Podcast appearances and mentions of Kingsley Amis

Is a $400 wine really ten times better than a $40 one? Does the right glass really improve your wine and is it worth it when the size makes you look ridiculous? Why do wine labels matter and should the label's look be part of every wine review? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Charles Jennings and Paul Keers, co-authors of the hilarious book I Bought It So I'll Drink It. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway Three of you are going to win a copy of their terrific book,, I Bought It So I'll Drink It. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose three people randomly from those who contact me. Good luck! You can find the wines we discussed here.   Highlights Why do we feel guilty about window shopping when it comes to wine? What's the worst wine gadget or gimmick Paul and Charles have encountered? How did a 1947 Sauterne create a bond between Paul and a French wine seller? What was their most triumphant wine deal discovery? Are there elements that expensive wine delivers, that bargain wines can't? Why are Charles and Paul suspicious of mixed cases of wine? Has the quality and perception of box wines changed? What's the strangest vessel Paul and Charles have drunk wine from? What was it like drinking wine at 10 Downing Street and Lambeth Palace? What was Queen Victoria's tipple like? Why does Charles love drinking on his own? Which current wine trends will we look back on as ridiculous? Which wines would Charles and Paul now pair with their favourite childhood foods? Who would Paul and Charles love to share a bottle of wine with? Why should wine critics write about wine labels in their reviews?   Key Takeaways Charles and Paul believe there is a greater experience to be gained from drinking better wine, but that the return for your money plateaus quickly. If you go up from a £10 wine to a £30 wine, you will really notice the difference and have a tremendously greater experience. But then if you multiply that by 10 and go from £40 to £400, the difference in quality isn't that great. If I've got people around for dinner and I sit at the end of the table and everybody else has got normal wine glasses, I look like a complete plonker. And I'd love to sit there, “Oh, it's magnificent.” And they're going to think, what an idiot. So unfortunately, it doesn't get much use. It does enhance the taste of the Bordeaux, there's no doubt about it, but I'm so embarrassed sitting there drinking out of this thing the size of a melon that it really doesn't get much use. Charles and Paul mention wine labels because they think that they are ignored by most wine writers, and they're terribly important for two reasons. Firstly, because they're about the only marketing that most bottles of wine have, because we go into shops and that's all we can see, the labels. And second, if you're setting a table for dinner, you've invested in the table, in the dishware, the cutlery, the glasses to set up this beautiful thing. Why would you put a bottle of wine on the table - however it tastes - if it looks terrible? Wine critics should always say what the label looks like and whether it would look good on the table.   About Charles Jennings & Paul Keers Charles Jennings and Paul Keers are award-winning writers based in London, England. Charles and Paul co-authored the wine blog Sediment, described by New Statesman writer and Guardian literary critic Nick Lezard as “the finest wine blog available to humanity.” The blog became the basis for their book, I Bought It So I'll Drink It. Book-Prize-winning novelist Julian Barnes called it “The funniest wine-book I've read in a long time. Not just laugh-aloud funny but snortingly, choke-on-your-cornflakes funny – up there with Kingsley Amis and Jay McInerney.” Their book won the prestigious André Simon Award.         To learn more, visit https://www.nataliemaclean.com/341.

How does using everyday metaphors make wine writing more relatable? How has the pressure to be an expert in everything turned simple pleasures into social competition? Does buying your own wine versus getting free samples make you a better wine writer? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Charles Jennings and Paul Keers, co-authors of the hilarious book I Bought It So I'll Drink It. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway Three of you are going to win a copy of their terrific book,, I Bought It So I'll Drink It. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose three people randomly from those who contact me. Good luck! You can find the wines we discussed here.   Highlights How did Charles and Paul meet? What was the first bottle of wine they shared, and how did they realize they had the same approach to bad wine? What was it like to meet legendary wine critic Oz Clarke? When did Paul and Charles discover their love for writing? What were Charles and Paul's best and worst moments in their writing careers? How did their Sediment blog create a stir with the PR people in the wine industry? Where did the title “I Bought It So I'll Drink It” come from? Did buying their own wines give them a different perspective than other wine writers who are given promotional bottles? How did the collaborative approach to writing I Bought It So I'll Drink It work? Which writers have influenced Charles and Paul's writing? Is the tension between wine snobbery and enjoyment unique to wine? What was the most pretentious wine moment Paul and Charles witnessed? How did Charles and Paul develop their distinctive vocabularies for describing wines? Which overused wine descriptors do they find cringy? What's changed about wine criticism or writing since they published their book?   Key Takeaways Charles and Paul explain that they drew their descriptions from real life. There's a tendency in wine writing to use metaphors that you wouldn't necessarily experience. I mean, I've got a cat, but I really wouldn't use the term cat's pee in describing any wine. I don't know what cat's pee actually tastes like. Whereas if I talk about wine smelling of ink, well, people know what ink smells like, and it seemed more appropriate to use ink as an analogy. The authors say that everybody has to be a bit of an expert about everything these days. It's not just a question of, “Oh, we've been to France, we've gone to Italy, we've made it to the United States,” or something like that. It's how you did it, and where you stayed, and what you did, and what tours you went on, and it's so full of itself. Then it becomes a transaction when talking with friends. As Charles and Paul think the fact that they did buy thei wine is quite fundamental to a difference between Sediment and other wine writing. They had to do the same thing, go out and buy it. Maybe that gave us a slightly different slant on wine buying and drinking as well.   About Charles Jennings & Paul Keers Charles Jennings and Paul Keers are award-winning writers based in London, England. Charles and Paul co-authored the wine blog Sediment, described by New Statesman writer and Guardian literary critic Nick Lezard as “the finest wine blog available to humanity.” The blog became the basis for their book, I Bought It So I'll Drink It. Book-Prize-winning novelist Julian Barnes called it “The funniest wine-book I've read in a long time. Not just laugh-aloud funny but snortingly, choke-on-your-cornflakes funny – up there with Kingsley Amis and Jay McInerney.” Their book won the prestigious André Simon Award.         To learn more, visit https://www.nataliemaclean.com/340.

Our guest today is writer  Ralph Dartford who works for the National Literacy Trust and is the poetry editor of literary journal Northern Gravy.   Ralph kindly made the journey from Bradford to the Lockwood residence in Sheffield, and we settled down in my living room with mugs of tea and a plate of biscuits, surrounded by books and looked down upon by at least three pictures of Larkin. Ralph also co-organises the fantastic Louder Than Words festival that takes place in Manchester every autumn, and is a celebration of writing about music. They gather together amazing writers, broadcasters and musicians to discuss, explore and debate all things music and music industry related.  I hope we will continue to see Ralph at more PLS events.Larkin poems mentioned:The Whitsun Weddings, Dockery and Son, Mr Bleaney, For Sidney Bechet, High Windows, Cut Grass, To The Sea, MCMXIV, Here, BroadcastAll What Jazz: A Record Diary 1961-1971 (1985) by Philip LarkinThe Oxford Book of Twentieth Century English Verse - ed.  Philip Larkin (1973) I am happy to see Mr. Larkin's taste in poetry and my own are in agreement ... I congratulate him most warmly on his achievement. - W. H. Auden, The GuardianPoets/writers/musicians mentioned by RalphKae Tempest, Joelle Taylor, Ted Hughes, Seamus Heaney, Vicky Foster, Steve Ely, Chris Jones, Ian Parks, John Betjeman, John Cooper Clarke, John Hegley, Simon Armitage, Carol Ann Duffy, Michael Stewart, Blake Morrison, Count Basie, John Coltrane, Sidney Bechet, Alan Bennett, Stewart Lee, David Quantick, Ray Davis, Blur,  Van Morrison,  Hang Clouds, Evelyn Glennie, Kingsley Amis, Andrea Dunbar, Helen MortOther references:Adlestrop (1914) by Edward Thomas https://www.edwardthomaspoetryplaces.com/post/adlestropArthur Scargill:  “Arthur Scargill, the miners' leader and socialist, once told The Sunday Times, ‘My father still reads the dictionary every day. He says your life depends on your power to master words.” Martin H. Manser, The Penguin Writer's ManualBob Monkhouse https://www.theguardian.com/news/2003/dec/30/guardianobituaries.artsobituariesLongbarrow Press https://longbarrowpress.com/Valley Press https://www.valleypressuk.com/Kes (1968) by Barry HinesRalph is Poetry Editor for Northern Gravy https://northerngravy.com/Ralph reads Geese and England's Dreaming from House Anthems  https://www.valleypressuk.com/shop/p/house-anthemsGareth Southgate https://www.bbc.co.uk/news/uk-england-london-57816651 Simon Armitage Larkin Revisited Radio 4 https://www.bbc.co.uk/sounds/brand/m0019yy2Nick Cave- Honorary Vice President for the Philip Larkin Society- Desert Island Discs https://www.bbc.co.uk/programmes/m0027cglLyn's English teacher 1982-1989 https://petercochran.wordpress.com/remembering-peter/The Ted Hughes Network https://research.hud.ac.uk/institutes-centres/tedhughes/James Underwood https://www.bloomsbury.com/uk/early-larkin-9781350197121/Albums mentioned:OK Computer (1997) by Radiohead , Sergeant Pepper's Lonely Hearts Club Band (1967) and The White Album (1968) by The Beatles, Park Life (1994) by BlurSummertime in England by Van Morrison https://www.vice.com/en/article/summertime-in-england-a-monologue-on-van-morrison/Events:https://louderthanwordsfest.com/"My Friend Monica": Remembering Philip Larkin's Partner Monica JonesSat 22 Mar 2025 4:00 PM - 5:00 PM Ken Edwards Lecture Theatre 2, University of Leicester, LE1 7RHhttps://www.tickettailor.com/events/literaryleicester/1538331A celebration marking 70 years of Philip Larkin's 'The Less Deceived'For World Poetry Dayhttps://www.eventbrite.com/e/a-celebration-marking-70-years-of-philip-larkins-the-less-deceived-tickets-1235639173029?aff=oddtdtcreatorProduced by Lyn Lockwood and Gavin HoggPlease email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com

My guest today is Rishi Dastidar who is a poet and editor based in London. Rishi discusses his own particular view of Larkin's portrayal of Englishness in both his letters and his poetry, Larkin's contemporaries such as TS Eliot and Alan Bennett, and the vibrant role poetry plays in the UK's cultural landscape.  Rishi Dastidar's poetry has been published by the Financial Times, The Guardian and BBC and more. He is a fellow of The Complete Works, and a consulting editor at The Rialto magazine. A poem from his debut collection Ticker-tape was included in The Forward Book of Poetry 2018, and his second collection, Saffron Jack, was published in the UK by Nine Arches Press in 2020. He is also editor of The Craft: A Guide to Making Poetry Happen in the 21st Century (Nine Arches Press), and co-editor of Too Young, Too Loud, Too Different: Poems from Malika's Poetry Kitchen (Corsair). He is the chair of the board of trustees for Wasafari Magazine. Larkin poems discussed: Poetry of Departures, Friday Night In the Royal Station Hotel, Afternoons, The Building, The Whitsun Weddings, Toads, Waiting for Breakfast Other references: Kingsley Amis, Alan Bennett, Ezra Pound The Poetry Review, The New Yorker,  The Delinquent https://delinquentmagazine.bigcartel.com/,  Smiths Knoll magazine (https://poetrymagazines.org.uk/magazine/index190a.html?id=17),  The Faber Academy https://faberacademy.com/ The Love Song of J Alfred Prufock by TS Eliot (1915) Wild God by Nick Cave and the Bad Seeds (2024 PIAS Recordings) Sometimes a Wild God by Tom Hirons https://tomhirons.com/poetry/sometimes-a-wild-god (2017) Neptune's Projects  by Rishi Dastidur (2023)  https://ninearchespress.com/publications/poetry-collections/neptune-s-projects Time by Pink Floyd ‘hanging on in quiet desperation is the English way' from The Dark Side of the Moon (1973) George Best, footballer https://nostalgiacentral.com/pop-culture/people/george-best/ UK films/radio of the 1950s/60s:Passport to Pimlico, Whiskey Galore, The Goons, Kind Hearts and Coronets Music: Lazy River by Sidney Bechet Time by Pink Floyd Theme music: The Horns of the Morning by Wes Finch and the Mechanicals Band https://themechanicalsband.bandcamp.com/album/the-righteous-jazz Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or comments PLS Membership, events, merchandise and information: philiplarkin.com

Today's poem is a roller-coaster of machismo and vulnerability in that most singular of places–the poetry section of a small bookstore. Happy reading.Kingsley Amis (1922–1995) was a popular and prolific British novelist, poet, satirist, and critic. Born in suburban South London, the only child of a clerk in the office of the mustard-maker Colman's, he won an English scholarship to St John's College, Oxford, where he began a lifelong friendship with fellow student Philip Larkin. Following service in the British Army's Royal Corps of Signals during World War II, he completed his degree and joined the faculty at the University College of Swansea in Wales. Lucky Jim, his first novel, appeared in 1954 to great acclaim and won a Somerset Maugham Award. Ultimately he published twenty-four novels, including science fiction and a James Bond sequel; more than a dozen collections of poetry, short stories, and literary criticism; restaurant reviews and three books about drinking; political pamphlets and a memoir; and more. Amis received the Booker Prize for his novel The Old Devils in 1986 and was knighted by Queen Elizabeth II in 1990.-bio via NYRB This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

My guest in this week's Book Club podcast is the writer, musician and editor Michael Moorcock, whose editorship of New Worlds magazine is widely credited with ushering in a 'new wave' of science fiction and developing the careers of writers like J G Ballard, Iain Sinclair, Pamela Zoline, Thomas M Disch and M John Harrison. With the release of a special edition of New Worlds, honouring the 60th anniversary of his editorship, Mike tells me about how he set out to marry the best of literary fiction with the best of the pulp tradition, how he fought off obscenity charges over Norman Spinrad's Bug Jack Barron, about his friendship with Ballard and his enmity with Kingsley Amis – and why he's determined never to lose his vulgarity.   

My guest in this week's Book Club podcast is the writer, musician and editor Michael Moorcock, whose editorship of New Worlds magazine is widely credited with ushering in a 'new wave' of science fiction and developing the careers of writers like J G Ballard, Iain Sinclair, Pamela Zoline, Thomas M Disch and M John Harrison. With the release of a special edition of New Worlds, honouring the 60th anniversary of his editorship, Mike tells me about how he set out to marry the best of literary fiction with the best of the pulp tradition, how he fought off obscenity charges over Norman Spinrad's Bug Jack Barron, about his friendship with Ballard and his enmity with Kingsley Amis – and why he's determined never to lose his vulgarity.   

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SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!Some of the topics mentioned in this episode:– Cameron's opening reading for the Critical Path Symposium (w/ Elijah, too!) October 24 at 11:00 a.m. US EasternWelcome Session (Thu 10/24) https://brandeis.zoom.us/j/99723229304?pwd=8PxJRe3eaLx9SV3BzZOTyFUbhw99qN.1Symposium Sessions (Thu/Fri/Sat) https://brandeis.zoom.us/j/93979607180?pwd=MfaFbLZWNLZJAxcOY3cm6eTsJESVqL.1Readings (Thu/Fri/Sat) https://brandeis.zoom.us/j/92469126577?pwd=ZMYw1sFP889LzAgkkzlRrSD1hA1gqz.1– That Peculiar Affirmative by Jonathan Farmer– The Battle for Attention by Nathan Heller– Jonathan's review of Promises of Gold by Jose Olivarez– The Lottery in Babylon by Jorge Luis Borges– American Sonnets for My Past and Future Assassin by Terrance Hayes– Robert Wilson– The Way of the Gun (2000)– Football Club Bruno's Magpies– Ned Kelly– Oulipo– Italo Calvino– Portlandia– Alan Shapiro– The episode of Poetry Says in which Alice and I did indeed end up talking about Gwen Harwood's Krote poems, among other things– The Underground Railroad by Colson Whitehead– Andrea del Sarto by Robert Browning– Wendy Cope's Strugnell poems– Making Cocoa for Kingsley Amis by Wendy Cope– Barry (2018)Frequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

Today's poem, from the delightfully clever Wendy Cope, epitomizes the rare and complicated light verse form: the double-dactyl.Wendy Cope was raised in Kent, England, where her parents often recited poetry to her. She earned a BA in history and trained as a teacher at Oxford University. Cope taught in primary schools for many years before publishing her first book of poetry, Making Cocoa for Kingsley Amis (1986). The collection was an incredible success, selling tens of thousands of copies in the UK. It also announced Cope's remarkable talents for parody, word play, dexterity with received forms, and the use of humor to address grave topics. In the Los Angeles Review of Books, critic and poet A.M. Juster declared, “one has to go back to Byron to find a poet as consistently witty, wide-ranging, and technically outstanding as Cope.”Cope's poetry collections include Serious Concerns (1992); If I Don't Know (2001), shortlisted for the Whitbread Poetry Award; Two Cures for Love: Selected Poems 1979–2006 (2008); Family Values (2011); Christmas Poems (2017), a collection of new and previously published Christmas-themed work; and Anecdotal Evidence (2018). She is the author of the prose collection Life, Love and the Archers (2015) and two books for children, Twiddling Your Thumbs (1988) and The River Girl (1991), and the editor of numerous anthologies, including, The Faber Book of Bedtime Stories (1999).Cope has received a Cholmondeley Award and a Michael Braude Award for Light Verse from the American Academy of Arts and Letters. In 2010, she was awarded an Order of the British Empire. She is a Fellow of the Royal Society of Literature and lives in Winchester, England.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

For our July book of the month, the #BookCast crew reads Lucky Jim by Kingsley Amis. Tune in a discussion of the novel led by Garth Casbourn featuring hosts Scott Walters, Meghan Voll, Mark Ambrogio, and special guest Helen Button! We discuss the literary format of the novel, its relation to our experiences as academics, and the historical context behind this witty work of fiction! Airing August 29 at 11am on Radio Western. Recorded on August 13, 2024 Produced by Scott Walters, Edited by Amalie Hutchinson Theme song provided by https://freebeats.io/ Produced by White Hot Audio clip from Lucky Jim (1957) - British Lion Films

Like an old 80s sitcom, this episode was taped before a live audience of about 90 regular listeners who carried on a vigorous commentary and questions in the Zoom chat, and we had a special guest at the very end—John Hinderaker in the (virtual) flesh! And since we actually recorded during happy hour for a change (and not Saturday morning as has been the case for the last several weeks), we rolled out several whisky choices for the episode.Listeners may know that Lucretia, this week's host, has been partial in the past to Glenmorangie, which the great Kingsley Amis noted "has been called delicate and mild, even faintly sweet." This is not a description anyone would ever use about Lucretia, making this a dubious match. Tonight she had two varieties of Glenfiddich on hand, which Amis called "fruity and well balanced." Maybe she's better matched with Macallan, which Amis says is "powerful yet smooth." That sounds more like it!By popular demand, we took up a news items we didn't get to last week in the crush of shocking news stories, namely Judge Aileen Cannon's ruling that special counsel Jack Smith's appointment as special counsel to torment Trump is unconstitutional. Steve invented a special judicial scale—the Silberman Scale from 1 - 10—for John Yoo to grade the opinion, and he gave it a solid 8, which is pretty darn good. From there—oh my! Lucretia unveiled her handcrafted tin foil cowboy hat, as we kicked around whether the loss of trust in key government institutions (cough, cough—FBI—cough, cough, or cough—Secret Service—cough) is because they are merely incompetent and negligent, or whether their carelessness is deliberate. From there John Hinderaker gave us an update on the FBI investigation of the firebombing of his office building back in January, and finally we all gave our predictions for Kamala Harris's running mate, but not until we rolled out the first of whiat is doubtless to be many weeks of ritual denunciation of Harris. So if you missed the live taping, pour yourself a nice, dry single malt and settle in.

Elizabeth Jennings (1926-2001) was born in Boston, Lincolnshire but moved to Oxford at the age of six where she lived for the rest of her life. She studied at St. Anne's College, Oxford and worked in advertising, at the City Library and briefly in publishing before becoming a full-time writer. Her consistent devotion to poetry yielded over twenty books during her life, a New Collected Poems appearing in 2002. Although initially linked to the group of poets including Kingsley Amis, Philip Larkin and Thom Gunn known as ‘The Movement', Jennings' work doesn't share their irony or academic wit. However, the unassuming technical craft of her poetry and its emotional restraint are qualities that were praised by the poets and critics of the period and continued to be abiding characteristics of her work. An important theme is her Catholicism and many of her poems have a devotional aspect. Her intense musing on spirituality encouraged a sensitivity towards others, evident in the pained tenderness of some of her poems. Jennings' sincere and scrupulous work gradually built both critical acclaim that weathered changes in poetic fashion, and a genuine popularity. Amongst the many honours awarded her work are the W.H. Smith Literary Award, the Somerset Maugham Award and a CBE. Although consistent in its tone and concerns, her poetry continued to develop and mature – later work demonstrating a more flexible approach to form whilst retaining her clarity.-bio via Poetry Archive (where you can also hear Jennings reading her own poem) Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Summary Mark Edlitz (X, LinkedIn) joins Andrew (X; LinkedIn) to discuss how James Bond lived on in literature after the death of Ian Fleming. Mark is an author and pop culture expert.  What You'll Learn Intelligence The original Fleming novels Intellectual property and author's rights to iconic characters The evolution of Bond as a literary character  The relationship between the Bond books and the Bond movies Reflections Can icons ever truly die? Just how malleable are our favorite characters? And much, much more … Resources  SURFACE SKIM *Spotlight Resource* James Bond After Fleming: The Continuation Novels, Mark Edlitz (2023) *SpyCasts* The James Bond Collector with Mike VanBlaricum (2024) 70th Anniversary of James Bond, Special with Alexis Albion on 007, Part 1 of 2 (2023) 70th Anniversary of James Bond, Special with Alexis Albion on 007, Part 2 of 2 (2023) My Life Looking at Spies and the Media with Paul Lashmar (2022) *Beginner Resources* James Bond Books: The Continuation Novels, D. Leigh, The James Bond Dossier (2024) [Short biographies of each continuation author] Ian Fleming – Life Story, Short Biographies, YouTube (2023) [8 min. video] Can I do a sequel to someone else's book or movie? Miller IP Law (n.d.) [Short article] DEEPER DIVE Books Bond, James Bond: Exploring the Shaken and Stirred History of Ian Fleming's 007, B. Gilmore & M. Kalinowski (Mango, 2022) The Many Lives of James Bond: How the Creators of 007 Have Decoded the Superspy, M. Edlitz (Lyons Press, 2019) James Bond: The Evolution of the World's Most Famous Spy, A. Geiger (CompanionHouse Books, 2016)  Primary Sources  An Interview with Raymond Benson (2023) License Renewed: Interview with John Gardner (1994) Gardner Assumes Ian Fleming's Pen To Keep James Bond Alive (1988) An Interview with Kingsley Amis (1975)  Allen Dulles and Ian Fleming (1964)  Books of the Times (1963)  *Wildcard Resource* James Bond is a fantastically well-known character, but he is not technically in the public domain. Characters that do exist in the public domain include Count Dracula, Frankenstein's Monster, Sherlock Holmes, and Robin Hood.  Studying the origins of these characters is fascinating. Take Robin Hood, for example – The first written mention of the heroic outlaw comes from the poem “The Vision of Piers Plowman” by William Langland, written in 1380. That's 593 years before Disney's classic adaptation of the story!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adventurers Dravot and Carnehan have decided to take over a country. Not a big country, just a tiny one. Should be simple, right? Rudyard Kipling, today on The Classic Tales Podcast.  Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.  A new Vintage Episode is released every Tuesday. Please help us to continue producing amazing audiobooks by going to http://classictalesaudiobooks.com, and becoming a supporter. Thank you so much.  Keep an ear open for our coming Kickstarter campaign to fund the audiobook of The Golden Triangle, the next in the Arsène Lupin series, by Maurice Leblanc. We've got a ton of special bonuses planned. More details coming soon!  And mark your calendar for the Classic Tales Book Club! We'll be meeting on Zoom on March 13th at 4:00PM pacific time. See you then! Today's story has had many media iterations. Most famous is likely the 1975 film with Sean Connery, Michael Caine, and Christopher Plummer. It's been dramatized in radio on the program Escape, in 1943, and even the Dreamworks film “The Road to Eldorado” can be said to be loosely based on it. J.M. Barrie called it, “the most audacious thing in fiction”. It inspired T.S. Eliot to write a poem when he was young. Kingsley Amis called it, “grossly overrated”. Overrated? Maybe. Audacious? Absolutely. Either way, we hope you like it.  And now, “The Man Who Would be King”, by Rudyard Kipling.  Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:    Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:

Jo finds surprising depth to Susan Casey's The Devil's Teeth and Charlotte (8:35) fantasizes that her nonexistent celebrity romance novel is better than Robinne Lee's The Idea of You, with a brief bonus discussion of Lisa Halliday's Asymmetry. The great mind and Mobility author Lydia Kiesling (25:40) then joins to reflect on Lucky Jim and the ways our parents' book collections shape us as readers. Read Jo's review of Asymmetry from 2018 here.Lydia Kiesling is a novelist and culture writer. Her first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Vulture, Time, and NPR, among others. It is a finalist for the Oregon Book Award. Her essays and nonfiction have been published in outlets including The New York Times Magazine, The New Yorker online, and The Cut. Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte is on Instagram and Twitter as @Charoshane. She has a newsletter called Meant For You, with additional writing at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com.Learn more about our producer Alex at https://www.alexsugiura.com/ Hosted on Acast. See acast.com/privacy for more information.

 Zachary Leader is Emeritus Professor of English Literature at the University of Roehampton. He grew up in California but has lived in Britain for over fifty years and has dual US/UK citizenship. He was educated at Northwestern University, Trinity College, Cambridge, and Harvard and is the biographer of Kingsley Amis and edited the Letters of Kingsley Amis. He is a fellow of the Royal Society of Literature and General Editor of The Oxford History of Life-Writing, a 7-volume series published by OUP. PLS Trustee Daniel Vince is a soon-to-be graduate of the University of York, where he earned his MA by Research on the post-war working class novel. He has recently started work on his PhD entitled ‘The New University in Post-War British Literature', in which Larkin and the University of Hull play a significant role – other writers include Malcolm Bradbury, David Lodge and Kingsley Amis. A trustee of The Philip Larkin Society, our e-newsletter editor and a member of our events committee,.  Today's conversation focuses on John Wain's Hurry On Down (1953) and Philip Larkin's Jill (1946). Notes and further reading and event links The Life of Saul Bellow by Zachary Leader (Cape, 2015) The Oxford Handbook of Percy Bysshe Shelley (Oxford Handbooks)  by Michael O'Neill (Editor) (Oxford Handbooks, 2017) The Life of Kingsley Amis by Zachary Leader (Vintage, 2007) The Letters of Kingsley Amis by Zachary Leader (Editor), (Harper Collins, 2001) Cultural Nationalism and Modern Manuscripts: Kingsley Amis, Saul Bellow, Franz Kafka Zachary Leader https://pure.roehampton.ac.uk/portal/en/publications/cultural-nationalism-and-modern-manuscripts-kingsley-amis-saul-be 2013 Decline and Fall by Evelyn Waugh (1928) Lucky Jim by Kingsley Amis (1954) Portrait of a Lady by Henry James (1881) Jill by Philip Larkin (1946) Hurry on Down by John Wain (1953) Changing Places by David Lodge (1975) Of Mice and Men by John Steinbeck (1937) The Catcher in the Rye by JD Salinger (1951) The Movement: English Poetry and Fiction of the 1950's by Blake Morrison (1980) The Movement Reconsidered: Essays on Larkin, Amis, Gunn, Davie and Their Contemporaries by Zachary Leader (OUP, 2011) The Importance of Philip Larkin by John Wain, The American Scholar, Vol. 55, No. 3 (Summer 1986), pp. 349-364  Interviews with Britain's Angry Young Men: Kingsley Amis, John Braine, Bill Hopkins, John Wain and Colin Wilson: 2 (Milford Series) by Dale Salwak (Borgo Press, 2007) Philip Larkin: Life, Art and Love by James Booth (2015, Bloomsbury) Philip Larkin: A Writer's Life by Andrew Motion (Faber, 1994) Philip Larkin Selected Letters ed. Anthony Thwaite (Faber and Faber, 1993) Out of Reach: The Poetry of Philip Larkin by Andrew Swarbrick (1997) Larkin poems mentioned: Livings, The Importance of Elsewhere, The Whitsun Weddings, High Windows, Absences, If, My Darling, This Be The Verse Other references: The Sun (British tabloid newspaper, founded 1964), John Braine (English novelist 1922-1986), Ben Johnson (English playwright- 1597-1637), Franz Kafka (Czech novelist, 1883- 1924) Book tickets for Chichester event here: https://www.eventbrite.com/e/philip-larkin-society-members-event-at-chichester-cathedral-tickets-781230199557?aff=ebdsoporgprofile Register for schools event here: https://www.eventbrite.com/e/higher-windows-post-16-english-enrichment-day-at-the-university-of-hull-tickets-737140074807?aff=ebdsoporgprofile Register for Conference 2024 here: https://www.eventbrite.com/e/philip-larkin-society-conference-2024-tickets-769584597247?aff=oddtdtcreator

Today on The Literary Life podcast, we continue our “Best of” series discussing Shakespeare's A Midsummer Night's Dream with coverage of Act 3. Angelina talks about the pacing of this act and the importance of the characters' madcap, lunatic behavior. She also highlight's Shakespeare's wrestling with the relationship between the imagination and art and reality. Thomas highlights the structure of the play as reflecting a dreamlike state. Cindy shares some of her thoughts on being concerned about making sure our children know what is real and pretend. To sign up for Thomas Banks and Anne Phillips' webinar on Herodotus taking place January 30, 2024, head over to HouseofHumaneLetters.com/webinars. Find Angelina's webinar “Jonathan Swift: Enemy of the Enlightenment” at HouseofHumaneLetters.com. Even though the spring 2022 Literary Life Conference “The Battle Over Children's Literature” featuring special guest speaker Vigen Guroian is over, you can still purchase the recordings at HouseofHumaneLetters.com. Commonplace Quotes: The most insipid, ridiculous play that I ever saw in my life. Samuel Pepys, describing “A Midsummer Night's Dream” in his diary Or the lovely one about the Bishop of Exeter, who was giving the prizes at a girls' school. They did a performance of A Midsummer Night's Dream, and the poor man stood up afterwards and made a speech and said [piping voice]: ‘I was very interested in your delightful performance, and among other things I was very interested in seeing for the first time in my life a female Bottom.' C. S. Lewis in a conversation with Kingsley Amis and Brian Aldiss Still, if Homer's Achilles isn't the real Achilles, he isn't unreal either. Unrealities don't seem so full of life after three thousand years as Homer's Achilles does. This is the kind of problem we have to tackle next–the fact that what we meet in literature is neither real nor unreal. We have two words, imaginary, meaning unreal, and imaginative, meaning what the writer produces, and they mean entirely different things. Northrop Frye A Dream by William Blake Once a dream did weave a shade O'er my angel-guarded bed, That an emmet lost its way Where on grass methought I lay. Troubled, wildered, and forlorn, Dark, benighted, travel-worn, Over many a tangle spray, All heart-broke, I heard her say: "Oh my children! do they cry, Do they hear their father sigh? Now they look abroad to see, Now return and weep for me." Pitying, I dropped a tear: But I saw a glow-worm near, Who replied, "What wailing wight Calls the watchman of the night? "I am set to light the ground, While the beetle goes his round: Follow now the beetle's hum; Little wanderer, hie thee home!" Book List: Of Other Worlds by C. S. Lewis The Educated Imagination by Northrop Frye The Elizabethan World Picture by E. M. Tillyard The Meaning of Shakespeare by Harold Goddard The Golden Ass by Apuleius Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Best known for her Cazalet Chronicles and a dozen other books, English novelist Elizabeth Jane Howard turned to her own life in her memoir, Slipstream. In the book, and in this conversation with Eleanor Wachtel from 2003, she reflects on her difficult upbringing in London in the 1920s and '30s, on her first marriage during the Second World War, and shares her account of her widely discussed breakup with renowned writer Kingsley Amis. Howard died 10 years ago, aged 90.

The Green Man was a 1990 BBC adaptation of the novel by Kingsley Amis from 1969. Albert Finney stars as hotelier and heavy drinker Maurice Allington. What happens when a teller of ghost stories sees a ghost of his own? Please send us your comments, questions, requests and complaints. You can reach us at britishinvaders@gmail.com, […]

The Green Man was a 1990 adaptation of the novel by Kingsley Amis. Albert Finney stars in this ghostly mini-series. Please send us your comments, questions, requests and complaints. You can reach us at britishinvaders@gmail.com, and you can find us on the British Invaders Facebook Group. On Twitter, we are @BritInvadersPod. British Invaders is an […]

Este episodio tiene un nombre propio y no es otro que el de Kingsley Amis, el autor de Sobrebeber, un libro que aborda a las bebidas alcohólicas desde el humor y la sátira.

Why is Bandol the only appellation to lead with Mourvèdre? What would surprise you about the northern Italian grape and wine Barbaresco? What would it be like to spend half a day picking grapes in a Sauvignon Blanc vineyard? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Andy James, author of Bandol Wine and the Magic of Mourvèdre. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway Three of you are going to win a personally signed copy of Andy James' terrific new book, Bandol Wine and the Magic of Mourvèdre. To qualify, all you have to do is email me at natalie@nataliemaclean.com and tell me that you'd like to win a copy. I'll choose three people randomly from those who contact me. Good luck!   Highlights Why is Bandol the only appellation to lead with Mourvèdre? What are Andy's favourite pairings for Mourvèdre Rosé? What was it like to spend half a day picking in a Sauvignon Blanc vineyard? Who are some of the famous past residents of Bandol? What did Andy learn from interviewing famous Italian winemaker Angelo Gaja? How have Barbaresco and Barolo wines changed over the decades? What can you expect from Domaine Le Galantin Bandol Rosé? Why does Andy like Lehmann's Synergie and RIEDEL's Winewings glasses? What's the tasting experience like for G.D. Vajra Barolo Ravera? How can you pair G.D. Vajra Barolo Ravera with food? What controversial take does Andy have on decanting? Which fascinating book can you read to learn about the history of Burgundy? Why is a thermometer Andy's favourite wine gadget? Which English writer would Andy love to share a bottle of breakfast Champagne with?   Key Takeaways Andy's explanation of why Bandol is the only wine region to lead with Mourvèdre was fascinating. As he said, there's a salinity and freshness in the wines, good Mourvedre has to see the sea. I enjoyed his description of the northern Italian grape and wine Barbaresco and the changes it's experiencing. He painted a terrific picture of what it's like to spend a day picking grapes in a Sauvignon Blanc vineyard.   Join me on Instagram, Facebook and YouTube Live Join the live-stream video of this conversation on Wed at 7 pm ET on Instagram Live Video, Facebook Live Video or YouTube Live Video. I want to hear from you! What's your opinion of what we're discussing? What takeaways or tips do you love most from this chat? What questions do you have that we didn't answer? Want to know when we go live? Add this to your calendar: https://www.addevent.com/calendar/CB262621   About Andy James Andrew James is a Canadian who received a doctorate in 20th century English literature from Ulster University. He is currently a professor in the School of Commerce at Meiji University in Tokyo. He is the author of a monograph on Kingsley Amis and numerous essays on literature, biography and literary theory, but he is also a wine lover.         To learn more, visit https://www.nataliemaclean.com/250.

From Dark Academia trends inspired by Donna Tartt's “The Secret History” to other campus novels like Kingsley Amis' “Lucky Jim” and Philip Roth's “The Human Stain,” we delve into the quirks, challenges, and intrigues of university professor characters and campus settings for this week's mini. We also touch on classics like Dorothy L. Sayers' “Gaudy Night” and Mary McCarthy's “The Groves of Academe,” among others. Discussed: Donna Tartt: “The Secret History"Podcast Recommendation: "Once Upon a Time at Bennington College"Kingsley Amis: "Lucky Jim"Michael Chabon: "Wonder Boys"John Edward Williams: "Stoner"Dorothy Sayers: "Gaudy Night" (part of the Lord Peter Wimsey detective novels)Mary McCarthy: Book Mentioned: "The Groves of Academe"David Lodge: Campus Trilogy: "Changing Places,” "Small World", and "Work"“American Vandal”For episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

How does Mourvèdre taste different from other southern French grapes that also produce full-bodied red wines? Did you know that Mourvèdre can age for up to 40 years but has stages where it shuts down completely? What would a 20-year-old Rosé taste like? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Andy James, author of Bandol Wine and the Magic of Mourvèdre. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Giveaway Three of you are going to win a personally signed copy of Andy James' terrific new book, Bandol Wine and the Magic of Mourvèdre. To qualify, all you have to do is email me at natalie@nataliemaclean.com and tell me that you'd like to win a copy. I'll choose three people randomly from those who contact me. Good luck!   Highlights What was it that drew Andy to make the move to Japan? Why did Andy write books about Kingsley Amis and Graham Greene? Why might you enjoy visiting the southern French town of Bandol for your next wine holiday? What inspired Andy to write about Bandol wines? What's the format of Andy's latest book, Bandol Wine and the Magic of Mourvèdre, and how does it differ from previous books about Bandol wines? What's it like to taste a 20-year-old Rosé? Do Rosés have good aging capacity? How much of the Bandol wine industry is attributed to Rosé production? What surprising results came out of a blind tasting of €3 and €23 Bandol wines? Which characteristics can you expect from the Mourvèdre grape in its youth? What changes will you notice as Mourvèdre ages? Why should you take the cork out of your Mourvèdre a day or two before drinking?   Key Takeaways Andy gave a great description of how Mourvèdre tastes different from other full-bodied southern French red wines. I understand why it also often needs a blending partner. I found it interesting that Mourvèdre can age for up to 40 years but has stages where it shuts down completely. I'm also going to try his suggestion of removing the cork for a day or two next time I open a bottle to see if it makes a difference. I would have never thought a 20-year-old Rosé would even be drinkable let alone have some interesting taste components and contrasts.   Join me on Instagram, Facebook and YouTube Live Join the live-stream video of this conversation on Wed at 7 pm ET on Instagram Live Video, Facebook Live Video or YouTube Live Video. I want to hear from you! What's your opinion of what we're discussing? What takeaways or tips do you love most from this chat? What questions do you have that we didn't answer? Want to know when we go live? Add this to your calendar: https://www.addevent.com/calendar/CB262621   About Andy James Andrew James is a Canadian who received a doctorate in 20th century English literature from Ulster University. He is currently a professor in the School of Commerce at Meiji University in Tokyo. He is the author of a monograph on Kingsley Amis and numerous essays on literature, biography and literary theory, but he is also a wine lover.         To learn more, visit https://www.nataliemaclean.com/249.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Martin Amis (1949-2023), in conversation with Richard Wolinsky and Richard A. Lupoff in the KPFA studios, January 27, 1998 while on tour for his novel, “Night Train,” published in 1997. This is the second of five interviews with Martin Amis for KPFA's Probabilities/Bookwaves program, which were recorded over a period of 23 years. Along with Night Train, he discusses his novel which was published in 1995, The Information. The three books he discusses at the end of the interview were a short story collection, Heavy Water and Other Stories, which came out later in 1998, a much celebrated memoir and Booker prize winner, Experience,  in published in 2000, and another long novel, Yellow Dog, a satire focusing on British ideas of masculinity and patrimony, published in 2003. Known for such novels as London Fields, Money, Time's Arrow, The Information and The Zone of Interest, the Booker Prize winning memoir, Experience, and his essay collection The War Against Cliché, Martin Amis was he son of novelist and essayist Kingsley Amis, He was also close friends with Christopher Hitchens, Saul Bellow and Philip Larkin, all of whom he wrote about in his final memoir disguised as a novel, Inside Story, in 2020. This interview was digitized, remastered and edited in August 2023 by Richard Wolinsky, has not been heard since its original broadcast. Complete 33-minute Interview.   Bookwaves Jacqueline Woodson, in conversation with Richard Wolinsky, while on tour for her novel Another Brooklyn, recorded September 20, 2016. Jacqueline Woodson is known for her young adult novels, and won the National Book Award for Young Peoples Literature in 2014 for Brown Girl Dreaming. She was in the KPFA studios to discuss Another Brooklyn, her first adult novel in over two decades. Since that time, Jacqueline Woodson has come out with two middle school novels, Harbor Me and Before the Ever After, the adult novel Red at the Bone, and two illustrated children's books. Another Brooklyn tells the story of four African American girls growing up in Brooklyn during the 1970s, focusing on August, a transplant from the South with a single father, growing up during a turbulent era and struggling to find herself. Extended 37-minute Radio Wolinsky podcast.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Hippest Trip: The Soul Train Musical,  August 25 – October 1, 2023. Aurora Theatre  Born With Teeth by Liz Duffy Adams, September 1 – October 1. Awesome Theatre Company. Check website for upcoming live shows and streaming. BAMBDFest. Festival in Celebration of Black Arts and Culture, through August  31, BAM House (formerly Oakland PianoFight). Berkeley Rep POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, by Selina Fillinger, September 16 – October 22, Roda Theatre. Berkeley Shakespeare Company. King Lear. September 1 – 24. See website for days and locations. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Hadestown, September 12-17, 2023, Orpheum. Broadway San Jose: Tina: The Tina Turner Musical, August 29 – September 3. California Shakespeare Theatre (Cal Shakes). Shakespeare in the Park: Cymbeline, September 16, 17, 23, 24, 4 pm. Free, tickets required. See website for other events. Center Rep: Crowns by Regina Taylor, September 9 – October 6, 2023. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Sound of Music, September 8 -24. Club Fugazi. See website for Club Date events in August. Dear San Francisco returns September 8, 2023. Contra Costa Civic Theatre Sondheim on Sondheim, August 25 – September 10; Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. See website for upcoming productions and events. Magic Theatre. Josephine's Feast by Star Finch, extended to September 27, Campo Santo at the Magic. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Transnational Cabaret runs through August 20.  Before The Sword by Andrew Alty, September 15 – October 15. Oakland Theater Project.  Gary, a sequel to Titus Andronicus by Taylor Mac, September 1 – 24. Pear Theater. Noises Off by Michael Frayn,  September 8 – October 1. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light:  Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  A Chorus Line runs through September 16, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Sex with Strangers by Laura Eason, October 12 – 30. Shotgun Players. Wolf Play by Hansol Jung, Performances start September 2, 2023. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Overlooked Latinas, September 24 – October 1. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Mrs. Christie by Heidi Armbruster, October 4 -29, Mountain View Center for the Performing Arts. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – August 31, 2023: Martin Amis – Jacqueline Woodson appeared first on KPFA.

Martin Amis (1949-2023), in conversation with Richard Wolinsky and Richard A. Lupoff in the KPFA studios, January 27, 1998 while on tour for his novel, “Night Train,” published in 1997. This is the second of five interviews with Martin Amis for KPFA's Probabilities/Bookwaves program, which were recorded over a period of 23 years. Along with Night Train, he discusses his novel which was published in 1995, The Information. The three books he discusses at the end of the interview were a short story collection, Heavy Water and Other Stories, which came out later in 1998, a much celebrated memoir and Booker prize winner, Experience,  in published in 2000, and another long novel, Yellow Dog, a satire focusing on British ideas of masculinity and patrimony, published in 2003. Known for such novels as London Fields, Money, Time's Arrow, The Information and The Zone of Interest, the Booker Prize winning memoir, Experience, and his essay collection The War Against Cliché, Martin Amis was he son of novelist and essayist Kingsley Amis, He was also close friends with Christopher Hitchens, Saul Bellow and Philip Larkin, all of whom he wrote about in his final memoir disguised as a novel, Inside Story, in 2020. This interview was digitized, remastered and edited in August 2023 by Richard Wolinsky, has not been heard since its original broadcast. and has never been heard in its complete form. The post Martin Amis II, “Night Train,” “The Information,” 1998 appeared first on KPFA.

Are you intrigued by both campus novels and academia novels?  Join me as we talk about the distinctive traits of these novels, the similarities and differences, and the stories of identity, sexuality, class, and race that they often encapsulate.  In this episode, I'll also share nine captivating novels that provide a glimpse into campus and academic life, from The Secret History to Vladimir.  Get ready to embark on a literary journey through the hallowed halls of academia, engaging with narratives that will surely pique your curiosity and fascination.SHOW NOTES & BOOKLIST: Find the episode show notes and a list of all the books mentioned here.MORE RESOURCES:  Visit bibliolifestyle.com for more information and resources to help you in your reading journey.JOIN THE COMMUNITY:Join the BiblioLifestyle Community & the Bring Your Own Book (BYOB) Club for a fun, online book club experience!  Come and share books you've read, get inspiration for what to read next, make friends, and encourage each other along the way.  Learn more and join the community: bibliolifestyle.com/community.THE BIBLIOLIFESTYLE 2023 FALL READING GUIDEGet ready for a cozy fall reading season! Download your free copy of the guide when you visit fallreadingguide.com. This year's guide has thirty books organized across nine categories, plus fun recipes, fall activities, lifestyle tips, classic books, and a fun challenge. So download your free copy and discover your next favorite book! BIBLIOLIFESTYLE COMMUNITY & BYOB CLUBRead a good book recently? Join our members-only Community & Bring Your Own Book (BYOB) Club and tell us about it! Here we read what we want, make friends, and encourage each other along the way. Attend our online book club, seasonally-themed happenings, get exclusive content, plus more!

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMoynihan is one-third of The Fifth Column — the sharp, hilarious podcast he does with Kmele Foster and Matt Welch. He was previously the cultural news editor for The Daily Beast, a senior editor at Reason, and a correspondent and managing editor of Vice.It's a fun summer chat with an old friend. We recorded the episode a few weeks ago, on July 24. For two clips — on the conspiracy theories of RFK Jr., and the deepening rift within the Israeli government — pop over to our YouTube page.Other topics: his Boston upbringing with a “union guy” father and being the first college grad in his family; on the agony of writing as a profession; on the “laziness” of many top writers; on flawless ones like Michael Lewis and John Updike; Moynihan's review of a new book on Orwell; why Animal Farm was passed over by publishers; Orwell's distrust of intellectuals and losing many friends on the left; his love of Englishness; wondering how he would react to mass migration and postmodernism; Kingsley Amis and his cohort being the original “lol alt-right”; Enoch Powell and his “Rivers of Blood”; the elections in Spain and the far-right party's floundering; immigration in Sweden; Brexit; violence against Venezuelan immigrants in Brazil and Colombia; why Islamism is barely discussed anymore; Trump and DeSantis on Social Security; the debate over sex changes for kids; the success of the gay rights movement through persuasion; Brendan Eich; the propaganda around Covid; what Moynihan calls the “the Mis/Disinformation Industrial Complex”; lab leak; Elon Musk; the AIDS denialism of Duesberg and Maggiore; Holocaust deniers; Marty Peretz; Kissinger; Vidal; Hitch of course; Oppenheimer and McCarthyism; Alger Hiss and the Rosenbergs; Hollywood's double-standard when it comes to pro-communist films; “Angels in America”; the big increase in black deaths after BLM in 2020; amnesia over Afghanistan; and the first time I ever did poppers. Good times.Browse the Dishcast archive for another conversation you might enjoy (the first 102 episodes are free in their entirety — subscribe to get everything else). Coming up: Vivek Ramaswamy on his vision for America, Sohrab Ahmari on his new book Tyranny Inc., and Freddie deBoer on his new book How Elites Ate the Social Justice Movement. Also, in the fall: Ian Buruma, David Brooks, Spencer Klavan, Leor Sapir, Martha Nussbaum, Pamela Paul and Matthew Crawford. A stellar roster! Please send any guest recs and pod dissent to dish@andrewsullivan.com.

Jacke and Mike discuss the life and works of novelist Martin Amis (1949-2023), who recently died of esophageal cancer. The son of writer Kingsley Amis, Martin forged his own path, writing fifteen novels and several other works of essays and memoirs, with a devotion to style that earned him comparisons with Joyce and Flaubert. For decades, Amis was a fixture on the Anglo-American literary scene, dominating the landscape even as his books were famously snubbed by critics and prize committees. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Remembering the popular and provocative English writer, Martin Amis, who died in May 2023 at the age of 73. Son of acclaimed author Sir Kingsley Amis, Martin Amis is perhaps best known for his novels Money, London Fields and The Information. You'll also hear part of Eleanor Wachtel's 1992 interview with Kingsley Amis, recorded at his home in London. This episode originally aired in 2007.

Our mini Kingsley Amis season concludes with a look at three movie adaptations of his work; one underwhelming, one whelming, and one very much overwhelming... Lucky Jim (1957) Only Two Can Play (1962) Take A Girl Like You (1970) This episode presented by: J.R. Southall With: Jon Arnold Matt Barber

This talk was given to the PLS in 2001 by Winifred Dawson. Winifred was born in London, but educated in Belfast which is where she met Larkin when they were both working at Queen's University Library. Win also went on to write herself and published a biography of Amy Audrey Locke, a muse for the poet WB Yeats. Win opens with a reflection on Larkin's love for his parents, However, the talk is mainly about Larkin's relationship with the women in his life: Ruth Bowman, Winifred, Monica Jones, Patsy Strang, Maeve Brennan (who is listening in the audience) and Betty Mackereth. Ruth, Maeve and Win went on to form a friendship, having first met at Ruth's house in 1993, 8 years after Larkin died. Maeve Brennan can be heard very briefly at the end of the talk. The talk is full of humour, and a frank account of her feelings about Larkin, as well as readings of Larkin's poetry and letters. The poetry readings were not recorded at the time of the talk, and so are instead read by members of the current Philip Larkin Society committee. We have also added the 1975 poem ‘When first we faced' after Toads Revisited as a second poem about Betty Mackereth. Books and writers mentioned: Philip Larkin: A Writer's Life by Andrew Motion(1993) Philip Larkin Selected Letters ed. Anthony Thwaite (1993) Playing the Harlot- Patsy Avis (published by Virago in 1996) Lucky Jim by Kingsley Amis (1954) Peter Ackroyd, Katherine Mansfield, Flann O'Brien's At Swim-Two- Birds (1939),  The Real Charlotte by Somerville and Ross (1894), John Betjeman, Scenes from Provincial Life by William Cooper (1950) , DH Lawrence, The Porter's Daughter: The Life of Amy Audrey Locke by Winifred Dawson (Sarsen Press, 2014) Larkin's review of The Girls by Henry de Montherlant (1959) can be found in Required Writing (1983) Poems mentioned- poems which are read in the episode are in bold: Days, Faith Healing, An April Sunday Brings the Snow , Reference Back, Mother, Summer, I Wild Oats, No Road, Within the dream you said, Show Saturday, Talking in Bed, Poem About Oxford,  Latest Face,  Lines on a Young Lady's Photograph Album, At thirty-one, when some are rich He hears his beloved, Long roots, Maiden Name, Broadcast, Morning at last,  Toads Revisited, When First We Faced, To My Wife, Counting,  An Arundel Tomb References: https://www.theguardian.com/books/2014/aug/28/winifred-dawson Ann Thwaite's obituary of Win Dawson https://philiplarkin.com/wp-content/uploads/2022/08/About-Larkin-01.pdf First issue of About Larkin  Further reading: Philip Larkin, Life, Art and Love by James Booth (Bloomsbury, 2014) Thank you to Jim Orwin for the original  recording and sleeve notes. Thank you to Graham Chesters, Simon Smith, Daniel Vince, Phil Pullen, Clarissa Hard, Rachael Galletly, Alex Davis, Gavin Hogg and Julian wild for reading the poems. Produced by Lyn Lockwood and Gavin Hogg PLS Membership and information: philiplarkin.com  Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz

Ahead of next week's Film Club episode, a conversation about the author, his work and his politics Kingsley Amis This episode presented by: J.R. Southall With: Jon Arnold Matt Barber

It's back to 1974 and ITV's Haunted anthology this time, for an adaptation of Kingsley Amis' spooky ghost story The Ferryman. Can a young Sherlock Holmes save the day...? The Ferryman at imdb This episode presented by: J.R. Southall With: Jon Arnold Matt Barber

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Martin Amis in 2007. Martin Amis (1949-2023), in conversation with host Richard Wolinsky for the “Probabilities” program, recorded in the KPFA studios November 26, 1991 while on tour for the paperback edition of “London Fields.” First of five interviews conducted over a 23 year span. Martin Amis, who died of esophageal cancer on May 19th, 2023 at the age of 73, was a leading English novelist, essayist, memoirist and screenwriter. Known for such novels as London Fields, Money, Time's Arrow, The Information and The Zone of Interest, his memoir Experience won the Booker Prize, and his essay collection The War Against Cliché is now considered a classic. The son of novelist and essayist Kingsley Amis, Martin Amis was close friends with Christopher Hitchens, Saul Bellow and Philip Larkin, all of whom he wrote about in his final novel, which was actually a memoir, Inside Story, in 2020. This is the first of five interviews recorded with Martin Amis. and has not been heard in over a quarter century and was digitized, remastered and edited in May, 2023. Front photo by Richard Wolinsky in the KPFA studios in 2014. Page photo: Creative Commons.   Artwaves Susi Damilano and Bill English, co-founders of San Francisco Playhouse. Bill English, Artistic Director of San Francisco Playhouse, in conversation with Richard Wolinsky, recorded via Zencastr May 29, 2023. San Francisco Playhouse was founded in 2003 by Bill English and Susi Damilano and has grown into a major regional theatre, with several world premieres later moving on to future productions in New York and elsewhere. In this interview, Bill English discusses the current show at San Francisco Playhouse, Chinglish by David Henry Hwang, which runs through June 10, 2023, and the upcoming production of A Chorus Line, which starts previews on June 22, 2023. He also talks about the upcoming 2023-2024 season, as well as the state of the company three years after the pandemic shutdown.   Review of “Let The Right One In' at Berkeley Rep's Roda Theatre through June 25, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Lists of guests at the upcoming Book Festival, May 6-7, 2023, event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Wizard of Oz  adapted by John Kane for the Royal Shakespeare Theatre, based on the classic motion picture, June 1 – June 25. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Let The Right One In, a stage adaptation by Jack Thorne. Through June 25, 2023 at the Roda Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: The Book of Mormon, May 23 – June 13, Orpheum. Into the Woods, June 20–15, Curran. Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: In The Heights, May 27  – June 24. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. Tosca, June 9 – 25. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. Towards Opulence, The Opera. June 3-4. 42nd Street Moon. She Loves Me, June 8 – June 24, Gateway Theatre. Golden Thread  See website for ongoing special events. Landmark Musical Theater.  Hair, May 6 – June 4, at the Landmark, 533 Sutter, SF. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 2, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast, August 2 – 20. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  The Confession of Lily Dare by Charles Busch, May 12 – June 11. Oakland Theater Project.  Who's Afraid of Virginia Woolf? by Edward Albee, May 26 – June 18. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening In Concert, June 8-10, Victoria Theatre. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  Chinglish by David Henry Hwang, May 4 – June 10, 2023. A Chorus Line starts June 22, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: 40th Anniversary Celebration, June 26, 2023. Shotgun Players. Yerma based on the play by Federico Garcia Lorca. Through June 18. South Bay Musical Theatre: Singin' In the Rain, May 13 – June 3. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Gumiho, staged reading June 13. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Steel Magnolias by Robert Harling, June 7 – July 2, 2023, Mountain View Center for the Performing Arts. Word for Word.  See schedule for  one-night readings and streaming performances. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                 The post Bookwaves/Artwaves – June 1, 2023: Martin Amis – Bill English appeared first on KPFA.

Martin Amis in 2007. Creative Commons. Martin Amis (1949-2023), in conversation with host Richard Wolinsky for the “Probabilities” program, recorded in the KPFA studios November 26, 1991 while on tour for the paperback edition of “London Fields.” First of five interviews conducted over a 23 year span. Martin Amis, who died of esophageal cancer on May 19th, 2023 at the age of 73, was a leading English novelist, essayist, memoirist and screenwriter. Known for such novels as London Fields, Money, Time's Arrow, The Information and The Zone of Interest, his memoir Experience won the Booker Prize, and his essay collection The War Against Cliché is now considered a classic. The son of novelist and essayist Kingsley Amis, Martin Amis was close friends with Christopher Hitchens, Saul Bellow and Philip Larkin, all of whom he wrote about in his final novel, which was actually a memoir, Inside Story, in 2020. This is the first of five interviews recorded with Martin Amis. and has not been heard in over a quarter century and was digitized, remastered and edited in May, 2023. Front photo by Richard Wolinsky in the KPFA studios in 2014. The post Martin Amis (1949-2023) I: “London Fields,” 1991 appeared first on KPFA.

A short Kingsley Amis retrospective begins with a chat about the BBC's 1990 adaptation of the author's 1969 novel The Green Man (1990) The Green Man (1969) Kingsley Amis This episode presented by: J.R. Southall With: Jon Arnold Matt Barber

Admit it: It's fun to look at other people's marriages — and all the more fun if those marriages are messy. In a new group biography, "Lives of the Wives: Five Literary Marriages," the author Carmela Ciuraru peers into some relationships that are very messy indeed: the tumultuous marriages of Kenneth Tynan and Elaine Dundy; Roald Dahl and Patricia Neal; Kingsley Amis and Elizabeth Jane Howard; Radclyffe Hall and Una Troubridge; and Alberto Moravia and Elsa Morante. As Ciuraru's title suggests, the book focuses especially on the role — and toll — of being a wife, stifling one's own creative impulses for the sake of a temperamental artist.On this week's podcast, Sadie Stein — an editor at the Book Review, who commissioned the literary critic Hermione Hoby to write about Ciuraru's book for us — talks with the host Gilbert Cruz about "Lives of the Wives.""They're all complicated people,"  Stein says. "I don't want to oversimplify it. Everyone knows you can't see inside anyone else's marriage. But these couples, you can see a little more. And in some cases, a little more than maybe you want to.""It's a very gossipy book," Cruz says. "And I, to my own embarrassment, was not as up on 20th-century European literary gossip as maybe I should have been. So a lot of this stuff came as a total surprise, total shock to me. ... It's so juicy, but it also made me feel bad in a certain way." And that, we can all agree, is good.We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

Literary critic Carmela Ciuraru joins V.V. Ganeshananthan and Whitney Terrell to discuss her new book The Lives of the Wives, which looks at five literary marriages, including pairings like Elizabeth Jane Howard and Kingsley Amis. She examines the dynamics of such relationships, particularly when one partner declares their time more valuable. She explains why the stories of historic couples like Una Troubridge and Radclyffe Hall remain relevant today, and highlights the experiences of lesser-known partners, some of whom were artists and writers themselves. She also reads an excerpt about the early days of Patricia Neal and Roald Dahl's courtship. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This podcast is produced by Anne Kniggendorf. Selected Readings: Carmela Ciuraru The Lives of the Wives Nom de Plume  First Loves  Beat Poets    Others: The Dud Avocado by Elaine Dundy As I Am by Patricia Neal Women and Writing by Virginia Woolf Killing the Angel in the House by Virginia Woolf Who's Afraid of Virginia Woolf by Edward Albee Truth and Beauty by Ann Patchett On Beauty by Zadie Smith Radclyffe Hall and Una Vincenzo: An Inventory of their papers at the Harry Ransom Center The Wife by Meg Wolitzer The Year of Magical Thinking by Joan Didion A Widow's Story by Joyce Carol Oates Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you doing 'Dry' this January? If so, we've got your back. In our last episode in this season we're putting the growing non-alcoholic category very much in focus and trust us, we were very impressed.We start by tasting two new products, High Point Ruby Aperitif made in Cornwall and Savyll, a range of ready-to-drink cocktails from London.Lyaness is our bar of choice. Why? Because we love the way they put as much creativity, care and attention into their 'boozeless' concoctions as they do their boozy counterparts. And book-wise, it's all about Kingsley Amis's cocktail essays, 'Everyday Drinking'.Last but by no means, we head to Club Soda Tasting Room & Shop to talk to Laura Willoughby MBE who's on a mission to make the world a better place for people who are drinking less or not at all.What we're drinking:LLB (Lemon, Lime & Bitters)150ml lemonade/soda or lemon & lime soda15ml freshly-squeezed lime juice4-5 dashes Angostura aromatic bittersLime to garnish (optional)Method:Pour lemonade and lime into an ice-filled Collins glass. Add 4-5 dashes of bitters and garnish with lime (optional). Serve with metal straw and stir bitters into the drink.For more from The Cocktail Lovers, including signing up for our digital and print magazine, visit our website, thecocktaillovers.comTo see the products featured in this episode, check out our Instagram page @thecocktaillovers and see their websites below:Club Soda Club Soda ShopEveryday Drinking by Kingsley AmisHigh Point Ruby AperitifLyanessSayvll Beverage CoThe Cocktail Lovers theme music is by Travis 'T-Bone' WatsonEdited by Christian Fox Hosted on Acast. See acast.com/privacy for more information.

In this episode, we finish up reading Mansfield Park, with Chapters 46 to 48. We talk about contrasts within the book, the attitude to Maria and Henry, Edmund and Fanny's views of Mary, Sir Thomas's reflections in the final chapter, the wrapping up of the other characters and how we are told about Edmund falling in love with Fanny.We discuss Fanny Price, then Ellen talks about principle and education, and Harriet looks at how adaptations and modernisations treat these chapters. Things we mention: General and character discussion:Margaret Drabble,  “Introduction”,  Mansfield Park (1996 – Signet Classics edition)Anthony Powell, Casanova's Chinese Restaurant [volume 5 of A Dance to the Music of Time] (1960)William Shakespeare, Henry IV Parts 1 and 2Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Tony Tanner, various works including “Introduction”, Mansfield Park (1966 – Penguin Books edition)Marvin Mudrick, Jane Austen; irony as defense and discovery (1952)Mary Brunton, Self-Control (1810)Linda V Troost and Sayre N Greenfield, “A History of the Fanny Wars”, Persuasions 36 (1), 2014, pp. 15–33.D W Harding, ‘Regulated Hatred: An aspect of the work of Jane Austen', Scrutiny, 8 (4), 1940, pp. 346–362.C S Lewis, ‘A Note on Jane Austen', Essays in Criticism, IV (4), October 1954, pp. 359–371.Lionel Trilling, “Mansfield Park“, Partisan Review 21 (September-October 1954): 492-511. Also published in Encounter, September 1954: 9-19.Kingsley Amis, “What Became of Jane Austen?”, The Spectator, 4 October 1957 – republished in What Became of Jane Austen? And Other Questions (1970)Historical discussion:Maria Edgeworth, Moral Tales: Angelina; Or L'amie Inconnue. the Good French Governess. Mademoiselle Panache. the Knapsack (1801)Popular culture discussion:Adaptations:BBC, Mansfield Park (1983) – starring Sylvestra Le Touzel and Nicholas Farrell (6 episodes)Miramax, Mansfield Park (1999) – starring Frances O'Connor and Jonny Lee MillerITV, Mansfield Park (2007) – starring Billie Piper and Blake RitsonModernisations:YouTube, Foot in the Door Theatre, From Mansfield With Love (2014-2015)D.E. Stevenson, Celia's House (1943)For a list of music used, see this episode on our website.    

In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists.  Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists.  Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists.  Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the popular imagination MI5, or the Security Service, is know chiefly as the branch of the British state responsible for chasing down those who pose a threat to the country's national security--from Nazi fifth columnists during the Second World War, to Soviet spies during the Cold War and today's domestic extremists.  Yet in Red List: MI5 and British Intellectuals in the Twentieth Century (Verso, 2022), David Caute argues in this radical and revelatory history of the Security Service in the twentieth century, suspicion often fell on those who posed no threat to national security. Instead, this 'other history' of MI5, ignored in official accounts, was often as not fuelled by the political prejudices of MI5's personnel, and involved a huge programme of surveillance against anyone who dared question the status quo. Caute, a prominent historian and expert on the history of the Cold War, tells the story of the massive state operation to track the activities of a range of journalists, academics, scientists, filmmakers, writers and others who, during the twentieth century, the Security Service perceived as a threat to the national interest. Those who were tracked include such prominent figures as Kingsley Amis, George Orwell, Doris Lessing, John Berger, Benjamin Britten, Eric Hobsbawm, Michael Foot, Harriet Harman, and others. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

You can lose yourself in cinema -- and you can find yourself in it. Jai Arjun Singh and Subrat Mohanty join Amit Varma in episode 294 of The Seen and the Unseen to talk about the films in their lives, why we should watch old films, why we should watch new films, why Bollywood and Hollywood and other woods are all great, and why we live in a wonderful technicolor world. This episode is a celebration of cinema! (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Jai Arjun Singh on Twitter and Instagram. 2. Haal-Chaal Theek Thaak Hai -- Subrat Mohanty and Pavan Jha's podcast. 3. Jai Arjun Singh Lost It at the Movies -- Episode 230 of The Seen and the Unseen. 4. Jabberwock — Jai Arjun Singh's blog. 5. Jaane Bhi Do Yaaron: Seriously Funny Since 1983 — Jai Arjun Singh. 6. The World of Hrishikesh Mukherjee -- Jai Arjun Singh. 7. Popcorn Essayists: What Movies do to Writers -- Edited by Jai Arjun Singh. 8. The Golden Era -- Subrat Mohanty's YouTube playlist of 100 lesser-known songs from the golden era of Hindi film music (mostly 1935-65). 9. The Unseen Lata -- Subrat Mohanty's YouTube playlist of 54 lesser-heard songs from Lata Mangeshkar, from 1948 to 1976. 10. Old posts by Subrat Mohanty from the Passion For Cinema web archives. 11. Some Spotify playlists, courtesy Nishant Shah, from Haal-Chaal Theek Thaak Hai episodes: 1, 2, 3, 4. 12. Pavan Jha's YouTube channel. 13. The only 1980s Maltova Mum commercial I could locate from the 1980s. (Couldn't find Singer.) 14. Kashmir Ki Kali -- Shakti Samanta. 15. Mughal-E-Azam -- K Asif. 16. Khuda Nigehbaan Ho -- Song from Mughal-E-Azam, sung by Lata Mangeshkar, music by Naushad, lyrics by Shakeel Badayuni. 17. Cinema Paradiso -- Giuseppe Tornatore. 18. Phool Khile Hain Gulshan Gulshan -- talk show by Tabassum.  19. Old episodes of Phool Khile Hain Gulshan Gulshan with RD Burman, Deepti Naval, Anand Bakshi and Bhupinder. 20. The Indiana Jones and Superman franchises. 21. The Evil Dead -- Sam Raimi. 22. Sam Raimi, Wes Craven and John Carpenter. 23. The Fugitive and The Bodyguard. 24. The Unbearable Lightness of Being -- Milan Kundera. 25. The Antichrist -- Friedrich Nietzsche. 26. The 400 Blows -- Francois Truffaut. 27. Salò, or The 120 Days of Sodom -- Pier Paolo Pasolini. 28. Łódź Film School and Andrzej Wajda. 29. Do the Right Thing -- Spike Lee. 30. On Exactitude in Science (Wikipedia) -- Jorge Luis Borges. 31. Titus Andronicus -- William Shakespeare. 32. A Chess Story (previously published as The Royal Game) -- Stefan Zweig. 33. The World of Yesterday -- Stefan Zweig. 34. The Friday the 13th franchise. 35. Tracy and Hepburn -- Garson Kanin. 36. Bhimsen Joshi, Mallikarjun Mansur, Kumar Gandharva and Lata Mangeshkar on Spotify. 37. Vijay Anand, Guru Dutt, Raj Kapoor, Bimal Roy and Hrishikesh Mukherjee. 38. Guide -- Vijay Anand. 39. Kaagaz Ke Phool -- Guru Dutt. 40. Jean-Luc Godard and Federico Fellini. 41. Shankar–Jaikishan, Hasrat Jaipuri, Shailendra, Mukesh, KA Abbas, Ramanand Sagar and Kidar Sharma. 42. Aag, Satyam Shivam Sundaram, Awaara, Barsaat and Shree 420.43. Nargis and Nadira. 44. Mud Mud Ke Na Dekh -- Song from Shree 420, sung by Asha Bhosle and Manna Dey, music by Shankar-Jaikishan, lyrics by Shailendra. 45. Orson Welles. 46. Squid Game on Netflix. 47. The Immediate Experience -- Robert Warshow. 48. Dil Dhadakne Do, Luck by Chance and Gully Boy -- Zoya Akhtar. 49. Casablanca -- Michael Curtiz. 50. Yudh and Tridev -- Rajiv Rai. 51. Amit Varma's Twitter threads on the MAMI festival from 2018 and 2019. 52. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 53. Dead Poet's Society -- Peter Weir. 54. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 55. Pauline Kael on Amazon. 56. Dekalog — Krzysztof Kieślowski. (And Roger Ebert's essay on it.) 57. The Dead — John Huston. 58. In the Bedroom -- Todd Field. 59. Devdas (Sanjay Leela Bhansali) and Parineeta (Pradeep Sarkar). 60. Salman Rushdie, Arundhati Roy and Vikram Seth. 61. Raag Darbari (Hindi) (English) — Shrilal Shukla. 62. PG Wodehouse on Amazon and Wikipedia. 63. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 64. Dharmyug and Dharamvir Bharati. 65. Andha Yug (Hindi) (English) -- Dharamvir Bharati. 66. Suraj ka Satvaan Ghoda -- Dharamvir Bharati. 67. Gunahon Ka Devta — Dharamvir Bharati. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 70. Anil Biswas, SD Burman, Chitragupt, Roshan, C Ramchandra and Madan Mohan. 71. Naushad and Aan. 72. Maan Mera Ehsan -- Song from Aan, sung by Mohammad Rafi, music by Naushad, lyrics by Shakeel Badayuni. 73. Sebastian D'Souza, Anthony Gonsalves, Ghulam Mohammed and Mohammed Shafi. 74. Khayyam and RD Burman. 75. The Long Tail -- Chris Anderson. 76. The Sound of Music -- Robert Wise. 77. Do-Re-Mi -- Song from The Sound of Music. 78. Giacomo Puccini and Giuseppe Verdi on Spotify. 79. Tosca -- Giacomo Puccini -- performed at Arena di Verona. 80. Dua Lipa, Olivia Rodrigo, Lizzo and Billie Eilish on Spotify. 81. About That Time -- Lizzo. 82. Renaissance -- Beyoncé. 83. Ae Dil Hai Mushkil -- Karan Johar. 84. Aar Paar, Geeta Dutt and Eminem. 85. Pet Shop Boys, Guns N' Roses, U2, REM and Stone Temple Pilots on Spotify. 86. Bob Dylan and Leonard Cohen. 87. How This Nobel Has Redefined Literature -- Amit Varma. 88. Mera Joota Hai Japani -- Song from Shree 420, sung by Mukesh, music by Shankar-Jaikishen, lyrics by Shailendra. 89. Sahir Ludhianvi and Majrooh Sultanpuri. 90. Do Bigha Zamin -- Bimal Roy. 91. Dharti Kahe Pukaar Ke -- Song from Do Bigha Zamin, sung by Manna Dey and Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 92. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 93. Mondegreen. 94. Tragedy -- Bee Gees. 95. Aap Jaisa Koi -- Song from Qurbani, sung by Nazia Hassan, music by Biddu Appaiah, lyrics by Masth Ali & Shashi Pritam. 96. Ek Akela Is Shaher Mein -- Song from Gharaonda, sung by Bhupinder Singh, music by Jaidev, lyrics by Gulzar. 97. Jonathan Haidt on Amazon. 98. Amar Akbar Anthony and Andrei Tarkovsky. 99. 2001: A Space Odyssey -- Stanley Kubrick. 100. Mirza Ghalib (and the show on him by Gulzar). 101. Roy Lichtenstein, Drowning Girl, Jackson Pollock, René Magritte, Pablo Picasso and the Pre-Raphaelites. 102. The Wire, Breaking Bad and Better Call Saul. 103. Christopher Nolan, Martin Scorcese, Quentin Tarantino, Coen Brothers and Preston Sturges. 104. Ball of Fire -- Howard Hawks. 105. The Lady Eve -- Preston Sturges. 106. Barbara Stanwyck and Lawrence Olivier. 107. Francis Ford Coppola, Brian De Palma and Alfred Hitchcock. 108. How to Read and Why -- Harold Bloom. 109. Malayankunju -- Sajimon Prabhakar. 110. Muqaddar Ka Sikandar -- Prakash Mehra. 111. Agatha Christie on Amazon and Wikipedia. 112. Nayak -- Satyajit Ray. 113. Prakash Mehra and Kader Khan. 114. Laawaris -- Prakash Mehra. 115. Don and Majboor. 116. Sample SSR conspiracy theory: He's alive! 117. David Cronenberg. 118. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 119. Moonlight — Barry Jenkins. 120. Chacha Bhatija, Parvarish, Amar Akbar Anthony and Dharam Veer -- Manmohan Desai. 121. Man, Woman and Child -- Erich Segal. 122. Man, Woman and Child (1983 film) -- Dick Richards. 123. Masoom -- Shekhar Kapoor. 124. Shyam Benegal, Govind Nihalani, Mani Kaul, Kumar Shahani, Mrinal Sen and Robert Bresson. 125. Au Hasard Balthazar -- Robert Bresson. 126. Uski Roti -- Mani Kaul. 127. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 128. Calcutta 71 -- Mrinal Sen. 129. Ivan's Childhood, Solaris and Andrei Rublev -- Andrei Tarkovsky. 130. Stanislaw Lem on Amazon and Wikipedia. 131. Cahiers du Cinéma and Mayapuri. 132. Black Friday and Paanch -- Anurag Kashyap. 133. Navdeep Singh, Sudhir Mishra, Neeraj Ghaywan, Raj Kumar Gupta and Rajkumar Kohli. 134. Nagin and Nagina. 135. Jaani Dushman -- Rajkumar Kohli. 136. Three Colors: Blue -- Krzysztof Kieślowski. 137. Three Colors: Red -- Krzysztof Kieślowski. 138. Three Colors: White -- Krzysztof Kieślowski. 139. The Double Life of Veronique -- Krzysztof Kieślowski. 140. The legendary Babbar Subhash. 141. Dance Dance -- Babbar Subhash. 142. Aagaya Aagaya Halwa Wala -- Song from Dance Dance. 143. Jaane Bhi Do Yaaro -- Kundan Shah. 144. Leke Pehla Pehla Pyar -- Song from CID, sung by Shamshad Begum, Asha Bhosle and Mohammad Rafi., music by OP Nayyar, lyrics by Majrooh Sultanpuri. 145. Rote Hue Aate Hain Sab -- Song from Muqaddar Ka Sikandar, sung by Kishore Kumar, music by Kalyani-Anandji, lyrics by Anjaan. 146. Kai Baar Yun Bhi Dekha Hai -- Song from Rajnigandha, sung by Mukesh, music by Salil Chowdhury, lyrics by Yogesh. 147. Rim Jhim Gire Saawan -- Song from Manzil, sung by Lata Mangeshkar, music by RD Burman, lyrics by Yogesh. 148. Andrew Sarris and André Bazin. 149. Sergei Eisenstein and the Odessa Steps sequence. 150. Court — Chaitanya Tamhane. 151. Khosla Ka Ghosla, Oye Lucky! Lucky Oye!, Love Sex Aur Dhokha, Shanghai and Detective Byomkesh Bakshy! -- Dibakar Banerjee. 152. Jean Renoir. 153. Akira Kurosawa and Yasujirō Ozu. 154. Tokyo Story -- Yasujirō Ozu. 155. Rashomon -- Akira Kurosawa. 156. The 2012 Sight and Sound poll of the 100 Greatest Films of All Time. 157. Early Summer -- Yasujirō Ozu. 158. Make Way for Tomorrow -- Leo McCarey. 159. Citizen Kane -- Orson Welles. 160. Vertigo -- Alfred Hitchcock. 161. Setsuko Hara. 162. Sara Akash -- Basu Chatterjee. 163. Bhuvan Shome -- Mrinal Sen. 164. KK Mahajan. 165. One Cut of the Dead -- Shin'ichirō Ueda. 166. Unsane -- Steven Soderbergh. 167. Promising Young Woman -- Emerald Fennell. 168. Psycho -- Alfred Hitchcock. 169. Hitchcock's Films Revisited -- Robin Wood. 170. Picnic at Hanging Rock, Gallipoli, Witness, Dead Poet's Society and The Truman Show -- Peter Weir. 171. Buster Keaton and Charlie Chaplin. 172. John Ford and Girish Shahane. 173. Everything is Cinema -- Don Palathara. 174. Hi Mom! -- Brian De Palma. 175. Taxi Driver -- Martin Scorcese. 176. Joyful Mystery -- Don Palathara. 177. The Postman Always Rings Twice -- Tay Garnett. 178. Treasure of the Sierra Madre -- John Huston. 179. Noir's arc - notes on an excellent anthology -- Jai Arjun Singh. 180. Key Largo -- John Huston. 181. Gun Crazy -- Joseph H Lewis. 182. Sullivan's Travels -- Preston Sturges. 183. O Brother, Where Art Thou? -- Coen Brothers. 184. Winchester '73 and Bend of the River -- Anthony Mann. 185. Shaheed (1948) -- Ramesh Saigal, starring Dilip Kumar. 186. Andaz -- Mehboob Khan. 187. Duniya Na Mane -- V Shantaram. 188. Some Like it Hot and Ace in the Hole -- Billy Wilder. 189. Ernst Lubitsch and James Wong Howe. 190. Sweet Smell of Success -- Alexander Mackendrick. 191. Mere Apne -- Gulzar. 192. Haal Chaal Thik Thak Hai -- Song from Mere Apne, sung by Kishore Kumar and Mukesh, music by Salil Chowdhury, lyrics by Gulzar. 193. Mr Sampat -- SS Vasan. 194. Miss Malini -- Kothamangalam Subbu. 195. Mr. Sampath: The Printer Of Malgudi -- RK Narayan. 196. Achhe Din Aa Rahe Hain -- Song from Mr Sampat, sung by Shamshad Begum and ML Vasantakumari, music by Balkrishna Kalla, lyrics by Pandit Indra Chander. 197. Parakh -- Bimal Roy. 198. O Sajna Barkha Bahaar Aayee -- Song from Parakh, sung by Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 199. Oonche Log -- Phani Majumdar. 200. Major Chandrakanth -- K Balachander. 201. Jaag Dil-E-Deewana -- Song from Oonche Log, sung by Mohammad Rafi, music by Chitragupt, lyrics by Majrooh Sultanpuri. 202. Birendranath Sircar, RC Boral and Timir Baran. 203. PC Barua, Bimal Roy and KL Saigal. 204. Devdas (1936) -- PC Barua. 205. President -- Nitin Bose. 206. Ek Bangla Bane Nyara -- Song from President, sung by KL Saigal, music by RC Boral, lyrcs by Kidar Sharma. 207. Street Singer -- Phani Majumdar. 208. Babul Mora Naihar Chhooto Hi Jaye -- Song from Street Singer, sung by KL Saigal, music by RC Boral, lyrics by Nawab Wajid Ali Shah. 209. Wajid Ali Shah. 210. Shatranj Ke Khilari -- Satyajit Ray. 211. Duniya, Yeh Duniya, Toofan Mail-- Song from Jawab, sung by Kanan Devi, music by Kamal Dasgupta, lyrics by Pandit Madhur. 212. Rajnigandha -- Basu Chatterjee. 213. Rajnigandha/राजनीगंधा -- Mannu Bhandari. 214. The Conversation -- Francis Ford Coppola. 215. Deer Hunter -- Michael Cimino. 216. The Godfather -- Francis Ford Coppola. 217. The Godfather: Part 2 -- Francis Ford Coppola. 218. Sisters -- Brian De Palma. 219. Blow Out -- Brian De Palma. 220. Blowup -- Michelangelo Antonioni. 221. The Long Goodbye and Nashville -- Robert Altman. 222. The Missouri Breaks -- Arthur Penn. 223. The Last Picture Show, Paper Moon, What's Up, Doc? and Targets -- Peter Bogdanovich. 224. This is Orson Welles -- Orson Welles and Peter Bogdanovich. 225. Hitchcock -- Francois Truffaut. 226. Bringing Up Baby, His Girl Friday, The Big Sleep and To Have and Have Not  -- Howard Hawks. 227. The Big Sleep -- Raymond Chandler. 228. William Faulkner and Ernest Hemingway on Amazon. 229. Johny Mera Naam and Jewel Thief -- Vijay Anand. 230. Sholay -- Ramesh Sippy. 231. Back to the Future -- Robert Zemeckis. 232. Mr India -- Shekhar Kapoor. 233. Rahul Rawail, JP Dutta, Mukul Anand and Rajiv Rai. 234. Hathyar and Ghulami -- JP Dutta. 235. Raat Bhat Jaam Se Jaam Takrayega -- Song from Tridev with galaxy of villains. 236. Naseeb -- Manmohan Desai. 237. Dan Dhanoa, Mahesh Anand, Dalip Tahil and Tej Sapru. 238. The Ramsay Brothers! 239. Don't Disturb the Dead: The Story of the Ramsay Brothers -- Shamya Dasgupta. 240. Do Gaz Zameen Ke Neeche -- Tulsi and Shyam Ramsay. 241. Veerana -- Ramsay Brothers. 242. Purana Mandir -- Ramsay Brothers. 243. Govinda! 244. Ilzaam -- Shibu Mitra. 245. I am a Street Dancer and Main Aaya Tere Liye from Ilzaam. 246. Jackie Brown and Pulp Fiction -- Quentin Tarantino. 247. Halloween -- John Carpenter. 248. A Nightmare on Elm Street -- Wes Craven. 249. Scream -- Wes Craven. 250. Terminator 2: Judgment Day -- James Cameron. 251. Mad Max: Fury Road -- George Miller. 252. Nicholas Cage and Keanu Reeves. 253. Wild at Heart -- David Lynch. 254. Red Rock West -- John Dahl. 255. The Last Seduction -- John Dahl. 256. Edward Norton in American History X and Rounders. 257. New Delhi Times -- Ramesh Sharma. 258. Drohkaal -- Govind Niahalani. 259. Gupt and Mohra by Rajiv Rai. 260. Sonam! 261. Wild -- Nicolette Krebitz. 262. Waves -- Trey Edward Shults. 263. Climax -- Gaspar Noé. 264. Mother! -- Darren Aronofsky. 265 Eho — Dren Zherka. 266. The Magic Mountain -- Thomas Mann. 267. Invisible Cities -- Italo Calvino. 268. Cosmicomics -- Itali Calvino. 269. If on a Winter's Night a Traveller -- Italo Calvino. 270. A House For Mr Biswas -- VS Naipaul. 271. A Bend in the River -- VS Naipaul. 272. Middlemarch -- George Eliot. 273. Mrs Dalloway -- Virginia Woolf. 274. To the Lighthouse -- Virginia Woolf. 275. Decline and Fall -- Evelyn Waugh. 276. Scoop -- Evelyn Waugh. 277. Brighton Rock -- Graham Greene. 278. Brighton Rock (1948 film) -- John Boulting. 279. Kingsley Amis and Martin Amis. 280. Lucky Jim -- Kingsley Amis. 281. The Siege Of Krishnapur -- JG Farrell. 282. Alfie -- Lewis Gilbert. 283. Get Carter -- Mike Hodges. 284. Blame it on Rio -- Stanley Donen. 285. Gangs of Wasseypur -- Anurag Kashyap. 286. Tamas -- Govind Nihalani. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Jackson Pollock.

John J. Miller is joined by Catherine Baab-Muguira to discuss Kingsley Amis's book, 'Lucky Jim.'

Having branched to our first novel with All Quiet on the Western Front, the Human Action Podcast begs your indulgence for one of the works of 20th century British satire. Lucky Jim is the late Kingsley Amis's seminal send-up of campus life, and it's among your host's favorite books. The book takes place in 1951, and England is trying but failing to lose its class distinctions. The protagonist Jim Dixon is singularly unfit for the academic life he's chosen, and the opportunities for Amis to skewer both the academy and English society are manifest. Allen Mendenhall of Troy University joins the show to discuss the academic pretenses and foibles punctured by Amis, along with great insights about Amis's background and political views. If you like satire, don't miss this show or this book!

Having branched to our first novel with All Quiet on the Western Front, the Human Action Podcast begs your indulgence for one of the works of 20th century British satire. Lucky Jim is the late Kingsley Amis's seminal send-up of campus life, and it's among your host's favorite books. The book takes place in 1951, and England is trying but failing to lose its class distinctions. The protagonist Jim Dixon is singularly unfit for the academic life he's chosen, and the opportunities for Amis to skewer both the academy and English society are manifest. Allen Mendenhall of Troy University joins the show to discuss the academic pretenses and foibles punctured by Amis, along with great insights about Amis's background and political views. If you like satire, don't miss this show or this book!]]>