Podcast appearances and mentions of kenneth tynan

[[This is an episode from the This Day archives -- we'll be back with a new conversation real soon!]]It's May 5th. This day in 1960, a British theater critic named Kenneth Tynan is hauled before a Senate sub-committee to answer questions about what is seen as his anti-American work.It's a moment that captures the cultural and political swirl of the late 50s, which is the subject of Benjamen Walker's new audio series "Not All Propaganda Is Art," out now as part of the Radiotopia show "Theory of Everything." Check it out!Find out more at thisdaypod.comThis Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia Learn about your ad choices: dovetail.prx.org/ad-choices

It's May 5th. This day in 1960, a British theater critic named Kenneth Tynan is hauled before a Senate sub-committee to answer questions about what is seen as his anti-American work.It's a moment that captures the cultural and political swirl of the late 50s, which is the subject of Benjamen Walker's new audio series "Not All Propaganda Is Art," out now as part of the Radiotopia show "Theory of Everything." Check it out!Find out more at thisdaypod.comThis Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia

Ticket Link for Backstage Babble Celebrates Joe Allen Restaurant: https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/ Today, I'm thrilled to announce my episode with legendary theater critic Frank Rich, who served as the chief theater critic of the New York Times from 1980-1993. Tune in today to hear some of the stories of his great career, including championing August Wilson, making up with Robert Brustein, watching Jerome Robbins stage the second act of FIDDLER ON THE ROOF, the changes made to the second act of THE ODD COUPLE out of town, his thoughts on the decreasing power of theater criticism in affecting the success of a show, working with Boris Aronson on a book about his work, why he tried not to think about the influence he had on shows, what he learned from Walter Kerr and Kenneth Tynan, what musicals he chooses to see today, working with theater actors on SUCCESSION, the giveaway that a critic didn't personally like a show, and so much more. You won't want to miss this conversation with a greatly influential figure in so many fields. 

ToE's Cultural Cold War miniseries concludes with three stories about containment and death. Richard Wright delivers his final lecture on Black Spies in Paris, Dwight Macdonald's Mass Cult & Mid Cult finally debuts & flops, and Kenneth Tynan discovers the limits of social and cultural protest. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

In 1959, Anti-Americanism surged in the UK. England seethed over America's treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany.  In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ an increased effort in the field of press, radio and television in the U.K. to say the right kind of things about the Americans.” This is the very moment Kenneth Tynan was commissioned to make a documentary for British Television about American Non-conformism and Dissent. We take a close look at one of the Cold War's most bizarre and inspired artifacts of Anti Anti-American propaganda. Shownotes: Laura Bradley writes on Brecht and German theater. Kenneth Tynan's documentary aired on January 27th, 1960 and then was supposedly erased (it wasn't). Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing athttps://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

We continue to celebrate the female voices that have provided a foundation for cultural advancement and modern discourse by featuring a rare TV talk show appearance by two-time Academy Award winner Vivien Leigh.  The year was 1958. The show was “Small World,” hosted by American broadcast journalist Edward R. Murrow. Appearing alongside Ms. Leigh are motion picture executive Samuel Goldwyn and British writer and entertainment critic Kenneth Tynan.  Ms. Leigh, best known for her work as Scarlett O'Hara in “Gone with the Wind” and Blanche DuBois in “A Streetcar Named Desire,” died in 1967 at the age of 53, but her legacy remains profound. And, while some of the opinions in this broadcast would be considered outdated now, you'll hear that Ms. Leigh was not afraid to mix it up with some of the most strident male voices of her day. As always, thank you for listening. For the video version of this episode, visit @advancedtvherstory on YouTube.    RESOURCES Small World, Part 1 https://youtu.be/4c6kR9ORqUc?si=sXmP3bg5Cqzs63Zu Small World, Part 2 https://youtu.be/P5roaRH9rY0?si=gfMmZhJTtrqdY85l Small World, Part 3 https://youtu.be/tG0x68lPzso?si=TMitHcgm45BVl3Pf Taylor Mayes - https://www.youtube.com/@Taylormayes   CYNTHIA BEMIS ABRAMS AND ATVH ATVH Newsletter – tvherstory.com Website - https://cynthiabemisabrams.com/  Podcast Archive - tvherstory.com Instagram - https://www.instagram.com/advancedtvherstory/ YouTube - https://www.youtube.com/@advancedtvherstory X (Twitter) - https://twitter.com/tvherstory Facebook - https://www.facebook.com/Media.Cynthia Bluesky Social - https://bsky.app/profile/cynthiabemisabrams.bsky.social   PRODUCTION Video - Nivia Lopez - https://nivialopez.com/ Audio - Marilou Marosz - https://www.linkedin.com/in/mariloumarosz/ Music - https://freemusicarchive.org/music/Jahzzar/  

In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on “New” Hollywood's ambitions to create commercially and artistically successful films. We also meet two of Professor Macdonald's former students from a Mass Culture course he taught at Bard College in 1958. Meanwhile in France, Richard Wright suffers a number of disturbing attacks, prompting him to channel his frustrations into a revealing radio play. Shownotes: Tamara Walker is the author of Beyond the Shores, Hugh Wilford wrote The Mighty Wurlitzer, Tom Benjamin and Frances Hodes were both students of Dwight Macdonald at Bard College in 1958 and Dan Sinclair is the author of  Curteous Enemy. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind England's Angry Young Men. Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare Bucknell wrote The Treasuries Laura Bradley writes on Brecht. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 - 1960. We also meet a propagandist responsible for the CIA's cinematic version of 1984 (Operation Big Brother) and “books that don't smack of propaganda” aimed at European Intellectuals - including James Baldwin's Notes of a Native Son. Shownotes: Françoise Vergès is the author of A decolonial Feminism, James Campbell is the author of Paris Interzone and Talking at the Gates, Jelena Ćulibrk writes on IRD and Newsreels, Tony Shaw writes on British Cinema and the Cold War, Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

Oh! Calcutta! is an avant-garde play written by several British authors, including Samuel Beckett, John Lennon, Edna O'Brien, and created by Kenneth Tynan, which premiered in 1969 in Paris. It is a series of sketches, vignettes, and short plays that explore themes of love, sexuality, and human relationships. The play is notable for its use of full frontal nudity and sexual themes, and it was one of the first plays to feature nude actors on stage.

Filling the spinnaker of enquiry on the careering, two-mast schooner of rock and roll this week you will find … … the prog drummer who made a fortune. ... did Brian Wilson bring a horse into a recording studio? Or write a symphony for drums? Or have an idea involving a hen in tennis shoes? … why the New York Times review of the new Wham! documentary is ridiculous and wrong. ... the eternal allure of The Larry Sanders Show – “Madam, I killed a man like you in Korea!” … the curse of identity journalism. … the most influential British DJ of all time. … Kenneth Tynan's exquisite profile of Johnny Carson in the New Yorker and the dark art of being a TV chat show producer. … the mathematical certainty that every review you ever write will eventually resurface. “Nothing will be forgotten - the afterlife is always longer than the first flush of success.” … was there ever a briefer ‘fashionable' moment than that of Guns N' Roses? … the great new expression for being drunk – “overserved”.  Watch that deathless Renia clip here …https://www.youtube.com/watch?v=Rv0VyHHEj2s&t=11sSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Filling the spinnaker of enquiry on the careering, two-mast schooner of rock and roll this week you will find … … the prog drummer who made a fortune. ... did Brian Wilson bring a horse into a recording studio? Or write a symphony for drums? Or have an idea involving a hen in tennis shoes? … why the New York Times review of the new Wham! documentary is ridiculous and wrong. ... the eternal allure of The Larry Sanders Show – “Madam, I killed a man like you in Korea!” … the curse of identity journalism. … the most influential British DJ of all time. … Kenneth Tynan's exquisite profile of Johnny Carson in the New Yorker and the dark art of being a TV chat show producer. … the mathematical certainty that every review you ever write will eventually resurface. “Nothing will be forgotten - the afterlife is always longer than the first flush of success.” … was there ever a briefer ‘fashionable' moment than that of Guns N' Roses? … the great new expression for being drunk – “overserved”.  Watch that deathless Renia clip here …https://www.youtube.com/watch?v=Rv0VyHHEj2s&t=11sSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Filling the spinnaker of enquiry on the careering, two-mast schooner of rock and roll this week you will find … … the prog drummer who made a fortune. ... did Brian Wilson bring a horse into a recording studio? Or write a symphony for drums? Or have an idea involving a hen in tennis shoes? … why the New York Times review of the new Wham! documentary is ridiculous and wrong. ... the eternal allure of The Larry Sanders Show – “Madam, I killed a man like you in Korea!” … the curse of identity journalism. … the most influential British DJ of all time. … Kenneth Tynan's exquisite profile of Johnny Carson in the New Yorker and the dark art of being a TV chat show producer. … the mathematical certainty that every review you ever write will eventually resurface. “Nothing will be forgotten - the afterlife is always longer than the first flush of success.” … was there ever a briefer ‘fashionable' moment than that of Guns N' Roses? … the great new expression for being drunk – “overserved”.  Watch that deathless Renia clip here …https://www.youtube.com/watch?v=Rv0VyHHEj2s&t=11sSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Admit it: It's fun to look at other people's marriages — and all the more fun if those marriages are messy. In a new group biography, "Lives of the Wives: Five Literary Marriages," the author Carmela Ciuraru peers into some relationships that are very messy indeed: the tumultuous marriages of Kenneth Tynan and Elaine Dundy; Roald Dahl and Patricia Neal; Kingsley Amis and Elizabeth Jane Howard; Radclyffe Hall and Una Troubridge; and Alberto Moravia and Elsa Morante. As Ciuraru's title suggests, the book focuses especially on the role — and toll — of being a wife, stifling one's own creative impulses for the sake of a temperamental artist.On this week's podcast, Sadie Stein — an editor at the Book Review, who commissioned the literary critic Hermione Hoby to write about Ciuraru's book for us — talks with the host Gilbert Cruz about "Lives of the Wives.""They're all complicated people,"  Stein says. "I don't want to oversimplify it. Everyone knows you can't see inside anyone else's marriage. But these couples, you can see a little more. And in some cases, a little more than maybe you want to.""It's a very gossipy book," Cruz says. "And I, to my own embarrassment, was not as up on 20th-century European literary gossip as maybe I should have been. So a lot of this stuff came as a total surprise, total shock to me. ... It's so juicy, but it also made me feel bad in a certain way." And that, we can all agree, is good.We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

"who gives a damn now anyway?"

Welcome to GEN-Z VOICES, my new podcast series this month featuring conversations about the GEN-Z perspectives on various social issues including racial identity, body image, SOCIAL MEDIA, technology, peer pressure, and others.In this episode, I am joined by Kenneth Tynan.Kenneth is an actor and figure skating coach. He plays the role of Jacob on the Netflix show "Zero Chill" and has appeared on the SyFy show THE MAGICIAN!Hear about Kenneth's thoughts on a lot of issues affecting so many Gen-Zs including thoughts on SOCIAL MEDIA, body image, peer pressure, and others.Furthermore, listen to our discussion about his journey as an actor and figure skating coach and his Clubhouse experience.  

This episode is also available as a blog post: http://quiteaquote.in/2021/04/02/kenneth-tynan-at-what-point-does-conformity-become-corruption/ --- Send in a voice message: https://anchor.fm/quiteaquote/message

In 1969, a theatrical revue called Oh Calcutta opened in New York featuring extensive male and female nudity. Created by renowned critic Kenneth Tynan, a London version followed the next year and the show ran in both cities for thousands of performances. Vincent Dowd talks to Margo Sappington and Linda Marlowe, two members of the original cast. PHOTO: The Oh Calcutta cast from the New York Production in 1981 (Ron Galella/Getty Images)

For our second dive into the Ocean's Eleven: 12 Degrees of Frank Sinatra season, Stacie has the Rat Pack-adjacent comedian and original King of Late Night, Johnny Carson. He was a private person who was possibly America's most beloved and public figure for three decades. His three divorces – and final, apparently happy marriage, reveal the split-screen that was his life. Then, Alicia has the tragic early years of Ava Gardner: her rural North Carolina upbringing, her discovery by the MGM star machine, and her first marriages, to Mickey Rooney and Artie Shaw. It's all prelude to her final, tumultuous marriage to Sinatra, which is coming up later this season. Can't get enough #trashcandy? Join us at Patreon.com/TrashyDivorces for early ad-free releases, bonus divorce stories, weekly Trashy Tidbits, limited series like Trashy Tudors, Funne with Dunne, Side Pieces, and a whole lot more. Promo this week: Bodice Tipplers! Stacie's Receipts: Fifteen Years of the Salto Mortale, a profile of Carson, by Kenneth Tynan. The New Yorker, 2/20/1978. Obituary of Joanne Carson, Los Angeles Times, May 2015. Classic Hollywood: The timeless humor of Johnny Carson captured on new DVD sets, Susan King, Los Angeles Times, September 23, 2017. Johnny Carson, Low-Key King of Late-Night TV, Dies at 79, Richard Severo and Bill Carter, New York Times, January 24, 2005. Johnny Carson wikipedia. The Tonight Show wikipedia. Alicia's Receipts: Ava: My Story. Ava Gardner's autobiography, published shortly after her death in 1990. Lana: The Lady, the Legend, the Truth. Lana Turner’s autiobiography, published in 1982. Music and more at trashydivorces.com.

As a writer of profiles, Larissa MacFarquhar is granted the privilege of listening to, learning from, and sharing the stories of extraordinary thinkers like Derik Parfit, Noam Chomsky, Hilary Mantel, and Paul Krugman. And she’s often drawn to write about the individual thinking behind extreme altruism, dementia care, and whether to stay in a small town. Motivating her is a desire to place readers inside someone’s head: to see what they see and to think how they think. In their dialogue, Larissa and Tyler discuss the thinking and thinkers behind her profiles, essays, and books, including notions of moral luck, exit vs voice, the prose of Kenneth Tynan, why altruistic heroes are mainly found in genre fiction, why she avoids describing physical appearances in her writing, the circumstances that push humans to live more extraordinary lives, what today has in common with the 1890s, and more. Transcript and links Follow Larissa on Twitter Follow Tyler on Twitter More CWT goodness: Facebook Twitter Instagram Email

Tracy Tynan HOLLYWOOD Costume Designer talks to Josephine about her bohemian, alcohol fuelled upbringing with her wild self obsessed parents Kenneth Tynan, theatre critic and Elaine Dundy, author her parents. Tracy finds solace through her love of clothes which leads to a successful and happy life and a career in the film business. #theatre #Hollywood #Clothes #radiogorgeous Follow us on Instagram now https://www.instagram.com/radio_gorgeous/

Singer Patti Boulaye; dancer David Toole; actor Charlie Condou and costume designer Tracy Tynan join Libby Purves. David Toole is an actor and dancer who played a starring role in the 2012 Paralympic Opening Ceremony. Born without the use of his legs, he turned his back on a job with the post office to study at the Laban Centre of Movement and Dance and follow his dream of becoming a dancer. He is performing with Stopgap Dance Company in The Enormous Room, a new touring piece about grief and the relationship between a father and daughter. The Enormous Room is at Lilian Baylis Studio, Sadler's Wells before heading off on tour. Patti Boulaye OBE is a singer and actor. Her autobiography, The Faith of a Child, charts her life growing up in Nigeria during the Biafran War to her West End debut in the musical Hair. In her new show, Billie and Me, she considers the parallels between Billie Holiday's troubled life and her own - at times difficult - experiences. The production starts its UK tour at the Pheasantry in London. The Faith of a Child - The Autobiography is published by Bipada Academy Ltd. Tracy Tynan is a costume designer and writer. The daughter of theatre critic Kenneth Tynan and actor and writer Elaine Dundy, she recounts her story of growing up amid the wreckage of her parents' disintegrating marriage. The couple were at the epicentre of a glamorous show business world - their social circle included Laurence Olivier, Orson Wells and Tennessee Williams. But the bohemian, hard drinking environment came at a cost and Tracy - who describes her life then as being "in a movie with lots of crazy people" - writes candidly about a childhood where the drama happened offstage. Wear and Tear: The Threads of My Life by Tracy Tynan is published by Duckworth. Charlie Condou is an actor best known for his role as midwife Marcus Dent in the British soap opera Coronation Street. He stars in a touring production of The Crucible playing the witch hunter Reverend Hale. In recent years Charlie has written extensively about his experiences co-parenting - he and his partner care for their children with a friend who is also the children's mother. The Crucible starts its tour at the Queen's Theatre, Hornchurch. Producer: Paula McGinley.