Podcasts about Malfi

The fifteenth episode of SMFMS Bookends, the satellite show for Save Me From My Shelf. Here we read emails, answer listener questions, talk about what we're currently reading, watching, and playing, resuscitate the Bad Sex Awards™, and provide further outtakes and analysis cut from our Duchess of Malfi episode. Hosted on Acast. See acast.com/privacy for more information.

Award-winning horror author Ronald Malfi joins Vince on the show to discuss his highly anticipated novel, Senseless. In this fascinating conversation, Malfi delves into the novel's intricate themes of grief, moral ambiguity, and the intertwining of multiple storylines, offering insight into the emotional complexity of his characters—Renney, Alan, and Maureen—and how their personal traumas shape their decisions. He also shares the challenges of defining Senseless within traditional genre labels, and his approach to crafting layered, immersive narratives. Malfi reflects on his research process for setting the story in Los Angeles, the difficulties of writing without a rigid outline, and how his musical background as the frontman of the rock band VEER informs his storytelling. The discussion also touches on recurring themes in his work, book cover design, and his experiences at conventions, concluding with valuable advice for emerging writers and exciting updates about his band. Tune in for an insightful deep dive into the mind of one of horror's most compelling modern voices! Website: https://ronaldmalfi.com/#author Amazon: https://www.amazon.com/stores/author/B001JRXTJW Facebook: https://www.facebook.com/p/Ronald-Malfi-100046525307662/ Instagram: https://www.instagram.com/ronaldmalfi/?hl=en Veer: https://www.veerband.net/ X: https://www.x.com/@ronaldmalfi #ronaldmalfi #senseless #smalltownhorror #psychologicalthriller #moralambiguity #grief #characterdevelopment #breteastonellis #writingprocess #perception #symbolism #losangeles #bookcoverdesign #emergingwriters #musicinfluence #conventions

The fifteenth episode of SMFMS Bookends, the satellite show for Save Me From My Shelf. Here we read emails, answer listener questions, talk about what we're currently reading, watching, and playing, resuscitate the Bad Sex Awards™, and provide further outtakes and analysis cut from our Duchess of Malfi episode. Hosted on Acast. See acast.com/privacy for more information.

Two friends and academics recap classic literature and take it off its pedestal. In our sixty-third episode, we open Season 6 with a look at banned and controversial books with John Webster's hyper-violent Jacobean revenge tragedy, The Duchess of Malfi (1614). This play gives us our first authentic himbo sting in a while, as well as an Oscars-worthy In Memoriam.Cover art © Catherine Wu.Episode Theme: Carlo Gesualdo, Moro lasso al mio duolo (1611), Performed by the MIT Chamber Chorus. Hosted on Acast. See acast.com/privacy for more information.

Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Jared PechačekTitle: Mistress of Mistresses by E.R. EddisonHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Jared's book, The West PassageBy-the-Bywater, a podcast about TolkienAnya Johanna DeNiro's OKPsycheCaroline Hagood's Death And Other Speculative FictionsEddison's The Worm OuroborosThe InklingsBarbara Remington, artist and illustrator. Hard to find good scans of her works; here's a page with the Eddison covers.Anna Vaninskaya's Fantasies of Time and DeathLord DunsanyGriemas SquaresC.S. Lewis's Perelandra, we did an episode on that!Eddison's A Fish Dinner in MemisonC.S. Lewis's Till We Have FacesSapphoJohn Webster's The Duchess of Malfi & The White DevilChaka Khan's “I'm Every Woman”Jean-Paul Sartre's Being and NothingnessJohn Crowley's AegyptBaruch SpinozaPre-Socratic philosophers such as HeraclitusFriedrich Nietzsche's concept of “The Will to Power”Godspeed! You Black Emperor's “Lift Your Skinny Fists Like Antennas To Heaven”William Shakespeare's MacbethHope Mirlees' Lud-in-the-MistMichael Swanwick's Stations of the TideJared's Bluesky, Instagram, Tumblr

Intro - Phil explains why he's trying to read 100 books this year Content (8:03) - Discussion of Part 1 of Chapter 1 of In Green's Jungles, by Gene Wolfe. This Week's Play - The Duchess of Malfi, by John Webster. Check out more at alzabosoup.com.

Does ambition have to be seen as corrupting, or like a kind of illness'? These are the questions the business writer Stefan Stern asks in his book, Fair or Foul: the Lady Macbeth Guide to Ambition. He argues that far from the cliché of a scheming wife, Shakespeare's Lady Macbeth demonstrates a more sophisticated understanding of human nature, that could help us navigate the pitfalls of ambition today.The playwright Zinnie Harris made Lady Macbeth the hero of her adaptation of the classic play last year. But now she's focused on the figure of The Duchess of Malfi, in a contemporary retelling. Played by the actor Jodie Whittaker, the Duchess defies her family's wishes and control, and asserts her own desires, with devastating results. The Duchess is on at the Trafalgar Theatre, London until 20th December.Mary Queen of Scots spent nearly two decades imprisoned under the orders of Elizabeth I. From her chambers she wrote countless letters, many of them in code. Now 400 years after her death a new cache of encrypted letters has been uncovered. Jade Scott, a historian and expert on Mary's correspondence, brings her captivity to life in Captive Queen: The Decrypted History of Mary, Queen of Scots. Producer: Katy Hickman

Jodie Whittaker talks to Tom Sutcliffe about returning to the stage for the first time in over a decade to star in an updated version of John Webster's 17th-century revenge tragedy The Duchess [of Malfi]. The super-realism of Japanese food replicas is on show in London exhibition Looks Delicious! Curator Simon Wright and Japanese food expert Akemi Yokoyama reflect on this distinctive art. Baroness Ludford discusses buying single theatre seats. Canadian writer Anne Michaels talks about her Booker Prize shortlisted novel Held, which begins on the French battlefield in 1917 and spans 4 generations.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Send us a Text Message.Let's head back to the theatre for a really blood-soaked tragedy!  And while we're at it, let's think about the intersection between art and social criticism.Support the Show.Please like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!

On today's episode, we take a look at five novellas from one of our favorite authors, Ronald Malfi, in his new book, "They Lurk".  Malfi's writing is always complex and thought provoking while it mercilessly scares the ever living poop out of you. Tonight we are pairing the book with Belfour Texas Pecan Wood Finished Bourbon Whiskey.  It's another deep and complex offering, and we can't wait to tell you more about it.

As the new season at Chichester continues to get underway, Jack Riddiford sat down with us to talk about the eagerly anticipated revival of Harold Pinter's The Caretaker. Often regarded as one of the greatest plays of the 20th Century, we talk about how the show has managed to stand the test of time, as well as about what it's like getting to approach the character of Mick. The Caretaker also marks Jack's Chichester debut as well as Artistic Director Justin Audibert's directing debut in Chichester too. In the latest revival of Pinter's seminal play, Jack will also star opposite Ian McDiarmid and Adam Gillen. In this new interview with Jack Riddiford, we talk about his approach to tackling complex roles like Mick and what makes Harold Pinter still such a towering figure in the theatre industry. In our interview, he also shares his excitement at getting to work in Chichester and  his love for intimate theatres like the Minerva Theatre where the show will be playing. Most recently, Jack starred as Mercutio in Rebecca Frecknall's production of Romeo and Juliet at the Almeida Theatre following their collaboration on The Duchess of Malfi, also at the Almeida in 2019 where he played Ferdinand. Jack has also starred in the West End runs of The Inheritance and Jerusalem, working alongside the likes of Vanessa Redgrave and Mark Rylance. Now as he starts his run in The Caretaker, he shares with us what he's learned over the years about being a good company member and the importance of being egoless in a rehearsal roomThe Caretaker runs at Minverva Theatre from 8 June - 13 July

Following the success of our collaboration with Tricolore Theatre Company and the Catholic Association of Performing Arts, we are pleased to bring listeners more dramatised stories from local writers and performers. Tune in to hear the stories live on the radio! Podcasts of the programmes will be updated after the initial broadcasts. JONAH THE DOG IN THE BOAT by BRIDIE STRINGERBroadcast: Tuesday 7th May 2024, 3:30pm About the Writer: Following careers in telecommunications and NHS management, I undertook academic postgraduate studies in pastoral theology and was awarded a doctorate in 2010. I then became a university lecturer in reflective practice courses for those working in chaplaincies, and also for candidates in formation programmes for the ordained ministry of permanent deacon. I have actively participated in parish, deanery and diocesan pastoral councils over many years and been a catechist for children, young people and adults. I find creative writing helpful in pastoral ministry as it frees people to engage imaginatively with faith rather than burdening them with doctrine and orthodoxy which they might find difficult to engage with. Finally, I am a wife, mother of two loving daughters and grandmother of two amazing grandsons. In short, I am a good example of St John Henry Newman's saying: ‘To live is to change and to be perfect is to have changed often.' Perfection still eludes me!  Readers: JONATHAN COOTE, KENNETH MICHAELS, NADIA OSTACCHINI About the Readers: JONATHAN COOTEAn actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books.  KENNETH MICHAELSKenneth Michaels is an actor and director and has worked in theatre, radio, television and film and has taught in several drama schools. As an actor he has toured extensively in the UK and Europe in works from Shakespeare to pantomime, Pinter to Agatha Christie.  Kenneth works as a specialist ESOL teacher, working with refugees supporting their English learning. He is also the Secretary of the Catholic Association of Performing Arts (CaAPA).  NADIA OSTACCHININadia is an actor, theatre producer, voice over artist, secretary & carer! She was born inLondon of Italian parentage, trained as an actor and is the Artistic Director of Tricolore Theatre Company whose first dual-language English/Italian storybook based on Jesus's parables was published last year.  She has enjoyed Tricolore's collaboration with Radio Maria for Eastertide Stories as well as Advent Adventures last year & looks forward to reading: ‘A Boy Called Porro' to Radio Maria's younger listeners over the radio this Christmas. Website: www.tricolore.org.uk  

8. FISH ON FRIDAYS by VIV LAKE Broadcast: Thursday 2nd May 2024About the Writer: Convent educated, then Pitman's College, worked as Secretary, had a career break raising her family. She returned to work in NHS for 10 years, then for a charity, producing their quarterly magazine. She joined an actors and writers group in 2006, began writing short plays, graduating to longer pieces and full-length plays.Readers: JONATHAN COOTE, KENNETH MICHAELS, NADIA OSTACCHINI About the Readers:JONATHAN COOTEAn actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books.  KENNETH MICHAELSKenneth Michaels is an actor and director and has worked in theatre, radio, television and film and has taught in several drama schools. As an actor he has toured extensively in the UK and Europe in works from Shakespeare to pantomime, Pinter to Agatha Christie.  Kenneth works as a specialist ESOL teacher, working with refugees supporting their English learning. He is also the Secretary of the Catholic Association of Performing Arts (CaAPA).  NADIA OSTACCHININadia is an actor, theatre producer, voice over artist, secretary & carer! She was born inLondon of Italian parentage, trained as an actor and is the Artistic Director of Tricolore Theatre Company whose first dual-language English/Italian storybook based on Jesus's parables was published last year.  She has enjoyed Tricolore's collaboration with Radio Maria for Eastertide Stories as well as Advent Adventures last year & looks forward to reading: ‘A Boy Called Porro' to Radio Maria's younger listeners over the radio this Christmas. Website: www.tricolore.org.uk  

Things start to get fruity in this third episode. Neil chooses almonds, fuelling a historical debate that goes a bit nuts. Apricots are more Allie's jam as she looks at their use in literature and Sam takes the less beaten track of the aubergine, sparking memories of the time she made a parmigiana…on TV!Useful LinksNeil's recipe for - or, rather, interpretation of - medieval blanc mange and modern, sweet blancmange.‘Almond trees in Ancient Greek lore' on the Greek News Agenda websiteHistory of the Bimberlot Festival. ‘A French Party 600 Years in the Making' by Hugh Thomas on the Smart Mouth Substack.‘The "pretty art" of detecting pregnancy in The Duchess of Malfi' by Claire McEwen Duncan via University of British Colombia Open Collections.‘Eggplant (aubergine) — A Mad Apple with a Dark Liaison' on the Vegetarians in Paradise website‘Eggplant (aubergine) Symbol Timeline in Love in the Time of Cholera' on the LitCharts websiteSuggested ReadingIn Search of Lost Time (1913) by Marcel ProustThe Experienced English Housekeeper (1769) by Elizabeth RaffaldA Midsummer Night's Dream (1605) by William ShakespeareApricot Jam and Other Stories (2008) by Aleksandr SolzhenitsynElinor Fettiplace's Receipt Book: Elizabethan Country House Cooking (1987) by Hilary Spurling (based on the late sixteenth century manuscript notebook belonging to Elinor Fettiplace)The Duchess of Malfi (1613) by John Webster Pride and Pudding: The History of British Puddings, Savory and Sweet (2016) by Regula YsewijnAnything to add? Don't forget we want to hear your suggestions for future topics.Contact usemail: aisforapplepod.gmail.comlinktree: linktr.ee/aisforapplepodSocial mediatwitter/X: @aisforapplepodInstagram: @aisforapplepod_

Following the success of our collaboration with Tricolore Theatre Company and the Catholic Association of Performing Arts, we are pleased to bring listeners more dramatised stories from local writers and performers. Tune in to hear the stories live on the radio! 6. THE SELFISH GIANT by OSCAR WILDE Broadcast: Thursday 25th April 2024, 3:30pm About the Writer: Oscar Wilde was born on 16th October 1854 in Dublin, Ireland and died 30th November 1900 in Paris, France. Wilde was known as a playwright and poet, journalist, essayist and writer of short stories for adults and children. He also wrote a novel, The Picture of Dorian Gray in 1891. His best known works are the plays, the comic and acerbic observations of British society, The Importance of Being Earnest (1895) and Lady Windermere's Fan (1892), An Ideal Husband (1895) and A Woman of No Importance (1893). He was imprisoned from 1895–97 because of his homosexuality where he wrote the poem The Ballad of Reading Gaol in1898. Wilde was also known for his witty sayings. Even on his deathbed Wilde remarked, “My wallpaper and I are fighting a duel to the death. One of us has got to go”. Shortly before his death, Wilde was conditionally baptised into the Catholic church.  Reader: JONATHAN COOTE About the Readers:JONATHAN COOTEAn actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books.   Our Gracious SponsorsGHIRELLIWith the Rosalet® bracelet Ghirelli® creates an inseparable union between Faith and Design  Rosalet® is at once a beautiful rosary and a jewel that revolutionizes the concept of an instrument of Prayer. This bracelet conveys a depth of prayer with symbols and messages that transcend time and fashion. Website: www.ghirelli.it/  CAAPA (CATHOLIC PERFORMING ARTS ASSOCIATION)The Catholic Performing Arts Association (known as CaAPA), has a diverse group of members whom are comprised of actors, directors, writers, singers, musicians and other entertainers, who share in a creative community where they can also grow in their spiritual values.  They also aim to serve the wider community by presenting productions for charitable causes or by taking productions on tour to schools, local theatres, parishes and elderly homes. Website: https://catholicassociationofperformingarts.org.uk/

Following the success of our collaboration with Tricolore Theatre Company and the Catholic Association of Performing Arts, we are pleased to bring listeners more dramatised stories from local writers and performers. Tune in to hear the stories live on the radio! Podcasts of the programmes will be updated after the initial broadcasts. 4. DISPUTED INCIDENT IN LOYOLA HOSPITAL by JEREMY ROWEBroadcast: Thursday 18th April 2024, 3:30pmAbout the Writer: I was received into the Catholic Church 1977. I am married, with two sons who live in America. I have been an actor, a lecturer in English and Drama and a librarian. I am now co-founding a professional venture for writing and disseminating new Christian/Catholic literature and drama. Email address: collaborative.direct@btinternet.com  Readers: JONATHAN COOTE, TERESA JENNINGS, KENNETH MICHAELS About the Readers: JONATHAN COOTEAn actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books.  KENNETH MICHAELSKenneth Michaels is an actor and director and has worked in theatre, radio, television and film and has taught in several drama schools. As an actor he has toured extensively in the UK and Europe in works from Shakespeare to pantomime, Pinter to Agatha Christie.  Kenneth works as a specialist ESOL teacher, working with refugees supporting their English learning. He is also the Secretary of the Catholic Association of Performing Arts (CaAPA).  TERESA JENNINGSTeresa has worked extensively in theatre, most recently with Middleground Theatre touring the Verdict throughout the UK and Dublin's Gaiety. Lead roles include Maureen in The Beauty Queen of Leenane National Tour Vesta Tilley (one woman show) The Curve, Leicester and National Tour, Ariel in  The Tempest, Joan of Arc and Prim in The Woman Hater, The Orange Tree, Richmond.  Teresa has a BA Hons in French and Drama and won the most promising graduate from Sam Walters's Richmond Drama School. Teresa is also a writer and has worked on world cruises with Fred Olsen running and writing shows. She is a contributor to The Soho Theatre Comedy Project and does regular, varied voiceover work and role-play with The United Nations. Teresa is also a jazz and folk singer.      

Tricolore Theatre Company in collaboration with The Catholic Performing Arts Association (CaAPA) and GHIRELLI present Eastertide Stories, airing on Tuesdays and Thursday at 3:30pm from 9 April to 9th May on Radio Maria England. 2. THE KIND TEACHER Writer: PENNY CULLIFORD Penny is a playwright, author and speaker. Her plays include Warden Pie, The Gingerbread Man, The Golden Chain, Saffron Hill, A Boy Called Porro, and Grimaldi's Last Act for Tricolore Theatre company. She also wrote the Theodora's Diary books, The Art of Standing Still and a children's novel based on her play, A Boy Called Porro. Reader: JONATHAN COOTE An actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books. Reader: KENNETH MICHAELS Kenneth Michaels is an actor and director and has worked in theatre, radio, television and film and has taught in several drama schools. As an actor he has toured extensively in the UK and Europe in works from Shakespeare to pantomime, Pinter to Agatha Christie. Kenneth works as a specialist ESOL teacher, working with refugees supporting their English learning. He is also the Secretary of the Catholic Association of Performing Arts (CaAPA). Reader: NADIA OSTACCHINI Nadia is an actor, theatre producer, voice over artist, secretary & carer! She was born in London of Italian parentage, trained as an actor and is the Artistic Director of Tricolore Theatre Company whose first dual-language English/Italian storybook based on Jesus's parables was published last year. She has enjoyed Tricolore's collaboration with Radio Maria for Eastertide Stories as well as Advent Adventures last year & looks forward to reading: ‘A Boy Called Porro' to Radio Maria's younger listeners over the radio this Christmas. Website: www.tricolore.org.uk

Tricolore Theatre Company in collaboration with The Catholic Performing Arts Association (CaAPA) and GHIRELLI present Eastertide Stories, airing on Tuesdays and Thursday at 3:30pm from 9 April to 9th May on Radio Maria England. 1. Following Down the Road About the Writer: ROGER PRICE Roger Price has for (too) many years been writing drama pieces for use in worship and beyond in the promotion of the Christian faith. As well as monologues and other short pieces he has also written and professionally produced longer shows. Notable pass productions include 'Parables' – all the teaching stories of Jesus in a single show – and 'The Boy From the Boro' – the story of a Nuneaton shopkeeper and his involvement in the First World War. The current show is 'John's Tale', telling the story of St. John's Gospel through the eyes of those who met Jesus in a light-hearted, accessible style. Nevertheless, it still retains the essential message of love and redemption. This is planned to be touring again later in the year. His website is www.unconvetional-disciple.co.uk where examples of these and his weekly blog can be found. Reader: JONATHAN COOTE An actor for many years on stage, screen and radio, Jonathan's favourite roles have included Cyrano in Cyrano de Bergerac, Bosola in The Duchess of Malfi and Atticus Finch in To Kill a Mockingbird. His West End appearances include Yes, Prime Minister, The Audience, Witness for the Prosecution. At the National Theatre he has appeared in The Doctor's Dilemma, Home, Emil and the Detectives, Our Country's Good, As You Like It. When theatres re-opened after lockdown, he toured a one-man play called The Man with the Golden Pen as James Bond author, Ian Fleming. An immersive audio recreation of an 18th Century Chocolate House which he wrote and produced is currently running at the Old Royal Naval College, Greenwich. Television appearances include: Stephen, The Crown, Casualty.. Radio/Audio: Publish and Be Damn'd (BBC) Six Degrees of Assassination (Audible), The Diary Of River Song (Big Finish) and numerous audio books. Reader: KENNETH MICHAELS Kenneth Michaels is an actor and director and has worked in theatre, radio, television and film and has taught in several drama schools. As an actor he has toured extensively in the UK and Europe in works from Shakespeare to pantomime, Pinter to Agatha Christie. Kenneth works as a specialist ESOL teacher, working with refugees supporting their English learning. He is also the Secretary of the Catholic Association of Performing Arts (CaAPA). Reader: NADIA OSTACCHINI Nadia is an actor, theatre producer, voice over artist, secretary & carer! She was born in London of Italian parentage, trained as an actor and is the Artistic Director of Tricolore Theatre Company whose first dual-language English/Italian storybook based on Jesus's parables was published last year. She has enjoyed Tricolore's collaboration with Radio Maria for Eastertide Stories as well as Advent Adventures last year & looks forward to reading: ‘A Boy Called Porro' to Radio Maria's younger listeners over the radio this Christmas. Website: www.tricolore.org.uk GHIRELLI With the Rosalet® bracelet Ghirelli® creates an inseparable union between Faith and Design Rosalet® is at once a beautiful rosary and a jewel that revolutionizes the concept of an instrument of Prayer. This bracelet conveys a depth of prayer with symbols and messages that transcend time and fashion. Website: www.ghirelli.it/ CAAPA The Catholic Performing Arts Association (known as CaAPA), has a diverse group of members whom are comprised of actors, directors, writers, singers, musicians and other entertainers, who share in a creative community where they can also grow in their spiritual values. They also aim to serve the wider community by presenting productions for charitable causes or by taking productions on tour to schools, local theatres, parishes and elderly homes. Website: https://catholicassociationofperformingarts.org.uk/

Hoy con Ingrid y Tamara en MVS, el organizador del Festival del Adulto Mayor, Javier Sirvent y nuestra compañera Concha León Portilla, nos hablan sobre las novedades que vienen en esta nueva edición del evento. El maestro espiritual Fer Broca, nos explica sobre la importancia de las palabras para crear realidad. ¿Qué hacer en caso de despido? El especialista en derecho laboral, Mario Rebolledo nos dice a dónde acudir y cómo calcular tu liquidación. Pregunta del día: ¿Cuál taco no dejarías por nada del mundo, al pastor, de carnitas, suadero…etc.? El comentarot del día de hoy: https://x.com/mvs102_5/status/1775923611599049100?s=46&t=tn2KT9U8KIhiZCzxxuu6tQ Conversamos con los actores Daniel Martínez y Paulina Treviño, sobre la nueva puesta en la que participan “La duquesa de Malfi”, una obra en donde dos hermanos harán todo lo posible para impedir que su hermana se vuelva a casar. Además, nuestro sylist Vince, nos habla sobre la nueva tendencia en la moda “Cowboy fashion”. También, estrenamos nueva sección, “A 3 de irnos”, donde te contamos sobre las tendencias; Varios cantantes, como Billie Eilish, Katy Perry, Danna, entro otros, se han unido para protestar contra el uso de IA que pueda poner en riego sus derechos de autor Taylor Swift se suma a la lista de celebridades multimillonarias, luego de romper el récord con su gira más grande de la historia. Y lamentablemente la especie Guacamayo de Spix, ave que es conocida por su hermoso plumaje, originaria de Brasil y en la que se inspiraron para la historia de la película “Rio “, fue declarada “Extinto en su hábitat natural” Conéctate con Ingrid y Tamara en MVS, de lunes a viernes, de 10:00 AM a 1:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

British visual artist Es Devlin has designed spectacular sets for some of the largest stages on earth. As well as designing for the theatre, Es has created unique performance spaces for the likes of Beyoncé and U2. Now, her award-winning stage design for The Lehman Trilogy, about the rise and fall of the Lehman Brothers investment bank, can be seen on stage in Sydney.Also, Pip Williams' bestselling novel The Dictionary of Lost Words has been adapted for the stage, and 400 years after its publication, John Webster's play The Duchess of Malfi is back. So, what is this violent and bloody play's appeal in 2024?

Director Tom Bradley chats about The Duchess of Malfi by Arrant Knaves Theatre Company.  Plays at Meat Market (Cobblestone Pavilion) in North Melbourne, February 15 to 24.  Facebook  3CR broadcasts from the stolen lands of the Kulin Nation.

Some stories are too short, some are too long, but some stories are just right. It's the Goldilocks zone: the novella.What is the secret to crafting a longer story but not letting it run away from you? How do you sustain the terror beyond the shortest form? How do you know what to keep in and what to cut out? This is the art of the novella, and I'm joined by a pair of expert practitioners to talk it through. Josh Malerman and Ronald Malfi have both published novella collections this year – Ron's They Lurk and Josh's Spin a Black Yarn contain multitudes. From motel-lot self-mutilation to deathbed serial killer confessions, via the Oregon backwoods and the core of Saturn(!!), these stories take us to places without wasting a word.Josh and Ron provide a masterclass on the art of the novella, as well as ALL the enthusiasm you could ever pack into an hour of conversation. This one will put a smile on your face and inspiration in your typin' fingers! Enjoy. They Lurk was published was published on July 18th by Titan; Spin a Black Yarn was published August 15th by Del Rey Books mentioned: Daphne (2022), by Josh MalermanGoblin (2021), by Josh MalermanGhostwritten (2022), by Ronald MalfiPet Sematary (1983), by Stephen KingThe Long Walk (1979), by Stephen KingMrs Dalloway (1925) by Virginia WoolfHouses Without Doors (1990), by Peter StraubBloom (2023), by Delilah S. DawsonThe Turn of the Screw (1898), by Henry James Support Talking Scared on Patreon Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

On the Literary Life podcast this week Angelina, Cindy and Thomas continue their series on G. K. Chesterton's The Man Who Was Thursday. Before diving into the plot of these chapters, our hosts discuss the similarities and differences between Chesterton and Kafka's works of fiction. Thomas gives some historical context on anarchy as well as assassinations in the time period of this book. Angelina points out the Dante-esque language in this section, as well as the continuing themes of chivalry. Cindy highlights the character of Sunday and how he looms large, quite literally, over everyone's imaginations in the story. Some other thoughts our hosts discuss include modernity's mindset as it relates to the atmosphere of this story, the idea of the underdog fighting against all odds, and the humorous moments that break some of the tension. Be sure to come back next week when we wrap up our series on The Man Who Was Thursday. If you missed our 2023 Back to School Conference when it was live, you can still go back and view the recordings when you purchase access to the conference at MorningTimeforMom.com. Angelina is teaching a class on How to Read Beowulf at the end of August 2023. Get in on this mini-class at House of Humane Letters. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: It's important, too, that everything that has a story, such as a myth, should be read or listened to purely as a story. Many people grow up without really understanding the difference between imaginative and discursive writing. On the rare occasions when they encounter poems or even pictures, they treat them exactly as though they were intended to be pieces of more or less disguised information. Their questions are all based on this assumption: “What is he trying to get across?” “What am I supposed to get out of it?” “Why doesn't someone explain it to me?” “Why couldn't he have written it in a different way so that I could understand him?” The art of listening to story is a basic training for the imagination. Northrop Frye, The Educated Imagination The biographer is there to explain rather than to judge. To get a clear view of a man we do not need to be told if his actions were good…but how and why he came to do them. Lord David Cecil, “Modern Biography” Or read again The Man Who Was Thursday. Compare it with another good writer, Kafka. Is the difference simply that the one is ‘dated' and the other contemporary? Or is it rather that while both give a powerful picture of the loneliness and bewilderment which each one of us encounters in his (apparently) single-handed struggle with the universe, Chesterton, attributing to the universe a more complicated disguise, and admitting the exhilaration as well as the terror of the struggle, has got in rather more, is more balanced: in that sense, more classical, more permanent? C. S. Lewis, “Period Criticism” Selection from Paradise Lost, Book 1 by John Milton Innumerable force of Spirits arm'd That durst dislike his reign, and me preferring, His utmost power with adverse power oppos'd In dubious Battel on the Plains of Heav'n, And shook his throne.   What though the field be lost? All is not lost; the unconquerable Will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome? Books Mentioned: The Oxford Book of Christian Verse ed. by Lord David Cecil On Stories by C. S. Lewis The Trial by Franz Kafka The Castle by Franz Kafka Day of the Assassins by Michael Burleigh The Defendant by G. K. Chesterton The Song of Roland trans. by Dorothy L. Sayers Tess of the D'Urbervilles by Thomas Hardy King Lear by William Shakespeare The Duchess of Malfi by John Webster Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

In this episode of Cloudlandia, I accompany you on a captivating time-travel adventure to the 1930s era. We explore the nascent media landscape and how the rise of radio and television began to connect the world. We predict how elements like technology, energy, money and labor may redefine our world. We also shed light on 1950s industries like television advertising and iconic artists that profoundly shaped society. Join Dan and me for this enlightening discussion into the past, present, and what may lie ahead.   SHOW HIGHLIGHTS The podcast episode explores the evolution of media, starting from the 1930s when radio and television started to unify the world. The hosts discuss the story of Matt Upchurch, founder of Virtuoso, and how his influential magazine became a guide in the complex world of information. They also explore the potential future of global economics, focusing on elements like money, energy, labor, and technological innovation. The episode delves into how these elements could redefine our landscape, especially in the context of a potential plateau period, and how they could challenge us to find more productive uses of technology. The hosts revisit the 1950s, highlighting the significant impact of industries and events like television advertising and iconic appearances of Elvis Presley and the Beatles on the Ed Sullivan show. They discuss emerging trends in mainland experiences, drawing parallels between cash flow and sense of humor, and delve into the realm of digital publishing. The hosts examine the shifts in travel desires induced by the pandemic and the potential of community colleges in providing a pathway to future employment. The hosts plan to set up a new sound studio and propose the idea of creating a digital collection basket at the end of the podcast. They predict that the future will see a growth in high-quality mainland activities as people's standards for travel and experiences have risen after the COVID-19 pandemic. They highlight that industrial land prices in certain areas are going through the roof, pointing towards a trend of re-industrialization driven by automation and the need to bring manufacturing closer to customers. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean Jackson Mr. Sullivan. Dan Sullivan Mr Jackson, are you having a good mainland day? Dean Jackson I am. I've been, yeah, you know, I've been having a combination of, so far today, been on the mainland and in Deanlandia and there's. That's a good combination. Now yeah, here we are in Cloudlandia. Dan Sullivan Yes, yeah, well, it's a beautiful day We've had. Actually, by my memory, we've had a fantastic summer in Toronto, July and August. It's really great. You know Well, when it rains, it usually rains at night, and so the grass is all green. I've never seen the trees so green, so it's been great. I've been reading about forest fires you know I've been reading about hurricanes, typhoons, volcanoes, not in Toronto. Dean Jackson But we're going to have a, apparently because of the ocean temperatures, we're in for a potentially turbulent hurricane season, which is just getting going here now. So everybody kind of you know straps in between now and end of October to see what happens, right Well as we've been in the news. They'll let us know what you know when they put up the big red buzzsaw making its way towards Florida to get everybody all suitably panicked. Dan Sullivan Yeah, well, it's very interesting. The 1930s are still the hottest decade since the US has had temperature readings yeah, yeah, and the big thing is that we have so much news now. Everybody's a newscaster now with their cell phone. So what's gotten exponentially greater is actually people's first reaction to the weather, you know. Dean Jackson Yeah. Dan Sullivan And climate I've never experienced. You know, I'm 79 and to this day I've never experienced climate. I've only experienced weather. That's right. Is it my feeling? You know I don't have a climate chip in my brain. You know a climate. Actually. You do know how it's the average of a year's temperature in a particular spot. Dean Jackson Yeah, what's the? Dan Sullivan climate Right, exactly, and the spot where you're sitting is different from the year than 100 yards away from where you're sitting. Dean Jackson That's interesting. Yeah, the whole. It's all different, right, everything that whole. Yeah, I look at those as one of those things. We're certainly in you know an age, like you said, with the news there that everybody you know. I mean when you look at from you know I think about the big change again when we went from you know no new. You know the local town prior kind of the voice of what's going on. Dan Sullivan So when we got to, a unified voice of. Dean Jackson You know the, when the radio and the television became the unifying, that's really what it was. It was a unifying thing for the first 30 years of it and then when the affiliate you know the network kind of thing allowed local voices to be, you know, you got the in the beginning. It was when you were born all it was the national radio and national television right. The television wasn't even a thing when you were born in 1944. Dan Sullivan In the 40s, no 40s, so when you were a young boy, you got your first face to Howdy duty. Dean Jackson I mean, that was, that was something, I guess huh. Everybody got introduced to Howdy duty. Dan Sullivan Yeah, I was, and there there was. I can figure it was like 1953, maybe 1953 that I became aware of television, because some neighbors had it and and you know, and it was the three you know ABC, cbs, nbc but then where we lived in. Ohio. Dean Jackson we got Canadian Broadcasting Corporation from there and so I was aware that there was this country across the lake, yeah, and so yeah, it's very interesting, isn't it, that then, you know, by the time we got to 1980, we ended up we had 13 channels. That was a big, that was a big jump in the next 30 years. But all of those 13 channels were both distributing the national content of ABC and BC and CBS, but they were also producing local content. And now we're at a situation where you had, you know, 13 channels with multiple, you know, regional voices, the market affiliate, affiliates, and now we're at a stage where there are, you know, five billion voices all going through the three you know that was funny because, we've come down to, the channels are the same in terms of Facebook, instagram, youtube, twitter. Mr. Beans, yeah right, well, these are part of the YouTube network there, you know, but not now the platforms are there, but everybody but there's, you know, billions of voices on those same things, and that that's where I see that this next 30 years or however long, I don't know how long it'll be because you can't imagine what you can't imagine. But you know, I don't see anything on the horizon that's going to things like. It feels like all the pieces have locked into place for a period, you know, asymptotic plateau of creativity, now that everybody of reach, everybody's got access to it. Dan Sullivan It's really fascinating, and you're absolutely right that I have never had the experience of imagining something that I couldn't imagine Exactly. Dean Jackson That's right, everybody had the first thought to imagine it. You know? Yeah, I was looking. Dan Sullivan I had an interesting project project, a sudden project, this week. Do you know Matt up church? Have you ever? Do you remember Matthew up church? Dean Jackson Matt. Dan Sullivan Matt. Matt, the founder and owner of Virtuoso, and Virtuoso is the biggest network in the world of affluent travel agents. Dean Jackson I'm a member actually. Dan Sullivan Yeah, that's good, okay, yeah, they have this very posh magazine that comes out every quarter, every month. Dean Jackson Yeah, I get it from the Sims. Dan Sullivan Yeah, yeah, and he was. Matt was in the program a couple times. He was in the 90s and then early. I think he came in right around late 90s and was in the 2000s and then I think he was there in the teams and, but in 2003, so 20 years ago right about now I was guest speaker at his annual conference at the Bellagio in Las Vegas and I think about 2000. They're about 2000 travel agents there and there's a lot of travel companies there to like hotels and resorts and cruise lines, you know, and they have sort of a rapid get to know you sort of day, you know, when you meet somebody for 10 minutes and then you meet for another 10 minutes rapid work. Yeah, so I gave a talk and I created a workbook and so it was probably about a 90 minute talk with about an hour of Q&A and then you know, then there was a half hour afterwards where people just mingled and but what I was telling them about was the, because of digitization, that so much of the standard travel agency business was going to be completely commoditized by Expedia and you know, like that type of thing. And so and I give a set of predictions and I also said that there's a bypass to all this if you master DOS the dangers, opportunities and the strengths and you just zero in very deep on your best clients and you identify, when they're traveling, what are the dangers that they experience. In other words, they could lose something, what are the opportunities that they could gain something in the strengths that they have. And as a test example, I did it on Babs and me, showing that how we like to travel and you know experiences that we really don't like having experiences that we love happening. And the strengths that we have to really enjoy and explore particular type of experiences. Okay, and I gave that to them and talked it through, but I gave as an example a hotel resort in Ravello in Italy. So the Malfi Coast, you know you get South and Naples and you get you know, and you get town and Malfi and Ravello there's like four in the island of Capri is just up here. So I'm sure really classically beautiful and luxury type of setting and it was and I'm not, I can't quite remember, but I think it was probably might have been right near the end of the 90s that we had gone there because we were going on a hiking tour with a group of people for about six days on the Amalfi coast and but before we went for about three days and stayed at the resort in Ravello which is called the Pozzo Saso and it's a beautiful. It sits way up high, it's a couple hundred feet off the water there. You know that part of the Mediterranean I don't think that's exactly called the Mediterranean there, but it's part of the Mediterranean and you can see down the coastline easily 50 miles and our staff had told the staff of the resort that it was my birthday. So the second day was my birthday and from morning till night everybody in the hotel said happy birthday, mr Sulton, happy birthday. Dean Jackson You know. Dan Sullivan And then they there were nonstop treats throughout the day breakfast dinner there were treats and they communicated the conference, the Bellagio Conference. Virtuoso, I communicated. That's how I like that type of treatment. Dean Jackson I like. I like that. Dan Sullivan I like that when my treatment is like every day's my birthday and so, anyway, a really neat little reward for my talk was that then, after I got talking, there were a lot of people came up, shook my hand and everything. And this little man came up and he had almost tears in his eyes and he says Mr Sulton, I'm the general manager of the Pozzo Saso. And I don't I can't, I can't express to you what you've done for my trip to Las Vegas. He says everything I could have possibly hoped for here. You know, because there's competitors, the whole room is filled with competitors. They're gonna spend their money on something you know, and so anyway, it was really funny, and that's it. I didn't remember this, really, for I never used that particular approach again. And so we got a call that they're at their same meeting this year and they have 5,000, they have 5,000 now because Virtuo so has really grown and they asked if I could do an update on what I had predicted. And I went through it and I said well, everything you know, I mean, once you grasp the technology. If you're just giving a standard service, technology is going to commoditize you. you know there's I mean that's not such a great prediction backwards. Dean Jackson That's funny you know you're on the right path. Dan Sullivan You can't digitize that experience that you have, and so they asked me if I had any further thoughts of what the next 20 years would look like, and I'm right on the spot, I said well, the world's gonna change. Everything that you've been experiencing for the last 20 years is gonna change much more drastically than it changed over the last 20 years, and the reason is I call it the force. I just nicknamed this. Dean Jackson The force slowdowns Okay and I said this was the force slowdowns. This feels like breaking news right here. Dan Sullivan Well, this is like Cloudlandia. I mean this. I had to give you that background, just to accept it as a Cloudlandia idea. You know, I mean, there's tough standards. There's tough standards to even be able to listen in on Cloudlandia, let alone speak on Cloudlandia. And I said the first thing is the cost of money is gonna go up and we call it in most places. We call that inflation. So right around the world there's just massive inflation, except for those places that have already been so undermined by inflation that they're now in deflation. And there's one big place where that's happening right now, and then the deflation is where you. Deflation is where the value of everything starts going down significantly. It's not just the cost of things. Inflation is really a function that things that you really want are gonna cost you more. And so for about 20 years we said that around 1%, 2%. You know it was the lowest inflation period since probably the last 20 years have been up until COVID was the lowest inflation. So the cost of money and that means borrowing money is gonna cost you a lot. And you know, here in Canada it's around 7%, you know, 7% to get bank loans, and the US is more or less the same. Second thing is the cost of energy is going way up in most of the world. Okay, and I'm gonna make a proviso where I say in most of the world, it's going to. So, just prior to COVID, the cost of transportation, the overall cost of transportation to get anything in the world, anywhere else in the world, was 1% of final product. So you know you get something from 10,000 miles away. The transportation cost of that was 1% of the final cost and I would say well, first of all, there's places where it's gone 100%. Russia is being one of the places Russia shipping anything in the world. It costs them 100% and the reason is they can't get insurance for any freighter. You know freighter that goes into a Russian port Automatically. None of the big global insurance companies will insure it. You just can't get insurance, and that's not just Russian boats, that's anybody's boat If you go into Russian territory and they don't have that many ports. They've got about four points. I mean they're 11 time zones wide and they've got about four meaningful ports. And two of them are right in the war zone. Sevastopol and Odessa are two big ports and so you can't even get. Nobody will take their boats into that area, so they're in, you know. I mean, the cost of transportation is really high when you can't transport. Dean Jackson Right, exactly, you can't get there from here, right yeah? Dan Sullivan And then the third is the cost of energy, because one, the war is a particular situation, but the cost of energy has gone way, way up. We had really cheap energy over the last 20 years, so now it's gonna go up and this isn't a momentary thing, this is going to be, you know. And then the fourth one is the cost of labor. Especially skilled labor, is gonna go way up, and skilled labor covers a lot of things, but it's basically that there would be competition to hire you if you were working someplace. There would be competition from the outside that you would offer somebody more to move from where they are, and anyone who's got skills that would do that. And if you're so 18-year-old in Toronto today, if they take a 10-week industry sponsored training course, they'll get a certification at the end of 10 weeks and a year later they're making $60,000. Within three or four years they're making $100,000, and they'll never make less. And there will be constant bidding because we've gone basically in North America, a lot of parts of the world. We've gone probably 20, 30 years without any real emphasis on skilled labor, skilled labor, Skilled main land labor. Dean Jackson you mean yeah, or everybody's going into the skilled club land labor. Dan Sullivan Yeah, and a lot of them. Dean Jackson There's so much of it and that's being replaced by AI now, yeah, exactly, you're not gonna have a, you're not going to have an AI sneaking your toilet. Dan Sullivan No, there won't be AI, plumbers, ai, carpenters, ai all the skill trades that's every kind of factory work requires skill training. Dean Jackson So anyway, those are the four slowdowns. Dan Sullivan So those are the four slowdowns and the biggest thing is going to slow down as technological experimentation, innovation, that's going to change really fast and you could see at the end of starting in, probably beginning of 22 last year, there was more firings in the high tech industry than probably in any other industry, and the reason for that was they were hiring people for projects they were going to do 10 years from now and they don't have the cap. The money is too expensive to be paying for things that aren't going to get a payback in 10 years or so. So what I'm saying is and you brought this up, it got me thinking the last podcast we had you brought up that we may now be in sort of a plateau period, like you described the 50s to the 80s. Dean Jackson And. Dan Sullivan I think we're right now we're going back into a plateau period. Dean Jackson Where there's a lot of development. Dan Sullivan There's a lot of development and a lot of more productive uses of what we already have. Dean Jackson Yes, and that's what I think it is now. It's going to be the application through those pipes, just like the iPhone in 2007,. That laid the groundwork for the app culture that brought us Uber and Instagram and Facebook and YouTube all the big things that we use on that vehicle of the phone. And now it's really. This is what I'm fascinated by is who were the big winners and how was the big adaptation to the tool set that was available in 1950. If you think about that, as by 1950, we had television, radio, we had the plane travel, electricity, automobiles, all of those big things that were highlighted in the big change from 1900 to 1950. Were the big winners and continue to be the big winners of that period Of an. Is it adapt, being adaptive on that? Because it wasn't a big period of invention, it was a capitalization of. You look at the packaged goods, the consumer goods really boomed in the 50s and 60s through television advertising. You look at Procter Gamble and big packaged goods companies that knew if we just package up a product, put it in front of the audience. We know everybody. We know 50 million, 53 million people or 60 million people were watching. I love Lucy in the fifth. Those reach audiences. I think Gunsmoke was like a high watermark of the large audience. Then it started going down from there. I saw a chart where that was the peak 61 million I think was the largest television audience in 1960, something whatever Gunsmoke was at its peak. Dan Sullivan Then there were single events like Elvis Presley, the Beatles being on the Ed Sullivan show. You had single events. There were things like that as a series. I bet your numbers are dead on. Dean Jackson While the number one shows on television what did grow during that period. Dan Sullivan I love that period. Dean Jackson That's why I'm asking you and my observation. Dan Sullivan First of all, if you were in putting in superhighways, that was a really big deal. The Turnpike, the cross-country interstate highway system, had just crossed Ohio, probably around 1956 or 57, on its way to the west coast. The other states were building but they weren't connected. They weren't connected yet. Dean Jackson The. Dan Sullivan Ohio Turnpike was just a continuation of the New Jersey and Pennsylvania Turnpikes. These were toll roads. That was it. The other thing was an enormous movement of industry out of the big cities, the big northern cities. I grew up in northern Ohio. Ohio was the most powerful industrial state in the United States, starting probably in the 1880s. 1890s it was just a powerhouse. Pittsburgh was famous for steel, but Ohio City's young down to Cleveland. Cleveland had as much steel as Pittsburgh did, but it was spread out over three countries. It was all geared to Detroit. All of a sudden the automobile industry really consolidated down to just the three companies. Dean Jackson That was just Ford and Chrysler that created the suburbs that created the suburbs. Dan Sullivan The other thing was retail changed because every time you put one of these interstate highways in, you bypass small towns. So small town retail started to die in the 50s because shopping centers and shopping malls may be between two small towns or three small towns but everybody went shopping in their small town, except for daily convenience. But they would go to the shopping mall. The shopping mall went through the industry the other thing that's a whole industry but it was air conditioning. Air conditioning allowed people to move industry and commerce and everything to the south. You wouldn't want to be in Orlando in the 1950s. You weren't too warm to do productive work. Dean Jackson Right, I'm recognizing now the pattern of so. We went from the general store to the main street in small towns, to strip plazas in the 50s, to shopping malls in the 70s, 80s, 90s to Amazon. Now. Amazon is basically or online, where we get everything, every physical good that you could imagine. Online is really the thing. But that's an interesting evolution. Right From main street to when we had automobiles and went suburban, it was the strip mall and then where you could drive your car up into the parking lot and go to the plaza where there was all of the collection anchored around a grocery store, perhaps in a dry cleaner, and putting everything in one place and then that led to the franchise, as a great thing, because the homogen that you created a homogenous vibe in the country by unifying everybody around the television. Everybody was seeing what leave it to be and that whole, all of those shows. Dan Sullivan And the other thing is that the cars became more comfortable because people could go on long trips now, so I remember when you got air conditioning in the cars and so the other thing about it was the recorded music industry went through the roof in the 50s, 60s, you got 45s, came in 33 and a third came in and 45 came in and the late 40s and 40s. Dean Jackson And so the recorded part of what drove the recorded music industry was that they had a discovery device of the radio that you could play music over the radio and that would draw and they would be on bandstand and be on the Ed Sullivan show and be on the thing. So everybody would gain an awareness and, you know, you could create that sensation which drove people to the local record store to buy the records. And that's where that really took off. You know, now we're in a situation where the you know it's certainly, I think, more of a meritocracy now in a way that anybody, it certainly. You look at Peter Diamandis's six D's were certainly up into the democratizing phase of that. Anybody could. I mean you and I could make a hit song if we wanted to and put it out, and we've got as much. Dan Sullivan I think we could have a hit song made. Dean Jackson Yes we don't want to apply it ourselves. Our leadership and finance. Dan Sullivan I think it would upset our daily lifestyle if we were yeah, we can who, not how. Dean Jackson We can who, not how. Dan Sullivan Yeah, it's long right but I had a really great example of that on Friday morning so I had a podcast to Belfast, ireland, great guy, and he's got a coaching program called, which is simple, scaling you know how, helping entrepreneurs to scale their businesses and it was great he went. We went twice the a lot of time because neither of us had a hard stop and but you know he's got a hundred thousand that download the world he's in a hundred countries, you know wow and you, and you and. But you and I have looked at this, you know, from a cost standpoint. I mean, once you bought your computer and you've got an internet line, the rest of it's pretty. I mean there isn't a lot of cost to this. But here we guy, he's got a hundred country worldwide radio station, then he's got a audience of a hundred thousand. You know yeah, and and that my past. And I mean, if you compare that back to what that would have taken, well, let's go 25 years ago. I mean, yeah, achieve that 25 years ago. Dean Jackson It would have cost you so much more, you know when you look at her Carlson, that's a good example right now. Yeah, what's happening? Dan Sullivan I mean it's taking him about two or two or three months to sort of get used to it. And now his show is more powerful than when he was on Fox, because he got three million. Dean Jackson Three million to 13 million average viewer. Dan Sullivan Yeah yeah, and that's. He's done that in three months. You know, yeah, I mean yeah, but now you know the thing is you and I could do exactly like. Dean Jackson This is where the thing is. The difference is the is reach. You know it's not the capability I mean, it's certainly you and I and anybody listening right now has the capability to create a vehicle, to create the podcast, to create a show, to create let's just call it content, to create content that you know could have that kind of impact, but it's just breaches the ultimate scale of this, you know, and it's not, yeah, but that requires the interesting thing is, the more reach that you have, the more you acquire new capability to go along with it, you know and the more your vision gets bigger as your reach gets bigger. Dan Sullivan It was like we have the same landlord are building in Toronto. We don't own the building because they don't sell their buildings and it's a perfect building for us, but yeah, labor Day. So we're a month. Within a month, we will have been there 32 years in that building yeah, you're the you're the only tenant from about the middle of 2020 to the middle of 2022. We were the only yeah, and the check for them was there every month, anything like that. But about 15 years in we haven't. I haven't talked to the landlord. Probably since 2000 I've talked to both of them socially. I've met them, you know, in social events, but I haven't talked to anyone, let's say around 2011. So last or 2001 I've probably talked to them in year 10 of our stay in their building and I was unusually from his perspective, I was unusually funding that day and he says I don't remember, I don't remember, I don't remember you being that funny when you moved in and I said I find my sense of humor is strictly a function of cash flow, right? yes, there's a correlation there or the bigger the cash flow, the bigger the cash flow, that bigger my sense of humor. Yeah so, so anyway, but it's very really interesting how I you know this is and he really we've had and the reason he did it is because of the book, the ten times since he's here at them, two times okay, and first of all, the way I did the book, you know, with Ben Hardy, that probably was not possible 20 years ago, 30 years ago right the way. I did the book. Yeah, because half the most profitable part of the book is not the book itself, it's actually the audible version of the book. I mean once you made your first audible recording. From the standpoint of the publisher, there's not really any cost, is there? You know right, that's exactly right and yet it works out one to one for every, you know, paper book that sold. There's another sale that's a virtual. It's either Kindle, you know, it's either ebook or it's yeah, it's audible, and so that wasn't possible 20, 30 years ago. So I think, we're pointing out a direction here is that I think there's gonna be two extraordinarily valuable world. I think high-quality mainland activities are getting going, grow and grow and do you? Mean by that, hi what? When you well, I think people had two years basically not going anywhere during COVID yeah and I think there are standards of good what they want to do. If they go so much, somewhere has gone up, I'm going to take the effort to travel. I mean we never gave any thought to travel before COVID. I mean you were all around the world. You were in Australia. Dean Jackson Every year, all the time. Dan Sullivan Yeah, yeah, and you were in Toronto. You were in other places in the United States and I think that it has to be something new, better and different for you to really get on a plane and travel somewhere. And it's the same with me and I've gotten about five. Speech. Offers big audiences 500 to 2,000. And I say I'll do it by Zoom, but I won't travel, I won't travel. And they said but the price they're offering this year for speeches is way above what it was three years ago. And I said it's not the money, it's the time, it's the time to bother. Dean Jackson I said that's not the money Right exactly. Dan Sullivan Yeah. Dean Jackson Yeah, that's what I'm talking about. Dan Sullivan I mean in your experience, in my experience. I think you can see a trend here. I am too. Dean Jackson Yeah, exactly, I'll tell you what would be a new and unique and delightful experience is my ears perked up to FreeZone in Toronto in April of next year, that might be enough to tell you I'm very excited to get me on a plane, very excited about that actually. But, D, you know, well, that's good, that's good. Yeah, well, I'm going to go back to my team. Dan Sullivan I said I just got word from Dean that he's really interested and we said, well, it's a lot of work. But you said we just have to have an offer for Dean that's compelling enough that he'll come to Toronto, did you see? That's it. I mean it might be a one person FreeZone, but it's worth it. Dean Jackson The table 10. We need anything. That's what I really miss the most the many of it. Dan Sullivan Yeah, well, the table's still there, but it's not 10. Dean Jackson Hey, did anybody take? Dan Sullivan over Jacques. Dean Jackson No, it's something else. Dan Sullivan now it's not a restaurant anymore. Oh, that's a shame. Dean Jackson Well, when you were saying thinking about the high quality mainland experiences that I'm noticing here. So there seems to be a trend. Now that's happening is gathering spots in a way. Now there's almost like modern day food court type of things, where we're getting a new place. Two of them in Winterhaven that are sort of outdoor common area with venue for live music and tables and picnic tables and that's stuff where you can kind of gather with a bunch of people but five or six restaurant concept, almost like food trucks or whatever, but in places where you can go and have five or six different food restaurant choices other than each of them opening up an individual restaurant they're sharing a common experience and architecturally they're really. They're reclaiming old warehouse space and things that are. They're making them really architecturally interesting and integrating outdoor space to make them really like you want to be there. Dan Sullivan Interesting, I was thinking about that this morning because on Richmond Street West. So if you remember your map, portland, where Portland Street is in North South Street and then you have Portland and a lot of restaurants. So it's just, it's north of Adelaide Street and then you have Richmond, but what's really interesting, there's a whole factory, old factory that was taken over and it was gutted, and it's a food center, just like you say, with lots of but the anchor restaurant in there is Susar Lee, so you can say that, yeah, I was going to say I just read about Susar Lee, yeah. And so the rent he was paying rent on just on King Street. So he's jumped out. His lease came up and he jumped and they offered him to become the anchor rest. So he'll have his whole restaurant in there, but instead of it being out on the outside, it's the rest of the food court with smaller restaurants and there's seating areas out in the center, but he's got his own seating area, like it's like a patio, but it's so. We were thinking about going there this week because it just opened in July and we wouldn't have gone there for the sake of the food court, but we would go there because that's where Susar is. Dean Jackson That's really interesting, because I just like. Dan Sullivan I mean, it's totally what you're talking about. Dean Jackson And it's just so funny that you mentioned that specific place, because I was just on Toronto Life this morning looking at that, because I often go there just to see keep up with what's going on, and I saw this about about Susar Lee's new place. So yeah, that is funny, but so that is kind of like now bringing it's almost like bringing back to the mainland being the, because that's a mainland experience. Dan Sullivan Yeah. Dean Jackson Digitize that yeah. Dan Sullivan And I mean there's just an enormous condo building going on in that area, so the residential population is always going up in that area. As a matter of fact, suit Sasha Kersmerk. Sasha, I think you know Sasha, he might. Sasha is almost 20 years in coach. He's the number one site surveying company in Toronto. Okay, so nothing. No project starts until the site survey is approved. Dean Jackson Right. Dan Sullivan By city officials and he's got roughly 80% of all the site survey projects in the city right now. I mean he's just the dominant and he said that basically from the plan for Toronto is from the lake going north. If you have Jarvis on the east and you have Bathurst on the west, okay, so you can think of all the streets in there that would go there, from there to basically four street, davenport, you know Yorkville. Dean Jackson Okay, yeah. Dan Sullivan It'll look like a mini manhattan island in 30, 40 years. Dean Jackson Yeah, wow, that's very interesting. It'll be all high rise and there's still high rise, yeah, and that's kind of the thing is being able to see that if you just look with your 2040 goggles on to see where that's heading, yeah, it's probably 2050, 2060,. You know and everything like that. Dan Sullivan But the other thing is Toronto is becoming very quickly a major industrial city between here and so here on Lake Huron it's all the way to the bridge across to the United States at Buffalo or at you know, the bridge in St. Dean Jackson Catherine's that goes across, and then in Western Ontario, the. Dan Sullivan Windsor-Chatham area to go across the Ambassador Bridge in Detroit and half the Canadian GDP. Gdp you know, money in, money off goes across those two bridges every year yeah. And the Canadian economy and he said the price of industrial land from here to Niagara Falls is just going through the roof. And he said things that were plotted out as residential areas. You know, single family residential areas they're getting outpriced in the market now by the industrial competitors. And it makes sense too if the Canadian dollar remains always weaker against the American dollar. It's, you know, it's $30, $34 today, you know. So there's always this big differential between the, because US is much more powerful economy you know it's got nine times the population. You know it's got nine times. It's got probably 10 times the consumption dollars that are available in all areas of business. So so you know you'll have an American factory and they say we're going to put a factory near Toronto on the Canadian side, and we're going to manufacture everything, paying Canadian prices for the manufacturing, selling it into the United States, bringing it back from the United States. Dean Jackson Wait a minute. That's your playbook. That's not any of your playbook. Dan Sullivan Oh, Mr Sullivan, this is Revenue Canada. We want to have a chat with you. Dean Jackson Yeah, exactly that's funny I was listening to. Dan Sullivan I was listening to Cloudlandia. Dean Jackson Oh man, that's funny. Dan Sullivan I get more tricks from Cloudlandia than anything else. I listen and watch. Dean Jackson I wonder you know if it's so, I think now a lot of this industrialization or re-industrialization, is it, do you think, driven by automation, like robotics and you know, automating manufacturing processes, that or what is it, do you think Well? Dan Sullivan I would say half of it is we can't trust China for anything in the future and everything that's being manufactured in China. We've got to bring it back. And since we're moving it out of China, we can get the same kind of deals in Mexico or even in the middle of the United States, and it will be 21st century industry, industry, and it'll be 21st century. The US has the greatest skilled population in the world. A lot of people don't think that's true, but hands down, at all levels of the economy, united States has more educated, skilled work per capita than any other country in the world. So the US there's factories in the US that can produce that the same, and it's skilled labor plus automation. So automation is definitely, I would say it's 20% of it. But also making your staff really close to your customers has enormous savings. Dean Jackson Yeah, yeah, it's fascinating times, Dan. I mean, if you're thinking, I have really been thinking about if we are at a plateau. Dan Sullivan Well, I think the I mean if it costs more for money, if it costs more for transportation, it costs more for energy and it costs more for labor, things are going to slow down. Yeah, and you know just that welding example I gave you of the 18 year old who can be making. I mean, somebody goes to you know university for four and learns a lot of theory and you know, is maybe 50 or $60,000 in debt at the end of four years. The person at 18 who became a welder is already buying their first house. You know they're. You know Exactly. Dean Jackson Like think about how, when you take the, you know, when you take the net difference between them investing four years with no income and going into debt to get a degree that gets them an entry level job when they get out with that degree. And so you know that's not compared to coming into a training program and making $60,000 and at the end of the four years making $100,000 and not having any debt. You're so much further ahead on that foundation. Dan Sullivan Yeah, yeah, I think there's going to be an explosive growth of community colleges that are integrated with the local business, you know, the basic industrial population and everything else. I checked the numbers about two years, the number of community colleges in the US and these would be made. These would be mainly two year, two year community colleges, yeah, and there was just under just under a thousand and two things I think are going to happen. That number will probably jump to 2000 over the next 25 years. But even the thousand that exists will double their size. They'll double their enrollment. Yeah, that's interesting, and I wonder, though, if they're you know, because they're doing like yeah, I mean you have like George Brown and in Toronto, and you have there's about, there's probably about four community colleges. That would what do you call a community college in the United States? There are before them in the Toronto area and they're at maximum. You know, they're at maximum enrollment. As a matter of fact, they have waiting lists now to get in. Yeah, and that's all skilled. You know it's all skilled trades. Dean Jackson Yeah. Dan Sullivan You come out being able to you graduate on a Friday and you go to work on Monday. Dean Jackson Yeah. Dan Sullivan The employers come to the colleges and they interview all work interviews are in your while you're at college. You're getting interviewed and some of you you're actually working at the place while you're in college. And you know, and yeah so I think that whole notion. Dean Jackson It doesn't matter how much you're working at the college. Dan Sullivan It doesn't matter how much you spend on college, you'll get paid, you know you'll get paid in the future, you know you'll get paid off easily in the future. I think that ended no 809 actually with the downturn there and I think that that was a huge interruption in the connection between higher education and future employment and I think that COVID put the nail in the coffin to that proposition. Dean Jackson Yeah, Well, yeah, I remember hearing Sheridan College, I guess is the one is yeah, share, yeah, and I remember they were. That was like the Sheridan animators were really in demand, that there was one of the places where you know Disney and others were Pixar were hiring. You know all the newly minted, you know digital animators that were coming out of that yeah. So I think that Ryerson has been another one of those. Dan Sullivan Yeah, there's a new Sound Studio, mostly post production. One of them is just building new studios in our building, but therefore they're not. They're not for live. You know, live production, their post production. So they have editing studios, but right behind us. So Fraser is the front street for us, but behind us is one called Pardee, which is basically a parking lot, and way at the end they have a live production studio, while ours will start being built in September and we'll have it in about six months, based on all the great input by your guy there in Orlando. Dean Jackson You know, we've designed it. Dan Sullivan We can handle six different people at the same time, six different studios being used at the same time Great production. But next, you know, next March, next April. Yeah, you know, I'm gonna live a long time. What's six months? You know. Dean Jackson Right, exactly, yeah, yeah. Dan Sullivan Anyway, but I went over and we did our recording of the quarterly book because you need real top-notch studio for a court to go audible and it was really great, but the guy who was handling us was a graduate from Sheridan College. Dean Jackson Yeah, I'm excited, I'm really. This is my thought, for I'm gonna do some thinking about, you know, establishing this thought. If we are in a plateau period. If we are in a slowdown, but in a plateau period of what is gonna be the you know what's shaping up here to do that same thing. I love looking at things like this. We're just gonna put it together Macro level, like that. Dan Sullivan Yeah, I'm gonna do a little thinking to a four slowdowns. You know, money, energy, transportation, labor, and I'm just going to have our clients go through it and say, if this is the obstacle, then what's the transformation? You? Know, and so, and how do you take advantage of the four slowdowns? Dean Jackson I think it's a neat idea I do too, Absolutely. I can't wait. I love it. Dan Sullivan Well, what a great way to spend the late morning on Sunday. I can't think of any better way. Dean Jackson It's like the perfect and there's no collection basket. Dan Sullivan There's no collection basket, no collection basket. Dean Jackson Maybe we should set some in, though without. Oh, there we go. Dan Sullivan Yeah, Anyway, we could have. We could have a digital collection basket at the end. Dean Jackson There we go. Yeah, exactly that's so funny. Dan Sullivan If this was useful, just you know, put your card up there next to the scanner and yeah, that's so good, I love it, no need to make change and no exactly, I'm good so funny, alrighty. I'm good for next Sunday I'll be back here. Dean Jackson Me too, I wouldn't miss it. Okay, okay, thanks, dan. Talk to you soon, bye, bye.

Grupa nastolatków prowadzi youtubowy kanał urbeksowy, na którym zamieszcza nagrania z penetrowania opuszczonych budynków z silną sugestią nadnaturalności otoczenia. Kanał rozwija się kiepsko i część ekipy jest niezadowolona - tym razem w planach jest przygotowanie nagrania z samotnego hotelu w Kątach Rybackich. Sesja dla osób pełnoletnich. Możliwe triggery: przemoc, używki, wulgarny język, horror nadnaturalny, śmierć bliskich osób, opuszczone miejsca.

Author and musician Ronald Malfi joins Staci on this week's Rock & Roll Nightmares Podcast to talk about his horror novels, and his hard rock band, Veer. They discuss his thoughts on being compared to Stephen King, the pros and cons of listening to music while writing, what inspired him to become a professional writer and musician, the best book he's read lately, and his own personal “rock & roll nightmare.”

We've got another AMAZING interview coming your way! Our special guest was none other than Cecilia Vinesse, author of THE GIRL NEXT DOOR. ⁠@ceciliavinesse⁠ Cecilia was an absolute joy to talk to and we had the very best time learning about her publishing journey. We know you will too!!!A bit more about Cecilia: Cecilia Vinesse is the author of three YA rom-coms, all of which involve copious amounts of yearning and coffee. She was born in France but grew up between Tokyo, Japan and Greenville, South Carolina. Her obsession with Nora Ephron movies led her to New York City where she attended Barnard College and then worked in children's book marketing, all while living in an apartment furnished mostly by stacks of novels. From there, she headed to Scotland to earn her master's degree in creative writing at the University of St Andrews, and now she lives in England, where she splits her time writing in a sky-blue office, daydreaming in libraries, and holding horror movie marathons with her fiancée Rachel and their pup named Malfi. THE GIRL NEXT DOOR is her latest novel about fake homecoming dates, swimming pool kisses, and a very chaotic, extremely bisexual love square. ⁠https://www.ceciliavinesse.com/ ⁠ Order your copy of THE GIRL NEXT DOOR here: ⁠https://www.ceciliavinesse.com/the-girl-next-door⁠ Add THE GIRL NEXT DOOR to Goodreads here: ⁠https://www.goodreads.com/book/show/62292417-the-girl-next-door⁠⁠ #writerssupportingwriters⁠ ⁠#authorssupportingauthors⁠ ⁠#writersofinstagram⁠ ⁠#authorsofinstagram ⁠⁠#YABooks⁠ ⁠#RomComBooks⁠ ⁠#CeciliaVinesse⁠ ⁠#TheGirlNextDoor2023⁠ ⁠#QueerBookstagram⁠ ⁠#Bookstagram⁠ ⁠#RomanceBooks⁠ ⁠#ReadWithPride⁠ ⁠#SapphicBooks⁠ ⁠#BisexualBooks⁠ ⁠#BiRomance⁠ ⁠#CozyReads⁠ ⁠#authorsofinstagram⁠ ⁠#lgbtq⁠

Ronald Malfi is a prolific writer, and musician. He has won numerous literary awards including the Benjamin Franklin Award For Popular Fiction.He is the rhythm guitarist and lead vocalist for the alternative rock band "VEER."He joins Vince on the show to discuss his new collection of novellas entitled, "Ghostwritten," as well as his upcoming collection entitled, "They Lurk." They talk about Ronald's writing process, his state of mind during the writing process, and the differences between writing prose, and song lyrics.Website:https://ronaldmalfi.com/Amazon:https://www.amazon.com/stores/Ronald-Malfi/author/B001JRXTJW?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueGoodreads:https://www.goodreads.com/author/show/3512996.Ronald_MalfiTwitter:https://twitter.com/ronaldmalfi?lang=enFacebook:https://www.facebook.com/people/Ronald-Malfi/100046525307662/https://www.instagram.com/ronaldmalfi/Instagram:https://www.instagram.com/ronaldmalfi/The Dark Mind Podcast Newsletter:https://mailchi.mp/720644de464c/newsletter

Philadelphia Carey's Tudor word this week is 'intelligencer'.   Philadelphia opines that she dislikes an intelligencer who rats her out at court. Jessica and Gage discuss the use of intelligencer in a play that's very bloody, 'The Duchess of Malfi'.

Each episode takes a look at a different aspect of the wonderful world of amateur theatre and features an amateur theatre maker talking about their theatrical life, theatrical loves, and the times when they've ‘died' on stage. Our Backstage Pass feature takes us behind the scenes at The Crescent Theatre, Birmingham to discover more about what goes into making a great amateur production. This episode focuses on John Webster's Jacobean tragedy The Duchess of Malfi. We'll be talking to actor, director and writer Andrew Cowie about his life and loves in amateur theatre, his approach to directing The Duchess of Malfi, and finding out about the unique and bloodthirsty genre that is Jacobean revenge tragedy.Meanwhile Liz has been behind the scenes of The Duchess of Malfi to talk to Lighting Designer Charlotte Robinson about the challenges and rewards of lighting this darkest of plays.

Paper Cuts LIVE! Episode 42 Conversation with author Ronald Malfi (THE NIGHT PARADE, COME WITH ME, BLACK MOUTH, GHOSTWRITTEN, and more)! In this episode we discuss Ronald Malfi's newest releases GHOSTWRITTEN and BLACK MOUTH, the collaborative process of writing music versus the solidarity of writing a novel, the spark of excitement writing stories as a kid, ghostwriting scripts for B level horror films, Halloween traditions, and more! Visit us at https://www.papercutslive.com

The first chapter can make or break a reader's engagement with a story. We as writers must craft brilliant opening pages in order to hook those picky readers, so let's study the stories of others to see how they do it! The first chapter of Black Mouth by Ronald Malfi is a fine example of how one can have the intense opener, change scenes a little, and STILL keep momentum. The protagonist gets hit by a double-whammy of a notice when he just gets out or rehab, but rather than move forward on that time, we backtrack to what caused the protagonist to be in rehab. While I was bothered by this at first, Malfi successfully avoids telling us how rehab went. Rather, we experience the protagonist's spiral downward into a place of intense fear and pain. Could this just be the lack of alcohol, or is there something more sinister afoot? Plus, now that we know the protagonist is about to hear tragic information about his family, we are further intrigued to see how a man in such a state will handle such news. Considering the unique voice and personality of this character, I cannot predict what he will do...and that makes me a happy reader. And what will you, fellow creative, learn in the first five pages? Let's find out!

Bestselling author Ronald Malfi joins Philip to discuss two decades in publishing.We hit double digits! For our 10th episode, bestselling author Ronald Malfi joins The Dark Word to discuss his twenty years of publishing experience, working with agents, and offer a behind-the-scenes look at how books are adapted for film and television.Ronald is the award-winning author of several horror novels, including the bestselling Come With Me, published by Titan Books in 2021. He earned two Independent Publisher Book Awards, the Beverly Hills Book Award, the Vincent Preis Horror Award, the Benjamin Franklin Award, and his novel Floating Staircase was nominated for the Bram Stoker Award. He lives with his wife and daughters in Maryland. When he's not writing, he's performing with the rock band Veer, whose song Breathe rocks way harderthan we expected.

Latest news abroad in Malfi: The Duchess has run off with her butler. But this happened before the days of newspapers or radio, so Webster made from it an exciting play. (Volume 47, Harvard Classics)  

Sandy and Sam discuss John Webster's The Duchess of Malfi. See omnystudio.com/listener for privacy information.

Today's episode covers the excellent first season of Showtime's "Yellowjackets," the extremely mid horror/mystery novel "Come With Me" by Ronald Malfi, and my addiction to what's probably the best open world game ever released, "Elden Ring." I also give a few hints as to what's to come next with the fiction part of the podcast, so check us out!Support us on Patreon: https://bit.ly/34jUJsGYou can also support us by purchasing some merch: https://bit.ly/33bjPtuFollow us on Twitter: https://bit.ly/2WxCs8yFollow us on Facebook: https://bit.ly/36svFkYFollow us on Instagram: https://bit.ly/2JIhZIVJoin the Westside Fairytales Horror and Lit Club: https://bit.ly/2WAjT3N

Andy and Alyssa read Goosebumps Series 2000 #8: Fright Camp. They discuss The Art of Goosebumps; cinema verité; McKamey Manor; sailing sunfish; meeting your maker; Basic Instinct; Marianne; The Amber Spyglass; unethical artists; In the Earth; The Haunting of Hill House; Scream 3; sadism; Funny Games; Haunt; real-life horror; Peeping Tom; No Escape; “The Hauntening”; A Serbian Film; candid cameras; The Jinx; imprisonment horror; V for Vendetta; Das Experiment; Shawshank Redemption; One Flew Over the Cuckoo's Nest; Bedlam asylum; The Duchess of Malfi; The Changeling; The Honest Whore, Part 1; surveillance horror; Vacancy; Caché; The Poughkeepsie Tapes; shoe loss; Big Fish; The Wizard of Oz; the interconnections of the Gooseverse cinema and summer camps scenes; when horror becomes comedy; Willy's Wonderland; & the ultimate hollowness at the core of what we love. // Music by Haunted Corpse // Follow @saypodanddie on Twitter and Instagram, and get in touch at saypodanddie@gmail.com

I am ready to announce my award winner for best book I have read. Yep, I have a clear winner. And, to be honest, this was not even much of a competition. This year, I deem Mr. Ronald Mafi's novel, Come With Me as my overwhelming winner.Seriously, I am not trying to make it sound like this is a commercial for the book, Come with me, but it is going to be unintentionally so.So, the big question is why did I like it so much?Imagine, if you can, careening down a path you thought you knew so well that every twist and turn of the path was known to you even before you had a chance to see the next turn in the road. I mean, you knew that path well enough that no matter what happened you thought you could handle it.Next, I want you to imagine what it would be like if that path suddenly no longer made any sense to you and as matter of fact, now you found that monsters lie in the darkness on either side and the slope became so impossibly steep that you had no choice but to continue on for climbing back up the hill was impossible.Ronald Malfi is a master at putting his protagonist in. I argue that this is quandary we find our protagonist Aaronn Decker in. As a matter of fact, he is so good at descending people through the levels of insanity, that I am amazed with his talents to bring you through the depths of insanity and make it feel completely natural.Truth in advertising, I have been a Ronald Malfi fan for son long. It is hard not to love his work. You have not heard of Ronald Malfi? Have you never heard of Stephen King, or Josh Malerman? How have you never heard of Ronald Malfi, the master of true psychological horror? Well, read on and pick up a copy of this book.In his latest offering, "Come With Me", we see the life of Aaron Decker as he is after the death of his wife. Guilt and grief stricken, we find a man searching for a way to get out of this miasmic existence when a series of strange occurrences lead him to discover something his wife, Allison, tried to keep hidden for so many years.What was she hiding? I would argue her personal obsession as well as cross to bear. An obsession which quickly becomes Aaron's to see through when he discovers a file of notes along with a handgun. This grabs Aaron by the nose and leads him to see the truth and complete the quest his wife was on.By the end of the book, you finally are left to ponder what Allison means in the very beginning of the book, when she implores Aaron, “Come with me.” I know it certainly left the question in my head. A question I will certainly bother Ronald for an answer for, next time I see him. That question, and I don't think I am giving anything up here, is this. Was Aaron supposed to die with Allison that morning? And yet, you have to read the book to understand why I ask this.Amazingly well written, there is a danger in reading this book as it will ensure you forget about eating and sleeping. You simply have to know how it all ends and that is the challenge with a book like this. I really don't say this very often, but this book really needs to become a movie and if that doesn't happen, I will feel there is little justice in the world. And yet, no film adaptation would ever do the book justice. It is just not possible to improve on this work.Check it out here! As always, thank you for listening. If you like what I am doing and want to support me, head on over to my Patreon page and see what else I have out there for content. CLICK HEREUntil next time, this is your host, Bryan Nowak, with All things Writing, signing off.Support the show (http://paypal.me/BryanNowak)

You're in (four) a scare with our (fourth) Horrifying Classic this season…”Come with Me” by Ronald Malfi. — Show Notes: relevanceofliterature.com/notes/ patreon.com/relevanceofliterature — Music by Leo Discenza *Horrifying Classics features effects and music in the public domain. Our Show: relevanceofliterature.com Our old (and yes, still functioning) blog: didionandhawthorne.blubrry.net

In Shakespeare's Henry VI part II, Lord Clifford exclaims, “To Bedlam with him! Is the man grown mad?” That's from Act V Scene 1. This use of the word Bedlam both as a place associated with madness, is because there was a real Bedlam Hospital within steps of The Curtain and Globe theaters where this play was performed in the 16th century and that hospital specialized in the care for the insane. Bedlam Hospital was a psychiatric hospital in early modern London. It was founded in the mid-13th century in service to the Church of Bethlehem, as a house for the poor. By the time Henry VIII gave administrative control of Bedlam to the city of Bethlem in 1547, it had become a hospital for the nation's mentally ill and specifically those who were considered violent or dangerous. Initially, the term “Bedlam” was an informal namebut by the time Shakespeare was writing about Bedlam in Henry VI Part II, the word “bedlam” was part of everyday speech, defined as madness or chaos. In addition to Shakespeare's 8 uses of “bedlam” across his works, Bedlam Hospital itself was staged in many early modern plays including The Duchess of Malfi by John Webster, and Bartholomew Fair by Ben Jonson, among many others during the early 1600s. One potential reason for the popularity of using Bedlam in early modern plays can be attributed to the display of insane people that began in London in 1576 as a way to raise money for the hospital. Bedlam Hospital continues in operation today as a psychiatric hospital, with one of their specialist services including the National Psychosis Unit.  Here today to help us understand the history of Bedlam Hospital and what it is important to know when we see Shakespeare referencing this hospital in his plays is our guest, Duncan Salkeld.

Andy and Alyssa read Goosebumps #60: Werewolf Skin. They talk old-fashioned film cameras & the 21st century; nonsensical schooling choices; next door Hannahs; living trees; nocturnal animals; werewolf found families; bardcore Aerosmith; scary neighbors; The People Under the Stairs (1991); Rear Window (1954); photographers in horror; Arachnophobia (1990); Peeping Tom (1960); One Hour Photo (2002); being friends with monsters; Midnight Mass (2021); There's Someone in your House (2021); “the legend got it wrong” moments; Silvia Moreno-Garcia's Certain Dark Things (2016); What We Do in the Shadows (2014); The Duchess of Malfi (1613-14); Hotel (2001); transformations and cursed objects; Sailor Moon; the One Ring and The Ring (2002); “Pelts” from Masters of Horror (2006); nature, red in tooth and claw; “Feral” from American Horror Story (2021); It Comes at Night (2017); untrustworthy caretakers; The Glass House (2001); The Orphanage (2007); doomsday prep for kids; “so-and-so doesn't exist” stories; Psycho (1960); Videodrome (1983); Dead Silence (2007); Exam (2009); werewolves in the Gooseverse; lawn gnomes; suggested reading; and the history of lycanthropy. // Music by Haunted Corpse // Follow @saypodanddie on Twitter and Instagram, and get in touch at saypodanddie@gmail.com 

Wherein a guy walks into a psychiatrist's office, Pussy returns, Tony's issues continue, Malfi does a diner, Sinatra sings and we're treated to a lovely little montage...

Take a trip down memory lane with Oscar and Diggory as they take a look back to where it all began - Hugh Grant's first ever film, Privileged (Michael Hoffman, 1982). Hughie Grant (as he's credited in the film) begins his acting career playing the role of Lord Adrian - a posh, entitled Oxford student with a slain deer slung over one arm, a girlfriend who doesn't love him on the other and his soon-to-be iconic floppy hair flowing lusciously behind him. For Hugh Grant fans, this is a must watch! Notable for being the first theatrical release from the Oxford Film Foundation, Privileged was a film shot by Oxford University students, starring Oxford University students and about Oxford University students. Edward Blake (played by Robert Wooley) is one of a group of Oxford undergraduates taking part in a student production of "The Duchess of Malfi". During rehearsals of the play, Edward strikes up a romance with fellow actor Anne (played by Diana Katis) and, later, Lucy (played by Victoria Studd). Whilst Edward tries to keep his relationship with one a secret from the other, he must also make sure his dalliance with Lucy is kept from her boyfriend, Lord Adrian (played by Hughie Grant)... Make sure you're following Taking Hugh for Granted on Instagram and Facebook (@TakingHughforGranted) as well as Twitter (@TakingHugh). You can get in touch with us there or via our email takinghughforgranted@gmail.com For those of you that want to skip disclaimers, opening theme tunes, salutations, synopses and go straight to the film analysis, head to 04:02

Stephen and Mark loved talking to Ronald Malfi so much, they had to continue the conversation in our 11th Oopsisode of season 1.  If you heard our episode, "Come With Me", you've had a little foreshadowing about the topic of this Oopsisode.  If you haven't, well, you really should, but did you know Ronald is in a band?? Also continuing from last week, Stephen and Mark continue on their exploration of the wilderness trail...Wilderness Trail Bourbon, that is.

In our second Interview Episode, we sit down with award winning author, Ronald Malfi, to discuss the release of his latest book, "Come With Me", premiering on July 20.  We've talked about Ronald's work before with "The Night Parade" in Season 1, Episode 10, and we take a little time to revisit that as well to have the bigger discussion about time lapses, unreliable narrators, and why Dewar's Whiskey is a household staple in American homes. In discussing "Come With Me", we watch Aaron Decker follow a trail of breadcrumbs left by his dead wife.  Meanwhile, Stephen and Mark follow Wilderness Trail Bourbon to a great conclusion on a summer night by the firepit while Ronald partakes of his own beverage over the internet.

Why isn't there more horror about marriage?Think about it. You marry someone. Spend your life with them. But do you really know them, or what they are capable of.  Ronald Malfi's Come With Me pries open these secrets, sending the protagonist on a tailspinning road trip in pursuit of the truth about the woman he has loved and lost. It's a big, satisfying, chunky summer novel packed full of murder and monstrosity and motel-stays in the creepier corners of the country. You'll love it.Ronald joins me to talk about the book, about writing grief and the very real tragedy that underpins Come With Me. Despite the absurd heat at either end of the conversation, we soldier on heroically, taking in local lore, the link between leaded petrol and serial killers, and why ecology may be the new haunting. And yes, we talk about how marriage should be a bigger theme in horror! Next time your wife, or husband, or significant other gets up in the night – think about that. What are they up to in the bathroom? Could be the usual. Could be something evil. Mwah ha ha!Enjoy.Come With Me was published by Titan on 20th July. Other books mentioned in the show include: December Park (2014), by Ronald MalfiSnow (2010), by Ronald MalfiThe Only Good Indians (2020), by Stephen Graham JonesI'll Be Gone in the Dark (2018) by Michelle McNamaraSupport the show on Patreon - https://www.patreon.com/TalkingScaredPod Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com. Thanks to Adrian Flounders for graphic design.

Eric is back and we talk Voldemort and the Teenage Hogwarts Musical Parody, and the theater (or theatre) we saw in London: Noises Off, & Juliet, The Duchess of Malfi, and Magic Goes Wrong!

Director Steven Soderbergh on his latest film, Unsane, which stars Claire Foy as a woman admitted to a mental health facility against her will. The film was shot entirely on three iphones. Is this the future of film? America's Cool Modernism: O'Keeffe to Hopper, a big exhibition at the Ashmolean in Oxford focuses on American artists in the early 20th century - including Georgia O'Keeffe and Edward Hopper - many of whom expressed their uncertainty about the rapid modernisation and urbanisation of their country. The show's curator discusses the significance of these paintings, prints and photographs made between 1915 and 1945, many of which have not been seen in the UK before. How to establish yourself as a solo artist after a successful career in a double act - Stephen Armstrong considers examples from cultural history as Ant McPartlin, one half of TV presenting powerhouse Ant and Dec, is admitted to rehab, leaving Declan Donnelly considering his options.A new RSC production of The Duchess of Malfi will involve the spilling of 3000 litres of stage blood throughout its run. To tell us how, why, and how much we should expect in the world of stage blood, we're joined by theatre critic Sam Marlowe and Giuseppe Cannas, Head of Wigs, Hair and Make-up at the National Theatre.Presenter: Stig Abell Producer: Julian May.

Eleanor Bron will be 80 on Wednesday. She is still working - she will be in Scottish Opera's production of Ariadne auf Naxos this year. Talking to Samira Ahmed she looks back over her long career, from the satire boom with Peter Cook and Dudley Moore, through working with The Beatles in Help and roles in classical theatre such as in The Duchess of Malfi. The Great Wave at the National Theatre explores the abduction in the 1970s of Japanese citizens by North Korea. A look at these kidnappings through the eyes of one fictionalised family opens up questions of identity and belonging. Samira talks to the playwright Francis Turnly and the director Indhu Rubasingham about this little known aspect of far eastern politics .Following the announcement of the death of Sir Ken Dodd, Matthew Sweet discusses the role and significance of this jester who brought the comedic techniques of variety to television, and had extraordinary mass appeal. Presenter: Samira AhmedProducer: Julian May.