The Doe Fund in New York City. Previously, Seligman was a partner in the litigation practice at Williams & Connolly LLP in Washington, D.C., working on complex civil and criminal matters and counseling a wide range of clients, including President William Jefferson Clinton and Hillary Clinton. She served as a law clerk to Justice Thurgood Marshall on the Supreme Court of the United States. Fidji Simo is a consumer technology industry veteran, having spent more than 15 years leading the operations, strategy and product development for some of the world's leading businesses. She is the Chief Executive Officer and Chair of Instacart. She also serves as a member of the Board of Directors at Shopify. Prior to joining Instacart, Simo was Vice President and Head of the Facebook App. Over the last decade at Facebook, she oversaw the Facebook App, including News Feed, Stories, Groups, Video, Marketplace, Gaming, News, Dating, Ads and more. Simo founded the Metrodora Institute, a multidisciplinary medical clinic and research foundation dedicated to t...

Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: What do we know about the AI knowledge and views, especially about existential risk, of the new OpenAI board members?, published by Zvi on March 11, 2024 on LessWrong. They have announced three new board members in addition to Altman, but we seem to know almost nothing about their views or knowledge on any AI-related subjects? What if anything do we know? From OpenAI: We're announcing three new members to our Board of Directors as a first step towards our commitment to expansion: Dr. Sue Desmond-Hellmann, former CEO of the Bill and Melinda Gates Foundation, Nicole Seligman, former EVP and General Counsel at Sony Corporation and Fidji Simo, CEO and Chair of Instacart. Additionally, Sam Altman, CEO, will rejoin the OpenAI Board of Directors. Sue, Nicole and Fidji have experience in leading global organizations and navigating complex regulatory environments, including backgrounds in technology, nonprofit and board governance. They will work closely with current board members Adam D'Angelo, Larry Summers and Bret Taylor as well as Sam and OpenAI's senior management. Bret Taylor, Chair of the OpenAI board, stated, "I am excited to welcome Sue, Nicole, and Fidji to the OpenAI Board of Directors. Their experience and leadership will enable the Board to oversee OpenAI's growth, and to ensure that we pursue OpenAI's mission of ensuring artificial general intelligence benefits all of humanity." Dr. Sue Desmond-Hellmann is a non-profit leader and physician. Dr. Desmond-Hellmann currently serves on the Boards of Pfizer and the President's Council of Advisors on Science and Technology. She previously was a Director at Proctor and Gamble, Meta (Facebook), and the Bill & Melinda Gates Medical Research institute. She served as the Chief Executive Officer of the Bill & Melinda Gates Foundation from 2014 to 2020. From 2009-2014 she was Professor and Chancellor of the University of California, San Francisco (UCSF), the first woman to hold the position. She also previously served as President of Product Development at Genentech, where she played a leadership role in the development of the first gene-targeted cancer drugs. Nicole Seligman is a globally recognized corporate and civic leader and lawyer. She currently serves on three public company corporate boards - Paramount Global, MeiraGTx Holdings PLC, and Intuitive Machines, Inc. Seligman held several senior leadership positions at Sony entities, including EVP and General Counsel at Sony Corporation, where she oversaw functions including global legal and compliance matters. She also served as President of Sony Entertainment, Inc., and simultaneously served as President of Sony Corporation of America. Seligman also currently holds nonprofit leadership roles at the Schwarzman Animal Medical Center and The Doe Fund in New York City. Previously, Seligman was a partner in the litigation practice at Williams & Connolly LLP in Washington, D.C., working on complex civil and criminal matters and counseling a wide range of clients, including President William Jefferson Clinton and Hillary Clinton. She served as a law clerk to Justice Thurgood Marshall on the Supreme Court of the United States. Fidji Simo is a consumer technology industry veteran, having spent more than 15 years leading the operations, strategy and product development for some of the world's leading businesses. She is the Chief Executive Officer and Chair of Instacart. She also serves as a member of the Board of Directors at Shopify. Prior to joining Instacart, Simo was Vice President and Head of the Facebook App. Over the last decade at Facebook, she oversaw the Facebook App, including News Feed, Stories, Groups, Video, Marketplace, Gaming, News, Dating, Ads and more. Simo founded the Metrodora Institute, a multidisciplinary medical clinic and research foundation dedicated to t...

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: OpenAI announces new members to board of directors, published by Will Howard on March 10, 2024 on The Effective Altruism Forum. From the linked article: We're announcing three new members to our Board of Directors as a first step towards our commitment to expansion: Dr. Sue Desmond-Hellmann, former CEO of the Bill and Melinda Gates Foundation, Nicole Seligman, former EVP and General Counsel at Sony Corporation and Fidji Simo, CEO and Chair of Instacart. Additionally, Sam Altman, CEO, will rejoin the OpenAI Board of Directors. ... Dr. Sue Desmond-Hellmann is a non-profit leader and physician. Dr. Desmond-Hellmann currently serves on the Boards of Pfizer and the President's Council of Advisors on Science and Technology. She previously was a Director at Proctor and Gamble, Meta (Facebook), and the Bill & Melinda Gates Medical Research institute. She served as the Chief Executive Officer of the Bill & Melinda Gates Foundation from 2014 to 2020. From 2009-2014 she was Professor and Chancellor of the University of California, San Francisco (UCSF), the first woman to hold the position. She also previously served as President of Product Development at Genentech, where she played a leadership role in the development of the first gene-targeted cancer drugs. ... Nicole Seligman is a globally recognized corporate and civic leader and lawyer. She currently serves on three public company corporate boards - Paramount Global, MeiraGTx Holdings PLC, and Intuitive Machines, Inc. Seligman held several senior leadership positions at Sony entities, including EVP and General Counsel at Sony Corporation, where she oversaw functions including global legal and compliance matters. She also served as President of Sony Entertainment, Inc., and simultaneously served as President of Sony Corporation of America. Seligman also currently holds nonprofit leadership roles at the Schwarzman Animal Medical Center and The Doe Fund in New York City. Previously, Seligman was a partner in the litigation practice at Williams & Connolly LLP in Washington, D.C., working on complex civil and criminal matters and counseling a wide range of clients, including President William Jefferson Clinton and Hillary Clinton. She served as a law clerk to Justice Thurgood Marshall on the Supreme Court of the United States. ... Fidji Simo is a consumer technology industry veteran, having spent more than 15 years leading the operations, strategy and product development for some of the world's leading businesses. She is the Chief Executive Officer and Chair of Instacart. She also serves as a member of the Board of Directors at Shopify. Prior to joining Instacart, Simo was Vice President and Head of the Facebook App. Over the last decade at Facebook, she oversaw the Facebook App, including News Feed, Stories, Groups, Video, Marketplace, Gaming, News, Dating, Ads and more. Simo founded the Metrodora Institute, a multidisciplinary medical clinic and research foundation dedicated to the care and cure of neuroimmune axis disorders and serves as President of the Metrodora Foundation. It looks like none of them have a significant EA connection, although Sue Desmond-Hellmann has said some positive things about effective altruism at least. Thanks for listening. To help us out with The Nonlinear Library or to learn more, please visit nonlinear.org

La Semaine des 5 Heures est en vacances mais vous propose un Best Of dédié au cinéma d'animation. The Mitchells vs The Machines, Scott Pilgrim Takes Off et Migration sont au programme de Rudy Léonet et Hugues Dayez. Pour commencer, The Mitchells vs The Machines, un film signé Sony Entertainment, disponible sur Netflix. Un road movie familial sur fond d'intelligence artificielle et d'apocalypse… Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Join hosts Matt Diaz and Ernesto Santos with special guest Kirk Jordan as we discuss the latest entertainment news including Disney making a deal with Sony Entertainment to outsource its physical media business. We'll then chit-chat about our recently watched movies and tv shows in a fun segment we like to call “Whatcha Watchin'” including our thoughts on Mr. & Mrs. Smith, Taika Waititi's newest film Next Goal Wins and all of the Oscar nominated shorts. And later, we'll give you our SPOILER REVIEW of Bob Marley: One Love. Time Stamps: 4:32 - Entertainment News 25:25 - Whatcha Watchin' 45:47 - Oscar Nominees 1:41:08 - Bob Marley: One Love Review --- Support this podcast: https://podcasters.spotify.com/pod/show/BoxOfficeBingers/support

James Malikey is a 23-year-old Belgian pianist, composer, artist and singer-songwriter. James creates and performs his own relaxing, cinematic and emotional piano music. He also writes orchestral and ambient music. He makes covers and mashups from famous songs in different music styles. He started playing the piano when he was 4 years old. He studied a lot of classical pieces and won several prizes in classical piano competitions. His favourite composers were Chopin and Debussy. From the age of 15, he started composing his music, inspired by his difficult youth and the works of Einaudi, Yiruma, Hans Zimmer and Tony Anderson. At the end of 2019, he participated at the TV show Belgiums Got Talent and impressed the jury with a self-written arrangement for piano and orchestra - performed on a grand piano and accompanied by a full orchestra. He eventually won Belgium's Got Talent with his cinematic piano music. Which was supposed to be the start of a successful artist career, ended abruptly due to the covid pandemic. All his upcoming concerts after Belgium's Got Talent were cancelled, as his record deal with Sony Entertainment. Most of his fanbase from the TV show disappeared. He dealt with financial problems and the suicide of his best friend, but he never gave up and kept going for his dream of giving international concerts. Several popular quotes by James. "The answer is hidden in the Waves, somewhere between Low and High tide. That's what I told my psychologist." "Imagine a Different World and Create it." "There are only Black and White keys, but the challenge is to play all colours in between." "In a World of Glass, you can try not to cut yourself - staying prisoner - or free yourself - bleeding." "When the darkness rules, there will still be ashlight." --- Send in a voice message: https://podcasters.spotify.com/pod/show/steven-cuoco/message Support this podcast: https://podcasters.spotify.com/pod/show/steven-cuoco/support

In this episode of Chasing the Insights, I talk to best-selling author Tiana Sanchez. Tiana talks to us about how to embrace failure as the “New Success”. Tiana Sanchez (Los Angeles, CA) is CEO and Founder of TSI, LLC a Certified Woman-Owned Business preparing leaders to achieve next-level results in talent and leadership development. For over a decade, Tiana has served as a Corporate Trainer and Business Consultant to top leaders in both the public and private sectors across the U.S. She is a #1 best-selling author, accomplished speaker, producer, and host of a global podcast (Like a REAL Boss) that inspires thousands of people in more than 26 countries. Tiana delivers engaging, high-energy keynote presentations and training on stages of Leadership Conferences, Women's Conferences, Higher Education Events, and Company Retreats! Tiana's clients have included organizations and individuals at Activision, Sony Music, Sony Entertainment, aerospace companies and more in a variety of industries.

Norman Lear sitcom laughter, trivia chat & other nostalgia STUFF!! Lots of clips thanks to Sony Entertainment who owns most of this material. VIDEO (Youtube live stream) of this LIVE broadcast: #normanlear #allinthefamily #maude #sanfordandson #thejeffersons #onedayatatime #maryhartman #fernwoodtonight #carroloconnor #trivia #triviagame #shermanhemsley #cbs #sony #1970s #1971 #1971年生 #1972 #1972年生 #1973 #1973年生 #1974 #1974年生 #1975 #1975年生 #1976 #1976年生 #1977 #1977年生 #1978 #1978年生 #1979 #1979年 #1980 #1980年 #1981 #1981年生 #1982 #1982年 #1983 #1983年生 #bonniefranklin #antennatv #metv #classictvshows #comedy #classic #funny #theflintstones #fruitypebbles #postcereal #cocoapebbles #16mm #16mmfilm #patharringtonjr #maureenstapleton #robreiner #sallystruthers #bonniefranklin #reddfoxx #beaarthur #whitmanmayo #grady #demondwilson #nbc #abc #dellareese #differentstrokes #thefactsoflife #livetrivia #thenostalgicpodblast

Bine te-am regăsit la penultima ediție de anul acesta a emisiunii noastre preferate cu știri din toate domeniile de interes posibile, Curiosity. Astăzi avem o săptămână plină de noutăți și începem cu o familie din Illinois care a cumpărat accidental carduri cadou Disney+ de 10.000 de dolari în loc de carduri pentru parcurile Disney.Vă povestim ce am mai testat și despre ce am mai vorbit în ultima săptămână pe Cavaleria.ro și aici pe buhnici.ro, dar și despre Threads, un subiect mai spinos decât ne așteptam.Xiaomi renunță la MIUI pentru dispozitivele Android, adoptând noul sistem HyperOS pe plan global, Google Podcasts va înceta să funcționeze în SUA din aprilie, Sony este preocupată de strategia emergentă a Microsoft după achiziția Activision Blizzard de 69 de miliarde de dolari și îți spunem și cum îți fură hoții datele de pe telefon.

In this episode, Robin and Stacy chat about innovative and effective marketing and branding strategies. About Robyn Eagles Robyn is the principal strategist of GTMSC, a go-to-market strategy and communications firm specializing in helping businesses grow through strategic consulting and communications. With 24 years of marketing expertise, Robyn has led Innovation Marketing at Acura and Communications and PR at Honda and Kelly Blue Block, Head of Communications and Marketing at Skyrsye, and lived agency life at Fleishman–Hillard managing various entertainment and technology accounts including Seagate, Mitsubishi, and Sony Entertainment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/hollywood-branded/message Support this podcast: https://podcasters.spotify.com/pod/show/hollywood-branded/support

The writers strike is over so new programming — at least in the form of late-night television — will be returning soon. But with actors still on strike, most television shows and movies are not yet completely back in production. That means in most cases actors can't promote their work, which has led to some offbeat movie premieres such as a record number of dogs showing up on the red carpet for "PAW Patrol: The Mighty Movie." But not all actors are prohibited from speaking to the media, which meant a new interview from co-host Bruce Miller with Oliver Dench (yes, he's related to Judi Dench) talking about "Hotel Portofino." Bruce and co-host Terry Lipshetz have been using the time to get caught up on the limited new films and shows hitting theaters and streaming services such as the new series "Gen V," the latest "Star Wars" installment "Ahsoka" and the new baseball documentary "The Saint of Second Chances." Bruce also managed to make it to the end of the fourth installment in the "Expendables" franchise. It's a pretty big list, so be sure to use our list below to help map out your schedule!  Where to watch "PAW Patrol: The Mighty Movie" in theaters "Hotel Portofino" on PBS "Reservation Dogs" on Hulu "Gen V" on Amazon Prime Video "The Boys" on Amazon Prime Video "Selling the OC" on Netflix "Selling Sunset" on Netflix "Ahsoka" on Disney+ "The Saint of Second Chances" on Netflix "Fair Play" in theaters Sept. 29 and Netflix Oct. 6 "Painkiller" on Netflix  "Dopesick" on Hulu "The Mosquito Coast" on AppleTV+ "Expend4bles" in theaters Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Bruce Miller and Terry Lipshetz discuss writers' strike ending Terry Lipshetz: Just a quick note about this episode Bruce Miller and I recorded after it was revealed that writers and studios agreed to a new contract and had stopped picketing. But prior to writers being given permission to return to work. Welcome everyone, to another episode of streamed and screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, we got some good news. Bruce Miller: There is news. Terry Lipshetz: We have a almost, almost it's not officially, not all the I's dotted and T's crossed, but we're so close, so close with the writers. Bruce Miller: How good is it if we have no actors that can do the scripts that they're writing? Terry Lipshetz: Right, exactly. But it could mean things like our late night programs come back a little Jimmy Fallon, maybe. Bruce Miller: How good is it if all we get are late night programs and game shows? It'll be game shows galore with all the Jeopardy champion of Champions, the ultimate reality star game show. I think tonight, too, we start Dancing with the Stars. So that is not really covered by the rules, apparently. Terry Lipshetz: Right. Bruce Miller: because you can dance, but you probably shouldn't talk. Terry Lipshetz: It is kind of quirky. There's these little carve outs here and there, like broadcasters for sporting events. They're members of the Actors Guild, but it's a carve out for them. And there's other little things, like know, because, like, Drew Barrymore was coming back with her then, and then that got reversed because she had a couple writers that were on strike, and so they pulled the plug on again. You know, she's an actor, but presumably now with the writer's strike ending, we'll be back at work very soon. Bruce Miller: And I think she's a producer too. So what trumps what highest title that you carry? Terry Lipshetz: So it's good news. It sounds like they pulled, the Writers Guild told their membership, you can stop picketing. We'll get you the information. We really haven't seen too many details yet come out, but they just sounded very happy with it. They'll send it to voting members. It said like a week to ten days, and then they should be kind of back at it, which on one hand gives you optimism because you think, okay, they got the writers done now, they're going to move over and we can get the actors done. But then right before we came on to do this show, I saw that the screen actors just voted to begin a, walkout against video game makers. Because there's actors involved with the making of video games, because you've got voice actors and stunts and things like that that they use for motion capture and all that. A lot of the video game makers are the same groups that are in charge of studios like Disney and Sony Entertainment and all these. So, the last strike, against video games, 2016. And it lasted nearly a year. So a little concerning. I don't know how this will play. Bruce Miller: I think we can give up video games. I don't care. Terry Lipshetz: My kids might care. Bruce Miller: Bring the acting back. That's what I want most of all. Well, we wish them well, and we hope that they reach a quick resolution on all of that, because it is making it difficult for us. Terry Lipshetz: Yeah, well and it makes your job difficult because you like to, of course, talk to the actors. Bruce Miller: I'd rather talk to an actor than a producer. Terry Lipshetz: Would you talk to a dog? Bruce Miller: I would talk to a dog. Terry Lipshetz: Dogs that apparently aren't covered by the Screen Actors Guild. Because I don't know if you saw this, but Paw Patrol: The mighty movie, had its big red carpet premiere, and 219 dogs showed up to watch the premiere. Because dogs will sit and watch a premiere, and it set a new Guinness, world record. Bruce Miller: So that's where we're at with each. Terry Lipshetz: Yeah. It's gone to the dogs. Hollywood has gone to the dogs. Bruce Miller: Well, wait till they start striking. Imagine what they'll do. Terry Lipshetz: They'll bury their bones. Bruce Miller: Or they might just all do a no walk out and then no walking. And then they come to this, and they take a dump right on that red carpet. Right? There you are. Terry Lipshetz: Yeah, I know. Bruce Miller: It's been done before, so I think we're okay. Terry Lipshetz: Yeah. And then there's some programming out there that are the equivalent, I guess. But it's given us, some opportunity. We're getting caught up on things that there isn't a lot of new material. There's some there's some things here and there. Bruce Miller: I have started watching some new shows. There's season two of, Hotel Portofino. Have you seen this one? It was on Bridgebox, and now it's moving over to PBS. And it's very Downton Abbey, if you're looking for something like that. It's about the family that runs a hotel. And it's set many years ago in the early 20th century, rather, 19 hundreds, whatever. And very glossy, with upstairs downstairs kind of talent and a little dirty. We'll just say that. Put that out there. And, interesting. So that was good. The Boys on Amazon is about superheroes who are evil and vile Bruce Miller: This week is the last week of reservation dogs on FX, if you want to see the end of that. In the last episode, I cried profusely, so you have that to look forward to. I have seen the first episodes of Gen V. Now, if you're a Boys fan, the Boys on Amazon, where it's about the superheroes. Are you familiar with this? Terry Lipshetz: I'm not, no. Bruce Miller: The Boys, it's about a world in which superheroes are kind of the ultimate. They really run everything. And there's a group called the Seven. Homelander is the leader of the Seven, and they seem like very kind of noble and virtuous and looking for all the right things. Well, you realize that that's an act that's an image that they're putting on, and behind the scenes, they're evil and vile, and they're slitting everybody's throat. And there's a group of people who are trying to take down these superheroes. Okay, so that is the boys. Now, there's a new sequel, ah, series called Gen V. And Gen V is about training people to be in that superhero world. Fascinating. Fascinating. It's like a college drama. And they go to this college, that they have abbreviated to God You, and they learn how to harness their powers and use it for various different crime fighting as a class. And, you see the kind of unpolished versions of their things. It's very X Men. If you're into the X Men, it's like but one of the stars of the show is Patrick Schwarzenegger. Arnold's Son plays this kind of golden boy, and he's the one that they all want to be, but he turns into Fire. And apparently he doesn't wear clothes, because they always talk about how he is naked, but his kind of temper gets the best of him. And if people are taunting him or whatever, he could be trouble. So you see that he could be another Homelander who is vile. But you don't know how this plays out in school. And the first episodes were great, but dirtier than you can believe. This is not, something that you let your kids watch. It is not Riverdale at all. There's one woman who becomes small. She can shrink down to, like, the size of, a paperclip. And she meets a kid at college who wants her to get small for various reasons. And I can't explain them on a podcast that hopefully is going everywhere. Yeah, it's dirty, dirty, dirty. Terry Lipshetz: Wow. Bruce Miller: If you're looking for an adult kind of look at the superhero world, gen V, wow. Terry Lipshetz: I might have to check that out. You know, I'm not a big superhero person, but something that's a little off the beaten path. Bruce Miller: Yeah, the Boys is a good kind of entry drug with this, because if you don't like superheroes, you get to see how nasty they really are. And so it makes you, yes, be that bad. I like that. And then you've seen how they have morphed and how they're actually fighting each other to be seen as the most virtuous. it's very good. And the seven always is, like, shifting. You never know who's part of the seven on one time or not. And it's run by an evil corporation. Of course it's run by an evil and they are pulling the strings on these poor superheroes. But now we're at the college, and we're trying to see how that all shakes down with them. So that's a new one that will be starting very soon. And then it, just started, but I binged the whole thing selling the OC. Now, if you're a fan of those real estate shows where they also never work, right? This is one of them. This is a companion to selling sunset. And that was about the people who work in Beverly Hills in like a strip mall. And they never seem to be selling a home. They always have these listings for like 35 million. And then all they do is walk around the house and have a party there. And then you never hear that somebody sold this. Well, now Selling the OC is the companion piece there in Orange County. And they've got a better office, but still just as much drama. And the women all look like they're going out for some evening cocktail up there. When they're in the office during the daytime, you think, do you really wear an evening gown for daytime work? And never, ever shuffle a piece of paper? They're just sitting there all the time gossiping about each other. And this one guy, Tyler, is kind of, not, necessarily a target, but a goal for many of the women there because he got divorced from his wife, who happens to be Britney Snow, who was in a bunch of TV series in the past. And they all think they could be the new Britney Snow. So they're all kind of like sucking up to Tyler and seeing if he know. How are you feeling? Can we have a talk? Can I do a one on one? Can we just converse about your situation? And Tyler is like drinking it all in. He is taking all the attention. I don't think that guy has ever sold a house. If he has, I'd like to see the paperwork because it sure isn't coming through on the show. But fascinating to watch. I, binge the whole thing. And then of course, what do we always do when we are in real estate? We have a pajama party at, one of our properties so that then, we can all just wear nightwear. And doesn't this kind of just open the floodgates to god knows what? I don't think I'm just going to look at you in the baby doll pajamas. I think I might actually make a. Terry Lipshetz: Move that doesn't seem appropriate. Does this violate some aspect of. Bruce Miller: Context laws against this? Because I sure open, up a, selling OC rule about you cannot fraternize with the other people in the office. It's not happening. But it was. Yeah, I binged it. That's how good it was. Netflix's House Hunters is aimed at prospective buyers looking for homes Terry Lipshetz: Okay. Bruce Miller: Netflix. And, I just saw oh, I'll watch one. I haven't seen one for a while and we'll see what happens. No property sold here. Terry Lipshetz: I might have to check that out. I don't mind watching some of those house selling like it's a little bit more house hunters. Bruce Miller: Yeah, but a house hunter is unrealistic expectations. Terry Lipshetz: Right. Bruce Miller: Want the $2 million home for $200,000. And they're always, ah, we entertain. And you never see those people entertain ever. It's relatives and the real estate agent, that's who shows up. Terry Lipshetz: Yeah. I know somebody, a, former colleague, I want to say, reached out to House Hunters to see how you can get on the program when she was looking for a house. And it's actually, you know, how this is going to go anyway because there's obviously behind the scenes drama of how this all gets set up. But basically they told her you have to have an accepted offer and then we'll show you two other houses. And then you get blown away by. Bruce Miller: The house, basically, that you're already badmouth the ones that you aren't going to take. Terry Lipshetz: Right. Bruce Miller: I think there's possibilities. I like that highway going through the middle of our yard. Maybe a deterrent, maybe. Terry Lipshetz: But it could be making commuting easier too. Bruce Miller: It could. And then we have easy access. Right. I think we're all right. Too bad we have a lot of dogs, animals, and children that could get hit by a car in the process. But on keeping it on the list. The latest entry into Star Wars. Been watching it with my daughter Terry Lipshetz: Well, like you, I've been trying to crush through some things before regular programming gets back to us. So ahsoka. the Star Wars. The latest entry into Star Wars. Been watching it with my daughter, who's also a huge Star Wars fan. This week is the 7th episode and then, first week of October is already the 8th and final episode of season one. I don't recall how many episodes or how many seasons they're planning. I don't think it's going to know eight seasons. It's going to be two or three. Because what I've read is that they're going to take ahsoka, and then they're going to take the Mandalorian and the book of Boba Fett. They're going to marry them all together into something for movie theaters. Like there's going to be some big movie that's going to come out that's going to tie up all these storylines because they essentially take place the same timeline of the same universe. I would say that this is a good show. We've enjoyed it. The two problems that I have with it is if you didn't watch the cartoon Star Wars Rebels, you would be really lost with this. And I know a lot of people who kind of didn't really you're a Star Wars fan, but maybe didn't want to watch the cartoons because you thought, I'm a little too adult for the cartoons. And if you didn't watch those cartoons, you would really be lost with some of these characters who are in this because it basically picks up a few years after the final episode of the final season of Star Wars Rebels. But if you're a fan of Star Wars Rebels and a lot of people who I know who watch the show were because it was a really good cartoon, I thought they did a really nice job with it. I think you'd be a fan of this show. The only downside I would say with Ahsoka is it feels like they're taking a really long time to kind of get to a certain point. And then we're going to go to this big cliffhanger to season two. It just feels like we're not trying to tie up any loose ends quickly in any way. Yeah, the big villain that they've been talking about for almost the entirety of The Run so far only recently made an appearance. And you're only going to get basically two episodes out of him. Three episodes. So it's kind of a slow build. I think it's really good. I don't know if the series is as good as Andor, which really, really liked. But I might put this one ahead of the Mandalorian because I think this one might be yeah, it's good. And it kind of gets you back to Jedi because a lot of the series that we've done, we've kind of moved away from Jedi and looked more kind of the ordinary people within the universe. but now we're getting back to lightsabers and using the Force and things like that. So it's kind of fun to move back into that world a little bit. Bruce Miller: You know, what I don't like about those kinds of shows is they never have a chill day. They never say, you know, today we're not going to go out and do Jedi games. Terry Lipshetz: We're just going to sit still at. Bruce Miller: Home and look at the rocks that we've got in our yard and kind of just decide what we like about ourselves. They don't that stuff. They're always on a mission for something. Terry Lipshetz: They are. And the missions don't go to plan. They never go to plan. Bruce Miller: Okay, who drinks blue milk? What Star Wars One is that? Terry Lipshetz: That was, the first the original one, the Bantha milk. Come on. Bruce Miller: Because they do have that at the Disney, parks, the, Resistance. And there's a bar there and you can get the blue milk. And I always wondered what would that taste like because I don't like milk anyway. So if you threw some blue coloring in it, does that make it any better? Terry Lipshetz: Yeah. Well, what is it? Does it taste like? Is it just milk with blue? No, I think it's something else. Bruce Miller: I think there's liquor in it. Terry Lipshetz: Well, then I would enjoy that. Bruce Miller: See, that's probably what they do is they're also liquored up. So they really don't know what they're doing and, going from there. But are there more announced? Are there other Star Wars series that are coming? Terry Lipshetz: Or yeah, there's a couple others. but some of them are in this kind of gray area like the Acolyte, which is supposed to be coming out. But that one it sounds like production has kind of been up and down. I don't know what the current status of that one is. I know there's another season of Andor coming up, another season of Mandalorian, coming up. But I don't recall offhand what the timeline of releases is and also how much of it has been maybe delayed by the strikes that have been going on, too. You could do a high school Kylo Ren. What was he like in school Bruce Miller: Okay. Would we ever have, like, the Adam Driver character? What was his name? Terry Lipshetz: Oh, yeah. well. Bruce Miller: Kylo Ren's early years. What was he like in school? Was he a real brat, or was he a good guy and then he turned bad, or what? Terry Lipshetz: Well, he was Ben Solo, the son of, Han and Leia. Bruce Miller: But then wasn't he kind of like, I don't know who my family yep. So wouldn't he be a good one to kind of lean into? Terry Lipshetz: It would be a, and this is where the current producers it's paying a lot of fan service. It's that kind of Luke Skywalkers post Return to the Jedi. And they've brought him in a couple of times using CGI, making Mark Hamill look a lot younger than he is. But, I think they know that era is something that fans are really interested in, but of AI is a major player because unless you recast those roles, a lot of those characters are getting too old and they can't play themselves anymore. Bruce Miller: You could do a high school Kylo Ren. Terry Lipshetz: That'd be fun. Bruce Miller: And then Kylo could be like, maybe people pick on him too much know he doesn't really know where he belongs. He's not picking a lane. And then he turns dark, and then he realizes, oh, gow, I'm into something here. I'm getting attention. I think it could be something the early years of his career as a bad guy. Terry Lipshetz: Yeah. And, you know, prom night won't go well. There'll be something. Bruce Miller: Oh, God. It's a Carrie. It's Carrie all over again. Except it's Kylo, and he'll be mad. Terry Lipshetz: That's right. There is a really good baseball documentary that just came out on Netflix Terry Lipshetz: So I've been watching, know you've been talking about some shows you've been watching on Netflix. I don't know if you're a baseball fan at all, but there is a really good baseball documentary that just came out in the last week. It's called the Saint of second chances. And I don't know if you've ever heard the story of Mike Veck. He's the Son of Veck. Bruce Miller: I know who he bill, we, have a team here that played in the same league as his team, the. Terry Lipshetz: St. Paul the St. Paul Saints, right? Yeah. So Mike Veck, the son of Bill Veck, who is an owner of the Chicago White Sox, mike Vek came up with he was a very innovative know, if you think about luxury suites, that was something that Mike Vek introduced in old Kamisky Park as a way to bring in extra revenue. But he also came up with Disco Demolition Night, which did not go so well. And it pretty much drove him out of the game of baseball for quite a few years until he was able to redeem himself as owner of the St. Paul Saints. So the saint of second chances. It kind of goes into his relationship with his father, his relationship with baseball, the relationship he had with his daughter, who he brought in to help, him as a little child and then was hoping to bring up and continue working in the family business of baseball. And there's some emotional things that go in. I don't want to reveal too much. Bruce Miller: About the story, participate or not. Terry Lipshetz: Mike thack yes. Yeah, he helps narrate and very good story. And they talk with a lot of folks too, that it wasn't just about his second chance, but second chances for other people. Like, there was this one woman who all she ever wanted to do is play baseball. But you can't let a girl play baseball, right, because it's a boys game. And she was somebody who he brought in to pitch for the St. Paul Saints. So they talk with her. They talk with Daryl Strawberry, who was a very famous baseball player who pretty much worked himself out of the game because of substance, abuse problems. And he gave Daryl a second chance with the St. Paul Saints. And it helped get him back into Major League baseball. So it gets into that, and they talk with Daryl Strawberry. So it's a really fascinating look. And if you're a fan of sports documentaries, baseball documentaries, it's really good. And I would know. Hop onto Netflix ASAP and check that one out. Bruce Miller: Is Bill Murray in it? Terry Lipshetz: Bill Murray actually is sort of I don't recall him being interviewed, but he does make an appearance in it, yes. Bruce Miller: And where is that located? Where can I find that? Terry Lipshetz: That is Netflix. Bruce Miller: Netflix. So we'll be looking. Yeah, Netflix. I can never tell what they've got coming. It's a price. I've got one coming next week, I believe, in theaters from Netflix. And then it goes in October to, it'll be streaming on Netflix. And it's called fair play. Incredible, incredible relationship drama. Reminded me a lot of, fatal, attraction. It's about a couple who work in a trading firm. And they're a couple. I mean, you see a lot of it's rated R for a reason. And then he thinks he is going to get the promotion when this one guy is out. And she's all supportive and everything. And then he doesn't get it. She gets it. And then you see how their relationship changes and shifts throughout the course of their relationship. And it's fascinating. It's very much like some of the things, Emerald Fennell did a film a couple of years ago she won an Oscar for. It about this woman getting back at somebody for her friend. It's a fascinating, fascinating film. The woman, I don't know who she is. Phoebe Dynavore. I don't even know if I'm pronouncing it right. But she is very good. And she plays opposite Alden Aaron Reich. And you've seen him in a lot of but he never he's in a Star Wars one. I think he's Han Solo. Correct. He has never really gotten that kind of break that I think he deserves. And this could be it. But it is very good. It's opening in theaters. It's called fair play. It'll open next week. And then it's going to open on, Netflix, on a streaming basis in October. Terry Lipshetz: Wow, that sounds good. I'm definitely going to well, and I may have know because it's crazy. You get those emails from Netflix saying, coming soon. And I'll look at the trailer. What is know? Bruce Miller: I don't know what this is. Terry Lipshetz: Yeah. And I'll put it in the reminder. Bruce Miller: Because then they'll just keep bugging me all the time if they know that I'm looking for that. You probably forgot that you did this, right? I don't need it. Mosquito: We're getting caught up on a few TV shows Bruce Miller: What else have you seen? Terry Lipshetz: We're getting caught up a little bit. I mean, there's no new programs for the most part. So we're getting caught up on a few things. My wife and I started Painkiller, which is starring Matthew Broderick as, you know, from Purdue Pharma. And it kind of gets into it's another dramatization about the Opioid crisis. It's okay. first of all, it's very weird watching Matthew Broderick playing somebody that old. Because I'm still in my mind, he's still bueller. Bruce Miller: Yeah. Terry Lipshetz: And if he's old, that means I'm old and I can't be that old yet. Can I really be that old? Bruce Miller: No, you're younger than me. So that gives you a leg up right there. Terry Lipshetz: So it's, looking it's a different perspective of the crisis. Bruce Miller: How similar is it to dopesick dopesick. Terry Lipshetz: With Michael Keaton I thought was really good. I thought Michael Keaton in that was really good. But the perspective of Dopesick was coming mostly from the doctor, the prescriber end of things. And this is more of the investigation side of things and the Purdue Pharma side of things. Not painting Purdue Pharma in a good light in any way, but it's more of how the crisis was manufactured from that end. And then it looks at some of the stories of how they got to where they got to. I don't think the stories are as compelling as Dope sick, but we're not going to stop watching it. It's a six episode miniseries. How far are you in three episodes? Bruce Miller: you kind of have to make a choice. Terry Lipshetz: Yeah. We're at that point now where I think we're committed and we'll knock it off and it's not bad. But Michael Keaton I thought, was just very good. Michael Keaton is just, to me, has aged very well as an actor. Like he's gotten yeah. Yeah. It's not just the goofy little things know, you think of him as like, Beetlejuice and some of those comedies he did. But some of the things that he's done later in life have just gotten so much good. Really good. Bruce Miller: I find. you do get to that point where you say, do I fish or do I cut bait? And I will bail on series. I have had one and done. I'll watch one episode, realize this is way too much for me to invest. And the first killer, with those things is when it says ten episodes, because somewhere around seven, it wanes until we get to nine, and then it'll pick up, and then you get the ten. And it's all right. Sometimes I have even watched one, and if I have the access to the ten, I'll watch the ten and I won't watch ones in the middle. Terry Lipshetz: Interesting. Yeah. Bruce Miller: Might be bad, but, life's too short. And I believe that you shouldn't have to watch crap just because you made an investment initially. Terry Lipshetz: Yeah. There is a couple shows that my wife and I watched, like, we watched a little bit of that. Was it tomorrowland on Apple TV? The one yeah. And it looked was I we didn't make it to the end of episode one, and we just, I can maybe see where it's going, but I can't dig in on this one. There was another one, too. Bruce Miller: Yeah, I watched it all, and I thought, where are they going with this? Because I bought in in the beginning that it was, this is the way the world is. We are doing this. And then you realize it's a scam, and they're, just scamming people. And then how are they getting out of the yeah. Terry Lipshetz: Yeah. So I just couldn't get emotionally invested into it. Now, there was another one that was also on Apple TV Plus, where I watched the first season. My wife and I watched the season, and we liked it. And then it came back for season two. But then I read that it got canceled because the ratings weren't quite there. And a number of the reviewers said, well, it kind of ends on a cliffhanger now, so am I going to watch it? Aren't I going to watch it? It was the Mosquito Coast, and, I liked season one of the Mosquito Coast, but I couldn't quite figure out if I wanted to invest it. And we got hung up in that spot of like, do we watch it? Don't we watch it? We went ahead and watched it. I didn't love it, but it doesn't end on a cliffhanger. I thought it wrapped up for me. Bruce Miller: I was done. Terry Lipshetz: Yeah. It got to the end. I was like, okay, we kind of dragged this out. The performances in season one I thought were better, and this one is just kind of it was a little too over the top, but it ends, like, where it ends. You're fine. I was totally fine. There is that last episode. It is explosive. There is some drama, some characters may or may not be with us to the very end, but it does not end on some weird cliff where. You're like, they canceled it. Now I'm never going to be able to know what happens because I was totally fine with it. Bruce Miller: Watch the Harrison Ford movie and you got it all. Terry Lipshetz: Yeah, I probably got it. I watched that so, so long ago. I don't even remember know that's why. Bruce Miller: They'Re remaking things is you don't remember what? Terry Lipshetz: I remember a minute, and I remember watching it, but I don't even remember it at this point. It was so long ago. Yeah. Bruce Miller: And they always wanted to throw in something that well, we never thought that there would be, like, robots. And so they'll throw in a robot in a show. The Expendables Four looks like it was written by a computer Bruce Miller: Not in this one, necessarily, but wait a minute now. this was like a 1950s movie, and we changed it a little and we threw in a robot. Oliver Dench: What is all about? Bruce Miller: But it's just a way to again, this may go back to the writer strike where they just kind of take some property and twist it a little bit, and then the original creator gets nothing from it, right. So maybe they'll be protected. I hope to God that we don't see AI things. I hope they are not going to be the future. I have seen those some m good AI things, I got to tell you. Oddly enough, this last week, I went to see Expendables Four, okay? I swear that was written by a computer. It had to be. It was so bad. It was so bad. It's the kind of movie that when you go to it, you think, are they reading from teleprompters? They've got to be reading from teleprompters because you wouldn't remember this crappy dialogue if you tried. And then their eyes are darting and you think, that's got to be reading across the screen while they're looking at something. Plus, which they haul in people that you think, where did these people come from? I am not familiar with this person. I don't know if he's a big star in Korea or what he is, but apparently he's a big deal because he's in this show, so you don't know those things. And then they all back. And sure it's Sylvester Stallone. And Jason Statham star as the expendables that we remember. Dolph Lundgren's in there, too. And poor Dolph Lundgren has this bad wig that he wears, and they reference Farah Fawcett. And I'm thinking, who would remember Farah Fawcett's hairdo as the reason why you would reference Farrah Fawcett? You wouldn't. You just mean it doesn't work for today. I get it, but it's bad. And then they make a bad, bad joke about Stevie Wonder, which I think that is not relevant today, nor is it something you would include in your movie. And then you look at the film and you see that they have so much green screen in this sucker that basically it could have been shot in my backyard. There is no need for all of that and the special effects are really unspecial. The fight scenes are very bad. It goes down a list and you think, who talked them into this? This has got to be, clearly a money grab. And then, of course, you have the ultimate evidence that it is a money grab and that's that it has Andy Garcia in the film. Name a decent film that Andy Garcia has made in the last five years. You cannot but he's always in movies. He's in those book club movies. He's in all of these other kind. He plays this kind of role. And, I think, oh, Andy Garcia's here. That should be something to tell you. What's up with this? Megan Fox is in there, too, but you don't know really. What is she, an expendable? Is she really one of those people? And she turns out to be Jason Statham's girlfriend, but she has martial arts skills, so bring her with I think she can work on this. But that's where you get with this stuff. You think they're writing it. It's machines that are writing this crap because it sounds too unrealistic to even buy. Terry Lipshetz: Nobody saw it. Nobody watched that movie. Do you see it opened? It got beaten by the nun, the nun two in the third weekend. Bruce Miller: But, you put names like that and whenever they have a big list of names, this goes back many, many years. If you may remember, back in the 60s, cinerama was a big thing and, this widescreen stuff, and they would put casts of thousands in them. And how the west was won was one who had every big name star there was. Then we had the disaster films that had all the big name stars in it. And now we're into that era where it's action adventure, and it's usually people who aren't good actors, but they can do a dust hunt or two and then have a catchphrase or throw off a good liner now and then. And so it ends up being, this is how we're putting them in there. And, do we need it? I don't think we need it. The really strange thing is my phone fell off my lap into the seat. And they're recliner seats. And I must spend a good 15 minutes digging that chair to try and find the phone that I thought was actually more action and better action than what I was seeing on the screen. Terry Lipshetz: People were watching you, if there was actually anybody there. And they're thinking, wow, this guy over here. This is the best part of the movie. Watch this guy dig for his phone. Bruce Miller: I'm digging for the phone. And I tell you, if there was $50 bills in there, I don't know, there could have been money in that seat. When I started messing around, I did find popcorn, but so that was good. And I did get the phone. Ultimately, I did get the phone. Terry Lipshetz: Well, that's good. Andy Garcia was supposed to be the next Al Pacino Terry Lipshetz: I am laughing now thinking, though, because you bring up Andy Garcia. And the first thing that comes to my mind is his addition to, the Godfather trilogy. Bruce Miller: Right. He was kind of the next, Al Pacino. He was going to be the heir apparent. And he got great work, and he did great work. But now it's like that thing where you go, who else is in this? Andy Garcia. Let's get Andy. So he must play well with a certain audience. And they go, oh, yeah, Andy Garcia's in it. But I think he might be the sign of a bad movie now, because he's taking everything he can get. And it probably isn't reading the scripts. Because I thought he was a good actor at one point. I really did. But this crap. Terry Lipshetz: he's going to. Bruce Miller: Do the sequel to, Al's extra work. Terry Lipshetz: He could instead of AI, they could use Andy Garcia to play a younger Al Pacino. There you go. Bruce: What do we have coming up in our next few episodes Terry Lipshetz: So what do we have coming up, Bruce, in our next few episodes? Bruce Miller: I know I've got a lot of stuff for you. I've got, a, talk with the producers of Goosebumps. They've rebooted a well, actually, we could put it on this week. We could add it in. I'm doing it tomorrow. I'm talking to one of the actors from Hotel Portofino. Terry Lipshetz: Okay. We can slip that in. Yeah. Bruce Miller: it's Oliver Dench. Now, that name, does that ring a bell? Oliver Dench. Oliver Dench. Terry Lipshetz: That name is it sounds a little. Bruce Miller: It'S her nephew. Yeah. Working. And his dad was a big actor in, yeah. And he's the star of Hotel Portofino. He plays the son who comes back to help run the hotel. So we've got him coming up. I've got a number of films that are opening. But again, we're going to see where we sit if we can solve that actor strike. We're going to talk to some actors. Otherwise, you're going to get some producers. And I know you don't want in. Terry Lipshetz: The worst case scenario, we'll be interviewing dogs barking at us. Bruce Miller: And we'll get the dogs. Terry Lipshetz: We'll get them. Paw patrol coming soon. Bruce Miller: It could be good. I think it could be a good thing. Terry Lipshetz: All right, so we'll go now to an interview with Oliver Dench. And then we will wrap up and see you again next week for another episode of Streamed and Screened. Would you rather do shows in the present or the future Bruce Miller: I look at the things you've done in the past. What period do you really like to be in? do you like to be in the present? Would you rather do shows that are in the present, things in the past, or things in the future? Oliver Dench: It's interesting that I don't really think of the time period that much. When I think of work, obviously it comes into it. And obviously when we're shooting, there are differences like accent or manners or general etiquette of the things. But those aren't really the interesting things to me, I think the things that stay more essential to it, are interpersonal relationships and character. and they transcend time, really, or at least they transcend time in the kind of stuff that I would be doing and the kind of roles I would be interested in playing. I know there would be some really far out there, things really far out there character that could only exist in Sci-Fi. But in terms of the things I've done, I've always played humans. Bruce Miller: That's good, right? Lucian is very guarded in this film. Is that a product of the times or is that yeah Oliver Dench: Yeah, which is good. Bruce Miller: He seems so guarded. Is that a product of the times or is that yeah. Oliver Dench: that is something I have found interesting about this time period in particular. But I think that applies to all characters. I think that one in particular, a lot of what is guarded about Lucian is a product of the times. But that would come up in any period. There would be reasons why people would be suppressing certain aspects of their personality and reasons why other things would be allowed to flourish. The fact that this is happening in the 20s just means there's a different buffet of things to choose from. But he is guarded. There's a lot of pressure on him. Bruce Miller: Did you relate to him at all? Did you say, oh, yeah, I see this, or do you go, no, that's not me at all. Oliver Dench: I've led a much more fortunate life than Lucian. I did not fight in World War I. So I think there's already, like, a massive jump of understanding that I couldn't really realistically, ever hope to, empathize with, but sympathize with. I absolutely can. And I think that's sort of our job as actors. There are a lot of things about Lucian that are different from me, but there's obviously a lot of myself that I bring into the character. And I think this is how I understand these social situations. Now I just have to layer on the different, things that Lucian is dealing with to try and make what I hope is somewhat interesting to watch. You were pulled into the family business and you became an actor Bruce Miller: pulling him into the family business is kind of a thing. Was that the way it was with you, too? You were pulled into the family business and you became an actor? Or was that always something you wanted to do? Oliver Dench: No, that was something well, it wasn't always something I wanted to do. When I was very young, I had an idea that I wanted to be a marine biologist. And I don't know why it seems kind of off the wall, but I've spoken to lots of people I knew, and I think it was very in vogue when I was in my preteens to want to be a marine biologist, because loads of people seem to have this idea. I don't know if it was like a David Attenborough inspired thing or something that was happening on the BBC in the UK at the time. But lots of people I know inexplicably wanted to study jellyfish and things. I didn't end up being a marine biologist. I then wanted to be a chef for a while, but I'm not a massive fan of professional kitchens. When I did, like, the tiniest amount of work experience in, when I crumbled completely ineffectual. But no, I wanted to be an actor. I don't think I was pulled in any particular direction. Bruce Miller: So what appealed to you about it is it just the idea that you get to be different people all the time? Oliver Dench: Well, originally it was more poetic for me, and this hasn't really been, the type of work I've ended up doing, but I think while I wasn't pulled in certain directions, I was very lucky to have the family that I do, and my granddad, who was, a Shakespearean actor, on the stage. I was exposed to a lot of Shakespeare when I was growing up, and I loved that. I thought that was absolutely amazing. So originally, I think it was interest in text that made me want to act, because I thought it was so beautiful. I thought it was amazing. Made me want to write as well. But I think acting seemed, I don't know, more immediate, for me, and that's kind of what pulled me into it. The idea of character almost came secondarily to that, which I don't know if is how many people have kind of come into it. But that was definitely the pull for me. Bruce Miller: Shakespearean, though, come on. I read that, and I can glaze over very quickly, especially at a young age. How do you attach to that? How do you say, like this, even though it's difficult to read? Oliver Dench: Well, I think the first thing is, as everyone kind of says, it's not meant to be read. it must be heard. So if you have someone really skillful doing it, then it's amazing. If you have someone who's not very skillful doing it, then it's the most boring thing. Imagine it's difficult. It is really difficult. but I was lucky to have someone who was skillful at the beginning, sort of explain it to me, and then after that, it becomes, the more you're exposed to it, the more effectively you're able to interpret it. And that's almost a problem in its own right. I think that's often why it's so confusing is because the people who are putting on these plays often are people who are very exposed to it. So the language is very immediate for them. So they watch and they think, what's the problem? I understand every single word. I know it really well. An audience who is maybe not so exposed to it might find it more difficult to interpret. So I think that can be a problem in modern Shakespeare productions. but it is true, once you get into it, the more you read by the time you've read or watched a number of plays in a short span of time, it'll become easy. it just requires doing that work, which is why it's so elitist. It can be really elitist. How difficult is it to memorize Shakespeare? Easier than some other plays Bruce Miller: How difficult is it to memorize? Oliver Dench: Easier. Bruce Miller: Much easier, really. Oliver Dench: It is much easier. Well, again, probably this might not be everyone's experience, and some of the plays are split differently. So some of the early plays are almost entirely verse, which means all the lines have rhythm. Or some of the early plays, almost all the lines have rhyme, which I think is actually really ugly often. and some of the later plays are more prosaic, which means that it's more difficult to learn. But when you're learning a speech and you've got the rhythm and the rhyme to rely on, I actually find that to be a great crutch in memorizing, because, you know, if you've got a single word wrong, when you're memorizing, if you're there going to me that is the question whether noble are in the blah blah blah blah. You understand when it goes, off the tracks. and that lets you know that you've messed up. Whereas some other stuff you can mumble through scenes for pages before you realize you've got everything wrong. Bruce Miller: One of those you have a checklist then, and you start checking off the characters that you want to play. Oliver Dench: I used to, not a physical checklist, but I definitely used to think that the most legitimizing career would be some John Gilgood like thing where you first play Romeo and then Troyless and then Hamlet and then blah, blah, kind. Terry Lipshetz: Of work your way up. Bruce Miller: Yeah. Oliver Dench: Eventually you play Lear and then you die on stage and it'll be, wow, what an incredible experience. but I had to because it wasn't what I was doing. But I sort of let go of that some years ago. Not to say I wouldn't still want to play those parts, but I don't necessarily think they have to be in such a linear progression anymore. I feel as though when I was young, I felt like I was running out of time to play characters that meant something, to me. And in some ways that's true. There'll come a time where I'm less likely to be cast as Romeo. but in general, I think there's such a wealth of characters, not just in Shakespeare, but in everything, in other things that I hadn't really given attention to before, that one could never play everything that is interesting. So doing television does allow you or afford you the opportunity to do theater Bruce Miller: So doing television, does that allow you or afford you the opportunity to do theater? I mean, I'm assuming that it's very difficult to have a career in the theater these days because it isn't as financially viable, as it might be in television or in film. Oliver Dench: Yeah. it still exists in London in quite a big way. I'm not saying that it's not an issue. And, theatre acting in general, tends to be underpaid, mainly because it's, under attended. and that's a problem for people who are trying to kind of carve out a career in theater. I guess, in that aspect, doing TV does let you, does give you more opportunities to kind of wait for theater jobs when they come. But it's also about what you're busy doing. And if you're running in certain circles, like, I haven't had a theater I haven't been meeting theater people in quite a long time because I've been shooting things. And that makes it difficult to have a career in theater because no one knows who I am comparatively. I know lots of people who do theater much more regularly, and they find it more difficult to meet people who are organizing TV jobs is difficult. It's complicated. I think the world is so big and vast now that it's difficult, to always be doing what you want when everything fits. You say the best acting advice is do nothing. What was it like when you first tried to do something on camera Bruce Miller: a Broadway actress told me that when she went to Hollywood, she realized that she was so stiff that she had no emotions because she was afraid she would be too broad on camera. What was it like when you first tried to do something on camera? Was it like, oh, my God, I got to watch, so I'm not, like, blinking. I have to watch. I'm not moving. Oliver Dench: I've been through in the things I've done so far, which is not I'm not the most experienced actor in the world, but in the things I've done so far, I feel like I've come through a cycle of being terrified to do anything and thinking that the best acting advice was do nothing. And if you have an impulse, then squash it, and it's wrong and just be completely plain. And in some cases, that's true. In some cases, oddly, due to some quirk of human psychology, or how we recognize emotion, in some cases, we recognize a blank face as a number of different things, and we laud amazingly subtle performances. But I think it's important to not feel stifled by that. And I'm now at a stage where I think make a crazy choice and do something interesting and, hope that you have the skill that that will still come across as natural. And I think it has to exist somewhere between that, because just doing nothing forever is very stifling when you're on camera and even more stifling when you're on stage. Bruce Miller: It's called soap opera. Right. You do nothing. Right? Yeah. How did American television differ from British, uh, television Bruce Miller: How did American television differ from British, television? this wasn't Pandora. That was an American production. Right? Oliver Dench: That was an American production. Yeah. it doesn't really not essentially about what we're being asked to do. I know it does in a multitude of ways, but I find that very difficult to keep a handle on. Like, I know that the CW who broadcast Pandora want different things than PBS, who are broadcasting, hotel Portofino. I know that they have business plans and they have ideas, but that's, personally, for me, not my favorite way to interpret character and to work on a set. I find that kind of foggying and dizzying and confusing and kind of gets in the way of me feeling comfortable and natural in things. So I think the way I see that is I let the director worry about that. I let the directors and the producers worry about what they're going to do, and I'll just try and be here on set and be as mindful of what I'm doing as possible. And hopefully that fits into what the people around me want. I'm not saying they don't want different things or that it doesn't differ all know, English TV, the BBC is not different from, stars or whatever, but I find it more useful for me to try and concentrate just on the microscopic. You hear about people with huge social media following getting roles Bruce Miller: Well, how does all the social media how does that factor in? Because you hear about people who have this huge social media following, getting roles, and you're thinking, wait a minute, they have no talent. What is this? Oliver Dench: I always think that I don't have any big grudges against people getting cast from things. Not for them personally. Because if they want to do it and someone wants to give them a job, then they're going to do it like anyone would. I don't have a lot of hate for people around me, or even I might have envy sometimes if they get jobs that I want. But the way I feel I kind of thought about social media a lot, but I'm not very good at it. I don't like it. I've never been one to tweet a lot. I have an instagram. I think I tried to delete it, but it's still up there. And I think my last post is from two years ago or something. for a long time, I kind of put a lot of stress on myself to get better at that. And then I realized that I don't really like it. And for me, the social media itself is quite damaging for my mental health. And that might be a good tool for getting cast. I know it helps. I know people want to cast people with big following, but considering I'm not good at that, I shouldn't beat myself up about it, and I should just let that go. When you look at a career, where would you like to see yours go Bruce Miller: So when you look at a career, where would you like to see yours go? What would be the ideal direction for you? Oliver Dench: I'm not really sure. Like I said, when I was younger, I had a much clearer idea of here comes my M. Macbeth. Wonderful. But now, like I was saying earlier, I've realized that things have opened up to such a degree in terms of the style of things I would be playing that, I find it much more difficult to predict that. I hope I am working. And I hope I am happy. But I'd much rather think about my mental health being high, my own positivity being high, and me enjoying the work that I do and finding it interesting than I would think about, exactly where I'm going to be. Because my experience has been that whenever I imagine a job in a certain way, it doesn't always line up with, the way I expect my well being, the, place I expect my well being to be at. When I have that job, it's very easy to think when I get a TV job, I'll be very happy. And I don't think that's how my happiness has always moved. So as long as I find it interesting, then, and I'm working, then that'll. Bruce Miller: Be do you plan know, I always need to go back to the theater because that's where I feel most welcome, or is that because didn't you do Cabaret this last? Yeah. Oliver Dench: Yeah, I loved it. I love that show. I was very lucky to do Cabaret this year. in terms of my career, the question that you actually asked me before I started Rambling is, I would like to be doing a mix of things. I would like my career to be continuously mixed. I would like to do some theater and some screen work. I would like to write. I find the variation to be spicy and interesting and exciting. and I find that thrilling. I think that's what I want out of a career rather than something I don't have a particular magnetism back to the theater, and that's where I want to spend my time forever. I just want it to be varied and interesting and satisfying. Bruce Miller: Do you look at your great aunt's career? I mean, come on. She's had the most varied career of anybody. Do you look at that like a, template for something like this? Oliver Dench: Yeah, it would be unbelievable. But few people have a career as. Bruce Miller: Amazing as come on. Yeah, right. But look, she did Cabaret, for God's sake. Oliver Dench: Yes, she did, famously, very well. Bruce Miller: But you did too, so go for it, they say. Oliver Dench: But no, I absolutely if I could have a career that's half as wonderful as that, I'd be very happy.See omnystudio.com/listener for privacy information.

I denne episode af Gamer Sofaen - Din daglige dosis af gaming! - Taler Maria og Thomas om endnu flere Phill Spencer emails fra FTC leak samt vi potentielt snart ser et stort leak af data fra Sony Entertainment. Desuden snakkes der om den forfærdelige launch af Payday 3 udvikleren Starbreeeze har haft og til sidst hører vi om hvordan Read Dead Redemptiom 2 er blevet vurderet, men ikke helt annonceret til Nintendo Switch! __________________________________________________ Du kan følge Gamer Sofaen på:  ⁠Facebook⁠ ⁠Twitter (X)⁠ ⁠Instagram⁠ ⁠Discord⁠ ___________________________________________________ ⁠⁠ Leaked email reveals Phil Spencer's damning verdict on AAA games RANSOMED.VC GROUP CLAIMS HACK ON “ALL OF SONY SYSTEMS” Payday 3's launch has gone so badly that Starbreeze says it's now 'looking at the possibility of some sort of offline mode' Red Dead Redemption 2 er vurderet til Switch i Brasilien 'Necro' Felipe #UnivNintendo - freelance journalist Brasilien

In this special interview, Lukas and Ryan meet Cort Pruett of Sony Electronics Inc on the showroom floor of Evo. We discuss Sony Inzone and how they are utilizing their resources to bolster their monitor and headphone game! Cort discusses the changes and what gamers can expect! Sony Inzone: https://electronics.sony.com/inzone-gaming-gear LAN Parties: https://twitter.com/lanpartiespod - YT: https://www.youtube.com/@lanpartiespodcast Lukas Eggen: https://twitter.com/lukaseggen Ryan Smith: https://twitter.com/smitty2447

What is the fabric of your spirit? Podcaster and brand strategist and Sybil Amuti not only answers questions like these, but inspires us to ask them of ourselves. In this episode, we're investigating how we show up for the world and what it takes to embrace our truest, most colorful selves. Sybil's infectious charm, inspiring wisdom and expansive podcast community are proof of the miracles that happen when we harness the power of voice–whether that's our own, the voices of others, or even the voice of God. This episode is packed with revelations and Sybil is taking us to church (although church might not be where you think it is): The power of community that comes from storytellingUnderstanding that we are not alone–and that asking for help is a powerful tool (even if you're yelling at God or the universe…we won't judge) Learning how to put your spirit on display. How can we identify ourselves through things like clothing, passions, even candy (are you a Starburst or a Dove Bar?).Overcoming chronic people pleasing, and knowing that the effort you put into helping others should also go towards helping yourself Not dwelling on the bad stuff, because of how much evidence we have of the good stuffExploring the difference between the structure of religion and a personal relationship with God, and leaning into that connection when it calls to us Finding evidence of the divine in nature (why is corn so organized? What is a pine cone and why does it look like that? You can't make this stuff up!)Embracing that we are just shadows and dust. Let's all just enjoy the magical things that are available to us, like human connection, community, and dressing up Claiming your voice sometimes requires the silencing of everyone else's, and working on suspending the judgment of others (and yes, we mean the voices in your head, too) Make sure to listen to Sybil on the Great Girlfriends Show podcast using this link, or find it wherever you get your podcasts. The Great Girlfriends Show connects women with daily tips and solutions for living a passionate life and building a thriving business, and we couldn't recommend it enough.OUR GUEST: Sybil Clark Amuti is an executive brand strategist, podcast producer and host, philanthropist, wife, and mother. For over 15 years, Sybil has delivered world-class strategy and brand direction to some of the world's most renowned personal, corporate, and philanthropic brands, such as Scholastic, Nike, Sony Entertainment, Conde Nast, Tony Robbins, Red Table Talk and more. Her company, Legacy Row, is focused on legacy brand building and creating an alliance of like missioned brands who seek to create an impact on a local to global level. Sybil also serves as the creator and co-host of The Great Girlfriends Show, a podcast conversation series created to connect women with daily tips and solutions for living a passionate everyday life and building a thriving business. Under her direction, The Great Girlfriends has served over 700,00 women with content and experiences that support their growth journey.Want more Sybil? Learn more about her here. While you're at it, find her online: Podcast Website:

Steve Curran is the CEO and Co-founder of Burn Ghost Games, a Web3 skill-based game platform. Steve is an entrepreneur and creative technologist with extensive experience in developing interactive entertainment and marketing solutions utilizing games, virtual reality, augmented reality, and other emerging media. He has directed award-winning entertainment-based solutions for clients such as Red Bull Records, Sony Entertainment, Warner Brothers, Atlantic Records, Puma, The History Channel, A+E Television, Burger King, Mattel, Animal Planet, and many others.He is the author of two books on design, including MOTION GRAPHICS Design for Broadcast and Film and CONVERGENCE DESIGN Design for Interactive Television Broadband and Wireless. He was a contributing author to one of the first books on Social Media CONNECTED MARKETING - writing on branded entertainment. He is the CEO and Co-founder of Burn Ghost Games, a Web3 skill-based game platform.In this conversation, we discuss:- Why casual gaming is crucial to Web3- The future of Play-to-Earn gaming- Video games are the biggest use case for Web3- Why do some games go viral while others fizzle?- Why are we so captivated by trivia games?- Wine talk- Working with world-class brands- Launching NFTsBurn Ghost GamesWebsite: www.burnghost.comTwitter: @burnghostgamesDiscord: discord.gg/burnghostSteve CurranTwitter: @Steve_CurranLinkedIn: Steve Curran   ---------------------------------------------------------------------------------  This episode is brought to you by PrimeXBT.  PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.  PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions.  Code: CRYPTONEWS50  This promotion is available for a month after activation. Click the link below:  PrimeXBT x CRYPTONEWS50 

This week James buys a second-hand car while Toby has a mundane weekend and contemplates masculinity, which prompts a discussion on the release of Andrew Tate from jail and why he's acquired cult status among adolescent males (in spite of being a less than stellar advert for masculinity) and James wishes that he were a more ‘manly man.' Of course there's the Trump indictment and whether the former President uses the word ‘INDICATED' deliberately to troll the libs; plus the Overton Window and whether Toby outside of it or not.In Culture Corner, the films 65 (Sony Entertainment), The Boston Strangler (Hulu in the US, Disney+ in the UK), as well as the TV shows Succession, Rabbit Hole and War Sailor (Netflix).Opening sound this week is remarks by Andrew Tate after being released from prison.

You SHOULD stop saying the word SHOULD immediately if you want a near-instant boost to your mental health and creativity. That's the recommendation from psychotherapist Dr. Ron Alexander. Dr. Alexander is a go-to mindset shifter for clients including Apple, Universal Pictures, Sony Entertainment and Microsoft. He's also the author of Core Creativity: The Mindful Way to Unlock your Creative Self. The American Psychological Association says 27% of adults report being so stressed they can't function in everyday life! Read the report here.  Dr. Alexander has a simple tip that provides a lot of us relief. Stop saying the word should. He calls it the most stressful word in the English language. Dr. Alexander says the word should is harmful because "it implies you are wasting time or doing things that aren't important instead of what you 'should' be doing." You can stay out of the stress zone and get a near-instant positivity boost by using different self-talk. On this Dying to Ask: How the word should impacts mindset What you can say instead of should to reduce stress What the second most stressful word is that you likely use all day long And how quickly your stress levels decrease by dropping the word should

Het is zondagochtend, de koffie staat klaar en aflevering #97 van Nerd Culture staat op je te wachten. Deze week duiken we in het jaar 1997 met toppers zoals onder andere Titanic, Men in Black, The Lost World: Jurassic Park en veel meer. Justin Roiland was een nachtmerrie om mee te werken We kunnen er niet omheen we moeten het deze week toch weer over Justin Roiland hebben. Er kwamen deze week meerdere berichten naar buiten dat de excentrieke Rick & Morty creator een nachtmerrie was om mee te werken. Zo zou hij na seizoen 3 eigenlijk bijna nooit meer zijn komen opdagen en heeft hij, op de stemmen na, zo goed als niets meer gedaan voor de show. Is dit een georchestreerde campagne aangezien de toekomst van Rick & Morty in het ongewis is of is het puur toeval dat dit nu pas naar buiten komt? Teenage Mutant Ninja Turtles The Last Ronin: Lost Years Teenage Mutant Ninja Turtles The Last Ronin was een ongelofelijke comic book reeks die we afgelopen jaar met een veel plezier hebben gelezen, een absolute must-read. Nu is IDW met een spin-off serie gekomen genaamd The Lost Years, met nog steeds dezelfde schrijvers Kevin Eastman en Tom Waltz. Deze spin-off serie blikt terug op een tijdperk uit de originele The Last Ronin en gaat tevens verder waar het verhaal is gebleven. Wij hebben hem opgepikt en laten aan jou weten of je het moet gaan checken! Amazon komt met live-action Spider-Man Noir Amazon Prime Video kondigde een tijd geleden een samenwerking aan met Sony Entertainment om het Spider-Man universum verder uit te bouwen. Deze week kwam daar een nieuw project uitrollen. Zo zou de conglomeraat van Jeff Bezos werken aan een live-action Spider-Man Noir. Eerder werd deze rol geanimeerd vertolkt door Nicholas Cage, gaan we deze hier weer zien? Wij betwijfelen het. Het noir universum speelt zich af in de jaren '30 van New York en heeft qua Peter Parker een meer volwassen insteek waarbij ook morele conflicten een grote rol spelen in het verhaal. Wij zijn altijd enthousiast voor meer Spidey en zijn dan ook zeer benieuwd waarmee ze op de proppen komen. Trailer galore We checken deze week natuurlijk ook weer de nieuwste trailers. Zo hebben we Owen Wilson's Bob Ross project op het programma staan genaamd Paint. Is er de Matt Damon / Ben Affleck flick AIR die gaat over de tijd waarin Nike probeerde de grootste basketballer aller tijden, Michael Jordan, vast te leggen. Ook hebben we Matthew McConaughey die Agent Elvis speelt en Idris Elba die in zijn eerste Luther: Fallen Sun film schittert.

Smokescreen: Deadly Cure, a new show from Bloomberg, Neon Hum Media and Sony Entertainment, traces the rise and fall of a church that peddled poison to people around the world. In the first episode, Mark Grenon, a missionary in the Dominican Republic, contracts MRSA. He discovers the Miracle Mineral Solution, and claims its miracle status. This leads him to the founder of MMS, Jim Humble, a man who claims to be a billion-year-old god from the Andromeda galaxy. Together, the two start the Genesis II Church of Health and Healing. Listen to the rest of the series in the Smokescreen feed.See omnystudio.com/listener for privacy information.

Smokescreen: Deadly Cure, a new show from Bloomberg, Neon Hum Media and Sony Entertainment, traces the rise and fall of a church that peddled poison to people around the world. In the first episode, Mark Grenon, a missionary in the Dominican Republic, contracts MRSA. He discovers the Miracle Mineral Solution, and claims its miracle status. This leads him to the founder of MMS, Jim Humble, a man who claims to be a billion-year-old god from the Andromeda galaxy. Together, the two start the Genesis II Church of Health and Healing. Listen to the rest of the series in the Smokescreen feed.See omnystudio.com/listener for privacy information.

Smokescreen: Deadly Cure, a new show from Bloomberg, Neon Hum Media and Sony Entertainment, traces the rise and fall of a church that peddled poison to people around the world. In the first episode, Mark Grenon, a missionary in the Dominican Republic, contracts MRSA. He discovers the Miracle Mineral Solution, and claims its miracle status. This leads him to the founder of MMS, Jim Humble, a man who claims to be a billion-year-old god from the Andromeda galaxy. Together, the two start the Genesis II Church of Health and Healing. Listen to the rest of the series in the Smokescreen feed.See omnystudio.com/listener for privacy information.

James Jensen - Founder and CEO, JUMP A well-lived existence is not for the faint of heart. Setting and pursuing goals invites challenge. It creates the potential for disappointment. When we're younger, dreaming big dreams comes easily. But for some reason, we can lose that ability as we get older. Like barnacles that attach to the hull of a ship, fears can cling to us and slow our PRAW-gress through the waters of life. That's why we were so excited to connect with our guest today–a leader whose experiences in the creative application of technology have equipped him to explore the limits of the question    How can virtual reality help us overcome our fears? A conversation with James Jensen, on this episode of Lead With a Question. Guest Bio: James Jensen is an entrepreneur committed to working with leading-edge technology and eager to solve problems surrounding how we interact and engage with each other in physical and virtual worlds. He is the previous creator and co-founder of the world-renowned virtual reality company The VOID. Within the last 25 years, James founded and managed several technology companies in video streaming, social networks, mobile games, and creative services. He has partnered with Disney, Sony Entertainment, FOX, MGM, Intel, Microsoft, SyFy, Dreamworks, and MTV through those ventures. He is now launching a new form of virtual reality, called hyper reality, in the form of the multi-sensory entertainment company JUMP. JUMP will allow people to come as close to jumping and flying as the real thing, but without all of the risk. https://www.limitlessflight.com/ --------- Please like, subscribe, rate, and review! Every listener interaction helps others discover the show too! Learn about the work we're doing at Bravecore by visiting our website at Home - Bravecore To drop us a line, head over to Contact - Bravecore

In this episode Jade and I discuss the super entertaining and hilarious Starship Entertainment Game Caterers show, featuring members from Monsta X, WJSN, Cravity, IVE, soloists K. Will and Jeong Sewoon and many well known actors and actresses from King Kong Entertainment, a subsidiary of SSE. If you haven't watched it you can find it on Youtube. We also delve into the serious topic of lawsuits and mistreatment of artists going on in the industry right now as well as new comebacks on the horizon, enlistments and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Michael Lynton has worn many hats, having served as CEO of Sony Entertainment and Sony Pictures as well as CEO of AOL Europe. Now, as the Chairman of both Snap, Inc. and Warner Music Group, he's in a unique position to understand how the consumer mindset is evolving. In this exclusive conversation with Alex Michael, LionTree's Co-Head of Growth, Michael discusses the characteristics that make for great leadership, as well as his vision for where entertainment is headed.Find and rate KindredCast on Apple Podcasts or wherever you listen. For more content, follow KindredCast on Twitter, Instagram and Facebook. You can hear our radio show on SiriusXM Business Radio, channel 132 and on United Airlines. And you can find all of Kindred Media's podcasts and subscribe to our daily newsletter, “Take a Break with Kindred Media,” here (https://linktr.ee/KindredMediaHQ).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Ryan this week as he interviews Sean Spitzer, Unreal Enterprise - Senior Instructor/ Master Mentor Artist for VP at Epic Games. Sean has been in the games industry for 18 years working in both console and social gaming verticals. He has an extensive background in education teaching game art and design related topics at both the Academy of Art University and The Art Institute of California. During his time in the Games Industry, he has worked within and alongside companies such as Sony Entertainment, Interplay, Infogames, Zynga, Shiny Entertainment, iWin, and Gazillion. His credits and experience encompass titles like Run Like Hell, Enter the Matrix, Tribal Rivals, Yo-ville, Family Feud, and Wheel of Fortune as well as others. Over the last 8 years he has focused on servicing the social gaming industry and has built a deep knowledgebase of different art methodologies and pipelines. Sean's experience includes TV production and the development of animation content. He has worked with the Academy Award Nominated studio, Bold Studios on interactive TV, animated children's TV projects in Europe, raining Disney's animation team and visual development to help create Frozen's MYTH a VR experience and even Worked on Love Death and Robots Season 3's short Vaulted Halls with lighting and shading work. Learn more about Vertex School: https://www.vertexschool.com/ Learn more about Sean Artstation: https://www.artstation.com/spitfire2709 LinkedIn: https://www.linkedin.com/in/seanspitzer3d/details/experience/ Twitter: https://twitter.com/snsptzr Want to learn skills for creative tech jobs in games, film, XR and the Metaverse? Apply for your spot in our upcoming Game Arts Program here: https://www.vertexschool.com/game-arts-program

RCA Records Senior Vice President of Artist Development Nick Light has led the music industry in the production of major tours and special events for entertainment giants Warner Bros. Records, MCA, Sony Entertainment and Mercury. He has orchestrated and directed the production of major tours for a countless number of icons including Bruce Springsteen, AC/DC, Beyoncé, Neil Diamond, Green Day, Josh Groban, Faith Hill, Fleetwood Mac, Michael Bublé, Madonna, Christina Aguilera, Seal, The Eagles and Don Henley, The Who, Mary J. Blige, Blink-182, Bon Jovi, KISS, and many others. In this episode, Light reflects on his early days as a tour manager, his role as an executive, some crazy stories, the talent he's worked with and the ever-evolving music industry.

Baltimore born Brian Dawkins is an experienced creative director, brand consultant, events coordinator, audiovisual technician, recording and performing artist. Known in the creative community as Greenspan, he discovered his passion as a creative at an early age. Being inspired by artist from Otis Redding and Marvin Gaye to Nas, AZ, and UGK, he started penning his rhymes soon thereafter and made his debut into music in 2008, with his first project, "Got Green?," that was later sponsored by Scion, a marque of Toyota motor corporation. Since debuting, he's consistently provided music fans a discography of standout projects. He has set himself apart in the hip hop arena as an artist with his unique sound and commanding live performance. He has been contributing to the creative community for over 15 years, performing at premier venues nationwide. He's had exclusive releases and premieres with sites such as Okayplayer.com, Vibe.com, and DJBooth.net, as well as features on a host of media outlets and publications. Multilayered in his approach to creative communication, Dawkins has participated in various speaking engagements, including a creative writing workshop co-conducted by fellow emcee and mentor Stan 'Substantial' Robinson, at Amazon's headquarters in Seattle, Washington. He's also had opportunities to speak and work with corporations like McCormick & Company on behalf of his No Food Deserts food-access awareness initiative, focusing on food security for the residents of Baltimore and beyond. No Food Deserts' efforts have afforded opportunities to partner with organizations like Class Produce, Dovecote Cafe, and City Weeds/BeMore Green to implement helpful solutions like weekly pop-ups where fresh produce is distributed free to communities. From Baltimore With Love, a phrase, brand, and movement created by Dawkins, as a declaration, to encourage a positive outlook on the city of Baltimore and its residents. The brand distributes apparel and other items with the phrase printed, to city residents and those originally from the city that have since moved away. From Baltimore With Love has had the opportunity to partner with Baltimore City Public Schools' Office of Engagement for an anti-bullying/positive mindset initiative during the school year 2020, to visit selected city schools with impact programming to encourage empathy and self-worth. Identifying collaboration potential is a strength that Dawkins displays over the years as he's continued active involvement with organizations like Six Point Pictures, and Good Villain Clothing Company who's signature 'Wire" t-shirt was featured in Overbrook and Sony Entertainment s' motion picture "Charm City Kings."   Instagram - @Frombaltimorewithlove Facebook - https://www.facebook.com/FromBaltimoreWithLove/ Website - http://frombaltimorewithlove.com

Today is International Women's Day, which is 8 days into Women's History Month.  So it's no surprise that we are here with Sybil Amuti, the founder of The Great Girlfriends platform, to talk about friendships, community, and so much more, especially as it relates to women. This conversation was also a great reminder of two things: (1) we have women in our lives 365 days out of the year, not just 31; and (2) it's important to include ALL women when we talk about women, as sometimes (and you might have caught this from the title of our show) that definition of women seems to include only White women.  So let's jump in.   What to listen for:  The need for there to be groups that support women of color - like Great Girlfriends! How to process the impact that the pandemic has had on relationships, and how we can all begin rebuilding friendships as we navigate through a rebuild What White women should think about as they develop cross-racial friendships Trends Sybil has seen in corporations and their commitments (or not) to DEI   About Sybil: Sybil Clark Amuti is an executive brand strategist, podcast producer, host, philanthropist, wife, and mother. She holds a B.S. in urban studies from Dillard University and an M.S.in urban planning from Columbia University. For over 15 years, Sybil has delivered world-class strategy and brand direction to some of the world's most renown personal, corporate, and philanthropic brands, such as Scholastic, Nike, Sony Entertainment, Target, Nascar, Conde Nast, Tony Robbins, Feeding America, Red Table Talk and more. Her company, Legacy Row, is focused on legacy brand building and creating an alliance of like missioned brands who seek to create an impact on a local to a global level. Sybil also serves as the creator and co-host of The Great Girlfriends Show, a podcast conversation series created to connect women with daily tips and solutions for living a passionate everyday life and building a thriving business. Under her direction, The Great Girlfriends has served over 700,00 women with content and experiences that support their growth journey. She is also the creator and executive producer of The Grace Podcast, which is dedicated to providing practical spiritual development for Christian women. As a philanthropist, Sybil is passionate about youth mentorship, eradicating hunger, and educational equality for girls around the world. She extends financial support, personal time, and attention to Covenant House and Feeding America. Sybil is a wife of 15yrs and a mother to 13-year-old old Sam and 10-year-old old Dylan. She resides in California. For more on Sybil:  https://sybilamuti.com/about-sybil/   About Great Girlfriends:  https://thegreatgirlfriends.com

This Passage to Profit - The Inventors' Show episode features Katie Chonacas, actress and artist, James Jensen from Limitless Flight JUMP, Emily Grey from The Flourish Market and Lynne Eichenbaum from GardenSleeves by NOMPI. KYRIAKI aka Katie Elizabeth Chonacas is a a multi-disciplinary Greek American artist working in the entertainment industry for two decades. From producing films starring A-list actors like Forrest Whitaker, to touring Spain and South Africa with megastar 50 Cent, and appearing in top television series such as CSI: Crime Scene Investigation and It’s Always Sunny in Philadelphia, Katie Chonacas is multi-talented in nearly every facet of the industry – her omnipresence is undisputed; her talent is hexagonal. As a cartoon animation voice-over artist, she has been branded “Cartoon Katie”and brought to life characters such as Soup from Minecraft: Story Mode – Season 2, Georgia as Nancy Drew’s best friend, to name a few. Katie is also the FIRST NFT artist to release a poem on love on the blockchain. Katie is a published author of a new poetry book titled, A Lover’s Fairytale. She is also the host of the She’s All Over the Place podcast, focused on business in entertainment, the arts, culture, education. As a musician, under the name of “Saint Kyriaki”, Chonacas’ she released her debut album, “Dreamland 1111”. Read more at: https://www.chonacas.com/Visit the Entrepreneur Presenters for December 26, 2021 at their Websites:James Jensen is an entrepreneur committed to working with leading-edge technology and eager to solve problems surrounding how we interact and engage with each other in physical and virtual worlds. He isthe previous creator and co-founder of the world-renowned virtual reality company The VOID. Within the last 25 years, James founded and managed several technology companies in video streaming, social networks, mobile games, and creative services. He has partnered with Disney, Sony Entertainment, FOX, MGM, Intel, Microsoft, SyFy, Dreamworks, and MTV through those ventures. He is now launching a new form of virtual reality, called hyper reality, in the form of the multi-sensory entertainment company JUMP. JUMP will allow people to come as close to jumping and flying as the real thing, but without all of the risk. Read more at: https://www.limitlessflight.com/Emily Grey is the founder of The Flourish Market, a keynote speaker, small business coach, and impact entrepreneur with a special focus on helping makers and brand owners land + grow wholesale accounts. Five years ago, Emily founded her brick + mortar and online boutique, The Flourish Market, building it to a million dollar business in less than 3 years with zero paid advertising. She is also the Founder of The Locality, a co-working space + incubator program for 60 female entrepreneurs in Downtown Raleigh, NC. Pre COVID, you would find her speaking on national stages for Brendon Burchard, at Alt Summit, and leading maker retreats, but she now enjoys speaking and training via Zoom alongside her new pandemic puppy Henry. Read more at: https://emilygreyco.com/Lynne Eichenbaum is the inventor of GardenSleeves by NOMPI, gardening and work gloves are patented and proudly handmade in New Jersey, USA with love! The GardenSleeves protect your arms while working outdoors. Cover up and Ditch the Itch! The idea for GardenSleeves gardening gloves came about when Lynne contracted poison ivy after tending to my vegetable garden. She wanted a sleeved garde

Ella es la creadora y host de “En defensa propia”, un podcast que fue incluido durante dos años consecutivos en la lista de Oprah Winfrey de los mejores podcast en español y en el que se junta semanalmente a hablar con mujeres sobre lo que significa la reinvención personal. Erika es una de las figuras mediáticas más versátiles de Latinoamérica que ha sido conductora de programas en radio y televisión para canales como Telemundo y Sony Entertainment. Actriz de teatro, comediante, incluso hasta la voz de Dolly en Toy Story 3.Esa noche hablamos de la importancia de abrir la conversación del papel de la mujer no solo entre mujeres, cuando me dejó clara la importancia de comenzar por entender todo lo que no está bien en un mundo en el que los hombres no necesariamente hemos estado viendo los abusos a los que se han enfrentado. Me contó cuando hizo la obra de teatro “Cosas Maravillosas”, que trata de lo que significa tener una madre depresiva, fue una bisagra en su carrera y en su vida y como muchas veces el humor puede llegar a enmascarar lo que realmente hay que cambiar.Hablamos de cómo ese podcast fue un proceso creativo y hasta terapéutico del que aprendió dos que tres cosas que me las llevo como una buena lección.Por último me contó cómo el haber conversado con con tantas mujeres en más de 100 capítulos la han ido cambiando para siempre. See acast.com/privacy for privacy and opt-out information.

Hang out with Randy & Tony as they discuss some of the best rock bands that start with the letter "G." Also hear their "Guilty Pleasures & Hidden Treasures" as well as their favorite underrated bands. email: abcsand123sofrock@gmail.com Facebook: https://facebook.com/randyandtonypresent  Hosts: Tony Phillips & Randy McGuire  Recorded, edited, mixed, and produced by Tony Phillips for Xtatic Media  ©2021 Xtatic Media Theme and interstitial music by Tony Phillips ©2021 Xtatic Music/Xtatic Media  ALL OTHER MUSIC © their respective holders   Audio clips from "Almost Famous" ©2000 Dreamworks Audio clip from "Superbad" ©2007 Columbia Pictures Audio clip from "The Survivors" ©1983 Columbia Pictures Audio clip from The Firesign Theatre ©1969 Sony Entertainment

Aha moments are everywhere – and those moments, which are oftentimes serendipitous, lead you to the next step forward. However, many of us choose to ignore those moments. Whether it's out of fear or we're just too distracted to notice them, we end up taking those moments for granted. But you have to be willing to listen to your inner voice in order for the process of reinvention to begin. For George Leon, leaving a huge company like Sony Entertainment was a pivotal moment. He soon realized that things had to unfold the way they should have to get him to the place where he's at right now. George is currently the Founder and CEO of Cakewalk Entertainment, a company that connects global brands with entertainment franchises to create opportunities that generate mutually powerful results. With more than 25 years of experience, Leon is a one-of-a-kind specialist in global promotions and entertainment franchise development. Here are some power takeaways from today's conversation: How he got into the entertainment industry George's aha moment Dealing with the imposter syndrome Believing in serendipitous moments to get you to the next place The value of knowing who you are The challenges of running his own company How they maintain their company workflow and adapting through these trying times The importance of overcommunicating with your clients Episode Highlights: Everybody goes through imposter syndrome at some point in their lives. It's a universal suffering that we all go through. But it's all a matter of how are you going to deal with it that really matters at the end of the day. You got here for a reason. And so you need to believe that you've gotten to this place at this point in your life in order for you to get to the next place. Therefore, sometimes you have to believe in serendipity. Then allow people to help you through it. Figure out who you are, not who you want to be. Because there is so much value in listening to yourself to know yourself better. Finally, focus on what you're good at and surround yourself with people that matter and people who believe in you and what you're trying to do. Links to Resources: Cakewalk Entertainment LinkedIn: www.linkedin.com/in/georgelleon www.SharpeAlliance.com www.TheReinventionExchange.com RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? Available on Amazon Books and Apple Books www.TheReinventionExchange.com THE POWER OF REINVENTION Podcast on Apple, Google, Spotify, Anchor and more...

We're joined by Matt Penfield who has worked in consumer insights for over ten years, utilizing his expertise at top companies like Sony Entertainment, EA, and now as the Vice President of consumer insights at Zynga. We chat about the importance of understanding how target audiences think, what they desire, and how that information impacts what features and games get released, and when. We dive into Matt's time at Sony, and ea. And the invaluable experience he gained while there, and also why VR is definitely not the future of gaming , all on this episode of creators at work.

This week's text is about the final walk in Death Stranding, the 2019 game by Kojima Productions. Back in November, I wrote a spoiler-free review that convinced a tonne of you to play it. Somebody even bought a whole PS4 off the back of that text. I return to the game now to write about its ending and to think about how emotion is achieved through narrative structure, character development, song, gameplay and loss of control. This text is chunky. I have not held back in any way. It took weeks to put together and it is the longest thing I have written in a very long time. But I dunno, it feels warranted. Again, someone bought a PS4! I get an email every other week off strangers thanking me for introducing them to the game! I am becoming a Death Stranding academic. Put me on Mastermind, I'm ready. The written version of this text is available on thewhitepube.com/death-stranding-final-walk but this audio recording is fun because it features clips from BB's Theme, a song by Ludvig Forssell, performed by Jenny Plant, (c) Sony Entertainment. Enjoy!

Welcome back listeners! John Green's manic pixie dream girl fantasies continue this week as Quintin tries to track down his childhood best friend Margo, who may or may not be entirely made of paper (gross). Featuring philosophical cops, tips for breaking and entering, and the Fiery Rage of Veet. TW: Brief mentions of suicide. If you like The Worst Thing We Read, help us grow by spreading the word! You can support us by leaving a 5-star review on Apple iTunes. Follow us on Instagram @worstthingweread, Twitter @worstthngweread, or email us at worstthingweread@gmail.com. Goodreads: https://www.goodreads.com/user/show/102293261-kaitlyn-burton https://www.goodreads.com/user/show/12635391-savanah-tiffany Book rec: Nevermoor: The Trials of Morrigan Crow, Jessica Townsend. Non-book rec: The Last of Us, developed by Naughty Dog and Sony Entertainment.

Reginald Clack, Jr. is an accomplished photographer, branding stylists, creative director and speaker from Tennessee. Traveling throughout the year to pursue the farthest expanses of creativity, Clack works to capture stories that inspire, exists to start conversations, relationships, and build community. The young talent is also the owner and operator of No.89 Photography Incorporated. Layered by music, urban fashion, and lifestyle, Reginald Clack is known for his images that are punctuated by untamed, powerful messages that sparked the immediate eye. He has also contributed to the entertainment community by working alongside prominent music labels like, Sony Entertainment, Universal Music Group, Columbia, Atlantic Records, RCA, with artists like Lil Boosie, Kevin Gates and many others. Through social media, Clack strives to share his vision of timeless/iconic moments that prompt his following to explore themselves. The black lives matter movement in Chattanooga has impacted him a lot as he was left in charge of the media section there. They had a lot of coverage from channels such as CNN and many others. Reginald also talks about how media personnel can be arrested for documenting the truth during the Black Lives Matter Protests. He emphasizes on how social media & internet has documented this movement digitally, making it therefore a part of history. --- Send in a voice message: https://anchor.fm/scopio/message Support this podcast: https://anchor.fm/scopio/support

Of the graphic commercials for 1984's “Silent Night, Deadly Night”, the late Gene Siskel famously declared, ““the showing of Santa with an axe on free TV in commercials is sick, and sleazy, and mean-spirited.” However, one might argue it was absolutely necessary. I' made such an argument on this week's show, however TriStar Pictures — a subsidiary of Sony Entertainment — ignored my reasonable requests to use dialogue from “Silent Night, Deadly Night” and as such, we've had to opt for 2 hours of music. Merry fooking christmas, indeed.

This week's podcasting tip involves prepping your show (which you should always do).  Some folks prefer to have the entire episode scripted out. Others would rather go off of bullet points.  We explore the difference.If you think your podcast is award-worthy, submissions are open for two of them - The Ambies through the Podcast Academy https://www.thepodcastacademy.com/general/custom.asp?page=Awardsand the Webbie awards, which award the best of the web:https://www.webbyawards.com/Google Podcasts are going to start showing analytics on when your podcast shows up in Google Search Results: https://podcastsmanager.google.com/aboutShe Podcasts, which is a 20,000 member community for female podcasters, has launched a virtual membership: https://supersquad.shepodcasts.com/Amazon has bought the domain Podcast.com - James Cridland of PodNews says the asking price may have been $2 million.  So far, the website just points to Audible.Edison Research's Tom Webster says, when naming your podcast, make a name for yourself. Literally.  Don't use a common name that's going to be shared with a ton of other podcasts. https://tomwebster.substack.com/p/make-a-name-for-yourselfPodcast Heavyweights Tanner Campbell, Evo Terra, and Steve Stewart have written an open letter to Apple, calling for the removal of Apple Podcast reviews - they think it should be a heart/like system, so one bad review won't sink a show. https://medium.com/portlandpod/the-case-for-killing-reviews-in-apple-podcasts-66e735cf5f07Finally, Spotify is beginning to play with hybrid talk and music podcasts - that can get royalties to artists when their songs are played.  So far the shows are unique to Spotify and have some kinks to work out. The first one is called "My 90's Playlist" produced by Sony Entertainment, and the first episode breaks down TLC's Classic "No Scrubs."  Here's the release from Spotify: https://newsroom.spotify.com/2020-10-14/spotify-launches-new-audio-experience-combining-music-and-talk-content/?utm_source=podnews.net&utm_medium=email&utm_campaign=podnews.net:2020-10-15 

Sean discusses the following prompt from Steven:It may be too early to give any analysis on, but how do you think the human and economic impact of Covid-19 will change plans and strategies of the Big Five (plus Netflix) movie studios in terms of streaming and/or continuing to operate as usual? How do you think these economic factors will impact the decision making of “disrupters” like Apple, Amazon, Google, and Facebook in terms of making a library or studio purchase? You've detailed steps Disney has taken in the past to avoid being bought and how they still don't need to necessarily seek a safety net to survive, but do Sony Entertainment and Paramount now find themselves in that situation See acast.com/privacy for privacy and opt-out information.

AUSTIN WINTORY has built his career on exploring and curiosity. He began his obsession with composing back when he was ten years old, when he discovered Jerry Goldsmith's scores to Patton and A Patch of Blue. He has composed music for video games such as the multi-award winning Journey from ThatGameCompany, for Stoic Studio's THE BANNER SAGA, and Squid Studio's ABZU AND Ubisofts ASSASSIN'S CREED: SYNDICATE. Additionally, he has written over 50 original scores for film including his first, the Sundance-Festival-winning CAPTAIN ABU RAED. Outside of games, Austin also maintains a busy concert composing schedule, with regular appearances throughout the world. Austin Wintory's most recent original score is for the interactive murder mystery game, ERICA, developed by Flavourworks and released by Sony Entertainment.In the game, you become Erica, a brave young lady plagued with nightmares of your father's murder. With the traumatic events that have haunted you as a child dragged back into the light of the present day via grisly new clues, it's up to you to unearth the shocking truth behind this devastating tragedy. Every choice you make influences how the game develops, with multiple endings awaiting you at the finale of the emotional branching narrative.In this episode, Austin Wintory takes us beneath the murder-mystery of ERICA to reveal some of the intricate details of creating an original score for this extremely interactive game. He shares how key themes are combined and contrasted, throughout the game, based on the players choices and the resulting atmospheric and even narrative effects. Austin Wintory also unveils how he came to utilize Delphic maxims as lyrics within his score.ANNOTATED TRACKS / SEGMENTS02:49 - Introduction and background04:44 - Main Theme/ Know Thyself07:01 - The Aria for Delphi08:50 - A Lost Home09:48 - They are Going to Lie to You13:46 - Another World Beneath17:21 - Respect the OracleSOUNDTRACKThe original soundtrack for Erica was released by Sony Interactive Entertainment Europe on August 20, 2019 and is available digitally on Amazon.com and iTunes. You can stream the soundtrack on Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can find out more and hear more music by Austin Wintory at his official site https://www.austinwintory.com/ and you can follow her on Twitter @awintoryABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorInstagram @TheAnnotatorEmail theannotatorpodcast@gmail.com

Thomas Crum is an acclaimed author, martial arts instructor, and presenter in the fields of conflict resolution, peak performance, and stress management. He is known throughout the world for The Thomas Crum Approach, designed to help people become more centered under conflict, more resourceful when facing challenges, and more effective under stress. For over 30 years, Tom has delivered dynamic presentations to management and employees at all levels in corporations, government and non-profit organizations.  Some of his corporate clients include Amgen, Sony Pictures, Sony Entertainment, Intel, the Navy SEALS and the National Football League. You can find out more about Tom, his books, and his teachings at www.aikiworks.comIn this episode we explore:Tom's unexpected journey to becoming John Denver's personal body guard and coachWhat aikido taught Tom about working with conflictStrategies to stay centered and perform under pressureTom's insights about captivating audiencesOvercoming fearIf you enjoyed this episode please rate the show on iTunes or write a review. You can find show notes and all other episodes at www.joshuasteinfeldt.com/podcastThanks for listening!Support the show (https://joshuasteinfeldt.com/donate/)

Matt Kozlov, managing director at Techstars, shares with us his journey from his early career at Yahoo and Sony Entertainment, later starting a mobile gaming company, and eventually making a shift into venture capital. Matt found his way to Techstars, a leading nationwide startup accelerator, and discusses the bold and transformative programs that the accelerator works on.

Major League Butt Kicking is Back in Town with Man refuses to use the loo for police after drug ingestion, Sony Entertainment up for sale?, new Star Wars series of films, V franchise to be new trilogy, new Conan series, new Child's Play tv series, 10 Best Games of 2017, 10 Most searched game characters on Porb Hub and much more.