Podcasts about Gorgeous

BEST OF KILBORN. Ho Ho Humble! Two of the nicest guys around team up for a delightful holiday celebration. Russillo & Kilborn. Boom! They discuss Christmas memories, the great Karl Anthony Towns and the red hot Sam Darnold. Plus, Ryen plants a flag for white balsamic vinegar. And dusts off his Chris Berman impression. This one is fully loaded. Unwrap the magic young people! Learn more about your ad choices. Visit megaphone.fm/adchoices

BEST OF KILBORN. Gibby is home! Mike Gibbons joins Kilby for some summer fun  including Gibby's love of Ozzy Osbourne, Neil Young and The Allman Brothers. They  also discuss the Stephen Colbert situation and then Kilby remembers the old CBS  Late Movie and has scheduling ideas. Plus, they talk slow-paced movies in this fast paced podcast. Let's Do It! Learn more about your ad choices. Visit megaphone.fm/adchoices

QWS S5E3 Dylin Hardcastle and Troy Hunter In QWS S5E3, Troy chats with Dylin Hardcastle about their super successful, award-winning novel A LANGUAGE OF LIMBS: a fantastic, lyric, gorgeous, dark, funny, sad, queer, horny, lovely, wonderful book about love and the price we sometimes pay for it. They also talk about Dylin's trans identity and journey, their earlier novels, their PhD at Oxford, their art, their path to publication, as well as mental health, wanting to be a surfer, and their upcoming TV series! Books Dylin recommends: - Host City by David Owen Kelly - Cloud Atlas by David Mitchell And is grateful for the help of the Pride History Group. Trigger warning: this episode talks about mental health issues. You can find Dylin on Insta at @dylin_hardcastle and at www.dylinhardcastle.com (where you can also find their art). QWS is hosted by Troy Hunter who you can find on Insta @troyhunterwriter and at www.troyhuntwriter.com Troy is the author of Gus and the Missing Boy and Gus and the Burning Stones, with Gus and the Climate Killer coming in March 2027. #Queerauthor #Queerwriting #adultfiction #WordsandNerds #LGBTQIABooks #transmasc

William discovers some gorgeous local walks and James takes his mistress to Cork. Hosted on Acast. See acast.com/privacy for more information.

Kilby is set to go on a month long vacation but has a few thoughts on a very challenging summer for The Minnesota Timberwolves. With both the Spurs and Thunder looking like they'll be very good for the foreseeable future, the Wolves need to upgrade. But who can we trade for besides Giannis? Stay strong Wolves fans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deep dive into Mexican music this week with the best people in the world. My new best friends for ever, Valeria from MusicMex, and Fran & Mario from La Bestia, tell me about a song they love. You should meet them. Also, check out Two-Man Giant Squid's new single - I saw them last week and they are class. Shark School have announced another Femme Fest at the Róisín in July. Enjoy their new single. Also, don't miss the Dose tour! New single is great. Dark Tropics have a new single and tour. Gorgeous new track from Girl From The Year Above (in Dublin & Belfast in June). Can't get enough of the Rua Rí album. So good. Also, that Waxahatcee cover of This Is Lorelei just keeps getting better.

Katie is officially spinning the Match Me If You Can wheel again, and this time, we’ve got a proper Bachelorette in the hot seat. Meet Sarah: she’s 34, gorgeous, hilarious, and loves the outdoors. But can Katie actually find a bloke who can keep up with her, or is Sarah destined for another terrible Tinder date? If you reckon you’re the man for the job (or know someone who is), listen up.See omnystudio.com/listener for privacy information.

Here are the amazing 3 women's health experts on today's show: Esther Blum is the bestselling author of Cavewomen Don't Get Fat, Eat, Drink and Be Gorgeous, Secrets of Gorgeous, and The Eat, Drink, and Be Gorgeous Project. She is credentialed as a registered dietitian, a certified dietitian-nutritionist and a Certified Nutrition Specialist (CNS), the certification from the Board for Certification of Nutrition Specialists (BCNS).  Dr. Maria Sophocles is as a board-certified gynecologist, sex therapist, leading menopause expert, and a popular TED talk speaker. She has taught clinicians this technology on five continents. Her Princeton clinic and virtual practice serves 30,000 women in the US and globally.  Dr. Lisa Pomeroy is a traditional naturopath with extensive training in functional medicine, lab test interpretation, and gut microbiome balancing through the Kalish Institute, The Microbiome Restoration Center, Functional Diagnostic Nutrition (FDN), and other organizations. In addition to being a graduate of the Kalish Institute Mentorship Program, Lisa is a Certified Microbiome Analyst. In this episode, Esther Blum, Dr. Maria Sophocles and Dr. Lisa Pomeroy unpack perimenopause with practical insights on hormones, gut health, and HRT so women can make safer, more empowered choices in midlife.   RESOURCES: Learn more about Esther Blum here: http://www.estherblum.com/ | Instagram @gorgeousesther Learn more about Dr. Maria Sophocles here: https://mariasophoclesmd.com/ | Instagram: @mariasophoclesmd  Learn more about Dr. Lisa Pomeroy here: https://www.pomeroyinstitute.com/  Get 10% off Peluva minimalist shoe with coupon code COACHTARA here: http://peluva.com/coachtara   CHAPTERS: 00:00 – Expert stack intro: 3 perimenopause powerhouses 01:45 – Sponsor: Peluva barefoot shoes ad 03:30 – Alcohol, estrogen spikes and brutal perimenopause symptoms 05:55 – Caffeine, stress and finding calmer nervous system energy 06:55 – Gut, estrobolome and stomach acid in perimenopause 10:40 – PPIs, bone density and hot-flash relief 12:50 – Client story: healing H. pylori, bad breath, hot flashes and sleep 14:45 – HRT basics, "bio-identical" myths and finding a real menopause expert 23:00 – Why midlife hormone clinics, pellets and "optimization" can mislead 29:30 – Gut–hormone signatures, beta-glucuronidase and estrogen recirculation    WORK WITH TARA: Are You Looking for Help on Your Wellness Journey? Here's how Tara can help you: TRY TARA'S APP FOR FREE: http://taragarrison.com/app INDIVIDUAL ONLINE COACHING: https://www.taragarrison.com/work-with-me CHECK OUT HIGHER RETREATS: https://www.taragarrison.com/retreats   SOCIAL MEDIA:  Instagram @coachtaragarrison TikTok @coachtaragarrison Facebook @coachtaragarrison Pinterest @coachtaragarrison   INSIDE OUT HEALTH PODCAST SPECIAL OFFERS: ☑️ Upgraded Formulas Hair Test Kit Special Offer: https://bit.ly/3YdMn4Z ☑️ Upgraded Formulas - Get 15% OFF Everything with Coupon Code INSIDEOUT15: https://upgradedformulas.com/INSIDEOUT15 ☑️ Rep Provisions: Vote for the future of food with your dollar! And enjoy a 15% discount while you're at it with Coupon Code COACHTARA: https://bit.ly/3dD4ZSv   If you loved this episode, please leave a review! Here's how to do it on Apple Podcasts: Go to Inside Out Health Podcast page: https://podcasts.apple.com/us/podcast/inside-out-health-with-coach-tara-garrison/id1468368093 Scroll down to the 'Ratings & Reviews' section. Tap 'Write a Review' (you may be prompted to log in with your Apple ID). Thank you!

The Timberwolves get spanked in Game 5 at San Antonio. It's now a must win in Game 6 back at Target Center. Kyle Theige joins KIlby to discuss. You gotta shoot better than 39% young people! Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the key to lasting love isn't perfection, but learning how to navigate the challenges together? Tune in for an inspiring discussion with Nico & Devon Hase on their new book This Messy, Gorgeous Love: A Buddhist Guide to Lasting Partnership. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comnico + devon hase are married Buddhist teachers helping couples face—­ and blossom in—­ the truth about long-­ term romance. nico lived in a monastery for six years before earning a PhD in counseling psychology and becoming a full-­time Insight Meditation teacher. devon has practiced intensively in the Insight and Vajrayana traditions of meditation and teaches at Insight Meditation Society, Spirit Rock, and more. https://www.devonandnicohase.com Order on Amazon: https://a.co/d/03tzd3RH To learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com 

“Questions, concerns, queries?” Lets chat!Let's design, shall we?The Growing Season discusses a major facet of their horticultural business on this week's episode of the show.  Strap in.  Jack, Lynne and Matt McFarland talk about step 1 of your horticultural renovation. Martial Arts kicks off the show.  Matt's daughter is learning to break boards with her feet. Design work from last fall = construction work for this spring.  That's the play. The design process when engaging with The Growing Season is a long one BUT it reaps rewards down the line.  Matt explains why.Delivery fees for materials are going to increase this year?  Why?Matt cues the rant music when discussing design fees and his feelings regarding "hardscapers." Whatever the size of the patio that you feel would suit you isn't big enough.  Trust us.  150% of the time it isn't big enough.  The trio explain why.  You need 3' of space behind any patio chair for traffic flow. "Design with the future in mind..."Repetition of plant materials in a garden space breeds familiarity between spaces. Matt has some GORGEOUS jobs upcoming. Soil, soil and more soil. What is the average pH on client's sites? Plants for wet sites and plants for dry sites are discussed.  Some of those that tolerate wet locations will surprise you.Black Eyed Susie, Joe Eye Weed, Iris, Day lily, Pussy Willow, Dogwood, Clethras, Climbing Hydrangea, Oakleaf Hydrangea, Butterfly Bush and Japanese Kerria are just some of the plants discussed. Matt narrows his fern palette to one family. Its a good family.Irrigation is not for startup.  It is for maintenance. Garden Design do's and don'ts are uncovered. How do you determine what your shade/light conditions are on your property?How much time do you have to devote to gardening and what is your budget?Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE.

The Timberwolves are on a roll! Kilby is not afraid of the Spurs at all. Jonny Athletic aka Jon Krawczynski, joins The Gorgeous to discuss the big Game 1 win over the Spurs including the return of the ANT Man! Also, TJ keeps rolling, Ayo injury update, and how great was the Game 6 win over Denver? All this plus some Rudy good natured ribbing. WOLVES ON FIRE! Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re diving into the 2026 Met Gala red carpet, where the fashion was only half the story. From surprise arrivals to late entrances that completely shifted the night’s energy, this year’s event delivered more chaos than ever. We break down the biggest fashion moments, including Beyoncé’s long-awaited return, Rihanna’s headline-making late arrival, and Blake Lively’s unexpected red carpet comeback just hours after major legal news broke. Plus, the standout looks, the most debated outfits, and the celebrity “power moves” that turned the Met Gala into one of the most talked-about nights of the year. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.From Mamma Mia. Welcome to the Spill your daily pop culture fixed. I'm Laura Brednick, and I'm Free Player, executive producer of Mamma MIA's interview podcast No Filter, and former fashion magazine editor. Yes, you're always my partner in crime for these red carpet episodes in dcause we both have hot takes. They're usually very different we do. We often have very like opposing ideas. Yes, what was best, what was worse? And we've been avoiding each other in the office all day. Yeah, we had to yell at each other get away from me because we didn't want to. We didn't want to have a donation. Don't even look at it. You can look at me. We didn't want to have the conversation away from the mic. So if you are listening to this, it means you probably listen to our Met Gala little teaser that dropped in the feed earlier today, because we're dropping this episode a little bit later. Because with the Met car there's so many dresses and there's so many interviews, and then celebrities release their own like look books and updates afterwards. So we needed to bring the people boots on the ground. Journalism with all the looks. So that's why we're coming to you today with our special slightly later episode. Now before we jump into the best, worst, most disastrous, most surprising, most sentimental looks of the day, it's a broad, broad range of looks we're getting into. If you want to see the looks, if you want to actually have the photos in front of you, you can go and listen to us on Apple Podcasts where we're on videos, so you can watch us delightful, watch my face get veteran, veteran rhetoric as I get more excited and overwhelmed. Or you can go and look at all the photos in a gallery on Instagram. So just search the Spill podcast on Instagram. The gallery will be clearly labeled in order of how we're speaking about the looks, so you can follow along and see them all there. Okay, without further ad you, well, our first look is kind of a shared one because we want to just start things off with a bang, and that is Miss Beyonce, who came to the Met Gala for the first time. It was it ten years in over a decade. It's just like so exciting to see her back on the Met Gala. Red carpet, which of course is not red. Let's let's start off by saying, give there a carpet. I love the carpet non red. Okay, this might be the only thing. This might be the thing weiss best dressed to the night is the carpet. I loved it. I did a little moss between Yeah. Yeah, they looked like it was like fake but beautifully done. Yeah, very artistic. Really, and let's bring this to the forefront as well. The theme for this U's met Gala is about fashion being art Yes, so costume costume. So what we get to see is not only like the setting, which is why it's not just your standard red carpet being very artistic and very creative. Is the clothes then on it? And I thought, yeah, the way that it looked this time, it was kind of like it's like a beigey sort of cobblestony, Yes, cobblestony, with like the moss between it. And they had all the beautiful kind of draping again coming down the ceiling. It was creamy it was, and greens and purple it was. It was beautiful, which I thought was such a beautiful backdrop to put all the clothes on as well. Yeah, because sometimes the stairs look lovely, but once you get a dress on them, they cancel each other out. Yeah, like remember the pink here the camp Yeah nine much like it was gorgeous, but then some outfits just didn't work. Yeah, no, no, And that's why celebs are releasing their own They're having their own photo shoots first and releasing them because they're like, I can't trust the lighting and any red carpet, but especially the met gala. Can't trust the lighting, can't trust the background. So okay, and that's the thing. As everyone took their photo, that was the bit where the steps before they became green, they were in that beautiful cream color, which is not a nice backdrop for all the dresses. So we had Beyonce rock up has it been there in ten years? And she was wearing a diamond encrusted dress that looked like a skeleton, so it had like the rib cage and like the pelvis and her hands were skeleton kind of a vibe. And I guess that's to show like the body in its like most like basic form a skeleton, a skeleton. And that's what part of the theme was, was showing the body as well, and the body being kind of the basis for art, so as you say, skeleton is the body stripped back to its most basic form. But I mean, of course, because it's Beyonce. It's jewel encrusted and it's incredible. And then she wore this long feathered cake. Yeah, incredible, that dreaped and then the head piece as well. I mean it's Beyonce, She's always going to bring the dru Yeah. Some people are like, oh, she could have lost the head piece and it's like, no, no, the head piece and it was Olivia Rousting, wasn't it. He used to be from Balmain, who's like she's worked with him before. Yes, she's won a lot of Almaine over the years, so yeah, it wasn't surprising that that's who dressed it. I felt, yes, but I think she looked glorious and I loved that she showed up with her gorgeous, gorgeous best accessory, her daughter. Yes, it was a night for daughters. Yes, Nicole kim And was toting one of her daughters down the red carpet and then Beyonce did it. But Blue Ivy, her oldest daughter who's fourteen now, and I think she actually looked like appropriately dressed for fourteen year olds. I do too. There was a lot anund the office. It's about you know, her being on the on the carpet anyway, and at this event, and you know, these experiences that these really young girls are getting to have. But I thought she I agree, I thought she looked age appropriate and so so gorgeousful so much like her mother. Yeah, that was such a moment because the Beyonce floated up and everyone gass and then Blue Ivy floated behind her, and then they had their moment, and they had their moment together, and then jay Z ran up and and then he was in there and but then they obviously I actually feel like as a family they practiced in the mirror at home because when they got into their first formation for their first photo, they just all I did. Yeah, they just instantly got into the right places and held a pose. And I was like, well, you guys have been practicing that the family living room. Yeah, and I appreciate that level of And Beyonce is a co chair this year. What's interesting is the timing of Beyonces arrived. Yes, if you'll notice all the other co chairs arrived at the top of the top of the day, which is kind of usually, which is how it goes, because they meant to greet people as they come in. Yes, that's part of it. They meant to greet people as they come in. Beyonce has ascended above that level where she is not a greeter. No, they had She's up stairs and being like, hik so much for coming to our party, thanks for coming for a little shin dig Like, no, Beyonce is not doing that. Her arrival was such a moment. It really was. Okay, who else did you go? Because we get week spend an hour on everyone fifty looks to get through. Okay, I'm going to start strut with my favorite of the whole night, and you won't be surprised by this, I don't think. Okay. My favorite was Oh, Sabrina Carpenter. Yes, Sabrina was in Dior. She's been wearing a lot of Dior lately. Jonathan Anderson, who was at Louerva, is now in the House of Dior and doing the most incredible job. Because there has been like quite a shuffle in the last couple of years in the design houses, where like there were designers in certain houses that felt a little bit mislike. Now, I'm not saying he was amazing at Louerva. He did a great job there, but I do feel like what he is doing at Dior is what should be happening at Dior. So I was very excited for this year's met Gala because I feel like after years of kind of the wrong creative directors being in the houses that I felt maybe were they weren't aligned to, or that there were people in those roles that maybe weren't doing the best job interesting for those houses, the dust is settled, and I feel like this is the first time in a few years where the right designers are in the right house the levels. It's like the right house Game of Thrones. It has been a bit of a fashion game of Thrones in the last couple of years. So anyway, I was excited to see I thought Sabrina would wear deal because she's been wearing so much of it lately and she is somewhat like aligned with the house as well. But I was very excited to see what she's wearing now. The gown she's wearing is made of film strips, and the film is of course Sabrina, but the Audrey Hetburn Sabrina. Yes, here's an upsetting fact about me is that Sabrina is one of my favorite movies. But you like the well do you know what? You know what? Okay, but that is usually trees in. It's because obviously, if anyone hasn't seen the Audrey Hepburn movie Sabrina, watch it. It's incredible. But I personally prefer the Julia ormand Harrison Ford Sabrina, which I know is film blasting, you know what, it might be film blasphemy, but I think there's a place for both of them. But it's a place they're both exquisite felt exactly. But I just when I saw the detailing that it was film stills from Sabrina, I nearly lost my mind. That's the most beautiful touch. It's so beautiful. And I love that Sabrina went as Sabrina, but as Sabrina but in this like majorly artistic iteration. Also, and because I am such a swifty fan girl, I'm gonna just say that she's gone a bit show girl this year. And of course she features on Little Maybe with the head Piece a little not to her mentor, but also she features on Life of a show the track title from the album. So look, I'm not saying, oh, you think it's like, well, look, I'm not. I'm not. I'm not. It was like a nice little thing. But you're saying it's like shot fired. No no, no, God, no, no, no, we start no Brina and Taylor fe on. I'm not saying that Sabrina's outfit is for like an Easter egg, that this is coming with Taylor's sweet I'm not saying that. But I'm not not saying that the video clips. I'm just you know, last year, Sabrina on the met Gala carpet looked very pop star. This year she looks very showgirl. That's all I'm saying. That's all you're saying. That's all I'm saying. And you can, guys can read into that what you will, what you will. All Right. My next one, it's not a favorite, but it's just one we must discuss. Well, it's kind of a favorite because I appreciate how much this woman takes this seriously, puts her life in the lives of other people on the line, and how much she sticks to the theme. And that is Miss Kimberly Noel Kardashian did you not like it? No? Okay, well let me tell you a backstory maybe then you will. So she worked with British pop artist Alan Jones and Patrick Whittaker on this piece. So it's a golden breastplate for anyone who needs is listening to this just as a podcast, no judgment. It's a golden breastplate. But it has like the high silhouette neck and the cone bra, so we've got a real pointing nipple happening, very sculpted abs and a belly button. And it was craft did from a model in the sixties, which I thought was interesting because she said at first they were thinking like, would they do a mold of her body, which out of everyone, she kind of could have gotten away with because her body is like her cooling cart, and that's why she once walked the red carpet with her face covered because you can just see her body, you know it's her. But they decided to get the body model of a sixties model, and then it was this is the only disappointing thing is that the original look was going to be a full on sculptured suit all the way down, and so they've taken like the legs and the bottom half off and have done that detachable skirt, which is fine, but I feel like it does kind of take away from I would have loved to see her walk down in a fully sculptured suit, like a very old school robotic kind of like end of the World's sci fi vibes. So that's my problem with Oh, that's your problem. That is actually that is actually my problem with it. I think from the waist up absolutely incredible, Yes, And I just wish that it had committed the whole way. It's like she got no I mean I think no, I she didn't get nervous Kim Cush, she doesn't get nervous about I actually wanted her to make more. I think she's one of the few people who because she is always dressed so high fashion, she is not afraid to not be like the prettiest on the night, but be the most headline making And I usually like that about it exactly, and particularly with the met Gala, She's not. There are years where she does not prioritize pretty or sexy. She prioritizes creating a moment. Yeah. I wouldn't even necessarily say she prioritizes the fashion. Yeah, because I feel like it's more moment led with her exactly. Actually it's a headline interest in fashion, and we like that. But that's what she does, and she does it so well. I don't think she did it this year. Yeah, I appreciate the thought behind it. If you go to her Instagram, she's done a huge behind the scenes, like almost her own magazine photo editorial spread to explain the look. And when you see all that and you read it, it makes more sense. But I do wish maybe she'd just gone with the full look, but also the top part, the bones and the bra and everything was finished in autobody shop. So some men who work on cars hameadat and I love that. And I hope they know it's at the met Gala. They would have loved that. Okay, who's your next person? I am going to talk about Tana Taylor? Oh my god? Yes, I had her on my list, Yes, of course. Okay, so there we go. I feel like we're actually aligned on quite a few. Yeah. Yeah, spen too early to tell you now. I love it. It's like crazy. My first thought was she looked like she was like high fashion escapee from Whoville. Yeah, but it's incredible. It's like for anyone listening, of course, it's like silver fringing that is from the hood right down to a train and like it's long sleeve. She was really feeling it. She was swishing, swishing, swishing, and she was taking the shots. I'm glad you brought that up because obviously we had the met gala up in the office here and there's about fifty people gathered around it watching every second. And when she was swishing her head around, Everyone's like, oh, no, she can't see she's getting annoyed by it. And I was like, no, no, guys, she's showing the move No, she's showing the movement. And she's doing a photos wanting to get photos that show it from like every angle. And when something is artistic in the way that it moves, you've got to really show it on the carpet, which she did. So this was tom Ford incredible. I just felt like it was such a moment. It was also I felt a bit of a fresh air after a lot of different other looks at after her big Red Carpet run when she was OSCAR nominated. Yeah, same material on her oscars. I mean, to the naked eye, the same sort of material on the train of her Oscars dress. But it's almost like her Oscars dress has morphed into this like beast and is now running free. That's why I thought when I saw it. Okay, moving on to someone who a lot of people are slamming her and putting her on worst dress. Look, because I'm not so much defending her. I just want to explain. And it's Margot Robbie in Chanel. Did you hate this? No? I don't hate it, Okayel, No, I would never know. No, I would never speak about my close personal fo Margo Robbie that way. I know you guys are pals. We are pals. I mean, for anyone listening, We're not actually pals. I've just hung out with her like two or three times. She would not remember me, but I refer to her as my close personal sofa, so I you know she. I mean, look, Margo can't not look stunning. She's so beautiful. The dress is very pretty. I feel like that would have been very pretty on any other red car, But I'm just not excited by it today. Hear the thing about her? I think also, I love every like everyone just like I mean, I know you've get it more thought than that. But everyone I'm seeing on in like Instagram and TikTok scrolling past this dress and going oh ugly and moving on. I was like, this took the Chanelle team seven hundred and sixty one hours to make, and everyone's just like, yuck, we hate it. But it's almost like a champagne gold strapless gown with this beautiful detail at the back. She also hasn't been to the Met Gala since twenty twenty three, so she doesn't go every year. But what I loved about this is that everyone's always expecting Margo Robbie to go really over the top of the Met Gala. But first and foremost, she is a businesswoman. I would say she's a businesswoman. She's a movie star girl right down the end, and she turns on the fashion in a huge way for her red carpets because one, she's the star of the show, but also she's marketing the movie. I mean, no one does red carpet promotion better than exactly no one does it better than her. And when she's at the Met Gala, she's not there to promote anything. She's not even promoting herself because she doesn't need to. She turns it on for a red carpet movie premiere because that's from usually from her production company, so that money is coming back to her in a good way. Like that's what she's there for. When she's at the met Gala, she's often just there to look pretty or and like comfortable as well, like she never wears. You never hear of Margot Robbie starving herself for six days wearing a corset lined with spikes, like you know, to help her up the stairs. No one ever helps her up the stairs. No one's looking at that saying, oh my gosh, how did she go to the bathroom there? Yeah, she's put loosing fancy, she said time. She's often, I think getting paid by the house, getting paid by the brand to be an ambassador, so she's still making money while she's there. But so many times I've seen these women, like on the red carpet the Met Gala, like feathers trains crazy, which we love, but like not being able to move, not being able to go to the bathroom for ten hours, having to be carried up the stairs, and in the background of the met Gala, you just always see Margot Robbie bound up the stairs looking happy. You know she's going straight to get a champagne because she can, because she's not there to make a spectacle of herself, because she does that for her movies. And I actually think that's a lovely way to be. And if I actually had a choice, I think I would. I would roll like that the way you don't want to go relaxed Australian. Yeah, it's like, you know, the nights that are about me, It's about me, the met Gala, it's about me. So you feel like off the back of the very like stylized Wuthering Heights rum. She just wanted to do something that was just be She was like, Chanell, you tell me what you want me to wear and pay me that feet and I will put that dress on and as long as I can move and it's all approved by Anna and whoever, I don't care, it's not my I think. Her vibe was like, it's none of my it's none of my business what I wear. And I love that for her. Okay, who else do you have? You know? What is it? Time? Can I talk? Oh my god? Can I tell you about the boys? Yeah? Yeah, please please talk about it, please hear it for the book. Okay, I am going to go you know what, I'm gonna surprise you and go straight for somber. Oh okay, okay in Valentino, like I does like that person, this detail, It is stunning. I would love to wear that. It is just so glorious. It's because Share was there, but he looks more share, more share than Share. Oh my god, I wish Share had worn this. Well, they could have done a double act. I would have actually been so here for that. So it's like pants on the waist with full beating around the waistband, longline beating down the full length of the pants. Then we've got like a silk and laced blouse that's high neck, and then the most incredible cape that just brings it all together with just the crystals just flowing down it. This is Valentino my favorite because I love Alessandro Magula formerly of Gucci. Now he is responsible for my favorite meal look of all time, which was in eighteen was The Heavenly Bodies the Catholic Church. Oh yes, yes, okay, so a beautiful confusing time for the beautiful confusing time for everyone. But the best met Gala oh, absolute, literally ever and my favorite was Lama del Rey, Jared Leto and Alessandra mccallay, Yes, showing up together in that like ensemble. I mean, it was just incredible. I don't think anyone has ever reached that since I don't think anyone will, but so I always look forward to what you know, and Alessandro is going to bring to the Red Carpet with ary designs and I was really excited to see that this year on Somber. I thought it looked exquisite. Okay, we love the boys, we love the boys they put Efor in. All Right, while we're talking about boys, let's talk about our hated rivalry. Gorgeous boys, Connor Story and Hudson Williams, because both of them rocked up to the Red Carpet this year. Now, I love that they're there, the meteoric rise of these guys and the show is just being so incredible that they're everywhere. They were all over Award season, they are now on the met Gala carpet. But were you disappointed they didn't actually walk down together? I mean, would you think it would have been too much? No? I mean they're not they're not promoing their show right now, they could have just done the girls and the people saying, you know what, they will, We'll get something out of the day. There'll be something, so you know, they they know where their breast. But that's what I just saw, everyone just like hunting through the images and through the videos desperate to find like a moment that they were together, or they'll get one and it might be it might be at the after party, but we'll get one, don't you worry. So Hudson was in Balenciaga and it was like super super super detailed. Have you had a good look at it? Let me let me. I'm gonna be so honest that I was just looking at their faces. Yeah, show me the outfit. You're like, whatever, what are they? Those men to high had Okay, and that's totally that's totally fine, and I had I had a good crack at that too. But Hudson's eye maker was much talked about in the office. It was kind of a big Euphoria esque with the with the eye makeup, but it looks Euphoria Season one back when the I makeup was fantastic. So in like a powder blue suit and there's like black detailing beaded and then this kind of cap skirt s He's got a train, a train. He's got a train. He took a leaf out of Beyonce's book and he's like, I'm having a train. He's like, I'm having a train. I want my moment on the steps. And then Connor in Saint Laurent, this incredible blouse showing off those guns. Thank you, thank you, thank you. Are insane, and he's got almost me. I feel like I had that top when I was like fifteen. It's like a Poka dot hole today, but my arms didn't look like that. These arms look like they're the Hulk. And it's got it's got a lot. He's got a train as well. So I'm just gonna show see a Poka dot comes all the way down. Now. He actually came with a blazer on over the top, and he knows what we want. He did half reveal. He did a red carpet reveal of the arms. I mean, I guess the blouse, but like whatever of the arms. Now he's wearing Saint Laurent. A lot of people are in Saint Laurent on the red carpet because Anthony Vacarello is one of the coachairs who is the designer for Saint Laurent. So we saw like Zoe Kravitz, Charlie XCX, like there's a lot on the carpet who were rocking in that designer. We love Okay, okay, rapid fire through a few more because guys, there's so many good looks. I just want to give a shout out to Doughci who wore custom Mark Jacobs and she looked gorgeous in the eggplant color, this like headpiece, kind of like rising up to the sky. But my favorite detail about her is that she didn't want to my heels, so she got her feet painted in a beautiful Hannah design, wore anklets, and then tiptoed barefoot down the entire carpet, and then tiptoed up the red carpet. See, and that is move And that is a level of calf strength that I cannot imagine is hard. Tiptoeing is hard, tipto the whole way. If there was a flat footed moment from that girl, I did not see it. Surely she's flat footed inside or maybe she's wearing a shoe inside. What are the rules around being barefoot? And I just findin Anna winter going, Oh you've got a shoe ear right? Well, you know what at Chanelle Cruz's show last week, the girls were walking down the carpet barefoot. Fine, it's it's it's like on trend to be bare foot. Yeah, and then you've got like men like Quentin Tarantino who just like, let me put that in my movies. He's taking screenshop. Okay. Kendall Jenner in Gap Studio by Zach Posen. This is an interesting one. Can She and Kylie Jenna looked a little matching. They both had almost that kind of like nude look at the top, but Kendall's is modeled off a Gap T shirt and then she's got like a little fake nipple poking out and then just kind of cream beige draping of the dress. So Kendall and Kylie also especially Kendall, liked to make a headline with their outfits. Do you think this was as a headline inducing you're like, num, No, I don't actually think none of them are getting a headline this year. No, that it wasn't. Actually reason why I believe that they're invited is because they do get those headlines, and I think they were all really underwhelming this year. I mean, she's like, she looks pretty, she is pretty, She's a very gorgeous girl. But I'm just not excited by that is Yeah. I think the Genas and Kardashians, they just have the most enormous cultural currency, so I feel like that's why they'll always be invited. But I almost maybe liked Kylie's play on a little bit better. I know they're completely different designs, but she had the kind of almost like a nude top and then it was like the body undress of the skirt forward. Yeah, I preferred Kylie's as well. I thought she was more of a moment and worked with the theme yes better. What I did think was interesting about Kylie was that her boyfriend did not attend No you know where he was, Yes, And that's so fair, you know why, because Timothy Shallon May doesn't go to anything where he's not the star. That's his thing. The like the Kardashians and the Genders very much like they the significance of the moment, their red carpet looks, and I know they all work so intently with their designers and like they really care about the fashion side of it. Timothy Charalamayne cares about being seen as a movie star, which is so fair enough, but he doesn't really go to events, especially where he is now, like he has previously when he was trying to build up his capital and build up his absolutely in for me. But at the moment he's in now, he's going to go to a next game anything, and he's not a nominating else missing. Who so Kravitz's boyfriend slash fiance. Yeah, but Harry Style again everyone that they're going to walk together. No, I never thought they were, as you know, long time Harry Styles fan. I didn't expect to see him there either, And I think if he was going, we would have heard about it in advance, it would have been named, you know. But he's also about to start his world tour, so he's busy, and he famously gets tired. That's why he's making everyone the tour come to him. Right. Oh, yeah, he's not city hobby. No, he's not city hop he's too tired to go to Metguala. Yeah for a week. Yeah, he's reserving his energy. Okay, I need to quickly talk about a boy before we get into my favorite boy of the night, Bad buddy, is that I'm sorry, Is that not the weirdly hottest thing you've ever seen? Hey? Yeah, but I don't know whether I'm just like going through a real old man moment at the moment because I've been like really into the guys. So I'm really you haven't watched well, you haven't watched the Pit. No, because I'm I can't do enough. I can only watch grays Anatomy, just the lift, kissing scene something else. There's hardly any medical, like compared to the Pit, there's hardly any medical and graz Now No, that's why I like it. I can understand why you're avoiding it. But yeah, look, because I'm having such an old man moment at the moment, Like, yeah, I was excited to see a bit of great on the car so bad Bunny is wearing Zara and just you can just imagine her like running on them proves all the looks, you know what. I think what will be really interesting is Zara probably advertising in Vogue at the moment, to be honest, so she had to let she had to let someone wear it. Yeah, exactly. And obviously Zara was a big part of his Super Bowl halftime show, but Bad Bunny has aged himself here because I guess one of the part of the exhibition theme is different bodies, so like bodies are different size as shapes and ages. But he's the only one that I saw who really took the aging thing and ran with it. He's wearing prosthetics to make him look maybe seventy or eighty. It's really interesting because like everyone in Hollywood tries to look so much younger than they are. Everyone is on this like strive to look as young as possible, and like, no judgment because I'm I'm the same, but but I love that he went the opposite. Yeah, exactly. But the thing is men can do that because men tend to be like, oh, a silver fox when they get older, like he's he's sixty, Like let him dated twenty five year old and win an oscar because he's just getting started at sixty. But the thing he's in his next act exactly, he's just more, you know, kind of well weather worn. Now, whereas women it's like you're thirty, get out of here. So there's that side of it. But I've decided just to let the feminism leave my body for this because Bad Bunny looks so hot, and also he does you can did it? Yeah? I mean that's not terrible. Yeah, some people don't age well, yeah, I know the weakd I would have thought that he would have looked to the mirror and actually, wait, this isn't working there. I don't look back. But he looks hot and also bad bunny hot? Is it? Maybe you can because you can feel his rippling muscles and sexuality try trying to break free of the old man. And I appreciate a funny guy. And he was in character all the way up the stairs and he was walking with the walking cane and he was interviewed in character. I love it. I think it's no I agree, And I think it's really hard for a man to have a moment on me because it's hard for them, because it's not for them. And how do you compete when Beyonce rocks up with the train, Yeah, like still jammed in the car door while she's halfway up the stairs exactly, But he did it. He has something that everyone's talking about. Oh man, everywhere, we love it. Okay, who else you got? Okay? Well, speaking of making a massive moment, Yeah, we need to talk about Madonna. Okay, now, this is not all of Madonna's look. I couldn't fit it on the eye on the way. I think I've got a wide shot. We can do it, can we? We can do a jewel Hold up for this because I'm missing seven accessories, which is in the form of seven stunning women. I've been calling them Madonna and the Pips, but that's not even accurate because there are way too many girls for it to be Pips. There we go, see, Oh my god, I loved this so much, and seven people holding out this beautiful train and I love that because they're so strict on the Metgala red carpet, And that's why selbs look so scared a lot of the time, because usually if you're famous enough to be at the met Gala, then you're famous enough to travel with an entourage, and you normally never walk a red carpet or even walk into a room without your manager and your publicist and your assistant. But no one gets to bring their team down the red carpet because the guest list is so tight, So the sleds have to stand by themselves in a line. It's the first time they're ever alone in their lives. And then they have to walk the red carpet by themselves, and most of them, because they're socially awkward, are terrified. So I love that no one gets a plus one, but Madonna gets seven plus seven seven servants slash maidens. It was giving a bit handmaiden but okay, so she's in Saint Laurent. It is the head piece. I love. The head piece is incredible. It's a ship. It kind of looks like. Helped me out here because I've never seen it, but I've been on the ride a lot at Disneyland. Yeah, the Pirates, the Pirates, the Caribbean, the what's the what's the one like the one that the captain Jacksbury is his ship? Yeah, I could not tell you that. I thought it looks like more like the ship from Noserati. That's where my head goes. Oh yeah, okay, well that too. Well it's a it's a bad baddie pirate. Yeah, we're we're not good on the pirate lingo. But like, it's this incredible head piece. Off it is draight, like long, long, long pieces of gray fabric that these women are all holding out and then she comes down in this like black dress. She's holding it looks like kind of like a trumpet the piece that she's holding. And what I did love seeing as well was she walked up the stairs, glided up the stairs with these women helping her along up the stairs. But then about fifteen minutes later you see the seven women. They all came running down to leave, so they kind of like fairies fleeing like a sort of like midnight fairy like festival. So they were allowed on the carpet, but not inside. No, absolutely not no, And they were only there for the spectacle of the photos. They were all holding the different sections. The way they move was like a choreographed dance around her, so that the dress was never twisted. They all had like pieces of lace covering their eyes, and it was the whole look so like the dress, the head piece, the way her hair was styled, all the women. It was in reference to that surrealist female painter Leonora Carrington, who was the inspiration for Bedtime Story right the music video from nineteen ninety four. So that is so incredible that they went and like looked back. The detail is just like, honestly pretty much I would say almost my winner of the night because of the deep because of the details and the reference back and I love that they use like it does reference an artist, but it also then references Madonna as an artist as well. Yeah, because that's her. Like I just I can't stop reading the Everyone on her team gave an interview and I'm like, that's correct. Well, there should be seventeen interviews from seventeen different people who put this look together. Imagine how hard the Saint Laurent team had to work to do all of these outfits. Yeah, because you've got all the people, like the handmade into a holding, the dresses, and like the way there has styled a makeup. Even her hairdresser said that they specifically made her hair dark brown, not black, very undone, very untouched, and made it look that like the hair looked lived in, much like Madonna herself. And I was like, get out of here with that. I love that so good, incredible. Okay, this one, I would not say it's my fave, but I think it's a talked about one and I appreciate it. It was a departure from her normal basic black column gown look and it's Hailey er. Do you know what. I absolutely agree. I normally don't have particularly have time for her. And I'm like, I read because she's not a red carpet girl, she's a street style girl. Yeah, but I think she thinks she's a red carpet girl, and a lot of people, well, I don't know. I think I really like someone tell her that's fine, that's not her currency. No, I look, look, I don't really have much time for Haley Beaver. Fine, I said it, be careful saying that in these means streets Sydney. I know, Sydney shut down when she arrives. I know. I don't think I could say it outside the walls of the studio, but you have to come into witness protection. But I'm just yeah, I just never I disliked her. But I know what you mean, Like, we don't understand. We did a whole episode of this, and I don't think we got to an answer the huge intense love and the fandom around her and nothing bad, Like I understand. But the thing is, like, there's lots of beautiful young women who have beautiful style and beautiful makeup and skin and share their lives online and people love them. And I understand all that about her, but whatever it is about her and who have celebrity marriages and who come from vapor totally. Whatever it is about her that has kicked her up to like the highest tier of that is what. I'm not white. I don't know. I don't I've asked so many people who love her and they can't even explain it. They're like, I don't know, I just love her. Yeah, I don't know, that's it. I don't know what her secret source is, but that's it. I don't think other people can name it either. Something about it. They love her, and you know, for a lot of people that's enough. But I agree, normally I am so just like I can't even really bothered to check what she's wearing on her carpet, right, but I thought she looks so absolutely exquisite. The colors, I think is what it is. I mean, hopefully she'll wear color going forward because it does suit her. So she's sewing Saint Laurent, as you said many people are, and it's a beautiful sculpted bodice that has like the breast and stomach detail, which a lot of people, including Kim Kardashian, did to some extent. But the difference with hers is that her sculpted bodice piece with the boobs is made completely of twenty four carrot gold, which is crazy. And then you have long blue chiffon skirt and also the kind of flowing neck piece around her. And apparently she's wearing a gladiator sandal. Oh but we can't see it, but they were in the I know, we'll have to go look at the video. In the video, she'll she'll show them the dress pulls up and she's wearing like a gladiator sandal. Which I'm not against those coming back. No, neither neither. Fifteen year on me is thrilled. No, I've still I've still got some in my coh. I don't throw anything out. I've got everything. Okay, great, so you're gonna be insion, I can pull them out. Okay, I've got someone I want to talk about. Okay, I want to talk about Annicole. Okay, so also a co chair tonight. So she was their first. So she was she's a rule follower because she's a real follower and she's got good manners and she wants to greet everyone. So she turned up first. She's wearing Chanel, so she's part of the Friend of Chanell House of Chanelle. You know she's she's a Chanel girl. She's a Chanelle girl throwing through. I love this color on her. I think she looks so so beautiful in this color. There's been a lot of chatter about her hair though, Oh okay, so I don't know if I have strong thoughts about the hair. So the dress is like this beautiful almost like a burgundy glittering, high necked, long sleeve dress. Beautiful train, and then like almost like a lighter red pomp pom esque feather detail pieces. So that's all beautiful, and she's got the height and everything to wear that. Do people not like the long straight blonde people aren't loving the hair, What do they want like a bum? I don't know. I think I think you need the hair with that. It's because she looks like she looks like a medieval princess with the way she's standing almost, with the cut of the dress and everything, and with that kind of like almost like mystical etherean legend kind of vibe. You need that long, flowing golden hair. Yeah, it would have looked too almost like too prissy with like a bun or Yeah, I think so too. I don't have a problem with the hair either. But there's been a lot of chatter online and also in this office, we're really driving everyone, well, this is just talking to us instantly, and we've like literally, we're like taking notes and we're like, will be the expert. I said nothing out there to anyone, so I just nodded when everyone spoke to me that I'm coming in here and being like and she said this, and I was like, well, this is the actual story anyway. I don't think the hair is that bad. No, general, I'm shocked by that. Do you know whose hair I don't like? You tell me? Oh? And I did screen this across the office. Okay, I just want Gracie Aprams to stop cutting her hair. Oh my god. Everyone was getting upset but again ragging the office. Everyone was like, what's with her hair? And I was like, but isn't that her whole thing? Because you've got to pick more of a pixie cut now, but kind of, I'm short, it's so so short. And I loved her with long hair. Also, I did love her Chinel dress. She looked really really, she did look beautiful. I think she's trying to, like rile against that traditional pop girl look and have like an edgy haircut, but then she pairs it with a pretty dress, and I think it's like, she is so pretty, she's got the cheek brown. Just because you've got the cheek bones doesn't mean you have to do it rest. Just because you can have like a weird bob cut doesn't mean you should. But I also if anyone, if anyone can, it's her fair. Okay, faves again, we can talk about this forever. So one of my all time faves, not just tonight at the Metgala, but in all walks of life. One of my fashion queens Gwendol and Christie, who of course people loved as Briann of Tarth in Game of Thrones, but also in so many other things, including recently in Wednesday on Netflix. Yes she, I mean, the thing is, she's just so statuesque and beautiful, and she's wearing this deep red gown with almost like a fish a mermaid train one shoulder, this beautiful head piece. But what I loved is she has a mask of her own face that she was holding up to people as she walked past them. And the look was designed by Giles Deacon, who was of course her lover. Her lover since I think twenty thirteen, officially, having a hot, fashioned boyfriend also makes you dresses. Yes, the dream, actually the dream. Yeah, where is that man? For the rest of us? Absolutely socially as a tall lady, like it's so hard, like not just model tall, but like tall tall. It's so hard. Sometime many spillers that don't know this. Yeah, Laura Brodnick is very tall. I'm tall. I stood next to Doing Christy once and I was like, this is what I dream of because we're in Like, she's tall than me. I'm joking. Of course everyone knows you're tall because you tell tall time. No one cares about my tall issues. And I'm just saying, it's hard to find a really good dress, and her boyfriend made her one. That's true love. Okay. Someone else I wanted to shout out quickly before we get into the last few big moments was Lena Dunnam in her beautiful Valentino gown. Yes, she looks like she's an escape from an old school Las Vegas casino, but I love that for her. And she was nervous about going to the metgala. She wrote about it because her body has been ridiculed over the years. She's on a big high now with everyone loving her memoir, and I just quite like this Valentino look. I only the only thing I kind of wish is like maybe the feathers weren't completely covering her face, because that looks unintentional. I agree, there's there is too much feathering around the face, and it is like it's obscuring our view of her, and not in a way that it looks like it's meant to no, Like it's not like she's wearing like that's part of the dress for her face. Use she's She's like, I can't see. Probably, I'm like, can you imagine they're probably tickling her nose and she's trying to say stuck in her lip glass. So I love seeing as well the call back to the Valentino rockstud heels on her. So they were seen in the Devil Wes praa promo I'm Miranda and people were like, oh, she would never wear Valentino rockstud heels, blah blah blah blah blah. Now yes, Valentino rockstard heels are back. I love that shoe. I'm so excited to see it back. And there's like a modern twist on it too, which Lena's wearing. And I think she looks fabulous, which is one thing I did notice about Lena, and I don't like. Look. I always think, you know, when you see celebrities on red carpets and they look so perfect, the skin looks so perfect. I'm like, oh, there's a little bruise on her leg, And I feel like whenever I go to any event, I'm always like, oh, I'm not trying to cover up a bruise or something like that. I'm like, thank god, there's a bruise on the red cart. She's got a little bruising on her leg, and you know that's when she probably bumped it. If she's like me, she bruises just by getting out of the car at the met game. And she's got her leg out and she's got the shoe out and she looks hot. Look. I'm so here for for like Lena's comeback. I love her. I love the work she does. I thought too Much was fantastic last year. I'm excited for more Lena. You know who we need to talk about Rihanna, the lady who almost missed the Red car, The lady who almost missed the Red she saw arriving last, and she was like, you know what, girl, I'm going to leave my hotel when they're packing up the carpet, which I pretty I could honestly say that is what happened. They had to reroll that carpet for this girl because I think they were actually sitting down to dinner when Rihanna arrived. And I love being late too, but like, yeah, she was altly really late, and I look, people are given her rival times for the Red Carpet, so either Rihanna did not look, did not care, or saw her arrival time and when no, no, no, I'm Rihanna the only celect who could really do that pretty much. I mean, but no, that's not true because Madonna could have done that, Beyonce could have Like this was the where they work. Actually, those high level celebs there that do not care what rules they're given. No, and no one's gonna tell Rihanna, Beyonce or Madonna what to do. Did Rihanna win? I don't know, because she kind of missed the Red Carpet coverage, so I feel like there was this ripple of like Rihanna's coming and it's like, is she really coming because the red carpet coverage has ended. She came, She's there. I think she came. Maybe just there is such thing maybe as being like unfashionably late, maybe because the photographers like, we've missed your mom. Obviously her photos went everywhere, but you're right, the excitement was kind of everyone was in like the carpet's finished, and all the newsrooms like, and now we get our articles up. Now we finished getting our stories up, and so it was kind of like she was a late addition. So she's wearing Marjella to twenty twenty five, and it's almost like she's got a wreath around her head, but it's almost like a silver like crinkled metallic. It's like a done metal sort of yeah, and it's almost like it's wrapping around her like she's some sort of a sea creature, like she's been pulled into a whirlpool. That's my official fashion take on that. I like it. I'm happy to go with that. But yeah, I mean she looks great, and you know what the thing is that she just rocks up being like I'm here, take my photo. I'll go when I want, and you're lucky to have me. Yeah, and we are, and we exactly we are. I just want to ask her what's it like not to be a people pleaser because I can't relate to that. Yeah, Okay. The last person we're going to talk about was perhaps the most surprising yest of the evening. I don't think anyone was expecting her to show up, but Blake Lively arrived on the red carpet looking absolutely exquisite, and she is such a Met Gala staple, and this moment I can't describe it, like yes, that there were these huge entrances that were saying like Madonna, Beyonce, all these moments, but her arrival felt like a scene from a movie or a scene from gossip Girl, you know how, like gossip Girl always has, like it would always the episodes culminate a big event when someone who'd been shunned from society or blackmailed walks into the event and everyone's like, oh, I didn't think they were going to be here. So so truly, Lively at the Met Gala was a real life you can hear a moment, i'd we can hear it, like good evening for East. Oh I'm back, I'm back. Guess who was back? And she was back in a big way, and she looked like Serena. She had the Serena hair going. She just like had you know, I mean, she's barely aged a day since then. Somehow she looked absolutely glorious. I think everything about her look was again not calculated, but I think she knew that her arrival would make crazy headlines, and so everything she was wearing, the way she spoke, her accessories were all geared towards sharing a very particular message, which is that she wants people to forget about the legal battle with Justin Baldoni. She wants to forget about the smear campaign, forget about what the last few years have been, and just remember her as queen of the Met Gala and like the movie star she is. Yeah, whether or not that landed with everyone, but that was very clearly the message. Look at won't people are so divided over black lives in so many people are committed to hating her. But I do think that she went a long way tonight in showing like who she is, being confident as well, Like I love that she just was like I'm showing up, I'm giving it my all. I'm going to look absolutely stunning, and I'm going to have my head held high and do what I do best, which is create this moment, yeah, and be a fashion icon. And the timing was quite incredible because the statement had only come out a few hours earlier that she and Justin Baldoni in I think quite a surprising term of events, considering the coverage and how that court case was going, that they had settled out of court. They released between their companies a joint statement saying that the settlement had happened, that it was going to remain private, so there's a good chance we'll never know the details of this settlement between them. But their statement was very much like we're proud of our movie, we're proud of the message, and basically move on and let's not let's pretend this never happened, which for the coverage that court case has got in the last few years and the fact that she did a tell all with the New York Time, and then he had a live website where he uploaded all his material on her, like the most public legal battle we've ever seen, and then them releasing a joint statement saying it's been settled. Away from the cameras, please don't talk about it. And then hours later her attending the biggest red carpet of the year, and there wasn't like you there's almost like an audible gasp from the crowd because she was there, and she hasn't been to the Met Gala for four years, and before that she was one of the queens of the Met Gala always you know, the big dress, the co chairing the event, best dressed, all those things. And then she came in and the gown is incredible. Some people thought again throwing me off to some of the bus. Some people thought it was too prince SSSI. But that's her look, right, that's her look. And it was actually really nice to see a PRINCESSI dress all the carpet, like you know, it's like the fantasy and it looks so beautiful. It was a two thousand and six Vasace dress archival piece. They had like reimagined it. They added a bit of fruit. They did had a bit of fruit at the end. And they're in like stunning pastor colors as like peaches and pale pis and violets, and it's so so pretty. The beating is gorgeous. When you look at the dress as well, like structurally around the skirt, it's so amazing, Yeah, paneling. She just looks so pretty in it. Her hair like the you know, it was like classic black life, classic curls, a huge train, jewels dripping off her. Just that idea like what the fashion girls would hate, like too much, but too much in a perfect way. And then I saw her. She think Tuney did one interview that I could see, and she did seem nervous, and I think she was really she was rushing out kind of like all the details of the design of the dress, the importance of it. She was crediting all the artists that she'd worked with, and in a way where she really wanted to be like, I'm just up here for the designer. I'm here for the artists, not here for me. But then she was also carrying this custom Judith liber bag and it had four sides to it, and each of the sides was a different artwork by one of her four children. Now there's some people out there that are like and the statement from Liba was, we love working with Blake. She's so creative. She's such an incredible like visionary. This is a beautiful tribute to her family and she was talking about her kids on the red carpet. Then there's the cynical people who was like, oh, look at her using her kids to distract from the fact that people hate her, Like she's trying to like use being a mother to like just you know, kind of like quiet in the noise. And I think that's probably a step too far. Look, I think it's a step too far, But I do think it's like it's such a safe conversation to have. So while I don't think that it was to kind of distract from the people who like, you know, she can't control that anyway, But what she can do when she's nervous and understandably so, is have a conversation on the red carpet that she feels comfortable with. She's in like an area where she feels good to talk about it. Yeah, And of course that's her children, and she's always talked about her children and brought them into her interviews and her life and everything like that. So you know, it felt correct for her, and it was always going to be a polarizing moment of her arriving. But look, I loved it because I love the drama. That's what the met gal is about the fashion, the drama, And what I think is so interesting is that of everyone that came and every headline at every moment, the one that everyone is going to be talking about is yeah, exactly, And what a way to re enter society post the legal dramas, but also to do it so quickly. Yeah. Day of She's like, we're not wasting any time. I'm back on the radar back. Do you think she would have gone had it not been finalized? No? I think she went because it was fine. They were able to get the settlement happened. They were able to agree on a joint statement and get it out on the day, which makes me think like was it targeted for the day or were they just scrambling at the last moment. I don't think she would have walked with that hanging over her head, because then she would have been seen as like a victim, and at least in this a victim either of people who support her or don't, Like there would have been a negative energy around her. At least with this, there's like this finality to it, like that is over and this is my new chapter. Like a debutante, she's reintroducing herself to society. And you know what, I'm so glad because it would have been such a shame if that dress had had to stay hanging in the Versace Itelier instead of being able to be on that carpet exactly. And that's what the day is about. That is what the day is about. Thank you for listening to The Spill today. Make sure you're following us on Instagram and TikTok to see all the looks that we covered today. The Spill is produced by Manicius Warren with video production by Michael Keane and we will see you next time. Bye bye, LaBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

In this episode, I talk to Devon and Nico Hase about their book, This Messy, Gorgeous Love. We explore how the Buddhist concept of dukkha, or inherent unsatisfactoriness, applies to relationships, reframing difficulty not as a sign of failure but as a natural and even beautiful aspect of partnership. Key takeaways include understanding that relationships are inherently challenging, the importance of "deep listening" to ourselves, our partners, and the space between us, and redefining patience not as passive resignation but as active, courageous engagement with difficulty, or "patience with teeth." This approach offers practical tools for navigating conflict, such as understanding different conflict styles (volcanoes, diplomats, and dodgers) and practicing regular "check-ins" to foster deeper connection and understanding in our messy, gorgeous lives.Explore more at eightfoldpath.com: full transcripts, guided meditations, courses, and Noah AI, an AI you can chat with about any episode or teaching. Hosted on Acast. See acast.com/privacy for more information.

Our fearless Tarot reader & Oregon blatherer T pulls a card for us & narrates a bit about the Oregon Coast & Willamette Valley. Trigger warning: near deadly car accidents may be mentioned! Oh wait, I just mentioned one already, in the trigger warning.Photos, more episodes, personal Tarot readings, donate, support:tiffanyleebrown.com

Hello, Gorgeous listeners! On today's show, Karen and Katie pose the question: "What do I want to happen?" A very fun and enlightening convo ensues!Thanks for listening, we hope you enjoy!

What will happen to the languages of climate refugees? Dr Mary Walworth has been working with the small island community of Nusi in Papua New Guinea, which was recently featured in an episode of Pole to Pole with Will Smith. What's it like doing media for a large audience, and more importantly, how do we help speakers hold onto their language? Dr Walworth joins us for this episode. Timestamps 00:00 Start 00:45 Intros 04:00 What's coming up on this episode 06:58 New patron shoutout and spruik 09:05 News: Air Canada CEO resigns over English communication 14:34 News: Banning foreign language election information in the UK 23:54 News: Can LLMs pass the Wug Test? 34:03 News: Does closing your eyes help you hear better? 39:48 Related or Not: Theme 40:23 Related or Not: GORGE, ENGORGE, and GORGEOUS 48:09 Related or Not: ANY and MANY 51:54 Related or Not: GUAVA, GUACAMOLE, GUARANÍ, GUARANÁ 01:00:20 Interview with Mary Walworth 01:45:52 Word of the Week: bimbofication 01:54:00 Word of the Week: glottophobia 01:55:50 Word of the Week: liveness check 01:57:54 Comment from Colin: CLAN and PLANTA 01:59:03 Comment from Lauren: crash blossoms 02:02:49 The Reads 02:08:09 Outtake

Robert Irby joins Pete and Sam to break down what they saw at Virginia Tech's Spring Game. After narrowly avoiding disaster, the day ended up being a big win for the program. Gorgeous weather, tons of fans, and plenty of positives on the field.

Wolves comeback and win Game 2!! Another amazing game in the Wolves/Nuggets rivalry. Timberwolves Super Fan Kyle Theige joins Lord Kilby to celebrate the Wolves gritty, gutsy road win. Big free throws by Julius Randle, Rudy with inspired 4th quarter defense again The Joker, and a kid named Donte. The Big Ragu!! All of this and more. Let's celebrate with a Vesper! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sponsored by Fidei Email:https://www.fidei.emailSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

New Brunswick is a beautiful place to visit; full of nature and fun outdoor activities for any season!  In this episode, Neil Hodge, the media representative for New Brunswick, Marguerite Burns, the owner of In Step Adventures and Stephane Picard, the owner of Cliff Valley Astronomy join Michelle to talk about the unique advenutures and activities in New Brunswick.  Hike, bike, kayak or snowmobile by day and sleep under the stars in the dark sky at night!

Gorgeous new stop motion spots from Telstra, Vodafone’s 'Nothing’s out here' campaign backlash, Kalshi pivots from chaotic 'trade anything' energy to a legitimacy campaign & Coca-Cola revisits their iconic 'I’d Like to Buy the World a Coke'. We watch: 'I'd like to buy the world a Coke' from Coca Cola Telstra x Bear Meets Eagle Vodafone See omnystudio.com/listener for privacy information.

Gorgeous new stop motion spots from Telstra, Vodafone’s 'Nothing’s out here' campaign backlash, Kalshi pivots from chaotic 'trade anything' energy to a legitimacy campaign & Coca-Cola revisits their iconic 'I’d Like to Buy the World a Coke'. We watch: 'I'd like to buy the world a Coke' from Coca Cola Telstra x Bear Meets Eagle Vodafone See omnystudio.com/listener for privacy information.

(Insight Meditation Community of Richmond) Drawing from their new book "This Messy, Gorgeous Love: A Buddhist Guide to Lasting Partnership", devon and nico share practical insights on bringing mindfulness and compassion into the beautiful complexity of intimate relationships. A guided meditation is followed by a teaching.

Homey... This week, Tyler and Johnny are covering the haunting of Elke Sommer (part 2). Plus: introducing Gorgeous, Drag Race throws an all-RuPaul lipsync smackdown, and a notorious online personality can't handle the heat from 60 Minutes Australia. Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspooky Check out our new and improved apparel store with tons of new designs! thatsspooky.com/store Check out our website for show notes, photos, and more at thatsspooky.com Follow us on Instagram for photos from today's episode and all the memes @thatsspookypod We're on Twitter! Follow us at @thatsspookypod Don't forget to send your spooky stories to thatsspookypod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dolly and Luna London return with another instalment of their mini-series Spill the T, continuing their A to Z journey through the intimates industry on Lingerie Lowdown The Podcast. In today's episode, they take on the letter G and, while it may spark a few obvious thoughts, there is far more to explore. They begin with Garters before diving into the classic debate of G-string versus thong and how personal preference shapes our choices. Dolly also shares her thoughts on the classic lingerie brand Gossard, reflecting on its lasting appeal. The conversation then turns to what defines Glamorous lingerie brands and whether that glamour works for everyday wear. Of course, they also touch on the often-overlooked Gusset, sparking some candid opinions. They round things off by debating the balance between choosing pieces that are Gorgeous versus those that are practical. As always, expect honest insights, playful tangents and an engaging chat that flows naturally.As a reminder, our podcast is available on all major platforms, including Spotify, Apple, Google, Amazon, and more. Simply search for ‘Lingerie Lowdown The Podcast' to access all our episodes, which are free for everyone to enjoy. Plus, you can now watch the video versions of our latest episodes directly, here on Spotify and our Rumble channel too!For a deeper dive and a complete archive of all our engaging audio podcasts, be sure to visit our podcast on Spotify. Happy listening (or watching), and thank you for being part of this incredible podcast journey with us!

Welcome back Kevin Garnett and Let's Go Wolves! Kilby says bring on the Nuggets - we're not hiding. The Wolves can beat the hottest team in the NBA. Who is guarding Ayo? Plus, the Vesper stage isn't slowing down. The drink invented by Ian Fleming has caught Lord Kilby's attention. Shaken not stirred. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara is joined by two longtime friends and wonderful teachers, Devon and Nico Hase, to explore their recent book, This Messy, Gorgeous Love: A Buddhist Guide to Lasting Partnership.  This refreshingly real and relatable book offers guidance for anyone wanting to deepen love in their relationships. Drawing from their own lived experience—with humor, humility, and insight—Devon and Nico reveal how partnership can be both challenging and profoundly transformative. In this conversation, they explore what truly supports a deep and loving partnership: how to meet conflict and reactivity, how practice comes alive in everyday moments, how to bring mindful presence into sexuality, and how reflecting on impermanence can deepen intimacy.   While centered on intimate partners, the teachings speak to the whole field of our relationships.   Our introduction music is from "Opening" by Adrienne Torf, © 2025 ABT Music

BEST OF KILBORN. Tom Snyder was a unique talk show host known for the "Tomorrow" show and "The Late, Late Show" on CBS. His daughter Ann Snyder joins Craig to reminisce about her Father Tom including his one-of-a-kind persona and broadcasting style, his interview with John Lennon, Tom covering the Patty Hearst Kidnapping, the night Tom Petty's drummer invited Ann to a concert, and the documentary she's working on about her Father. A must-listen for late night historians and fans. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're sharing how to spend four full days enjoying all the best Miami Beach has to offer. We share amazing beachfront properties to stay at, great places to eat, where to get Miami Beach drinks, beautiful rooftop bars, how to enjoy the beach beds and umbrellas, and where to go out dancing for some of that iconic Miami nightlife!We break down the differences between South Beach, Mid-Beach, and North Beach so you can choose the perfect area for your stay, plus hotel recommendations from mid-range gems to luxury oceanfront resorts.Miami Beach hotels we recommend (and stayed at during this trip!) are the Eden Roc Hotel for a bougie oceanfront option and the conveniently located Albion South Beach Hotel for a mid-range option.There is so much more to do in Miami, check out our Viator shop for other things to do in Miami we recommend for more inspo!Find a great flight deal to nearby Miami with Thrifty Traveler Premium, sign up to get flight deals sent straight to your inbox. Use our promo code TSP to get $20 off your first year subscription!—---------------------------------------Shop: Trip Itineraries ⁠& ⁠Amazon Storefront ⁠Connect: ⁠YouTube⁠, ⁠TikTok⁠, and ⁠Instagram⁠⁠ ⁠and contact us at travelsquadpodcast@gmail.com to submit a question of the week or inquire about guest interviews and advertising. Submit a question of the week or inquire about guest interviews and advertising.Contains affiliate links, thanks for supporting Travel Squad Podcast!

During the 2 pm hour, Chuck and Chernoff warm up with some Braves talk, some baseball FOOD talk, and we hear from everyone's favorite attorney, Bruce HagenSee omnystudio.com/listener for privacy information.

We are THRILLED to invite to you join our Morbid Book Club in this bonus episode that is #sponsored by our friends at @ashleyofficial. This quarter, we are serving up forensic chills with a side of culinary chaos as we dive into Postmortem by Patricia Cornwell! And the best part? We're joined our new best friend Chef Reilly Meehan who helps us break it all down! #Morbidbookclub #ashleypartner We're unpacking the very first Dr. Kay Scarpetta novel that basically launched a thousand forensic obsessions, chatting about ALL of the gritty details, and some of the wild theories we came up with while reading! (I'm looking at you Lucy!) Chef Reilly brings a totally unique perspective (and some top-tier vibes), as we somehow manage to connect the worlds of food, storytelling, and forensic science. Expect hot takes, a little dark humor, and some truly unhinged tangents, because you know we can't stay on track for too long. So keep it weird… and keep turning those pages! Mentioned in this Episode Visit your local Ashley store or head to Ashley.com to find your style! We are SO excited to share Ash's Podlab on the next MORBID Book Club Episode  coming in the summer! The pieces from Ashley are GORGEOUS! Grab your copy of A Little Bit Extra by Chef Reilly Meehan  Want more of Patricia Cornwell's body of work? Check out her other books, and preorder her upcoming memoir!  Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jaden McDaniels is now week-to-week. The Wolves aren't healthy going down the stretch. It's time for the Timberwolves Group Chat - Phil Mackey and Scott Shapiro. Who do the Wolves want in the first round? Where will they finish? SlowMo is the man but so is Ayo. And what about that crazy comeback against the Rockets. The experts weigh in. Yes, Kilby, Phil and Scott are experts. Let's Go! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by Flipping 50 Menopause Fitness Specialist. Become a health & fitness coach who finally speaks midlife women's language. Learn how to design workouts that balance hormones that actually get results for women in menopause. Other Episodes You Might Like: Previous Episode - The Teen Health Revolution Next Episode - Navigating Unexpected Health Challenges in Midlife More Like This - The Menopause Gut Health Fix You Did Not See Coming Resources: Don't know where to start? Book your Discovery Call with Debra. Leave this session with insight into exactly what to do right now to make small changes, smart decisions about your exercise time and energy. You are trying to build muscle but dealing with muscle loss with various diets, you may not know it's the diet itself.  If you've ever wondered whether you're eating enough protein, eating too little, or following the wrong diet for muscle, this episode clears it up. From intermittent fasting to keto, plant-based diets to protein intake, this conversation breaks down what actually preserves muscle—especially for women in midlife. We're answering questions you may not know to ask about muscle loss with various diets or amounts of protein.  My Guest: Esther Blum is an Integrative Dietitian, Menopause Expert, host of The Midlife Realignment podcast, and TEDx speaker. She helps women find the light at the end of the vaginal tunnel through nutrition, hormones and self-advocacy. Esther is the bestselling author of See ya later, Ovulator, Cavewomen Don't Get Fat, Eat, Drink and Be Gorgeous, Secrets of Gorgeous, and The Eat, Drink, and Be Gorgeous Project. Known as Gwyneth Paltrow's menopause mentor, Esther has appeared on the Today Show, ABC-TV, and Good Day NY and is frequently quoted in goop, Oprah Daily, Well + Good, and Forbes. Questions We Answer in This Episode: Does protein timing matter or is total daily intake enough? Can intermittent fasting lead to muscle loss if protein is too low? How can you tell if you're losing fat or losing muscle? How much protein do women really need to prevent muscle loss? Is eating too little actually slowing your metabolism and fat loss? Do diets like keto or plant-based affect muscle and hormones differently?

Drop Dead, Gorgeous is back and better than ever! Danny Stillman joins the show to talk about crafting their music videos, war movies, Star Wars, expectations vs reality, and much more!EARGASM Use the code METALCORENERDS to save 10% off your order. Protect your hearing while still enjoying the music you love.Support Drop Dead, Gorgeous!Instagram | Facebook | Merch Store | Tickets for Upcoming Shows!Song of the Week: Of Virtue "The Art of Love"Check out the Metalcore Nerds Pull List Spotify PlaylistJoin the Metalcore Nerds Community:Discord | FB GroupFollow Metalcore Nerds on Social Media:Facebook | Instagram | Twitter | YouTube | TikTok

TRANSCRIPT Aline: [00:00:00] Gissele: Hello and welcome to the Loving Compassion Podcast with Gissele. We believe that love and compassion have the power to heal our lives and our world. Don’t forget to like and subscribe for more amazing content. Today we’re talking about the power of grief.  with Alene c Davis, who’s a creative mentor and an akashic channel who walks alongside sensitive souls at the beginning of their remembering after a life-changing accident. In years of learning to live with central sensitivity syndrome, she now shares her experience as a guide through inner work and self-healing. Gissele: Through her podcast, accepting your sensitivity and practices rooted in ritual and story, she offers a gentle invitation towards deeper remembering self-acceptance and authenticity. Please join me in welcoming Aline. Gissele: Thank you. I so resonated with your story. So as I was mentioning before the recording, my dog passed away. It’ll be [00:01:00] November, it will be a year in November, and we had him till he was 13 and he was a Doberman shepherd. Gissele: did I do everything I could have done? And I felt so. Guilty. And I did not expect that I, in the beginning, I didn’t even want a dog. I never had a dog growing up. And it was my husband who wanted a dog, but that dog became my dog. He was like my Velcro dog. Aline: My baby girl passed. It was two weeks today. And lots of people would say, oh, two weeks, Aline: She came back yesterday forever. Oh God. And this is my first recording of any kind. Without her, I mentioned to you a moment ago, I went live and read a poem afterwards, but actually doing a recording that it is to inspire and help people. This is my first one. And I asked if she can be here and help me. Aline: we’d had a really gorgeous day. She was giving me signs anyway, and in the [00:02:00] morning something happened and I contacted my own vet and I said, please, can you come and see her? Aline: And he didn’t have a car. And I said I don’t want to put her in the car because, I don’t want to disturb her. she had a little accident, let’s just put it that way. And then I, so I cleaned her up and we were lying on my bed. I had all my beautiful music on from my spiritual mentors, their incredible healing music, which she loves. Aline: And we listened to, I was in a workshop with my mentors last year in Germany. We were listening to the whole the first half of that. And we both fell asleep. And then I woke up, she woke up, we stretched out and I was like, oh, this, oh, it just felt really normal. And then the vet messaged me and said, I don’t like the fact that she’s sleeping and that she, you think she’s got anemia? Aline: You need to take her to another vet. And I was like, I don’t want to put her in the car. Gissele: Yeah. Aline: And then I jumped on the bandwagon of his fear rather than just stepping back and going, do you know what She’s comfortable, we are [00:03:00] in this space, this beautiful space. And I, at that point, I was feeling she was getting better because she was starting to walk. Aline: She was at one end of the bed and she walked towards me and then just laid down next to me. Normally she was here. So we lay and like I said, we fell asleep together. And then we would always touch pauses. I’d always sing to her. And it didn’t matter where she was in the house, she would find me because she loved the vibration of singing. Aline: So wherever I was, wherever she was, she could feel me singing and she’d be. Like 10 seconds later she’s there, or she’s either on my lap or in my face where you know her, wherever I was singing. And so I made my peace with it because I don’t know what would’ve happened. We got to this other vet, which was a half an hour drive away, unfortunately 40 minutes in the end. Aline: And it was a very hot day, and I’ve never been apart from her in the vet. And they said, we need to do a blood test. I said could you give her something first, please? [00:04:00] So what had happened was my vet had said, go now. And I said don’t I need an appointment? They usually close between two and five. Aline: I said no. They know you are coming. And I said who is it? Is it somebody you know that I know? Yes, they’re gonna be there. And what transpired was when I arrived, one of the assistants had a go at me because she’d been trying to call me to say, don’t come. Because such and such a person won’t be there. Aline: However, I can now see this other person who I’ve never met before who did not have, and I don’t wanna go into judge mode. I was, I, yeah, it happened how it happened. And so this person is saying to me before we give her anything, it’s better to see what’s going on. I said, can you not just give her something like vitamins or something or, because my vet had said, just get her on a drip and she’ll be fine. Aline: That’s what my vet had said to me. So I had this going, I had this monologue going on and I [00:05:00] kept saying, and because it was in Spanish, I live in Spain. I’m I’m very understood with my Spanish. They just don’t, when you are in a situation like that, and none of my family were here. I was just on my own with my baby girl. Aline: And there was nobody that I knew. There was the lady who had been there when we’d been there two days ago for just a normal procedure, which I will always be going. Why did we do that? And I said to her if I’m not allowed to come for this blood test, ’cause I said, I want to be with her she’ll need me there. Aline: I’m her home. Yeah. And he wouldn’t let me go in there with the blood test. I said to the woman who had a go at me when I arrived because she was there before, I said, can you just please be with her? At least she knows you. So she when she came back, ’cause I had to go move the car as well, which was like, oh my, I parked in a disabled space. Aline: I had to go move the car. I can’t. So I was running around anyway, so I came back and she was just very quiet in her basket. [00:06:00] So I put the healing music on. I was sending her energy. She was traumatized. So then he came back with the results and they weren’t great. And I said I don’t want to do it here. Aline: It’s really important that she’s at home with her family, her for family, so they can understand. And I still had this thing going through from my vet saying drip. And I said let’s give her a drip beforehand before we go. And that didn’t go very well anyway. I dunno why I’m talking about this ’cause it’s awful. Aline: So that didn’t go very well. And then I was on the phone to various family members saying because he was saying, this is it basically. That’s what the results have come back with. And me being me on that. Actually no, because if I can get you back in the house and I can do some healing with you, la, la all of this. Aline: Yeah, I know I can help you. I know I can heal you. I know, I’ve done it loads of times. We’ve been here before. And she started with what I now know is called the death rattle. And it was because this [00:07:00] drip was going in her and it was horrendous. It was awful because I’ve never seen her like that. Aline: And it would be forever did I do the right thing? Because she could have just passed in her sleep next to her mom on my bed. I don’t know. And then I was like actually it couldn’t have happened any other way. We’ve had some kind of agreement, some kind of contract. Because I said to her we had a conversation and I said you’re here until 19, meaning 19 years old. Aline: Yes. And she’s yeah, we, I’m here until 19. And she passed on the 18th of September and she was collected on the 19th. ’cause I had her overnight. That was the other thing the vet tried to tell me I couldn’t take her. Said, this is illegal. I said, I don’t care. She’s coming with me. I’m not leaving her here. Aline: So as she’s passed and I’m singing to her, he’s standing there with a stethoscope waiting to see if the, the injections. And I said, could you please just give me a few minutes? [00:08:00] Yeah. And then I also said to him, I may look very strong and very like this at the moment. I said, I’m on the floor. Aline: I said, I have to drive back and I have to keep myself together. Everybody else who knows me that’s not here will understand this. And he finally got it. I don’t know why I’m talking about this. Gissele: now went through the same feelings that I so resonated with what you were saying. my Velcro dog. he had health issues ’cause he, we adopted him from the pound and he had so many issues and I was constantly dealing with his issues. And and I’m sure I caused some of myself in terms of being that helicopter parent, not with my kids, but with my dog, which is interesting. Gissele: ‘Cause my kids wouldn’t allow that. And when he passed, so he died of a seizure disorder. Like he, he got really bad seizures and he would snap out of them, but it was horrific. It like see him thrashing about, he was on medication and we were monitoring it. Gissele: We felt an extraordinary amount of guilt. I started thinking about [00:09:00] all the things that I could have done better , like it’s funny how we do that to ourselves. Like even the last day on the day, he was like whining to go outside and I was like, oh, I’ll take you outside in a minute. ’cause I was distracted about something. Gissele: And then soon after he had a seizure on his bed, Maybe if I had taken him out, maybe he had some toxins and he couldn’t. And it’s just, it’s amazing how you make yourself crazy. You internalize it, you blame yourself. Because it’s just so unconditionally loving and it can’t speak to you in the same way. Gissele: And I felt so bad for a little while and I allowed myself to sit with those feelings. But it does not feel great. And I realize now having not had ’em for a year and it was difficult because there’s so many habits you create. So when I would get home, I’d be like, oh, I gotta take bear now. Oh wait, there’s no bear to take out. Gissele: I’m slowly [00:10:00] realizing all the gifts he gave me the gift of unconditional love, the gift of awareness, and I realize now couldn’t have left any other way. Gissele: it would’ve been like so drawn out and so difficult for me. He just, he had to go that way. Gissele: It could not have been any other way. And in fact, the last seizure didn’t stop. We had to take him and I was desperately like you trying to call vets and somebody who would find, ’cause it was after hours. we had a vet who was like a traveling v she was amazing, but the seizure itself became way too much for her to manage. Gissele: She didn’t just have that experience. So we ended up having to go somewhere else. And we had to take him somewhere to put him down. And I was like, you, I was hysterical. Like hysterical. Because there’s another people there with their dog and I think their dog was having some sort of procedure. Gissele: And you hear me be hysterical. We’re talking hysterical. I’m like a spectacle myself about my dog. And I’m like, don’t put my dog down. And I’m like, and those people are like, oh my God, what’s happening here? ’cause they’re waiting for their dog. And their dog seems to be out. Guess they’re doing something to it. Gissele: I don’t know. Aline: Oh [00:11:00] yeah. Aline: Sorry Aline: about that. Yeah. Gissele: Yeah. Thank you. And I appreciate that. So that’s why I was really resonating with you story. They let us take our dog home, like in terms of we could bury it in our dog in a backyard. And that’s what we did. Gissele: Is that different where you’re, Aline: well, Gissele: you’re not allowed to Aline: do that. I think. Without, and I’m not casting aspersions ’cause I’ve spoken about this with my super vet afterwards. And he was just like, no, Aline, because the, these, this other vet just call him the other vet. Gissele: Yeah. Aline: That’s seconds afterwards because I was saying, okay, I am going now. Aline: And he said you can’t take her. And I said, and my whole family like, yeah, I bet that went down well. And I said I’m taking her. And he said it’s illegal if you get stopped by the police, you’ll get a fine. And I was like, who is gonna stop me? Really like a random, anyway, so it was just one of those moments because I’m a, I am a huge believer in, we create how we feel, we create what’s happening around us. Aline: And [00:12:00] my frustration, and I completely resonate with what you are saying as well, so much my frustration was. If I had just listened, if I had just taken a breath and not jumped on the bandwagon of fear of my super vet and said, okay, maybe we wait and get her to the vet this afternoon. And then I’ve also felt into it and it’s what happens if she started showing signs in the house and I couldn’t help her, and there was nothing that I could do. Aline: So I am at the stage of it couldn’t have happened any other way. I am there. So thank you for saying that. I am there now. I just feel, because she arrived home yesterday forever. And this is my first recording without her on my lap. Yeah. Or near me cranky. It’s, here I go again. And what, and as I was saying to you before, what has been so beautiful with my family member, she said to me, Aline, I cried for a year. Aline: I [00:13:00] said, good luck. She said, I cried every day for a year. And there was a, an association that she went to, there was a singing group that she went to and nobody said anything. And there was a, the chap came up to her after a year and said, and he’d never really, didn’t, really wasn’t one to talk and chat and, and he just said, you are better after a year. Aline: He said, you are better. Aline: And I just thought that was so moving that he saw. my family member was in. So much pain, was very different, was very withdrawn and just noticed and didn’t say, are you all right? Can I do anything? Just left her to be in her space. And then as she was better. Aline: He let her know. And I just thought that was so gorgeous. Yeah. And also it’s allowed me, there’s a certain family member that couldn’t talk to me for two days ’cause they were so upset to see me this way and, British stiff [00:14:00] upper lip. Gissele: Yeah. Aline: Masculine that kind of thing. What it did allow me to do, I do feel it brought our family a little bit closer together because we all shared moments that we haven’t shared before. Aline: And I was diagnosed with central sensitivity syndrome about nine years now. And when I was younger I used to cry quite a lot. Anyway, it’s part of being an empath, I now know and guide others in that respect. And I remember when I was diagnosed with a central of sensitivity syndrome, I was like, you’re gonna you’re gonna feel, it’s like I already do. Aline: So it was labeling what, was there something you already experiencing now? Yeah. And I remember, ’cause I was very teary. I had an accident nine years ago and my whole life changed basically. And I remember this particular family member going what’s wrong? Why are you crying? Aline: I said there doesn’t need to [00:15:00] be anything wrong. I just, sometimes I’m gonna be like this because everything is heightened even more than it was before. Gissele: Yeah. Aline: And so Gissele: I can totally relate to that. Aline: Yeah. And I got to a point where, okay, I can’t really cry in front of anybody ’cause I don’t want anyone to feel that something’s wrong with me and I have just been crying. Aline: Let’s just put it that way. Gissele: Yeah. Aline: And as I said with the, with one of my family members, we’ve never cried together. We were on the phone for an hour and a half crying together and sharing, and she was sharing with me. And and I understand for some people this beautiful image that I’m seeing just out, out the door at the moment where and I understand for some people it’s like, why are you sharing your grief on, on Facebook? Aline: Or on Instagram or because at the beginning, yes, it was very private. One of my best friends was with me when the vet came in the [00:16:00] morning. The next morning. ’cause I, I did a little Egyptian send off for her. And those photographs won’t be shared. And my friend also, she took photographs of me holding my girl and bawling my eyes out because I held her for two and a half hours, I would say whilst my friend was there. Aline: ’cause I felt, ’cause I, she was so bored, she arrived and I had the door closed and I said, just to let you know, Cleo is my beautiful girl’s name. Cleo is here. And I don’t want you to feel uncomfortable that I don’t feel uncomfortable at all. I think it’s beautiful. So it was it, she just held me, she allowed me to be in my space. I went into my medicine wheel with Cleo. I was crying my eyes out. I was singing to her. And I think possibly at that moment I was in shock because it happened so suddenly and it was all a little bit dramatic. And then it’s and you’ll, I’m sure you’ll resonate with this. Aline: You will. You’ve already said it’s habits, She would jump from [00:17:00] each side in the morning to wake me up, I didn’t need an alarm clock. Yeah. It’s all of that. Gissele: Yeah, Aline: thank you for allowing me to share and holding this beautiful space. I didn’t expect to come on and cry my eyes out. Gissele: I wanted to talk about grief Yeah. And how uncomfortable we are with it. It’s amazing how, and I know cultures take diff grief differently, but we seem to believe that there’s a time limit on grief when the truth of the matter is, it’s a journey and it’s a journey that takes people, different time, different space, whatever needs to happen. Gissele: I’m still working on myself, right? Like my self-love, my self-compassion, all of those things. And nobody says, Hey, you should be compassionate by now for yourself, right? Aline: Yeah. Gissele: But we kinda have this misconception about grief, that it needs to be about grief, that it needs to be brief, but that it needs to not be seen. Gissele: Yeah. What are some of the messages you had received about grief growing up? Aline: Grief growing [00:18:00] up? Aline: there was a family member who passed on my eighth birthday and a family member went away to had to leave and come back for my birthday. We were on holiday in Spain and my family member had to go away and then return. And you wouldn’t have known, you wouldn’t have known there was no sitting down and discussing it. Aline: My our furry family they were there again up until in, in my teens. And I think, yeah, so I was never really, grief was never really explained. And I believe that grief can be in so many ways as well. It is, when you know, and this is what I help people with as sensitive people, when we finally realize our sensitivity is a gift and we start taking off the masks of people pleasing and performing, it’s actually this is who I really am. Aline: There can be grief for the old us, and. [00:19:00] That’s quite a diff difficult one to explain because people can think why on earth are you so upset about that? It’s allowing people the space to have whatever they need, and it’s like I mentioned before about, try to be in a no judgment zone about that vet. Aline: I’m working on that. Yeah. Gissele: Yeah. it’s recent, right? Like Aline: Yeah. Gissele: It’s interesting and I love what you said because we have so many judgments about how we should feel or not feel and the timing of how we should feel it. But the truth of matter is the more we allow our feelings to be there and allow ourselves to feel the feelings, the quicker they pass. Gissele: and it’s not that they have to be quick, but just they have less reason to linger on for such a long time. Yeah. But grieving in isolation is so lonely and it’s so difficult. Whereas when you can come together to grieve together to celebrate together, [00:20:00] I think that helps grief feel a little bit lighter. Gissele: Like you said that you the grief of losing Cleo led you to have closer moments with your family. What a gift. Aline: Yes. Gissele: What an opportunity to be able to talk about maybe shared experiences that hadn’t happened and how this particular negative experience or difficult experience came a vehicle for a closeness and a gathering of people in your life. Gissele: And I often don’t think that we think of grief that way. I can’t think of a time, and it could be that I’m misremembering. I can’t think of a time where my family, I mean we have grieved together, but it was like, do you ever feel like it was a whole bunch of individuals in the same room? Aline: Yeah. Gissele: Right. Gissele: So it’s I think there was support for one another, and yet the same time, maybe it was me, I just felt [00:21:00] like I was an individual grieving in a group and not grieving together. But I have had family come together for grieving. I just don’t remember feeling and maybe this is me judging, even judging that experience. Gissele: Maybe it was just the fact that I didn’t feel supported or, so it could just be that. But grief is an interesting one. It’s one we don’t like to experience, right? I have made this mistake. And so like asking people, are you gonna get another dog soon? Are you gonna get another pet suit? Gissele: Because I didn’t know how to manage those difficult feelings until it happened to me. And I was like, don’t even ask me about another pet. I’m Aline: gonna kill you. Yeah. Because Gissele: I can’t even think of another pet. Like when people say to me, oh, do you want another dog? And I know my kids want another dog. Gissele: I want my dog. Aline: Yes. Yeah. Gissele: I miss the being that I, I lost and that’s what I was [00:22:00] grieving those moments that I had, the moments where he would lie down and I would look at him and be like, oh, you’re just so beautiful and perfect. and he was such a mild manner dog. Gissele: Like he, he was like, he was just such a old soul. he didn’t get bothered by things. Yeah. He was a bit whiny and that’s like the doberman in him. But I just remember. How much joy he brought me. And so he taught me about joy and unconditional love. And yeah. So for me, but we do that. Gissele: ’cause I’ve done it. I’m being vulnerable. I’m admitting I’ve like, when people are like, oh, they lost a dog or a pet or whatever, and I’m like, oh, are you gonna get another one? Because you don’t know what to say. You don’t know. You’re so uncomfortable, you don’t know what to say until you’re there. Gissele: Then you’re like, yeah, don’t say that. Aline: Yeah. Mark that one off. I am, I’m very lucky in, in the sense that I have beautiful other furry members around me. It’s not Cleo. [00:23:00] And actually one, one of my family members said, she said, you are gonna grieve Cleo like a person. And I didn’t respond to that because I’m grieving Cleo like the beautiful being that she is. Aline: Yeah. And it’s really interesting you’re saying about. You felt that you were grieving individually because everybody has their own way, don’t they? Everybody has their own process. And it was interesting for me was I had pain in my shoulder and my go going all the way down my arm for three weeks before she passed. Aline: And it was if, as if it was as if, ’cause that’s the heart area and couldn’t work out what was going on. It was as if my body was already preparing for what was happening. Oh, wow. And I couldn’t move or do anything. And luckily I’d already made the decision that for July and August and and it turned out September, I was sharing previous podcasts from a couple of years ago. Aline: So I didn’t, I had all that organized in advance, [00:24:00] obviously no such thing as coincidence, as a synchronicity. So I had this whole pain going through me and then. It wasn’t until after a couple of days I was that, oh, after she passed, I was like, oh, okay, so you’re giving me that pain to get me ready for the real pain going on in there. Aline: And just talking about the group grieving, it was when my a family member, again, don’t want to be too personal. A family member passed and because of what had happened when I was younger and I hadn’t seen any reaction from this family member about their family member passing, I was on holiday with with a, an ex-boyfriend. Aline: That’s another story for another time. And I got the news and it was okay, we need to get a flight. We need to get back. And because I had not because I had been there, I just expected that partner would come with [00:25:00] me. And they didn’t. Aline: And when I arrived I was feeling, because I had been bawling my eyes out and this person, this ex partner who I was with could not deal with it, could not deal with it at all. No way. I mean it, ’cause it was two days and then before I could go back, before I could get on the flight and I was just crying, crying, cry. Aline: Because as empaths, even on the phone, even, just energetically with our family, we just sponge everything in. Gissele: Yeah. Aline: I was, I was feeling what I was feeling. Absolutely. And so when I arrived to the place to go, where this family member’s house had been, I expected everybody to be stiff up a lip and not crying. Aline: And actually it was really beautiful because another family member had said to me, I’ve never seen them cry when I was eight they didn’t say to me when I was eight, it was years ago. ’cause I was saying, what happened? I have no real recollection of it. And they had also been, [00:26:00] they had also been away. Aline: They were in Spain, they were on holiday in Spain. And what had happened that night, one of my family members Gissele: They were out for dinner and one of my family members , started feeling really edgy and they were in an andthe, which is where I am now. Aline: And there’s a magic about, and lu it’s on incredible lay lines. There’s a lot of magic going on here. Yeah, Gissele: yeah. You Aline: know, there’s a lot. And they were driving back and there was a dog in the road and they stopped. And then this dog, the way they both explained it is this dog was like a big kind of greyhound, not really Greyhound, that had my grandfather’s eyes was trying to get in the car. Aline: Oh, wow. Yeah. It was trying to get in the car and it was like a sil, more like a silhouette trying to get in the car. And then there wasn’t anything there. And one of my family members, saw this and they, wow. Yeah. So they are a lot more [00:27:00] accepting of. Who I am, not that it matters, they are a lot more accepting of who I am now. Aline: They’ve experienced various things. Gissele: Yeah. Aline: And it was just really beautiful. And so they’re talking about this, and then what happened? They got back to their hotel and there was a phone call and it was the news. And so one of my family members, had been really like anxious and antsy saying she wanted to get outta the car before the dog arrived. Aline: And it was obviously that, that passing time. Gissele: Yeah. Aline: And so when I arrived, I’m just gonna say, when I arrived in Scotland from Cyprus and that’s, like I said, we were all in different places. My grandpa’s okay, yeah, I’m gonna go now. ’cause he was a complete joker. He was, he when they were younger, they they would play tricks on the tax man. Aline: He would get things like get a sign on there and say kick me for, I have sinned. But it was a complete joker. That’s, and so it was, he was gonna go when we were [00:28:00] all in different places. He was always playing practical jokes. One of the things he did to my grand, which is an absolute I love this story, was they were gonna move, pull up the patio. Aline: And my gran lifted up a slab and there was a five pound nose center. It. She’s oh my God, look at this as a five pound no. Oh my God. And she lifted up all the, all of the slabs. And my grans was absolutely falling about laughing. Gissele: That’s one way to get somebody to know the Aline: work. There’s gonna be loads more underneath. Aline: And then another thing that he did was he switched the just silly things. He switched the hoover off from upstairs when she was hoovering. Gissele: And Aline: then she went to check it and then it didn’t work, and then it started working. So he was switching on and off, taking the plug on an net. And so then at one point she’s doing, trying to quickly get the hoing done before the, anyway, I dunno why I’m sharing. Aline: It’s just fun. It’s just, silly thing. So he was a complete joker. And then for him to turn up as a dog with the [00:29:00] eyes. And then as I said, when I arrived at his house and I expected everybody to just be my, my closest family. Yes. Stoic. Aline: And they weren’t. And ’cause I, and I said, I actually said to one of my family members, , I said I thought you said you’d never seen one of my family members, cry before. Aline: And you said, oh no, she’s been crying. And I was like, brilliant. Great. Yeah. And I, I don’t know if it’s because, we’re all going a bit more towards the divine feminine or it’s because they were, ’cause they were in. When the situation happened when I was eight, they would’ve been in their mid thirties. Aline: So whether it’s with experience, it’s like I don’t give a monkeys what anybody thinks. I’m just gonna do what I need to do. It might have been that not, trying to keep up the Joneses and show that we’re all absolutely fine and wonderful. Sorry, I keep looking out the window ’cause there’s lots going on out there. Aline: That’s alright. And yeah, so I think that was very beautiful. And even then I felt guilty [00:30:00] as well because I hadn’t seen my grandfather for so long and I thought can I grieve? Is that okay for me to be because I’ve spoken to him, but I haven’t actually been in his presence for about a year. Aline: Is that all right for me? Even then it’s like you are, as you said before, there’s like these, almost like these terms and conditions that we put upon ourselves because we are worried what other people would think of us. And actually nobody cares because they’re all just dealing with what they’re trying to deal with Gissele: themselves. Gissele: Yeah. Yeah. I love what you said. It’s interesting. I was thinking about, many of our ancestors, the people in from our history we dealt with really difficult things like war and, like famine and all of these things. And many of them did not know how to hold space for their difficult feelings. Gissele: They weren’t taught that. They were taught to suppress that. And that’s passed on. And so many parents needed their children to control their behaviors [00:31:00] so that the parents could feel okay because they couldn’t hold it. Yeah. And so I think of my father, I’d never seen my father cry, like throughout growing up, never seen it. Gissele: The only time I remember seeing my father cry was when my grandmother died. His mom, right? And so to watch your dad cry is disconcerting when you have never seen him cry, really. But it also made me really reflect on what a disservice we do to each other in not enabling us to have the various emotions that we come equipped with. Gissele: We have tear ducts because we’re supposed to cry, we’re supposed to release that. It’s a cleansing, it’s a release. But to feel like you have to hold all of that pain, all of that sadness, all of those experiences because it’s not allowed or you feel you’re gonna get judged, really does harm us and the level to which we dehumanize ourselves or prevent ourselves from feeling those emotions is the extent to which we allow other people to [00:32:00] express those emotions as well, right? Aline: Yeah. Completely. Gissele: Yeah. Aline: And I, because I mentioned before there was a certain family member.who couldn’t see me cry because he was of floods, of tears. Gissele: I asked him one day, I said I said, do you don’t really like Cleo, do you? He said, I don’t think she likes me. And I said you let them all the others sit on your lap, but not her. And said, yeah, but she digs her claws in. And so his reaction, I was so surprised by his reaction, bless him. Aline: He was devastated. Absolutely devastated. And he couldn’t speak to me for two days because all I was doing was crying. He hated to see me like that. Gissele: Yeah. Aline: I’ve had to look at my history as I’m growing and evolving and I used to have such a resentment for my ancestors. I did, I resented all the trauma, all the drama, all of the issues, all the negative conditioning and all the things that I felt had been passed down. Gissele: But when I was able to [00:33:00] release that and forgive that I was able to bear witness. But how much. They had to endure in their strength and their extraordinary ability to overcome and not either, the fact that I’m here is because they kept moving forward. And so their ability and their wisdom and their trying their best I think it’s something that enabled me to free myself from that resentment, from that lack of forgiveness, from that, seeing it only one sided as these are very negative things, Gissele: Like we’re so good at talking about intergenerational trauma, and it is real, it is true, but we don’t talk about intergenerational resiliency, intergenerational compassion, intergenerational love that’s still there, even in its own way. And if it’s, and it’s messy, it doesn’t show up perfect. It doesn’t show up the way we want it to, but there was a willingness to overcome, to survive, to make it too. Gissele: And when I acknowledge [00:34:00] that, I felt lighter. I felt oh, there’s space now. There’s space to create, there’s space now where I can rely on those ancestors in their history to help me be strong, move forward in a more positive way Aline: as you were speaking, something just came through and it reminded me I was in a kind of group medium session and a family member came through an ancestor and said, you are very similar to me. You have so many more opportunities. And that’s just that, it was that feeling of just, being reminded of that is that they were the witch in the kitchen and, yeah. Aline: And so So thank you for sharing. Gissele: Yeah. Aline: Beautiful. because as an example, on one side one of my family members had PTSD from the war. Aline: And so it was violent and it was never, it would never have been diagnosed. So the effect on everybody [00:35:00] else so Gissele: many people after the world weren’t supported. They weren’t supported with mental health. They weren’t, they were just brought back. And so none of those people knew how to emotionally regulate themselves or teach their children how to. Gissele: And yes, many of them drank. Many of them are violent. Yeah. Many of the women in my family were so strong, they were like super, super strong, but the fault they had to be. And I always admired that. But I didn’t realize until very recently how much admiration I had, even for the males in our family and what they went through and how they were just doing the best they could. Gissele: Even though it seemed like they might’ve been the pivot point of why the women suffered, like they also had a will to survive, to live, to move forward. Doing the best they thought they were doing at the time was a very clear message that it came through, which for me, which was, I thought I was doing it right. Gissele: I thought I was doing something [00:36:00] better than the generation before. I thought I was helping, I thought I was trying to make people stronger, better, make better decisions. But, it’s easy to judge. But when you’re able to see that with the eyes, kindness, and love. I think you realize that there’s such extraordinary strength. Aline: Yeah. Incredibly. And it’s really beautiful what you’re talking about as well, because recently a family member has opened up to me, we just sat at the table one day a little bit about their childhood and they’ve never ever have mentioned that. And another family member just kinda went, oh, you are all right now. Aline: And it was just really interesting. So I encouraged that family member to continue. Gissele: Yeah. Aline: And they did continue. And it was, it’s like you were saying before about, when we suppressed so much, it’s just not good for us. And I’m not saying that we need to be all, gloom and doom all the time. Aline: The worst thing in my opinion, that we can be is [00:37:00] Pollyanna. I’m fine. Everything’s wonderful. Rainbows. Unicorns, absolutely fabulous. That’s a mask. So I felt it was really beautiful of this family member to talk about there first childhood experience that they remember when they were three. Aline: And it was, yeah, powerful. And it was I won’t share it. You can imagine. And yeah. That was their first childhood memory, and it was so beautiful. It was such a beautiful moment. And I’ve, it just reminded me actually, because I’d cooked lunch that day and when I have beautiful heater music from my mentors, and when I’m cooking lunch, I’m putting love in there and it’s, all good things. Aline: I’m vegan as well, so it’s all, it’s all yumminess. And oftentimes when they have my food, I just thought, again, it’s not about me, it was about, the spirits around me and helping me and possibly this person, who’s my ancestor, who was a, basically a kitchen [00:38:00] witch. Aline: And yeah, and then this person, it just allowed them to open up. I’m just looking over here ’cause here’s one of my cats. Hi tea. Is he coming to say hello? Do you wanna Gissele: say, I was thinking of that movie shock a lot. The power of chocolate. Yeah. And the impact I think your, the other person’s reaction of you are right now it’s people’s inability to be able to hold space for difficult conversations. Gissele: And we can’t blame them. We really haven’t been taught how to have difficult conversations, how to emotionally regulate those emotions. Yeah. They’re like, stop it. Don’t do that. Like even in the school system, like the kids aren’t just taught how to manage and this is why we have such a cancel culture. Gissele: It’s like that you say something that I don’t like and therefore I’m just gonna shut you down. It’s the inability to hold that space. And so the willingness has to come from a willingness to sit in the uncomfortable. And that’s where. Going back to the whole issue of grief. Grief [00:39:00] is so uncomfortable. Gissele: You never, you don’t know when it’s gonna end. It feels terrible in the moment, but at the same time, there’s so many gifts that come from sitting and allowing that grief to be there. Aline: Yes. Gissele: And it also helps you relate to other people’s journeys as well, the more you do that with yourself. Yeah. Yeah. Aline: Beautiful. One of the things that I have been doing, so if anybody’s listening I’m sure they, they know how to this anyway, is sometimes when it starts to take over, the tears and the grief and the missing, I just take a breath and I remember her lying, her energy lying across me and that just brings me back and, I under, and it reminds me that she chose to be here and, and reminds me that. Aline: There’s only, was it two things? Certain in life of death and taxes? [00:40:00] Gissele: Yeah. You Aline: know, and it’s, it was her time and that’s why I wrote the poem and I shared the poem, crying my eyes out. So there, is beauty in sharing. And when I shared the poem, I was like, what are people gonna think? Aline: for the day after I’d put it up there, I’m gonna delete it, I’m gonna delete it. It’s don’t delete it Ali. Try not to delete it. And I didn’t. And because she’s so much part of everything, there, there’s photographs of me with her everywhere. And even on, even when I’m like creating little posts, I suppose there’s, with a beautiful pink and gold that are my colors for everything. Aline: And there’s a white silhouette of a cat. That’s her, she’s in everything. She’s helped so many people. She’s helped so many people. So it felt so right. Even though it felt so uncomfortable Yeah. To read that poem. At the time I was in the medicine wheel, I said, we are really gonna do this. Aline: Yes, we’re gonna do this. [00:41:00] So somebody was watching me live and didn’t comment and that’s okay. It was probably too much for them, and then didn’t say anything. And I just thought, that’s fine. And then in the next couple of days, I suppose again, because we create how we are feeling, I kept seeing posts everywhere of people losing their furry babies. Aline: It’s eclipsed season. I said, oh my God, am we’re in a year nine as well. So I’m not saying everybody’s listening here beginnings. Yeah. That’s gonna happen. It’s just beautiful endings. It’s beautiful closings and. And that felt a beautiful way to honor her and close her chapter. So you know what you are saying about when you are, when we are sharing, it’s honoring as well. Aline: Yeah. It’s honoring them. It, it really is. Yeah. Yeah. Beautiful. Gissele: And I think the more that you, we share, and I think the reason why you were guided to share is because we’re taught to be so inauthentic. Yeah. We’re taught to be so controlled, protected, like you [00:42:00] go back to vulnerability, moments of vulnerability reminds us that we’re human Gissele: that sometimes we feel vulnerable . And being vulnerable is not the same as feeling vulnerable . We can feel vulnerable and act protected, but being vulnerable is a willingness to share your humanity. A willingness to open up your heart and say, I’m grieving, I’m struggling. I am. Gissele: I, I don’t feel seen or heard. Maybe I don’t feel worthy of being loved. I’m struggling with a bunch whatever you want to share. There are people that are going through that same thing that because nobody wants to share, feel very alone. They feel alone in their grief. They feel alone in their vulnerability. Gissele: But the more you’re willing to share that there is power in grief, there’s power in vulnerability, and being able to share that connects to one another, I don’t think you can have close relationships unless you’re willing to be vulnerable with one another . Gissele: Absolutely. Aline: A [00:43:00] million percent. Yes. Gissele: Exactly. Yeah. So if it’s just for show, then you can’t ever really get to the depth. Even if it means some level of conflict. You have to be willing to be authentically yourself to share your vulnerability and be okay with that in order to have that closeness. Gissele: I don’t think you can have it without being willing to go there. I think otherwise you’re just protecting yourself against the world Aline: I completely agree. It’s masks, isn’t it? That societal mask of I’m fine. Yeah, absolutely. Yeah. And I was pushed to share because one of the things I talk about so much is be honest and real and accept your shadows and accept your emotions and accept your vulnerability. Aline: So it felt that bit like, I suppose walking my talk, but that sounds like a little bit too, you know what I Gissele: mean? Aline: Yeah, Gissele: I do. Aline: It’s I encourage people to be really honest and raw and open because that’s, it’s so important that everything that’s being pushed down [00:44:00] has a gentle embrace as it’s coming up. Aline: And I just thought yeah, I have I have watched it back a couple of times and I’ve cried a couple of times, and then now I can watch it and go. Actually that was really beautiful because Cleo was there with me. I was in the medicine wheel. There’s a gorgeous tree in the garden called The Tree of Love that naturally has a heart carved in by nature. Gissele: Oh, beautiful. Aline: And that’s, yeah, that’s where some of her ashes will be. And then wherever I go, because she traveled everywhere with me, the, yeah. Our last trip was where I drove to France with her. And we were walking in the vineyards together, remembering those beautiful times. Aline: And so what was really interesting is after I had read the poem and cried, it was the most grounded I’d felt and the most tired. And I was like, I can sleep now. So there is power in sharing. There’s real power in sharing. And like you said about being authentic. It [00:45:00] was authentic, raw. This is really what’s going on, rather than not mentioning it. Aline: Yeah, absolutely. Gissele: Yeah, absolutely. I was thinking as you were talking, don’t they have those things where you can use ashes to create a diamond? Have you heard of that? Aline: Oh, I have heard of that actually. That’s Aline: that’s gonna be my research for the Gissele: next few Aline: days Gissele: now. Yeah, for sure. For sure. Gorgeous. So just have a few more questions. Gissele: Sure. I’m switching things up. What’s your definition of self-love? Aline: Wow. That’s a biggie. So my definition of self-love. Is loving every single aspect of yourself is accepting who you are. Shadows an all tempers, an all mood swings, an all Aline: Accepting your body, being thankful for your body. ‘Cause it’s an incredible [00:46:00] machine. And exactly as you’ve said before is sharing who we really are with people and allowing people to see different sides of us and forgiving ourselves for what we think we’ve done and what we think we haven’t done. Aline: That’s a big one. And, we are all working on it. it’s a daily thing. Because, so however, many years ago you could hear someone, oh she loves herself, or he loves himself, or they love themselves good. Bloody marvelous. What’s wrong with that? Gissele: Yeah. We have this misconception about it being selfish or narcissistic, which is not true. Aline: Yeah. And it’s good to be selfish because before we can help anybody else, we need to be in a space that we can help other people that you know, so yeah. Gissele: That we can have love Aline: for my, yeah. Sorry, I didn’t quite hear that ’cause I think I was talking over you. Sorry. Gissele: Oh no, I was just gonna say before we can have love for others, right? Aline: Yes. Yeah. Completely. Completely. And I [00:47:00] remember years ago interesting you said about the vulnerability with the re relationships. It was, let’s just say it was toxic. Let’s just give it the name. Yeah. It was obviously an experience that I asked for. I learned a lot. And I was being vulnerable. I was just, I was having a moment and I just said, I don’t feel like I can really love myself at the moment because of whatever my size was, or dah. And this person, a genius narcissist, just turned around and said how can I love you then? Gissele: Wow. Aline: Yeah. So it was really interesting that when you were talking about, you feel like a relationship is about being vulnerable, et cetera, with the best people. Aline: And I would say self-love also is making sure that you are surrounded by people who absolutely have got you in any situation, and you equally have them. Aline: You are showing up and you are allowing people to see you exactly as you [00:48:00] are, and making sure. That you are surrounded with people who are on your vibratory level and this is something I talk about quite a lot is even if you are starting to remember who you are and changes start happening, you’re not changing who you are, you’re remembering who you are. Aline: That you keep those people around you who are championing you on to be your authentic, true self. And then it’s saying thank you to those who are uncomfortable and you’ve had various conversations. It’s saying thank you for being in my life and loving yourself enough to walk away. Gissele: I love that. Final question. Where can people find you? Where can they work with you? Oh, Aline: People can find me. I would just say, just keep it simple. ’cause there’s so many various places where I am. The easiest way to find me is on http://www.alignwithaline.com. And everything is on there. So the podcast is on there. Aline: The [00:49:00] how to work with me, mentoring, coaching sessions, one-to-one sessions and also my self-healing journeys and self-healing courses are on there. It’s all there. Gissele: Beautiful. Beautiful. Aline: And if people would like to just get in touch with me personally and I do mean this, they can email me directly atLove@alignwitharlene.com as well. Gissele: Beautiful, beautiful. Thank you so much for being on the show. So appreciated. And thank you everyone who tuned in for another episode of The Loving Compassion Podcast with Gissele.

For the first time in 20 years, the Wolves win at Boston. Without ANT! Wolves Super Fan Kyle Theige joins Kilby to discuss Bones Hyland, Ayo, The Wizard of Naz and the great defensive effort by the mighty Wolves. Plus, Kilby tries to be patient with Kyle who is now substituting Margaritas for Espresso martinis. Enough with the sugar young people! Learn more about your ad choices. Visit megaphone.fm/adchoices

Trade Nation: Thanks for the Shoutout, But We Just Got Married! The Final Flush for Tix to the Jason Aldean Show on August 22nd at Riverbend!Princess Movies Disney Dads Would Watch By Themselves?The Dad Joke of the DayCrockpot Tuesday: Sarah's Rumpke Dump Beans!Good Vibes: Joey Votto's Clock is Gorgeous!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Front Row Network welcomes professional wrestler, Gorgeous Gregory. He and Brandon discuss his origins in the ring and his career highlights so far. They also discuss the art of creating a wrestling persona. 

Most stories about crime and mystery are filled with predictable twists—but what if you could uncover the hidden psychology behind suspenseful narratives that keep you guessing? Dive into tonight's gripping episode as we explore Raymond Chandler's legendary detective, Philip Marlowe, in a radio drama that redefines noir storytelling.This isn't just a crime story; it's a masterclass in suspense, layered with deception, psychological undercurrents, and unforgettable characters. As Marlowe navigates snowbound in a storm, a car shoves off the road, and secrets unravel, you'll discover how atmosphere, dialogue, and character secrets build tension in ways you never imagined. The story reveals that behind every seemingly simple case is a web of motives—many women, many lies, one deadly truth.We break down the storytelling techniques that make Chandler's Marlowe saga timeless: the power of mood and setting, the intricate web of character motivations, and the thematic complexity of trust and deception. You'll learn how atmospheric details—like a cold oil heater or a snowy night—amp up suspense, making every sound and silence a tool to keep viewers guessing. Plus, we reveal how this episode's unexpected twist highlights the importance of observing what's hidden in plain sight, a crucial skill for every mystery lover or aspiring detective.Why does understanding these storytelling nuances matter? Because in a world flooded with clichés, mastering suspense and character psychology elevates your own narrative craft—whether you're creating stories, analyzing films, or simply craving smarter entertainment. Missing out on these storytelling secrets means settling for surface-level mysteries—while those who decode the craft unlock richer, more immersive experiences.Perfectly suited for mystery enthusiasts, writers, and anyone craving layers of intrigue, this episode is your shortcut to understanding why Raymond Chandler's work continues to captivate audiences—rich in mood, layered with secrets, and driven by complex characters. Hit play now to unlock the detective's mind and see the story behind the story.

Still reveling in the Sinners Oscar buzz, we were so excited to speak with someone very familiar with Black horror, the one and only Ezra Claytan Daniels. Author of several amazing graphic novels like Upgrade Soul and his latest, Mama Came Callin', as well as writing for shows like Doom Patrol and Severance, he joined us to talk about a Black horror cult hit, The People Under the Stairs.  Directed by Wes Craven and staring Brandon Q. Adams, it's a movie filled with some very creepy imagery but also a lot of socio-political satire to chew on. We break down what works and what maybe hasn't aged so well, and also discuss the power of horror in Black stories.  Mama Came Callin', a southern gothic horror about family, racial identity, and alligators is a fantastic read. Gorgeous illustrations by Camilla Sucre and of course Ezra's mesmerizing story. Get your copy wherever books are sold!  As for us, find us on socials at @Whitepeoplewontsaveyoupod and check out our Youtube page for some fun extras we're trying out! We'll be back next week with Bruce Willis and Damon Wayans in The Last Boy Scout.

"You're on stage. You're playing shows. You're going on tours, and they're like, you haven't paid your dues. It's like, I'm doing it right now. This is the dues."   Drop Dead, Gorgeous is back. After a 15-year hiatus, frontman Daniel "Stills" Stillman joins Brian and Lizzie to talk about their highly anticipated return, dropping the new EP Sink Your Teeth, and gearing up for Warped Tour.   Stills takes us back to 2006, explaining the raw, meticulous production behind In Vogue and what it was actually like blowing up on Myspace as teenagers. We talk about the very real pushback they got from traditional hardcore bands for wearing tight pants, why they skipped the "paying your dues" phase, and a wild story about a lost Skrillex remix that never saw the light of day. We also get into the current state of songwriting and the uncomfortable reality of AI tools pushing pop artists to either innovate or be replaced. "We were in that phase of wearing tight jeans, girl pants... we were kind of in a heavier scene, and so there was still hardcore bands that weren't really into that at all. We got a lot of pushback and hate because of that." "AI highlighted to me how formulated pop music actually is. And I think what it's forcing actual big pop artists to do now is to push the boundaries and mix it up more, because if they don't, they will be replaced by AI." "You're on stage, you're playing shows, you're going on tours, and they're like, you haven't paid your dues. It's like, I'm doing it right now. This is the dues. I'm here today to do that." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Our old friend Jon Krawyczynski joins The Gorgeous and some might say the Wolves turnover problem is a microcosm of the team. Kilby just says 25 turnovers vs OKC is a debacle. There is so much covered in this episode including a shout out to Gaardsy, Ayo is a ball player, Julius Randle shows up, the Wolves are floundering, and...who's taller: Jonny Athletic or Kyler Murray? Great question. Let's Go! Learn more about your ad choices. Visit megaphone.fm/adchoices

Derrick Rose once scored 50 points with the Minnesota Timberwolves and after the game Lea B. Olsen interviewed him. Now...Kilby interviews Lea B. Olsen. She's a Timberwolves sideline reporter. Lea and Kilby chat about the famous interview, why she was even working that night, and also her own basketball playing career. Plus, Lea's Top 5 Movies of All-Time and The Life Gorgeous Quiz. Tuna Melt! Learn more about your ad choices. Visit megaphone.fm/adchoices

The gorgeous Bryony Blake is here and as ever we have a good old catch up before we get into the beauty recommendations.This week Bryony has some amazing and really novel tips for applying makeup that shows off your natural skin while giving great coverage.She also talks about why she adores the brand Soapsmith.We're also chatting about Bryony's amazing night seeing Ray, the surprising world of foot fetishes, my new found respect for teachers and lots more.Hope you enjoy our catch up :0)

Kilby is leaving on another festive road trip but takes the time to give back with a succinct episode of The Life Gorgeous. Kilby absolutely loves the addition of Ayo Dosunmu to the Timberwolves. Ayo could be the missing piece and the Wolves can play with anybody. Also, Rao's Hollywood has closed and Kilby shares his thoughts. Plus, Kilby finally watched a blockbuster movie for the first time...29 years after it came out. Let's go young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Radio & TV Voice of the Timberwolves, Alan Horton, joins Kilby to talk about his career in broadcasting including his big break in San Diego. Alan and Kilby also discuss the newest Wolves player Ayo Dosunmu, Rudy still being a defensive force and ANT's remarkable improvement the past 2 seasons as a 3 point shooter. Plus, The Life Gorgeous Quiz and Alan's Top 5 Movies of All-Time. Oh, one more thing...ED MALLOY!! Learn more about your ad choices. Visit megaphone.fm/adchoices

How can we find peace when struggling to see the goodness of our individual design? Pastor John illustrates God's love and wisdom in his creation.