Podcast appearances and mentions of larry keith

On writing a book with Digger Phelps and projecting the greatness of Clint Hurdle; on the golden era of print magazines; on Dan Jenkins and Frank Deford and Mark Kram; on watching his beloved publication morph and change; on the legendary editor who smelled of body odor.

Patreon: https://bit.ly/3v8OhY7 Larry Keith is the Head of Conservation and Keeper of the National Gallery of London, where he preserves and maintains some of the world's most precious works of art, including paintings by Leonardo, Caravaggio, and Rubens. In this episode, Robinson and Larry discuss what goes into a conservator's appraisal of an artwork, some of the tools and techniques of the job, and how Larry has treated a number of famous paintings, such as Leonardo's Virgin of the Rocks and Caravaggio's The Boy and a Lizard. OUTLINE 00:00 In This Episode… 01:08 Introduction 03:19 Piere Menard and Borges 11:01 Conserving Da Vinci's Virgin of the Rocks 23:28 What Goes into Conserving a Renaissance Masterpiece? 51:00 Conserving Caravaggio's Masterpieces 01:17:32 On Authorship and Paul Rubens' Drunken Silenus Robinson's Website: http://robinsonerhardt.com Robinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University. Join him in conversations with philosophers, scientists, weightlifters, artists, and everyone in-between.  --- Support this podcast: https://podcasters.spotify.com/pod/show/robinson-erhardt/support

Jamie deRoy discsses her father backing "The Pajama Game" and "Damn Yankees"; her dad being a big fan of Broadway; getting advice from Harold Prince her senior year of high school to stay in Pittsburgh; her leaving for NY fter one year in college; working with Larry Keith and Margot Moser; Sidney Simon; Margot Moser wants her to stay in NY and take voice lessons with her teacher; getting cast in The Drunkard; becoming friends with its musical coordinator, Barry Manilow; getting hired in the mountains and having Barry write the charts; not writing patter; opening for Irving C. Watson; being a popular opening act with comedic songs; opening for Joan Rivers; performing in the Monkey Bar with Crandall & Charles and Mel Martin; Norman Steinberg; Jeffrey Richards has Jamie watch The Complete Works of William Shakespeare Abridged; she becomes co-producer; revival of show is paused by 9/11; producing Mr. Saturday Night; it was supposed to follow The Lehman Trilogy but COVID hit; Jamie performs a duet with Tyne Daly at a benefit for Primary Stages; COVID closed Broadway; many people quit acting; a British cast gets stranded in NY; Jamie gets COVID in October 2022; producing Beetlejuice, Tina, Fiddler on the Roof, Angels in America and The Inheritance; two most emotional theatre events - the end of The Inheritance and the first "Jamie deRoy and Friends" which paid tribute to cabaret critic Bob Harrington in 1992; producing The Lion, The Two of Us (with Jay Johnson) and Say Goodnight Gracie (with Frank Gorshin); seeing understudies; co-starring with Rene Auberjonois in Threepenny Opera; how sitting next to Martin Scorcese got her cast in Goodfellas and how leaving to go to Cannes got her a bigger part that wasn't cut; appearing in See No Evil, Here No Evil; recording nine albums; her TV show of over thirty years, Jamie deRoy and Friends; what shows she has currently out and about to come out; working with Judy Gold; and making sure to tape everything.

The US has no ban on the execution of people with mental illnesses. Many states have considered legislation to exclude the mentally ill from execution, but none have taken that step yet. The Supreme Court has stated a defendant’s mental illness “must be taken into consideration as an important reason to spare his or her […]

Larry Keith dresse ici un historique des politiques de restauration de la National Gallery de Londres, depuis sa création en 1824. Tout cela permettant d'apporter un éclairage sur la relation entre restaurateur et conservateur. Intervention de Larry Keith, directeur du département de restauration, the National Gallery, Londres, enregistrée le 24 novembre 2010, dans le cadre du colloque " Conserver, restaurer demain. Quelles formations pour quels métiers ".

Table ronde présidé par Geneviève Gallot, ancienne directrice de l'Inp, directrice de l'École nationale supérieure des arts décoratifs ; Marie Berducou, maître de conférences, université Paris 1 - Panthéon Sorbonne ; Astrid Brandt-Grau, ancienne directrice des études du département des restaurateurs, expert national détaché à la Commission européenne ; Gisella Capponi, directrice de l'Istituto Superiore per la Conservazione ed il Restauro, Rome ; Larry Keith, directeur du département de restauration, the National Gallery, Londres ; Janusz Krawczyk, professeur, responsable de l'enseignement d'histoire de la restauration et de la conservation, université Nicolas Copernic de Torun, Pologne ; Marie-José Mano, restauratrice, Istituto Superiore per la Conservazione ed il Restauro, Rome ; Anastasia Ozoline, restauratrice du patrimoine, département de restauration textile, musée Benaki, Athènes et Pilar Sedano Espín, directrice du laboratoire de restauration, Museo Nacional del Prado, Madrid. Interventions enregistrées le 24 novembre 2010, dans le cadre du colloque " Conserver, restaurer demain. Quelles formations pour quels métiers ".

We are proud to have Larry Keith as the BjjBrick coach of the year. Larry has been training martial arts for around 35 years. Larry is a third degree black belt in Kodokan Judo and a brown belt in BJJ. He enjoys mixing throws with ending up in a dominant position. This is a great interivew with a outstanding person that we We talk about: Starting his martial arts program having a large kids group He is a big guy and he talks about not using it too much How to turn a student into someone who can be more aggressive Starting his own dojo Working with the local boys and girls club helping to prevent bullying Zero tolerance policy in public schools Using a buddy system to prevent bullying The goals he has when teaching kids judo and jiu-jitsu Getting kids to do martial arts for their lifetime Kids and competing in tournaments Giving kids a leadership role on the mat The importance of a family atmosphere in BJJ Learning by teaching His plans for competing more Links: Dynamic Martial Arts in Roseburg Oregon Quote of the week: "Nothing can stop the man with the right mental attitude from achieving his goal; nothing on earth can help the man with the wrong mental attitude." Thomas Jefferson Lesson of the week: Dealing with traffic and taking a detour to still reach your goal. The Referee Corner “Epi 2 Sandbagging” starting at 1h33m Gary's audio book is called "rolling with ghost- breaking spirits instead of elbows" Please check out this video if you are interested in supporting The BjjBrick Podcast. The BjjBrick Wall of Support is being constructed and you can help Catch us next week for another episode of The BjjBrick Podcast The BjjBrick Podcast is in iTunes, Stitcher radio, and Google Play Music for Andriod

Inspired by his wife's North Carolina mountain childhood, J. Larry Keith wrote The Story of Virginia Johnson, an original song which he performs with the Lonesome Road Band.

Asheboro illustrator Rich Powell draws new life out of Andy Griffith's classic monologue about a country deacon's first football game. Then, the singing duo Letters from Home honors our nation's veterans with patriotic performances. Lastly, J. Larry Keith and the Lonesome Road Band perform The Story of Virginia Johnson, Keith's original song inspired by his wife's North Carolinian childhood.

Larry Keith, ‎Head of Conservation and Keeper at The National Gallery, LondonSat, February 24, 2018The way in which Rembrandt handled his paint—whether the immaculate finish of his early works, or the so-called rough manner of his later paintings—has been important to an appreciation of his works. His technical mastery always was valued as a vehicle of expression. As his fame and the value of his works increased over the centuries, the nature of his method also became a principal means of deciding attribution. As such, Rembrandt’s technique has become a subject of study in its own right, one with a fascinating and shifting relationship with contemporary ideas about taste, connoisseurship and conservation. This study, and the significant role played by the National Gallery’s scientists, curators and conservators, is the subject of Larry Keith’s talk.Presented in conjunction with Rembrandt’s ‘Self Portrait at the Age of 34’ on loan from The National Gallery, London.