Podcasts about jazz money

Content Warning: This week's stories contain references to a war zone and to gambling. This week we feature two stories from Issue V of Debris Magazine: Prismatic Joy, co-edited by Mariam Ella Arcilla and Jazz Money, which is an explosion of colour and nuanced storytelling. Acidic Cuts During her trip to Ukraine, Kiera searches for the harmony of the tradition, and tries to avoid the discordance of fear and air raid sirens. Written and performed by Kiera Brew Kurec. This piece featured recordings captured by Kiera in the Ukraine, in 2024. Sound design by Lana Lusina, find more of her work at https://lanalusina.carrd.co/. St Elaine In our next story, George’s narrative follows Elaine, who finds joy through a prismatic vengeance on pokie machines. Written and performed by George Haddad. Find more of George's work at https://georgehaddad.net/. With sound design by Zac Pennington. Debris Magazine Issue V Launch Head to Debris’ website to purchase the latest issue, and for information on their Sydney launch and appearance at the Melbourne Art Book Fair, as well as international launch details in Istanbul and Paris. Join us for the Sydney launch of Issue 05: Prismatic Joy. Event details here. Saturday, May 17, 2025, 6:30 PM 9:00 PM at Suite7a (map) The evening will begin with an introduction by editors Jazz Money and Mariam Ella Arcilla, followed by readings from contributors Sara M Saleh, George Haddad, Atul Joshi and Farz Edraki. Melbourne NGV Book Fair Debris, and their latest issue, have a stall at the Melbourne Art Book Fair (NGV). 16-18 May, 10 am-5 pm. https://artbookfair.melbourne/ All The Best Credits Host Kwame Slusher Executive Producer: Phoebe Adler-Ryan Editorial Producer: Melanie Bakewell Community Coordinator: Patrick McKenzie Artwork: By Lindsey Vassalo A Young Girl Riding a Bicycle by Vladyslav HuivykBucha, Kyiv Oblast, Ukrainehttps://www.pexels.com/photo/a-young-girl-riding-a-bicycle-12144038/ Mixed and Compiled by Emma Higgins Theme Music composed by Shining Bird See omnystudio.com/listener for privacy information.

Clare and Yves are joined by Jazz Money, a queer Wiradjuri filmmaker, poet and artist whose debut feature film WINHANGANHA (2023) uses archival footage by or about First Nations people from the National Film and Sound Archive to ‘make sense of the archival inheritances that shape our present realities'. What does it mean for First Nations creators to speak back to the colonial archive? How can we honour the archive of the body? And why is it essential to foreground love and joy and sexiness and strength, alongside violence and suffering?

The BBC's Contains Strong Language festival has left British shores for the first time - and Australian arts and culture presenter Michael Cathcart hosts a special Front Row recorded on Gadigal land in Sydney in partnership with ABC and Red Room Poetry. Known as the Aussie Bob Dylan, singer Paul Kelly performs Going To The River With Dad from his forthcoming album Fever Longing Still. First nations poet Jazz Money reads from her latest collection Mark the Dawn - inspired by the stories of her Wiradjuri ancestors and her feelings of respect for the country around her. As Australia prepares to appoint a Poet Laureate, the British poet laureate Simon Armitage reads a sonnet which describes his childhood desire to dig all the way to Australia from his Yorkshire garden. And lawyer Shankari Chandran - whose novel Chai Time at Cinnamon Gardens won Australia's most prestigious literary prize, the Miles Franklin Award - reflects on how she draws on her Sri Lankan Tamil heritage to describe the trauma of war and detention of those seeking asylum. Presenter: Michael Cathcart Producer: Paula McGrath

Ian McMillan presents poets in performance from the Hay Festival for The Verb's performance wing - The Adverb. This week's guests include the Poet Laureate Simon Armitage, the National Poet of Wales Hanan Issa, former Children's Poet Laureate Joseph Coelho, Professor of Creativity Owen Sheers - and Jazz Money, an Australian poet of Wiradjuri heritage. They share poetry of nail varnish, snow, rivers, labyrinths and the heart.

In honour of NAIDOC Week, we are bringing you a special podcast episode featuring Wiradjuri poet and artist Jazz Money in conversation with Newcastle Art Gallery's Curatorial Lead PeterJohnson. Recorded live at the Newcastle Writers Festival earlier this year, Jazz discusses the way their practice has challenged the perceived elitism of poetry, the power of writing in Wiradjuri Language, and embracing joy as an act of radical resistance.  To view and download Jazz's slideshow, click here. Conversations from the Collection is a Newcastle Art Gallery podcast.  Developed by Newcastle Art Gallery Produced, Edited and Music by Duke's CreationsMixed by Sawtooth Studio See omnystudio.com/listener for privacy information.

A spirit of protest and deep sensitivity echoes in this episode with two staunch First Nations activists and artists Jazz Money & Thea Anamara Perkins. Honored to have FBi broadcaster, writer and curator Levent Can Kaya take over Race Matters with an incisive and luminous chat. Hear Lev, Thea and Jazz on personal archives and joyous collective imagination as antidotes to colonial violence; and the politics of art-making as institutions try to stifle our resistance.  Image: from Atherreyurre, by Thea Anamara PerkinsSee omnystudio.com/listener for privacy information.

Jazz Money, a Wiradjuri artist, and poet, brings her unique perspective on joy to the forefront with her art installation titled "Our Laughter Will Become the Waterfall" at the Melbourne Immigration Museum.

Evelyn Araluen, Ali Cobby Eckermann, Jazz Money and Ellen van Neerven | In conjunction with the 18th Adelaide Biennial of Australian Art, poets Evelyn Araluen, Jazz Money and Ellen van Neerven share their work and speak with Ali Cobby Eckermann about imagination, community and creating sanctuaries. Event details: Sun 03 Mar, 2:30pm

MWFF Festival Director Sian Mitchell with program details for the Festival running from March 21-25 at ACMIHightlights include: Jazz Money's WINHANGANHA, Margot Nash's Undercurrents and closing nights Memory Film: a Filmmaker's Diary by Jeni Thornley

Jazz Money is a poet and artist of Wiradjuri and Irish heritage based in Gadigal Country in Sydney, Australia. With a practice centred on poetics, Jazz produces work across various mediums, including visual art, film, performance, audio and print. Jazz speaks to LOTL about her upcoming "This is How We Love" installation. #poetry #artinstallations #AdelaideBiennialRead the article https://www.lotl.com/books/library/poetry/jazz-money-the-radiant-poet-and-artist-gracing-the-adelaide-biennial-2024/Support the showCheck out more content on www.lotl.com

Hour 1 Starting Lineup: The Jazz lost to the Cleveland Cavaliers last night, but former Aggie Sam Merrill had himself a game.  The guys talk about their favorite Christmas presents ever What You May Have Missed: BYU has a new offensive line coach Hour 2 Utah Jazz pre/half/post host Tim LaComb joined the show to discuss the Jazz loss vs the Cleveland Cavaliers and the big game that former Aggie Sam Merrill had.  In Good Bad and Ugly, Hear about a technology improvement for the Las Vegas Bowl, and more.  In Whole World News hear about a special announcement for an orangutan baby.  Hour 3 Hans and Scotty revisit their conversation with BYU Head Coach Kalani Sitake and discuss how money is changing recruiting in College Football.  In Sports Roulette, the guys talk about an NFL team changing their field to a safer kind of turf.  In the final segment of today's show, the guys wrap up by giving each other their phrases for Saturday's Bowl Games. 

Jazz Money is one of ten artists selected for a One Year Studio program into Artspace's brand new state-of-the art facility in Woolloomooloo's The Gunnery.

WINHANGANHA, the debut feature film from acclaimed Wiradjuri poet and artist Jazz Money, will screen for Australian audiences from November 10 in selected national venues across the country.

A new exhibition featuring 10 commissions by emerging and established First Nations artists at the Australian Centre for Contemporary Art in Naarm.

By weaving poetry, film and music, Jazz Money blends themes of bodies, place, Queerness and their First Nations identity into a rich and deeply personal tapestry. Courtney caught up with Jazz to chat about their experience growing up as the weird kid in a small town, how to make poetry more accessible, and their views on everyday poetics. Hosted on Acast. See acast.com/privacy for more information.

Conceptions of our collective relationship to the Australian landscape have undergone transformative renovations in recent memory. The prioritisation of Australian Aboriginal and Torres Strait Islander peoples in ecological discourse has raised an awareness to First Nations people's connection to Country. Drawing on the contemplative lightscape by Jazz Money, a yarning circle took place that considers how we can preserve the ecological, socio-spatial, political, ceremonial, and cultural significance of Australia's traditional Waterways, and investigate how we can integrate these into the decolonisation and de-westernisation of design and space creation. This event was been developed as part of the M_Curators, an MPavilion program engaging young makers, doers and programmers.

The Guilty Feminist episode 345: Live from SydneyPresented by Deborah Frances-White and Cal Wilson with guests Julia Zemiro, Maeve Marsden and Jazz Money.Recorded 27 July at The State Theatre in Sydney. Released 13 February 2023.The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Cal Wilsonhttps://twitter.com/calbohttps://www.instagram.com/calbowilsonMore about Julia Zemirohttps://twitter.com/julia_zemirohttps://www.instagram.com/juliazemiroMore about Maeve Marsdenhttps://twitter.com/maevemarsdenhttps://maevemarsden.comMore about Jazz Moneyhttps://www.jazz.moneyhttps://www.instagram.com/jazzmoney_______/For more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormFOC it UP Comedy Club https://podfollow.com/foc-it-up-comedy-clubAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recordingInternational Women's Day Special, 4 March: https://www.leicestersquaretheatre.com/the-guilty-feminist/Kings Place, 17 March: https://www.kingsplace.co.uk/whats-on/comedy/the-guilty-feminist-6/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.

The Guilty Feminist episode 345: Live from SydneyPresented by Deborah Frances-White and Cal Wilson with guests Julia Zemiro, Maeve Marsden and Jazz Money.Recorded 27 July at The State Theatre in Sydney. Released 13 February 2023.The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Cal Wilsonhttps://twitter.com/calbohttps://www.instagram.com/calbowilsonMore about Julia Zemirohttps://twitter.com/julia_zemirohttps://www.instagram.com/juliazemiroMore about Maeve Marsdenhttps://twitter.com/maevemarsdenhttps://maevemarsden.comMore about Jazz Moneyhttps://www.jazz.moneyhttps://www.instagram.com/jazzmoney_______/For more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormFOC it UP Comedy Club https://podfollow.com/foc-it-up-comedy-clubAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recordingInternational Women's Day Special, 4 March: https://www.leicestersquaretheatre.com/the-guilty-feminist/Kings Place, 17 March: https://www.kingsplace.co.uk/whats-on/comedy/the-guilty-feminist-6/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.

“Poets are the unacknowledged legislators of the world,” Percy Bysshe Shelley once mused. His famous epithet resonates today as readers turn to a new generation of poets who are bringing rhyme and reason to bear on thorny ideas and urgent emotions in uncertain times. In this special event, the poets behind some of 2022's most thought-provoking and stirring works read and perform from their works. Featuring Eunice Andrada (TAKE CARE), Tony Birch (Whisper Songs), Maxine Beneba Clarke (How Decent Folk Behave), Madison Godfrey, Sarah Holland-Batt (The Jaguar and Fishing for Lightning), Jazz Money (how to make a basket), Omar Musa (Killernova) and Sara M. Saleh, with host Declan Fry. If you enjoyed this episode, please rate and follow our channel. Sydney Writers' Festival podcasts are available on all major podcast platforms.See omnystudio.com/listener for privacy information.

In an era of climate crisis, we consider ways to protect land and Country. Campaigns to confront climate change speak of renewable energy sources and an ending of fossil fuel mining. But what of the inherent values of Country? Are we humble enough to accept its right to autonomy? 2022 Festival Guest Curator Tony Birch (Whisper Songs) sits down with three First Nations poets – Jazz Money (how to make a basket), Anne-Marie Te Whiu (Solid Air) and Evelyn Araluen (Dropbear) – who have woven images and stories that engage with the authority of Country and our place in it. If you enjoyed this episode, please rate and subscribe to our channel.See omnystudio.com/listener for privacy information.

In this exciting showcase of performances and readings, six of Sweatshop's most dynamic writers share their stories on love, fear and faith. Including readings from Jazz Money, Guido Melo, Maryam Azam, Shirley Le, Mark Mariano and L-FRESH The LION. Hosted by Sweatshop: Western Sydney Literacy Movement's Michael Mohammed Ahmad.  If you enjoyed this episode, please rate and subscribe to our channel.See omnystudio.com/listener for privacy information.

Content Note: some of these excerpts contain mention of trauma, impacts of racist and colonial violence, and conversations on mental health challenges.  Today on the show we're tracing the long lines of conversations we've had with First Nations guests over the last little while, to amplify the plurality of their stories. You'll hear from a compilation of First Nations voices speaking to their experiences to go beyond any homogeneous and typical storytelling including Tasman Keith, Nayuka Gorrie, Nessa Turnball-Roberts, Dr Sandy O'Sullivan, Jazz Money and our very own Sara Khan. You're hearing from (in order): Episode 79: No Country (with Tasman Keith) Episode 17: Anger is Love (with Nayuka Gorrie) Episode 45: Just Us (with Nessa Turnbull-Roberts) Episode 94: Nothing About Us Without Us (with Jazz Money and May Jeong) Episode 101: Beyond the Binary (with Sandy O'Sullivan) See omnystudio.com/listener for privacy information.

Queenie McKenzie grew up on a cattle station, staying away from the grasps of the authorities, who would take Aboriginal and Torres Strait Islander kids like her from their families at will. As she grew up, she solved problems everywhere she saw them.  From building schools and teaching kids in her community, to saving a man's life by repairing his scalp stitch by stitch. But deep down, she wanted to tell the stories of her Country. To preserve their importance. She started painting in her 70s — becoming the first woman in her community to do so — and realised the power of telling stories through art. And once she started, she never stopped. Narrated by Wiradjuri poet and artist Jazz Money.

Queenie McKenzie grew up on a cattle station, staying away from the grasps of the authorities, who would take Aboriginal and Torres Strait Islander kids like her from their families at will. As she grew up, she solved problems everywhere she saw them.  From building schools and teaching kids in her community, to saving a man's life by repairing his scalp stitch by stitch. But deep down, she wanted to tell the stories of her Country. To preserve their importance. She started painting in her 70s — becoming the first woman in her community to do so — and realised the power of telling stories through art. And once she started, she never stopped. Narrated by Wiradjuri poet and artist Jazz Money.

Artist, Poet & Writer Jazz Money joins us to discuss the Blak & Bright program at the Wheeler Centre, including a special LGBTQIA+ forum The post Jazz Money appeared first on Saturday Magazine.

Chaired by Natalie Harkin. Two of Australia's most exciting young poets come together on one dynamic panel. Evelyn Araluen's Dropbear is a razor-sharp gothic reclamation that peels back the layers of colonialism and what we call Australia. It is both a radical act of literary agency and a celebration of and tribute to Country. Jazz Money's how to make a basket is a fierce lyrical protest against settler violence and an ode to Queer and First Nations love. Their poetry sings, crackles and inspires.

In this episode, Ayeesha Ash chats with Jazz Money, an award-winning poet and artist of Wiradjuri heritage. Jazz discusses the challenge of balancing poetry as a medium for self expression and vulnerability with using her voice for activism and shares what she's been working on, including her recently released debut collection of poetry 'how to make a basket'. Works mentioned: https://www.uqp.com.au/books/how-to-make-a-basket https://www.dreamysleep.com.au/stories/bilabang https://www.maas.museum/event/eucalyptusdom/ https://fremantlebiennale.com.au/project/these-words-will-remain/ See omnystudio.com/listener for privacy information.

An incredible line-up of First Nations poets perform works speaking to this year’s Festival theme Tell Me How It Ends, traversing the end of empire, celebrating Country and cultural resistance, and considering what comes next. Programmed and hosted by Jingili Mudburra writer and editor Bridget Caldwell-Bright, the episode showcases pieces by acclaimed Dropbear author Evelyn Araluen, who was born and raised on Dharug country, and is a descendant of the Bundjalung Nation; artist, poet and Lardil and Yangkaal woman Maya Hodge; and Wiradjuri poet and filmmaker Jazz Money. Recorded for MWF in 2021.Support MWF: https://mwf.com.au/donate/See omnystudio.com/listener for privacy information.

Award-winning Wiradjuri poet, filmmaker and digital producer Jazz Money will be delivering this Friday's poem. The new collection of poetry focuses on "blak and queer love and examines the current tensions of living in the Australian colony".

 Acknowledgement of Country// Headlines// Melbourne Activist Legal Support (MALS) held a discussion on Tuesday 28 September about the Surveillance Legislation Amendment (Identify and Disrupt) Act 2021, which gives broad powers to federal police and intelligence agencies to spy on, disrupt and modify communications. We play a segment featuring lawyer and human rights advocate Angus Murray discussing the legislation and notions of relevant offences and reasonable suspicion, with comments from host Jordan Brown from MALS. MALS has published an explainer on the act, which you can read here.// Victoria Legal Aid has operated Independent Family Advocacy and Support or IFAS, a non-legal advocacy support service for parents in the early stages of child protection involvement, since 2018. Today, we are joined by Chloe*, a member of the IFAS reference group, to speak about the role and importance of the service. *Name changed for privacy.// Jazz Money is a poet and artist of Wiradjuri heritage, currently based on sovereign Gadigal land. Her poetry has been published widely and reimagined as murals, installations, digital interventions and film. She joins us to discuss her award winning debut poetry collection 'how to make a basket'.// Sabina, co-founder of the Australian Anti-Racism Kit, joins us to speak about the recent launch of the kit, which is the first of its kind and targeted at Australian high school students. Sabina is a migrant woman of colour who recently graduated high school. You can follow the Anti-Racism Kit on Instagram at @antiracismkit.// Frankie Lai from WEstJustice discusses the ‘Ignorance is NOT bliss' report, which was published on Tuesday 28 September and focuses on the barriers to employment access for young people in Melbourne's west and how to overcome them. Frankie is a member of the Employment and Equality Law Program at WEstjustice, and has co-coordinated the International Students Work Rights Legal Service, managed and completed the Infographics Project and most recently managed the Youth Employment Justice Project. Frankie is strongly committed to improving access to fair, safe and decent work for all vulnerable workers.//

Written and narrated by Jazz Money. ‘Go gentle and flow out with the river to meet that ever-expanding sky.'

Emerging writer, poet and educator Jazz Money developed her poetry collection for more than half a decade.

Writer, poet and educator Jazz Money discusses the poetics of Indigenous languages, Gamilaroi theatre maker Megan Wilding on her award-winning play GAME. SET. MATCH.

"WE WANT YOUR BLOOD" reads a now-infamous post opening expressions of interest for First Nations people to donate blood to an 'artwork' showing at Dark Mofo 2021, by white Spanish artist Santiago Sierra. This week, only after an outpouring of disgust and anger led by First Nations communities was the work begrudgingly cancelled by the Tasmanian arts festival (of course, after the knee-jerk doubling down we've come to expect). We unpack the whole sitch with Wiradjuri artist and poet Jazz Money, talking about the First Nations response and solidarity, the ethics of art, and what work the industry has to do to enact meaningful change. Plus, on March 16 in Atlanta, Georgia, eight people – six of whom were Asian-American women – were shot and killed when a man opened fire at three separate spas. We speak to writer May Jeong, whose recent article for the New York Times situates this horrific shooting within a broader history of anti-Asian sentiment in the States, and intersects directly with misogyny and classism. See omnystudio.com/listener for privacy information.

This episode is Sand, and is the second of three episodes, Stone, Sand and Salt which are bound together by the overarching theme of Ground. Sand is transformative. It is particles ground down by the passage of time, sifted over beaches and deserts and awash under rivers, lakes and oceans. These particles can be reformed, brought back together through heat and industrial processes to form glass, we peer through it as windows, cut ourselves on it as shards and often forget it's sandy origins. Sand is the grounding theme of this episode. Sand features a discussion between CANVAS Researcher, poet, filmmaker and educator of Wiradjuri heritage Jazz Money and Joel Spring, a Wiradjuri man raised between Redfern and Alice Springs who works across research, activism, architecture, installation and speculative projects. We hear from artist and writer Lynette Smith and the audio from her video work sand/fog. CANVAS Host Ayeesha Ash is joined by artist Koji Ryui for a chat about his installation TOT and the alchemy of the everyday. Finally we are transported as artist and writer Bianca Hester reads an excerpt from her text Sandstone. See omnystudio.com/listener for privacy information.