Podcasts about hamletmachine

  Fabio Tavares is a Brazilian artist who's been forever obsessed with the human body in action. He started off as a competitive gymnast before running away to join the circus at the age of 15. Since moving to NYC in 1999, Mr. Tavares has collaborated and performed with Yvonne Meyer, Noemie Lafrance, Luis Lara Malvacías, Circus Amok, John Heginbotham, Laurie Anderson, Anna Kholer, Anne Bogart & SITI Company just to name a few. He danced with STREB for 14 years where he was the Associate Artistic Director for a decade. Mr. Tavares taught at Pace University and currently teaches at DGSD at Yale and The Juilliard School. His one-man show based on Heiner Müller's Hamletmachine has been performed in Brazil, Europe and the U.S. since 2010. Fabio in certified in Alexander, Klein and Zero Balancing and couldn't be happier to be working with chameckilerner. Website: www.healthandpoise.com Instagram: fabioatnyc Reverence for Impulse is an unscripted, unplanned and (hopefully) unedited podcast with me, Weena Pauly-Tarr. Together with my guests, we're asking what is alive in this moment?We start each episode with a few minutes of meeting each other head-to-toe, through the language of our bodies, before we press record and bring it to a conversation. We start where we are. This is not a hard hitting agenda or getting to the bottom of things, it's about being in the bottoms of things. Finding each other in the not-knowing. I'm here for the spaciousness, the awkwardness, the silliness, the silence — From the dark insides of our bodies to the brightness of our minds, I'm excited to welcome people who's impulses I'd like to get to know. www.weenapauly.com

Hamletmachine Author and Summary

Arianna Gass is a theater-maker who primarily occupies the multimedia theater space. They are a worker-owner of Obvious Agency, an artist cooperative in Philadelphia known for creating interactive live performance. They are also currently pursuing a PhD at the University of Chicago which we talk extensively about. This was an enlightening conversation for me and really exposed me to areas of theatre and performance theory that I did not know much about before today. For a full transcript of this episode visit beyondthelightspodcast.comMentioned in this Episode[00::02:20] Stella Adler Teen Conservatory [00:04:56] Vasser College Experimental Theater [00:05:55] Barnes Foundation[00:10:15] Obvious Agency and Creative Cooperative Futures[00:11:53] Applied Mechanics[00:11:54] Headlong Dance Theater[00:09:55] Ninth Planet[00:13:15] New York Theater Workshop[00:14:11] Ivo Van Hove [00:16:17] Barnes Jawnt [00:18:50] Bicycle Coalition[00:18:53] Black and Brown Workers Cooperative[00:19:11] US Federation of Worker Cooperatives[00:19:17] Girls Rock Philly[00:28:21] Hamletmachine [00:29:13] The Wooster Group[00:29:14] The Wooster Group's HamletFollow AriannaWebsiteTwitterFollow Obvious AgencyWebsiteFollow Beyond the LightsWebsiteFacebookTwitterInstagram

Our Patron Miri requested that we read the legendary German post-modernist play, Die Hamletmachine and also watch a film adaptation of it. You can watch us react in real-time to the film version on our Patreon. Due to the depths of madness that this piece took us to and the fact that neither of us are thespians, we invited local Boston theater director, actor, and all-around hilarious and glorious human Mary Parker on the show today to guide us through Hamletmachine! You can hear day-time Mary on Eureka's Sounds of Science, the podcast she makes for her actual job. Conversely, you can opt to hear after-hours Mary on the Book #51: Against the Odds episode of Sweet Valley Diaries. Content Warnings: In addition to our usual barnyard language, today's episode makes mention of cancer, incest, misogyny, murder, sexual assault, and socialist Germany. If you, too, would like to force us to read a book (or other written ephemera), head over to our Patreon and select the $10/month tier to fast-track your book of choice to an upcoming episode!

Photo: Xi Zhou Kristin Marting is a director of hybrid work based in NYC. Over the last 25 years, she has constructed 29 stage works, including 9 original hybrid works, 6 opera-theatre and music-theatre works, 9 reimaginings of novels and short stories and 5 classic plays. She works in a collaborative, process-driven way to fuse different disciplines into a cohesive whole. She has developed a unique directorial form that features a “gestural vocabulary” used both as an emotional signifier and as a choreographic element. Kristin has directed 19 works at HERE and also premiered works at BAM, 3LD, Ohio Theatre, and Soho Rep. Her work has toured to 7 Stages, Berkshire Festival, Brown, MCA, New World, Painted Bride, Perishable, UMass, Moscow Art Theatre, London and Oslo. She has directed readings, workshops and premieres for Clubbed Thumb, New Georges, National Sawdust, Playwrights Horizons, Prototype, Public Theatre, Target Margin, and others. Selected residencies include Cal Arts, LMCC, Mabou Mines, MASS MOCA, NACL, Orchard Project, Playwrights Center, Smack Mellon, Voice & Vision and Williams. She has also directed productions for Cal Arts, NYU, and Sarah Lawrence. Kristin was recently named a nytheatre.com Person of the Decade for outstanding contribution, a Woman to Watch by ArtTable and honored with a BAX10 Award. Selected grants include 2 MAP Fund, NEA, NYSCA, Greenwall, Harkness, Jerome and Santvoord Foundations. Prior works have been reviewed in all major NY papers. Kristin is a political activist who has organized many art actions and a frequent panelist for the NEA, TCG, NYSCA, DCA, and ART/NY. She has taught Creative Producing and Directing as well as lecturing at a number of universities. She served as Co-President of the League of Professional Theatre Women. She assisted Robert Wilson on Salome and Hamletmachine and co-founded the tiny mythic theatre company. She graduated from NYU’s Tisch School of the Arts with honors in 1988. Kristin is co-founder and Artistic Director of NYC’s HERE Art Center, where she directs projects, cultivates artists and programs two performance spaces for an annual audience of 30,000. She also co-founded and is Co-Artistic Director of the annual Prototype opera-theatre festival. Assembled Identity, photo: Purva Bedi Looking at You, photo: Blythe Gaissert”

On this well-rested episode, Liam and George invite Inkoo Kang on to discuss The Bad Sleep Well (1960) directed by Akira Kurosawa and starring Toshiro Mifune, Topics discussed: Hamlet, of course; bustiers; eating cake at the DMV; Halloween traumas; Parasite. Also, as usual, capitalism! Folks, it's still bad. Topics not discussed: Heiner Müller's Hamletmachine. Inkoo's great podcast on Pedro Almodovar can be found here: All About Almovodar Podcast And some of her recent writing can be found here: Inkoo Kang: The 10 Best TV Shows of 2020Hey, you all know we love you out there, right? But do you love us? If so, please consider subscribing to our new Patreon! https://www.patreon.com/oeuvrebusters For only $3 dollars a month, you’ll get bonus episodes and the occasional film essay by George. (George promises no problematic manifestos about the current state of the world.) Also, we will definitely give you a shout out on the podcast! Your financial support will also help us upgrade our equipment and improve the show in a variety of ways.Please, if you can, rate, review, and subscribe to Oeuvre Busters on Stitcher and iTunes and wherever else you might download your favorite podcasts. Your ratings and reviews help the show reach a wider audience. Please also feel free to send us regular and hate mail at: Oeuvrebusters@gmail.com. Again, we appreciate all the support. "Robobozo" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ See acast.com/privacy for privacy and opt-out information.

Hoy te recomiendo libros, cultura y entretenimiento para disfrutar desde tu casa. Teatro: 'Hoy no me puedo levantar' de Mecano de Gou Producciones en YouTube, 'Juana Inés, paráfrasis de sí misma' de la compañía Teatro Nómada. Te platico sobre la escritora mexicana Ámparo Dávila, El Festival Ambulante en Casa que empezará el 29 de abril, la serie de Netflix: La Casa de Papel, los espectáculos en la plataforma de Cultura UdG, el concierto de FANKO en Conjunto Santander y el documental Inside Björk. En mi paseo por las librerías te recomiendo: Starfighter de Hamletmachine y el canal de Raquel Castro y Alberto Chimal.

M/M Romance Titles and Authors Mentioned:Author Amy TasukadaStarfighter by HamletMachine (webcomic)Captive Prince series by C.S. PacatBrokeback Mountain (LGBT movie)Cut and Run series by Abigail Roux and Madeleine UrbanFreshman Pledge: the Magic of Love by Larry ColesAdrien English series by Josh LanyonRainbow Boys by Alex Sanchez (YA Novel)The Heart Rate of a Mouse series by Anna GreenGood Omens by Terry Pratchett and Neil Gaiman (non-M/M)Nightrunner series by Lynn FlewellingA Little Life by Hanya Yanagihara (LGBT Novel)Wolfsong by TJ Klune Psycop series by Jordan Castillo PriceThe Magpie Lord (Charm of Magpies series) by KJ CharlesThe Secret Casebook of Simon Feximal by KJ CharlesWhyborne and Griffin series by Jordan L. HawkBeautiful Monsters series by Jex Lane (contains het)Brute by Kim FieldingFamily of Lies: Sebastian by Sam ArgentHexworld series by Jordan L HawkRed White and Royal Blue by Casey McQuistonIn the Middle of Somewhere series by Roan ParrishTell Me it's Real by TJ KluneHow to Be a Normal Person and How to Be a Movie Star by TJ Klune Want to dive in even more? Check out the Top to BOTM Podcast!

Anthony Veneziale (Freestyle Love Supreme's Two Touch) is here and oh mannnnnn did we have one hell of a conversation. In his first episode Anthony talks about the FLS origin story (including freestyling with Tommy Kail on a road trip, getting Cool Points from Chris Jackson, and working on In The Heights), the brain science behind improvisation, and the importance of bringing women and people of color into the space he's created.   Twitter @freestylelove Instagram @freestylelovesupreme Ars Nova https://arsnovanyc.com/ Freestyle Love Supreme Academy https://freestylelovesupreme.com/academy/ Hamletmachine https://en.wikipedia.org/wiki/Hamletmachine Freestyle Love Supreme Cypher https://www.youtube.com/watch?v=zl7ovlJU_wc clipping - “Inside Out” https://www.youtube.com/watch?v=1tFXIy7OWos “Sunrise” Freestyle Love Supreme Episode 2: “Feed Me” https://www.youtube.com/watch?v=fS7dodhE8c8&list=ELLpHMo3LpQj5ddv90QMB0Ew Moondrunk - “My Words” https://www.youtube.com/watch?v=q4xE3xA0mxw Syndee Winters - “Focus” https://youtu.be/k8LSmUPy9G4  

Welcome to this latest episode of the podcast. The guest this week is Mr. Jim Streeter James E. Streeter currently serves as the Production Manager for the Frist Campus Center Film and Performance Theatre at Princeton University. He was previously the Resident Lighting Designer/ Master Electrician for Princeton University's Program in Theater and Dance, where has designed the lighting for multiple productions including: A Little Night Music, Cabaret, Yankee Dawg You Die, The Vagina Monologues, The Crucible, The Duchess of Malfi, HAMLETMACHINE, Twelfth Night, The Maids, A Delicate Balance, Happy Days, A Streetcar Named Desire, The Seagull As well as the premieres of student works such as A Test of Love, Chamber Music, Mixed Drinks, Invitation to the Blues, Utopia Parkway, Shadowman, The Tire Iron ( Beer, Pool and Darts), Joyce Carol Oates' Mother's Day Weekend, Of Beauty Born and T.S. Eliot's The Wasteland. Jim has also designed lighting and visual effects for A Sacred Place, choreographed by Jacques D'amboise, Negotiations, choreographed by Ze’eva Cohen and Aleta Hayes, Chamber Pieces, with choreography by Ze’eva Cohen, Aleta Hayes and Jill Sigman. Other works include Resident Lighting Designer for the Body Hype Dance Company at Princeton University, Konvergence and Rosemary with Ginger for the Acting Studio, Inc. in New York City, The Sound of Music and Phantom for The Media Center for the Performing Arts, The Glass Menagerie (Set & Lighting Designer) and A Lifetime on the Streets for Trenton State College Theater, The Rothchilds for Bristol Riverside Theatre, Jungle Coup, Moby Dick and the American Premiere of The Graduate for Stageworks/Summit and the East Coast Premiere of Cynthia Lee Smith's The Night Spirit for the Aphre Behn Theatre Co. Jim is a graduate of the Center for Media Arts and studied lighting design at The Studio and Forum of Stage Design in New York City. He is also a member of the USITT Board of Directors and a strong proponent of USITT’s Equity, Diversity, & Inclusion Committee. This committee is responsible for supporting and promoting equity, diversity, and inclusion within USITT’s programs and projects and the Institute as a whole. This was a fantastic conversation on topics ranging from lighting practices and how they need to evolve both in teaching and perception, the recent 2018 Telegraph article written by reporter Patrick Sawer titled "Traditional theatre lighting and stage design discriminates against black and asian actors warns Shakespeare's Globe" and finally the merits of hiring someone based on their talent. This is a must listen conversation for students of all backgrounds. This is one you shouldn't miss. Without further ado, Mr. Jim Streeter.

LRT OPUS laidoje „Be problemų” viešėjo Artūro Areimos Teatras, kuris pristatė naujausią savo spektaklį „Hamletmachine”, kuriame jaunystė priešinasi ir kariauja su praeitimi tam, kad galėtų pakeisti, kurti savo ateitį. Norint išsilaisvinti iš nesibaigiančio smurto istorijos ciklo, praeitis kvestionuojama ir dekonstruojama, drąsiai paliekama psichologinio pasakojimo sfera, sukuriamas išduotos revoliucijos kraštovaizdis. Taip pat aptariamos gastrolės į Pietų korėją. Kalbino Tomas Lukaševičius.

LRT OPUS laidoje „Be problemų” viešėjo Artūro Areimos Teatras, kuris pristatė naujausią savo spektaklį „Hamletmachine”, kuriame jaunystė priešinasi ir kariauja su praeitimi tam, kad galėtų pakeisti, kurti savo ateitį. Norint išsilaisvinti iš nesibaigiančio smurto istorijos ciklo, praeitis kvestionuojama ir dekonstruojama, drąsiai paliekama psichologinio pasakojimo sfera, sukuriamas išduotos revoliucijos kraštovaizdis. Taip pat aptariamos gastrolės į Pietų korėją. Kalbino Tomas Lukaševičius.

In this episode, the fuhitos of BL Garden discuss recommendations based on commonly loved BL, and Melissa finally sees the light on omegaverse. This episode is an extended adaption of our recommendations panel previously hosted at A-Kon 2017. (Discussions are prefaced with content warnings) Discussed in this episode Avialae by Lucid (webcomic) Banana Fish (anime/manga) Born Sexy Tomorrow by BBVG (webcomic) Brute by Kim Fielding (novel) Captive Prince by C. S. Pacat (novel) Cretian Cow by Gengoroh Tagame (geicomi) Dramatical Murder (visual novel) Don't Be Cruel by Yonezou Nekota (manga) Honto Yajuu by Yamamoto Kotetsuko (manga) In These Words by Guilt|Pleasure I've Seen It All by Shoko Takaku (manga) Junjou Romantica by Shungiku Nakamura (manga) Killing Stalking by Koogi (manhwa) Kaptara by Chip Zdarsky and Kagan McLeod (comic) No, Thank You!!! (visual novel) On Doorstep by CTK (manga) Oyajina! by Hiiragi Nozomu (manga) Priapus by Mentaiko Itto (geicomi) Private Teacher by Moegi Yuu (manga) Sakura Gari by Yuu Watase (manga) Sense8 (TV show) Starfighter by HamletMachine (webcomic) Supernatural (TV show) Ten Count by Rihito Takarai(anime/manga) Twittering Birds Never Fly by Kou Yoneda (manga) Under Grand Hotel by Mika Sadahiro (manga)

Die aniMUC 2016 in Fürstenfeldbruck war auch dieses Jahr wieder eine sehr gut besuchte Con, mit 7500 Besuchern und noch vielen mehr auf der Wiese.Im ersten Teil gibt es dabei Interviews mit:00:30 Anwohnern aus Fürstenfeldbruck08:30 Moderator Basti in Interview über das Thema des Jahres: Wissenschaft18:00 Cosplayer, die eine Fotostory auf der aniMUC gemacht haben26:30 HamletMachine, eine BL-Zeichnerin aus New York im Interview (englisch)30:00 Acme.Japan-News und Wetter38:30 Sakura, einer der Gesangsacts der aniMUC45:30 Die Orga Judith darüber, dass die aniMUC immer größer wird53:10 Besucher der aniMUC und Verabschiedung

Die aniMUC 2016 in Fürstenfeldbruck war auch dieses Jahr wieder eine sehr gut besuchte Con, mit 7500 Besuchern und noch vielen mehr auf der Wiese.Im ersten Teil gibt es dabei Interviews mit:00:30 Anwohnern aus Fürstenfeldbruck08:30 Moderator Basti in Interview über das Thema des Jahres: Wissenschaft18:00 Cosplayer, die eine Fotostory auf der aniMUC gemacht haben26:30 HamletMachine, eine BL-Zeichnerin aus New York im Interview (englisch)30:00 Acme.Japan-News und Wetter38:30 Sakura, einer der Gesangsacts der aniMUC45:30 Die Orga Judith darüber, dass die aniMUC immer größer wird53:10 Besucher der aniMUC und Verabschiedung

This week our podcast guests are director Max Truax, composer Jonathan Guillen and costume designer Nevena Todorovic. They join Anne Nicholson Weber to talk about their original operatic setting of Werner Muller's Hamletmachine at Trap Door Theatre, including its inception in a dream and its creation over five short and hair-raising weeks.