David Hepworth, Mark Ellen and chums cast an occasionally jaundiced eye over the goings on in the world of music and entertainment

A milky tea, a jam sponge and this week's news served on a tin tray with a steam train painted on it points our very English conversation towards the following … … what connects the Monkees and a British Prime Minister? … when are you too old for Indie? … A Certain Je Ne Sais Quoi? A Bar on The Piccolo Marina? Noel Coward or Neil Tennant? … the Move, the Streets, the Kinks, ELO, Ian Dury, Anthony Newley, the Jam, Herman's Hermits, Cat Stevens, Arctic Monkeys and other acts with a sense of Englishness … Girl in the Thunderbolt Suit: when Marc Bolan went science fiction … how London Zoo could have put the tin lid on the Beatles … the daft story of Randy Scouse Git … how Michael Caine cooked up the name Harry Palmer ... the most English pronunciation of a songword ever … Black Crowes, Byrds and the allure of misspelling … Roxy, 10cc, the Hollies, Manfred Mann, Human League and other original line-ups we want to reform … plus Angine de Poitrine, Kaleidoscope rebooted by Jimmy Page and birthday guest Jonny Wren.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Neil Tennant co-wrote a musical at Primary School and soon decided that “learning other people's songs was hard work compared with making up your own”. He's chosen some from the Pet Shop Boys' 40-year catalogue, hits and obscurities, in ‘One Hundred Lyrics and a Poem', just out in paperback, and added fascinating notes about their context and composition. This very funny and revealing conversation lands on the following … ... the first song he ever wrote … auditioning for Rocket Records in 1975 … does songwriting have rules? … how Chris Lowe tamed his inner “musical snob” … rap, Brecht-Weill, Betjeman, Noel Coward, My Fair Lady and the art of “speak-singing” … the decades of lyrics stored in our brains … the Songwriting Bootcamp that produced What Have I Done To Deserve This? … the essence of melancholy (and the chord that expresses it) … “the sound of words is often more important than the sense” … whether Dylan deserved the Nobel Prize for Literature … West End Girls and whether to rap in English or American … the writing of King's Cross, Cricket Wife, Odd Man Out and I Made My Excuses And Left … “Robert Maxwell stole my pension!” … and the “geology of my life” in diaries that one day might make a memoir. Order ‘One Hundred Lyrics And a Poem' here: https://www.faber.co.uk/product/9780571397891-one-hundred-lyrics-and-a-poem/ And ‘Pet Shop Boys: Volume' here: https://shop.petshopboys.co.uk/gb/pet-shop-boys-volume/9780500027479.htmlHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

At the age of four, Steve Nieve drew pictures of piano keys and pretended to play them. He joined Elvis Costello & the Attractions when he was 19, the start of a life that involves having to find a flight case for a Steinway Grand. He talks to us here from his Paris apartment about Stiff package tours, recording remotely, his upcoming shows with the French singer Kessada and … … being a teenager as fond of Stravinsky as Alice Cooper and the Carpenters … playing in a mid-‘70s Top Forty covers band … the ad for a “rockin' pop combo” that changed his life … touring with Costello and Ian Dury and how he got his stage name … playing the Thunderbirds theme as a chat show bandleader on the Last Resort … a giant Klavins piano “that has stairs leading up the seat” … working on Morrissey's Kill Uncle … the 40,000 audience that watched his online Lockdown shows … unreliable stage pianos and the story of Keith Jarrett's Köln Concert. Tickets here: https://www.tickettailor.com/events/westhampsteadartsclub/2059256 The “About Love” album: https://music.apple.com/gb/album/about-love/1834791707 Steve's new album: https://stevenieve.hearnow.com/piano-night-2026 Steve's Instagram: https://www.instagram.com/steveprofessornieve/ Kessada's Instagram: https://www.instagram.com/iamkessada/ www.stevenieve.comwww.kessada.comHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Watering the scented hedgerows of news to see if any green shoots appear. And they do, in the form of … … the most effective protest song ever written … the commendable box-ticking life of Country Joe McDonald … the Timothée Chalamet ding-dong: is it still safe to voice an opinion? … Harry Styles' 67 dates in just 7 locations: how ‘Destination gigs' throttle the competition … was Wings a worse name than the Beatles? And McCartney as a shepherd: discuss … what makes a song work as a football chant? ... the most unusual things we've heard sung by crowds …. Stormfront, Gothic Serpent, Midnight Hammer, Rolling Thunder … album title or US military campaign? … why we love improv theatre … when Champion Jack Dupree lived in Halifax and Kid Creole in Rotherham … plus barrelhouse blues piano, ‘inflicting' music on people and birthday guest Avi Chaudhuri & rock music as community singing.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Pointing the scanner of inquiry at the baggage carousel of news to see what gets the lights flashing, which this week includes … … we know what's making Morrissey miserable … bands that can get a whole stadium singing … the rock star who misses the music press most … “a Likely Lads for the rave generation”, anyone? … the speed at which news now travels … Loudon Wainwright and Richard Thompson, Ben Sidran and Boz Scaggs, Paul Whitehouse and Bob Mortimer, Steve Martin and Martin Short … in praise of inseparable old pals! … Anfield Rap (Red Machine in Full Effect)! Lift it High (All About Belief)! Whatever happened to football singles? … I Started Out with Nothin and I Still Got Most of It Left, Musta Notta Gotta Lotta, Trouble Over Bridgewater: albums you bought because you liked the title … “English radio stations won't play new music!” Really? Plus birthday guest Adrian Ainsworth on the Sensual World, Us, Monster, the Rhythm of the Saints and other great experimental sequels to big-selling albums.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A gorgeous and lavish new publication tells the story of the Kinks in the ‘60s via the key events in their unsteady trajectory plus concert bills, letters and ephemera assembled by Andrew Sandoval, the kind of non-digital research that's filled his archive with yellowing back numbers of Disc & Music Echo. It's “nirvana for any fan”, the title hinting at the level of detail – ‘The Kinks: All Day and All of the Night, the Day By Day Story Part 1: 1940 – 1971'. He joins us here from Los Angeles to talk frock coats, deathless tunes and own-foot-shooting setbacks, and what he learnt about the band from compiling it. Which involves … … their magical run of 16 hits from 1964–68 (by a sole songwriter) … the five people who ran and managed the band and what they had to put up with … the last chance saloon backstory of You Really Got Me and the Jimmy Page rumours … the Kinks' alleged black-listing on the American tour circuit … Ray's “unauthorised autobiography” and perpetual self-sabotage … Granada TV's record of Alan Bennett and John Betjeman as possible co-writers for Arthur ... the 12,000 miles required to re-record three seconds of “Lola” … the ways Reprise, Pye and Marble Arch sold the Kinks catalogue … and Ray and Dave's live debut as “the Kelly Brothers”. Order copies of ‘The Kinks: All Day and All of the Night' here: https://beatlandbooks.myshopify.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mark Lewisohn began his Beatles' trilogy in 2003, the first volume appearing ten years later. He's hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there's gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine's Boys”) becomes established fact … “people are reshaping the Beatles' story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown's invented spat with Beatles and the struggle to separate fact from fiction … Paul's private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753?mcid=3bbe6ad2416f31d59786d0f169b18876&th=1&psc=1&tag=googshopuk-21&linkCode=df0&hvadid=697210774528&hvpos=&hvnetw=g&hvrand=7934131385361801281&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-525100023999&psc=1&hvocijid=7934131385361801281-1408705753-&hvexpln=0&gad_source=1 Tune In (trade edition):https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=sr_1_1?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-1&ufe=app_do%3Aamzn1.fos.95fd378e-6299-4723-b1f1-3952ffba15af Tune In (Extended special edition):https://www.amazon.co.uk/Beatles-These-Years-Extended-Special/dp/1408704781/ref=sr_1_2?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-2&ufe=app_do%3Aamzn1.fos.0fa28f01-6fca-4422-af4e-d52d5ad71bfeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Our ‘big air' manoeuvres on the rock and roll ski jump this week land the following tricks … … why don't we re-use old protest songs instead of writing new ones? … “a temple of music and gothic lust:” would YOU buy Jim Steinman's unsellable home? … when Madness played on the Buck House roof … Ptolomaic Terrascope? Aquarium Drunkard? Real and made-up music magazines … “too complicated, not catchy, like a high-minded think-piece”: U2's Days Of Ash EP … when the Ramones invaded the London library … Rod, Elton, Adele, Noel, Ed … do they cut it as National Treasures? … “the best sport still works with the sound off” … what links Steely Dan to American College Football? … plus the Bishop of Ramsbury, Robyn's “dream doner” and birthday guest Keith Adsley with a quiz about American college football walk-out music.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars' collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip', with all this high in the mix … … Frank Sinatra's ‘Welcome Home Elvis' TV Special and how threatened he felt by rock'n'roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you'll find in Lou Reed's archive at New York's Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles' fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie's and Tina Turner's TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they're on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart's vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip' here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock'n'roll rainbow this week you'll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I'd draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al' Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don't know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that's the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The album has had 25 years of being hammered by other formats – Napster, iTunes, Spotify, TikTok – and not only survived but thrived. For Keith Jopling it's the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at … … growing up in the age of cassettes … his lifelong devotion to a Police album left on his doorstep … Adele's battle with Spotify to get records played in sequence … how albums are how you calibrate a career, from the Beatles to Taylor Swift … has anyone ever loved a CD the way they love an album? … how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it … pictures of equipment: rock porn! … the swingback to Listening Parties and analogue recording … records as shining examples of the packaged goods business … “we need to regain control of our attention” … and the iTunes launch party and why Smashing Pumpkins thought they'd seen the future. Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Unredacted exchanges about the rock and roll underworld this week highlight the following … … real or made-up stars' kids' names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob? … man plays drum solo with his head! … Olivia Dean, Lola Young, FKA Twigs: what do today's ‘professionals' learn at the BRIT School and what happened to the age of the amateurs? … why Joni Mitchell's life was even more extraordinary before she was famous … Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain … rude, racy, naughty, delightful: our love of old pulp paperbacks … “Go to your room, young lady, and play a Nick Drake album in its entirety!” … and when Dandelion became Angela. Plus birthday guest Paul Higham and why most stars' stories need a lively biographer.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie's early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman's ‘Lazarus: The Second Coming Of David Bowie' looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that's as fondly critical of his artistic decisions as it's celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act' … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker's taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord's Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan' … and the struggle to find anything sincere in his interviews. Order ‘Lazarus' here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

David Sinclair was a long-running rock critic for the Times, Rolling Stone and many others and now makes records himself. He looks back here at some of the first bands he saw and the extraordinary people he interviewed, which touches on … … the day Bowie took him to the Hammersmith Odeon to stand on the spot where he announced his retirement … Keith Richards' dark side (and what he said about Lady Di) … interviewing Prince “who seemed like a shadow” … seeing Free in 1970: “I still think about it. Some bands are like footprints in fresh snow” … Hendrix on a bill with Cat Stevens and the Walker Brothers when he was 14 … singles he wore out in the days when you had to change the needle … his theory about the lyrics of Crossroads … “the Simon Templar of rock journalism” … the purgatory of being a serious musician when Spotify adds 100,000 new tracks a day … and the Shadows, the Scorpions, Sting, ZZ Top, David Coverdale and … Millstone Grit. David Sinclair's music here: https://open.spotify.com/artist/4oMczlXHj1pt6M4ZNGR14E?si=_9Dx_G_UQ3GifCFGFra07A To buy here: https://www.davidsinclairfour.com/shop Tickets to the 100 Club, May19: https://www.solidentertainments.com/100club/index.htmlHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A bone-shaking ride on the weekly news cycle, stopping off here to pump up the tyres …. … Springsteen's Streets Of Minneapolis: it's not what he said but the fact that he's said it … “they're all just Sly & Robbie records but with someone different singing on them” … the price of stadium tickets: if it's too high, don't go – but stop complaining! … Catherine O'Hara's wit and humanity in Waiting For Guffman and A Mighty Wind, and why Home Alone wouldn't work without her … Melania's deal with Amazon: the most craven act in the history of entertainment? … is Mick Jones the first cousin of a Tory Home Secretary? … the secret art of “four-walling” … are most fans conservative with a small ‘c'? … the romance of knackered old ‘70s New York: “the cheap pleasures have gone” … and the whitest rap of all time! Plus birthday guest Roger Millington and the agony of a band's “new direction”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Lillywhite first got a foot in the studio door aged 17 making demos for Ultravox and became a producer with credits on over 500 records. He doesn't have a copy of any of them but kept his Grammys and his CBE. The job involves being a lightning-rod, cheer-leader, editor, finisher and “as diplomatic as Henry Kissinger”. He looks back here from his ‘Lillypad' in Bali at the milestones along the way, among them … … “I'd done my 10,000 hours by the age of 22” ... “If it ain't broke, break it!” … when he screwed up as a tape-op: “you only do it once” … why bands never want to leave the studio … breakthrough hits with Johnny Thunders, Siouxsie and the Psychedelic Furs … “there's been no new technology in the last ten years” … the radio plugger who heard Sunday Bloody Sunday and said “sounds like a hit but you'll have to lose the word Bloody” … “when Mick and Keith weren't talking they communicated through me” … why Muff Winwood wanted to fire Larry Mullen … why producers can't hear a hit … Adam Clayton and Nick Rhodes “aren't musicians” … “make the drums less Huntley & Palmers!” … the Wrecking Crew versus the “One-Man Show" production of today … and memories of making Vertigo, Fairytale of New York and Making Plans for Nigel.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Scanning the baggage carousel of news to see what sets off the alarm, which this week involves … … Springsteen: why is America's most American American so quiet about his President on home turf? … the Seven Ages of Nepo: in defence of Julian Lennon, Joe Sumner and Brooklyn Beckham … the Robbie Williams story that gets our goat… why do half the UK music venues make no profit? … the onstage ‘act' that did 104 minutes non-stop… pre-testing EDM singles on the dancefloor … Four Boys in the Wind! What A Night That Day Was! - foreign editions of A Hard Day's Night … in praise of the Latin Playboys … the mid-‘60s mystery album that outsold the Beatles … and we name the root of all ills in popular music!Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Fairport tour again in 2026 and are playing their annual Cropredy Convention in August, its 50th year. The rolling Kent landscape behind him, co-founder Simon Nicol looks back at almost six decades in the line-up, the first shows he ever saw and played, why he can't wait to get back on the tour bus again, and … … the intoxication of live music – “lost in a moment that's never happened before and won't be repeated” … Count Basie at the Astoria, aged 7 – “the moulded Turkish ottomans! The massed ranks of brass!” … December 4 1972, the day he left the band (and why) … “we've been self-governing since we were kicked out in 1979” … the Ravens in Muswell Hill the night they became the Kinks: “frock coats and hunting boots” … Professor Bruce Lacey, the mad scientist-inventor celebrated in a Fairport song … Ashley Hutchings' Little Black Book where band line-ups were assembled: “like an executive chef who chose the ingredients but didn't wash up” … playing Mississippi Fred McDowell and country blues in the Ethnic Shuffle Orchestra … narrative songs and the “shoulders-down” rhythms on Music From Big Pink and how Fairport found their identity … finding obscure Phil Ochs, David Ackles and Joni Mitchell songs for early Fairport … and the first Cropredy in the village hall in 1976: you can still arrive by barge! Fairport Convention tour tickets here: https://www.fairportconvention.com/gigs-tours/ Cropredy 2026 tickets here: https://www.fairportconvention.com/tickets/ Hosted on Acast. See acast.com/privacy for more information.

Miles Hunt is on tour in 2026 – solo, with Vent 414 and the Wonder Stuff - and looks back here at his 40 years on stage, which involves … … stifling hecklers the John Lydon way: “the exits are clearly marked!” … what percussion does to your ears … “when a tout's selling your £3 ticket for £50 you know you've made it!” … keytars, flat drums, guitars without headstocks: things that are JUST PLAIN WRONG! … seeing Slade at Birmingham Town Hall when he was 10 … why the Size Of A Cow was “the moment a lot of our audience thought we'd sold out” … Hunter S Thompson, Charles Bukowski: books that work on a tour bus … when drummers ‘cramp up' … and why he won't perform Dizzy with Vic Reeves. Order Miles Hunt and Wonder Stuff tickets here: https://thewonderstuff.co.uk/tour/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Ogden's Nut Gone Flake is being reissued on Kenney Jones' Nice Records, along with unheard outtakes discovered when the original master was found in one of his battered old drum cases. He talks to us here – with the compiler Rob Caiger – about the chaotic construction of the Small Faces' 1968 masterpiece and his mission to “carry on the legacy”. Are you all sitting comftybold two-square on your botty? Then we'll begin. Among the highlights … … the Thames boating accident that inspired the album … booking Stanley Unwin when Spike Milligan turned them down – and the day Stanley invented ‘Unwinese' … insomniac days in the band's Westmoreland Terraceflat … the value of Marriott's stage school background: “he could always ham things up” … hidden treasures on the original tape – “you hear Steve and Ronnie talking” … the magic of that fragile tobacco-tin artwork … possession is nine-tenths of the law! … Marriott's wall-banging Chiswick neighbours that inspired Lazy Sunday … “I'm the only one left and want to carry on the legacy” … other lost Immediate sessions to be released on Nice Records Order the Ogden's Nut Gone Flake expanded 3CD set here, direct from Kenney's Nice Records imprint: https://www.nicerecords.co.uk/collections/ogdens-nut-gone-flakeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A tie-dyed-in-the-wool rock & roll space odyssey to infinity and beyond which stops off this week at … … why the Dead's music was “like lighting a match in the wind” … Ha Ha Harlem! Rebels Without Applause! – Morrissey song or Lenny Bruce comic routine? … Sting v Sumner & Copeland and what Every Breath You Take makes daily just from streaming … is Oasis “the biggest exchange of money for old rope in the history of commerce?” … rock stars in shorts … John Hartford and his Willie Nelson Sliding Doors moment … how Mother McCree's Uptown Jug Champions became the most hi-tech band on the planet … Rock ‘babes' in the Bob Weir mould – eg Michael Clarke of the Byrds, Evan Dando and Mark Gardener from Ride … has anyone made more by doing less than JJ Burnel on Golden Brown? ... plus Warren Zevon song titles, Mary Coughlan in a coracle and the first records we reviewed for money.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Cradock's touring with Ocean Colour Scene in 2026 and in his own show, Travellers Tunes, with his wife and son Steve – “we're like the Von Trapps!” This highly original night involves them “living like gypsies in the spirit of Ronnie Lane”. He looks back here, from his psychedelic Mod-shrine converted garage in Totnes, at the first shows he ever saw and played, which touches on … …seeing UB40 at Birmingham Odeon, aged 13 – “I was bruised for days” … an after-school Duran Duran video shoot … “three 45-minute sets a night”: doing J Geils Band and Lennon covers pre-Bingo in working men's clubs, aged 15 … playing Scooter Rallies in Gorleston-on-Sea in pilled-up homage to the Purple Hearts, the Jam and Secret Affair … the imperishable sound of the early Small Faces – “the tone, the feedback, Plonk smashing his bass” … an intense love of Northern Soul, Soft Cell, the Pretenders, Costello and the La's … the Stones Roses, “the most important show I ever saw – the hair, the clothes, the songs, the guitars” … supporting Oasis at Knebworth … “musicians' books bore me” …. three days in a pub with Chris Evans and regrets about “the double-edged sword” of the Riverboat Song on TGI Friday … and Paul Weller with love beads Buy Steve Cradock tickets here: https://www.stevecradock.com/tour/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘January,' a revered pop lyricist once wrote, ‘sick and tired you've been hanging on me.' And if that's the mood down your way, this might help crank up the heat, alighting as it does upon the following … … Guns N'Roses and the imperial age of the pop video: director Nigel Dick remembers the $750,000 budget … ‘lost elfin Scots superstar': missing Incredible String Band member found after 40 years! … comparing the original West End Girls to the re-made worldwide hit: “like a Top Of The Pops album doing the same song” … the three ages of Bowie and why he's becoming a religious cult … gangster-wall-papering the Melody Maker office as an Ian Dury promo stunt ... the magic of stars' childhood bedrooms … “he's got a tinfoil pal and a pedal bin”: Star Wars in a nutshell … Tales of Brave Ulysses: psychedelia in under three minutes …. and has there ever been a fictional band as convincing as McGwyer Mortimer? Andy Miller on Licorice McKecknie here: https://www.patreon.com/posts/incredible-band-146577648 Nigel Dick's wonderful video for God Only Knows here: https://www.youtube.com/watch?v=cXhEkug1G-QHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Peter Hammill has spent nearly six decades building the most devoted following imaginable – Bowie, Peter Gabriel and Mark E Smith among them. ‘Rock And Role' tells his invigorating story, beautifully illustrated with photos, cuttings, artwork and memorabilia. Author Joe Banks looks back at his life, impact and captivating way with words, and stops off at … … the value of looks and charisma in the days when labels hadn't the faintest idea of the future … how Hammill “created a world to live inside and broadcast from” … psychedelic cabaret with wolf masks and blood capsules … meeting Hammill's muse and former girlfriend Alice: “50 years later, each still think the other one left them” … “songs that ask the big questions about life” … discovering VDGG in 1984 (via Marillion) and piecing together their story in the days before the internet … public school, Gilbert & Sullivan and the Hallelujah Chorus … the influence of A Plague of Lighthouse Keepers on Genesis' Supper's Ready … his plans with Mark E Smith and how Bowie had every new album delivered to him all his life … Charisma, Tony Stratton-Smith and the freedom to experiment … the intensity of his following in Japan and Italy: “there's no such thing as a casual Hammill fan”. Order ‘Rock And Role' here: https://burningshed.com/store/kingmakerHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Deck the halls with cheese and Bolly! … and a dish of the usual rock and roll distraction which this week throws the following logs on the fire … … the greatest Xmas single ever? … Metal Machine Music, Cut the Crap, Two Sides of the Moon … can panned records ever be rehabilitated? … how Roxy Music invented ‘rock brand-value' and turned it into pictures … Joe Ely and the romance of songs about the American landscape … Rob Reiner and why that scene in When Harry Met Sally is the greatest marriage of people and ideas … the real-life moment that inspired Spinal Tap … “most American pop music is about geography” … "I keep my fingernails long so they click when I play the piano" … Jordan Carl Wheeler Davis? Michael Holbrook Penniman Jr? Mystery acts playing Wembley Arena … the British think America is “fabulous and otherworldly”. Americans think Britain is “quaint” … plus the magnificent McGarrigles' Christmas Hour, farewell Hofner and we name the Finnegan's Wake of rock music!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com.wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Beloved Australian songwriter Paul Kelly has just turned 70 – “it sounds Biblical, threescore years and ten.” He looks back here at the road he took to get there, from early days in Adelaide to the pub circuit to his catalogueof stirring and eloquent songs about the big issues of life and love, as Neil Finn says, “with not a trace of pretence or fakery”. You'll find … … the moment he felt he'd arrived … the story of How To Make Gravy – “a Christmas song with no chorus about a man in prison” – and Rita Wrote A Letter, its ghostly sequel … early records he loved – Tommy Roe, Peter Paul & Mary, Yes, Deep Purple, Frank Zappa, the “chaotic” Duke Ellington and Louis Armstrong … life on the Melbourne pub circuit playing Neil Young, Gram Parsons and Hank Williams … touring with Leonard Cohen – “a masterclass in performance, like a prayer, a ritual, like a Vaudevillian Rabbi” .. the storytelling songs of the Stanley Brothers, the Louvin Brothers and Buck Owens ... the great Calypso cricket tradition and the track he wrote about Shane Warne … “the odd-sock drawer”: the file in his computer where he stores early sketches … I'm In Love With A Blue Frog, the five chords that underpinned 50 years of songwriting! … the intricacy of Neil Finn's impressionistic lyrics … and the things you hear in your songs when someone else sings them. Order Paul Kelly's ‘Seventy' here: https://paulkelly.lnk.to/seventyHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Lucinda Williams was a teenage activist singing We Shall Overcome at protest marches and she's taken up the cudgels again on her new album World's Gone Wrong. She talks to us here from her home in Nashville about … … early inspirations - Dylan, Donovan, Joan Baez, Peter Paul & Mary, Buffy Sainte-Marie – and her love of Sandy Denny, Bert Jansch, Nick Drake and ‘60s British folk … playing Delta blues for tips at Andy's in Bourbon Street in 1971 … her sudden favourite Beatle switch – “Paul … then George!” … her Dad's Ray Charles and Hank Williams records … seeing jazz pianist Sweet Emma Barrett in Preservation Hall in the ‘60s and Hendrix at a New Orleans sports arena … the effect of her stroke in 2020 and having to re-learn the guitar – “I tend to write in G now as it's the easiest chord to play” … the allure of medieval murder ballads, “far too dark” for most Americans ... songs she always plays live (one by Neil Young) … finding her tribe in Nashville – “when I arrived people asked, ‘What church do you go to?' not ‘Do you go to church'?” … being “a quarter Welsh” … and the song she wrote about her president in 2018 – 'We have slow-danced with the devil/ We have swallowed the liquid of his lies' - and the new version she's just recorded. 2026 tickets here: https://www.lucindawilliams.com/tour Order World's Gone Wrong here: https://30tgrs.ffm.to/worldsgonewrongHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Shock, horror, public outcry and moments of moral turpitude plus with the usual news, rants and old hokum, which this week alights upon … … why Gene Simmons thinks “musicians are treated worse than slaves” ... the high noon of Madonna and her foil-wrapped Sex book … is Rufus Wainwright pop's most successful nepo-baby? … how CMAT forced Bertie Ahern to pull out of the Irish Presidency … the Stackwaddy Quiz: If I Had Legs I'd Kick You? Getting Killed? Sinister Grift? Pitchfork Album of the Year or an entry in the Berlin Film Festival? … from Mods & Rockers to illegal raves: pop scandals that hit the headlines … can we blame Gap for the moment kids started to dress the same? … was the death of Top Of The Pops the end of the pop consensus? … Fela Kuta, arrested 200 times … Jackson Browne, “never far from tragedy” … is ‘70s funk and soul the best driving music? … 42 year-old hears Hejira and the Stooges' Metallic KO for the first time … plus Tetsu Yamauchi RIP, David Sylvian in a converted ashram in New Hampshire and birthday guest Sandra Austin. CMAT's Euro-Country (which skewered Bertie Ahern): https://www.youtube.com/watch?v=nz8_HxITJF0&list=RDnz8_HxITJF0&start_radio=1 Dave Brubeck ‘playing' Golden Brown: https://www.youtube.com/watch?v=2Qs1J612nZsHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

UK Subs formed in 1976 when Charlie Harper was 32. They've had over 80 members, some of whom he can't remember. They never split up and are touring in 2026 to celebrate his 82nd birthday. “I vowed I'd keep playing as long at the Stones - which I'm now starting to regret!” After 50 years on the punk frontline, he's the first to see the humour in going deaf and “having to have the occasional sit-down”. This fond and honest conversation looks back at … … seeing the Stones at Ken Colyers' jazz club and drinking with them in the Porcupine … making £4 a day – “a fortune” – playing tube stations in 1964: “ex-buskers never get stagefright” … “dreadlocks, Afros, convoy cuts” – confessions of a teenage hairdresser … what he learnt from Joe Strummer and the 101-ers … his punk epiphany: seeing the Damned at the Roxy in 1976 … playing France's Hellfest to 30,000 people and why the spirit of ‘77 still burns on the West Coast … famous fans: Guns N'Roses, Hanoi Rocks, Dinosaur Jnr … the UK Subs' run-in with US Immigration … skiffle, Jesse Fuller, Woody Guthrie, Big Bill Broonzy, Donovan and mid-‘70s R&B …the onstage rigours of getting old: “I don't get adrenaline anymore and have to have the occasional sit-down!” … Where Did I Leave My Glasses? Why Did I Come Upstairs? – our fantasy tracks for the senior citizen! Order UK Subs tickets here: https://ww.uksubstimeandmatter.net/index.php?option=com_content&view=article&id=16899&Itemid=161Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The boys of the NYPD choir are still singing Galway Bay, so pour yourself a measure of the Rare Old Mountain Dew and warm your toes on the following … … Steve Lillywhite (in Bali!) remembers making Fairytale Of New York and how “a fiery redhead” kicked the Chrissie Hynde duet into touch … the most recent singer-songwriter you could call “a ledge”? … records we loved in our 20s but now feel a bit embarrassing … “discipline and economy, tension and release”: the immortal twangs and tweaks of Steve Cropper and how the MGs redefined the idea of a great record … Green Onions, I Thank You by Sam & Dave and the white heat of Otis Blue's 24-hour recording ... Tim Buckley's Greatest Misses ... performative listening: the exquisite awkwardness of the album playback! … the link between Imogen Heap and the Hissing of Summer Lawns … Jon Bon Jovi's version of Fairytale – “so bad they had to turn the YouTube comments off!” … plus Gram Parsons, the cult of the Blues Brothers, the Monochrome Set and a quiz from birthday guest Peter Petyt: spot the Hepworth/Ellen reviews of yesteryear! The new live version of Fairytale of New York: http://pogues.lnk.to/FONYLiveGlasgow1987 Josh Smith demonstrating Steve Cropper's guitar parts: https://youtu.be/LJEIwggKAsg?si=29weA4tBQE6ccj1-Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glorious news! The Undertones, dependable symbols of eternal youth, are setting out on a 50th anniversary tour in 2026, still playing Teenage Kicks and Here Comes the Summer in their mid-60s. Damian O'Neill joined when he was 14 and can't believe it either. He looks back here at … … their first gig in a scout hall - “Feargal was a Scout leader!” - and their second for 1,000 schoolkids at St Joseph's in Derry … the world-wide appeal of their Irish identity and why “America never got us” … David's memories of interviewing them for Smash Hits in 1979 the day they thought “we're finished” ... “We were anti-pretension!” … seeing Horslips, Rory Gallagher, the Blockheads, Eddie & the Hot Rods and the Lurkers … joining the band at 14 and playing Beatles, Stones, Them, Cream and Dr Feelgood covers … parkas, Millets jeans and the Derry boot-boy look. “If you dressed up in those days you ran the risk of getting your head kicked in” … being in the band's HQ the night Peel played Teenage Kicks twice in a row … songs about “love and lack of love” – and girls and chocolate … how it feels to be on Top Of The Pops and then watch your single go down the charts … their first visit to a studio (Wizard in Belfast) and self-producing Teenage Kicks with just an engineer – and still playing it in your mid-60s … and a heartfelt apology to the people of Blackburn! Order tickets for the Undertones 50th Anniversary tour here: https://www.ticketmaster.co.uk/the-undertones-tickets/artist/959984Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What's the greatest bassline on record? … what you notice watching the new Beatles' Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what's “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper's Delight … whalebone corsets, butchers' knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder's isolated bass on the Jackson 5's' I Want You Back': https://www.youtube.com/watch?v=z91l_lPz1ocHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Boo Hewerdine, beloved singer-songwriter, has been onstage for 40 years in venues of every type, shape and size. He thinks of himself as a “tradesman”, a world that's immensely satisfying but a tough call. This very funny, poignant podcast paints a vivid picture of the best and worst of times. Which include … … playing scout huts, libraries, churches, folk clubs and the Palladium … the world's best dressing-room (it's in Stroud) and worst venue (Pittsburgh) … “the engine inside you that makes you want to be onstage” … places that only suit “a lute being played with a feather” … a home birthday show with no audience and the chilling lyrics of Chris Difford's ‘Round The Houses' … the joy of writing for commission … seeing Dr Feelgood in 1975 … what's satisfying what gives you pause for thought … the brilliant Ballad Of Wallis Island, streaky bacon as a bookmark and the kind of Travelodge with a bottle-opener attached to the desk. All things Boo: https://boohewerdine.com / @boohewerdine ‘Things Found In Books': https://yvonnelyon.bandcamp.com/album/things-found-in-booksHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

News, rants, theories and curios which this week includes …. … how Mani made the Stone Roses swing … Mick & Keith, Meg & Jack, Hall & Oates, Neil & Chris … ‘Sliding Doors' encounters that changed the landscape … the glorious sound of profanity on records! … what makes you a legend in county music? … the subtle genius of Nicky Hopkins' session work .. would Elvis have happened without Marion Keisker? … Willie Nelson – “a face like Mount Rushmore, a voice like the whole hinterland of America” … ever catch yourself listening to something and think ‘how would I explain this to an observer?' … the music you hear when 14 stays with you all your life … the singles charts of 1978 – Terry Wogan next to John Otway! Arthur Mullard and the Stranglers! Nick Lowe and Ally's Tartan Army! … why Lucinda Williams is an open book … when XTC went pastoral … 42 year-old hears Clear Spot and Raw Power for the first time! ... plus the Wrecking Crew, a Libertines Xmas sweater, birthday guest Dean Roderick and the time Emmylou Harris had two puddings. Pig's Boogie by the Jerry Garcia Band: https://www.youtube.com/watch?v=Sd0357IsE9kHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

“All bands are sad stories,” Peter Doggett points out, but is there a more woven, moving and, at times, farcical tale than that of the Beach Boys? It gives the sound of them a greater melancholy and resonance with every passing year. As his fascinating new book Surf's Up reveals, nothing that happened is straightforward and very little as simple as it sounds. We talk here about … … Dennis Wilson and the Beach Boys' creation myth … what started their revival … why they'd never have survived beyond 1962 without Mike Love … was Derek Taylor's ‘Brian is a genius' campaign partly to explain his procrastination and eccentricity? … the chaos of SMiLE and the long shadow of the Beatles … Murry Wilson's “superstar” ambitions and original plan for the group … the days when they looked like Old Testament prophets or hippies from Central Casting … Dennis and Manson, Carl v the draft, Mike Love's arrest … scandals that would have sunk them in the days of social media … the “Brian as victim trope” and his extraordinary appearance on “The Tension Behind the Music” … when Bart Simpson turned them down … can anyone name a good Beach Boys album cover? … and the band's future, a controlled touring franchise with no original members Order Peter Doggett's ‘Surf's Up: Brian Wilson & the Beach Boys' here: https://www.amazon.co.uk/Surfs-Up-Brian-Wilson-Beach/dp/1917923341Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Five decades of rock and roll with none of the names redacted. In the despatches this week … … Kevin Rowland? Adam Ant? Toyah? Morrissey? Which Smash Hits cover stars are now ‘legends'? … a classic encounter with Van Morrison down a Bristol alley … the boy who mailed dead rodents and Boomtown Rats singles to radio stations became Pope Leo XIV! … 25 recent big-name Hollywood films all flopped. Are robots the new movie stars?… was Sticky Fingers the last Stones album with songs? … best nights out for a tenner … RIP Gilson Lavis and Donna Godchaux ... the daft rituals of the '70s ‘slow dance' … when Percy Sledge was a hospital porter … “Run for your life, it's Eater!” … Tom Waits' on-brand luggage, Boo Hewerdine and birthday guest Mike Sketch on the joy of gigs on your own (and in a scout hut in Staveley).Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Musicians have flirted with Nazi imagery since the ‘60s, lampooning its theatre, absorbing its style, exploiting its shock value, even promoting its ideology. Daniel Rachel's new book ‘This Ain't Rock ‘N' Roll' points up extraordinary examples – “from Tommy Steele to Kanye West” - and how our reaction intensified over the years. Which leads us to … … parallels between stadium rock and the Nuremberg rallies … hearing the Sex Pistols' Belsen Was A Gas and seeing their Nazi insignia at the age of 12 … David Bowie's German memorabilia and belief that “Hitler was the first rock and roll superstar” – and the doctored photo of his “Nazi salute” at Victoria Station … Bernie Rhodes versus Malcolm McLaren on the “reclaiming of the swastika” … the lyrics and imagery of the Siouxsie & the Banshees … Viv Stanshall and Keith Moon's atrocious visit to Golders Green ... the German invention of the tape machine that started the record business … “I'm not the Simon Wiesenthal of rock and roll!” … Joy Division, New Order, K-Pop, Brian Jones and his SS uniform, Ron Asheton of the Stooges, John Lennon, Lemmy, Blue Oyster Cult, “Adolf Hitler on vibes”… “Rock and Roll has a duty to recognise its downfalls”. Order ‘This Ain't Rock ‘N' Roll: Pop Music, the Swastika and the Third Reich' here: https://www.waterstones.com/book/this-aint-rock-n-roll/daniel-rachel/9781399635721Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dan Jennings' podcast ‘Desperately Seeking Paul' is so successful he's used 250 of the interviews in a best-selling oral history. ‘Dancing Through The Fire' has voices from right across the spectrum – family members, band members, writers, pluggers, label bosses, collaborators and famous fans. He talks to us here about … … Weller's real name and when he changed it by deed poll … a theory about bands formed in towns not cities … the handbrake turn from the Jam to the Style Council – one minute the intense young man cutting out his press clippings, the next espadrilles, singing in French and “nibbling Mick's ear on the River Cam” … Weller's “very English” need to be heard and respected - but not loved … the role of his manager father in the Jam's success, the days when the family phone number was in the Fan Club ads ... how Noel Gallagher engineered a Bono/Weller photo op … Paul's glorious chippiness – Band Aid, the pop press, “offering a journalist out for a fight in Victoria Park” ... John and Paul Weller and echoes of Only Fools And Horses … when the Jam played ice rinks and swimming pools … the cab-driver gossip grapevine … cutting 1.5 million words to 250,000 and the book's biggest revelations and surprises. Order a copy of Dancing Through The Fire here: https://geni.us/dancingthroughthefireHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.